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300: Rise of an Empire is a 2014 American epic action film written and produced by Zack Snyder and directed by Noam Murro. It is a sequel to the 2007 film 300, taking place before, during, and after the main events of that film, and is loosely based on the Battle of Artemisium and the Battle of Salamis.

Its score was created by Dutch DJ and composer Junkie XL. This was made possible because in 2013, Hans Zimmer became responsible for the creation of the score to Snyder’s Man of Steel, for which he asked Junkie XL to collaborate with him and Snyder loved the end result. The score to 300: Rise of an Empire was performed by the Hollywood Studio Symphony, led by Nick-Glennie Smith. The vocals were provided by Hilda Örvarsdóttir and MC Rai. Junkie XL himself added the guitar, bass, drums, piano and synthesizer parts and mixed the full soundtrack at the Computer Hell Cabin studio.

Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.

Nia Wyn grew up in Llandudno in North Wales where, despite the town’s breathtaking views, she found herself battling with demons relating to isolation, identity and mental health. In local junk shops she sought solace in old soul records, discovering the likes of Billie Holiday, Bob Dylan and Marvin Gaye as well as hip-hop artists such as Nas and Lauryn Hill. Growing up in a house with a dad who played a lot of northern soul, disco and reggae, Wyn took inspiration from a truly eclectic range. Her unique storytelling style, along with such distinctive and raw vocals, has made Wyn into one of the top emerging female artists now coming out of the UK, her classic influences filtering through her singular songwriting into an entirely modern sound.

Wyn accrued early praise from the likes of Clash, Earmilk and more. She’s been played on BBC Introducing, Radio 1, 6Music, Radio 2’s Blues Playlist and was tipped by Huw Stephens as one of BBC Introducing's Ones To Watch in 2019 after opening for Paul Weller and Paloma Faith.

Just like Freddy Krueger, Final Dream resurrects from the past to haunt your nights and deliver to the masses his threatening message. Author of a mighty album and three collector EP's on experimental techno label Audio Illusion Recordings from 1995 to 2002, British Electro veteran Phil Klein aka Bass Junkie returns with a vengeance under his most frightening alias. 19 years after his last transmission, he serves up a new four tracker full of his infectious strain of corrosive and weird electro.

The A-side opens with the mental "Dark Flow", a pounding tune based upon hammering beats surrounded by sinister strings and a gloomy atmosphere. The title track "Project Fear" coming next goes deeper into the realm, merging lethal frequencies to demonic beats.

The flipside introduces "Force Majeure", a milestone of an instant classic made of robotic drums sequences fused into subtle acid lines while "The Devil's Playground" concludes the 12" with 7 minutes of brain manipulations. Present "Project Fear EP" appears as an opened window to the future, an invitation to foresee what Evil is cooking for you in his laboratory. Just a reminder that there's no way to hide, accept your fate, nothing can stop the darkness!

The solo project of Brian Chillemi from New York’s Junk Boys and Organs this album was recorded in Brooklyn and Queens apartments by producer Kyle Avallone and drinks heavily from the pool of Gallon Drunk/ Cave balladry, smoky acoustic guitars alternating with the sparse echo of electric soloing.

- First 45 from new label 3 Palm Records - Classic deep funk and soul cover featuring singer Adryon De León - Hard break beats and soaring vocals // West Coast soul and funk powerhouse Orgone returns to their roots with this scorching cover of the James Brown-produced Marva Whitney song "It's My Thing (You Can't Tell Me Who To Sock It To)." The original is considered a breakbeat classic and has been sampled by hip hop's golden era stalwarts (NWA, Public Enemy, & EPMD). Orgone brings their brand of heavy hitting, gritty production to update the song for new ears and a new era. Lead vocalist Adryon de León struts and belts with swagger and soul, riffing and owning Marva's response to the Isley Brothers' "It's Your Thing." Orgone's seasoned rhythm section chugs hard and heavy in their crusade to do justice to the legacy of James Brown's renowned band The J.B.'s. Topped off with percussion breaks and killer horn lines, this side is ready to be embraced by soul aficionados, beat junkies, and deep funk crate diggers_not to mention the hardcore fanbase that Orgone has established over two decades of critically acclaimed studio releases and a well-earned reputation for fiery live shows. This is the debut 45 from 3 Palm Records.

4 tunes of pure NOISEBUILDER newskool sound !

Electro master since the beginning Noisebuilder, is not just Σam... Is not just Junky Robot... He is an artist diggin' damn detailed frequencies. Alsways hidding the melodies in the SUB-bass.

First side brings quiet hi-tempo electro-techno rave tunes. Very musical and dancefloor in the same time. A pretty rare fact.

The flip offers a different view with a downtempo (well a normal tempo actually...) super progressive classic techno tune, peacefull at trance frontier as well as electric and acid-core... Finally the ep finish your brain with a vocoder electro bumper ! MASSIVE !

Cut At The Exchange Mastering with luv !

solid white vinyl / 180 grams

British Electro veteran Bass Junkie returns for his second vinyl outing on Bass Agenda Recordings, this time with a full-length album. As his last release, "Low Frequency Fugitive" indicated, he has been working hard on developing his trademark sound and taking things forward; no mean feat for someone who has been ahead of his time since he began releasing Electro in the mid-nineties. He has succeeded though and everything he is loved and respected for is here, plus some advanced structures and elements - Bass Junkie evolved - a true Sub Sonic Survivor. The harder edge is here in tracks such as "Blast Them to Infinity!" and the insanely hard kick of "Star Destroyer". His funkier side shines through too, in tracks like the shimmering space funk of "Rum and Raspberries". For fans of his exceptional vocal work there are treats in store too, particularly in the aggressive attack on the modern state of things that is "Reset".

We are happy to presend you some of the labels best releases back on vinyl! Starting with one of the most wanted produced by Roland Casper and Rob Acid from 1995! Re-mastered and highly recommended!

They Say: “Contemporary scores for visual effect”.

We say: Synth-heavy, low-slung space-funk masterpiece.

The creator of the romping tunes that became the iconic themes to the BBC’s Grandstand programme and their televised Wimbledon Tennis Championship coverage, Keith Mansfield was perhaps KPM’s most prolific artist from the mid 1960s right the way through the 1980s. As well as the sort of pop orchestral sound that is all over these classic library records, he could also turn his hand to raw, edgy rock and funk. Quentin Tarantino is a big fan, going as far as including some of Keith’s work on the soundtracks to Kill Bill and Grindhouse.

This is it. This is THE ONE for us: Keith “The Man” Mansfield’s Vivid Underscores from 1977. A sample freak’s wet dream and one of Be With Rob’s favourite ever KPM records. A must for fans of Brian Bennett’s Voyage (yes, THAT good). And no, we’ve no idea either why it took us this long to get round to tackling this monster of a record. But then again some things are worth waiting for.

Attention! Calling all crate diggers, DJs, beat heads, Hip Hop junkies, MF DOOM fans! Behold! Vivid Underscores makes sampling easy. Prepare to be up all night, every night, chopping, looping and splicing these endless grooves and spacey synths. The highlights are too many and too mind-blowing so we’ll pull out a few particular highlights. Trust us, this library LP is just jaw-dropping.

“High Velocity” sets the tone with its aggressive horns, wah-wah guitars, funky baseline and wobbly synth refrain. So good and so hypnotic that Memphis Bleek just had to swipe the ominous, frazzled intro for “What You Think of That” featuring Jay-Z. Also, for real drama, the 1985 Lakers retrospective “Return to Glory” used it to soundtrack the footage from the legendary game five of the NBA finals at the Forum. Heady days. “Crash Course” - Stetsasonic horn refrain? Beautiful - jazzy chase-funk, amazing warm keys, percussion and funky horns - all action.

The more restrained “Matter Of Urgency” is an utterly amazing, brass-heavy underscore. The grandiose, uplifting “Dawn Of Aquarius” still sounds like the future with its tense, thundering drums, killer bassline and swirling synths. Version II loses the drums and percussion but is no less startling. “Staying Power” closes the first side with a relentless, pounding groove which *will* snap your neck. Be warned.

“Trucking Company” is a pacey, synth-and-string masterpiece and its accompanying parts (a–c) mess with the formula to great effect. Part (a) adds echo delay to really dazzle and part (c) plays the breezy, beautiful middle section without the tension. “Hot Cargo” and “Espionage” are both tense spy-funk themes par excellence. “Interplay” is a quiet killer, with flutes over a glistening piano refrain just waiting to be looped. The intro to the menacing “Omen” might’ve been sampled by 7L & Esoteric for their classic “So Glorious” but the entire 5 minute track is a mini-drama masterpiece, one only Mansfield could create.

Even though its a mix of short themes in-and-amongst longer, full-length tracks, Vivid Underscores is still thoroughly listenable from start to finish. That’s not something that can be said of all library records and it still manages to serve as rich resource to keep even the keenest samplers busy for a while.

As with all of our KPM re-issues, the audio for Vivid Underscores comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand ident

The new Micropoint Band first album ! Make Hardcore Concerts possible again !

Operation Ivy's contribution to the history of US punk rock has never been in doubt. Not only did they invent and define the entire ska-punk subgenre, but they also featured Tim Armstrong and Matt Freeman, i.e. half of the members of one of the most successful punk bands ever: Rancid. This 14 track scorcher collects a killer set from KSPC radio in Pomona, CA, March 1988. 'Junkies Running Dry', 'The Crowd'', and more of their uncountable hits played live and raw! Skank to the beat!

Gold Vinyl

It's the year 2021 and SASCHA MÜLLER is making a solo return with a 7" single on Intrauterin Recordings - an astounding 16 years after his first appearance on the label back in 2005. Coming in raw, dirty and powerful as it gets "Beat Junkie" weighs in a hypnotizing, grinding and surely Acid-fueled take on distorted, hard hitting peak time beat science whereas "Dope Beatz" caters a brutal, dancefloor devastating variation of heavyweight (Electro)Phonk x Chemical Beats for strobe-lit industrial dancefloors throughout the darkest, most vantablack hours of the night. 100% untamed underground music for those in the know.

Trans World Railways creates a new line between Casablanca and Tbilisi by welcoming Cobert - one of Georgia finest producers - for a special limited 7inch edition. The two tracks are eagerly awaited since they've been featured on Casa Voyager label of the month mix on Resident Advisor. Kiev Stollen Story is an energetic peak time track while Office Junk is a more playful electro party starting track. Tested and approved. Vinyl Only.

Paranoia is a 2013 American thriller film directed by Robert Luketic. Its score was created by Tom Holkenborg, better known as Junkie XL, a Grammy nominated multi-platinum producer, musician, composer and educator. His other scoring credits include Mad Max: Fury Road, Deadpool, Man of Steel and The Dark Knight Rises. This special edition of the Paranoia soundtrack includes 4 extra songs from the movie: “The Hurry and the Harm” by City and Colour, “Alive (Zedd Remix)” by Empire of the Sun, “1, 2” by Lissie and “Demon Dance” by Surfer Blood. This release comes out as a limited edition of 500 individually numbered copies on translucent blue vinyl and includes an insert with images from the film.

LTD. CLEAR VINYL

Repressed in quantity for the first time in years. Includes the hit single "Strange Harvest". Tempers, comprised of Jasmine Golestaneh and Eddie Cooper, have carved out their own niche within dark indie, electronica and synth-pop circles. Their sound is about exploring tonal and emotional tension as much as it is about actual tracks or singular moments. Adrenalizing yet hypnotic landscapes layer mechanical and sensual impulses, as crystalline vocals weave fever dreams of yearning and alienation. Informed by both Golestaneh's involvement in musical performance and visual art and Cooper's electronic production resume, as well as their time in the States and abroad, they operate as a multi-disciplined entity in the spirit and ethos of Factory Records. Tempers describe their creative process as a telepathic kinship they've developed since they started making music together: "We have these sort of unspoken criteria when we're writing music. We never really need to explain what that is but we both know when it's missing or when we've hit it." After a string of critically acclaimed singles beginning in 2013 with "Eyes Wide Wider" b/w "Hell Hotline," the duo released their debut LP "Services" (2015) on cult imprint Aufnahme + Wiedergabe resulting in the underground club hit "Strange Harvest", extensive international touring and sold-out shows. The album's vinyl edition soon became a sought after collectors item. Their 2017 EP "Fundamental Fantasy" was released as a result of the Vinyl Factory's Volcano Extravaganza artist residency on the Aeolian island of Stromboli. Following their unique creative compass, in 2018 they indirectly moved from the dance floor to galleries, releasing "Junkspace" a conceptual collaboration with famed architect Rem Koolhaas. The record is available in the world's most select cultural hotspots, from The New Museum in New York to Walther Konig museum stores throughout Europe, a testament to Tempers' love for experimental output and unorthodox presentation. In 2019 Tempers signed with Dais Records, promptly releasing "Private Life" and the lead single "Capital Pains," a meticulous evolution of the dark pop that marked the duo's earlier output.

"From Nishinari Osaka Japan Weird Wild Obscure Spooky exotica burlesque toy junk Muzak Trash One Man Band music made with broken cassette desks and fucked up record players feat members of (Acid Mother Temple)" - VRR 20202 Vinyl LP, starker Karton, bedruckte Innenhülle, Download inklusive. Willkommen in der wilden obskuren und seltsamen Welt von DEGURUTIENI und seiner ONE MAN BAND. teuflisch exotischer Striptease Kinder Spielzeug Krach mit ausgedientes Tonbandgerät und zerbrochenen Plattenspielern mit Mitgliedern von ua Acid Mother Temple in einigen Songs. Dies hier ist eine Zusammenstellung mit älteren Songs (selbst Veröffentlichungen und auf kleinst Labels) und viele neue Songs die noch nie vorher veröffentlicht wurden. Ich dachte, es ist an der Zeit, dass die Welt etwas über DEGURUTIENI erfährt (ich hatte Wochen, bis ich seinen Namen richtig buchstabieren konnte, hahaha ) Er tourt ständig durch die ganze Welt (pre Covid-19) und tritt in regulären Konzertsälen sowie in Theatern, Kunstgalerien oder sogar auf der Straße auf. wenn man ihn zum ersten mal sieht ist es eine Lebens Erfahrung die man nicht wider vergisst und es bleibt ein großes Lächeln im Gesicht und ein verzerrtes Fragezeichen in deinem Gehirn. Alco Degurutieni wurde Ende der 60er Jahre im Nishinari Ghetto von Osaka geboren (Alco Degurutieni: Diese Zeit in den 1970er Jahren war eine harte Zeit für alle, einmal im Monat Unruhen auf den Straßen. Rot Licht viertel Prostitution und die Yakuza-Mafia waren uns vertraut. Diese Erinnerungen an ein jugendliches Chaos sind seitdem ein Katalysator für mein Peter-Pan-Syndrom.) Degurutieni schafft Harmonie durch Gegenüberstellung, indem er ihnen Melodie aus Chaos und Dekadenz aus Abfall extrahiert. Mit 13 Jahren bekam er seine erste Boombox und wurde der beste Kunde in seinem örtlichen Leih-Platten und Trödler laden. Er arbeitete sich durch alle Genres von den Beach Boys bis zum Black Sabbath. Ab 16 Jahren begann er, seine eigenen Songs mit den einzigen Dingen zu kreieren, zu denen er Zugang hatte; Müll, umgebaute Kinderspielzeuge und ein ausgedientes Tonbandgerät. All dies spielt noch heute eine wichtige Rolle in seiner Musik. Auf diesem Album findest du ,Acme in the afternoon, ein komplett Hit, Tom Waits Blues Jazz Burlesque, dann mit ,Blur Blur Blur, hörst du ihn super minimalistisch und verloren im All Blues, oder den unglaublichen ,Midnight Express' mit einem orientalischen Trash-Flair der dich in einen neuen Blade Runner film katapultiert, und Zigeuner Fanafare und Rock'n'roll in ,13th Floor City ' zusammen mit: Orchester du Belgistan (aus Belgien) oder mein favorit ,Dreaming party' das wie ein psychedelischer horror film Soundtrack daher kommt LINE UP Alco Degurutieni (mostly all instuments) aditional Musissians on the Album Jyonson Tsu (ACID MOTHERS TEMPLE) Machiko Kuniki (Sujiko Sumoguri) Akiyoshi Kajitani (MOHIKAN FAMILIES) Atsushi Sekitani Watanbe (BRO TÜRK,PATO LOL MAN) Naoya Takami (Ichibanboshi Crue) Kwandae Park (UMA UMA UMA) Akira Ohno Tadahiro Ishihara Keigo Matsunaga (Rock'n'TASUKE'Roll & THE CAPTAIN SWING,MOHIKAN FAMILY'S) Tom Manoury (Orchestre du Belgistan) Mbengue Ndiaga Jordi Grognard (YOKAI) Akiko Igaki (TAYUTAU,COLLOID) Kiri Mochida Takeo Touyama (PATO LOL MAN) Shuichi Hirose (HUMNED) Takeo Touyama (PATO LOL MAN)

Repressed in quantity for the first time in years. Includes the hit single "Strange Harvest". Tempers, comprised of Jasmine Golestaneh and Eddie Cooper, have carved out their own niche within dark indie, electronica and synth-pop circles. Their sound is about exploring tonal and emotional tension as much as it is about actual tracks or singular moments. Adrenalizing yet hypnotic landscapes layer mechanical and sensual impulses, as crystalline vocals weave fever dreams of yearning and alienation. Informed by both Golestaneh's involvement in musical performance and visual art and Cooper's electronic production resume, as well as their time in the States and abroad, they operate as a multi-disciplined entity in the spirit and ethos of Factory Records. Tempers describe their creative process as a telepathic kinship they've developed since they started making music together: "We have these sort of unspoken criteria when we're writing music. We never really need to explain what that is but we both know when it's missing or when we've hit it." After a string of critically acclaimed singles beginning in 2013 with "Eyes Wide Wider" b/w "Hell Hotline," the duo released their debut LP "Services" (2015) on cult imprint Aufnahme + Wiedergabe resulting in the underground club hit "Strange Harvest", extensive international touring and sold-out shows. The album's vinyl edition soon became a sought after collectors item. Their 2017 EP "Fundamental Fantasy" was released as a result of the Vinyl Factory's Volcano Extravaganza artist residency on the Aeolian island of Stromboli. Following their unique creative compass, in 2018 they indirectly moved from the dance floor to galleries, releasing "Junkspace" a conceptual collaboration with famed architect Rem Koolhaas. The record is available in the world's most select cultural hotspots, from The New Museum in New York to Walther Konig museum stores throughout Europe, a testament to Tempers' love for experimental output and unorthodox presentation. In 2019 Tempers signed with Dais Records, promptly releasing "Private Life" and the lead single "Capital Pains," a meticulous evolution of the dark pop that marked the duo's earlier output.