The Vampisoul chicas are back. And for the third time. And, although collectors and connoisseurs have never stopped playing the songs by these Spanish female singers, here they are again, sounding as vibrant as they did half a century ago. Because these children of their times, the musical decades of the 60s and 70s covered by this compilation, boldly ventured into the limited spaces of freedom open to female artists back then. And they did so with attitude, in search of the right repertoire, proudly presenting new, daring personal projects often breaking away from the demure tone adopted by mainstream local female singers. And they were canny about it too. Realizing that the censors working back would just listen to the song that the record company flagged up as the listening target on the A side and not bother to flip the single over, they recorded many of their racier songs on the B side. That exciting dark side of singles, which have long tempted collectors. Lacking the freedom and visibility enjoyed today, these daring records by these female singers went as far as they could and a few managed to go beyond. The songs on this compilation tell everyday stories, narrating small socio-musical conquests revolving round the enduring theme of young love. Sass, sex, boy-girl rivalry, the defense of liberating women's fashion and, saying what women think loud and clear, all characterize these grooves. Performed in a variety of musical styles ranging from ye-yé, twist, disco, beat, popcorn, flamenco pop to Northern Soul, and, even more surprisingly, sung in an everyday, natural and self-assured tone that must have ruffled some feathers. As in previous volumes of "¡Chicas!", this third compilation includes female singers from outside Spain but whose career, their decision to sing in Spanish or their long tours and local stays, and occasionally permanent residence, meant their albums were created, recorded or produced here in Spain. It's a winning proposition for everyone. Take the band Los Bravos, four of the singers that passed through the ranks of this quintessentially Spanish group were foreigners. It's part of our open-door policy. Spain is different. In every sense. But let's get down to the serious stuff and the ritual: vinyl on the turntable and needle poised ready to play. Third volume of Vampis' ¡Chicas! series, an irresistible collection of ye-yé, twist, disco, beat, popcorn, flamenco pop and even Northern Soul! From the early 60s and in the middle of a difficult political and social context, Spanish female singers - and those who moved to Spain - disregarded conventions and overcame all barriers to be part of a music movement that shook the Spanish society of the period. Many of the 24 tracks are reissued for the first time, including very hard-to-find records. It includes extensive notes by Vicente Fabuel featuring all the original record sleeves and artist photos.
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As one of the most influential rock groups in the late eighties, Living Colour proved that blending Hard Rock with Funk, Soul, Rap and Punk can be a very successful undertaking. Their debut Vivid (1988) took some time to build up steam, but eventually turned heads worldwide as the sheer quality of this album inevitably rose to the surface. A combination of intelligent lyrics dealing with personal emotions and social/political issues, laid on top of eleven groovy and diverse songs enriched by Vernon Reid’s monster riffs is what makes Vivid a highly powerful album. Vivid spawned the hits “Glamour Boys” and “Cult Of Personality”, which was awarded a Grammy for Best Hard Rock Performance in 1989.
Available as a limited edition of 1000 individually numbered copies on
transparent pink coloured vinyl. The package includes an insert.
The first bunch of remixes for Kito Jempere's Green Monster. The album itself was a versatile journey thought all music styles and patterns you can imagine, remixes are keeping the same direction.
EP opens with a remix from multi-talented and prolific studio genius Ewan Pearson, the man behind hundreds of remixes, production and studio engineering duties for artists like Tracey Thorn, Pet Shop Boys, Depeche Mode, The Chemical Brothers and many many more. And Mr Pearson is taking Kabwato on a journey! Originally recorded as two and half minutes as some say mid-album filler, this boat (kabwato in chewa language) is going deep down the tropical river and through breezy morning rainforest valleys. A perfect trip for your midday staying home alone errands or for your early morning ray of light at the bar with a beautiful panorama.
Same track is getting treatment from the mighty Cable Toy! Unmistakable peak time euphoria manifest - going back to my roots-esque piano meets 90s cable tv dance show house party!
On the flip is the remix by The Dawless. The Dawless are Ramil' Goddeem from LAUD and Sergey Gol'd, producer and owner of GoldxFish Music studio. They recently released their debut album "Broken Aux" on System 108, got remixed by DMX Crew and became residents of LOUD BOYZ label. The project has simple ethics: computers not allowed, only real gear and vibes. The duo has created a true rage rave anthem for Kito Jempere now. Having already been played in a lot of DJ-sets blasting through packed warehouses, now it became available to everyone.
EP closing opus is by Kito's frequent collaborator - UK born and Japan based producer Max Essa. Every Kito's album was accompanied by Max's remixes and this time he's delivering pure beauty again. Creating some Golden-era "8 1/2 weeks" vibes, Max transforms the track into a post-summer voyage anthem.
Who said industrial was dead?
One of the freshest acts to come to light over the last few years.
Praised by Manu Le Malin, supported by many since.
The French prodigy RaBBeAT got to be on our radar ever since Manu told Tripped to check him out back in 2021.
The ultimate result is A 4 track, kick drum heavy EP sounding straight from hell.
Doomy soundscapes, lots of distortion and reverb, including a Tripped remix.
What's not to like?
Happy to be the first ones to press Julien and his signature sound on a 12" record, and he's just getting started.
The legendary British artist’s first full-length collection in over five years, SHUFFLEMANIA!
has already been hailed on both sides of the Atlantic as one of the finest releases in his
inimitable canon. The album includes such new Hitchcockian favorites as “The Shuffle Man”
and “The Raging Muse,” both joined by official animated videos streaming now at YouTube.
Recorded in locations around the world over the pandemic era, SHUFFLEMANIA! offers up
ten gloriously ingenious new Robyn Hitchcock songs in just under 40 minutes - a “proper
pop album” as nature intended.
“Robyn Hitchcock’s first album since 2017 is thronged with actual humans - among them
Johnny Marr, Soft Boys compadres Kimberley Rew and Morris Windsor, Sean Ono Lennon
and Brendan Benson. None of them crowd out Hitchcock’s distinctive songwriting though,
nor his undimmed ability to reach through the existential murk and grasp a revelation or
two.” – MOJO
- A1: Often, I Have These Dreamz
- A2: Keep Bouncin
- A3: Get Off Me
- A4: Most Ain’t Dennis
- A5: Wow
- B1: Electrowavebaby
- B2: A Tale Of A Knight
- B3: Cud Life
- B4: Too Damn High
- B5: Getcha Gone
- C1: At The Party
- C2: Mr Coola
- C3: Freshie
- C4: Tirtured
- C5: X & Cud
- D1: Seven
- D2: Funky Wizard Smoke
- D3: Rager Boyz
- D4: Porsche Topless
- D5: Blue Sky
- D6: Hit The Streetz In My Nikes
red LP[37,77 €]
Kid Cudis neues Album „INSANO” ist ab dem 15.09. auf CD und Vinyl erhältlich!
Als einer der einflussreichsten Rapper und Produzenten des letzten Jahrzehntes, beeinflusste er nachhaltig eine Generation an Rappern wie Travis Scott, Juice WRLD, Drake und Kanye West. Mit seinem 9. Album liefert der 2-fache Grammy-Gewinner beeindruckende 21 Tracks ab und beginnt somit nach Abschluss der ”Man On The Moon”-Trilogy und seinem letzten Album ”Entergalactic”, dem Soundtrack zur gleichnamigen Netflix-Serie, eine neue musikalische Era!
- A1: Giorgio Moroder - Chase (From "Midnight Express")
- A2: Paul Mccartney & Wings - Live And Let Die (From "James Bond Live And Let Die")
- A3: Mick Jagger - Memo From Turner (From "Performance")
- A4: Willie Nelson - Midnight Rider (From "The Electric Horseman")
- A5: Tom Pierson, Galt Macdermot & Original Cast "Hair" - Aquarius (From "Hair")
- A6: Jimmy Cliff - The Harder They Come (From "The Harder They Come")
- A7: Bob Dylan - Knockin' On Heaven's Door (From "Pat Garrett And Billy The Kid")
- A8: Paul Williams - The Hell Of It (From "Phantom Of The Paradise")
- B1: Mike Oldfield - Tubular Bells (From "The Exorcist")
- B2: Isaac Hayes - Theme From "Shaft" (From "Shaft")
- B3: Olivia Newton-John - Hopelessly Devoted To You (From "Grease")
- B4: Jerry Reed - East Bound And Down (From "Smokey And The Bandit")
- B5: Jimmy Helms - Black Joy (From "Black Joy")
- B6: Sylvia Kristel & Orkest Ruud Bos - Hey, A Letter Came Today (From "Naakt Over De Schutting" A.k.a. "Naked Over The Fence")
- B7: Donny Hathaway - Little Ghetto Boy (From "Come Back Charleston Blue")
- B8: Roy Ayers Feat. Dee Dee Bridgewater & Wayne Garfield - Coffy Is The Color (From "Coffy")
- C1: Frankie Valli - Grease (From "Grease")
- C2: Diana Ross - Strange Fruit (From "Lady Sings The Blues")
- C3: Elton John - Pinball Wizard (From "Tommy")
- C4: James Brown Feat. The J.b.'s - The Boss (From "Black Ceasar")
- C5: Pierre Bachelet - Emanuelle (From "Emanuelle")
- C6: Willie Hutch - Theme Of Foxy Brown (From "Foxy Brown")
- C7: Chris Bennett - (Theme From) Midnight Express (From "Midnight Express")
- D1: John Williams & The London Symphony Orchestra - Main Title (From "Star Wars A New Hope")
- D4: Yvonne Elliman - If I Can't Have You (From "Saturday Night Fever")
- D5: Gene Clark - American Dreamer (From "The American Dreamer")
- D6: Rose Royce - Car Wash (From "Car Wash"")
- D7: Michael Jackson - Ben (From "Ben")
- D8: Ramones - Rock 'N' Roll High School (From "Rock 'N' Roll High School")
- D2: Cat Stevens - If You Want To Sing Out, Sing Out (From "Harold And Maude")
- D3: Marvin Gaye - Trouble Man (From "Trouble Man")
70's Movie Hits Collected is a compilation of Coloured Vinyl, High Quality, Insert 33 pop tracks released as 2-LP on 15 Dec 2023. 70's Movie Hits Collected includes a.o. the following tracks: “Giorgio Moroder - Chase (from "midnight Express")”, “Mick Jagger - Memo From Turner (from "performance")”, “Mike Oldfield - Tubular Bells (from "the Exorcist")”, “Isaac Hayes - Theme From "shaft" (from "shaft")” and more.
- A1: Big L– Put It On
- A2: Danger Mouse And Jemini*– What You Sittin' On? (Dm's 26" Remix)
- A3: Danger Mouse And Murs– To A Black Boy
- B1: Super Furry Animals– Lazer Beam (Danger Mouse Remix)
- B2: John Robinson (3)– Jr Dm
- B3: Zero 7– Somersault
- C1: Nas– It Ain't Hard To Tell
- C2: Dinah Washington– Baby Did You Hear
- C3: Danger Mouse And Jemini*– Take Care Of Business
- D1: Pelican City– Chestnut Park
- D2: Tha Alkaholiks– Choas
- D3: Danger Mouse And Jemini*– Ghetto Pop Life
- A1: Meat Loaf - I'll Do Anything For Love (But I Won't Do That) (But I Won't Do That)
- A2: D Ream - Things Can Only Get Better
- A3: Wet Wet Wet - Love Is All Around (From "Four Weddings & A Funeral" Soundtrack)
- A4: All-4-One - I Swear
- A5: The Pretenders - I'll Stand By You
- A6: Youssou N'dour - 7 Seconds (Feat Neneh Cherry)
- A7: East 17 - Stay Another Day
- B1: Livin' Joy - Dreamer
- B2: Coolio/L.v. - Gangsta's Paradise
- B3: Radiohead - Street Spirit (Fade Out) (Fade Out)
- B4: Oasis - Don't Look Back In Anger
- B5: Saint Etienne - He's On The Phone
- B6: Mark Morrison - Return Of The Mack
- B7: Spice Girls - Wannabe
- C1: George Michael - Fastlove
- C2: Deep Blue Something - Breakfast At Tiffany's
- C3: The Prodigy - Breathe
- C4: Eternal - I Wanna Be The Only One (Feat Bebe Winans)
- C5: Hanson - Mmmbop
- C6: Chumbawamba - Tubthumping
- C7: All Saints - Never Ever
- D1: Robbie Williams - Angels
- D2: Natalie Imbruglia - Torn
- D3: Aqua - Barbie Girl
- D6: Cher - Believe
- D7: Atb - 9Pm (Till I Come) (Till I Come)
- E1: Britney Spears - Baby One More Time
- E2: Steps - Tragedy
- E3: Gabrielle - Rise
- E4: Sonique - It Feels So Good
- E5: Craig David - 7 Days
- E6: Atomic Kitten - Whole Again
- E7: S Club - Don't Stop Movin
- F1: Kylie Minogue - Can't Get You Out Of My Head
- F2: Mary J Blige - Family Affair
- F3: Sophie Ellis-Bextor - Murder On The Dancefloor
- F4: Liberty X - Just A Little
- F5: Las Ketchup - The Ketchup Song (Asereje) (Asereje)
- F6: Girls Aloud - Sound Of The Underground
- F7: Nelly/Kelly Rowland - Dilemna
- D4: The Tamperer - Feel It (Feat Maya)
- D5: Boyzone - No Matter What
Legendary Jamaican songsmith Gregory Isaacs' 1995 album 'Private Lesson' on Radiation Roots. The set includes laidback cuts 'Preacher Boy', 'Feeling Sad Tonight', Diplomatic Fool', 'She Doesn't Want Me', 'Slave Master' and many more.
- A1: The Rock Island Line 2:08
- A2: I Heard That Lonesome Whistle 2:21
- A3: Country Boy 1:48
- A4: If The Good Lord's Willing 1:37
- A5: Don't Make Me Go 2:25
- A6: Remember Me 1:56
- A7: Big River
- B1: Give My Rose To Rose 2:33
- B2: I Was There When It Happened 2:13
- B3: Next In Line 2:42
- B4: Wreck Of Old ´97 1:42
- B5: Belshazzar 2:47
- B6: Doin' My Time 2:33
Black Vinyl[16,60 €]
Coloured Vinyl[20,80 €]
Marble Vinyl[25,00 €]
Orange/Black Splatter Vinyl[26,68 €]
The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.
- A1: The Rock Island Line 2:08
- A2: I Heard That Lonesome Whistle 2:21
- A3: Country Boy 1:48
- A4: If The Good Lord's Willing 1:37
- A5: Don't Make Me Go 2:25
- A6: Remember Me 1:56
- A7: Big River
- B1: Give My Rose To Rose 2:33
- B2: I Was There When It Happened 2:13
- B3: Next In Line 2:42
- B4: Wreck Of Old ´97 1:42
- B5: Belshazzar 2:47
- B6: Doin' My Time 2:33
Clear Vinyl[19,12 €]
Coloured Vinyl[20,80 €]
Marble Vinyl[25,00 €]
Orange/Black Splatter Vinyl[26,68 €]
The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.
- A1: The Rock Island Line 2:08
- A2: I Heard That Lonesome Whistle 2:21
- A3: Country Boy 1:48
- A4: If The Good Lord's Willing 1:37
- A5: Don't Make Me Go 2:25
- A6: Remember Me 1:56
- A7: Big River
- B1: Give My Rose To Rose 2:33
- B2: I Was There When It Happened 2:13
- B3: Next In Line 2:42
- B4: Wreck Of Old ´97 1:42
- B5: Belshazzar 2:47
- B6: Doin' My Time 2:33
Clear Vinyl[19,12 €]
Black Vinyl[16,60 €]
Marble Vinyl[25,00 €]
Orange/Black Splatter Vinyl[26,68 €]
The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.
- A1: The Rock Island Line 2:08
- A2: I Heard That Lonesome Whistle 2:21
- A3: Country Boy 1:48
- A4: If The Good Lord's Willing 1:37
- A5: Don't Make Me Go 2:25
- A6: Remember Me 1:56
- A7: Big River
- B1: Give My Rose To Rose 2:33
- B2: I Was There When It Happened 2:13
- B3: Next In Line 2:42
- B4: Wreck Of Old ´97 1:42
- B5: Belshazzar 2:47
- B6: Doin' My Time 2:33
Clear Vinyl[19,12 €]
Black Vinyl[16,60 €]
Coloured Vinyl[20,80 €]
Orange/Black Splatter Vinyl[26,68 €]
The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.
- A1: The Rock Island Line 2:08
- A2: I Heard That Lonesome Whistle 2:21
- A3: Country Boy 1:48
- A4: If The Good Lord's Willing 1:37
- A5: Don't Make Me Go 2:25
- A6: Remember Me 1:56
- A7: Big River
- B1: Give My Rose To Rose 2:33
- B2: I Was There When It Happened 2:13
- B3: Next In Line 2:42
- B4: Wreck Of Old ´97 1:42
- B5: Belshazzar 2:47
- B6: Doin' My Time 2:33
Clear Vinyl[19,12 €]
Black Vinyl[16,60 €]
Coloured Vinyl[20,80 €]
Marble Vinyl[25,00 €]
The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.
- A1: Shoulder Move
- A2: Red Eye
- A3: Hard To Get
- A4: Dance With Me
- A5: New Dress Style
- B1: Nuff Boy A Imitate
- B2: Lyrics For Sale
- B3: When Yuh Poor
- B4: She Nuh Ready
This is a superior Jah Thomas record with all the great midnight rock Rub A Rub riddims. A big album that represents Jah Thomas, packed full of early dancehall numbers that let you fully enjoy the wonderful atmosphere of the time, including the big hit title track!!
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At one time participating in ground-breaking medical scientific research, in another a relentless road-trip, hoovering up rare records and tapes, in the nooks and crannies of France, Algeria, or any country that he happens to land in. And then there’s his long standing show for Rinse France.
Following his slamming mix for the Japan Blues show on NTS last year, he kindly offered up a selection for Japan Blues’ first tape release. Algeria is the focus of this tape, taking a brief dip into Sameer’s broad collection, coinciding with his research for his documentary film about the social history of Rai music, "Rai is not Dead" for Arte.
Words from the Hadj: “The medehates are traditional vocal formations of women from western Algeria. Their main role is to give some compliments to the future wife during a wedding, and pray to all the saints through long songs which could last for hours, until reaching a sort of transcendental state amplified by looped percussions, traditional flute, and violon notes. Exclusively for women, no men (including young boys) admitted. This ceremonial tradition gave an intimate space for women to speak out about taboo topics like men-women relationships, love, sins like alcohol consumption etc. Since then, some of them started freely to mention all of that in this small circle and some of them have been recorded live for release on 7″. I picked up a few from my collection in order to make this mix. They represent one of the most powerful and wildest roots of the raw traditional form of rai which appeared in the 50/60s in Algeri
- 01: Hexagram
- 02: Needles And Pins
- 03: Minerva
- 04: Good Morning Beautiful
- 05: Deathblow
- 06: When Girls Telephone Boys
- 07: Battle-Axe
- 08: Lucky You
- 09: Bloody Cape
- 10: Anniversary Of An Uninteresting Event
- 11: Moana
Deftones classic self-titled album was their fourth long-player released in 2003. Now hitting its 20th Anniversary in 2023, the band celebrate by releasing this limited edition ruby red vinyl version. Featuring the singles Hexagram and Minerva.
Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible.
In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.
The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.
Music was no mere footnote to the anime and manga boom: the two forms of media often went hand in hand, and not simply through the presence of background melodies. With generous budgets available, even two-dimensional static manga comics could be released with an accompanying soundtrack of original music known as an ‘Image Album’.
Composer and arranger Kazuhiko Izu was one such beneficiary of this open budget approach. Written to accompany artist Katsuhiro Otomo’s manga comic Domu, the composer and arranger took advantage of the world-leading (and wallet-busting) Japanese synthesiser technology available at King Records’ fully equipped studio. Featured on this compilation, A3: Act 2 Scene 26 reflected the story’s sci fi themes with a blazingly futuristic yet warmly funky slice of synth pop that presents a joyful celebration of synthesisers and their seemingly endless possibilities.
Kan Ogasawara was another composer who made early mastery of the litany of synthesisers, drum machines and sequencers that had become available. Two tracks written to accompany the 1985 period manga Yume No Ishibumi are featured here; Honowo’s experimental electronic textures add spice to a jaunty electro pop melody that recalls the Rah band’s 1983 hit Messages From Stars; the jazz-tinged Utage rounds out Ogasawara’s shimmering synth textures with beautifully crafted backing from legendary musicians Yuji Toriyama (guitar), Pecker (percussion) and Jun Fukamachi (piano).
Before becoming one of the pioneers of Japanese Kankyo Ongaku (Ambient Music), Takashi Kokubo worked on the proto techno track Kiki (Jungle At Night). It was put together for the 1984 anime film Shonen Keniya (Kenya Boy) using some of the most expensive music technologies available at the time. This Africa-Inspired dance track offers a contemporary parallel to the early techno music that young Detroit based producers were then creating using cheap Japanese Roland drum machines and synthesisers.
This is the first compilation of Japanese anime and manga soundtracks curated by Kay Suzuki and Rintaro Sekizuka from Vinyl Delivery Service (a Tokyo based online record shop which also operates in East London's renowned wine and hifi shop Idle Moments). With a cover by artist Kazuki Takakura and two pages of liner notes, this vinyl only compilation of music never before released outside of Japan, captures a vital aural snapshot of an era whose forward-thinking sounds went hand in hand with cutting edge technology.




















