Cerca:jupiter 6
- A1: Ideal (3) - Blaue Augen
- A2: Die Radierer - Angriff Aufs Schlaraffenland
- A3: Die Doraus Und Die Marinas - Fred Vom Jupiter
- A4: Joachim Witt - Goldener Reiter
- A5: Malaria! - Kaltes Klares Wasser
- A6: Pyrolator - Haut Der Frau
- A7: The Wirtschaftswunder - Analphabet
- B1: Andy Giorbino - Lied An Die Freude
- B2: Nichts - Tango 2000
- B3: Kosmonautentraum - Stolze Menschen
- B4: Der Plan - Tanz Den Gummitwist
- B5: Die Zimmermänner - Weil Die Moral Schläft
- B6: Ti-Tho - Elefantenjäger
Volume 3[15,00 €]
Stefan Smith has channeled an elevated reverence for process, texture and synth-extrapolation with the forthcoming release of his self-titled LP on the Sapiens imprint. A relative new-comer to the land of rapid fire releases and dance floor formulae, Smith is deeply steeped in the art of music creation, performance and theory.
As a graduate of Mills College's revered music department, Smith's prosaic understanding of music partially explains his migration to Sapiens, a label headquartered in Paris, France, which, under the direction of techno luminary, Agoria, has been expanding the realm of possibility for what a techno label can become. Collaborating with musicians, visual artists, film directors, shamans and sound designers, the young Sapiens platform releases may include political speeches, radio hits, dance floor tunes, sensorial or cognitive music or a gentle computer
virus'. Smith's LP contribution will definitely fall on the more delicious end of this spectrum, having woven a synth-lovers dream tapestry.
The nine tracks composing the album, Stefan Smith', draw the listener in on a river of oscillators, which push just past the banks of perceptible sound with with flawless production and loving sound treatment. The idea behind the album is very raw and organic. Stefan Smith focuses on atmosphere, mood, tones, and frequencies, rather than melodies. His productions are a response to the subliminal, and about feeling.
This album came together from a natural flow of working with computers and synthesisers, and also from the musical connection fostered Sebastien Devaud (Agoria). His approach to the album's production was to edit as little as possible, keeping the original feeling of chance and temporality intact. We can sense here Smith's intuition as sound designer, a role which has enabled him to work with artist Nicolas Becker and through this association further contribute work to the Philippe Parreno 'Anywhen' exhibition in Tate Modern Turbine Hall. The feedback
generated by studio experimentation gives birth to new ideas for aural shapes and textures. If one were only to lie back and identify the various wave forms, like butterflies and birds flittering through dappled sunlight, in each track's canopy of bountiful synth elements the mind's eye would dance with the steady intervals of Smith's real-time probe of his machinery, however, deep tracts of emotion and effortless grooves won't allow for a purely sensory listen. In the spirit of exploration, enjoy the ride.
WeMe Records & Cunz Dimension join forces to present the first-ever vinyl release by legendary flipper & Cunz Dimension co-founder Solomon Angelo Inspired by jazz, jungle & joy Solomon tantalizes you w/7 explosive tracks that are sure to make everything & everyone move, groove & stamp their hooves No horseplay, this is the real deal - FLIP IT!!!
Lyra is DeWaltas fourth large solo-project and third full-length solo-album following Wander in 2012 (on Haunt), llumination in 2014 (on Meander) and Dark Matter in 2017 (on Amphia) besides - Residual' a collaboration-album with Mike Shannon.
The album consists of two individually available parts: a double LP (Lyra) with 6 tracks on Meander as well as a single LP (Lyra Pi) with 5 synth and ambient works. The Ambient-Part launches a new Meander Horizon Pi series-- a departure from Meander's well known dancefloor releases.
Lyra is by far DeWaltas most extensive and refined project to date. With 11 exclusive songs, a total running time of over 100 minutes - plus a collaboration with long time friend and Meander co-owner Fabian Geimer-Lorusso aka. Jupiter - it marks a new beginning of ambient and score-like modern electronic music works as well as the continuation of his inspired intellectual-emotional approach to dance music.
Lyra is a star-constellation in the northern hemisphere which is highest in the midnight sky in the early summer months. It contains one of the brightest stars in the sky - Vega. Many of the songs on this album were produced in these warm and gentle months during an inspirational creative time in Portugal.
In Greek mythology, Lyra represents the Lyre of Orpheus, Apollo's son. Made by Hermes from a tortoise-shell, it was given to Apollo who then passed it along to Orpheus. It is said to be the first music instrument ever made
- A1: Leben Und Arbeiten - Amanita
- A2: Malaria! - Your Turn To Run
- A3: Ausserhalb - Zeitzelle
- A4: Die Haut - Der Karibische Western
- B1: Aus Lauter Liebe - Pingelig
- B2: Mania D. - Track 4
- B3: Exkurs - Fakten
- B4: Christiane F. - Wunderbar (Optimo Edit)
- C1: Sprung Aus Den Wolken - Dub And Die
- C2: P1/E - Up And Above / Up And Above Dub
- C3: Franz Erlmeier & Fritz Köstler - Öffnen Sie Mal Ihre Tasche
- C4: Populäre Mechanik - Scharfer Schnitt (No. 1)
- D1: Andreas Dorau - Fred Vom Jupiter
- D2: Weltklang - Veb Heimat
- D3: Stefan Blöser - Voyager One
- D4: Matthias Schuster - An Rah Robeel
Strut Present An Exclusive New Compilation Curated By Optimo's Jd Twitch, 'kreaturen Der Nacht', Bringing Together Classics, Rarities And Oddities From Germany's Original Post-punk And Diy Scene. 1979 To 1984 Was An Era Of Particular Artistic Upheaval In Germany As Strong Subculture Scenes Formed In Many German Cities. Emphasis Was Placed On Expression Rather Than Technical Perfection, Artistic Impact Rather Than Skill. Diy Self-organisation Prevailed With The Establishment Of Small Record Labels And Independently Produced Records And Cassettes. Bands Experimented Across Genres And Consciously Abandoned The English-speaking Mainstream With German Band Names And Lyrics. 'although We Had A Small Underground
Scene, It Was Very Vibrant,' Explains Gudrun Gut Of Malaria! 'bands Like Die Haut, My Frst Band Mania D., Malaria!... We Organised Gigs Ourselves Or Friends Would Open A Gallery And
Have Bands Playing. We Hung Around Together In A Handful Of Clubs Like Risiko Or Dschungel And Went To Gigs At So36. West Germany Had Other Regional Scenes Too: Düsseldorf And
Köln Around Der Plan And The Ata Tak Label And There Was The Hamburg Side With Abwärts. Germany Didn't Have A Real Music Industry Like The Us Or England Back Then.'
This New Collection Is A Personal Selection From Jd Twitch, Built Over Years Of Playing The Tracks In Club Sets. 'it Is Not Designed To Tell A Defnitive Story Of What Was Going On In
Germany In This Era,' He Explains. 'rather, It Is Simply An Arbitrary Collection Of Records I Adore From A Specifc Era With A Specifc Attitude That Hopefully Together Sum Up Some
Of The Musical Undercurrents In Germany At That Time.'
The Package Features A Host Of Rare And Unseen Photos From The Period Along With Extensive Interviews With Artists Including Beate Bartel (mania D.), Christoph Dreher (die Haut),
Michael Hirsch (p1/e) And Thomas Voburka (weltklang). All Tracks Are Remastered By The Carvery With Artwork By Optimo's In-house Design Man Andrew Beltran.
Compilation of the works by MJ Lallo, weird harmonizing mantras layered with drummachine rhythms.. Very psychedelic compositions where she uses her voice to create all kinds of sound(scapes)
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Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters. Lallo has created her own inimitable galaxy of sound where the human voice, liberated from the constraints of language and abstracted using digital technology, is able to explore the outer realms of human expression, like Joan La Barbara with an Eventide and a new-age sensibility. Although Lallo's flight path is distinctly her own, her journey converges with other travellers as diverse as Jon Hassell, Laraaji, Stereolab, William Aura, Laurie Anderson, Meredith Monk, Gertrude Stein and even Terry Gilliam (whose film Brazil was a big influence on Lallo). Like something beamed in from another planet, Lallo's work is both fascinatingly strange and strangely familiar, and will leave a lasting impression for lightyears to come. Double gatefold LP, remastered DDM pressing.
[E B1 | Midnight in the Sky
Loosewomen are core members of the Grade10 Record label, with vinyl releases, cassettes and remixes under their belts they have now arrived with a new two tracker.
This record has been described by piers as a updated early 90's UK house sound but they like to think of it as more just the music that comes out of the MPC when they sit down at it. Saying that the echoy vocals, loose breaks in the back ground and big kick can stick you in a northern wood out side on a summer evening pretty quickly, Unstable At The Stables also has a loopy synth line running through it and Jupiter's Revenge is a bit bleepy so maybe their right.
In its second venture into reissuing hidden gems of electronic music produced in Eastern Europe in the 20th Century, LITTLE BEAT DIFFERENT ISSUES focuses on the work of a Czech composer, musician and producer, Alexander Goldscheider. Born in Prague in 1950, Goldscheider started as a music orrespondent in New York in 1968/69, went onto reading Music at Charles University whilst continuing as a music critic and radio/club DJ, before becoming a record producer at the top Czech label, Supraphon. As a composer, he pioneered the use of synthesizers in his songs for major Czech pop/rock singers as well as in his own instrumental tracks. After moving to London in 1981, he first recorded two albums at the renowned Red Bus Studios, then proceeded to work at the legendary BBC Radiophonic Workshop, before co-founding and establishing Romantic Robot, a software and hardware design and manufacturing company which later moved into music recording and publishing. Of the many original products, THE MUSIC TYPEWRITER was ground-breaking software enabling the writing and printing of real notation on the Sinclair ZX Spectrum. Similarly TEREZÍN: THE MUSIC 1941-44 was the first ever release of CDs with music written in the Theresienstadt Concentration Camp during World War II. Goldscheider's 1980s LPs THEMES FOR A ONE-MAN BAND Vol I & II reflect his work as a solo artist, always writing, recording and producing single-handedly. He had, though, a team of technical aficionados and inventors back in Prague, who adapted and developed his electronic music equipment incl. synthesizers, sequencers and even a Studer multitrack recorder, thus creating a revolutionary set-up, on par with the much later MIDI.This LP samples Alexander Goldscheider's music produced for records, films, TV and even an art exhibition in the space of 25 years starting from 1975.
Following from Deetron's accomplished entry in to the DJ-Kicks mix series, !K7 are now serving up one of the original singles from it. Produced by the Swiss artist and featuring soul futurist Steve Spacek, it comes with the original and three vital versions. Entitled 'Chose Me', the single is six tender minutes of musical electronic soul. Warm and supple bass, twinkling keys and smeared chords form the atmosphere as Spacek delivers a dreamy and heartfelt vocal up top. It's a track to get the spine tingling, while the Instrumental allows the celestial keys to ring out into a night sky as the main focal point. On the Jupiter Version, the drums are more loose and broken up, lending a spaced out vibe that will be perfect on outdoor terraces as the weather warms up. Jumbled percussion tumbles next to the chords as the vocal soars. A Jupiter Instrumental closes out this cosmic and cultured house EP.
For release #2 Kontrapunkt makes a journey into different fields of electronic music. French based producer Octave Diesis delivers an album full of melancholic yet thoughtful neoclassical songs. The songs live mostly from the enigmatic piano melodies paired with some well-thought synthesizer sounds he composed. Expect ambient environments and dramatic, soothing layers.
- A1: Ben Böhmer - Wechselwerk - 06:18
- A2: Antoni Sierakowski - Forest Spirits - 07:52
- A3: Piotr Bejnar - Indian Summer - 05:27
- B1: Thomas Atzmann - Rockæt - 08:59
- B2: Trummerschlunk - The Visit - 05:08
- B3: Gimmix - Ruby - 04:52
- C1: Kalipo - Blaue Stunde - 07:05
- C2: Krink - Jupiter - 07:30
- C3: Dylan Cameron - Public Space - 05:33
- D1: Joney - Rainman Syndrome - 07:38
- D2: Simon Dübell - Angular - 03:31
- D3: Deorbiting - Anta Baka - 08:01
Stiff Little Spinners Vol. 9+10 Release info This is the end, my friend. 10 LPs, 24 different artists, 61 tracks, almost 7 hours of music. With Stiff Little Spinners Vol. 9+10 we will release the last two volumes of the housey techno compilation series as a double 12 vinyl on 24/11/2017 via Hold Your Ground, Audiolith's new sublabel. The intention of Stiff Little Spinners was always to keep the party going and most of all to keep it interesting. With every new release, we introduce new artists and almost always new genres - shoo-bi-doo house, rumble tec, abrasive electronica, stress ambient, you name it! Stiff Little Spinners Vol. 9+10 showcases new and known talent from Hamburg to Berlin via Warsaw and Texas. Side A The first side of the four starts with Ben Böhmer and Antoni Sierakowski who get straight on it and pick you up with around 124 bpm and loopy hypnotic perfect deep house. We then slow down a little with Piotr Bejnar who gives us a dreamy slow-jam masterpiece that can only be described as the intonation of a summer longing daydream. The first side is definitely for the MDMA kids amongst you. Side B Side two starts off with Thomas Atzmann, who seems to only produce progressive house operas these days. This nine minute epos will take you on a trip through time and space, it tells a story of tension and precariousness.
After the great last SBTH record the guys are back again on their own platform Lossless. Modern house music stuffed with a classical c2 touch and a very singular personal note.
Named after the location of their studio in Berlin, it irreproachably captures the nature of our city and their new surroundings.




















