Am 21. Mai veröffentlicht Allison Russell ihr Solodebüt ”Outside Child” (produziert von Dan Knobler) auf Fantasy Records. Russell, Dichterin, Sängerin, Songwriterin, Multi-Instrumentalistin und Mitbegründerin der Bands Our Native Daughters und Birds of Chicago, offenbart auf dem Album ihre Jugend in allen Einzelheiten. Zur ersten Single Nightflyer gibt es ein unterstützendes Musikvideo, bei dem Silvia Grav Regie führte.
Die Platte enthält Beiträge von vielen der künstlerischen Familienmitglieder, die sie dort gefunden hat, darunter Yola, Erin Rae, The McCrary Sisters, Ruth Moody, Produzent Dan Knobler, Jamie Dick, Joe Pisapia und ihr Partner JT Nero. ”Es ging einfach darum, diese Songs auf die ehrlichste Art und Weise zum Leben und Atmen zu bringen”, sagt Russell. ”Wir haben gelacht, wir haben geweint. Und die Verbundenheit zwischen den Musikern, ich hoffe, die Leute können das auf der Platte hören. Es fühlte sich wie Magie an.”
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- A1: Little Girl Blue
- A2: It Don't Mean A Thing
- A3: I Loves You, Porgy
- A4: Come On Back, Jack
- A5: Plain Gold Ring
- A6: Work Song
- A7: Children Go Where I Send You
- B1: Forbidden Fruit
- B2: Cotton-Eyed Joe (Live At Town Hall)
- B3: My Baby Just Cares For Me
- B4: African Mailman
- B5: Love Me Or Leave Me
- B6: He's Got The Whole World In His Hands
- B7: Exactly Like You (Live At Town Hall)
Originally released as a 12” single in 1982, ‘Every Brother Ain’t A Brother’ was the final record from Brooklyn multi-instrumentalist and producer Freddie Thompson’s Panaché band. Built around a fully cleared sampled bassline from ‘The Message’ by Grandmaster Flash & The Furious Five, ‘Every Brother Ain’t A Brother’ plays out like a summertime stroll through New York in the early 80s. The streets are full of excitement, but as the lyrics, written by vocalist Denise Williams (not to be confused with Deniece Williams of ‘Let’s Hear It For The Boy’ fame) make it clear, they’re dangerous as well.
Thirty-nine years later, Isle of Jura is proud to present the first official 12” reissue of ‘Every Brother Ain’t A Brother’. A cult classic from the disco-rap era, the reissue includes the original vocal and instrumental versions of ‘Every Brother Ain’t A Brother’ plus a Jura Soundsystem special version with additional live percussion.
Originally made up of Freddie, his wife, the singer Debra Thompson and keyboardist Douglas Glover, Panaché formed at the behest of a local disco DJ, Carl Nelson. In the wake of Chic’s early singles, Carl felt a French name would give Freddie a competitive edge. “He explained it to us that it was a French word for style and elegance. Panaché, a step above chic,” Freddie reflects.
Business minded, Freddie formed his own label, Roché Records and joined SIRMA - The Small Independent Music Manufacturers Association. “It was very hard for the independent manufacturers to get airplay and distribution at the time, so we all came together,” he remembers. Through SIRMA, Freddie met Joe and Sylvia Robinson from Sugar Hill Records, who several years later, let him sample ‘The Message’ for ‘Every Brother Ain’t A Brother’.
In 1979, Panaché scored some radioplay when they covered ‘Not On The Outside’ by ‘60s D.C R&B group The Moments. Emboldened, they brought onboard backing vocalists and recorded their only album. This Is Panache saw the band blurring the boundaries between soul, jazz-funk and disco and become a sought after collectible.
By 1982, Debra had stepped back, and one of Panaché’s backing singers was center stage, Denise Williams. “Denise was good with writing poetry,” says Freddie. "She had one called ‘Every Brother Ain’t A Brother’. It was about the unrest that was going on in the city at the time. I thought I could do something with that.”
After releasing ‘Every Brother Ain’t A Brother’ in 1982, Panaché quietly moved from center stage to behind the scenes. Over the last thirty-nine years, Freddie has continued to work in the music industry as a session musician and producer. “As soon as we stopped trying to become stars as Panaché, we became busy working in the industry,” Freddie laughs.
This reissue of Cannonball Adderley’s classic 1958 Bluenote album ‘Somethin’ Else’ features Adderley on alto sax, Miles Davis on trumpet, Hank Jones on piano, Sam Jones on bass and Art Blakey on drums.
The bonus Riverside album, ‘Portrait of Cannonball’, recorded in 1958 includes Cannonball Adderley, alto sax; Blue Mitchell, trumpet; Bill Evans, piano; Sam Jones, bass; Philly Joe Jones, drums. The 20-page booklet contains complete information with specially prepared liner notes by Penguin Guide to Jazz’s writer Brian Morton and by France’s prestigious Jazz Magazine. “ ‘Autumn Leaves’ and ‘Love for Sale’ will never mean the same after listening to this album, this masterpiece of the 1950’s which hasn’t aged at all.” Jazz Magazine
Mackenzie Scott currently records and performs as TORRES. She was raised in Macon, GA and now resides in Brooklyn, NY. She was also voted class clown her senior year of high school, though you’d never know it.
‘TORRES’ is the self-titled and self-released debut album, recorded at Tony Joe White’s home studio in Tennessee, and originally released in 2012. Subsequent albums have been released on labels such as Partisan and Merge.
- A1: Art Blakey Big Band Feat. John Coltrane - Pristine (Take 2)
- A2: Fred Johnson - A Child Runs Free
- A3: George Benson - Along Comes Mary
- A4: Charles Mingus - Boogie Stop Shuffle
- A5: Gordon Beck - The Hustler
- A6: Lorez Alexandria - Send In The Clowns
- B1: Dizzy Gillespie - Chega Dee Saudade (No More Blues) (Take 2)
- B2: Letta Mbulu - What's Wrong With Groovin
- B3: Joe Williams With Thad Jones & The Mel Lewis Orchestra - Get Out Of My Life Woman
- B4: Oscar Brown Jr. - Work Song
- B5: Grant Green - The Final Comedown
- B6: Jeremy Steig - Howling For Judy
Das von der Kritik gefeierte Comeback-Album der Go-Go’s aus dem Jahr 2001, ”God Bless The Go-Go’s”,
feiert sein 20-jähriges Jubiläum und erscheint neu aufgelegt in CD und Digitalformaten sowie erstmals als
blaue 140g Vinyl.
Die Deluxe-CD und die digitalen Versionen enthalten ein neues Cover und die Bonustracks ”I Think I
Need Sleep“ und ”King of Confusion.”
Mit Charlotte Caffey (Leadgitarre, Keyboards, Gesang), Belinda Carlisle (Leadgesang), Gina Schock (Schlagzeug,
Percussion, Gesang), Kathy Valentine (Bassgitarre, Gesang) und Jane Wiedlin (Gitarre, Gesang), war ”God
Bless The Go -Go’s” das erste Studioalbum der Band seit 17 Jahren nach ”Talk Show” aus dem Jahr 1984
und erreichte #57 der Billboard Charts. Das Album wurde von Paul Kolderie und Sean Slade (Radiohead,
Hole) produziert und featured Green Days Billie Joe Armstrong auf der Single „Unforgiven“, Rame Jaffee
(The Wallflowers, Foo Fighters) auf ”Here You Are” sowie Roger Manning (Jellyfish, Imperial Drag und
The Moog Cookbook) auf dem Track ”Daisy Chain.”
“Some of the most extraordinary songs I’ve heard in years.” Brian Eno
Les Disques du Crepuscule presents The Salt Garden (Landscaped), an album of extended pieces by acclaimed quiet music ensemble Fovea Hex, featuring longform remixes by British songwriter and producer Steven Wilson and Serbian soundscape artist Abul Mogard, as well as a previously unreleased mix by Peter Chilvers.
Formed in 2005 by Irish musician Clodagh Simonds, Fovea Hex have since released 3 albums (Neither Speak Nor Remain Silent, Here Is Where We Used to Sing and The Salt Garden), drawing favourable comparisons with Nico, This Mortal Coil, Ligeti and even Schubert.
The Salt Garden (Landscaped) is pressed on crystal clear vinyl, and comes packaged with a CD version featuring 4 tracks in total. The outer sleeve is printed in white reverse board and features an image taken by Crepuscule designer Joel Van Audenhaege during a recent trip to Greenland. The inner bag offers detailed liner notes as well as an interview with Clodagh.
As well as Steven Wilson and Abul Mogard, other high-profile admirers include film director David Lynch, who invited the group to play at his Cartier Foundation exhibition in Paris in 2007, and Brian Eno, who has described Clodagh’s work as “some of the most extraordinary songs I’ve heard in years.”
The Salt Garden (Landscaped) gathers together 3 long ambient remixes of tracks from the Salt Garden EP trilogy, originally released between 2016 and 2019. The core album is pressed on crystal clear vinyl and showcases ‘Solace’ and ‘Is Lanza Light & Given’, both re-worked by musical polymath Steven Wilson. “I’ve long been a fan of Fovea Hex,” explains Steven, “which for me is some of the most sublimely beautiful music ever recorded. It’s a mix of electronic and acoustic sounds played on instruments ranging from state-of-the-art to ancient and arcane.”
As well as the two tracks reworked by Steven, the bonus CD enclosed with the vinyl album also finds room for ‘We Dream All the Dark Away’, the widely-acclaimed re-interpretation by Abul Mogard of ‘All Those Signs’ from the Salt Garden II EP. By turns haunting and sinister, but always beautiful, the piece features vocals by both Clodagh and Brian Eno, as well as cello by Kate Ellis, and modular synth and effects by mysterious soundscaper Mogard.
An additional special bonus track on the CD is an unreleased remix of lesser -known 2015 digital single ‘By the Glacial Lake’ made by musician Peter Chilvers, best known for his collaborations with Brian Eno, Karl Hyde, Chris Martin and Tim Bowness.
“I feel truly honoured!” says Clodagh Simons, who began her career in cult folk-psyche band Mellow Candle, and since then has guested on albums by Mike Oldfield, Thin Lizzy, Russell Mills, Matmos, Current 93 and Steven Wilson. “It’s been fascinating to witness how these pieces have been so imaginatively and skilfully revisioned in the hands of Steven, Abul and Peter. Each piece has emerged into a completely fresh new light, with a different vibrancy, yet remains grounded in what was there before.”
"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.
Reprint of Radio Martiko’s 2nd single from 2015. As online prices of the first pressing went up to 60 euros, a reprint was much needed.
Two bodies dancing hot in the New York City winter before being pushed inside for the rest of 2020. Two hearts that, in the span of 6 months, faced the loss of both of their mothers, the matriarchs that bore them to this planet full of wonder. They held on tight to the beauty of living, together. With this shared language and the confines of quarantine they lost and loved even harder. Battling packed boxes and lost jobs, the two celebrated their tragic journey with broad shoulders forcing power chords and the harmonized chants of utter release. They huddled together for the future while leaking their hearts into pop melodies that collide effortlessly with both a shared melancholy and simultaneous hope. MAN ON MAN (also M.O.M.) is a new gay lover band made up of Joey Holman (HOLMAN) and Roddy Bottum (Faith No More, Imperial Teen, CRICKETS, Nastie Band). Their upcoming self-titled record, MAN ON MAN, is infused with indie-rock distortion and soaked in gay pop confidence while still maintaining the dry acerbic sense of humor they both share. M.O.M.'s music videos take their magical collaboration to another level with otherworldly cinematographic dimension, and of course, the subversive playfulness of two gay lovers unmistakably flirting with their audience and each other. Upon the release of their debut single, “Daddy”, their video (chock full of the pair dancing seductively in their white briefs) was removed from YouTube for violating their “sex and nudity policy.” At this moment, the band solidified their political visibility as queer artists who are not ok with being silenced or removed from history because of their age or size. Bottum told Rolling Stone, “There’s enough representation in the gay community of young, hairless pretty men." Roddy and Joey’s love for each other and their own bodies, histories, and truths are what make this project so tender and lovable. MAN ON MAN’s music transcends both genre or decade, creating a timeless appeal for so many kinds of listening. The varied influences and textures of the record are a meditation on the myriad of emotions of lockdown, as well as this particular moment in their own lives, collectively and independently. The shoegaze whirlpools of “Stohner” transition into the square wave synths of “1983” with ease, while tracks like “It’s So Fun (To Be Gay)” open us up to a new type of queer anthem for the 2020s.
- 1: Evil Star (Live In London ?9)
- 2: Mars For The Rich (Live In London ?19)
- 3: I?M In Your Mind (Live In London ?19)
- 4: I?M Not In Your Mind (Live In London ?19)
- 5: Cellophane (Live In London ?19)
- 6: The Great Chain Of Being (Live In London ?19)
- 7: Plastic Boogie (Live In London ?19)
- 8: Crumbling Castle (Live In London ?19)
- 9: This Thing (Live In London ?1)
- 10: Boogieman Sam (Live In London ?19)
- 11: Mr. Beat (Live In London ?19)
- 12: Evil Death Roll (Live In London ?19)
- 13: Venusian 2 (Live In London ?19)
- 14: Planet B (Live In London ?19)
- 15: Rattlesnake (Live In London ?19)
- 16: Float Along - Fill Your Lungs (Live In London ?19)
Live at Alexandra Palace, London, England, October 5th 2019
Recorded by our sound crew:
Sam Joseph, Stacey Wilson, Gaspard De Meulemeester
Drums: Michael Cavanagh
Guitar / Keys: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker
Mixed by Stu Mackenzie
Cover design by Jason Galea
- 1: Evil Star (Live In Paris ?9)
- 2: Venusian (Live In Paris ?19)
- 3: Perihelion (Live In Paris ?19)
- 4: Crumbling Castle (Live In Paris ?19)
- 5: The Fourth Colour (Live In Paris ?19)
- 6: Deserted Dunes Welcome Weary Feet (Live In Paris ?19)
- 7: The Castle In The Air (Live In Paris ?19)
- 8: Muddy Water (Live In Paris ?19)
- 9: People-Vultures (Live In Paris ?1)
- 10: Mr. Beat (Live In Paris ?19)
- 11: Hot Water (Live In Paris ?19)
- 12: This Thing (Live In Paris ?19)
- 13: Billabong Valley (Live In Paris ?19)
- 14: Nuclear Fusion (Live In Paris ?19)
- 15: Anoxia (Live In Paris ?19)
- 16: All Is Known (Live In Paris ?19)
- 17: Boogieman Sam (Live In Paris ?19)
- 18: Mars For The Rich (Live In Paris ?19)
- 19: Am I In Heaven? (Live In Paris ?)
Live at L'Olympia, Paris, France, October 14, 2019.
Recorded by our sound crew:
Sam Joseph, Stacey Wilson, Gaspard De Meulemeester
Drums: Michael Cavanagh
Guitar / Keys: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker
Mixed by Stu Mackenzie
Cover design by Jason Galea
- 01: A Higher Place
- 02: Hard On Me
- 03: Cabin Down Below
- 04: Crawling Back To You
- 05: Only A Broken Heart
- 06: Drivin’ Down To Georgia
- 07: You Wreck Me
- 08: It’s Good To Be King
- 09: House In The Woods
- 10: Honey Bee
- 11: Girl On Lsd
- 12: Cabin Down Below (Acoustic Version)
- 13: Wildflowers
- 14: Don’t Fade On Me
- 15: Wake Up Time
- 16: You Saw Me Comin’
Finding Wildflowers (Alternate Versions) - the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators - will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe version of 2020’s Wildflowers & All The Rest, will now be available on standalone CD & vinyl and digitally for the first time.
The first track to be released is “You Saw Me Comin’,” a previously unreleased song and recording from 1992 and the final track on the collection, which will be premiering alongside a video directed by Joel Kazuo Knoernschild and Katie Malia. Reflecting upon recording “You Saw Me Comin’” for Wildflowers, Heartbreaker Benmont Tench notes, “There’s this kind of longing in the song, in the way that he wrote the chord structure, the melody and the lyrics. It’s wistful, and it would have been the perfect way to end the disc.”
Finding Wildflowers (Alternate Versions) follows Wildflowers & All The Rest which was hailed by Rolling Stone as “the definitive artistic statement that newly illuminates one of the most fruitful, inspired periods of the American legend’s career,” and by Variety, who called it “the best and most justified boxed set of this kind since the Beatles’ White Album compendium.” In fact, the songs on Finding Wildflowers (Alternate Versions) first initiated the estate’s discovery and curation process for the larger project.
Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.
The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process and finding the group willing to do whatever it took to discover the essence and magic in the material.
- A1: Bemidji, Mn (Fargo Series Main Theme)
- A10: Murderous Tundra
- A11: Dullard
- A12: Fish Head
- A13: Lester Running
- A2: The Long Road Home (Paint Cans) (Paint Cans)
- A3: Molly Looks For Lester
- A4: Murder
- A5: The Deer
- A6: The North
- A7: Malvo's Theme
- A8: Wrench & Numbers
- A9: Stavros' Prayer
- B1: Bad Idea
- B10: Malvo (Eyes Wide) (Eyes Wide)
- B11: Gus & Molly
- B12: Malvo's Briefcase
- B13: Thin Ice
- B14: Bemidji, Mn (Reprise)
- B15: Highway Snow (Fargo Series End Credits)
- B2: Homecoming
- B3: Lester As Malvo
- B4: Gus (Part 2)
- B5: Malvo Reinvents
- B8: Trading Places
- B9: Malvo Retreats
- B6: The Parable (Gus' Theme) (Gus' Theme)
- B7: Poor Demitri
“This is a true story”
Fargo is a fantastic dark comedy-crime drama television series created and written by Noah Hawley and inspired by Joel & Ethan Coen’s 1996 movie of the same name. Both Coen brothers serve as executive producers on the series. The show stars Martin Freeman (The Hobbit trilogy), Billy Bob Thornton, Bob Odenkirk (Breaking Bad, Better Call Saul) and more.
The soundtrack features selections from the show’s original music composed by Jeff Russo (Power, Necessary Roughness, About Cherry). Its score is well done, with different motifs or instruments assigned to different characters. For Lester Nygaard (Martin Freeman’s character) it’s that nearly-whimsical main theme. For the drifter Lorne Malvo (Thornton’s character) it’s sleigh bell chimes that represent his animalistic nature coming out.
This is a limited edition contains of 666 individually numbered copies on transparent green vinyl. The package includes an insert with pictures of the characters.
Pekka Laine is leading a double life. There is his daytime persona, a longstanding journalist and maker of award-winning documentary series for radio and television. Then there is the other side to him that comes out at night: the guitar player and DIY-composer. As a driving force of The Hypnomen, a band with a cult following, Laine has explored the world of instrumental music since the 1990s. In his intrepid journeys from primitive noise art to the spheres of soulful psychedelia, he has now reached one important milestone. As a result of a series of unpredictable twists and turns, Pekka Laine’s first solo album was born. The making of the album has been a highly personal journey. It is a declaration of his undying love of the enchanted instrument that is the electric guitar and the cosmic echoes that tie together the primal 1960s space sounds, psychedelia, dub music and weird film soundtracks to form one futuristic continuum. What started as an innocent and unexpected email in last March has turned into a process mentored by Esa Pulliainen, the fearless leader of the legendary band Agents. From his seat behind the mixing console, the guitar legend captured the sound waves and created the right mood. Multi-instrumentalist and producer Toni Liimatta, a serious alchemist in the world of instrumental music, added his invaluable expertise and experience. The spirit during the sessions where Laine’s compositions were transformed from dreamy ideas into reality was free and almost childlike in zeal. No holds were barred and nothing could stop the stream of influences, associations and sounds ricocheting off the studio walls. Joe Meek, electronic space sounds, Spaghetti Westerns, experimental tape music, London, California, Moscow, Jane Birkin, library music, Björn Olsson, Link Wray, early hip hop, the Wrecking Crew, folk, Roy Anderson’s films – there was no end in sight when the party started raving about all things inspiring. The music, however, is authentic. It came straight from the composer’s own head and heart.
- A1: Evil Star (Live In London ?19)
- A2: Mars For The Rich (Live In London ?19)
- A3: I?M In Your Mind (Live In London ?19)
- A4: I?M Not In Your Mind (Live In London ?19)
- A5: Cellophane (Live In London ?19)
- A6: The Great Chain Of Being (Live In London ?19)
- B7: Plastic Boogie (Live In London ?19)
- B8: Crumbling Castle (Live In London ?19)
- B9: This Thing (Live In London ?19)
- C10: Boogieman Sam (Live In London ?19)
- C11: Mr. Beat (Live In London ?19)
- C12: Evil Death Roll (Live In London ?19)
- C13: Venusian 2 (Live In London ?19)
- D14: Planet B (Live In London ?19)
- D15: Rattlesnake (Live In London ?19)
- D16: Float Along - Fill Your Lungs (Live In London ?19)
500 copies on MAGENTA NEON VINYL
Live at Alexandra Palace, London, England, October 5th 2019
Recorded by our sound crew:
Sam Joseph, Stacey Wilson, Gaspard De Meulemeester
Drums: Michael Cavanagh
Guitar / Keys: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker
Mixed by Stu Mackenzie
Cover design by Jason Galea
- 1: Evil Star (Live In Brussels ?9)
- 2: Venusian (Live In Brussels ?19)
- 3: Superbug (Live In Brussels ?19)
- 4: The Lord Of Lightning (Live In Brussels ?19)
- 5: Alter Me Iii (Live In Brussels ?19)
- 6: Altered Beast Iv (Live In Brussels ?19)
- 7: People-Vultures (Live In Brussels ?19)
- 8: This Thing (Live In Brussels ?19)
- 9: Sense (Live In Brussels ?1)
- 10: The Wheel (Live In Brussels ?19)
- 11: The Bird Song (Live In Brussels ?19)
- 12: Down The Sink (Live In Brussels ?19)
- 13: Work This Time (Live In Brussels ?19)
- 14: Robot Stop (Live In Brussels ?19)
- 15: Big Fig Wasp (Live In Brussels ?19)
- 16: Gamma Knife (Live In Brussels ?19)
- 17: Float Along - Fill Your Lungs (Live In Brussels ?19)
500 copies on VIOLET NEON VINYL
Live at Ancienne Belgique, Brussels, Belgium, October 8th and 9th 2019
Tracks 1-9 recorded on October 8th
Tracks 10-17 recorded on October 9th
Recorded by our sound crew: Sam Joseph, Stacey Wilson, Gaspard De Meulemeester
Drums: Michael Cavanagh
Guitar / Keys / Vocals: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker
Mixed by Stu Mackenzie
Cover design by Jason Galea
- 1: Evil Star (Live In Paris ?9)
- 2: Venusian (Live In Paris ?19)
- 3: Perihelion (Live In Paris ?19)
- 4: Crumbling Castle (Live In Paris ?19)
- 5: The Fourth Colour (Live In Paris ?19)
- 6: Deserted Dunes Welcome Weary Feet (Live In Paris ?19)
- 7: The Castle In The Air (Live In Paris ?19)
- 8: Muddy Water (Live In Paris ?19)
- 9: People-Vultures (Live In Paris ?1)
- 10: Mr. Beat (Live In Paris ?19)
- 11: Hot Water (Live In Paris ?19)
- 12: This Thing (Live In Paris ?19)
- 13: Billabong Valley (Live In Paris ?19)
- 14: Nuclear Fusion (Live In Paris ?19)
- 15: Anoxia (Live In Paris ?19)
- 16: All Is Known (Live In Paris ?19)
- 17: Boogieman Sam (Live In Paris ?19)
- 18: Mars For The Rich (Live In Paris ?19)
- 19: Am I In Heaven? (Live In Paris ?)
500 DOUBLE LPS ON YELLOW NEON VINYL!
Live at L'Olympia, Paris, France, October 14, 2019.
Recorded by our sound crew:
Sam Joseph, Stacey Wilson, Gaspard De Meulemeester
Drums: Michael Cavanagh
Guitar / Keys: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker
Mixed by Stu Mackenzie
Cover design by Jason Galea
Jump Salty contains the first songs by Pinhead Gunpowder, recorded
thirty years ago but sounding just as fresh today. This compilation
of singles and compilation tracks is back on vinyl for the first
time in over a decade! Originally a CD-only release on Lookout!
Records, this has been re-cut at 45rpm for the first time and comes
on limited indie-exclusive translucent gold vinyl! Sonically this LP
is a confluence of the bands from which members Aaron Cometbus
(Crimpshrine, Cleveland Bound Death Sentence, Sweet Baby), Billie
Joe Armstrong (Green Day, The Longshot), Sarah Kirsch (Fuel,
Baader Brains, Mothercountry Motherfuckers), and Bill Schneider
(Monsula, Uranium 9 Volt, Dead Sound) hail from.




















