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Tobias Wagner - Emilia

Tobias started his musical career back in 2009 on Johannes Heil´s and Daniel Schlender´s label called Metatron Recordings. After a few years as a resident DJ at Munich´s famous club Harry Klein he´s back with more melodic techno under his real name Tobias Wagner.
We are delighted to welcome him to our small `Future Romance´ family and proud to present his wonderful debut EP with three impulsive but dreamy tracks full of shimmering synths, crisp beats and epic highlights. As if these Originals were not enough we could win the cutting-edge Tel Aviv-based producer ´Stereo Underground´ as a remixer. Wellknown for his impressive releases on labels like Guy J´s Lost & Found or iconic australian imprint Balance Music, he added some more atmospheric work on "Emilia" and created a deep & melodic masterpiece in his typical unique style!
Early DJ support by Guy J, Dave Seaman, Eelke Kleijn, Nick Warren, D-Nox, Kevin De Vries, Raphael Mader, Magdalena, Markus Kavka and more.

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10,88

Last In: 3 years ago
Various - Parquet Most Wanted EP 16

The deep melodic house & techno masterpiece collection by Parquet
Recordings is going into the sixteenth round! "Parquet Most Wanted Vol. 16", featuring worldwide supported & roadtested productions by SOLEE, MONASTETIQ feat. HAPTIC, DECIDIOUS, YANNEK MAUNZ, BRASCON and JOHANSON.
These tracks are already played by A-List DJs like Tale of Us, Solomun, Pig & Dan, Fideles, Guy Mantzur, Undercatt, Petar Dundov, Aether, Nick Warren, Nicone and many more!

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7,52

Last In: 5 years ago
DUMAMA - TOWARDS AN EXPANSE

DUMAMA

TOWARDS AN EXPANSE

12inchSNDWLP214
SOUNDWAY RECORDS
08.05.2026out soon
  • 1: Layer After Layer
  • 2: Indalo
  • 3: No Abiding City
  • 4: Rising Falling
  • 5: The Bridge
  • 6: Mama Carries
  • 7: Eating The Other
  • 8: What Did The Rain Say?
  • 9: Tulip

Shimmering Xhosa traditions and deep electronic futures vibrate as South African sonic poet and composer Dumama unveils her groundbreaking debut solo album, Towards An Expanse. Sometimes gospel, sometimes electro-psychedelic space travel, Towards An Expanse unfurls from a languid lament into an ever-expanding sonic universe. Dumama defies conventional genre boundaries while excavating deep personal and cultural histories in this concise but boundaryless collection, recorded between New York, Johannesburg and Berlin. Dumama first gained international attention with her acclaimed 2020 collaborative album, Buffering Juju, created with fellow South African musician and artist Kechou, and lauded as Global Album of the Month by The Guardian. Her new solo work draws on a rich lineage of South African voices. Gugulethu Duma (aka Dumama) is a musician / composer / sonic poet / creative producer from the Eastern Cape Province of South Africa. Dumama is one of the few uhadi players in the world. Her use of the traditional Xhosa bowed instrument guides her profound story-telling, blending ancestral roots into an urgent electro-acoustic palette. The album was born out of sessions with acclaimed musician and producer Shahzad Ismaily in New York and South African powerhouse Nandi Ndlovu in Johannesburg.

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22,65
JAY-JAY JOHANSON - PARANOID (REISSUE)
  • 1: Paranoid
  • 2: Unidentified Flying Object
  • 3: Paranoid (Timmy Timid Remix)
  • 4: Nightmares Are Dreams Too

Limitierte vier Stücke-EP, zwei Versionen von Paranoid, plus U.F.O. & Nightmares Are Dreams Too.

pre-ordina ora08.05.2026

dovrebbe essere pubblicato su 08.05.2026

22,65
Various - Djax-Up-Beats 1990-2005: The Acid Trip EP 2

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. This second additional EP brings two fourteen (!) minutes long journies by Acid Junkies feat. The Doctor and by Purple Plejade, an early outing by Thomas P. Heckmann and Holger Wick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

In stock dal13.05.2026

13,24

Last In: 4 days ago
Various - Toolroom Sampler Vol. 14
 
4
disponibile anche

Vol. 1[13,40 €]

Vol. 2[13,66 €]

Vol. 3[13,66 €]

Vol. 4[13,03 €]

Vol.5[13,66 €]

Vol.6[12,90 €]

Vol.7[13,03 €]

Vol. 8[13,40 €]

Vol. 9[12,90 €]

Vol. 10[13,87 €]

Vol.11[13,87 €]

Vol.12[13,87 €]

Vol 13[14,08 €]

Vol 15[14,08 €]

Vol 16[14,50 €]


Repress 2026

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

The next of Toolroom’s 4 track vinyl sampler series kicks off with a bang(er!). Welcoming CHANEY back onto the label with possible his finest release to date in the shape of ‘I Choose You’. On Toolroom alone he has amassed over 40m streams across leading streaming stores in just 3 years and can add massive imprints like Defected, Insomniac and Perfect Havoc to his list of musical successes. Everything in this record is 100% original and written by CHANEY himself from the self-played bass line, lush rhodes chords and distinctive, poignant vocals.

Next up is Gene Farris who has been a mainstay on Toolroom in recent years and is a regular artist at our label events all over the World. ‘In My Heart’ lands as an exciting collab with the Basura Boyz, a duo also hailing from Gene’s hometown of Chicago and the chemistry between the 3 of them is evident from the first beat! A super cool, stripped back vocal tech house track that sits in that sweet spot of club and specialist radio.

Kicking off the B-side is Deeper Purpose who returns to Toolroom alongside Jalja & Lazy Joe, after his debut club weapon ‘Stutter’ dropped on the label last year. He has had success across all the scene’s leading imprints over the past 12 months including Fisher’s Catch n Release, Experts Only and Repopulate Mars and this record is an anthem in the making! Jalja is on vocal duties, the vocalist that shot to fame after her huge ‘Hanging Tree’ record alongside Michael Bibi. She adds her trademark ethereal vibe to the record and delivers a typically killer hook - This is a real EAR WORM!!

Wrapping things up on Sampler 14 is a very exciting collaboration from 2 of the scene’s brightest shining new stars; Tony Romera and Crusy. Having been die-hard Toolroom fans for many years, this record came about during a conversation about old Toolroom records, and how they collectively wanted to emulate that slightly progressive tech house but bring it right up to date. And they have certainly done that! A real peak-time dance floor moment here with insane production and a unique, intense build up that is already causing maximum mayhem!

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong

Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

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14,24

Last In: 11 days ago
Martin Stadtfeld - Baroque Colours 2x12"
  • A1: Martin Stadtfeld - Neue Clavier-Übung I, Partie V In G Major Prelude 01:43:00
  • A2: Martin Stadtfeld - Neue Clavier-Übung I, Partie V In G Major Gigue 01:04:00
  • A3: Martin Stadtfeld - L'art De Toucher Le Clavecin Prelude No 7 In B-Flat Major 01:28:00
  • A4: Martin Stadtfeld - Pièces De Clavecin, Sixième Ordre No 5 In B-Flat Major, "Les Baricades Misterieuses" 02:35:00
  • A5: Martin Stadtfeld - Sonata In D Minor, Bwv 964 Iii Andante 02:37:00
  • A6: Martin Stadtfeld - Sonata In F Minor, K 466 03 16:00
  • A7: Martin Stadtfeld - Sonata In A Minor, K 54 01 57:00
  • A8: Martin Stadtfeld - Suite In B-Flat Major, Hwv 434 / I Prelude 01 26:00
  • A9: Martin Stadtfeld - Suite In B-Flat Major, Hwv 434 / Ii Allegro (Sonata) 01 23:00
  • A10: Martin Stadtfeld - Suite In B-Flat Major, Hwv 434 / Iii Aria Con Variazioni 02 34:00
  • A11: Martin Stadtfeld - Suite In E Minor, Rct 2 Iv Gigue En Rondeau Ii 01:40:00
  • A12: Martin Stadtfeld - Suite In E Minor, Rct 2 Viii Tambourin 01:11:00
  • B1: Martin Stadtfeld - Passatempo Al Cembalo, Sonata No 3 In C Minor / I. Allegro Moderato 02 10:00
  • B2: Martin Stadtfeld - Passatempo Al Cembalo, Sonata No 3 In C Minor / Ii. Allegro 01 41:00
  • B3: Martin Stadtfeld - Sonata No 21 In C-Sharp Minor, R.21 02 25:00
  • B4: Martin Stadtfeld - Pièces De Clavecin Xiv Le Marche Des Scythes 05:21:00
  • B5: Martin Stadtfeld - The Well-Tempered Clavier, Book Ii Prelude And Fugue In E-Flat Major, Bwv 876 / I Praeludium 03:01:00
  • B6: Martin Stadtfeld - The Well-Tempered Clavier, Book Ii Prelude And Fugue In E-Flat Major, Bwv 876 / Ii Fuga 03:20:00
  • B7: Martin Stadtfeld - & Lilian Akopova The Well-Tempered Clavier, Book I Prelude No 1 In C Major, Bwv 846 (Arr. For Piano Four Hands By Martin Stadtfeld -) 01:44:00
  • B8: Martin Stadtfeld - / Lilian Akopova Armide, Lwv 71, Act V Passacaglia (Arr For Piano Four Hands By Martin Stadtfeld -) 03:45:00
  • C1: Martin Stadtfeld - / Lilian Akopova Canon, P 37 (Arr. For Piano Four Hands By Martin Stadtfeld -) 03 34:00
  • C2: Martin Stadtfeld - The Fairy Queen, Z 629, Act Ii Hush, No More, Be Silent (Arr. For Piano By Martin Stadtfeld -) 02:32:00
  • C3: Martin Stadtfeld - The Fairy Queen, Z 629, Act V Chaconne (Arr. For Piano By Martin Stadtfeld -) 02:28:00
  • C4: Martin Stadtfeld - Four Seasons Summer Variation (After Violin Concerto In G Minor, Op 8, No. 2, Rv 315 Iii. Presto) 02:44:00
  • C5: Martin Stadtfeld - Four Seasons Winter Variation (After Violin Concerto In F Minor, Op 8, No. 4, Rv 297, Iii. Allegro-Lento) 01 43:00
  • C6: Martin Stadtfeld - Trumpet Concerto In D Major, Twv 51 D7: Iv Allegro (Arr. For Piano By Martin Stadtfeld -) 01:40:00
  • C7: Martin Stadtfeld - Canarios (Arr For Piano By Martin Stadtfeld -) 01 30:00
  • C8: Martin Stadtfeld - Praise (After Israel In Egypt, Hwv 54 Dank Sei Dir, Herr) 02:13:00
  • C9: Martin Stadtfeld - Piano Improvisation 1 (After Prelude From Neue Clavier-Übung I, Partie V) 01 06:00
  • C10: Martin Stadtfeld - Piano Improvisation 2 (After Prelude From Neue Clavier-Übung I, Partie V) 01 16:00
  • D1: Martin Stadtfeld - Minuet Piano Meditation 1 (After Minuet In D Minor, Bwv Anh 132 From Notebook For Anna Magdalena Bach) 01 03:00
  • D2: Martin Stadtfeld - Minuet Piano Meditation 2 (After Minuet In D Minor, Bwv Anh 132 From Notebook For Anna Magdalena Bach) 01 23:00
  • D3: Martin Stadtfeld - Air Piano Meditation (After Air From Orchestral Suite No 3, Bwv 1068) 01 53:00
  • D4: Martin Stadtfeld - Fugue Piano Meditation (After Fugue For Organ In G Minor, Bwv 578) 01 47:00
  • D5: Martin Stadtfeld - Chaconne Piano Meditation (After Chaconne In G Major, Hwv 435) 01 44:00
  • D6: Martin Stadtfeld - Sarabande Piano Meditation (After Sarabande From Suite In D Minor, Hwv 437) 01 11:00
  • D7: Martin Stadtfeld - Aria Piano Meditation (After "Eternal Source Of Light Divine" From Ode For The Birthday Of Queen Anne, Hwv 74) 01 53:00
  • D8: Martin Stadtfeld - Folia Piano Variation 1 (After Violin Sonata In D Minor, Op 5, No. 12) 00 47:00
  • D9: Martin Stadtfeld - Folia Piano Variation 2 (After Violin Sonata In D Minor, Op 5, No. 12) 00 58:00
  • D10: Martin Stadtfeld - Prelude Piano Variation (After Prelude From Violin Sonata In F Major, Op 5, No. 10) 01 51:00D11 Martin Stadtfeld - Piano Improvisation 1 (After "Ach Bleib Mit Deiner Gnade") 02:21:00
  • D12: Martin Stadtfeld - Piano Improvisation 2 (After "Ach Bleib Mit Deiner Gnade") 02 19:00
  • D13: Martin Stadtfeld - Piano Improvisation 3 (After "Ach Bleib Mit Deiner Gnade") 00 58:00
  • D14: Martin Stadtfeld - Piano Improvisation 4 (After "Ach Bleib Mit Deiner Gnade") 02 50:00

Mit seinem neuen Doppel-Album "Baroque Colours" präsentiert Martin Stadtfeld eine einzigartige Palette farbenreicher Werke des Barocks. Und das in einer ganz besonderen Form: Für den ersten Teil wählte er 19 wunderbare kleine Originalstücke aus, u.a. von Bach, Rameau oder Händel, aber auch von weniger bekannten Komponisten wie Johann Kuhnau oder Joseph-Nicolas-Pancrace Royer. Für den zweiten Teil hat Stadtfeld einige seiner Lieblingstücke des Barocks ausgewählt und für Klavier neu bearbeitet. So gibt es aus Vivaldis berühmten "Vier Jahreszeiten" die mitreißenden Melodien aus dem "Sommer" und dem "Winter" neu zu erleben - als kurze, wunderbar klingende Piano-Stücke. Oder den berühmten "Kanon" von Johann Pachelbel in einer neuen Fassung für Klavier zu vier Händen, die Martin Stadtfeld mit der Pianistin Lilian Akopova eingespielt hat. Diese ist auch seine Partnerin bei den vierhändigen Fassungen des ersten Präludiums von Bach sowie der "Passacaglia" aus Lullys Oper "Armida". Ein Erlebnis sind auch die Klavierfassungen von Purcells Musik aus der Oper "Fairy Queen". Nahezu meditativ klingen Stadtfelds Improvisationen über Themen von Bach (u.a. das berühmte "Air" und "Menuett"), über Werke von Arcangelo Corelli sowie über das Kirchenlied "Ach bleib mit Deiner Gnade". Aufgenommen wurden die insgesamt 45 Stücke mit einem modernen Steinway mit einem sehr nahen und warmen Klangbild, so dass sich die Farbenpracht und Intensität unmittelbar auf den Hörer überträgt. Es ist, als ob man vor einem farbenreichen barocken Gemälde stehen würde und dabei immer neue Farben entdeckt.

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29,37

Last In: 10 days ago
HAMMOCK - NEVERTHELESS

HAMMOCK

NEVERTHELESS

12inchHMKLP96
HAMMOCK Music
24.04.2026
  • 1: Requiem For Johan
  • 2: In Distance Pavilion
  • 3: You Get So Far Away
  • 4: Breath Inside Your Breath
  • 5: Through Nameless Air
  • 6: Without Which Nothing
  • 7: Traces Disappear
  • 8: Like A Sadness We Get Used To
  • 9: Nevertheless
  • 10: Watching You Collapse
  • 11: All Flesh Is Grass

Nevertheless, the latest album from Hammock, exists in a state of awakening. Across 11 ambient guitar string, and piano works, ethereal light crests and contrasts with darkness, giving shape to physical forms and feelings. Amidst sorrow and grief, melodic motifs and refrains echo from the past to reanimate dreams and faded memories. As Nevertheless asks questions of permanence and purpose, beauty takes shape in the intangible_the traceless connections that gave, and give, meaning. "Nevertheless has been one of those words that has outlasted my upbringing," says Hammock's Marc Byrd. "Being from the deep South, I most often heard it said or read at funeral services. It's meant to imply a type of sacred pause . . . a space of in between. Between the grief of being broken by the world and the impossibility of moving into a future that feels more like empty space and less like solid ground. This album is for a friend who lost a daughter and a son to addiction within a couple of years of each other. Requiem for Johan sets up the context for what is to follow throughout the rest of the album. . . a passage through the aftermath of devastation. Unfortunately, and fortunately, these seasons of loss are what we all share in common. Nevertheless . . . we limp on."

pre-ordina ora24.04.2026

dovrebbe essere pubblicato su 24.04.2026

23,49
Johanna Borchert & Miles Perkin - The Match LP
  • Last In The Pack
  • Breaking
  • Repairing
  • Beneath The Undertow
  • Under We Go
  • Losing It
  • Dark Again
  • Erased
  • Just As I Was Told

While both draw their influences from jazz, contemporary classical music, and extended improvisations, they use preparations and extended techniques to bring a sonic vocabulary to their respective instruments that sounds otherworldly. As vocalists, they blend these elements with singer- songwriter and pop influences to create long, flowing sonic arcs encompassing abstract soundscapes, simple songs, angular rhythmic bursts, and more. The result is touching, captivating, and never predictable for the listener. Voices and sounds merge into a unique musical world that is greater than the sum of its parts

pre-ordina ora24.04.2026

dovrebbe essere pubblicato su 24.04.2026

26,68
Mindless Sinner - Master Of Evil LP
  • 1: Broken Freedom
  • 2: Key Of Fortune
  • 3: Master Of Evil
  • 4: Screaming For Mercy
  • 5: Mindless Sinner (Demo 1983)
  • 6: Higher And Higher (Demo 1983)
  • 7: We All Go Back (Demo 1983)
  • 8: Heavy Metal Will Never Die
  • 9: City Games (Demo 183)

Purple Haze started out in Linköping in 1981. When singer Christer Göransson joined them towards the end of the year, they soon changed their moniker to Genocide (after the Judas Priest song of the same name) and supported local metal heroes Axewitch. A final name change was to follow: In August 1983, the band, now called Mindless Sinner, recorded a four-track demo entitled »Master Of Evil«, consisting of the title track, “Broken Freedom”, “Key Of Fortune” and “Screaming For Mercy”. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album with an awful cover and getting the band’s name wrong (spelling it Mindless Sinners). By then, the line-up of the band was Anders Karlsson (bass), Magnus Danneblad (guitar), Jerker Edman (guitar), Tommy Johansson (drums) and vocalist Christer Göransson. »Master Of Evil« originally saw the light of day on Fingerprint in January 1984. Christer Göransson takes us back to the early days of Mindless Sinner saying: “We wanted to record an album, but we couldn’t afford the studio cost. We were lucky to win a music contest, and the price money paid for the studio. I remember walking into the studio, and we thought it was like a spaceship in there, with all the buttons and flashing lights everywhere. We recorded the four songs that would become »Master Of Evil«. We then gave the tape to the Axewitch guys, and they played it to their record label at the time Fingerprint/Web Records and they liked it so much that they signed us as well.” Over the years, the music of Mindless Sinner has often been compared to the Tygers Of Pan Tang from England but Christer Göransson doesn’t see too many similarities: “We really love Tygers Of Pan Tang but I don’t think they were a big influence. It was more Judas Priest, Iron Maiden, Saxon, Black Sabbath, Ozzy, Dio etcetera. That kinda stuff.” In addition to the four tracks of the original edition of »Master Of Evil«, the current High Roller Records pressing also contains the five songs of the band’s first demo tape from early 1983 (including “Mindless Sinner”, “Higher And Higher”, “We All Go Back”, “Heavy Metal Will Never Die” and “City Games”). All nine tracks were mastered by Patrick W. Engel at his Temple Of Disharmony in November 2025. Cutting by SST Germany on Neumann machines for maximum quality on all levels ... The ultimate audiophile re-issue of this Swedish metal classic!

pre-ordina ora24.04.2026

dovrebbe essere pubblicato su 24.04.2026

25,63
Mindless Sinner - Turn On The Power LP
  • 1: We Go Together
  • 2: I'm Gonna (Have Some Fun)
  • 3: Turn On The Power
  • 4: Live And Die
  • 5: Left Out On My Own
  • 6: Here She Comes Again
  • 7: Standing On The Stage
  • 8: Voice Of The Doomed
  • 9: Tears Of Pain

Purple Haze started out in Linköping in 1981. When singer Christer Göransson joined them towards the end of the year, they soon changed their moniker to Genocide (after the Judas Priest song of the same name) and supported local metal heroes Axewitch. A final name change was to follow: In August 1983, the band, now called Mindless Sinner, recorded a four-track demo entitled »Master Of Evil«, consisting of the title track, “Broken Freedom”, “Key Of Fortune” and “Screaming For Mercy”. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album with an awful cover and getting the band’s name wrong (spelling it Mindless Sinners). By then, the line-up of the band was Anders Karlsson (bass), Magnus Danneblad (guitar), Jerker Edman (guitar), Tommy Johansson (drums) and vocalist Christer Göransson. »Master Of Evil« originally saw the light of day on Fingerprint in January 1984. This was followed by the second album »Turn On The Power« in 1986 as Christer Göransson explains: “Well, »Turn On The Power« was actually recorded in October 1984, the same year as »Master Of Evil« was released. But the record label was almost out of business by 1985, so as a result »Turn On The Power« didn’t come out until January 1986, and shortly after the label went bust.” Just like on the debut, the cover was once again pretty weird. “Same story,” says the singer. “Blame the label again. We wanted a band photo for the cover but once more Fingerprint didn’t listen. We didn’t know who this girl was at all. And once again we saw the cover for the first time when we visited our local record store.” “I guess »Turn On The Power« was more of a straight heavy metal album compared to »Master Of Evil«,” describes Christer Göransson the band’s follow-up record, “better playing and better songs on »Turn On The Power«. Even though we love »Master Of Evil«. I guess it didn’t sell that much as the label went bankrupt, but the reactions were great.” Mindless Sinner played as much as they could in Sweden at the time but didn’t venture outside their home country. Over the years, their music has often been compared to the Tygers Of Pan Tang from England but Christer Göransson doesn’t see too many similarities: “We really love Tygers Of Pan Tang but I don’t think they were a big influence. It was more Judas Priest, Iron Maiden, Saxon, Black Sabbath, Ozzy Osbourne and Dio.” Shortly after the release of »Turn On The Power«, the band cut their name short to Mindless. According to Christer Göransson, this is why: “It was the sign of the times really. We wanted a more melodic kinda style and we just thought it was better to change the name to Mindless. But looking back now we should have stuck to our guns.”

pre-ordina ora24.04.2026

dovrebbe essere pubblicato su 24.04.2026

25,63
I Am An Instrument - Vol. 2 & 3

I Am An Instrument

Vol. 2 & 3

12inchIAAI003
IAAI Music
17.04.2026out soon

The recordings on Volume II were captured in Copenhagen, Denmark on January 18, 2020. Guided as much by human instinct as by musical intention, the ensemble moved through the evening with a shared sensitivity…listening, responding, and trusting the moment as it unfolded. Though Morten McCoy admits to having felt quite ill that evening, nothing in the music suggests restraint. Instead, what remains is a vivid, playful exchange, where McCoy and Johannes Wamberg carry both Part I and Part II as a flowing conversation, speaking through sound rather than words.

Part I begins abruptly, almost throwing the listener back in time to the exact moment the improvisation was born. Jonathan Bremer steps to the forefront, providing a solid, melodic bassline as Kristoffer and Eliel, perfectly in sync, lay down a steady foundation for whichever voice chooses to rise above the rhythm.

This is also one of the few I Am An Instrument recordings to feature two guitarists. Johannes Wamberg leads the way, shaping the harmonic direction, while Steven Jess Borth II adds subtle rhythmic textures through muted palm work, deepening the groove without ever stepping into the foreground.

Part II unfolds with Morten McCoy on his Moog One, delivering a beautiful, expansive solo. Using a carefully chosen patch, the sound pulses through the rhythm, moving with the groove rather than above it, riding the beat like a wave through the ocean.
Shaped by trust, presence, and collective improvisation, Volume II captures a group deeply attuned to one another, allowing intuition and momentum to guide the unfolding form.
——
Volume III was recorded in Copenhagen on March 5, 2020. Little did anyone know that only days later, the world would be placed on pause for years. Captured just before that moment of global stillness, this session carries a heightened sense of presence, a final gathering before silence reshaped everything. Recorded in a space more commonly associated with a club atmosphere, the music draws on a different kind of energy and immediacy. With Eliel Lazo unable to attend, the group invited Victor Dybbroe of Girls In Airports to join on percussion, subtly reshaping the ensemble while preserving its core spirit. Part I opens with Steven Jess Borth II calling out on tenor saxophone, answered by Morten McCoy on Wurlitzer electric piano. The piece gradually unfolds into a meditative groove, patient and expansive, carrying the listener through an eight-minute journey of layered rhythm and restraint.

Part II begins with Jonathan Bremer on stand up bass, slowly joined by the rest of the ensemble as each voice enters with intention. Midway through, an unexpected vocal melody from Borth emerges, drenched in reverb and delay, later reappearing as a melodic line on the tenor saxophone.

Part III is led by Morten McCoy on Wurlitzer electric piano. His signature melodic language sets the direction, guiding the ensemble while leaving ample space for the music to breathe and evolve through collective improvisation. Reprise returns to the closing moments of Part II, its title reflecting its origin. The familiar groove reappears, transformed into a distinctly Jamaican-influenced rhythm, over which Borth delivers a final tenor saxophone solo, bringing the conversation to rest.

Any questions about any of these products feel free to get in touch and we'll help you out!

[a] a1. Part I [Vol.2]
[b] a2. Part II [Vol.2]
[c] a3. Part I [Vol.3]
[d] b1. Part II [Vol.3]
[e] b2. Part III [Vol.3]
[f] b3. Reprise [Vol.3]

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25,63
BCUC - The road is never easy

BCUC – Bantu Continua Uhuru Consciousness – have been channeling the spirit of Soweto for over twenty years. Indigenous funk, hip-hop consciousness, and punk rock energy fused into something utterly original and deeply rooted. Their mantra: Music for the people, by the people, with the people. From humble beginnings rehearsing in a shipping container, a stone's throw from the church where Desmond Tutu organized the escape of the most wanted anti-Apartheid activists, they kept believing in their dream of self-empowerment. Today they command festival stages worldwide: Glastonbury West Holts, Roskilde, Afropunk Brooklyn, WOMAD, Fusion, Sziget, FMM Sines, Beaches Brew, Boomtown, Colours of Ostrava, Couleur Café – to name just a few. In 2023, BCUC were honoured with the prestigious WOMEX Artist Award, an accolade usually reserved for more established artists, in recognition of their fearless work and transcendent live performances.

THE ROAD IS NEVER EASY

The Road Is Never Easy is BCUC's fifth album and their debut on Outhere Records. On this new offering, BCUC take listeners on another Afro-psychedelic journey into the soul of Soweto. It feels like a gospel sermon colliding with a punk concert, "guaranteed to touch untapped corners of your soul" (OkayAfrica). BCUC's music is deeply rooted in history and echoes the voices of the ones who came before. The road was never easy for the people of Soweto who originally came to work in the mines of Egoli, the City of Gold, Johannesburg. When apartheid finally ended after a long struggle, it was hoped that life would improve. But more than 30 years later, many of those initial hopes and dreams are still waiting to be fulfilled. This album is about that struggle. The album contains 10 brand new songs – a record for BCUC, whose previous albums featured an average of 3 songs. It represents the culmination of more than two decades of performing together and building a reputation as a powerful live act. These ten songs encapsulate that same live energy, each one building gradually and drawing you into BCUC's Afro-psychedelic stream of consciousness. It's a seismic tour de force through life in Soweto today. Songs like Amakhandela (Breaking All the Chains) connect history to daily life: "How is this precious metal inflicting so much pain in us," sing BCUC, "this government has been telling us we are free, but we don't benefit from being free." The album also talks about all the hopes and dreams that remain: "I have too many wishes and dreams in my head," BCUC sing in Um duma khanda, "I think I am losing my mind". The album ends with the soothing Matla a rona ke Bophelo, "our strength is life", praising the spirits and thanking the elders for protection. The Road Is Never Easy is about the harsh reality of life in Soweto, where "people always carry heavy loads". BCUC are street poets trying to deal with that burden: sometimes revolutionary, sometimes soothing, but always hopeful and compassionate. "When you are from Soweto you can't retreat nor surrender." (Sebenzela)

RECORDING

The album was largely recorded in Munich, Germany during tour breaks over two sessions, each three days long. It took place in a small studio located in a German WW II bunker converted into rehearsal spaces. The songs were recorded in one take altogether in one room, with only a few overdubs added, mainly backing vocals, by BCUC at Fourways studio in Johannesburg. BCUC have created their own distinctive way of writing, or rather, finding and creating their songs. The recording process is like an improvised live performance. They bring their ideas into a zone where the music, the rhythm and the spirits take over until the song starts to form. In this Afro-psychedelic zone BCUC create their unique poetry that feeds on the dreams still dreamt, the hopes, the fears and the temptations lingering everywhere. BCUC's songs need to breathe and time to build. The right take was the one when the song took over, and just like their live performances, no one knew beforehand where the song would take them. During the recording, BCUC just let it all flow out: inner turmoil, cries of rebellion, but also resilience and a search for healing, love, unity and compassion. You don't have to be from Soweto to feel the deep meaning and impact of this music. In these times of so much hate and division, BCUC are like a campfire for people to gather around.

PRODUCTION & ARTWORK

"BCUC have a unique magic," says Outhere's Jay Rutledge, who produced the album. "It blew our minds. It's like punk and pure gospel at the same time. Their music can make you dance and it can make you cry, all at the same time. And when the song is over, you feel you're not alone in this world anymore. We felt compelled to do this." The album cover is based on a matchbox design, matches being a common household item in South Africa even today. "These were the matches people used to burn government buildings and cars," explain BCUC. Little messages, addresses, or phone numbers used to be scribbled on the back of these boxes; each one a reminder of the strength, resilience, and resistance that once drove the struggle for freedom in Soweto. BCUC keep this flame burning. The Road Is Never Easy is a heavy spiritual road trip, a deep dive into the subconscious of Soweto and a quest for truth, justice and sanity in this crazy world. BCUC tackle the harsh realities of the voiceless, guided by the spirit world of their ancestors. Rather than reinforcing stereotypes of poverty, BCUC's portrayal of Africa is one rich in tradition, rituals and beliefs. "We bring fun and Afro-psychedelic fire from the hood," says vocalist Kgomotso Mokone.

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19,75

Last In: 11 days ago
The Dahmers - Creature Feature LP

This is the Dahmers third album “Creature Feature” and the band continues to dig deeper in to a world of dark things, the things that don't belong, provokes, gives you the creeps or just makes you want to look away. “Our vision has been to explore and develop the bands sound but also to maintain the bands profound and colorful essence. “We want people to get excited when they hear the album, take them with us to another planet and make 'em forget about all the trouble in the world for a while” - Christoffer Karlsson (Lead singer/guitar)
The album was recorded and co-produced by Johan Gustafsson aka “The Johan and only” from the Hives in studio Ingrid in Stockholm. There's a new level and feel to the production with guest musicians on some tracks. With instruments like brass, cello, flute and piano the songs reaches their full true potential, along with added synth elements this gives the band a fresh feel. There's a wide variety of songs on the album where every track has it's very own theme, sound and characteristics. Where deep subjects like darkness, sorrow and alienation are being explored along with the bands continuing homage to the classic slasher and giallo flicks of the 70's and 80's, but also songs about a Swedish fakir, cults, rats and creatures from outer space. This album is a celebration to trash culture and to the underdogs, all delivered with a catchy uplifting chorus that The Dahmers is known for.
Creature Feature will be released on the bands own label Eerie sounds and will be out on February Friday the 13th.

pre-ordina ora10.04.2026

dovrebbe essere pubblicato su 10.04.2026

22,65
Waveratio618 - Peus i Ànima

Waveratio618

Peus i Ànima

12inchLGWRK001
Legwork Barcelona
10.04.2026out soon

legwork Barcelona launches its inaugural release, thoughtfully titled in Catalan: ‘PEUS I ÀNIMA’, dedicated to the global spirit of dance music.
All 4 cuts come from a live set recorded in 2025 at a legwork party. They were then postproduced and re-jammed in 2026 to create this 12" built strictly for the floor. This creative process is intended to continue in future EPs.

Across the tracks, the signal mutates while always keeping that raw energy alive. The whole concept comes from a deeply personal mix of self-doubt, determination, friendship, and a pure passion for music and dancing.

Solid, no-nonsense material.

Mastered by Johanz Westerman
Artwork & design by PEBE Studio

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13,87
Johannes Klingebiel - Dolce

Berlin Based DJ & Producer Johannes Klingebiel returns to Claptrap with “Dolce” a four-track EP served sweet, rich, and ready for peak-time indulgence.

Three original cuts and a heavyweight remix combine for a release that’s equal parts playful and potent. Consider this your sugar rush warning.

The title track, “Dolce,” is a warm and irresistible disco-house groover. Creamy acoustic drums lay the foundation while spicy xylophones and syrupy flute lines weave through the mix, striking a perfect balance between sophistication and pure dancefloor pleasure. It’s smooth, infectious, and built to move bodies.

Next up, “Follow The Line” blends shuffled house rhythms with 303 basslines and grainy vocal stabs. On paper, it’s an unlikely combination, on the floor, it locks tight. The result is hypnotic, driving, and effortlessly smooth.

On the flip, “Pink Forest” ventures into more mysterious territory. Built around an elusive, shifting time signature (one that even jazz-trained drummer Johannes struggles to explain), the track somehow feels both unpredictable and deeply groovy. It bends perception without losing momentum, a heady but danceable excursion into the unknown.

Closing the EP, Sun Damage delivers a remix of “Follow The Line” that both sharpens and distorts the original’s trajectory. Chunkier, weightier, and slightly off-kilter, this rework injects a tougher edge while maintaining the track’s hypnotic core, primed for late-night floors and heavy systems.

“Dolce” is indulgent yet refined, a release that balances musicality with movement, sweetness with punch.
Consume responsibly.

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14,08

Last In: 16 days ago
Various - Djax-Up-Beats 1990-2005: Volume 1 - The Acid Trip LP 3x12"

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. The compilation also features all-new illustrations from Alan Oldham, the Detroit-rooted visual artist who gave Djax-Up-Beats a distinctive visual identity from very early on, and design by Lost Communication. Each volume of the series also features liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. Volume 1 - The Acid Trip focuses on an area the label is best known for - acid house and techno. After the pioneering breakthroughs Chicago-based producers made with the Roland TB-303 in the late 1980s, acid music creation was starting to become more widespread when Djax-Up started in late 1990. The rebellious, rave-ready sound was an instant draw for label founder Miss Djax, and so her label ended up reflecting the development of acid as it spread from the Chicago roots across the world. Volume 1 - The Acid Trip looks at the diverse approaches to acid taken by artists on Djax-Up. Tracks on the compilation include an early outing from Ludovic 'St Germain' Navarre and Bjorn Torske's Ismistik alias, as well as Dutch pioneers such as Edge Of Motion, Spasms, Random XS and Acid Junkies, and Chicago heavyweights Mike Dearborn and Gene Hunt. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

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29,83

Last In: 32 days ago
Ryuichi Sakamoto - OPUS (4x12")

Ryuichi Sakamoto

OPUS (4x12")

4x12inch19802835111
Sony UK
27.03.2026
  • 1: Lack Of Love
  • 2: Bb
  • 3: Andata
  • 4: Solitude
  • 5: For Jóhann
  • 6: Aubade 2020
  • 7: Ichimei - Small Happiness
  • 8: Mizu No Naka No Bagatelle
  • 9: Bibo No Aozora
  • 10: Aqua
  • 11: Tong Poo
  • 12: The Wuthering Heights
  • 13: 20220302 - Sarabande
  • 14: The Sheltering Sky
  • 15 20: 180219 (W/Prepared Piano)
  • 16: The Last Emperor
  • 17: Trioon
  • 18: Happy End
  • 19: Merry Christmas Mr. Lawrence
  • 20: Opus - Ending

Experience the profound artistry of Ryuichi Sakamoto with Opus, a definitive vinyl collection curated by the composer himself. Spanning decades of groundbreaking work, this 4-LP set brings together iconic film scores, Yellow Magic Orchestra classics, and deeply personal compositions that reflect Sakamoto’s singular musical voice. Highlights include Merry Christmas Mr. Lawrence, Andata, and Aqua, alongside never-before-released pieces including for Jóhann (a tribute to Jóhann Jóhannsson), BB (dedicated to Bernardo Bertolucci), and 20180219 (featuring prepared piano).
Pressed at 45 RPM across four heavyweight LPs for exceptional audio fidelity, each disc is housed in its own jacket with matching black paper dust sleeves. The set is encased in a hand-crafted textured slipcase with elegant black foil detailing and includes a collector’s booklet with composition notes and credits. Opus is more than a retrospective; it’s a final statement from one of the most influential composers of our time.

pre-ordina ora27.03.2026

dovrebbe essere pubblicato su 27.03.2026

138,24
DAVID JOHANSEN (FEAT. EARL SLICK) - THAT'S WHY THEY CALL IT LOVE (ACOUSTIC VERSION)

Die limitierte 7"-Vinyl präsentiert einen der letzten Studio-Momente des verstorbenen David Johansen - eine intime, akustische Liebeserklärung voller Verletzlichkeit und Reife Seine Stimme trägt jene rauhe, unverwechselbare Tiefe, die ihn seit den Tagen der New York Dolls auszeichnete: ehrlich, ungeschönt, unmittelbar. "Gonna love you baby, till I lose my mind." An der akustischen Gitarre erschafft Earl Slick - bekannt durch seine Arbeit mit David Bowie und John Lennon - schwebende, fast sphärische Klangfarben, die Johansens erdigen Gesang umrahmen. Gemeinsam formen sie ein nuanciertes Zusammenspiel aus bluesiger Erdung und kosmischer Leichtigkeit. Der Track steigert sich in ein kraftvolles Mundharmonika-Finale, das Blues und Rock miteinander verschmilzt und den Song in eine spirituelle Intensität führt. Am Ende bleibt die Erinnerung daran, was uns Menschen am stärksten bewegt: L.U.V. - die Liebe.

pre-ordina ora27.03.2026

dovrebbe essere pubblicato su 27.03.2026

14,71
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