Wow, this is a turn up for the Dancefloors - This new Jolly Jams release is by Dj Kaos of Jolly Jams Records (I guess the introduction about him is not necessary). Always highly collectable and rare, you'll find eight jams showcasing the label's stunning sound. "Lay Back" is the opener of this beautiful EP, a House/ Acid stormer that is pure dancefloor dynamite. On the flip it's psyche-rock class in the form of "Hurricane Wheels". Listen for yourself to the other six jams, we'll keep this review nice and short. Don't miss out on these pieces of history!
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- A1: The Start Of Your Ending
- A2: The Infamous Prelude)
- A3: Survival Of The Fittest
- A4: Eye For A Eye
- B1: Just Step Prelude
- B2: Give Up The Goods - Just Step
- B3: Temperature's Rising
- B4: Up North Trip
- C1: Trife Life
- C2: Q.u. - Hectic
- C3: Right Back At You
- D1: The Grave Prelude
- D2: Cradle To The Grave
- D3: Drink Away The Pain
- D4: Shook Ones, Pt. Ii
- D5: Party Over
The Infamous is the second studio album by the American Hip Hop duo Mobb Deep, released in 1995. The album features guest apperances from Nas, Wu-Tang Clan members, Reakwon and Ghostface Killah. It marked Mobb Deep's transition from a relatively unknown Rap duo to an influential and commercially successful one.
One of the cornerstones of the New York hardcore movement, The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore Rap fans as one of the most realistic gangsta albums ever recorded.
This is hard, underground Hip Hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paint here. They inhabit a war zone where crime and paranoia hang constantly in the air.
The product of an uncommon artistic vision, The Infamous stands as an all-time gangsta/hardcore classic.
- A1: Come Fly With Me
- A2: I Get A Kick Out Of You
- A3: Just One Of Those Things
- A4: I've Got You Under My Skin
- A5: It's Only A Paper Moon
- A6: S'posin
- A7: I've Got A Crush On You
- A8: Have You Met Miss Jones
- B1: One For My Baby
- B2: You're Nobody 'Til Somebody Loves You
- B3: That Old Feeling
- B4: Anything Goes
- B5: Too Marvelous For Words
- B6: I Concentrate On You
- B7: Blue Moon
- B8: She's Funny That Way
- C1: Nice 'N' Easy
- C2: When You're Smiling
- C3: Night And Day
- C4: I Won't Dance
- C5: Young At Heart
- C6: Love Walked In
- C7: Come Dance With Me
- C8: You Make Me Feel So Young
- D1: The Lady Is A Tramp
- D2: Only Have Eyes For You
- D3: Taking A Chance On Love
- D4: Love And Marriage
- D5: My Blue Heaven
- D6: The Very Thought Of You
- D7: My Funny Valentine
- D8: Nice Work If You Can Get It
- E1: Nevertheless
- E2: Always
- E3: September In The Rain
- E4: Try A Little Tenderness
- E5: It All Depends On You
- E6: Brazil
- E7: The Gypsy
- E8: London By Night
- E9: I Couldn't Sleep A Wink Last Night
- F1: April In Paris
- F2: I Thought About You
- F3: They Can't Take That Away From Me
- F4: The Song Is You
- F5: Close To You
- F6: I Could Have Danced All Night
- F7: In The Wee Small Hours Of The Morning
- F8: Dancing In The Dark
- F9: We'll Meet Again
Tough, to the point, no-nonsense machine music is a longstanding Midwestern tradition.
Drawing a line all the way back to the old guard, The Bunker New York's latest EP is Walk The Distance, courtesy of Mark Verbos, a techno veteran and New Yorker by way of Milwaukee who put together four pieces of heavyweight dancefloor artillery, informed by an intimate, inside-out knowledge of the machinery used in the production of these tracks.
"I've been doing this for a long time. In the beginning, there was only hardware, and it feels better to make music with physical objects. Plus, I make hardware, too," says Verbos, recounting his production processes. Verbos not only produces music, he also produces the hardware he uses to make music—his company, Verbos Electronics, manufactures Eurorack synthesizer modules with a vintage sensibility. When he's making music, Verbos says, "I try to get to know the devices I use well enough that whatever I imagine can come from them. Techno is machine music. When I'm recording, it's just me and the machines."
The music, however, speaks for itself. No punches are pulled here—the record starts in top gear with "Start Up Drive," a devastating techno bomb centered around a throbbing, repeating bassline and a meaty kick drum that builds to a massive climax in the span of five minutes. "In The Back Room" kicks the tempo up a notch, featuring spaced-out atmospheric synth leads floating atop syncopated percussion. "Just A Little Late" is funkier than the other two, built around a rubbery, insistent synthesizer groove that worms its way deep into your head and doesn't let go.
The aforementioned three tracks alone would comprise a solid techno EP suitable for any number of dancefloors. But the last track on the record—its namesake—shifts gears entirely. "Walk The Distance" is a moody, pulsing slow burner, introspective and emotional. It's a haunting listen that adds remarkable depth and complexity to the record. "Walk The Distance, the track, is a reference to the fact that music is not a career. Any advice you could offer someone on how to have a successful career doesn't really apply to a career in music. By that I mean to say, process is everything, and the results don't really matter."
Sage advice indeed, but judging by Walk The Distance, Mark Verbos has figured out how to produce results that matter.
Nicolas Jaar and Lunch re-issue Lydia's classic early spoken word CD C.O.W. (1990) on vinyl on his label Other People. Includes the new remix of Why Was I Born An Americanfeaturing Weasel Walter's invasion.
Part 2[8,19 €]
Closing off the trilogy of 10 Years Of Perc Trax vinyl EPs is the label's first ever 10' release. Drawing together two of the deeper and more experimental tracks from 'Slowly Exploding', the EP pairs label founder Perc with one of his longest influences; Zhark Recordings main man Kareem. First up Kareem brings a touch of deeper Berlin-tinged techno to Perc Trax, built upon a rock solid kick and drenched in moody urban atmospherics, then Perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...
- A1: Just For Today
- A2: Telegram
- A3: Stolen
- A4: Open Heart Surgery
- A5: Nevertheless
- A6: Sailor
- A7: You Have Been Disconnected
- B1: Leave Nothing For Sancho
- B2: Let Me Stand Next To Your Flower
- B3: If I Love You
- B4: (I Love You) Always
- B5: If I Love You (New European Gold Standard Secret Babylonian Brotherhood Cinema Mix)
- A1: Music's Hypnotizing (1990)
- A2: Deep Seat (1991)
- A3: The Running Man (1993)
- B1: All Night (1992)
- B2: Intersect (1994)
- B3: Les Grandes (1991)
- B4: Stranger To Solice (1990)
- C1: Just Drop It (2004)
- C2: Blackout (2007)
- C3: Darkness Turns To Light (2012)
- D1: Love Is True (Hyper Extended Mix) (2004)
- D2: Sho U What U Need 2 Kno (2009)
Following the success of its first release by the ever elusive Jason Grove, the vinyl-only sub-label Skylax Extra Series returns with a little something beyond special. For those house-heads in the know, the man needs no introduction, but for those uninitiated, sit back and prepare for this double 12' selection to further your education in house music.Joey Kay hails from Chicago in the US and has influenced a great many producers in the last two decades with his signature take on the deep house sound. He keeps things simple in the best possible sense of the word, stripping back tracks to their bare essentials in order to maintain what the spirit of house music is all about: the groove, the soul and the feeling of being carefree, even if only experienced for a few minutes at a time. There are no superfluous or ancillary sounds in Joey's music and this is all the more evident when taking a step back and listening to his spectrum of output in this collection, which spans more than twenty years of his career.
- A1: Be Above It
- A2: Endors Toi
- A3: Apocalypse Dreams
- B1: Mind Mischief
- B2: Music To Walk Home By
- B3: Why Won't They Talk To Me
- C1: Feels Like We Only Go Backwards
- C2: Keep On Lying
- C3: Elephant
- D1: She Just Won't Believe Me
- D2: Nothing That Has Happened So Far Has Been Anything We Could Control
- D3: Sun's Coming Up
- A1: Octa Push Feat. Isaac - Khuchende Halala
- A2: Pinch Feat. Temi Oyedele - Are You Coming With Us
- A3: Dirty Parafn Feat. Hannes Teichmann - Choborops
- B1: Lunabe & Djef Feat. Mc Sacerdote & Mc Yola Noivada - Temedo
- B2: Batda Feat. Cannibal - Mama Watoto
- B3: Just A Band & Octa Push - Boom Boom Boom
- B4: Lunabe Feat. Mc Sacerdote - Quero Falar
- C1: Rob Smith Feat. Jah Device & Sasha Perera - Work!
- C2: Wura Samba & Gebrüder Teichmann - Antere
- C3: Diamond Version, Bikya & Wetrobots - Dv_Bk_Wr_06
- D1: Perera Elsewhere Feat. Aremu - Ebora (Spirits)
- D2: Dubmasta, Hannes Teichmann & Leon Ersamus Feat. Afurakan - 10 Henry Nxumalo Street
- D3: Diamond Version, Bikya & Wetrobots - Dv_Bk_Wr_01
- E1: Hannes Teichmann & Vakula Feat. Planet Lindela - Last Chance For Momo
- E2: Afrologic Feat. Aremu, Temi Oyedele & Wura Samba - Omode Mewa (Ten Litle Children)
- F1: Vakula & Planet Lindela - Jozi Sunset
- F2: Vakula & Planet Lindela Feat. Okmalumkoolkat, Thuli Mdlalose, Tshepang Ramoba & Moonchild
- F3: Oren Gerlitz Feat. Karun - Orange Green
BERLIN, BRISTOL, CAIRO, JOHANNESBURG, KYIV, LAGOS, LISBON, LUANDA, NAIROBI, NAPLES
50 electronic music producers and instrumentalists from these ten cites were invited to collaborate
in studios over the course of more than six months. As a result hip-hop from the squats of Naples,
dubstep and bass from Bristol and Lisbon, experimental techno from Berlin and jazz-tnged deep-house
from Kiev are thrust upon the pumping kuduro of Luanda, the free-thinking crackled electronica of
Cairo, the afro-jazz of Lagos & Johnannesburg, and the Sheng street slang of Kenyan hip-hop and rap.
A selecton of the results of these cross-contnental experiments can be heard on this record.
Ten Cites Masala
Bell Gardens combines the musical visions of Kenneth James Gibson (formerly of Furry Things, now recording as
*Bell Gardens' origins began arguably as more of an experiment than the duo's current 'experimental' projects - McBride's drone- and string-laden ambient symphonies, and Gibson's ventures in dub and minimalist techno - as they sought to manifest their mutual reverence for folk, psychedelia and chamber pop in a traditional band structure without cannibalising any particular past genre. Bell Gardens' sound is less reliant on effects and studio trickery than the pairs' independent guises, laying bare as it does vocals and live instruments with emotional sincerity, and presenting songs imbued with an almost pastoral or gospel simplicity and timelessness.
Slow Dawns for Lost Conclusions was again recorded mostly at home studios, but additionally the band made use of a friend's desert cabin in Wonder Valley, California, and it seems this willingness to retreat from the city has lent an expansiveness to the tracks, in particular the spacious, ceremonial 'Silent Prayer' (written in a snowbound mountain cabin in Idyllwild, C.A.) and the crepuscular 'She's Stuck in an Endless Loop of Her Decline' (mapped out under the stars in the desert).
While the addition of strings (contributed by Lauren Chipman of The Rentals and The Section Quartet) and trumpet (Stewart Cole of Edward Sharpe and The Magnetic Zeros) provides a double rainbow of tonal textures throughout, the nine tracks of Slow Dawns for Lost Conclusions are united by an understated elegance belying the newly expanded, communal effort in the studio: each instrument earns its place, nothing is overwrought or conspicuous. Moreover, it is McBride and Gibson's artistry in building stirring soundscapes from the barest of materials in their other guises that lends such assurance and sophistication to these arrangements.
The band is a result of the complimentary cross-pollination of Gibson and McBride's musical tastes - borne from a late-night conversation between the two that grew wings - and it is the universality of the sentiments and their restrained, reflective approach to writing and recording that allows the music to simultaneously straddle the past and the present. The music avoids pastiche, its pedal steel, sleigh bells and harmonies giving a nod to the ghosts of musical genres past, but never overriding or distracting from the emotional content of the sum of its parts.
The album ends with the glorious 'Take Us Away' - one of the first demos Gibson gave McBride when he was on tour with Stars of the Lid - neatly bringing their work to date full circle and exemplifying the band's mindfulness of their own serendipitous beginnings: the dawning of an auspicious, unique musical force.
Bell Gardens - Take Us Away -
Harmonies alert!! Actually, this is rather lovely. Slow-tempo, just the right side of 'twee' and packed full of strings, as if Air and Midlake had been taking balloon trips over the mid-West and sprinkling good-vibes dust across the land. From L.A. and subconsciously plugged into the '60s dream-pop scene, taking in a little bit of Mercury Rev and Brendan Perry en route, stopping off at Pearls Before Swine and Big Star's house for inspiration, before getting stoned with '70s era Brian Eno and Harold Budd.
For this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today's hotest producer from germany : ANDREAS GEHM aka ELEC PT1.After a bunch of releases on MATHEMATICS, BUNKER, CHIWAX, SNUFF TRAX, he sent us his brand new tracks & we felt it was so good that we decided to release them straight !His sound is firmly rooted in proto-house and acid. A whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between Stevie Poindexter & drexcya. Jack Attack ! On this evidence, Andreas is clearly one to watch
- A1: Liquidator Shuffle
- A2: 007 (Both Barrels)
- A3: Just Cant Stand It(Man Next Door)
- A4: Johnny Dollar
- A5: The Beatitude
- A6: Great Shocks Of Mighty
- A7: Girl Of My Dreams
- B1: Oh Baby (Django Returns)
- B2: Queen Of The Minstrel
- B3: Mister Talkative
- B4: Riding For A Fall
- B5: Trying To Conquer Me
- B6: Sexy Dream
- B7: Hot Sauce
The Jamaican Reggae duo Dave and Ansell Collins hit big time in 1970 when they topped the UK Charts with one of the all time classic reggae singles 'Double Barrel'.
It also became one of the first Reggae hits in the USA.
The distinctive chant of singer Dave Barker calling out the intro to songs letting the listener know what about to hit them is timeless.
He also carries a great soul voice that has added magic to many a great reggae tune.
Dave and Ansell are two talented artists that on their own have added so much to the reggae sounds we know and love.
But together they have made a name that will go down in history as one of the great duo's that came out of Jamaica and onto the world's stage.
We have compiled a set of songs that show the wide ranging talents of Dave Barker and Ansell Collins..
Time to Double Up...one more time........
Slim Smith is high on the list of great singers that came out of Jamaica.
Although Jamaica was bursting with musical talent, few could match his soulful and heartfelt style.
Sadly he had a very short career but he produced a catalogue of music that still stands the test of time ,like all the great artists his story carries through the songs he left behind.
We have compiled some of his finest moments from his period working alongside the Hit Maker from Jamaica producer Bunny Lee...
A great set of tunes that we hope will keep his memory alive
Keep the Light Shining.....Respect
- A1: Straight To Channel 1'S Head
- A2: Straight To Jackson's Head
- A3: Watch This Version
- A4: Just A Version
- A5: Behold This Version
- A6: The Knockout Punch Version
- A7: Straight To Edward's Head
- B1: Lifetime Dub
- B2: Come Softly Dub Version
- B3: Blessed Dub
- B4: So Much Version
- B5: You're All I Have Got Version
- B6: Going Version
- B7: The Poor Barber
The productions of producer Bunny 'Striker' Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output.
Three labels that came about during this time when dub was king were Jackpot. Justice and Attack.
Here we look at the Jackpot label and have compiled a collection of some of its finest dub cuts.
Jackpot Records was formed in the early 1970's as a subsidiary of Trojan Records to handle the output from the hitmaker from Jamaica..Bunny 'Striker 'Lee
Bunny was at the birth of dub and worked closely with Dubmaster King Tubby,having his masters stored at Tubbys allowed his rhythms to be worked on by Tubby, whether it was to remix or add vocals to an existing tape,the new interest in the dubbed version would see the next single being worked on for its version side.
We have gathered here what we think are some of the best dubcuts from this label and era..
Hope uou enjoy the set
- A1: Baloji & L'orchestre De La Katuba Feat Kuku – Buy Africa
- A2: Tune-Yards, ?Uestlove*, Angélique Kidjo + Akua Naru– Lady
- A3: Spoek Mathambo + Zaki Ibrahim– Yellow Fever
- A4: Nneka, Sinkane, Abraham Amayo + Superhuman Happiness– No Buredi (No Bread)
- B1: Just A Band + Childish Gambino– Who No Know Go Know
- B2: My Morning Jacket With Merrill Garbus + Brittany Howard– Trouble Sleep Yanga Wake Am
- C1: Kronos Quartet, Kyp Malone, Tunde Adebimpe* + Stuart Bogie– Sorrow Tears + Blood
- C2: Superhuman Happiness With Sahr Ngaujah, Abena Koomson + Rubblebucket– Itt (International Thief Thief)
- C3: Tony Allen, M1 + Baloji– Afrodisco Beat 2013
- D1: Just A Band, Bajah + Chance The Rapper– Gentleman
- D2: Gender Infinity– Highlife Time
- D3: Spoek Mathambo, Cerebral Vortex + Frown– Zombie
- D4: King – Go Slow
Auf dem Album feiern Künstler wie Angelique Kidjo, uestlove (The Roots), M1 (Dead Prez), tUnE-yArDs, Kronos Quartet, Baloji, Spoek Mathambo, Nneka oder Tony Allen in dreizehn grandiosen Neubearbeitungen Fela Kutis musikalisches Vermächtnis. Außer der Compilation veröffentlicht Knitting Factory Records ebenfalls am 15. Oktober die letzten sechs Titel in der Reissue-Serie von Fela Kutis Gesamtwerk, die im März dieses Jahres mit der Compilation "The Best Of The Black President 2" und der ersten Staffel der CDs begonnen hatte.




















