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Christian Sands - Christmas Stories (Selections) LP

Having performed in- demand Christmas shows at Jazz at Lincoln Center and around the world, Sands offers such classics as "Let It Snow, Let it Snow, Let It Snow," "Do You Hear What I Hear," "Sleigh Ride," Have Yourself a Merry Little Christmas," "Silent Night," "Jingle Bells," and "God Rest Ye Merry Gentlemen" as well as a few surprises.

Joining the NAACP Image Award nominee is vibraphonist Stefon Harris, saxophonist Jimmy Greene, guitarists Max Light and Marvin Sewell, bassist Yasushi Nakamura, percussionist Keita Ogawa and drummer Ryan Sands.

Reservar27.10.2023

debe ser publicado en 27.10.2023

32,35
Rocket Sci - Bond Riviera LP
  • Migration Is Human 04:32
  • I Love My Hut 04:04
  • July 5Th 06:08
  • Down In The Valley 04:13
  • Hymn 06:25
  • 2-4: 6-8 03:31
  • Skylake 04:59
  • Bow Wow Wow 04:09

Kenny Wollesen and Dalius Naujo, the two rhythm kings in question, are rounded out in the lineup by bari/ alto sax veteran Jonathon Haffner and guitarist Tony Scherr and the sound the four create is strangely hypnotic and immensely accessible, leaving the listener with infectious themes and melodies ricocheting around the brain.

Creating these sounds comes naturally to these gentlemen as one glance at each of their impressive and lengthy big-name resumes will attest (Snarky Puppy, Jack DeJohnette, Tom Waits, John Zorn, Sean Lennon, Bill Frisell, Norah Jones, John Lurie, Laurie Anderson...etc).

But the issue here is not glory-by-association, it's the creation of glorious music in and of itself, and Rocket Sci have an incredible head start on that. Their album "Bond Riviera," to be released by Nublu Records later this year after a sequence of pre- album singles, will be all the proof anyone needs.

Reservar27.10.2023

debe ser publicado en 27.10.2023

25,67
The Routes - Reverberation Addict LP

Having tackled the music of KRAFTWERK on their 2022 album "The Twang Machine", THE ROUTES have applied their sound (described by IGGY POP as "beat-you-to-death surf music" on his BBC Radio 6 show) to the genius of PETE SHELLEY and BUZZCOCKS.

"Reverberation Addict" sees fifteen BUZZCOCKS- songs reimagined and rearranged as 60s surf guitar instrumental bangers (a la THE VENTURES, DICK DALE, TERAUCHI TAKESHI, LINK WRAY, THE SURFARIS and THE ASTRONAUTS and more). Prepare to be taken on a wild musical trip where "Orgasm Addict" and "Fast Cars" are transformed into the background music of a 60s drag race movie, "Just Lust" is presented all "Hey Bo Diddley!", and "What Do I Get" gets the ENNIO MORRICONE inspired spaghetti western treatment...

You don't have to be a fan of BUZZCOCKS to enjoy these tunes, and likewise if you're a BUZZCOCKS- fan you don't need to be a fan of surf music to enjoy them.

Finally, as most punks out there will instantly notice, the record cover is a reworking of that of the BUZZCOCKS single "Orgasm Addict".

And what better endorsement or seal of approval is there than having UK graphic design icon Malcolm Garrett MBE RDI himself onboard for the design? Yes, it's the real deal!

Whether you see it as musical blasphemy or musical alchemy, THE ROUTES have provided the world with another potential future cult classic, destined to irk or jerk future generations for years to come.

Reservar27.10.2023

debe ser publicado en 27.10.2023

27,10
BEDHEAD - WHAT FUN LIFE WAS LP

Bedhead

WHAT FUN LIFE WAS LP

12inchNUMLPC21239
Numero Group
27.10.2023

Pink Vinyl. Original 1994 album remastered and repackaged in an expanded gatefold and pressed on 180 gram virgin vinyl. "On a family vacation to Florida in the mid-'70s, Bubba cut his head on the bedside table in a motel room. I still remember it vividly and how I was haunted by the matter-of-fact line: 'you cut your head on the bedside table.' Its ten syllables sounded right, but the content is what really haunted me. It felt like the ultimate betrayal, the bedside table taking advantage of its proximity to a serenely sleeping body." - Matt Kadane

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debe ser publicado en 27.10.2023

25,17
FIELDS OF THE NEPHILIM - THE NEPHILIM (LTD. EXPANDED 35TH ANNIVERSARY)

Formed in 1984, Fields of the Nephilim is the creation of vocalist and front man Carl McCoy. Highly influential, especially in the world of goth, but also within the metal and electronic genres, their legacy endures to this day. You can hear their influence on bands like Swans, Godspeed! You Black Emperor, Explosions In The Sky, Wolves in The Throne Room, Behemoth and more. The Nephilim was recorded in a former courthouse in the Somerset countryside where defendants who were sentenced to death were hung. "Moonchild" is the band"s best known song due to it reaching #28 in the UK single charts, and LouderSound called it a classic and said that it "perfectly encapsulates this era of the band: it has some nifty guitar work, great bass lines from Tony Pettitt, Nod"s stellar drumming and McCoy"s distinctive vocals." The song is named after a novel by Aleister Crowley, and there are several other nods to Crowley throughout The Nephilim. In a 2013 remembrance of the album, PopMatters said "The band"s sophomore effort, regarded not only as its best work but also as one of the UK goth scene"s masterpieces, is a seamless, hour-long trek into a surreal land populated by chiming guitars, hypnotic bass, found samples, and McCoy"s storytelling."

Reservar27.10.2023

debe ser publicado en 27.10.2023

40,13
KAIPA - VITTJAR LP 2x12"

Kaipa

VITTJAR LP 2x12"

2x12inchCONLP014MM
CONSTRUCTION RECORDS
27.10.2023

Kaipa is a Swedish band from the Uppsala area, which moves in symphonic rock with influences from folk music. The band is mainly influenced by Yes.

The result is as colourful musically and lyrically as Kaipa devotees will expect from the band’s rich discography dating back to the debut opus released in 1975. Formed in 1973, KAIPA never shied away from experimentation, embracing fresh elements and sounds manifesting especially on the albums released in the 2000’s. ‘

"Vittjar" is Kaipa's 11th studio album. The addition of the eminent guest-musicians Fredrik Lindqvist (recorders & whistles) and Elin Rubinsztein (violin) further underlines the folk influences in the music. Now available on vinyl in a new colour!

Reservar27.10.2023

debe ser publicado en 27.10.2023

31,89
KAIPA - VITTJAR LP 2x12"

Kaipa

VITTJAR LP 2x12"

2x12inchCONLP014BT
CONSTRUCTION RECORDS
27.10.2023

Kaipa is a Swedish band from the Uppsala area, which moves in symphonic rock with influences from folk music. The band is mainly influenced by Yes.

The result is as colourful musically and lyrically as Kaipa devotees will expect from the band’s rich discography dating back to the debut opus released in 1975. Formed in 1973, KAIPA never shied away from experimentation, embracing fresh elements and sounds manifesting especially on the albums released in the 2000’s. ‘

"Vittjar" is Kaipa's 11th studio album. The addition of the eminent guest-musicians Fredrik Lindqvist (recorders & whistles) and Elin Rubinsztein (violin) further underlines the folk influences in the music. Now available on vinyl in a new colour!

Reservar27.10.2023

debe ser publicado en 27.10.2023

31,89
Lynxes - Sloth

Lynxes

Sloth

12inchKLINIKA005
Klinika Musik
27.10.2023

If you dare. Lynxes completes with Sloth a smattering of releases on the Berlin-based label. Vacuum is set in dark environs and picks up raving energy quickly with multiple layers dedicated to the iridescent journey before the unexpected breakthrough that longs for a ride into the unknown. Disstress follows steadily with ace tones and a punching clout that guides along the path. Alerting strikes of lightning will make your blood run cold along the right lines on Coping. Lydia Eisenblätter, head of Leipzig's OAM records and figuring prominently within the German techno scene, turns to the end with a Distress remix on a fast and floaty acid track. Hang in there!

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13,40

Ültimo hace: 2 Años
Kon Faber - Weberwiese EP

Kon Faber

Weberwiese EP

12inchKAMAI026
Kamai Music
25.10.2023

Kamai Music’s 26th release comes from the Electronic producer duo and live act Kon Faber.

A1: “Ambiguity” is a bouncy, groove- and percussion-heavy collaboration between established producer Iorie,
including a vocal duet.

A2: “Cheer” is an emotional, atmospheric track with a mesmerizing interplay of synth lines and jazzy melodic
licks from professional jazz saxophone player Marius Dick.

A3: “Weberwiese” is a large space with choirs and wide synth pads. The track opens up through a virtuous,
acoustic lead guitar embedded into a hypnotic and bouncy groove.

B1: South African producer Fka Mash gives a deep Afro House twist including a rich bass lead synth.

B2: Kamai’s own Jacob Groening shows a simplistic interpretation of “Cheer” and adds a new depth through a
non-metrically played lead synth.

B3: “Weberwiese” is remixed by Joep Mencke, who adds trance-like melodies and creates a melodic house
spin for the big stage.

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13,87

Ültimo hace: 45 Días
Hugh Maddo - Pop Style LP

Hugh Maddo

Pop Style LP

12inch333LP012
333
25.10.2023

Rare late 80s reggae/dancehall heat coming yet again on DINTE sub-label 333. This time it's the turn of Hugh Maddo's Pop Style LP. Recorded in Jamaica at Byron Lee's Dynamics & Herman Chin-Loy's Aquarius studios for the Bronx-based Jamaazima label in 1987, it is issued here under license from co-producer and label owner, Nami Harmon. The record features a host of celebrated and renowned musicians incl. Winston Wright, Bobby Ellis, Carlton "Santa" Davis, Dwight Pinkney, Willie Lindo and Mikey "Boo" Richards amongst many others - alongside the sublime vocals of Killamanjaro's Hugh Maddo aka UU Madoo. A must.

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23,11

Ültimo hace: 2 Años
Eric Bellinger - 1-800-HIT-EAZY: Line 1 & 2 (2x12")

GRAMMY Nominated R&B singer & songwriter Eric Bellinger kicked off 2023 much like he kicked off 2021, with a hit album. For the first time ever, 1-800-HIT-EAZY Line 1 & 2 will be available on vinyl as a double album release. Executive produced by a literal hit maker in Hitmaka, both albums feature Eric's signature crooning voice over rich & silky R&B production. At 14 tracks per album, standout singles from 1-800-HIT-EAZY Line 1 include "Hit Eazy," & "Only You," while 1-800-HIT-EAZY Line 2 includes infectious songs such as "Curious (feat. Cordae & Fabolous)," "Decide," "Obsession (feat, Muni Long) - Remix," & "Sum 2 See (feat. Blxst)." Features across the two albums include Tink, Muni Long, Blxst, Cordae, Fabolous, Rahkay, Kalan.FrFr & Chrishan. Pressed on Aqua & Orchid Smash Vinyl

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31,89

Ültimo hace: 2 Años
Sneaky Jesus - For Chaching Taphed LP

Polish jazz rebels sneaky jesus are back with their second studio album For Chaching Taphed.The highly imaginative quartet out of Wroclaw comprising Maciej Forreiter (Guitar), Matylda Gerber (Saxophones), Ben Łasiewick i(Bass) and Filip Baczyński (Drums) have won fans around the world for their restless, quirky brand of jazz which takes in breakbeats, twisting chord progressions and improvisation as well as a wealth of musical influences.

The band have been touring their asses off ever since they surprised the world with their debut album For Joseph Riddle in 2021. From out of nowhere their debut LP of 500 copies sold out in a month and they quickly went on to sell close to 1,000 CDs of the album. Fast-forward to 2023 and the band are sharing stages with artists such as Ill Considered and Theon Cross.

For Chaching Taphed was created in complete isolation. The group locked itself in a barn at the Museum of Agricultural Technology in Piotrowice Świdnickie. It worked on its sophomore output surrounded by machinery, trucks and carriages. These new compositions mirror the abstract conversations which the group frequently has just for fun. Contrary to For Joseph Riddle, this album is simple and does not rely on ongoing grooves. This enabled the group to be much more experimental. The band was joined by friends Flautist Mariya Mavko on Piękno Niemożliwe (Impossible Beauty) and her playing is sampled in Hipotetyczny Taras (Hypothetical Terrace). Pięciu Pszczelarzy (Five Beekeepers) closes the album featuring EABS' Jakub Kurek on trumpet. His fiery solo is one of the most intense moments of the album.

Spacer Po Nadodrzu (A walk around Nadodrze) opens the album and is inspired by one of the districts of Wrocław. It is a sonic story depicting a walk through Nadodrze late at night. A steady bass rhythm imitates a careful pace and the responding sax line is a spooky theme that might pop to oneʼs head in a moment of uncertainty.

The album's first single Krztusiec (Whooping Cough) finds the group diving head first into their most recent influences. The trackstarts with drum improvisation, rolling into a solid hip-hop backbeat provided by Ben Łasiewicki on Bass and Drummer Filip Baczyński. Sax and Guitar weave steady but dissonant lines, written by Maciej Forreiter after many hours spent listening to the Ethiopian jazz greats. The track takes off right after that. Matylda Gerber delivers a fiery Sax solo, while the group picks up the tempo and quickens the groove. The essence is the middle section, a dubby collective improvisation. Forreiter, Gerber and Baczyński take turns playing both classic dub phrases and fierce avant grade lines. Łasiewicki keeps everybody in check with a steady bassline. The energy slows down until Baczyński's drum solo, which explores phrasing detached from the rest of the tune.

Second single Chiński Sprzedawca Smażonych Kasztanów (Chinese roasted chestnut seller) is a fusion of breakbeats, energized songo rhythms and motifs inspired by South African melodies. Presenting the group with spacious and rhythmic horn lines, guitarist Maciej Forreiter wrote a chord progression while Beniamin Łasiewicki and Filip Baczyński took care of the rhythm section. This first part of the track suddenly drops out and explodes into the dramatic main motif which includes double sax and fierce guitar playing in harmony, plus the rhythm section playing more and more jungle-esque. Powerful guitar and sax solos feature before we return to the main theme with a completely different rhythmic backdrop.

W Klatce z Bykiem (In a cage with a Bull), starts like a race. The music plays with an incredible nerve and when the theme is right on edge it suddenly stops. It is followed by an animalistic growl on the saxophone and a doom metal-esque bash of downtuned, distorted guitars and heavy drums. In this heavy fashion it slowly approaches the finishing line hitting one final metallic clang.

Piękno Niemożliwe (Impossible Beauty) features wonderful flute playing of Mariya Mavko (Kadabra Dyskety Kusaje). Her work in the opening motif evokes sounds of Polish and Ukrainian folklore. This brief mellow moment serves as a contrast to the usual frantic sounds of sneaky jesus. It is an appreciation of thepolish jazz music of the past, intrinsically-linked to folklore. The band took this idea and reworked it into their own unique style.

Hipotetyczny Taras (Hypothetical Terrace) is built on top of a lengthy vamp in an unusual 7/8 time-signature. The bass anchors the quartet in a simple line, while the rest of the quartet share an emotional conversation. This track is the most open of the whole project and it ends accordingly. The final burst is a call back to the basics ofspiritual jazzand the whole band shows every emotion simultaneously and gracefully fades out.

Pięciu Pszczelarzy (Five Beekeepers) is For Chaching Taphed's conclusion and is a non stop assault of heavy horn lines, punk rhythms and noise. The band is joined by the extraordinary trumpeter Jakub Kurek from EABS, who blends in perfectly with sax and guitar. His exchange of solos with Maciej Forreiter is a combination of classic jazz phrasing and discordant clatter. In the same fierce manner the whole group works within the motif, switching up accents and breaks.

In the short space of two years, sneaky jesus has gone from ambitious upstart looking to break out from its home city playing spit and sawdust venues, to touring Europe as well as prestigious Jazz clubs such as Jassmine in Warsaw. In the process, it has delivered two full-length albums that don't stay in lane or pander to established jazz sub-genres as so many groups do. Some artists make the same record twice or even more than that, but not sneaky jesus. For Chaching Taphed shows the band as restless, experimental, fun, irreverent but purposeful as never before.

“A lot of over-hyped improv / jazz projects out there at the moment and Sneaky Jesus are genuinely excellent and out on their own. Drawing on the expansive atmospherics of a barn as the recording's setting, the album immediately pulls you in with the unsettling 'Spacer Po Nadodrzu' and lifts off on 'Krztusiec', effortlessly moving from angular, abrasive jazz to trippy dub and cinematic intrigue. Tempos shift and intensities shift naturally. The whole set warrants a deep listen from start to finish and watch out for two great guest features from flautist Mariya Mavko and Jakub Kurek bringing some mad fuzz licks to the boisterous closer. Brilliant album.”
Quinton Scott — Strut Records

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20,97

Ültimo hace: 5 Meses
Ravelston - Memory Of A Stolen Bush EP

Edinburgh (via Bristol) producer, DJ and balearic psychonaut takes us on a playful exploration through his cosmic arboretum on the Memory of Stolen Bush EP, with four of his own tracks and a very tasty remix from Berlin’s Glenn Astro. Café Lotito draws us into a world of atmospheric chug with dreamy whistles, rich, saturated pads and sneaky acid lines sitting atop a tasteful break and a steady, thudding kick. Gottlieb's Lament drops the tempo further, into a shimmering, melancholic lagoon of dubby psychedel ia, with marimbas and melodicas dancing amongst the mournful, lysergic synth work.
The B side steps straight into the dance with the EP’s namesake In The Shadow Of The Oleander, a pulsing, acidic drum machine workout, bustling with percs and bleeps and cru nchy rhythms, all set to a backdrop of soaring pads and drifting harmonics. Glenn Astro’s remix of Oleander pumps things up into an epic, maximalist realm with huge synth lines and a squarely pounding rhythm section turning the playful roller into a peak ti me thumper. Finally the digital bonus track Memories of Hare uses surrealist snippets of colour to pay tribute to a much missed former Bristol haunt, dropping the tempo back down and putting melody and atmosphere front and centre, with a ghostly marimba l eading the procession beside staccato guitars and shimmering synths unknown

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9,87

Ültimo hace: 2 Años
K-1 - K-1 Agenda

K-1

K-1 Agenda

12inchDBC-018
Detroit Bass Classics
23.10.2023

DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads Direct Beat Classics label.
1) "K-1 Intro" -Fine metallic percussion and Jeep beats define the groove of this EP's introduction from the year of 1996 featuring Anthony 'Blaktony' Horton (vocals) on this legendary Keith Tucker production. K-1's hauntingly dark strings emerge as you are informed by its mission statement. Mental.

2) "K-1 Agenda" (Instrumental) - Purposely added to enhance variety and balance, this instrumental holds its own. Highlighting his production skill, 'DJ K-1' cuts loose in the minimal groove with traditional Detroit escapism that makes the EP the fine concept it is. Made to dream & jam.

3) "K-1 Agenda" (Vocal Mix) -Written and executed by longtime cohort, 'Blaktony' (AUX88, Alien FM) on vocals. The tune transforms into a classic global jam with android-like vocals planted between the hand-crafted Detroit electronic backdrops. A mainstay in electro bass crates since its release, this track is the description of a man on a mission to jam this world and beyond. Rubbery 'K-1' signature bass lines and strings ride the perfect beat.

4) "The Future I Can See" - K-1's laid back robotic lyrics describe a look into the future paired with thunderous beats and electro bounce. Visionary rocking, Tucker provides the weight to the project that would bare his signature flavor. Hot.

5) "The Future I Can See" (Instrumental) - Focused on an atmosphere of eerie and moody Detroit dark electro, the energetic bass line weaves amongst jamming drums. Imaginative and compelling material made for global dance floors. 100% Electro.

6) "Unreleased track" - A short newly added bonus cut from the original sessions, laced with experimentation in the Motor City Electro sound.

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17,23

Ültimo hace: 2 Años
SDEM - VORTICES 2x12"

Sdem

VORTICES 2x12"

2x12inchSKALP038
SKAM RECORDS
23.10.2023

SDEM’s debut LP for Mancunian electronic music imprint Skam Records.

VORTICES 9 tracks continue SDEM’s current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)

Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.

Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach

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21,30

Ültimo hace: 2 Años
Grouper - Dragging A Dead Deer Up A Hill

2023 VINYL REPRESS.
The third full-length release for Portland, Oregon-based LIZ HARRIS.

Harris might have achieved a significant fan base thanks to the whispering, near-ambient vocal crusades of her debut album Way Their Crept and its follow-up Wide, but those with a careful ear would have heard slightly more trapped beneath her fuzzy chain of effects.

Dragging A Dead Deer Up A Hill marks a departure of sorts for Liz, which sees her turn down the fuzz boxes which caged (and to some degree defined) her sound and allows her voice to ring out above everything else. It is an album steeped in the world of dream-pop and far from shying away from the reference, Liz has instead grabbed on with both hands, creating an album's worth of perfect, left-field pop songs. Using delicate song structures which are at once both familiar and somehow alien, her vocals cry out hauntingly over stripped-down guitar lines and looped environmental recordings.

These are the future soundtracks to love, despair and ultimately, hope.

“This remarkable album is actually what I personally always wanted 4AD records to sound like, only they never quite delivered the hazy pleasures their beautiful sleeve art promised.”—Pitchfork (8.2)

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24,16

Ültimo hace: 2 Años
REVEREND KRISTIN MICHAEL HAYTER - SAVED! LP

SAVED! is an apocalyptic revelation on the complex, sometimes ugly, always nonlinear process of healing. Herein, Reverend Kristin Michael Hayter documents an earnest attempt to achieve salvation through the tenets of charismatic Christianity, focusing on the Pentecostal-Holiness Movement, which dictate that one's closeness to God is demonstrated through transcendental personal experience. Sonically and thematically, the record is both a logical conclusion to and a significant departure from Hayter's previous work as Lingua Ignota. Mirroring her personal evolution away from pain, she sheds the moniker that made her successful for its unflinching expression of lived trauma and instead builds herself anew, claiming her full given name, determined to see value within. Musically, while she continues to use historical avant-garde technique and formal constraints superimposed over accessible frameworks, she also strips down her instrumentation and degrades audio to provide a sense of musicological antiquity. Similar to Lingua Ignota, the record is steeped in pathos, but now the wrath of God gives way to His deliverance: "His boundless love shall make you whole."

Reservar20.10.2023

debe ser publicado en 20.10.2023

28,99
REVEREND KRISTIN MICHAEL HAYTER - SAVED!

SAVED! is an apocalyptic revelation on the complex, sometimes ugly, always nonlinear process of healing. Herein, Reverend Kristin Michael Hayter documents an earnest attempt to achieve salvation through the tenets of charismatic Christianity, focusing on the Pentecostal-Holiness Movement, which dictate that one's closeness to God is demonstrated through transcendental personal experience. Sonically and thematically, the record is both a logical conclusion to and a significant departure from Hayter's previous work as Lingua Ignota. Mirroring her personal evolution away from pain, she sheds the moniker that made her successful for its unflinching expression of lived trauma and instead builds herself anew, claiming her full given name, determined to see value within. Musically, while she continues to use historical avant-garde technique and formal constraints superimposed over accessible frameworks, she also strips down her instrumentation and degrades audio to provide a sense of musicological antiquity. Similar to Lingua Ignota, the record is steeped in pathos, but now the wrath of God gives way to His deliverance: "His boundless love shall make you whole."

Reservar20.10.2023

debe ser publicado en 20.10.2023

27,69
Mickey Nox - Strictly Commercial

Mickey Nox is back with his latest original EP 'Strictly Commercial'.
Four new hammers all hand made by his Ghost Producer (Read credits). After testing 'Lines' successfully on his 2022 tour. It then kicked off the rest of the production once he returned back in the studio. Techno Tourist. A piss take done well that will blow the doors off. Slammer and Corruption & Lust come in more typical Nox Fashion. Still No fillers though. Own it on marble pink wax. #f*&kinghammers only

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13,87

Ültimo hace: 13 Meses
Jeremy Dutcher - Wolastoqiyik Lintuwakonawa LP

Wolastoqiyik Lintuwakonawa is the debut album by Canadian composer and tenor, Jeremy Dutcher – which involves post-classical rearrangement of his Wolastoq First Nation traditional music. Granted access to the Canadian Museum of History, Jeremy discovered wax cylinders from 1907 of his ancestors singing forgotten songs and stories that had been taken from the Wolastoqiyik Nation generations ago. The album is Jeremy’s contribution to his heritage and community in attempts to revitalize the Wolastoq language to the world, which has less than 100 speakers alive today. This collection of ground breaking post-classical arrangements is truly one of a kind and recalls the mood of Rufus Wainwright's operatic performance or the haunting pop of Anthony & The Johnsons.

Reservar20.10.2023

debe ser publicado en 20.10.2023

23,11
Various - The Midlands Roots Explosion Vol. 2

Repress!

Last year's release of "The Midlands Roots Explosion Volume One", saw the culmination of many years work spent tracking down artists and tapes to shine a light on one of England's greatest, yet most overlooked musical scenes, the home grown take on reggae that briefly flourished from the mid-seventies and had almost disappeared little more than a decade later.

Volume Two starts off in exactly the same way as its predecessor with Handsworth's biggest musical exports, the legendary Steel Pulse and "Bun Dem produced by the legendary Dennis Bovell. Our first act new to the series are Natural Mystique with their 1982 single "Generals" whilst tracks 3, 4 and 5 round off the missing A and B sides from some of the most popular artists we included last time with Iganda's "Mark Of Slavery", Carnastoan's "Sweet Melody" and yet another Generals, this one from Musical Youth featuring the same line up that caused so much surprise and positive feedback with their inclusion on Volume One.

"Africans" from Bass Dance featuring a second appearance from former Steel Pulse guitarist/vocalist Basil Gabbidon, is the first of four previously unreleased tracks. The other three that we've managed to track down on long forgotten tapes, are Leicester's Groundation with "Rebel" recorded a few years before "Fa Ward" which we included last time, "Cannot Take It Away", another lost gem from Handsworth's Mystic Foundation and "Equalisation" another lost slice of early eighties roots from Wolverhampton's Capital Letters.
The late Linton Haughton is another new name with his scarce Shield label 12" cut "Hustling Man". Also making their first appearances, are Afrikan Star with "Run And Hide" originally issued in 1980 on Black Vinyl Records and from the Crucial Music stable, Sledge Hammer with "Ruled By The Stone" released as a 7" single on the Crucial Music Inc. label. The remaining three tracks are provided by label favourites and key players in the Birmingham scene, Black Symbol, Sceptre and Eclipse and showcase songs from the individual albums we've previously released by each band.
British roots reggae at its finest.

Reservar20.10.2023

debe ser publicado en 20.10.2023

19,29
The Scorpions & Saif Abu Bakr - Jazz, Jazz, Jazz LP

'I heard about Seif Abu Bakr and The Scorpions maybe 3-4 years ago. Their album 'Jazz, Jazz Jazz' ended up on my radar because of an eBay auction with the bids eventually rising daily up to a staggering 1000$. The music is a unique combination of incredible horn arrangements powerfully performed, a vigorous drummer contributing a funky backbone and Seif's vocals uniting those elements. The results range from instrumental tracks awaking memories of 1970s crime thriller soundtracks to more Sudanese-rooted tracks, a lot of them modernized versions traditional rhythms of the diverse regions of Sudan and even an excursion into Colgolese Soukouss.
I went for my second trip to Sudan in December 2018 and after doing some research on the first trip my local colleagues Larissa and Yassir had managed to reach Amir, The Scorpions band leader and he was happy to meet. We got together with him in a Cafe right at the Nile in Omdurman. It was a happy occasion for everyone. He told us stories about him meeting Jimmy Cliff and Lewis Armstrong when they visited Sudan and how he and his band mates from The Scorpions played extensively in Kuwait, both in club residencies as well as for television. Amir brought tons of incredible photos illustrating not only the bands history but the vivid cultural live in the many music clubs in Khartoum of the 1970s. During this decade up until 1983 the capital was home to a huge number of clubs, bards and concert halls. This scene started to perish after president Nimeiry's turn away from his socialist policies, that he was widely associated with in the first decade of his rule, towards the implementation of Sharia law in 1983. During the first decade of his rule he had actively supported various artists of the Jazz scene, taking some of them on trips throughout Africa. The 1989 coup of Bashir and his generals then caused the final blow to a once thriving scene. Both of these political events within 6 years lead to significant drawbacks for the Sudanese jazz scene resulting into hardly no gig opportunities left and parties and concerts being critically observed. A number of musicians faced prosecution, most of the time for their political views; some left Sudan for good. Music never completely vanished from public life and even the regime kept selected artists close, but for a majority of those bands affiliated to the jazz scene life and making ends became a lot harder. The Scorpions dissolved as a group around the same time.
The re-release was produced with a clean copy of the vinyl version as a source. The original reel tape of the album stayed with Saif Abu Bakr along with another reel with other recordings that were never released. Unfortunately it was lost when Saif Abu Bakr had to flee to Kuwait temporarily during the second gulf war when Iraq raided Kuwait. Vinyl version comes with extensive booklets with photos, interviews, liner notes. The vinyl version also has a DLL code.

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20,04

Ültimo hace: 13 Meses
AKIRA MIYAZAWA, MASAHIKO SATO MASAHIKO TOGASHI & YASUO ARAKAWA - FOUR UNITS JAPANESE JAZZ MEN SERIES VOL. 3

Repress!

Four Units is a kind of Japanese jazz “all star”. Recorded in Tokyo on April 1969, it was released the same year on Union records.
On the first two long songs that open this album, “Four Units” and “Dull Slumber”, we can feel the influence of the “avant-garde” scene of US jazz (and in particular ESP Disk), without however the music sounding too “free”. A whole new vibe on the astonishing cover of “Scarborough Fair”, in a modal style, where the shadow of McCoy Tyner seems to hang over the piano.
The next two tracks, “Rainbow Trout” and “Black Bass”, are still pretty much along the same line, sometimes oscillating towards “hard bop”, the album ending in a blaze of glory with a solo by Masahiko Togashi. While this album had a second pressing in Japan in the 70s, this is the first time it has been reissued with its gatefold cover. Musicians : Tenor Sax, Flute - Akira Miyazawa Piano - Masahiko Sato Drums - Masahiko Togashi Bass - Yasuo Arakawa Recorded in Tokyo, April 2 and 25th 1969

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debe ser publicado en 20.10.2023

28,15
Unschooling - Random Acts of Total Control

12” black vinyl, standard sleeve, limited to 500 copies, download card included. The long sold-out ‘Random Acts of Total Control’ EP by French outfit Unschooling is now being reissued by London-based label and promoters Bad Vibrations. The five-track EP was originally released in 2021 and deals in an energetic, lo-fi post-punk that revels in calculated discord. Their chaotic ensemble of complex mathy guitar lines, dissatisfied vocals and twitchy rhythm sections have drawn comparisons to such contemporaries as Omni, Crack Cloud and Women, but all wrapped up in a Contortions-esque No Wave spontaneity. Unschooling emerged with their self-released nine-song ‘Defensive Designs’ cassette in 2019 which made a splash in the French indie scene (and is now also being reissued on vinyl for the first time by Bad Vibrations). Its follow-up, the ‘Random Acts of Total Control’ EP, solidified their reputation further afield and established them as one of the most exciting new acts in the current school of post-punk revivalists. The band have since toured heavily around UK and Europe and appeared at Great Escape, Green Man, Wide Awake, Le Printemps De Bourges, Levitation France, Dot to Dot and more. Tracklist: 1) More Is More 2) Boo Boo Dragon 3) Social Chameleon 4) No Shoes 5) NYE

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debe ser publicado en 20.10.2023

15,08
Bacao Rhythm & Steel Band - Hotline Bling

Bacao Rhythm & Steel Band return with another set of covers bound to get you out of your seat and on your feet. The mysterious German steel pan outfit is working on their fourth studio album now and treat us to another must have two-sider to hold us over while they finish it. This one is sure to become another favorite among DJs worldwide. The A side finds BRSB taking on a huge hit with an eerie cover of Drake's "Hotline Bling". The intro melodica hints at the melody and when the beat drops and the top line plays on the pans all bets are off. The B side is something of a Big Crown family affair as Bacao covers "Murkit Gem" from El Michels Affair's Yeti Season album. The tune lends itself to the pans with its infectious melodies and the way BRSB plays it, it takes on a James Bond spy chase energy that works perfectly. Tracks: A Side. Hotline Bling B Side. Murkit Gem

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10,71

Ültimo hace: 2 Años
Tommy LARGO - Southern BBQ EP

Tommy Largo is a big deal in the world of jacking house and here he lands on Greenhouse Recordings with plenty of evidence to support that. His sound comes steeped with Southern influences on opener 'BBQ Ribs' with its noodling jazz chords and spoken word mutterings making for a lively atmosphere over funky beats. The Jam Funk Remix has a Chicago bump to it with the jazzy keys left in place over well-swung drums. 'On No Not Again' hints at new jack swing with its steamy sax lines and effortlessly catchy groove before 'BBQ Ribs' (Oddphonic remix) closes out with the deepest sound of the lot, perfect for when the sun has gone down and the party heads indoors.

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13,87

Ültimo hace: 14 Meses
DC LARUE / THE REFLEX - Overture/O Ba Ba (The Reflex Revisions)

The ever-playful and seriously skilled mash-up and edit maestro The Reflex has been out in a class of one for many years. Few in his field managed to cook up the sort of delicious disco brilliance that he manages and this new 12" on the fledgling Discolidays isn't going to change that perception. 'Overture' (The Reflex Revision) is a glorious fusion of instrumental disco and withering sci-fi designs next to a catchy as hell vocal. On the flip, things head south with Latin melodies and percussion and glorious flute lines bring the joy to 'O Ba Ba' (The Reflex Revision).

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15,55

Ültimo hace: 14 Meses
Various - Produced By Tony Visconti LP 2x12"
  • 1: The Tickle – Subway (Smokey Pokey World)
  • 2: The Move – Mist On A Monday Morning
  • 3: Tyrannosaurus Rex – Debora
  • 4: Junior's Eyes – Black Snake
  • 5: Procol Harum – Magdalene (My Regal Zonophone)
  • 6: The Iveys – Maybe Tomorrow
  • 7: Tucker Zimmerman – Bird Lives
  • 8: Gentle Giant – Pantagruel's Nativity
  • Side B
  • 1: Strawbs – Witchwood
  • 2: Mary Hopkin – Streets Of London
  • 3: T. Rex – Children Of The Revolution
  • 4: Sparks – Under The Table With Her
  • 5: Thin Lizzy – Dancing In The Moonlight (It's Caught Me In Its Spotlight)
  • 6: Hazel O'connor – Will You?
  • 7: The Boomtown Rats – Fall Down
  • 8: Dexys Midnight Runners & Kevin Rowland – Show Me
  • LP 2:
  • Side A
  • 1: Modern Romance – Best Years Of Our Lives
  • 2: Altered Images – Bring Me Closer
  • 3: Difford & Tilbrook – The Apple Tree
  • 4: Adam Ant – Apollo 9
  • 5: U2 – A Sort Of Homecoming
  • Side B
  • 1: Luscious Jackson – Fantastic Fabulous
  • 2: The Dandy Warhols – Hit Rock Bottom
  • 3: Manic Street Preachers – Cardiff Afterlife
  • 4: Kashmir – Kalifornia
  • 5: Kristeen Young – Pearl Of A Girl
  • 6: Stephen Emmer – Untouchable (Feat. Glenn Gregory)
  • 7: The Good, The Bad & The Queen – Lady Boston
  • 6: The Moody Blues – Your Wildest Dreams
  • 7: The Seahorses – Blinded By The Sun

Demon Records is proud to present ‘Produced by Tony Visconti’, a new definitive retrospective compilation assembled with the assistance of legendary record producer Tony Visconti.
“This boxset covers five and a half decades of my efforts in the art of making iconic recordings. Some of it is familiar and some will have a eureka moment, ‘I didn’t know Visconti produced that one!’
I am honoured that Demon Records took on this enormous task.”
– Tony Visconti

Often described as one of the most important
producers in rock, Tony Visconti has helped create
countless classic musical moments. His work can be
heard on celebrated albums by artists such as T. Rex,
Procol Harum, The Moody Blues and Thin Lizzy to
name but a few.
• This new collection features 30 tracks personally
curated by Visconti, gathering together some of his
favourite production work from across his career.
• Includes tracks by T. Rex, Sparks, Thin Lizzy, U2,
Dexys Midnight Runners, Gentle Giant, The
Boomtown Rats, Manic Street Preachers, The Good,
The Bad & The Queen, and many more.
• Pressed on 2 x 140g LPs, mastered by Phil Kinrade at
AIR Mastering, approved by Tony Visconti. Artwork
designed by Grammy-winning creative studio
Barnbrook.
• Includes a 12-page booklet with previously unseen
photographs, and extensive track-by-track liner
notes by Mojo writer Mark Paytress based on new
interviews with Tony Visconti.

























x 5. U2 – A Sort Of Homecoming Live

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23,11
Signal Aout 42 - Ex Voto LP 2x12"

Vier Dekaden elektronisches Unwesen können das Electro-Urgestein Jacky Meurisse nicht stoppen. Dass sein neues Album „EX VOTO“ dennoch wie ein Vermächtnis klingt, liegt einzig im musikalischen Spektrum des belgischen Einzelgängers begründet. Denn Meurisse nimmt uns auf seinem achten Signal Aout 42-Longplayer mit auf einen Streifzug durch seine stilistische Prägung: New Beat, EBM, Techno, New Wave sind die Fasern, aus denen SA42-Songs seit Äonen gewebt werden. Dabei stets durchlässig genug, jederzeit moderne Strömungen aufzunehmen und in den eigenen Soundkosmos einzuarbeiten. Hört Ihr die Signale?

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debe ser publicado en 20.10.2023

30,21
Screensaver - Decent Shapes LP

This October Melbourne/Naarm synth-punk five-piece screensaver return with ‘Decent Shapes’, their second album. ‘Decent Shapes’ is loaded with bubbling tension, a low grade but growing fever, a rising rage. The frustration is so tangible you can taste it. Detachment and dissociation become survivalist coping mechanisms.


Thematically, screensaver's latest offering finds them exploring existence on an ever-growing trash heap where we’re desperate for the new, the nice and the shiny. A world where materialism reigns supreme and corporate niceties litter the public dialogue but behind closed doors the sentiment is warlike, total domination is the only answer to the bottom line. All of which is underpinned by the band's sonic sense of urgency and a commitment to creating a sound that taps into the mood and spirit of post-punk whilst also allowing space for new wave elements and electronic experiments to shine through.
‘Decent Shapes’ was recorded and mixed by Julian Cue, who was also the recording engineer for Expressions of Interest. Defined by a kinetic energy, dynamic range and brooding atmosphere, the 10-track release comprises some tracks that were mainstays within the band's live shows - featuring in their US tour set-list - alongside others which were written later in the recording process. During the creation of ‘Decent Shapes’, the band also experimented with swapping instruments, allowing for different playing styles and song-writing approaches.


screensaver was formed in 2016 as a trans-Pacific project between Krystal Maynard (Bad Vision/ex Polo) and Christopher Stephenson (Spray Paint/Exek). Their debut album Expressions of Interest received support from the likes of Brooklyn Vegan, Beats Per Minute, DIY and Post-Trash and last September the band played a 12-date tour across the US.

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15,34
Carcass - Surgical Steel LP 2x12"

Nun sind sie mit verändertem Line-up (für Ken Owen kam Daniel Wilding; Amott wollte an der Reunion nicht teilnehmen) wieder da
und präsentieren mit „Surgical Steel“ ihr neues Album, das den Sound der früheren Alben perfekt zusammenfasst. Sämtliche
Schaffensphasen der Band werden erstklassig berücksichtigt, entsprechend bedient und dürften jeden Fan zufriedenstellen.

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38,24
Art Blakey - Mosaic

Art Blakey

Mosaic

12inch5524253
CM BLUE NOTE
20.10.2023

The 1961 album Mosaic marked a pivotal moment in the story of Art Blakey & The Jazz Messengers with the arrival of Freddie Hubbard and Cedar Walton and the band’s expansion to a sextet with the addition of Curtis Fuller joining existing members Wayne Shorter and Jymie Merritt to establish a powerful new line-up on this hard bop classic. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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debe ser publicado en 20.10.2023

27,52
Hank Mobley - No Room for Squares LP

In addition to boasting one of Reid Miles’ greatest album cover designs, Hank Mobley’s 1963 album No Room for Squares is a marvel for the music alone. Standing as one of the tenor saxophonist’s finest Blue Note entries the album features two different quintet line-ups performing a set of 6 compelling original tunes by Mobley and Lee Morgan. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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debe ser publicado en 20.10.2023

32,14
MARIA BC - SPIKE FIELD LP

In the early 1990s, a team of linguists, engineers, anthropologists, and archaeologists were tasked with constructing a type of communication that could transcend time. How might we converse with future civilizations when language may evolve or dissolve entirely? The result yielded the design of spike fields; a strange construction of granite thorns bursting from the earth to alert its viewers to the deadly uninhabitability of nuclear waste disposal sites. For Maria BC (they/them), this state of temporal focus molds the wanderings on their second full length album Spike Field. How do we connect with the weathered shadow of our experience, while envisioning the self a few steps ahead of us? While their debut album Hyaline (2022, Father/Daughter) explored grief and anxiety through a series of character-led accounts, Spike Field recognizes that the past will continue to lurk below the surface until we decide to break through the soil. Spike Field was recorded in the home of a family friend. The home featured an out-of-tune baby Steinway piano, complete with squeaky hammers and strange, sporadic sounds. The piano is sprinkled throughout the album, and features extensively on opener "Amber," showcasing Maria BC's looser, more extensive arrangements. The song flickers with electronic wonder, like a wave seeking out its station, before crashing into the angelic choral introduction of "Watcher". Strings, plucked guitar and buzzing swells accompany their classically-trained mezzo-soprano voice on "Return to Sender," a song that focuses on the frustrations and turmoil of being unable to reach a loved one--both physically and emotionally. Spike Field reminds us that despite our best efforts to bury certain aspects of ourselves, they will always lurk beneath the surface. Instead of ignoring the seeds striving to break through, we can point to these places with a curious grace, concocting a language that transcends words to converse with our previous selves. Maria BC pieces together juxtaposing sonic landscapes and oscillating vocals to represent the thread of miscommunication, or the failure of words, that weaves throughout the album, transforming it into a distinct and ever-evolving sonic tongue. If we listen, we might find something new within ourselves.

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debe ser publicado en 20.10.2023

24,79
Irakli - Mechanical Moon

BLUE-BLACK COLOURED VINYL! LIMITED TO 100 UNITS
Irakli’s new album is due to come out October 2023 on Live at Robert Johnson. Mechanical Moon is a retrofuturistic adventure of beautiful compositions and pulsating rhythms which are weaved together over the span of eight tracks.

We are immersed into evocative atmospheres, full of intricate textures. This is techno where you close your eyes and board an ocean liner that slowly rises and floats towards the moon.

Happy human with sad eyes roamed the neon-lit streets of the artificial island. This section of the metropolis had been designed as a necessity more than any other amenities. It had been allocated a budget surpassing the one for waste management in a city housing over a billion inhabitants.

Society had managed to eradicate love, yet it still grappled with untamed primal instincts such as dancing, sex, or violence. The island provided a discreet haven, away from the prying eyes of telescreens that silently stared into all souls. Similar to Las Vegas centuries ago, it was a safe space where anything was fair game.

Once there, night time lasted all day. Everything retained an analog essence. Music emanated from vintage record players. Amidst the laughter and tears, the artificial glow of the mechanical moon had become the last reminder of life outside.

A life so repetitive that he had been consumed by the desire to transform into a machine or a human satellite. Yet, breaking the cycle in such a manner remained impossible. And so, he wandered for hours on the island, among the weary faces.

Happy as one could be.

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27,69

Ültimo hace: 2 Años
Brian Auger's Oblivion Express - Complete Oblivion LP 6x12"
 
39

Brian Auger’s Oblivion Express was the phoenix that rose from the ashes of sixties combo The Trinity. Fusing R&B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Auger’s unique experimentation culminated in rhythm-infused jazz funk that united Black and white ’70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the group’s diverse musical influences and progression, from the 1970 self titled debut’s heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975 - this process no doubt powered by the groups’ evolving line up, which included guitarists Jim Mullen and Jack Mills, drummers Robbie McIntosh & Steve Ferrone, bassists Barry Dean and Clive Chaman and vocalist Alex Ligertwood. The musical highlights within Complete Oblivion are many, but particular highlights to mention have to be Total Eclipse (Oblivion Express), Fill Your Head With Laugher (A Better Land), the blistering cover of Eddie Harris’ Freedom Jazz Dance (Second Wind), the Barry Dean composition Whenever You're Ready, the version of Marvin Gaye’s Inner City Blues (Closer To It), Beginning Again (Straight Ahead) and the mind bending keyboard tour de force Brain Damage (Reinforcements). Given the groups legendary status among fellow musicians such as Zucchero and Herbie Hancock, DJ’s like Kenny Dope and Gilles Peterson and Auger’s legion of fans worldwide - that mission was fully accomplished - or to put it another way, in the words of super fans The Beastie Boys: “Those who remain oblivious to the obvious delights of Brian Auger’s Oblivion Express do so at their own risk!”

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81,47
Forest Swords - Bolted LP

Forest Swords

Bolted LP

12inchZEN297
Ninja Tune
20.10.2023

Transluzentes algengrünes Color-Vinyl (140g) inklusive doppelseitigen 12"-Kunstdruck und Download-Code.

Forest Swords (alias der elektronische Produzent/ Komponist Matthew Barnes) kündigt sein neues Album, „Bolted“, an. Nachdem er in den letzten Jahren als gefragter Komponist und Sounddesigner gearbeitet und Musik für Ballett, Film und Videospiele geschrieben hat, wurde „Bolted“ im letzten Jahr in einer Lagerhalle in Barnes' Heimatstadt Liverpool aufgenommen. Auf den elf Tracks taucht er tiefer in sein einzigartiges Klangvokabular ein, um eine Reihe von Tracks zu weben, die gleichermaßen kraftstrotzend und düster, eindringlich und euphorisch klingen.

Wie immer in seiner Musik, fühlen sich Melancholie und Euphorie, Monochrom und Farbe, Vergangenheit und Zukunft mehrdeutig an. Die Emotionen verschieben sich von Moment zu Moment, die Unterschiede zwischen digitalen und akustischen Instrumenten sind verwischter denn je: eine Verquickung von Zeit, Raum und Klang, die sich gleichermaßen spielerisch und absolut vital anfühlt.

Zusammen mit der Ankündigung über das neue Album kommt „The Low“, eine stimmungsvolle, metallische Triphop-Single aus „Bolted“. Barnes kommentiert den Track wie folgt: „‚The Low‘ basiert auf einem Beat, den ich ursprünglich für Yoko Ono vorgesehen hatte, und enthält Elemente, die ich sowohl am Anfang als auch am Ende des Albums gemacht habe, und verbindet so viele der Sounds und Emotionen, die ich während des Schreibprozesses erforscht habe. Das begleitende Video, das ich zusammen mit Sam Wiehl gedreht habe, vertieft einige meiner Artworks und die visuelle Welt, die das Album begleitet.“.

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29,62

Ültimo hace: 15 Días
Mal-One - Punk Rock Is Back! LP

‘Hey don’t touch that dial, good news Punk Rock Is Back!’ Mal-One

Mal-One’s new album starts with running through the radio dial, looking for some suitable music to listen to. These snippets are actually samples of songs from his previous album ‘It’s All Punk Rock’. Leading the listener nicely into a new set of songs to get their Punk Rock teeth into.

Songs that cover… the great New York punk scene of the 1970’s that grew out of a little bar in the Bowery District of New York City called CBGB’s ‘New York City Punk’. The Clash’s first album discussed in ‘When The Two 77’s Clashed’. The excitement of London’s Roxy Club revisited with its one line chant ‘Down The Roxy’. Those great ‘Punk Rock Fanzines‘, that kept us all so well informed. An early Sex Pistols gig at the Chelsea School of Art, ‘Machine Bubble Disco’. So named after what was to be the main event of that nights entertainment!!!.’45 Random Punk Memories’ sprang from Mal-One’s own reminisces. Talking of memories ‘Looking At The Decals On Steve Jones Guitar’, the recollection of Steve Jones, future guitarist of the Sex Pistols, stealing Mal-One’s bike when he was the tender age of seven years old. An incident that might have triggered this whole road of discovery in the first place.

A reflection on London’s harsh setting in those heady Punk times in ‘Corrugated London’ alongside a call and response to remember that ‘London’s Turning’ all the time for better or worse and that we can’t always pick and choose the bits we want to keep. The self-explanatory, ‘We Will All Lose Some Good Friends Along The Way’. ‘Shakespeare Meets Chuck Berry On Shepherds Bush Green’, a great story when Joe Strummer was asked by a reporter what he was up to and what he might call The Clash’s next album, which would turn out to be the timeless ‘London Calling’. Joe’s rather
tongue in cheek answer was “Shakespeare Meets Chuck Berry On Shepherds Bush Green’’.
A place close to Mal-One’s heart and a great title, that was crying out to be reused. Which Mal-One does via what he calls his Punk Art Poetry. Sometimes these lines are turned into lyrics and reworked into songs.

The album ends with such a call, ‘An Open Letter To…’ all those people who helped influence us all along the way. As the lyric states often without thought of financial gain, but done so, quiet simply because it had to be done.Maybe some young guns might in some small way, be inspired and find in Mal-One’s current efforts that ‘anything is possible’ and the true meaning of Punk was in fact, ‘Do It Yourself’.

The vinyl version of this release includes a poster that is part of Mal-Ones continuing Street Art project that involves putting up posters around London. This time declaring the news ‘Punk Rock Is Back!’. Included in the album packaging also is a signed and blind stamped limited print of one of Mal-One’s works ‘What Is It About Punk That’s So Different So Appealing’. A punk collage that just carries one word in among its multiple punk images and that word is PUNK. We hope you enjoy the indulgence.

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debe ser publicado en 20.10.2023

14,24
Illuha - Tobira LP

Illuha

Tobira LP

12inch12K2058
12k Music
20.10.2023

Corey Fuller and Tomoyoshi Date are the Illuha duo but for this new Tobira album they link with percussionist Tatsuhisa Yamamoto. He is a skilled drummer who has worked alone on Black Truffle but has also collaborated with Jim O'Rourke, Eiko Ishibashi, Keiji Haino, Phew and Oren Ambarchi among others. This new record focusses on electro-acoustic sounds that are run through with all manner of precise sonic details and are carried by Yamamoto's unique playing style and singular sense of groove which were recorded over two sessions. That playing style finds him playing very lightly with closely mic'ed drums so plenty of softness is captured and then interwoven with layers of Rhodes, piano, distant synths and metallic murmurations.

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31,05

Ültimo hace: 2 Años
Empathy Test - Losing Touch LP

In der letzten Dekade hat sich das britische Independent-Synthpop-Duo EMPATHY TEST als einer der stärksten Geheimtipps der Synthpop-Welt erwiesen. Ihre Hymne "Losing Touch" hat mittlerweile über 6 Millionen Streams auf Spotify und viele weitere Follow-Up-Tracks haben ebenfalls die Millionen Streaming-Marke überschritten. Die sich selbst vermarktende Band ist in den letzten zehn Jahren bei Liveshows und Festivals immer weiter nach oben geklettert. Zum ersten Mal in der Bandgeschichte werden EMPATHY TEST nun ihre vier Backkatalog-Alben über SPKR Special Services und den AMPED-Vertrieb in Europa und Nordamerika regulär im traditionellen Handel wiederveröffentlichen.
Die vier Alben "Losing Touch" (2014), "Safe From Harm" (2017), "Monsters" (2020) und das 2022 erschienene Live-Album "Time To Be Alive" erscheinen auf CD und Vinyl.
In den letzten neun Jahren haben sich Empathy Test zu einer der bekanntesten und beliebtesten Bands in der alternativen elektronischen Musikszene entwickelt, mit begeisterten Hörern auf der ganzen Welt. Empathy Test veröffentlichen nicht nur kontinuierlich erstklassige Musik, sondern tourten auch als Support für Bands wie VNV Nation, Covenant, Mesh und Aesthetic Perfection und arbeiteten sich durch die Line-Ups der deutschen alternativen Musikfestivals wie Wave Gotik Treffen, Mera Luna, Amphi, Plage Noire und NCN, bevor sie nun ihre eigenen Headliner-Touren durch Deutschland, Großbritannien und die USA anführen. Die Band plant eine ausgedehnte Nordamerika-Tour mit über 30 Terminen im Oktober 2023, sowie eine 10 Jahre Jubiläums-Tour in Europa für das Frühjahr 2024.
Das Londoner Duo, bestehend aus den Kindheitsfreunden Isaac Howlett (Sänger, Songwriter) und Adam Relf (Komponist, Produzent), hat Musik geschrieben, die von der Presse als "wunderschön" und "opulent" (Clash Magazine) beschrieben wurde und "zeitlose Melancholie (Hymn) enthält. Ganz auf sich allein gestellt, haben EMPATHY TEST mittlerweile über 4000 Vinyls und 6000 CDs im Eigenvertrieb verkauft und damit das Maximum erreicht, was man im Selbstvertrieb erreichen kann. Nun schließen sie sich mit dem Independent-Vertrieb SPKR Media zusammen.

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debe ser publicado en 20.10.2023

38,45
Empathy Test - Safe From Harm LP

In der letzten Dekade hat sich das britische Independent-Synthpop-Duo EMPATHY TEST als einer der stärksten Geheimtipps der Synthpop-Welt erwiesen. Ihre Hymne "Losing Touch" hat mittlerweile über 6 Millionen Streams auf Spotify und viele weitere Follow-Up-Tracks haben ebenfalls die Millionen Streaming-Marke überschritten. Die sich selbst vermarktende Band ist in den letzten zehn Jahren bei Liveshows und Festivals immer weiter nach oben geklettert. Zum ersten Mal in der Bandgeschichte werden EMPATHY TEST nun ihre vier Backkatalog-Alben über SPKR Special Services und den AMPED-Vertrieb in Europa und Nordamerika regulär im traditionellen Handel wiederveröffentlichen.
Die vier Alben "Losing Touch" (2014), "Safe From Harm" (2017), "Monsters" (2020) und das 2022 erschienene Live-Album "Time To Be Alive" erscheinen auf CD und Vinyl.
In den letzten neun Jahren haben sich Empathy Test zu einer der bekanntesten und beliebtesten Bands in der alternativen elektronischen Musikszene entwickelt, mit begeisterten Hörern auf der ganzen Welt. Empathy Test veröffentlichen nicht nur kontinuierlich erstklassige Musik, sondern tourten auch als Support für Bands wie VNV Nation, Covenant, Mesh und Aesthetic Perfection und arbeiteten sich durch die Line-Ups der deutschen alternativen Musikfestivals wie Wave Gotik Treffen, Mera Luna, Amphi, Plage Noire und NCN, bevor sie nun ihre eigenen Headliner-Touren durch Deutschland, Großbritannien und die USA anführen. Die Band plant eine ausgedehnte Nordamerika-Tour mit über 30 Terminen im Oktober 2023, sowie eine 10 Jahre Jubiläums-Tour in Europa für das Frühjahr 2024.
Das Londoner Duo, bestehend aus den Kindheitsfreunden Isaac Howlett (Sänger, Songwriter) und Adam Relf (Komponist, Produzent), hat Musik geschrieben, die von der Presse als "wunderschön" und "opulent" (Clash Magazine) beschrieben wurde und "zeitlose Melancholie (Hymn) enthält. Ganz auf sich allein gestellt, haben EMPATHY TEST mittlerweile über 4000 Vinyls und 6000 CDs im Eigenvertrieb verkauft und damit das Maximum erreicht, was man im Selbstvertrieb erreichen kann. Nun schließen sie sich mit dem Independent-Vertrieb SPKR Media zusammen.

Reservar20.10.2023

debe ser publicado en 20.10.2023

38,45
Empathy Test - Monsters LP

Empathy Test

Monsters LP

12inchETV012
SPKR Media
20.10.2023

In der letzten Dekade hat sich das britische Independent-Synthpop-Duo EMPATHY TEST als einer der stärksten Geheimtipps der Synthpop-Welt erwiesen. Ihre Hymne "Losing Touch" hat mittlerweile über 6 Millionen Streams auf Spotify und viele weitere Follow-Up-Tracks haben ebenfalls die Millionen Streaming-Marke überschritten. Die sich selbst vermarktende Band ist in den letzten zehn Jahren bei Liveshows und Festivals immer weiter nach oben geklettert. Zum ersten Mal in der Bandgeschichte werden EMPATHY TEST nun ihre vier Backkatalog-Alben über SPKR Special Services und den AMPED-Vertrieb in Europa und Nordamerika regulär im traditionellen Handel wiederveröffentlichen.
Die vier Alben "Losing Touch" (2014), "Safe From Harm" (2017), "Monsters" (2020) und das 2022 erschienene Live-Album "Time To Be Alive" erscheinen auf CD und Vinyl.
In den letzten neun Jahren haben sich Empathy Test zu einer der bekanntesten und beliebtesten Bands in der alternativen elektronischen Musikszene entwickelt, mit begeisterten Hörern auf der ganzen Welt. Empathy Test veröffentlichen nicht nur kontinuierlich erstklassige Musik, sondern tourten auch als Support für Bands wie VNV Nation, Covenant, Mesh und Aesthetic Perfection und arbeiteten sich durch die Line-Ups der deutschen alternativen Musikfestivals wie Wave Gotik Treffen, Mera Luna, Amphi, Plage Noire und NCN, bevor sie nun ihre eigenen Headliner-Touren durch Deutschland, Großbritannien und die USA anführen. Die Band plant eine ausgedehnte Nordamerika-Tour mit über 30 Terminen im Oktober 2023, sowie eine 10 Jahre Jubiläums-Tour in Europa für das Frühjahr 2024.
Das Londoner Duo, bestehend aus den Kindheitsfreunden Isaac Howlett (Sänger, Songwriter) und Adam Relf (Komponist, Produzent), hat Musik geschrieben, die von der Presse als "wunderschön" und "opulent" (Clash Magazine) beschrieben wurde und "zeitlose Melancholie (Hymn) enthält. Ganz auf sich allein gestellt, haben EMPATHY TEST mittlerweile über 4000 Vinyls und 6000 CDs im Eigenvertrieb verkauft und damit das Maximum erreicht, was man im Selbstvertrieb erreichen kann. Nun schließen sie sich mit dem Independent-Vertrieb SPKR Media zusammen.

Reservar20.10.2023

debe ser publicado en 20.10.2023

38,45
Empathy Test - Time To be Alive LP

In der letzten Dekade hat sich das britische Independent-Synthpop-Duo EMPATHY TEST als einer der stärksten Geheimtipps der Synthpop-Welt erwiesen. Ihre Hymne "Losing Touch" hat mittlerweile über 6 Millionen Streams auf Spotify und viele weitere Follow-Up-Tracks haben ebenfalls die Millionen Streaming-Marke überschritten. Die sich selbst vermarktende Band ist in den letzten zehn Jahren bei Liveshows und Festivals immer weiter nach oben geklettert. Zum ersten Mal in der Bandgeschichte werden EMPATHY TEST nun ihre vier Backkatalog-Alben über SPKR Special Services und den AMPED-Vertrieb in Europa und Nordamerika regulär im traditionellen Handel wiederveröffentlichen.
Die vier Alben "Losing Touch" (2014), "Safe From Harm" (2017), "Monsters" (2020) und das 2022 erschienene Live-Album "Time To Be Alive" erscheinen auf CD und Vinyl.
In den letzten neun Jahren haben sich Empathy Test zu einer der bekanntesten und beliebtesten Bands in der alternativen elektronischen Musikszene entwickelt, mit begeisterten Hörern auf der ganzen Welt. Empathy Test veröffentlichen nicht nur kontinuierlich erstklassige Musik, sondern tourten auch als Support für Bands wie VNV Nation, Covenant, Mesh und Aesthetic Perfection und arbeiteten sich durch die Line-Ups der deutschen alternativen Musikfestivals wie Wave Gotik Treffen, Mera Luna, Amphi, Plage Noire und NCN, bevor sie nun ihre eigenen Headliner-Touren durch Deutschland, Großbritannien und die USA anführen. Die Band plant eine ausgedehnte Nordamerika-Tour mit über 30 Terminen im Oktober 2023, sowie eine 10 Jahre Jubiläums-Tour in Europa für das Frühjahr 2024.
Das Londoner Duo, bestehend aus den Kindheitsfreunden Isaac Howlett (Sänger, Songwriter) und Adam Relf (Komponist, Produzent), hat Musik geschrieben, die von der Presse als "wunderschön" und "opulent" (Clash Magazine) beschrieben wurde und "zeitlose Melancholie (Hymn) enthält. Ganz auf sich allein gestellt, haben EMPATHY TEST mittlerweile über 4000 Vinyls und 6000 CDs im Eigenvertrieb verkauft und damit das Maximum erreicht, was man im Selbstvertrieb erreichen kann. Nun schließen sie sich mit dem Independent-Vertrieb SPKR Media zusammen.

Reservar20.10.2023

debe ser publicado en 20.10.2023

38,45
VARIOUS - German Rock Vol. 1 - Krautrock And Beyond LP

Nicht nur in der aktuellen Hardrock/Metal-Szene beziehen sich immer mehr junge Bands, darunter auch viele deutsche Acts (als Beispiel seien Wucan genannt), auf die heute wesentlich mehr gewürdigten Jahre des Krautrock. Natürlich handelt es sich bei dem Begriff nicht direkt um einen Stil, denn von Hardrock bis Jazz/Fusion wurde einst fast alles in diesen Topf geworfen.

Neben Elektronikpionieren wie Can, Tangerine Dream oder Kraftwerk gab es eben auch die Gruppen, die man im Rock verorten kann: Jane, Birth Control oder Lucifer´s Friend sind nur drei Beispiele. Auf „German Rock“ findet man in der Tat auch eine der frühen Bands: Floh De Cologne, die schon Anfang der Siebziger Rock mit deutscher Sprache geboten haben. Die Hardrocker Mass aus Regensburg, lieferten ihr Debütalbum, welches auf „German Rock“ ebenso gewürdigt wird, im Jahr 1977 ab.

Der Rest der ungewöhnlichen Compilation, welche es nur auf Vinyl gibt, befasst sich mit späten Gruppen, die Anfang der 80er noch einen Sound geliefert haben, der durchaus ein paar Jahre früher seinen Ursprung hätte haben können. Und in der Tat wurden auch mindestens zwei Songs nach Ende der 70er geschrieben, allerdings kam der Plattenvertrag oder das Kapital für eine Eigenpressung „zu spät“. Viele dieser spannenden Bands wie Iris, Cannock oder Sphinx waren bei Erscheinen nicht mehr dem Zeitgeist entsprechend, so dass
sie nur wenige, oder nur lokale Chancen hatten. Heute suchen Fans und Neugierige eben nach solchen unbekannten Acts, die eine vergangene Zeit neu zum Leben erwecken. Handgemachte Musik, und das nicht nur live, sondern eben auch noch im Tonstudio. Das Material der Frühachtziger-Gruppen auf dieser Compilation erinnert den einen oder anderen vielleicht auch an die regionalen Helden, wie man sie in den 80ern noch in lokalen Sporthallen erleben konnte…

Nostalgie ist aber nicht das Hauptanliegen dieser LP, sondern der Erhalt wertvoller Musik, die damals nicht bei den großen Majorlabels
erschienen ist.

Not only in the current hard rock/metal scene more and more young bands, among them also many German acts (as an example Wucan may be mentioned), refer to the nowadays much more appreciated years of Krautrock. Of course, the term is not directly a style, because from hard rock to jazz / fusion was once almost assigned to this style.

Besides electronic pioneers like Can, Tangerine Dream or Kraftwerk, there were also the groups that can be categorized as rock: Jane, Birth Control or Lucifer‘s Friend are just three examples.

On „German Rock“ you can indeed also find one of the early bands: Floh De Cologne, who already offered rock with German language at the beginning of the seventies. The hard rockers Mass from Regensburg delivered their debut album, which is also honored on „German Rock“, in 1977.

The rest of the unusual compilation, which is only available on vinyl, deals with late groups that still delivered a sound in the early eighties that could well have originated a few years earlier. And indeed, at least two songs were written in the late seventies, but the record deal or the capital for a selfpressing came „too late“. Many of these exciting bands like Iris, Cannock or Sphinx were no longer in line with the zeitgeist when they appeared, so they had few or only local chances.

Today, dedicated fans and the curious are looking for just such unknown acts that bring a bygone era back to life. Handmade music, and not only live, but also in the recording studio.

The stuff of the early eighties groups on this compilation may remind some of the regional heroes, as you could still experience them in the eighties in local gyms... Nostalgia is not the main concern of this LP, but the preservation of valuable music, which was not released by the big major labels at that time.

Reservar20.10.2023

debe ser publicado en 20.10.2023

19,96
BLACK TO COMM - AT ZEENATH PARALLEL HEAVENS

Over the course of 20 years, German artist Black To Comm (Marc Richter) has pushed the limits of / and merged the aesthetics of art, conceptual installations, and music, coming in a wave of innovation alongside his peers Pita, Fennesz, and later Sarah Davachi to name a few. Through it all Richter as Black to Comm has challenged assumptions, explored identity, and confronted the concept of authorship itself. At Zeenath Parallel Heavens finds Black to Comm contemplating the hybridity within each and every one of us, be it sexual, racial, cultural, or linguistic. Richter mirrors personal dualities musically with a combination of sounds he created and manipulated samples, blurring their boundaries. "I always try to blur the line between sampling and my own recordings, also between "real" instruments,MIDI, electronics, editing, between authenticity and theatrics/artificiality," says Richter. When recording he became aware of how AI text programs processing resembles his own methods. "I had the realization recently that the way I compose is not too dissimilar to what AI software is doing nowadays - especially when the AI is hallucinating (this is the term used when the AI is overloaded/overcharged/inundated and comes up with made-up results)." Human behavior reflected in a computer facsimile of human intelligence appealed to the ethos of Black to Comm, whose titles and concepts are often oblique and tongue-in-cheek.

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debe ser publicado en 20.10.2023

29,62
Various - Kingdom Eighties Game Score LP 2x12"

Kingdom Eighties is the latest videogame instalment in the award-winning Kingdom series by gaming studio Raw Fury. It's a single-player adventure game of micro-strategy and base building, heavily inspired by the memories and references of Eighties Americana. You play as The Leader, a young camp counsellor who will have to defend their town and family from the relentless attack of the mysterious Greed. Kingdom Eighties provides a minimalist feel with a beautiful, handcrafted modern pixel art aesthetic, combined with the neon lights of the Eighties and an Eighties inspired synthwave soundtrack.

The score is composed by Andreas Hald, a Copenhagen-based film and media composer who has written scores for movies and television. For Kingdom Eighties, Andreas used the exact same instruments that music producers were utilizing in the Eighties, using nothing but analogue gear and tools to create a signature, authentic Eighties sound. To top it off, the soundtrack was mastered for vinyl by Grammy Award-winner Adam Ayan at the Gateway Mastering Studios. The master audio went through multiple iterations to make sure the highest quality sound was obtained for this specific vinyl release.

Kingdom Eighties is available as a limited edition of 500 individually numbered copies on translucent magenta coloured vinyl. This 2LP set includes a poster of the game and a 4-page booklet with liner notes by the composer and game director. Additionally, it includes two full colour printed innersleeves and is housed in a deluxe gatefold sleeve with gloss laminate finish.

Reservar20.10.2023

debe ser publicado en 20.10.2023

56,51
BLACK TO COMM - AT ZEENATH PARALLEL HEAVENS

Over the course of 20 years, German artist Black To Comm (Marc Richter) has pushed the limits of / and merged the aesthetics of art, conceptual installations, and music, coming in a wave of innovation alongside his peers Pita, Fennesz, and later Sarah Davachi to name a few. Through it all Richter as Black to Comm has challenged assumptions, explored identity, and confronted the concept of authorship itself. At Zeenath Parallel Heavens finds Black to Comm contemplating the hybridity within each and every one of us, be it sexual, racial, cultural, or linguistic. Richter mirrors personal dualities musically with a combination of sounds he created and manipulated samples, blurring their boundaries. "I always try to blur the line between sampling and my own recordings, also between "real" instruments,MIDI, electronics, editing, between authenticity and theatrics/artificiality," says Richter. When recording he became aware of how AI text programs processing resembles his own methods. "I had the realization recently that the way I compose is not too dissimilar to what AI software is doing nowadays - especially when the AI is hallucinating (this is the term used when the AI is overloaded/overcharged/inundated and comes up with made-up results)." Human behavior reflected in a computer facsimile of human intelligence appealed to the ethos of Black to Comm, whose titles and concepts are often oblique and tongue-in-cheek.

Reservar20.10.2023

debe ser publicado en 20.10.2023

32,35
Fehlfarben - Glut und Asche 40th Anniversary Vinyl Edition LP 2x12"

Um das wegweisende Kult-Album „Glut und Asche“ der deutschen Proto-Post-Punks von Fehlfarben zum diesjährigen 40. Jubiläum gebührend zu feiern, erscheint das Album erstmalig als strikt auf 1000 Exemplare limitierte, farbige Purple-Vinyl-Doppel-LP im Gatefold-Cover – signiert vom 1983er Fehlfarben-Frontmann Thomas Schwebel und mit exklusiven Linernotes von Kulturjournalist Marc Hairapetian versehen. Als besonderes Schmankerl enthält die 2LP drei bislang komplett unveröffentlichte und bis dato als verschollen gegoltene, englischsprachige Songs aus den frühen 80er Jahren.

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debe ser publicado en 20.10.2023

41,98
SWORN LIARS - SEVERE OPTIMISM

The Sworn Liars sind zurück von den Untoten mit einem Herz voller Severe Optimism. 12 neue tracks der süfisanten Mischung aus feinstem Knochenstaub und unheiligem Creep Weirdo Garage Rock. Spannend wie Sex mit Till Lindemann, krank, kurz und schaurig aber etwas um sich daran festzuhalten. Kommt auf nettem farbigen Vinyl mit Gedichtsbeiblatt, Sticker und einem verstörenden Poster fürs Kinderzimmer.

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debe ser publicado en 20.10.2023

25,00
Various - Askorn Records Various Artists 05 2x12"

Limited to 300 copies, this 2x12" double vinyl VA is the third physical release of the industrial techno label, Askorn Records. Including 8 tracks ranging from dark and tortured slow beats to hard and industrial techno bangers, this release brings together 9 producers from Belgium, UK, Poland, Australia and France: Twan, Dahryl, Mickey Nox, Tripped, 14anger, Draugr, Hel.IV, Ogmah and Hatelove.

A1: Twan & Dahryl - Ammunition
Pure industrial techno banger. 142bpm bomb full of fast rolling drums and screaming synths, this collaboration between
Belgium based artist TWAN and Dahryl from United Kingdom, is a furious dancefloor destroyer.

A2: Mickey Nox - Switching Horsepower
Classic industrial hammer by Mickey Nox from Australia. A crazy 4-4 techno track with his famous stomping kick, strange FX sounds, chopped with some glitchy voices. Sounds like an unstoppable engine.

B1: Tripped - Fat Load
Tripped demonstrates the perfect mix between hardcore and techno into this track, using his famous and indescribable style. Industrial hardcore and destroyed 909 gabber kickdrums, scary synths, amen breaks and terror atmosphere.

B2: 14anger - Bachman
Heavily distorted bass-line, overdrived kickdrum, an acid break and some electrical noises: Bachman is the latest 14anger
banging track. This raw industrial techno track definitely brings some oldschool rave vibes to this project.

C1: Draugr - Discipline
A dark and groovy track by Draugr. He brings his famous threatening atmospheres, spooky bass and catchy drums on
this one. Crunchy kickdrum, radar noises and a perfectly chosen speech about order and discipline.

C2: Hel.IV - Brave & Thick
Hard, dark and punchy as usual, let's introduce Hel.IV from Paris. Deep and hard kickdrum with catchy drums patterns
surrounded by a screaming distorted vocal sample, and an epic and menacing synth.

D1: Ogmah - No Feelings, Pure Wrath
New harsh and scary bomb by Askorn's founder, Ogmah. A slashing and industrial beast with some shrill highs drums,
creaky and industrial FX sounds, and a long break with scary vocals about sins.

D2: Hatelove - Snakebyte
A slow and dark track with a deep as hell atmosphere, produced by the one and only Hatelove from Poland. Full of filters
automations, psycho and spooky noises, banging drums and crazy sound design. Angering af.

The artwork is an engraving by the artist Daniel Girault from Brittany in France. This is the result of a dark and disturbing
abstract design engraved on a hard metal surface, made by cutting grooves into it with differents sharp tools. After being
drowned into an acid bath, this metal plate is finally pressed with black ink on a thick paper sheet.

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23,40

Ültimo hace: 21 Meses
Morton Feldman - Piano, Violin, Viola, Cello LP

Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as they were in Piano and String Quartet, but individual bars... ...From a compositional point of view, the essential change that transfers the "monolithic block" of late orchestral works such as Coptic Light and For Samuel Beckett to chamber music instrumentation is that the material, already largely homogeneous, is rearranged not in whole systems but in small-part permutations, so that the systems and pages no longer represent periods or sections, and a continuous musical progression emerges with a much reduced internal structure compared to previous works.

from liner notes by Sebastian Claren
dissonArt Ensemble is Lenio Liatsou, Piano Theodor Patsalidis, Violin Chara Seira, Viola Vassills Saitis, Violoncello

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40,55
The Drums - Jonny LP

The Drums

Jonny LP

12inch278443
ANTI
20.10.2023

On his latest album as The Drums, New York-based indie pop artist Jonny
Pierce plunges into the work of healing from childhood trauma and the
long shadow it casts over adulthood
The sparkling, eponymous Jonny unfurls a love letter to a galaxy of younger
selves, all hungry to be nourished, all rejoicing now that they finally get to belong.
Playful, heartbreaking, raucous, and serene all in turn, Jonny embraces the mess
of life in all its facets. It renders the magic that happens when you fall in love with
yourself down to the marrow.
Soaring to alt- pop prestige on arrival, The Drums have released studio albums
that deftly walk the line of aching melancholy and irresistible pop sensibilities,
presented through a kaleidoscope of pastel guitars, reverb, modular synthesizers
and drum machines. It's a sound that's wholly unique, and unmistakably The
Drums.
The Drums' music remains timeless, as evidenced by the recent explosion of their
RIAA Gold- certified song Money, which first appeared on their breakout
sophomore album Portamento, reaching #1 on the Alternative Global Shazam
Chart and #2 on the TikTok Global Hashtag Chart

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debe ser publicado en 20.10.2023

28,36
The Chills - Brave Words LP 2x12"

The Chills

Brave Words LP 2x12"

2x12inchFIRELP673P
Fire Records
20.10.2023
También disponible

Mint Vinyl[33,57 €]


The songwriter that helped kick off indie rock as we know it" NPR… // Remixed and remastered under the supervision of Martin Phillipps, this expanded edition of The Chills’ debut album is reissued for the first time in over 35 years. The newly mixed edition features additional rarities and unreleased tracks from The Chills vaults, along with brand new reimagined artwork by Martin Phillipps and a host of additional liner notes. Originally produced by Mayo Thompson (Pere Ubu/Red Krayola) and featuring standout tracks ‘Wet Blanket’, ‘Night Of Chills Blue’, this extended 18-track edition includes much-lauded tracks from the era, such as ‘House With A Hundred Rooms’ and the awesome ‘Party In My Heart’. Part of the 80s extraordinarily vibrant and innovative independent music scene in New Zealand, The Chills became flag bearers, taking the Dunedin sound, as championed by the Flying Nun label, to the world. Long recognised as one of New Zealand's most influential bands, Brave Words is a shining example of their unique sound and has been praised as a masterpiece by critics and fans alike. “‘Brave Words’ may well be The Chills' finest album

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33,57
The Chills - Brave Words LP 2x12"

The Chills

Brave Words LP 2x12"

2x12inchFIRELP673G
Fire Records
20.10.2023

The songwriter that helped kick off indie rock as we know it" NPR… // Remixed and remastered under the supervision of Martin Phillipps, this expanded edition of The Chills’ debut album is reissued for the first time in over 35 years. The newly mixed edition features additional rarities and unreleased tracks from The Chills vaults, along with brand new reimagined artwork by Martin Phillipps and a host of additional liner notes. Originally produced by Mayo Thompson (Pere Ubu/Red Krayola) and featuring standout tracks ‘Wet Blanket’, ‘Night Of Chills Blue’, this extended 18-track edition includes much-lauded tracks from the era, such as ‘House With A Hundred Rooms’ and the awesome ‘Party In My Heart’. Part of the 80s extraordinarily vibrant and innovative independent music scene in New Zealand, The Chills became flag bearers, taking the Dunedin sound, as championed by the Flying Nun label, to the world. Long recognised as one of New Zealand's most influential bands, Brave Words is a shining example of their unique sound and has been praised as a masterpiece by critics and fans alike. “‘Brave Words’ may well be The Chills' finest album

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debe ser publicado en 20.10.2023

33,57
DOUGIE POOLE - THE RAINBOW WHEEL OF DEATH

country songwriter from Brooklyn's indie underground, Dougie Poole blurs the lines between genre and generation on his third solo album, The Rainbow Wheel of Death. Rooted in sharp songwritingvand the organic sounds of a live-in-the-studio band, it's a classic-sounding record for the modern world. The Rainbow Wheel of Death's title nods to the colorful pinwheel that appears onscreen whenever a computer's application stalls. For Poole _ who found himself working as a freelance computer programmer once the pandemic brought his touring schedule to a temporary halt in 2020 _ it's also a reference to the holding pattern that's left much of society feeling stuck, unable to move ahead in an uncertain world. That feeling was pervasive when he in his New York City bedroom and wrapping up the songwriting process in the recording studio itself. Once hailed as the "patron saint of millennial malaise" for his sardonic wit and topical, tongue-in-cheek songwriting, Poole broadens his reach here. "High School Gym" builds a bridge between 2020s lo-fi textures and 1980s pop vibes, while "Must Be In Here Somewhere" _ whose narrator sits at a lap top, searching through "every server burning in North Carolina" for a digital souvenir of a long-lost relationship _ mixes modern concerns with classic country instrumentation. If records like 2017's Wideass Highway and 2020's breakthrough release The Freelancer's Blues told stories about uninspired Millennials languishing in dead-end jobs and no-good relationships, then The Rainbow Wheel of Death focuses on more universal issues like mortality, love, and the passing of the time. With The Rainbow Wheel of Death, Dougie Poole breathes new life into country music, retaining the acclaimed elements of his previous work _ drum machines, synthesizers, and his deep-set voice _ while pushing toward something warm, organic, and prismatic.

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22,06
DOUGIE POOLE - THE RAINBOW WHEEL OF DEATH

country songwriter from Brooklyn's indie underground, Dougie Poole blurs the lines between genre and generation on his third solo album, The Rainbow Wheel of Death. Rooted in sharp songwritingvand the organic sounds of a live-in-the-studio band, it's a classic-sounding record for the modern world. The Rainbow Wheel of Death's title nods to the colorful pinwheel that appears onscreen whenever a computer's application stalls. For Poole _ who found himself working as a freelance computer programmer once the pandemic brought his touring schedule to a temporary halt in 2020 _ it's also a reference to the holding pattern that's left much of society feeling stuck, unable to move ahead in an uncertain world. That feeling was pervasive when he in his New York City bedroom and wrapping up the songwriting process in the recording studio itself. Once hailed as the "patron saint of millennial malaise" for his sardonic wit and topical, tongue-in-cheek songwriting, Poole broadens his reach here. "High School Gym" builds a bridge between 2020s lo-fi textures and 1980s pop vibes, while "Must Be In Here Somewhere" _ whose narrator sits at a lap top, searching through "every server burning in North Carolina" for a digital souvenir of a long-lost relationship _ mixes modern concerns with classic country instrumentation. If records like 2017's Wideass Highway and 2020's breakthrough release The Freelancer's Blues told stories about uninspired Millennials languishing in dead-end jobs and no-good relationships, then The Rainbow Wheel of Death focuses on more universal issues like mortality, love, and the passing of the time. With The Rainbow Wheel of Death, Dougie Poole breathes new life into country music, retaining the acclaimed elements of his previous work _ drum machines, synthesizers, and his deep-set voice _ while pushing toward something warm, organic, and prismatic.

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24,79
ANTONIO INFANTINO ED IL GRUPPO DI TRICARICO - I TARANTOLATI

In the late 1960s, Antonio Infantino linked his name to the Beat world and to italian performance and gestural music circles (Bussotti, Chiari, Curran). A poet and singer, a tireless devotee of the musical traditions of Southern Italy, he focuses his research mainly on the mysterious phenomenon of Tarantismo, a cultural syndrome of hysterical type found in the Mediterranean air and made famous by the studies of Ernesto De Martino. With his group, Infantino twists and reinvents the traditional repertoire of Basilicata, creating an entirely new and original songbook. The music reflects the states of Trance induced by the bite of the spider tarantula, with obsessive and hypnotic rhythms characteristic of the incandescent blood of the peasant world. A deep and universal human sound, it also takes its cues from Dylan's folk revolution and the frenetic drums of North Africa.

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18,61
Bloodred Hourglass - How's The Heart 2x12"

Bloodred Hourglass, das Finland’s Powerhouse des Melodic Modern Metal’s, wollen mit ihrem neuen Album “How’s The Heart?” die Musikwelt wieder einmal in ihren Bann ziehen.
Sie sind bekannt für ihre Melodic und Death Metal Einflüsse und haben sich längst einen Namen in der Metal-Szene gemacht. “How’s The Heart?” wird zweifelsfrei eine der einflussreichsten Veröffentlichungen der bisherigen Band Historie und zeigt eine beeindruckende Entwicklung dieses Musikgespanns. Einmal mehr stellen die Jungs aus Finnland ihr musikalisches Können unter Beweis und nehmen ihre Fans mit auf eine Reise voller Energie und der klassischen Bloodred Hourglass-Brutalität.
“How’s The Heart?” leitet seine Hörer außerdem durch die verschiedenen Phasen von Trauer und Wut, und bricht mit einem perfekten Mix aus Aggression und Charme jegliche Genre-Grenzen. Ein dynamischer, moderner Sound, der aber weiterhin an die traditionellen Nordischen Wurzeln der Band anknüpft.
Die BRHG-typischen Riffs, aggressiven Drums, vielseitigen Vocals, Synths und Refrains mit Ohrwurm-Garantie dieses Albums wurden gemixt und gemastert von Dan Braunstein (Spiritbox, Veil Of Maya, Dayseeker).

Reservar20.10.2023

debe ser publicado en 20.10.2023

30,21
Masters At Work - Boyd's Jam

Masters At Work

Boyd's Jam

12inchMAW2028
MAW Records
19.10.2023

MAW Records release the next tracks in line from the Maw Lost Tapes digging saga by Masters At Work.

This release entails the story of a special studio session by one of the NY House Pioneers who brought you 'The Music's Got Me' by Visual along with his partner Timmy Regisford back in 1982. His name is Boyd Jarvis (RIP), a keyboard genius, also one of the early creators of this unique sound. Masters At Work had only a few rare sessions in the early 90s with Boyd and the outcome are some of these stunning outtakes on 'Boyd's Jam' produced by MAW. Driven by the Zipper sound and swinging house KD beats in MAW style, the Boyd bassline carries the tune in the pocket groove with LV chords bringing atmosphere and mood. Then comes the Boyd magic with his organ solo ripping through the hypnotic groove.

This one is classic Masters At Work taken from the early 91-92 sessions, it's as authentic as can be.

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21,81

Ültimo hace: 14 Meses
Salt-N-Pepa - Very Necessary LP 2x12"

”Very Necessary” ist das vierte Studioalbum der amerikanischen Hip Hop-Gruppe Salt-N-Pepa, das erstmals im Oktober 1993 veröffentlicht wurde. Anlässlich des 30-jährigen Jubiläums wird UMe die 2LP auf schwarzem Vinyl neu auflegen. Die 2CD Deluxe-Box wird zum ersten Mal überhaupt erhältlich sein und enthält eine Sammlung von 13 Bonustracks und Linernotes von Salt-N-Pepa über die Entstehung von ”Shoop”.

Ab dem 20.10 als 2LP und 2CD-Box erhältlich.

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35,25

Ültimo hace: 2 Años
IULY.B - Crystal Cave EP

Iuly.b

Crystal Cave EP

12inchMOD003
MODVLAR
18.10.2023

IULY.B joins the Modvlar Project also on the release section.

For MOD003 he delivers three original tracks plus a remix by Nobodi.

The three releases Traffic Jam, Vital Expansion and Crystal Cave totally reflect Iuly's style - cutting, hypnotic, percussive. All the three tracks are perfectly suited for the dancefloor and for DJ sets. Iuliy's talent and attention to detail shine through in the melodic part, a great complement to these three bangers.

Closing the project is Nobodi with a remix of Traffic Jam. Delicate and respectful of the original track, it increases, as much as possible, the dancefloor orientation of the record with a killer bass line.

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12,19

Ültimo hace: 2 Años
The Dangerous Summer - Reach For The Sun

‘Reach For The Sun’, their debut album, helmed by produced by Paul Leavitt (All Time Low, Circa Survive) cemented ‘The Dangerous Summer’ in the Pop-Punk scene.  Blending melodic rock, pop-punk and emo, lyricist and vocalist AJ Perdomo explored a wide range of themes in ‘Reach For The Sun’, including love (‘Never Feel Alone’), life (‘Settle Down’), death (‘The Permanent Rain’), the past, the future.  What makes ‘Reach For the Sun’ truly remarkable is its universal appeal and resonance. The album consistently garners recognition on lists of essential pop-punk and emo releases, often being mentioned alongside legendary records by Green Day, Paramore and Sunny Day Real Estate.  For fans of Taking Back Sunday, The Starting Line, The Wonder Years

Reservar18.10.2023

debe ser publicado en 18.10.2023

29,83
THYSENTERPRISE - ESSENTIAL LP

OVERVIEW: This is essential. We don't just refer to the album title: this new record by multi-instrumentalist and producer Thysenterprise is essential material for lovers of spiritual jazz with a hip-hop edge. As described in the liner notes: "The spirit of Pharoah Sanders, Archie Shepp, and Coltrane permeate the music here. At times, Thysenterprise and his guests meld the influence of the great jazz cannon with the rhythms of hip-hop."

'ESSENTIAL' moves with ease from spiritual sounds to hip-hop-infused head nods. The liner notes by writer John Morrison perfectly encapsulate the type of sonic trip you're in for: "While the improvisational heights that Thysenterprise and crew reach throughout the album owe a debt to hardbop and the avant-garde, there are beats and textures here akin to the work of Karriem Riggins or A Tribe Called Quest. The result is a truly contemporary sound that plays freely within the depths of human feeling."

'ESSENTIAL' is by far Thysenterprise's most personal album to date. From beginning to end, he pays a heartfelt tribute to his late father. The artist revisits and rearranges melodies from iconic jazz records that formed a profound connection between the two of them. Throughout the album, there are nods to songs that were essential for Reinier's musical upbringing. It shows that the saxophonist plays with heart and doesn't shy away from expressing grief and loss. Or as stated in the liner notes: "We play for pleasure, we play to understand ourselves and the world around us, we play to celebrate and remember our loved ones."

Renowned Dutch alto saxophonist Benjamin Herman joins Thysenterprise for intimate call-and-response on "Feedback of Silence." Next to that, Michael Moore graces "Happiness Is a Memory" with a heartfelt bass clarinet solo. Moore is part of the Han Bennink-founded ICP Orchestra. It's safe to say that Thysenterprise builds on that rich lineage of improvisation, playfulness, and distinct originality. On 'ESSENTIAL,' he takes that to new heights. The album comes beautifully packaged as a gatefold 2LP with vinyl-exclusive alternate takes on the D-side.

Reservar18.10.2023

debe ser publicado en 18.10.2023

35,08
Various - SEMID015

Various

SEMID015

12inchSEMID015
Semi Delicious
17.10.2023

repressed!

Demi Riquísimo and his Semi Delicious imprint return for their 15th edition with another versatile, club ready collection of cuts from old & new members of the label family set for a release on the 7th July.

The EP features contributions from regulars Lulah Francs, Jive Talk & label owner Demi alongside debuts from NairLess, Last Magpie, Corbi and Michelle Manetti.

The A-side kicks off with ‘All I Need’, a collaborative track from Demi & Michelle Manetti. A bouncing, progressive house number with some old school Italian flavour that sets the tone nicely for the EP. Corbi’s ‘Kraken’ is up next providing some driving, analog acid squelch to SEMID015. ‘Don't Make Me Wait’ by Lulah Francs & Nebari wraps up the Ice Cream side. Proto house style drum programming and bass are juxtaposed nicely to the psychedelic synth work and impeccable vocals from Lulah creating a unique and versatile track to close out the A-side. The B-side opens with NairLess’ ‘Swell’, a tripped out slice of balearic trance. The EP takes a slightly more heads down turn on ‘Release It’ by Last Magpie. A menacing track driven by a sharp synth line that you’re sure to hear over festival season. Jive Talk’s ‘Wizard’s Slippers’ wraps up the EP in their imitable style. Off kilter drums, unique bass and minimalism with the perfect amount of elements to pique the listener’s interest bringing SEMID015 to a close in style.

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15,55

Ültimo hace: 8 Meses
A THIN MAN - JT 001

New label Justracks kicks off with a literally and metaphorically heavyweight new disco 12" on 180g vinyl. As far as we know it's the first release from the mysterious A Thin Man but the beats are fat. 'Doogie Bown' gets you doing just that with a mix of chatty synth funk and hip-swinging disco grooves. 'W(h)ats On' is an old school funk and soul dancefloor heater then class oozes from the breezy and free-flowing grooves of 'Catch The Strings' which pair bustling beats with rich strings. Last of all is the tightly woven disco and persuasive funk of 'Bees'n'Flowers' with cosmic lines and heartfelt female coos. A fine debut.

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14,24

Ültimo hace: 13 Meses
Dora Morelenbaum - Vento De Beirada LP

Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil’s exciting new musical wave. Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singer-songwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.

Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicália sound of Bala Desejo. This solo set takes a more dream-like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethânia.

The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japão', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Dó a Dó' is drenched in lush, sweeping strings that were arranged by her father himself, and is co-written by Dora and Tom Veloso of the band, Dônica. There’s further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Elétrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lírio also on production, guitar, and bass. Whilst Bala Desejo’s Zé Ibarra penned the song 'Vento De Beirada' with Lucas and Victor Vasconcellos.

The four-track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.

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18,07

Ültimo hace: 2 Años
SBTRKT - THE RAT ROAD LP 2x12"

Sbtrkt

THE RAT ROAD LP 2x12"

2x12inchSYS002LP
Save Yourself
16.10.2023

Emerging from 6 years of sonic exploration, SBTRKT (pronounced 'subtract'), is an electronic music artist based in London, UK known for his synaesthesiac production and early collaborations with, and championing of, Sampha and Jessie Ware, alongside Little Dragon, The Dream, A$AP Ferg, Ezra Koenig and Drake.

Largely anonymous, SBTRKT (real name Aaron Jerome) has established a reputation for iconic visuals and creative, an incredible live show and a sound that effectively defined electronic music in the early 2010s'The Rat Road' sees SBTRKT redefine UK electronic music (again)' according to GQ, bringing together his iconic, synaesthesiac production with an incredible lineup of collaborators including Toro Y Moi, Teezo Touchdown, D Double E, Anna Of The North, Kai Isaiah Jamal, Sampha, Little Dragon and others.

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28,36

Ültimo hace: 2 Años
Roy Ayers - Liquid Love / What’s the T?

Liquid Love is taken from the 2015 BBE released album of Roy’s unreleased material, Virgin Ubiquity II, and is a wicked mid-tempo track where Roy’s vibraphone complements an amazing female vocal arrangement to create harmonies and melody over a tough as you like breakbeat, bass line and keyboard riff. Coming from the 2004 initial release in the Virgin Ubiquity series of unreleased Roy Ayer’s tracks, What’s The T? is a more uptempo, bassline driven slab of dance floor funk. Augmented by a horn section and a huge female vocal from Merry Clayton over a hi-hat drumbeat, What’s The T? is Roy Ayers and his musicians playing Roy’s arrangements to perfection.

Releasing on BBE Music’s ALIM imprint, Liquid Love/What’s The T? 7″ vinyl single issue is two musical moments in time now presented as a moment in history in the year we celebrate the excellent career and legacy of Roy Ayers as a touring musician. This is Roy at his best as musician, arranger and artist, grab this now.

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17,86

Ültimo hace: 72 Días
LARIONOV - I WANT TO BELIEVE EP

Although sound is his medium, what is seen is central to Larionov’s new 12”; I Want To Believe. After scanning the heavens, the Russian producer lands with six tracks that encompass a spectrum of electronics. A glistening dawn of bright melodies and murky basslines introduces “Morning Light”, crisp percussion adding balance and ballast. Aquatic lines and soulful arcs are at the core of “Across the Sky” before the bold synth stabs and rasping rhythms of “External Twilight.” Illuminating the flip is the sci-fi inspired “Strange Lights” with the eclipsing shades and tones of “Shadows” darkening speakers while igniting floors. The close is the future gazing “Space and Time.” Fluid strings, reverberating arpeggiators and vocoder lyrics are kept in check by incising snares in this superb finale.

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12,56

Ültimo hace: 19 Meses
The Supreme Jubilees - It'll All Be Over LP

Repress.

If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. 'We won't have to cry no more,' the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. 'It'll all be over.' Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two familes: brothers Joe and Dave Kingsby plus Dave's son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price-who belonged to neither family-completed the line-up that recorded the group's first-and, prophetically, only-album, It'll All Be Over.

Released in 1980 on the group's own S&K (Sanders & Kingsby) label, It'll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it's a feel captured by the album cover-a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, 'both apocalyptic and seductive.'

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group's requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs-one side of the album-and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album's title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did. 

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbeque in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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21,22

Ültimo hace: 5 Años
SOLOMON - IT'S ALL DOWNHILL FROM HERE

Dutch indie band from the south of Holland. Produced by Grammy-nominated British producer and mixer Christopher Elms (Björk, Ben Howard and A Blaze of Feather) as well as mastered by Tim Debney who worked with Thom Yorke, Mumford & Sons, Bastille and Keane, among others, and provided the mastering for the Bond tune by Billie Eilish.

Reservar15.10.2023

debe ser publicado en 15.10.2023

23,74
ONYON - LAST DAYS ON EARTH

German post-punk band Onyon scrambled our brains when we heard them for the first time last year, so much so that we signed them & reissued their eponymous debut cassette EP (originally co-released in limited quantities by the Flennen/U-Bac labels) in June of '22. "Last Days On Earth" is the band's latest & first proper full-length for Trouble In Mind. The oddball, synth-soaked world of Onyon is disorienting at first - the band's herky-jerky rhythms may operate in a familiar fashion to bands like Devo, Kleenex/Liliput or label-mates LITHICS, but Maria Untheim's woozy synth squiggles that populate & punctuate the band's songs keeps everything at arms-length. Flirting with the primitive cool of 80's minimal-synth and the wire-haired cretinism of 60s garage, especially on tunes like the manic `Dogman' or first single `Alien, Alien'. Guitarist Ilka Kellner's six-string salvos rage unpretentiously with edges torn & frayed, rarely (if ever) soloing, but never afraid to unleash a spindly lead-line over Florian Schmidt's rubbery bass lines & Mario Pongratz's stuttering drum patterns that phase in & out of time imperceptibly like drunks doing their best to seem sober. Kellner & Untheim share vocal duties (in both English & German - sometimes in the same song), but the real magic comes when the two sing together, voices merging in loosely harmonic gang vocals; one deadpan, the other slightly unhinged. The group's beguiling lyrics add to the mystique - inscrutable neu-world fables about egg machines, ghosts, worms that talk, and urges to consume newspaper that ooze a rural, old-world understanding of life & the imperceptible spaces in between reality & fiction, transmuted thru a modernist sci-fi lensflare. Recorded, mixed & mastered in late 2022 by Martin Müller, "Last Days On Earth" is released on CD, black vinyl & limited purple vinyl (while supplies last) as well as streaming via most digital platforms.

Reservar14.10.2023

debe ser publicado en 14.10.2023

21,43
ONYON - LAST DAYS ON EARTH

German post-punk band Onyon scrambled our brains when we heard them for the first time last year, so much so that we signed them & reissued their eponymous debut cassette EP (originally co-released in limited quantities by the Flennen/U-Bac labels) in June of '22. "Last Days On Earth" is the band's latest & first proper full-length for Trouble In Mind. The oddball, synth-soaked world of Onyon is disorienting at first - the band's herky-jerky rhythms may operate in a familiar fashion to bands like Devo, Kleenex/Liliput or label-mates LITHICS, but Maria Untheim's woozy synth squiggles that populate & punctuate the band's songs keeps everything at arms-length. Flirting with the primitive cool of 80's minimal-synth and the wire-haired cretinism of 60s garage, especially on tunes like the manic `Dogman' or first single `Alien, Alien'. Guitarist Ilka Kellner's six-string salvos rage unpretentiously with edges torn & frayed, rarely (if ever) soloing, but never afraid to unleash a spindly lead-line over Florian Schmidt's rubbery bass lines & Mario Pongratz's stuttering drum patterns that phase in & out of time imperceptibly like drunks doing their best to seem sober. Kellner & Untheim share vocal duties (in both English & German - sometimes in the same song), but the real magic comes when the two sing together, voices merging in loosely harmonic gang vocals; one deadpan, the other slightly unhinged. The group's beguiling lyrics add to the mystique - inscrutable neu-world fables about egg machines, ghosts, worms that talk, and urges to consume newspaper that ooze a rural, old-world understanding of life & the imperceptible spaces in between reality & fiction, transmuted thru a modernist sci-fi lensflare. Recorded, mixed & mastered in late 2022 by Martin Müller, "Last Days On Earth" is released on CD, black vinyl & limited purple vinyl (while supplies last) as well as streaming via most digital platforms.

Reservar14.10.2023

debe ser publicado en 14.10.2023

22,06
MIKE DONOVAN - MEETS THE MIGHTY FLASHLIGHT

Since 2011, Mike"s been a Drag City stalwart, first with Sic Alps, then as a solo and with The Peacers - but Mike "The Mighty Flashlight" Fellows has been a behind-the-scenes figure at Drag City since the early early days, playing live and on record with Royal Trux, Silver Jews and Will Oldham. Mike D"s music, in all phases, takes the form of a next-phase roots-pop: soaked in the traditional waters of rock and roll and passed through a variety of after-punk sonic sieves, highlighted with DIY and lo-fi values, and making a jolly hallucinatory racket, at that! He prefers a particular density of obtuse angles colliding sweet and hot noise, an arrangement he has perfected over all his Sic Alps/solo/The Peacers years; his innate understanding of the mechanics of a pop song wends purposefully through the junk-strewn landscape, sharing secrets with cipher in hand. Playing in this cracked kingdom of sound/garden of verse, Mighty Flashlight alternately accents and balances Mike"s eccentricities with his playing and knob-spinning - and with the Flashlight shining bright upon him, Donovan"s serpentine path becomes ever so much more elastic, heightened from line to line, change to change, its motility creating different shapes in our ears. Mighty"s own kind of stereo imagining informs Donovan"s smoky subterranea with additional depth of field, while still allowing all the wayward details within the arrangement to diverge as one. Mike and Mighty wind it all together: art punk utterance and top 40 radio junk of yore, the primitivity that formed recorded music in its youth, honkytonk romanticism, liminal chamber-folk and ever-present disassociated psychedelia, transformed via self-medication into a gleeful, extramusical ennui while giving the listener impetus to sing along with Mike"s patented unlikely combos of melody and lyric.

Reservar13.10.2023

debe ser publicado en 13.10.2023

30,21
Kai Winding - Modern Country LP
  • I Really Don't Want To Know
  • Busted
  • Wolverton Mountain
  • Bye Bye, Love
  • Cool Water
  • Wildwood Flower
  • Detroit City
  • I Walk The Line
  • Oh, Lonesome Me
  • Slippin' Around
  • Gotta Travel On
  • Dang Me

The coupling of star trombonist Kai Winding with some of the best country & western songs, old and new is a great combination; Winding is one of the most melodic trombonists in jazz history. Winding and producer Creed Taylor recorded the album in Nashville, including greats like “I Walk The Line” and “Busted.” This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

Reservar13.10.2023

debe ser publicado en 13.10.2023

38,61
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