Suche:journey

Friss is a turntablist at heart. Inspired by legends like C2C, The X-Ecutioners, Cut Chemist, A-Trak, D-Styles and many more, he always dreamed of creating music in that same spirit. For years, he searched for his own unique sound. The search is over, it’s been found.

GENERATION CMD+Z is a tribute to the art of turntablism, filled with battle record references. Soulful, jazzy hiphop beats accompanied with scratches by friss., DJ Robert Smith and Kypski. The warm, distinctive touch of Amsterdam-based keys wizard Soul Supreme shines through on "Beep Aaah Fresh" and "Use Head. After years of rocking clubs and touring with side projects, Friss is taking it back to the roots: beats and scratches, turntables and a mixer, a computer and CMD+Z. At the end of the record there is a "hidden" scratch sentence containing all scratch samples used on the record to complete the turntablism feel.

Following his journey into the 45 scene with Deejay Irie as It Takes Two since 2020, this marks Friss’s first-ever solo release — a personal and powerful debut.

Limited to just 200 copies.

oulette - GO! (2025) | Melodic Rock at Its Finest!
Roulette is back, delivering another AOR/Melodic Rock milestone with their highly anticipated full-length album, "GO!" Featuring 10 brand-new
songs, this release follows the critically acclaimed "Now!" (2019) and continues the band's remarkable musical evolution.
Their recent EP "From Now Until Today" (2024) showcased their ability to develop their songwriting while staying true to their roots. Now, "GO!"
takes that journey even further.
"We have connected to our roots of Thin Lizzy, Def Leppard, Bryan Adams, and Van Halen," says bass player Hansi Fellbrink.
Expect powerful melodies, soaring vocals, electrifying guitar riffs, and a pounding rhythm section-everything that defines Roulette's signature
sound.
Following the massive success of their latest single, "Love's The Drug"-which has dominated the Swedish charts for over 7 months-"GO!" is set to
raise the bar even higher.
And with their reputation for extraordinary live performances, Roulette will bring their energy to the stage with several live shows, including an
exciting tour in Spain this October (2025).

Sounds like: Def Leppard, Journey, Europe oder Foreigner!

oulette - GO! (2025) | Melodic Rock at Its Finest!
Roulette is back, delivering another AOR/Melodic Rock milestone with their highly anticipated full-length album, "GO!" Featuring 10 brand-new
songs, this release follows the critically acclaimed "Now!" (2019) and continues the band's remarkable musical evolution.
Their recent EP "From Now Until Today" (2024) showcased their ability to develop their songwriting while staying true to their roots. Now, "GO!"
takes that journey even further.
"We have connected to our roots of Thin Lizzy, Def Leppard, Bryan Adams, and Van Halen," says bass player Hansi Fellbrink.
Expect powerful melodies, soaring vocals, electrifying guitar riffs, and a pounding rhythm section-everything that defines Roulette's signature
sound.
Following the massive success of their latest single, "Love's The Drug"-which has dominated the Swedish charts for over 7 months-"GO!" is set to
raise the bar even higher.
And with their reputation for extraordinary live performances, Roulette will bring their energy to the stage with several live shows, including an
exciting tour in Spain this October (2025).

Sounds like: Def Leppard, Journey, Europe oder Foreigner!

Here it is.. the final chapter from Orbital Mechanics! Founded by Sound Synthesis and JDSK back in 2021 and what a journey it has been. To finish in a nice way the 10th and final chapter is a double 12". Thanks for the support, transmission out...The End

Named after the old district where Jesse lived during one of the most vibrant years of his life, La Pavonia EP captures the warmth, unpredictability, and deep musical curiosity that define him. Drawing from memories of joy, love, and discovery—and echoing the floral name linked to Runas' Spanish roots—the EP unfolds across four distinctive cuts.

“Crystal Swamp” opens the journey with eerie pads, buzzing synths, and a groove shaped by introspective winter days. “Body Blaster” follows with a raw, body-moving rhythm, born from a shift between Electro and Progressive moods and anchored by a punchy TX-81Z bassline. On the flip, “Warp” plays with imperfection and transformation, turning a single synth and stretched percussion sample into something strangely human. The EP closes with a remix of “Warp” by Belgian-Peruvian producer DC Salas who transforms Warp into a slow-burning, groove-heavy trip, layering thick basslines, subtle percussive shifts, and a progressive pulse. It's a hypnotic rework that keeps the original’s raw textures while opening it up for late-night floors and deeper moments.

Rising electronic star Yet More returns with a two-track EP via HABITAT that masterfully fuses the essence of house music's golden era with contemporary innovation. Building on his breakout hit "Erotic Trip," the Parisian producer with Levantine and Persian roots delivers a sonic journey where classic house foundations—violin stabs, staccato piano—intertwine with bass-driven textures and Loleatta Holloway's soul-stirring vocals. "Just Wanna" unfolds with deliberate tension while "Ladies Man" delivers raw emotional power, striking a perfect balance between nostalgia and forward-thinking production that speaks to both seasoned house connoisseurs and new-generation clubgoers.

We're thrilled to present this carefully curated selection of artists we deeply admire. Each of them reflects a part of our musical identity.

This release marks the first Bunkers Collective 2x12" record series and showcases a journey through sound. The first record leans into dub and Detroit inspired grooves, while the second explores deeper and more techno driven territories.

Monster release by the Swedish Starving Insect and Japanese Miyuki Omura.

The Cinematic horror concept EP "Ningyo no Hausu" (Translated: House of Dolls) offers 4 bangers that will send shivers down your spine.
The theme track Hausu has both a Techno and a Hardcore version as well as A remix By label boss Tripped himself.

The "Disturbing, haunting & Scariest and strongest music" (as quoted in Kanji on the cover art)
dares you to indulge on this journey but remember "In this house... evil itself pulls the strings."

HEMELBESTORMER have been a commanding entity in the heavy music scene for over 10 years, with their idiosyncratic take on the merger of post-rock, doomgaze and black metal. Made up of veterans from the Belgian hardcore and metal community, the four piece from Hasselt, Belgium create intricate sonic journeys through space and time built over punishing riffs and spine-chilling climaxes. With their fourth full-length The Radiant Veil HEMELBESTORMER take their songwriting and production to new heights, honouring their name as trailblazers on the intersection of dark and light, the crushingly heavy and the hauntingly beautiful. Having appeared at many of Europe's finest music festivals - ranging from Roadburn festival to Dunk! festival to Graspop Metal Meeting - HEMELBESTORMER feel right at home on stages with a wide variety of heavy, experimental and ethereal acts. The road combining ethereal post-rock with seething black metal has been travelled by many acts, but with HEMELBESTORMER that winding path has taken a different turn. Facing away from shoegaze or indie rock influences, the band find a more sophisticated way of incorporating unsettling melodies, blast beats and lo-fi synthesizers to emulate the dark void of space and eerie cold light of stars. HEMELBESTORMER are a sight to behold on stage, and with The Radiant Veil they penetrate deeper than ever into the farthest reaches of their sonic space ethos. Once more the Belgians capture the cavernous expanse between the cold lights of the universe, but also our power as humans to explore it, proving their greatness as masterclass storytellers in sight and sound. FOR FANS OF Neurosis, ISIS, Year of No Light, The Ruins of Beverast, WuW

HEMELBESTORMER have been a commanding entity in the heavy music scene for over 10 years, with their idiosyncratic take on the merger of post-rock, doomgaze and black metal. Made up of veterans from the Belgian hardcore and metal community, the four piece from Hasselt, Belgium create intricate sonic journeys through space and time built over punishing riffs and spine-chilling climaxes. With their fourth full-length The Radiant Veil HEMELBESTORMER take their songwriting and production to new heights, honouring their name as trailblazers on the intersection of dark and light, the crushingly heavy and the hauntingly beautiful. Having appeared at many of Europe's finest music festivals - ranging from Roadburn festival to Dunk! festival to Graspop Metal Meeting - HEMELBESTORMER feel right at home on stages with a wide variety of heavy, experimental and ethereal acts. The road combining ethereal post-rock with seething black metal has been travelled by many acts, but with HEMELBESTORMER that winding path has taken a different turn. Facing away from shoegaze or indie rock influences, the band find a more sophisticated way of incorporating unsettling melodies, blast beats and lo-fi synthesizers to emulate the dark void of space and eerie cold light of stars. HEMELBESTORMER are a sight to behold on stage, and with The Radiant Veil they penetrate deeper than ever into the farthest reaches of their sonic space ethos. Once more the Belgians capture the cavernous expanse between the cold lights of the universe, but also our power as humans to explore it, proving their greatness as masterclass storytellers in sight and sound. FOR FANS OF Neurosis, ISIS, Year of No Light, The Ruins of Beverast, WuW

Feedasoul Records is proud to welcome South African deep house craftsman KaySoul with his debut full-length LP, Black Rose. A ten-track body of work, with six cuts specially selected for a limited vinyl release, Black Rose is as personal as it is profound - a record that reflects KaySoul’s journey into fatherhood, love, responsibility, and self-transformation.

When Casey Lowery’s grandfather passed away in 2023, he inherited a caravan on the English coastline, which became a retreat that helped him reconnect with his past and create his debut album, lekkerland. The album reflects Casey’s journey of recalibrating his career and reconnecting with the kind of community the music industry had promised him but failed to deliver.

Through his growing fanbase of 6 million online followers, Casey has carved out a space where he can be himself, keeping his shows affordable and supporting local creative communities on his tours. lekkerland is the culmination of a busy 2024 and 2025 releasing singles (including Kebab Tune, Blue Corduroys and Low Mood Season), headline shows and international festival appearances. From the caravan, Casey is building a more intimate, inclusive world for his fans - one where he can truly be himself.

Mutant is proud to present another contemporary classic from Quebec duo Le Matos, a follow-up to their acclaimed science fiction score, TURBO KID. Released in 2015, the movie TURBO KID became an instant cult hit, and since then, fans have been aching for a video game. This is the future; the world as we know it is gone. You are The Kid, a lone warrior on a journey to cross the Wasteland in search of hope. What you will find on your way, however, is a land riddled with scoundrels and creeps, which you’ll have to go through – sometimes quite literally – to survive. Propelling this madness is an incredible soundtrack by Le Matos returning to the wasteland they helped create in 2015. They cherry-pick influences from the best of electronic music from the past forty years; John Carpenter, Vangelis, and Tangerine Dream are all touchstones, but so are Daft Punk or Justice, all put through an 80's synthpop blender. Creating some incredible retro-futuristic synth wave sounds, including an astonishing re-teaming with Pawws for the single To Tomorrow. TURBO KID – A place beyond your dreams, a record beyond your imagination.

Each track a misty echo, carved in rhythm and space. Octal Industries drifts back to Kontakt with a solo offering - three deep, dub-soaked journeys where texture and tone intertwine in quiet elegance. For those who listen between the lines.

THE INFINITE STREAM TO ETERNITY LAYS IN THE UNDERSTANDING OF THE WHIRLING ASCENT TO PERFECTION’

Jon Tye, aka Ocean Moon is a man who truly needs no introduction. For the last 30 plus years, the founder of LO RECORDINGS has consistently been a part of some of the most seminal and groundbreaking sonic excursions of our time — MLO, Seahawks, Cherry Garcia, and Brain Machine, to name a few.

After his recent album for Music From Memory, ‘Ways To The Deep Meadow’, Ocean Moon now sets his controls for the heart of the sun and takes the listener on an epic journey into a world of vibration, wild oscillations, molecular transformation and altered states of consciousness.

Inspired by the kaleidoscopic majesty of 4 Hero, Terre Thaemlitz, and Alice Coltrane combined with the the wonders of the cosmos, 'SHIMMERING STATES' is an electronic symphony that feels like a magical sonic voyage into deep space.

Miris returns to the fold, this time featuring two remixes by Eduardo De La Calle.

Peter Cunnah and Al Mackenzie, a.k.a D:Ream land with their brand new, fifth studio album Do It Anyway, a well crafted, feel good blend of pop-electronic songs. Do It Anyway's songs draw on a combination of the duos current & past life experiences, a 30 year journey through pop music and UK club culture plus some wry geo-political commentary. When added to some finely honed song-writing skills that delivered ten Top 40 hit singles Do It Anyway proves to be an accomplished album. Do It Anyway is preceded by the release of the self-titled lead single, D:Ream's homage to the not-so-innocent golden days of 90s clubbing adventures and will be priority promoted to radio & press alongside the album, aiming at mainstream national radio, BBC Radio 2, 6 Music, Capital plus red top and broadsheet press. A further single, The Geek Who Rules The World, is slated for release post-album to continue the campaign through the summer and will similarly be promoted as a priority single. D:Ream are probably best known for their hits Things Can Only Get Better and UR The Best Thing. However, there is so much more than that to discover. They scored two UK Top 10 albums: 1993's D:ream On Vo1 and 1995's World, plus ten Top 40 singles! Things Can Only Get Better was no.1 for four weeks in 1994 then was famously co-opted as the anthem in 1997 by Tony Blair's Labour Party, writing D:Ream into English history; pop, political and otherwise!

Congratulations, Electro connoisseur! You are about to enter the Electrifying Dojo. A place where Sifu pdqb and Sensei Rolando teach a transcendental, one-of-a-kind neo-futuristic martial art that does not use hands but something far more delicate and powerful: MUSIC.

Blending martial discipline with the art of electronic music is something deeper, something that no words can properly describe. The skills you will be taught here are feeling music, embodying it. pdqb and Rolando believe that true harmony comes when the mind, body, and soul are united in the sounds that vibrate through the air.

The sounds of this first lesson are soft at first, almost imperceptible. But then they grow into a delicate, trembling melody that fills the room with an emotion that is difficult to place. It isn’t sadness, nor is it joy, but something in between. The more you listen, the more you will be aware of something strange: tears will fall gently, silently. They are not forced, nor are they out of sorrow - it is simply because the music feels so beautiful. Your deepest emotions will be triggered, every note will carry out an old truth, a secret truth, buried deep in your heart.

Another quality drop from Synaptic Cliffs. 4 dark and beautiful signature-style Electrocognition journeys from pdqb, playful with a modern twist while still remaining loyal to its roots. And on the flipside: two stunning, classic Rolando remixes, each with the potential to be the crowning moment in the club.

SASSYHIYA want to take you somewhere. The journey starts in Kathy and Helen's flat in South London. Sit down, close your eyes, and immerse yourself... You are on your way to a musical rainforest a long way from Camberwell. Explore your new surroundings, and you will find beautiful pop blooms like Let's See What We Can Find, as bright and vibrant as The Sundays, thrusting their colourful faces up from the forest floor. You'll find tangles of sharp-edged guitar, as if Swiss she-punks Kleenex had been left to evolve here in the rich fertile soil (I Had A Thought). You'll find dark pools full of lyrical complexity, deceptively deep and immersive, with shimmering reflections of The Go-Betweens (Perennial). And you'll come across delicate love songs, creeping up the trunks and branches of the bass and drums, displaying their fragile beauty (Thank You And Goodbye). And what's that exotic striped animal prowling through the undergrowth? Actually, it's Crayon Potato, Sassyhiya's pet cat, the other resident of their flat in South London, taking up her role as the feline star of a lilting, singalong anthem written in her honour. That's what is so great about this album. You are somehow, simultaneously, exploring the most exotic forest in the world while also sitting in a flat in an ordinary, familiar English street with Sassyhiya and their cat. This album transports you without pretending the real world doesn't exist: it doesn't get all mystical on you (Take You Somewhere is as unlike Enya as anything you've heard). Sometimes you might be reminded of Girls At Our Best, and then Delta 5. You might even, on occasion, think of Echo and the Bunnymen. Sassyhiya (pronounced "Sassy Hiya") were formed when Helen and Kathy, real-life partners and co-songwriters, joined up with Pablo and Neil (drums and guitar). Helen had previously been in Boys Forever and Basic Plumbing, collaborating with much-missed Veronica Falls musician Patrick Doyle. She and Kathy then formed Barry, a stripped-down queercore outfit, with Bart McDonagh (The Male Gays) and Mark Amura (My Executive Dysfunction). Sassyhiya feels like a culmination of all these elements, hitting the sweet spot between post-punk and indie pop. They know their way around a melody but still keep it wonky, with influences ranging from the Breeders and Broadcast to Dolly Parton.