Born from the warm and vibrant local markets of Italy, 180 GR has always been a celebration of vinyl culture. Now, it takes the next step—evolving into a full-fledged record label dedicated to strictly 180-gram pressings, in vinyl-only, limited quantities, crafted for true collectors and connoisseurs.
The label’s inaugural release, Music & Territory, is helmed by none other than its founder, N-Zino. On the A-side, the Original 180 GR Mix of You Can’t Change Your Mind takes you on a mind-expanding journey—soulful, sensual, and deeply immersive.
Flipping to the B-side, the legendary Glenn Underground graces us with two masterful interpretations. His vocal version is a lush, organic groove filled with warmth and virtuosity, while the instrumental mix strips it back, letting the raw musicality shine through. Both versions embody the unmistakable touch of Chicago house—authentic, deep, and timeless.
This is more than just a record—it’s a collector’s gem, a piece of house music history pressed in its purest form.
To quote GU himself, HOUSE MUSIC WILL NEVER DIE.
quête:jus
Having James Shinra back on AF is always a cause for celebration, and doubly so this time because we present 'Meteorites', his second album following the highly acclaimed Vital Heat (2018). During 2023-24, James uploaded a series of digital releases called 'Meteorites', a set of dreamy and introspective tracks where the artist showed his evolution and maturity, refining the emotive sound that's his trademark and has garnered so much praise in recent years. We should do justice to that material, giving it a worthy treatment/format, so we decided to release all together. James has revisited and reworked many of the tracks for the occasion, polishing, adding, removing... and the result is 'Meteorites', the album. A MUST for all braindance sensibilities and nonconformist electronic heads. We're sure it will remind you exactly why you loved this talented guy for so long and why he's one of the most uncompromising artists working in electronic music these days.
Romanian groove technician SEPP lands on _NRV with a trio of high-powered, floor-primed cuts. 'Feeling Ma Bass' opens up with weighty low-end pressure and a hypnotic pulse that locks you in early. 'Body Language' twists with crisp percussion and a woozy sense of movement, keeping tension tight throughout. 'Do You Love Me’ dips into moodier territory, with dusty textures and a vocal loop that cuts just enough to keep the floor leaning in.
- A1: The Way You Look Tonight; Written-By – Jerome Kern
- A2: Forecast: Sonny & Red; Written-By – Art Hillery
- A3: You Don't Know What Love Is / I'm Getting Sentimental Over You; Written-By – Don Ray*, Gene Depaul, George Bassman
- B1: Lester Leaps In; Written-By – Lester Young
- B2: Just Friends; Written-By – John Klenner
- B3: All God's Chillun Got Rhythm; Written-By – Bronislaw Kaper, Walter Jurmann
- A1: Steely Dan– Fm; Written By – Donald Fagen, Walter Becker
- A2: Bob Seger And The Silver Bullet Band– Night Moves; Written By – Bob Seger
- A3: Steve Miller Band– Fly Like An Eagle; Written By – Steve Miller
- A4: Foreigner– Cold As Ice; Written By – Lou Gramm, Mike Jones*
- A5: Tom Petty And The Heartbreakers– Breakdown; Written By – Tom Petty
- A6: Randy Meisner– Bad Man; Written By – Glenn Frey, John David Souther
- B1: Eagles– Life In The Fast Lane; Written By – Don Henley, Glenn Frey, Joe Walsh
- B2: Steely Dan– Do It Again; Written By – Donald Fagen, Walter Becker
- B3: Boz Scaggs– Lido Shuffle; Written By – Boz Scaggs, David Paich
- B4: Boston– More Than A Feeling; Written By – T. Scholz
- C1: Linda Ronstadt– Tumbling Dice; Written By – Jagger-Richards
- C2: Linda Ronstadt– Poor Poor Pitful Me; Written By – Warren Zevon
- C3: Jimmy Buffett– Livingston Saturday Night; Written By – Jimmy Buffett
- C4: Dan Fogelberg– There's A Place In The World For A Gambler; Written By – Dan Fogelberg
- C5: Billy Joel– Just The Way You Are; Written By – Billy Joel
- D1: The Doobie Brothers– It Keeps You Runnin'; Written By – Michael Mcdonald
- D2: James Taylor (2)– Your Smiling Face; Written By – James Taylor (2)
- D3: Joe Walsh– Life's Been Good; Written By – Joe Walsh
- D4: Queen– We Will Rock You; Written By – Brian May, Freddie Mercury
- D5: Steely Dan– Fm(Reprise)
- A1: Force Of Nature– Just Forget
- A2: Force Of Nature– Nightshift
- A3: Force Of Nature– 日出ズルStyle; Featuring, Lyrics By – S-Word, Suiken; Music By – Force Of Nature; Recorded By – Takashi "Blueberry" Murakami*
- A4: Force Of Nature– The Stroll
- A5: Force Of Nature– Death Wish
- A6: Force Of Nature– Set It Off
- A7: Force Of Nature– The Million Way Of Drum
- A8: Fat Jon– Bracelet
- A9: Fat Jon– In Position
- A10: Fat Jon– Night Out
- A11: Fat Jon– Not Quite Seleah
- A12: Fat Jon– Labyrinth Statistic
- A13: Fat Jon– Here And There
- B1: Nujabes– A Space In Air In Space In Air (Interlude)
- B2: Nujabes– Sanctuary Ship
- B3: Nujabes– Haiku (Interlude)
- B4: Nujabes– Tsurugi No Mai
- B5: Nujabes– Dead Season
- B6: Nujabes– Decade (Interlude)
- B7: Nujabes– World Without Words
- B8: Nujabes– Kodama (Interlude)
- B9: Nujabes– Silver Morning
- B10: Minmi– Who's Theme; Lyrics By, Music By
[w] B10 Minmi– Who's Theme; Lyrics By, Music By [Melody], Producer – Minmi; Recorded By – Yoshitaka Ishigaki; Vibraphone – Katori, Yoshihiko*
- A1: Quint (5)– (The Ballad Of) Sharknado; Written-By – Anthony C. Ferrante, Robbie Rist
- A2: Daniel Davies (3)– Wave Of Mutilation; Written-By – Charles Thompson*
- A3: Camper Van Beethoven– Long Way To Go (Sharknado); Written-By – David Lowery, Jonathan Segel
- A4: Eddie Cole– Shark Rain; Written By – Eddie Cole
- A5: Dave Days– Shark Fight; Written-By – David Colditz
- A6: East Bay Ray– Shark Beach; Written-By – East Bay Ray
- A7: Martin Luther Lennon– Armageddon Surfer Girl, Rock On; Written-By – Anthony Douglas Perkins
- B1: Camper Van Beethoven– Infinite Ocean; Written-By – David Lowery, Jonathan Segel
- B2: Justin Lassen– Jaws Theme (Justin Lassen Remix); Remix – Justin Lassen; Written-By – John T. Williams*
- B3: Barnaby Austin– Shark Attack Written-By – Philip Miller*
- B4: East Bay Ray– Shark Truck; Written-By – East Bay Ray
- B5: Geno Lenardo– That's When I Reach For My Revolver; Written-By – Clint Connelly*
- B6: Quint (5)– Crash; Written-By – Anthony C. Ferrante, Robbie Rist
- A1: Lonesome Cowboy (Takes 20/25, Master)
- A2: New Orleans (Movie Version)
- A3: Shoppin' Around (Version 1, Take 1)
- A4: G.i. Blues (Take 6)
- A5: A Cane And. A High Starched Collar (Movie Version)
- A6: Hawaiian Sunset (Take 3)
- A7: Slicin' Sand (Take 4)
- A8: Ito Eats (Take 2)
- A9: Island Of Love (Take 8)
- A10: Beach Boy Blues (Take 3, Movie Version)
- B1: Angel (Take 6)
- B2: For The Millionth And The Last Time (Take 11)
- B3: Just For Old Times Sake (Take 1
- B4: The Walls Have Ears ( Take 12, Master)
- B5: Song Of The Shrimp (Take 6, Master)
- B6: A Boy Like Me A Girl Like You (Take 2)
- B7: Earth Boy (Take 9, Master)
- B8: Take Me To The Fair (Take 7)
- B9: Relax (Take 7)
* Limited edition 12' vinyl pressed on transparent red wax, housed in a full colour sleeve inspired by classic Philly Blunt artwork.
* Fresh Blunts Vol. 1 brings that same energy to a new generation of DJs and selectors, with four dancefloor-focused cuts that pay tribute to the label's roots while pushing forward with modern production values.
* On the A-side, Bladerunner steps up with 'Chronic' and 'Straight Up' — his first solo release on the label in over a decade. With his deep ties to the scene (Dread, V, Souped Up, Kings of the Rollers), these tracks are a masterclass in classic jungle flavour with upfront punch.
* The flip introduces Chimpo & Sl8r to the Philly Blunt catalogue, blending grime, jungle, and Manchester's unmistakable underground sound. Having previously released on labels like Metalheadz, V Recordings, The North Quarter, and Hospital, their debut here shows just how wide the Philly Blunt family now reaches.
* Launching the brand-new Fresh Blunts vinyl series, Philly Blunt Records continues its legacy of heavyweight jungle and drum & bass. Originally founded in 1994 as a raw, party-focused sister label to V Recordings, Philly Blunt helped define the sound of mid-90s jungle with anthems like Leviticus' 'Burial', Dillinja's 'Sky', and Firefox's 'Buck Rogers'.
* Strictly limited run!
- The Glass (Demo)
- Funny In Real Life (Demo)
- Oh, You Wanna Bet? (Demo)
- A Diamond Anyway (Demo)
- How You're So For Real (Demo)
- Light That Ever (Demo)
- Funny Wind (Demo)
- I Root (Demo)
- Catter (Demo)
- Far The Far (Demo)
Michael Nau's solo career began with songs crafted and composed in private moments, later to be shared with musical compatriots and reimagined with auxiliary input on records like Michael Nau & The Mighty Thread, Mowing, The Load EP, and Some Twist. These early drafts were stashed away in the vault as Nau strode forward, but after a taxing spring of touring in support of his latest album Less Ready to Go, and recording and self-releasing the stripped-down informal release So On So On, Nau found himself hunkering down at home and rediscovering old gems in his archives. The search yielded a new digital collection of Nau's initial forays into solo work, bundled together as Demo Versions, 2014 to 2017. In their initial incarnations, these songs were less about the end result and more about the discovery. "They're the seed," Nau says of the material. "These recordings are essentially the writing of the songs_ written and recorded at the same time. There's something exciting about them for that reason. It feels magical any time the start of a song arrives, let alone gets `finished.'" These early drafts don't just serve to shed light on the creative process or expose the malleability of Nau's songwriting approach; they often frame the material in an entirely new context. Demo Versions' opening track "The Glass" is a bare-bones affair of acoustic guitar, bass, and vocals_a breezy Sunday morning song that sounds markedly different than the layered lounge-rock approach that later appeared on Mowing. "Light That Ever," with its wall-of-sound production, serves as a climax to Some Twist, but in its infant stage on this collection, it's a beautiful, intimate folk song. Ultimately, all ten songs off Demo Versions, 2014 to 2017 reveal a new side to these fan favorites, with Nau's lush arrangements and unorthodox accompaniments largely absent, and the simple beauty and grace at the heart of the material at front and center.
- A1: Celebrate 3:08
- A2: Voices Of Delight 3:03
- A3: Tick Tock 3:03
- A4: Flow Like Waves 3:33
- A5: That's All I'm Saying 3:02
- B1: Bitter Sweet 3:30
- B2: Sandcastle 3:12
- B3: Just Be Yourself 3:20
- B4: Doughnut
- A1: If You Feel Like Dancin
- A2: Lovin' Cup
- A3: Games
- B1: Just Another Sucker
- B2: Dance To The Music Of The World
- B3: One Man Jam
- C1: If You See Me
- C2: Games (Original Version)
- C3: I'll Always Love You
- C4: Better Than You Think
- C5: If We Don't
- D1: You Can Be My Teacher
- D2: Love, Love, Love
- D3: Dance To The Music Of The World (Practice Session)
- D4: If You See Me (Instrumental Version
- D5: Games (Instrumental Version)
- D6: Better Than You Think (Instrumental Version)
- A1: Santa Claus Is Back In Town (Take 7, Master)
- A2: One Night (Of Sin) (Master)
- A3: It Feels So Right (Take 3)
- A4: A Mess Of Blues (Take 3)
- A5: Like A Baby (Take 2)
- A6: I Fee So Bad (Take 1)
- A7: Give Me The Right (Take 2)
- A8: Beach Boy Blues (Movie Version)
- A9: Reconsider Baby
- B1: Blue Moon Of Kentucky (Master)
- B2: Have I Told You Lately That I Love You (Take 13)
- B3: When My Blue Moon Turns To Gold Again (Take 10, Master)
- B4: Old Shep (Take 5)
- B5: Your Cheatin' Heart (Take 9)
- B6: A Fool Such As I (Take 3)
- B7: Just For Old Times Sake (Take 4)
- B8: I'm Left, You're Right, She's Gone
- B9: I Forgot To Remember To Forget
- C1: (There'll Be) Peace In The Valley (Take 7)
- C2: It Is No Secret (What God Can Do) (Take 5)
- C3: His Hand In Mine (Take 4)
- C4: I'm Gonna Walk Dem Golden Stairs (Take 5)
- C5: Milky White Way (Take 5)
- C6: I Believe In The Man In The Sky (Take 1)
- C9: Working On The Building (Take 4)
- D1: Mean Woman Blues (Take 7, Version 2)
- D2: Baby I Don't Care (Take 1)
- D3: King Creole (Take 17)
- D4: Blue Suede Shoes (Take 1, Master, Movie Version)
- D5: Rock-A-Hula Baby (Take 3)
- D6: What A Wonderful Life (Take 2)
- D7: King Of The Whole Wide World (Take 1)
- D8: Girls! Girls! Girls! (Take 3, Master)
- D9: One Broken Heart For Sale (Take 1, Movie Version)
- E1: Tonight Is So Right For Love (Take 7)
- E2: Wooden Heart (Take 1)
- E3: Tonight's All Right For Love (Take 8)
- E4: It's Now Or Never (Take 4)
- E5: Surrender (Take 6)
- E6: Can't Help Falling In Love (Take 26, Movie Version)
- E7: Almost Always True (Take 5)
- E8: No More (Take11)
- E9: Silent Night (Take 9, Master)
- F1: How Do You Think I Feel (Take 7)
- F2: Ito Eats (Take 2)
- F3: Kiss Me Quick (Take 4)
- F4: For The Millionth And The Last Time (Take 7)
- F5: You'll Be Gone (Take 4)
- F6: Fountain Of Love (Take 9)
- F7: We'll Be Together (Take 10)
- C7: Joshua Fit The Battle (Take 2)
- F8: The Walls Have Ears (Take 12, Master)
- F9: Mama (Take 9)
- C8: Swing Down Sweet Chariot (Take 3)
- A1: (Theme From) The Monkees, Written-By – Hart*, Boyce*
- A2: Saturday's Child, Written-By – Gates*
- A3: I Wanna Be Free, Written-By – Hart*, Boyce*
- A4: Tomorrow's Gonna Be Another Day, Written-By – Venet*, Boyce*
- A5: Papa Jean's Blues, Written-By – Nesmith*
- A6: Take A Giant Step, Written-By – King*, Goffin*
- B1: Last Train To Clarksville, Written-By – Hart*, Boyce*
- B2: This Just Doesn't Seem To Be My Day, Written-By – Hart*, Boyce*
- B3: Let's Dance On, Written-By – Hart*, Boyce*
- B4: I'll Be True To You, Written-By – Goffin*, Titelman*
- B5: Sweet Young Thing, Written-By – King*, Goffin*, Nesmith*
- B6: Gonna Buy Me A Dog, Written-By – Hart*, Boyce*
Various Artists/Soul Jazz Recordspresents
Punk 45: Kill The Hippies! Kill Yourself! - The American...
- A1: (Theme From) The Monkees; Written-By – Hart*, Boyce*
- A2: Saturday's Child; Written-By – Gates*
- A3: I Wanna Be Free; Written-By – Hart*, Boyce*
- A4: Tomorrow's Gonna Be Another Day; Written-By – Venet*, Boyce*
- A5: Papa Jean's Blues; Written-By – Nesmith*
- A6: Take A Giant Step; Written-By – King*, Goffin*
- B1: Last Train To Clarksville; Written-By – Hart*, Boyce*
- B2: This Just Doesn't Seem To Be My Day; Written-By – Hart*, Boyce*
- B3: Let's Dance On; Written-By – Hart*, Boyce*
- B4: I'll Be True To You; Written-By – Goffin*, Titelman*
- B5: Sweet Young Thing; Written-By – King*, Goffin*, Nesmith*
- B6: Gonna Buy Me A Dog; Written-By – Hart*, Boyce*
- Freda Payne - Band Of Gold
- Robert Knight - Love On A Mountain Top
- Lynne Randell - Stranger In My Arms
- Marvin Gaye & Tammi Terrell - Ain't No Mountain High Enough
- Stevie Wonder - Nothing's Too Good For My Baby - Single Version
- Dean Courtney - I'll Always Need You
- The Velvelettes - A Love So Deep Inside - 2004 Anthology Version
- Barbara Mcnair - Baby A Go-Go - Cellarful Of Motown Version
- Darrell Banks – Angel Baby (Don’t You Ever Leave Me)
- Carolyn Crawford - Forget About Me
- Holly St. James - That's Not Love
- The Trammps - Scrub Board
- Major Lance - Um, Um, Um, Um, Um, Um
- The Supremes - He's All I Got - Stereo Version
- Gladys Knight & The Pips - Just Walk In My Shoes - Single Version
- Four Tops - Shake Me, Wake Me (When It's Over) - Single Version / Mono
- Frank Wilson - 'Til You Were Gone - Writer/Producer Demo Version
- Lou Johnson - Unsatisfied
- Four Below Zero – My Baby's Got Esp
- David Ruffin - Walk Away From Love - Single Version
- Dusty Springfield - Long After Tonight Is Over
- Chairmen Of The Board - Give Me Just A Little More Time
- The Marvelettes - Your Love Can Save Me
- Roy Hamilton - Crackin' Up Over You
- Towanda Barnes - You Don't Mean It
- Vibrations - 'Cause You're Mine
- San Remo Golden Strings - Festival Time - Single Version
- Just Brothers - Sliced Tomatoes
- Sandi Sheldon - You're Gonna Make Me Love You
- Marvin Gaye - Little Darling (I Need You)
- The Spinners - I'll Always Love You - Single Version
- The Elgins - Put Yourself In My Place - Single Version
- Frankie Valli - You're Ready Now
- The Isley Brothers - Tell Me It's Just A Rumor Baby
- Smokey Robinson & The Miracles - Whole Lot Of Shakin' In My Heart (Since I Met You)
- Kim Weston - I'm Still Loving You
- Kiki Dee - The Day Will Come Between Sunday And Monday - Album Version
- Tony Clarke - Landslide
- Edwin Starr - Time
- The Impressions - You've Been Cheatin' - Single Version
- Brenda Holloway - Just Look What You've Done - Single Version
- Martha & The Vandellas - My Baby Loves Me - Single Version / Mono
Head back to the floor with this brand-new 2LP compilation featuring 42 more of the world’s most remarkable Northern Soul tunes.
Expand your collection and freshen up your dancing shoes with this must-have sequel including none other than the incredible Stevie Wonder, Dusty Springfield, Freda Payne, Robert Knight, The Supremes, Major Lance and the all-time classic duet between Marvin Gaye & Tammi Terrell, Ain't No Mountain High Enough.
- Kyrie Ii
- Semblance Of Dualism
- Low Of Solipsism Ii
- Death Note Theme ~Intrumental~
- Tactics Of The Absolute
- Kyrie For Ochestra
- Air
- Light Lights Up Light For Piano
- Dark Light
- L’s Barrier
- Throbbing
- Uneasiness
- Air Of Tension
- Higuchi
- Shiver B
- Conference Room Of Yotsuba Murders
- Anger
- The World Of Death Gods B
- L’s Friend
- Misa’s Theme A
- Misa’s Theme B
- Intro
- Sakura Tv
- The Reasoning
- The Secret
- The Sound Of Hands On The Clock
- Suspicious
- Yotsuba Group
volume III[34,66 €]
Light Yagami, a gifted young student, one day picks up the "Death Note", a notebook previously kept by a shinigami (God of death), Ryuk, who apparently was bored in his world. Just write the name of a person in this notebook, and this one dies (according to certain conditions that the shinigami will explain to Light during their meeting). Thus, with the "Death Note" in hand, Light decides to rid the planet of all criminals to make it a just world, a perfect world. However, who is he to judge people? He therefore becomes the worst wanted criminal on the whole planet.. Two composers and arrangers composed for this work: Hideki TANIUCHI (HAJIME NO IPPO, NANA) and Yoshihisa HIRANO (FINAL FANTASY, HUNTER X HUNTER).
- A1: Death Image
- A2: L
- A3: L’s Past
- A4: Near’s Theme
- A5: Mello
- A6: Mello 2
- A7: Action
- B1: L’s Ideology
- B2: Mello’s Theme
- B3: Confronting
- B4: Near
- B5: Misa
- B6: Misa’s Video
- B7: Misa’s Loneliness
- C1: Light Has Returned
- C2: Doubt
- C3: Tactics
- C4: Near 2
- C5: Light’s Performance
- C6: Misa’s Feelings
- C7: Father’s Death
- D1: Misa’s Song (Orchestra Version)
- D2: Mikami Concertino
- D3: Trifling Stuff
- D6: Misa’s Song
- D7: Coda – Death Note
- D4: Toward The Climax
- D5: Misa’s Song (Piano Solo)
volume II[35,50 €]
Light Yagami, a gifted young student, one day picks up the "Death Note", a notebook previously kept by a shinigami (God of death), Ryuk, who apparently was bored in his world. Just write the name of a person in this notebook, and this one dies (according to certain conditions that the shinigami will explain to Light during their meeting). Thus, with the "Death Note" in hand, Light decides to rid the planet of all criminals to make it a just world, a perfect world. However, who is he to judge people? He therefore becomes the worst wanted criminal on the whole planet.. Two composers and arrangers composed for this work: Hideki TANIUCHI (HAJIME NO IPPO, NANA) and Yoshihisa HIRANO (FINAL FANTASY, HUNTER X HUNTER).
- A1: Menu Diving
- A2: Slidin In Yo Dm's (Ft. Hyrr Iv)
- A3: Worldwideweb
- A4: Refresh (Ft. Jon Mikiver)
- A5: Up In The Cloud
- A6: Chonky Cat Meme (Ft. Maihe)
- A7: Nutiboi
- A8: Like Comment Share And Subscribe (Ft. Mirtel Pohla)
- A9: Just Scrolling (Kitty Florentine)
- B1: Fiber-Optic Cable
- B2: Onlyfans (Ft. Helgi Saldo)
- B3: Surfing The Dark Web (Ft. David)
- B4: Data Harvesting
- B5: There's No One New Around You
- B6: Ainternet Radio
- B7: Crypto (Ft. Maiduk)
- B8: Accept All Cookies B9 You're All Caught Up
Rando Arand is an Estonian electronic music producer from Tallinn. With a strong foundation in sound design, Arand released his debut record on Asphalt Soliloquies in 2017 and has since captivated audiences at clubs and festivals across the Baltics with his unpredictable and unique live sets. Drawing inspiration from a range of genres such as broken jazz, dubtechno, breakbeat and jungle, Arand incorporates modular synth patches into his performances. He has shared the stage with artists like Dorian Concept, Gerry Read and King Midas Sound. In 2019, Arand released the "Alles" EP on Ali Asker's LIITHELI imprint, which focuses on promoting local talent from Estonia's capital. Arand's latest EP, "Aru" (2022), showcases his exploration of a new "Linki" format. In addition to his musical pursuits, Arand was also a host at the underground venue Ulme in Tallinn.
About the album „Child of the Internet”
The new album by experimental sound designer and electronic music producer Rando Arand takes the artist on a completely different path compared to the previously known dance music influenced deep and contemplative instrumental tracks. Featuring several notable guest artists, the album is a sizzling hot record that makes feet tapping and bodies grooving. On the artist’s most listener-friendly work to date, an impressive lineup of Estonian vocalists makes an appearance: Hyrr IV, the lead singer of the indie band Ouu; Jon Mikiver from Elephants from Neptune; actress Mirtel Pohla; alternative pop artist Kitty Florentine; queer artist Helgi Saldo; comedian Maiduk; and hobby musicians Maihe and David.
The conceptual album "Child of the Internet" is dedicated to young kids for whom the internet has been a defining part of growing up. Genre-wise, the album is very flexible, weaving through various musical chapters and styles with the help of numerous musical sketches, touching on both the comedic and the darker oddities that circulate online.
The album features scorchingly hot, electrified synth-funk jams with a nostalgic touch reminiscent of Prince ("Slidin in Yo DM’s", "Refresh"). Kitty Florentine delivers a sensual neo-soul ballad ("Just Scrolling"), filled with soft tones, soulful warmth, and a smooth groove. For more demanding listeners, the record also explores elements of chillwave, glitch, lo-fi hip-hop, techno, house, and breakbeat. Longer tracks and shorter interludes come together like a bouquet of favorite memes or a collection of countless open web browser tabs that we all keep running. At the same time, the album hints at the immense impact the internet has on our everyday lives.
Rando Arand’s latest studio album is an intriguing listen — perfect for enjoying alone with good headphones or as an ideal background soundtrack for a larger gathering with friends.




















