- A1: 3-Minute Rule (Demo)
- A2: Hello Brooklyn (Demo)
- A3: Johnny Ryall (Demo)
- A4: Johnny Ryall (Demo 2)
- A5: Looking Down The Barrel Of A Gun (Demo)
- A6: Egg Man (Demo)
- A7: The Sounds Of Science (Demo)
- B1: 33% God (Get Off The Mic) (Get Off The Mic)
- B2: Full Clout (Shake Your Rump) (Shake Your Rump)
- B3: Dust Joint (Car Thief) (Car Thief)
- B4: Dust Joint (Alternative - Demo 2)
- B5: Shake Your Rump (Extra Early Version - Demo)
- B6: Dust Joint (Instrumantel - Demo)
- B7: Full Clout (Instrumental - Demo)
quête:k boys
- A1: Medley: Tennessee Waltz / A Guy Is A Guy / C'est Si Bon / Too Young / Come On, My House
- A2: Sanosa
- A3: Marina
- A4: Soran Bushi
- A5: Paper Moon
- A6: When The Saints Go Marching In
- B1: Dry Bones
- B2: Dagger Mckee
- B3: A Love Story
- B4: O.k. You Win
- B5: No Greater Love
- B6: 16 Tons
- B7: Side By Side
This is the origin of Chiemi Eri, who continues to enjoy immense popularity across generations and borders.
Seven vinyl titles focusing on jazz are released simultaneously! Chiemi Eri, at the height of her powers, performs with the Delta Rhythm Boys, America's
leading male vocal group. This is a happy, swinging, and heated live recording!
- 1: Research Chemicals
- 2: I Don't Remember That
- 3: Can't Get It Up
- 4: Liquids
- 5: Baby Teeth
- 6: Upside Backwards
- 7: Call Of The Wild
Regis and Surgeon return as British Murder Boys with their first 12” since 2014, unleashing two relentless club detonations that fuse industrial ferocity with punk immediacy. On »Now, This Is You«, boulder-heavy kicks, gnashing arps, and Karl O’Connor’s snarled vocals collide in a 150 BPM storm. The flip, »Get In Line«, hits straighter but no softer, driven by pounding bass and sour bleeps that conjure a delirious late-night energy. Brutal, swaggering, and unfiltered — BMB at their most uncompromising.
0829421012252[48,95 €]
First reissue of the legendary, long out of print, live album by Texas Punk legends The Dicks and Big Boys. Classic, incendiary live album by two of the best U.S. Punk bands ever. A raw and powerful record full of incredible music and excitement that's also a milestone for the Queer Punk movement. Originally released in 1980 and long out of print, this is a seminal document of the Austin, Texas, scene, capturing the raw energy and effervescence of a scene that was redefining the boundaries of underground music in the late 1970s and early 1980s. Co-released by Beat Generation and Ghost Highway Recordings. European release, 300 copies, includes new insert.
- A1: West End Girls
- A2: Love Comes Quickly
- A3: Opportunities (Let's Make Lots Of Money)
- A4: Suburbia
- B1: It's A Sin
- B2: What Have I Done To Deserve This?
- B3: Rent
- B4: Always On My Mind
- B5: Heart
- C1: Domino Dancing
- C2: Left To My Own Devices
- C3: It's Alright
- C4: So Hard
- D1: Being Boring
- D2: Where The Streets Have No Name (I Can't Take My Eyes Off You)
- D3: Jealousy
- D4: Dj Culture
- D5: Was It Worth It?
On May 30, 2025, Pet Shop Boys will reissue their 18-track greatest hits singles collection ‘Discography : The Singles Collection’ on limited blue vinyl, featuring updated 2023 remasters. ‘Discography’ was first released in 1991. The album charted No 3 in the UK album chart and includes ‘West End Girls’, ‘Always on My Mind’, ‘It’s a Sin’, ‘Domino Dancing’ and ‘Suburbia’.
Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 100 million records worldwide and were listed as the most successful duo in UK music history in the 1999 edition of The Guinness Book of Records. Pet Shop Boys have won three Brit Awards and have been nominated for 6 GRAMMY Awards. At the 2009 Brit Awards in London, they received an award for Outstanding Contribution to Music. In 2016, Billboard named Pet Shop Boys the number one dance duo or group since the chart's inception in 1976. In 2017, the duo received NME's Godlike Genius Award, and in 2024, they were awarded the Pop Pioneers award at the MTV Europe Music Awards.
- Make It
- Anatomically Incorrect
- Birds
- Twin
- Stick My Hands
- Fly Bite
- Godless Girl
- In The Back Of My Mind
- Purely Intentional
- Shade
- Green Army Jacket
- Trust Anyone
- So Excited
- Parasite Man
- Bleach Blanket Boi Oi Oi
Es gab eine Zeit - nennen wir sie Saturn-Rückkehr, nennen wir sie die frühen 90er Jahre, nennen wir sie den letzten Atemzug, bevor das Internet alles verschlang - als wir von den Zero Boys uns plötzlich einer ganz anderen Art von Feuer gegenüberstanden. Wir waren aus unserer Hardcore-Haut herausgewachsen - nicht aus Ablehnung, sondern aus einer Weiterentwicklung heraus. Wir waren unruhig. Songs kamen nicht mehr in Ausbrüchen purer Geschwindigkeit; sie verdrehten sich, dehnten sich aus, stellten Fragen. Struktur war nicht mehr der Feind. Wir ließen die Songs atmen, und im Gegenzug erzählten sie uns Dinge, die wir nicht erwartet hatten. Die hier versammelten Songs aus ,Make It Stop" (1991) und ,The Heimlich Maneuver" (1992) fangen diesen Moment ein. Diese beiden Alben, die innerhalb eines Jahres entstanden sind, sind Dokumente einer Zeit, in der wir unserem Instinkt folgten - die Grenzen unseres eigenen Sounds ausloteten und persönliche spirituelle Erkundungen durch den Fuzz und die Wut hindurchflochten. Es war nicht religiös. Es war eine Suche. Der Versuch, das Selbst im Lärm der Welt zu finden. Der Versuch, ehrlich über Verwirrung, Widerstand und die Teile von uns selbst zu sprechen, die nicht so einfach in Slogans oder Genres passen. Damals wussten wir, dass wir uns veränderten, aber wir wussten nicht, in welche Richtung. Jetzt, Jahrzehnte später, offenbart das Zurückhören etwas Klareres. Diese Songs - textlich, musikalisch, emotional - fühlen sich heute dringlicher an als damals. Die politischen Aussagen sind gut gealtert, was sowohl ein Triumph als auch eine Tragödie ist. Was wir in einem Moment kreativer Verbrennung geschrieben haben, klingt jetzt wie Warnsignale - über Institutionen, über Gewalt, über das stille Bedürfnis nach Sinn unter all dem. Also ja, ,Playback is Hell". Aber nicht die Hölle der Qualen. Die Hölle des Feuers. Die Hölle der Transformation. Die Hitze der Erinnerung und Bedeutung, die plötzlich wieder aufsteigt. Danke fürs Zuhören - damals, heute und in Zukunft. - Paul Mahern, 2025
Selector Dub Narcotic hat uns beim letzten Mal gewarnt: "The Party Is Just Getting Started". Das ist OK, wir wollten nie, dass sie endet. 9 Jahre später beehrt Selector Dub Narcotic uns wieder einmal mit ihrer Präsenz und präsentiert "When Boys Cry" KLP309, eine vier Songs umfassende EP von unvergleichlicher Pracht. "When Boys Cry" ist eine echte Schnulze, die vier Taschentücher eingebracht hat - eins für die Beats, eins für die Reime, eins für die dunkle Schokoladenfrisur und eins für ich weiß nicht was, aber es bringt alle zum Tanzen. Wieder einmal arbeitet Selector Dub Narcotic mit dem Northwest Hip-Hop Produzenten Smoke M2D6 zusammen. Der Titelsong "When Boys Cry" schwebt in einem melancholischen Dunst; "Love Don't Come Around" sinniert über die Muse und alle unbeabsichtigten Konsequenzen; "Excuse Moi" ist eine freche kleine Nummer; "California Trippin'" erinnert uns daran, dass in jedem unserer Unternehmungen Freude steckt. "When Boys Cry" wird von drei digitalen Vorab-Singles begleitet, bevor es als 45rpm 12" EP in den Plattenläden des Planeten erscheint. Perfekt für die nächste gesellige Veranstaltung oder das antisoziale Grübelfest.
- A1: Sakura Sakura
- A2: Kariboshikiri Uta
- A3: Shika No Tone
- A4: Yagibushi
- B1: Genroku Hanami Odori
- B2: Esashi Oiwake
- B3: Rokudan
- B4: Awa Odori
An unrelenting storm of Minyo, Latin, and Jazz—fierce, thrilling, and utterly original. A groundbreaking work of classical artistry, created by two
masters: Naotero Misuna and Norio Maeda.
Naotero Misuna, known as “Maestro Misuna,” led the Tokyo Cuban Boys, a legendary big band formed in 1949—before Latin music had even taken
root in Japan. With over 300 recordings to their name, they are one of Japan’s most iconic ensembles. Throughout their long career, the band remained
rooted in Latin music while boldly incorporating other genres and contemporary styles. Among their most internationally acclaimed works are those that
focus on traditional Japanese music, such as folk songs and ancient melodies.
This album, Japanese Classical Arts, arranged by the great Norio Maeda, is a masterpiece that transforms Minyo + Latin + Jazz into a thrilling sonic
experience. Leading the charge is a powerful rendition of “Sakura Sakura,” which moves seamlessly between Afro-Cuban jazz and jazz-rock, captivating l
isteners around the world. The album also features meticulously crafted arrangements of “Kariboshikiri Uta,” “Yagibushi,” “Genroku Hanami Odori,” and
“Awa Odori.” The inclusion of Kohachiro Miyata on shakuhachi and Tadao Sawai on koto is nothing short of brilliant.
This is exhilarating Wa-Jazz at its finest—music that makes you want to shout, “This is it!
Text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)
- November Boys
- How To Do Nothing
- Norwegians Abroad
- Dig A Ditch
- A Blazer In The Northern Sky
- Scandinavian Crispr Brat
- Fomo (Fear Of Missing Oslo)
- Hadeland Hardcore
- All My Friends Are Dead Inside
- New Kids On The Blockchain
Pink Vinyl[36,56 €]
Through the album trilogy Misanthropical House, Algorithm and Blues and Research and Destroy, The Good The Bad and The Zugly have limped their way through midlife crises and pubescent antics. Loud-mouthed and bitter, we have embraced our fate as mediocre losers on the narrow and winding Scandirock path. Haunted by a constant bad conscience over the outcome of our miserable lives, which in addition to bitterness, have resulted in substance abuse, pettiness, greed, spiritual lethargy, bastard offspring, excessive self-confidence, understated self-awareness, and of course - bodily decay. In breif; A urinal without a drain. The question has always been nagging: Why us? Why have we, since the dawn of time, been made to curse the day we were born? Well, the truth shall set you free, as they say.
Limited pink vinyl. Through the album trilogy Misanthropical House, Algorithm and Blues and Research and Destroy, The Good The Bad and The Zugly have limped their way through midlife crises and pubescent antics. Loud-mouthed and bitter, we have embraced our fate as mediocre losers on the narrow and winding Scandirock path. Haunted by a constant bad conscience over the outcome of our miserable lives, which in addition to bitterness, have resulted in substance abuse, pettiness, greed, spiritual lethargy, bastard offspring, excessive self-confidence, understated self-awareness, and of course - bodily decay. In breif; A urinal without a drain. The question has always been nagging: Why us? Why have we, since the dawn of time, been made to curse the day we were born? Well, the truth shall set you free, as they say.
Ruben Rada played a pivotal role in the development of Uruguayan music. By blending Afro-Uruguayan traditions with rock, soul, jazz, and funk, he paved a new musical path that began in the 1960s and continues to evolve today. Throughout his career, he has consistently been surrounded by talented musicians who have been integral to his sound. This was especially true with Daniel "Lobito" Lagarde, bassist and founding member of the iconic band Totem in the early 1970s; Ricardo Nolé, keyboardist, arranger, and musical director of Rada's band in Argentina during the 1980s; and Nelson Cedréz, the drummer who has been by Rada's side since the 1990s. In 2016, these three musicians reunited to form Rada's Old Boys, releasing an album of jazz-infused reinterpretations of Rada's songs that earned rave reviews. Now, they return with Manos, a bold new album that reimagines Rada's works from every phase of his career, featuring deeply personal renditions and a special guest appearance from Rada himself on one track.
- A1: Our Prayer
- A2: Gee
- A3: Heroes & Villains
- A4: Do You Like Worms? (Roll Plymouth Rock)
- A5: I'm In Great Shape
- A6: Barnyard
- A7: My Old Sunshine (The Old Master Painter/You Are My Sunshine)
- A8: Cabin Essence
- A9: Wonderful
- A10: Look (Song For Children)
- B1: Child Is Father Of The Man
- B2: Surf's Up
- B3: I Wanna Be Around / Workshop
- B4: Vega-Tables
- B5: Holidays
- B6: Wind Chimes
- B7: The Elements Fire (Mrs O'leary's Cow)
- B8: Love To Say Dada
- B9: Good Vibrations



















