Search:joe b
- A1: Bring It On
- A2: Guitar In The Corner
- A3: The Wall
- A4: Whenever You Come Around
- A5: Wives And Girlfriends
- A6: I Thought I Left You
- A7: Send Me A Picture
- B1: Used To Her
- B2: The Git Go (With Jamey Johnson)
- B3: Band Of Brothers
- B4: Hard To Be An Outlaw
- B5: Crazy Like Me
- B6: The Songwriters
- B7: I’ve Got A Lo T Of Traveling To Do
Band Of Brothers is the 63rd studio album by country music singer songwriter Willie Nelson. Produced by Buddy Cannon, the album was recorded by Nelson in October 2013 and March 2014. The sessions took place at Nashville’s Sound Emporium Studios with additional recordings at Pedernales Studio in Austin, Texas and The Hit Factory Criteria in Miami, Florida.
Nine of the fourteen tracks of the album consist of newly written compositions by Nelson, the most included in one of his album releases since 1996’s Spirit. The album includes covers of Vince Gill’s “Whenever You Come Around”, Gordie Sampson’s “Songwriter” and a duet with Jamey Johnson of Billy Joe Shaver’s “The Git Go”.
The video for the first single, “The Wall” premiered on May 6, 2014 by Rolling
Stone. The single “Bring It On” was later premiered on June 3 by ESPN Music.
Now available as a limited edition of 1000 numbered copies on transparent blue vinyl.
- A1: Charles Aznavour - Parce Que Tu Crois
- A2: Joe Simon - Before The Night Is Over
- A3: Ray Charles - I Got A Woman
- A4: Timmy Thomas - Why Can't We Live Together
- A5: Vera Hall - Trouble So Hard
- B1: Bob & Earl - Harlem Shuffle
- B2: Syl Johnson - I Hate I Walked Away
- B3: Dusty Springfield - Son Of A Preacher Man
- B4: The Persuasions - Good Times
- B5: Johnny Mathis - Come To Me
- B6: Millie Jackson - All The Way Lover
- C1: Etta James - Something's Got A Hold Of Me
- C2: Cb & The Ten Others With Axes - Rosie
- C3: Bobby "Blue" Bland - (If Loving You Is Wrong) I Don't Want To Be Right (If Loving You Is Wrong)
- C4: Bobby Caldwell - Open Your Eyes
- C5: Boom Clap Bachelors - Tiden Flyver
- C6: Galt Macdermot - Coffee Cold
- D1: Gene Chandler - Duke Of Earl
- D2: Marva Whitney - It's My Thing (You Can't Tell Me Who To Sock It To) (You Can't Tell Me Who To Sock It To)
- D3: Joe Simon - Walking Down Lonely Street
- D4: Lowrell - Mellow Mellow (Right On) (Right On)
he Finnish crooner, Bobby Oroza, is back with a new set of tunes that pick up right where his glorious 2018 debut album, This Love, left off. The A side 'I Got Love' is a sweet soul anthem for those with their priorities straight and an encouraging reminder to those who may have lost sight of what is truly important in life. Bobby has penned another hit. He sings about choosing love over all things material and recognizing what you have when you have it. Bobby sings an earworm of a chorus that sums it up perfectly, "I got love, and that's enough". The B side, 'Loving Body', is as seductive as it is profound. Bobby proposi- tions his love interest over a gorgeous Cold Diamond & Mink production for more than a light hearted love affair. Mr. Oroza is not your average Joe, and this is not your average roses and candy song. Bobby lays out his desire to become one loving body in the way two rivers become part of the sea. A beautiful song about attraction and desire that will be an instant staple in the sweet soul world and beyond.
In between steadily touring as a side woman for psych-soul LA staple, Chicano Batman, Nicky Egan has been stealthily plugging away with her New York based producer and Dap-Kings guitarist Joe Crispiano to complete her forthcoming LP "This Life". Driven by honest confessional songwriting and influenced by your favorite classic soul sounds, the record features a who's who of NY's most sought after players including Homer Steinweiss, Victor Axelrod, Brian Wolfe & Elizabeth Pupo-Walker, to name a few and will be released early this year on Transistor Sound Records, headed up in part by Colemine Record's soulster, Kelly Finnigan. Egan presents the debut 7" single, `Back To You', a fresh take on that classic 70's soul cruiser sound, that tells the tale of transience, growth and acceptance with B side "Run Run" a cinematic soul Bonnie and Clyde-esque portrait that kicks off with epic fuzz guitar lines followed by Egan's sultry vocals. Don't sleep on this B side that'll leave you feeling like you're in the back of that 1974 Maserati getaway car.
- A1: La La Land – 3:02
- A2: Unforgiven – 3:23
- A3: Apology – 3:57
- A4: Stuck In My Car – 3:36
- A5: Vision Of Nowness – 2:55
- A6: Here You Are – 4:01
- A7: Automatic Rainy Day – 3:17
- B1: Kissing Asphalt – 2:49
- B2: Insincere – 3:45
- B3: Sonic Superslide – 3:33
- B4: Throw Me A Curve – 3:11
- B5: Talking Myself Down – 3:55
- B6: Daisy Chain – 3:45
2001’s God Bless The Go-Go’s was the first new album released by LA legends The Go-Go's in 17 years following 1984’s Talk Show, which featured the hit “Head Over Heels”. The original lineup is intact for this 13-track outing, produced by Paul Kolderie and Sean Slade (Hole, Radiohead). Green Day's Billie Joe Armstrong is also featured on the first single, "Unforgiven."
To celebrate the 20th anniversary of the original release the CD and digital deluxe versions will include 2 bonus tracks, “I Think I Need Sleep" and “King of Confusion”
- Warm Canto (Mal
- Waldron)
- Allegretto, Symphony No
- 7: (Ludwig Van
- Beethoven)
- A Remark You Made (Joe
- Zawinul)
- Sintra (Joachim Kühn)
- Ponta De Areia (Milton
- Nascimento)
- Redemption Song (Bob
- Marley)
- Touch The Light (Joachim
- Kühn)
- Fever (John Davenport &
- Eddie Cooley)
- Blue Velvet (Bernie
- Wayne & Lee Morris)
- Stardust (Hoagy
- Carmichael)
- Purple Rain (Prince)
- Last Tango In Paris (Gato
- Barbieri)
- Peace Piece (Bill Evans)
The variety of Kühn’s pianism in this collection is
quite remarkable.
The listener is first welcomed into the inviting,
comforting and regular pulse of Mal Waldron’s
‘Warm Canto’. And yet later, by complete contrast,
Kühn’s own composition ‘Sintra’ gives a
masterclass in freedom, delay and the alchemical
art of keeping the listener waiting on tenterhooks.
Prince’s ‘Purple Rain’ is achingly soulful, whereas
Kühn found the encouragement to revisit Bill
Evans’ ‘Peace Piece’ from the dignity and restraint
of classical pianist Igor Levit’s version.
LP pressed on 180g vinyl.
- A1: Joe Simon - Theme From Cleopatra Jones
- A2: Dee Edwards - Why Can't There Be Love
- A3: Alonzo Smith - Love Machine
- A4: King Floyd - Hard To Handle
- A5: Tobi Lark - Challenge My Love
- A6: Millie Jackson - All The Way Lover
- B1: Nancy Holloway - Hurt So Bad
- B2: Darondo - Didn't I
- B3: Dorothy Moore - Don't Let Go
- B4: Brenda George - What You See Is What You're Gonna Get
- B5: Betty Padgett - Sugar Daddy (Part 1)
- B6: George Soule - Talkin' About Love
John Norum might be best known for being the guitarist in the Swedish hard rock band Europe, but he has simultaneously maintained a successful solo career. Face The Truth is his second album, released in 1992, five years after debut Total Control. The record features Glenn Hughes (of Black Sabbath and Deep Purple fame) on vocals for several songs, as well as guest appearances by Joey Tempest (Europe) and Mikkey Dee (Motörhead). A true hard rock all- star effort, that also includes Norum’s cover version of Thin Lizzy’s song “Opium Trail”. It is available on coloured vinyl for the first time, as a limited edition of 1500 individually numbered copies on blue marbled vinyl.
The Pet Parade,” the title track to Fruit Bats’ newest album, might be a surprising opening track for longtime fans of Eric D. Johnson’s beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. While many of the songs on The Pet Parade were actually written before the pandemic, it’s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Parade drummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes), singer-songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron & Wine) were forced to self-record their parts in bedrooms and home studios across America. Still, says Johnson, “The songs have enough intimacy that it doesn’t sound like it was made a million miles away.” Such tension and turmoil also impacted the lyrics of The Pet Parade. While “Cub Pilot” and “Here For Now, For You” began as more traditional love songs from a personal “I” to a specific “you” Johnson quickly realized that these songs needed to comfort broader audiences, changing the words to a more inclusive “we” and “us.” So too in “The Balcony,” a song ostensibly about a particular space in his grandmother’s apartment, but one that evolved into a metaphor on patience. At times upbeat and reassuring (“Eagles Below Us”) and at times quietly contemplative (“On the Avalon Stairs”), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene. And Johnson himself who has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and most recently, earned two GRAMMY® nominations with Bonny Light Horseman doesn’t take this long route of life’s pet parade for granted. “I’m still really excited to make records,” he says. “Lucky and happy and maybe happier that things went slower for me. I’m savoring it a lot more.
Ridiculously rare & sought after private pressed 45 from Atlanta, Georgia, that hardly ever turns up for sale in its original issue. It features the seemingly widely unknown pounding modern soul dancer "I Wanna Take A Chance With You", an absolutely killer tune with stellar production and vocals from the talented Early. A side's "Who Are You " is an intimate and deep piece of soul music with superb songwriting techniques.
Featured on the playlists of very few crate digging DJ's out there, this 45 gets an overdue and legitimate repress in its original form. Essential! Born and raised on a small farm in the heart of Georgia, lead singer and guitarist Early Clover started his own band Early Clover and The Bosa Novas' at the age of 14. In1967,
he changed the band's name to the Middle Georgia Soul Drifters'. They became very popular locally and began being the backup band for such acts as Rufus Thomas, Joe Simon, William Bell, Jay Hines, Nancy Butts, and opening for such acts as Tyrone Davis, Marvin Sease, Clarence Carter, Betty Wright and Full Force. After the breakup of the group, Early Clover put together some musicians and went to Haywood Recording Studios in Atlanta, Georgia, and recorded Who Are You' and I Wanna Take A Chance With You' in 1977 to be a part of an album, but went on the road and didn't complete the album but performed the
song live a year and a half before releasing it as a 45 rpm single.
The first in our programme to release all three Ohio Players Westbound albums on vinyl. “Pain” was their first for the label, released in 1972. The album charted relatively modestly at #21,
but it was the six months that it spent on the charts that was the surest indicator of what was to come rough.
This would come with their next Westbound album, “Pleasure”, and the hit, ‘Funky Worm’. Featuring the first of Joel Brodsky’s series oficonic covers. Regular weight black vinyl in a gatefold sleeve.
When it came to playing soul jazz with organ combos, jamming bebop with a quartet, caressing ballads or coming up with fresh approaches to Latin jazz and spirituals, the versatile Grant Green was at the top of his field. Among his many recordings, his most vital and adventurous remains Idle Moments. With such inspiring sidemen as Joe Henderson, Bobby Hutcherson and Duke Pearson, Green is heard at the absolute apex of his creativity throughout this stunning set.
He builds up statements like a masterful speaker, sounds both passionate and thoughtful at every tempo, and never runs out of brilliant and personal ideas to express. Every phrase leads to the next one yet all of his solos are spontaneous. While the other musicians are inspired and in top form, Idle Moments is particularly notable as the height of Grant Green’s musical genius!
- A01: Country Home
- A02: Surfer Joe And Moe The Sleaze
- B01: Love To Burn
- B02: Days That Used To Be
- B03: Bite The Bullet
- C01: Cinnamon Girl
- C02: Farmer John
- C03: Over And Over
- D01: Danger Bird
- D02: Don’t Cry No Tears
- D03: Sedan Delivery
- E01: Roll Another Number For The Road
- E02: Fuckin’ Up
- E03: T-Bone
- F01: Homegrown
- F02: Mansion On The Hill
- G01: Like A Hurricane
- G02: Love And Only Love
- H01: Cortez The Killer
Recorded on November 13th 1990 in Santa Cruz, CA, where the band were rehearsing for their upcoming Weld tour, Neil Young and Crazy Horse played a club show at The Catalyst which is now released here for the first time.
The show comprised three different sets along with a 12 minute encore of Cortez The Killer and all 3 sets including that encore are brought together here in over 2 hours of music.
Said to be one of the great live shows that Neil Young and Crazy Horse performed, the album includes live versions of songs from their Ragged Glory album, released just prior, along with classics from across their catalogue.
- A01: Country Home
- A02: Surfer Joe And Moe The Sleaze
- B01: Love To Burn
- B02: Days That Used To Be
- B03: Bite The Bullet
- C01: Cinnamon Girl
- C02: Farmer John
- C03: Over And Over
- D01: Danger Bird
- D02: Don’t Cry No Tears
- D03: Sedan Delivery
- E01: Roll Another Number For The Road
- E02: Fuckin’ Up
- E03: T-Bone
- F01: Homegrown
- F02: Mansion On The Hill
- G01: Like A Hurricane
- G02: Love And Only Love
- H01: Cortez The Killer
Recorded on November 13th 1990 in Santa Cruz, CA, where the band were rehearsing for their upcoming Weld tour, Neil Young and Crazy Horse played a club show at The Catalyst which is now released here for the first time.
The show comprised three different sets along with a 12 minute encore of Cortez The Killer and all 3 sets including that encore are brought together here in over 2 hours of music.
Said to be one of the great live shows that Neil Young and Crazy Horse performed, the album includes live versions of songs from their Ragged Glory album, released just prior, along with classics from across their catalogue.
- Rock 'N' Roll
- Go Man Go (Album Version)
- Our Love Will Change The World
- Social Debris
- $1000 High Heel Shoes
- Hail Mary
- Detroit City 2021 (Album Version)
- Drunk And In Love
- Independence Dave
- I Hate You
- Wonderful World
- Sister Anne (Album Version)
- Hanging On By A Thread (Don't Give Up
- Shut Up And Rock
- East Side Story (Album Version)
“I was born here” said Alice Cooper, “and so was the sound and spirit of Alice Cooper.” Named for the city that launched the original Alice Cooper group, “Detroit Stories” followslast year’s “Breadcrumbs” EP as a modern-day homage to the toughest and craziest Rock n Roll scene there ever was. Alice Cooper and Bob Ezrin gathered some legendary Detroit musicians (Wayne Kramer, Johnny “Bee” Badanjek, Paul Randolph and many more) in a Detroit studio to record “Detroit Stories”, Alice Cooper’s new album that celebrates that spirit for a new era. Finally, it would not be a proper collection of Detroit tales if it didn’t include a few songs featuring the Original Band members, Mike Bruce, Dennis Dunaway and Neal. Joe Bonamassa also makes an appearance on the intro track “Rock ‘n’ Roll”. If 2019’s “Breadcrumbs” EP laid down the trail to the city, “Detroit Stories” drives like a muscle car right down Woodward Ave. Discover Detroit Stories as they were meant to be told. Available across 5 formats: CD / CD+DVD / 2LP Black, Boxset. Boxset inclues CD, T-shirt, Face Mask, Torch Light, 3 Stickers. Expected reviews across the broadsheets and tabloids. Daily Mail already picked this album as one of their 2021 albums to look out for! Current single playlisted at BCR2.
Fountains of Wayne is one of those rare bands that digs back into what pop music is all about -- good, fun tunes. Their self-titled debut studio album was released in 1996. Recorded when the band was just a duo, Chris Collingwood and the late Adam Schlesinger provided almost all the instrumentation during the recording. Schlesinger and Porter had also been members of The Belltower, and bassist Danny Weinkauf later played with Lincoln before joining They Might Be Giants. Although the songs were written over a period of years (as outlets to make each other laugh through inside jokes and references to suburban New York and New Jersey), the album was recorded in just five days. The songwriting is straightforward and wonderful; nearly every song is a pop gem. The result is an innovative album - very few albums released in the 90’s are this pleasant, charming, and all-round likeable. The record is now available on transparent red coloured vinyl, in a limited edition of 1500 copies.
- A1: Deep Moaning Blues (Feat. Maxayn Lewis)
- A2: El Train
- A3: Lazy Mama
- A4: Chicago Sun
- A5: Those Dogs Of Mine (Feat. Viola Davis)
- A6: Hear Me Talking To You (Instrumental)
- B1: The Story Of Memphis Green
- B2: Jump Song
- B3: Leftovers
- B4: Shoe Shopping
- B5: Deep Henderson
- C1: Reverend Gates
- C2: Ma Rainey’s Black Bottom (Feat. Maxayn Lewis)
- C3: Levee’s Song
- C4: Sweet Lil’ Baby Of Mine (Feat. Clint Johnson)
- C5: In The Shadow Of Joe Oliver
- C6: Hear Me Talking To You (Feat. Maxayn Lewis)
- D1: Levee And Dussie
- D2: Levee Confronts God
- D3: Sandman
- D4: Baby, Let Me Have It All (Feat. Clint Johnson)
- D5: Toledo’s Song
- D6: Chicago At Sunset
- D7: Skip, Skat, Doodle-Do (Feat. Cedric Watson)
Ma Rainey’s Black Bottom is the official soundtrack to the 2020 Netflix original film of the same name about “Mother of the Blues” Ma Rainey. The album features score music by critically-acclaimed saxophonist, instrumentalist, composer, bandleader and educator Branford Marsalis, as well as newly-recorded covers of both popular Ma Rainey tracks and blues and jazz standards from the era. The multi-GRAMMY Award® winner brings over four decades of experience across stylistic boundaries to the project, imbuing the film with an authentic 1920s Chicago soundscape. The film was directed by George C. Wolfe and stars Viola Davis and Chadwick Boseman. It is lauded by critics and moviegoers alike, and it is expected that Ma Rainey’s Black Bottom will be a favorite at many 2021 award ceremonies. Ma Rainey’s Black Bottom is available to watch on Netflix now.
This reissue of the all-time best-selling jazz album ‘Kind of Blue’ by the legendary trumpeter Miles Davis includes 4 bonus tracks.
The all-star line-up features Julian “Cannonball” Adderley on alto sax, John Coltrane on tenor sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums. The bonus tracks are ‘Blue in Green’ by the Bill Evans Trio and 3 tracks from a session recorded in 1956 with John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. The 20-page booklet contains complete information with specially prepared liner notes by Penguin Guide to Jazz’s writer Brian Morton and by France’s prestigious Jazz Magazine.




















