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Jeff has recorded an awesome new solo album down in Muscle Shoals, Alabama, with some of the
legendary players, including Kelvin Holly (Little Richard, Bobby Bland etc.), Clayton Ivey (The Staple
Sisters, Thelma Houston), Justin Holder (Keb Mo', Delbert McClinton) and Shonna Tucker (Booker T.
Jones, Drive-By-Truckers). The album is produced the Dick Cooper of The Cooper Brothers.

Deluxe edition on 180 gram dracula red vinyl with printed inner sleeve of Snelle's latest
album. Incl 2 bonus tracks! Will be released on the day his sold-out NL tour starts.

Deluxe edition on 180 gram dracula red vinyl with printed inner sleeve of Snelle's latest
album. Incl 2 bonus tracks! Will be released on the day his sold-out NL tour starts.

Deluxe edition on 180 gram dracula red vinyl with printed inner sleeve of Snelle's latest album. Incl 2 bonus tracks! Will be released on the day his sold-out NL tour starts.

First ever vinyl release of the album recorded in 1969/70 by UK prog-psych band Misty. Including their terrific mod-psych “Hot Cinnamon” 45.

A dazzling fusion of classically-inspired progressive rock and song-based psychedelic pop with an organ-based sound, in the vein of Procol Harum and The Nice.

“In October 1969, King Crimson released their debut, In The Court Of The Crimson King, Pink Floyd unleashed Ummagumma and Led Zeppelin put out their second LP. At the same time, Misty were in London’s Regent Sound Studios recording what turned out to be the only album of their career with producer, Adrian Ibbetson, who had cut his teeth as an engineer working with everyone from the Beatles to the Equals.

After only a handful of gigs, Misty signed a deal with Parlophone and began to gather momentum with the release of Hot Cinnamon. Although they received a lot of airplay, the single failed to chart and the band’s hopes of releasing their debut album were dashed. Reluctantly, Misty went their separate ways and the Here Again master tapes sat gathering dust on a shelf until Gelardi came across the original acetate and decided it was time for the album to finally see the light of day.

Bridging late psych and early prog, songs like Life Has Just Begun, Witness For The Resurrection and the title track were played with a perfect mix of high-flying experimentation and virtuosic musicianship. Blurring the fine lines between rock, jazz, classical and chamber pop, Here Again is a transcendent kaleidoscope of colour that is beyond definition.

Maybe you can tell an album is truly timeless when it takes half a century for it to be properly appreciated. Misty were a rare bird, a brilliant, truly original band who should have left an indelible mark instead of joining what now seems like the never-ending line of half-remembered and long-forgotten flotsam and jetsam of the psychedelic era.

Both the first and the final statement from a group who never really got their chance to be heard, Here Again is a slice of pristine psychedelic pop that so embodies the dizzying energy and the progressive spirit of the time, it’s astonishing that it stays afloat under the weight of its own intentions. But float it does, like mist in the air - a half-forgotten diaphanous dream slowly coming back to you after 50 years of silence.” – Jonathan Wingate

If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.

The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds.

AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice — the epitome of hippie crooning — and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Paice Ashton Lord hatten einen kurzen, aber dafür spektakulären Moment in der Geschichte des Rock'n'Roll.

Es gab großes Getöse in der Musikpresse als Drummer Ian Paice und Organist Jon Lord nach der unschönen Auflösung von Deep Purple eine neue Band zusammen mit Tony Ashton (Vocals, Keyboards) aufmachte.

Ein Album, einen verpatzten TV Auftritt, eine Tour und ein nie vollendetes zweites Album später endete die Geschichte von PAL im Jahre 1978 auch schon wieder. Eine Geschichte, die es wert ist, noch einmal zelebriert zu werden.

Mit einer Fusion aus Rock mit Big Band Swing, Blues und Funk bietet »Malice In Wonderland« treibenden Feel Good Rock vom Feinsten.

25th anniversary vinyl release for the second album from British alternative rock band A. 'A' vs Monkey Kong was originally released through Tycoon / London Recordings in 1999 and featured the singles "Old Folks", "Summer On The Underground" and "I Love Lake Tahoe". The album was integral in paving the way for A's later commercial success which saw the band having two top 20 singles in 2002. Vocalist Jason Perry is now an acclaimed record producer, working on albums by Don Broco, Molotov and McFly. Bassist Dan P Carter is now the host of the Radio 1 Rock Show. First time on vinyl, 'A' Vs Monkey Kong is released as a double 180g vinyl edition on red-transparent & orange clear with black haze colours, packaged in a heavy gatefold sleeve with a 16 page booklet. There will be a 6 week social media campaign with IG live to promote the release and tour dates planned for Summer 2024

Warehouse Find!

Seven Davis Jr. returns with a new album fresh after releasing the virtual reality infused clubby "Iss Good" EP on Classic Music Company. This album contains a fusion of R&B Hip Hop / Trip Hop / Deep & Soulful House songs. Inspired by the 90s sound and energy with appearances from John Cale, Luke Solomon, Ivan Dorn, Life On Planets, Jon Dixon and more.

7A Records is proud to present Davy Jones "The Bell Records Story". A lavish reissue of Davy Jones' self-titled album remastered with 6 bonus tracks. The CD version comes with a big 36 page colour booklet, extensive liner notes from Monkees historian Mark Kleiner and rare and previously unseen pictures. This reissue gives fans the opportunity to reassess an album that was unfairly neglected by record buyers at the time of its initial release in the fall of 1971.

Prior to entering the studio with producer Jackie Mills, Jones had recorded a batch of more somber and adult contemporary-sounding demos than the eventual Bell recordings of big band sunshine pop. While the latter played quite squarely into Jones’ established image; the former suggested another path that may (or may not) have launched Jones into a more fecund musical and commercial direction. Who can say? At the end of the day, we have these recordings and their manifold (and for too long overlooked) pleasures to enjoy, a worthy entry in the broad category of early seventies sunshine pop and in the specific canon of Davy Jones and Monkees-related recordings. Here is primetime Davy Jones, singing like an angel, and pointing to a love that leads to joy for all mankind. This release comes with a Booklet & Liner Notes & Photos

Six years ago, Oum Shatt released a critically acclaimed debut album that led to Song of the Year awards from Berlin Radio Eins ("Gold To Straw") and TAZ Popblog ("Power To The Women Of The Morning Shift"), as well as BBC and Arte features and appearances at SXSW, Transmusicales in France and Electric Picnic in Ireland. Now, the Berlin-based band, whose members are otherwise known from bands such as Kissogram, Fenster, Die Türen, Golden Showers and Peaches, consisting of singer and songwriter Jonas Poppe, founding member Chris Imler on drums, guitarist Richard Murphy, and Rémi Letournelle on bass and synthesizer – return with a second effort that even surpasses their debut. Building on the minimal-rock style of their debut album (Vogue Magazine), OUM SHATT weaves a mystic, at times psychedelic soundscape with meandering guitars, a wild percussive aesthetic, and Jonas Poppe’s evocative, mantra-like baritone. "Opt Out" also stands as a thematic concept album, delving into the individual's various forms of resistance against societal expectations. While drawing from obscure influences, the album remains unmistakably unique.

Opt Out by Oum Shatt, released 26 January 2024, includes the following tracks: "Love the Way She Stands", "Madame LeSoleil LeVant", "Over the World and Out", "Investors" and more.

This version of Opt Out comes as a 1xLP.

The vinyl is pressed as a blue disc.

'And Also The Trees' compelling new album, 'Mother-of-Pearl Moon', was born from a series of extraordinary electric guitar improvisations created by guitarist Justin Jones in the pre- and postdawn hours during a month of solitude in 2020. Each piece then developed in its own way - the guitar, often left in its raw, unaltered form, is accompanied by the voice of his brother Simon, bringing imagery and narrative, Colin Ozanne's clarinet and piano adding poise, colour and harmony, Paul Hill's percussion creating depth_ on occasion an autoharp, a Moog_ all leading the listener from the depths of the English countryside far out in all directions of the compass. The music is often filmic, reminiscent of various film genres from the '50s to the '70s. This is most apparent in 'This path through the meadow', a song that explores the intertwining of human nature and nature in its animal and botanic form, and in its video where the band appear to be performing to an imaginary screening. Elsewhere, the album title track transports the listener across the oceans to the Far East...and to its exotic gardens, still waters and the 'Mother-of-pearl moon'. And Also The Trees (AATT) formed during the original post-punk era in rural Worcestershire, an environment that has provided a constant inspiration to a group whose music has often explored the dark underbelly as well as the beauty of the British countryside. They are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms - not to mention a creative independence fiercely preserved for over four decades. Founded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk, alternative rock and Gothic scenes worldwide. They have released fifteen studio albums.

PAPOOZ is set to release their fourth album, "RESONATE". The eleven tracks on the album showcase Papooz's ability to venture into both rock and pop, fueled by their gift for melodies that go straight to the heart, finely crafted lyrics carried by the sublimely androgynous voices of Armand and Ulysse, and an irresistible, joyful, and nonchalant groove.

While alternating between laughter and tears, melancholy and hedonism, ballads and calls to dance, introspection and letting go, with the same ease and spontaneity. Like life resonating within each of us, in essence.For this album, Ulysse and Armand changed their way of writing for the first time, enlisting the help of Jesse Harris, an American songwriter known for his work with Melody Gardot, Gabi Hartman, and Norah Jones.They then finalized and refined the songs from these writing sessions with producer Patrick Wimberly. Formerly of Chairlift, Wimberly is the sought-after producer who has worked with artists like Blood Orange, MGMT, Solange, Cola Boyy, and recently on Lil Yatchi's incredible rap opera.

Ein Sinfonieorchester. Komponisten aus der Welt des Metal. Ein wilder Dirigent. Ein wirklich einzigartiger Solist. Attitüde und Talent. Ein Album und eine Live-Show. Das ist Bright & Black mit Eicca Toppinen, Kristjan Järvi und Baltic Sea Philharmonic.

Metal und Orchestermusik, zwei parallel existierende Welten, prallen endlich aufeinander und ein noch nie gehörter Sound entsteht. In einem beispiellosen Schritt verschmelzen die Welt des Metal mit der Welt des Orchesters, indem die in der Metal-Szene verwurzelten Autoren direkt für das Orchester komponieren, was diesem ein völlig neues Set an Farben gibt, um eine Serie von neuen Klängen zu erzeugen. Mit einem Knall. Die vom Baltic Sea Philharmonic unter der Leitung von Kristjan Järvi und der Solistin Eicca Toppinen aufgeführten Kompositionen stammen von Eicca Toppinen (Apocalyptica), Fredrik Åkesson (Opeth), Erik Danielsson (Watain), Nico Elgstrand (Entombed AD), Tomas Haake/Dick Lövgren (Meshuggah), Jacob Hellner und Kristjan Järvi.

Die vollständige Dolby Atmos-Produktion des Albumprojekts wurde im Herbst 2022 im Studio des Estnischen Nationalradios in Tallinn aufgenommen. Produziert von Jacob Hellner. Aufgeführt von Baltic Sea Philharmonic. Dirigent: Kristjan Järvi. Orchestrierungen von Jonny Abraham. Abgemischt in Stockholm von Jacob Hellner und Stefan Glaumann.

Ein Sinfonieorchester. Komponisten aus der Welt des Metal. Ein wilder Dirigent. Ein wirklich einzigartiger Solist. Attitüde und Talent. Ein Album und eine Live-Show. Das ist Bright & Black mit Eicca Toppinen, Kristjan Järvi und Baltic Sea Philharmonic.

Metal und Orchestermusik, zwei parallel existierende Welten, prallen endlich aufeinander und ein noch nie gehörter Sound entsteht. In einem beispiellosen Schritt verschmelzen die Welt des Metal mit der Welt des Orchesters, indem die in der Metal-Szene verwurzelten Autoren direkt für das Orchester komponieren, was diesem ein völlig neues Set an Farben gibt, um eine Serie von neuen Klängen zu erzeugen. Mit einem Knall. Die vom Baltic Sea Philharmonic unter der Leitung von Kristjan Järvi und der Solistin Eicca Toppinen aufgeführten Kompositionen stammen von Eicca Toppinen (Apocalyptica), Fredrik Åkesson (Opeth), Erik Danielsson (Watain), Nico Elgstrand (Entombed AD), Tomas Haake/Dick Lövgren (Meshuggah), Jacob Hellner und Kristjan Järvi.

Die vollständige Dolby Atmos-Produktion des Albumprojekts wurde im Herbst 2022 im Studio des Estnischen Nationalradios in Tallinn aufgenommen. Produziert von Jacob Hellner. Aufgeführt von Baltic Sea Philharmonic. Dirigent: Kristjan Järvi. Orchestrierungen von Jonny Abraham. Abgemischt in Stockholm von Jacob Hellner und Stefan Glaumann.

Canadian bowed guitarist and multi-instrumentalist C. Diab announces his fifth album Imerro, out February 16th, and presents the trip-infused lead single 'Lunar Barge'.

(Real name) Caton Diab creates soundscapes that evoke the spectacular wilderness of his childhood home in northern Vancouver Island. Incorporating experimental textures, folk overtones and tape manipulations, C. Diab uniquely finds the unseen spaces in-between, and fittingly dubs his creations "post-classical grunge". Imerro explores new sonic realms and is the culmination of a sound world that Diab has built up since the critically acclaimed 'No Perfect Wave' (2016, Injazero) and subsequent releases 'Exit Rumination' (2018), 'White Whale' (2020) and 'In Love & Fracture' (2021). The Wire calls it "ambient music in the best sense - music for living, which can be both non-invasive and immersive...epic"

Imerro was recorded in late July and August of 2021 at Risque Disque Studio in Cedar, BC, during the summer's unprecedented second "heat dome", which saw temperatures soaring to over 40 degrees. Recorded with regular collaborator and engineer Jonathan Paul Stewart, the pair journeyed by boat to the studio to a place with minimal distraction with a plan of "simple ecstatic improvisation." Diab explains: "I wanted to place myself in a space for creation with little thematic pretence, with the belief that music 'shows its face' as you move along. I would pick up an instrument, whether I had experience playing it or not, and make a sound. If it wanted to be played, it would play."

"Moon Healer" ist ein anschauliches Beispiel dafür, was passiert, wenn Kreativität, Ambition und Dynamik zum ersten Mal seit Jahren wieder aufeinandertreffen. Wie das von der Kritik gelobte, 2014 erschienene Album "Sun Eater" ist "Moon Healer" musikalisch facettenreich, unverschämt brutal und überzeugend konzeptionell. Mit einem aufgefrischten Line-up, bestehend aus Frontmann und Mitbegründer Jonny Davy, den Gitarristen Tony Sannicandro und Al Glassman, Bassist Nick Schendzielos und Schlagzeuger (seit 2020) Navene Koperweis, knüpft die Band nahtlos an die Erfolge von "Sun Eater" an.

Girl With No Face: Das vierte Album von Allie X, Girl With No Face, ist eine gewagte Ausgrabung ihrer Identität. Eine wahnsinnige Reise in den Kopf
einer Künstlerin, die gerade drei Jahre in der Isolation verbracht hat und jeden Input verweigert hat, während sie zum ersten Mal in ihrer Karriere die
alleinige Produzentin, Autorin und kreative Stimme wurde. Inspiriert von der Technologie und dem Hedonismus der New-Wave-Szene der frühen
80er Jahre, sind die analog angehauchten Songs des Albums eine Reihe von krassen Widersprüchen - retro im Gefühl, aber ultramodern in der
Thematik, pointiert, unvorhersehbar und doch tanzbar, zugänglich und doch herrlich bedrohlich. Kurz gesagt, Girl with No Face ist völlig untypisch fü
die hypergetunten, automatisierten Formen, die den heutigen Alt-Pop dominieren.
Durchdrungen vom britischen Experimentalismus der frühen 80er Jahre, mit Anklängen an The Human League und New Order, ist das Album ein
deutlicher Schritt weg vom 2020er introspektivem und sparsamen "Cape God" - so viel schneller und bedrohlicher.

Lodged between a heartbreak and a smoke break, Kathy Heideman's Move With Love wandered off I-5 somewhere just south of Hungry Valley State Vehicular Recreation Area and broke down. At its dusty roadside, cheap truck-stop java flows over plaintive coffeehouse tunesconcerning "Bob" and "Need." Her session hand's lanky, echo-laden guitar might've twanged a bit strong for the typical sandal-shoed hitchhiker, who'd have fell harder for Dylanesque grandeur on "The Earth Won't Hold Me." More Bakersfield than Laurel Canyon, and set to walkingin 1976 by the one-off Dia imprint in a plain-Jane, black-on-white sleeve, Heideman's lone LP suffered the geographical misfortune of having ripened in the presilicon orchards of San Jose, California, far from more marketable realms_Emmylou's backyard, say, or Joni Mitchell's summery lawn. Heideman herself faded out thereafter, packing her shaken, singular voice into a rustic suitcase, moseying on, and leaping into the moving sun.