Buscar:ke

Nur wenige, streng limitiert: glänzendes Gatefold-Jacket, bedruckte Innenhüllen mit Live-Fotos der Band, LP 1 blaues, LP2 weißes Vinyl. Nach ihren 30+-Jubiläums-EPs und zugehöriger Reissue-Serie sind FU MANCHU endlich mit brandheißem neuem Material zurück! The Return Of Tomorrow ist das erste neue Album von Fu Manchu seit sechs Jahren, und sie haben sichergestellt, dass sich das Warten gelohnt hat. Ihr 14. Album ist ihre erste Doppel-LP mit neuem Material und wurde als Vinyl-Hörerlebnis konzipiert. Die erste LP enthält sieben Songs in ihrem ikonischen Heavy-Fuzz-Sound, darunter die erste Single "Hands Of The Zodiac" und das unerbittlich eingängige "Loch Ness Wrecking Machine". Auf der zweiten LP wird die Band mit sechs langsameren Stücken, darunter das Synthie-beeinflusste "Solar Baptized" und der Titeltrack, etwas ruhiger. Beide LPs haben 45 Umdrehungen pro Minute für den bestmöglichen Sound. CD-Hörer brauchen sich keine Sorgen zu machen, da diese Version des Albums speziell für dieses Format gemastert wurde.Wie das letzte Album der Band, Clone Of The Universe, und die dreiteilige Fu30 EP-Serie wurde The Return Of Tomorrow im Racket Room in Santa Ana, Kalifornien, von Jim Monroe (Adolescents, Ignite) aufgenommen und gemeinsam mit Fu Manchu produziert.

Live-Musik ist vergänglich. Man kann sie nicht anfassen, halten, riechen oder schmecken, und was man in der einen Sekunde sieht und hört, ist in der nächsten schon wieder weg. Live-Alben hingegen sind für die Ewigkeit. Für diejenigen, die dabei waren, bieten sie die Möglichkeit, einen akustischen Moment in der Zeit wieder zu erleben, und für den Rest von uns ist es das ultimative Souvenir, ein zeitgestempelter Meilenstein, der einen Künstler / eine Band so einfängt, wie er / sie war. Im Fall von Savatage dokumentiert "Japan Live '94" eine äußerst wichtige und bedeutsame Tournee für eine Band, die nach einer erschütternden Tragödie und massiven personellen Veränderungen auf unbestreitbar wackligem Boden stand, aber dennoch aufrecht blieb. Es war die erste Station auf einer Reise, die schließlich bis nach Sarajewo und Sibirien führte - eine Reise, die auch 30 Jahre später noch kein Ende gefunden hat. Erstmals erscheint die 1994er Savatage-Show aus Japan in
voller Showlänge als Audio-Release mit allen 16 Songs.

Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane.

Emerald vinyl LP is for Indies only. Cassette is also for indies only. San Francisco Bay Area-based metal desconstructionists’ latest is both inspired by the loss of a bandmate and the legacy of Oakland A’s legend Vida Blue. Time is a slippery fish. Loss has inspired Mamaleek’s latest full-length album, titled Vida Blue. This marks the San Francisco Bay Area metal deconstructionists’ eighth album and their third as a full lineup. Tragedy struck in March of 2023 when the band lost a longtime friend and member, keyboardist Eric Livingston, leaving the group, which began as a duo of two brothers and later expanded to a five-piece, now with only four members. Despite this profound loss, Mamaleek persevered, performing as a quartet at various festivals, including the 2023 edition of Tilburg. The band returned to the studio to create new material that appropriately reflects their journey through loss and honors their fallen comrade. The resulting album draws inspiration from the legacy of Oakland A’s baseball legend Vida Blue, whose former team coincidentally announced its relocation to Las Vegas that same year. The band members themselves describe this poignant chapter in their own words: “Time is a slippery fish. Maybe only someone like Vida could grasp it. Although he’s left time behind, his image and that lefty heat remain in the memories of many. Eventually they’ll be forgotten, and hopefully replaced with even more exultant ones. This musical recording is a reflection on loss and its acceptance. We explore several examples for each song, including the loss of pride, of money, of glory, of country, of sanity, of a favorite sports team, of significant others, and, every day, one’s self. It also explores various associated moods fear, panic, reverence, stoicism, and steadfastness—to arrive at a resolution: Loss is only a test, the glue that holds and erodes each memory, the connection that binds and loosens us all, pitch by pitch, inning by inning. This is your celebration.” Vida Blue is a person, moment, and memory, together the crystallization of apocalypse: “unveiling,” “disclosure.”

Meghan Parnell (vocals) and Dave Barnes (guitar) are the founding
members of Bywater Call, a powerhouse seven-piece Southern soul,
roots rock band from Toronto, Canada
The band is completed by Bruce McCarthy on drums, Mike Meusel on Bass,
newest member, John Kervin on Keys, Stephen Dyte on Trumpet and Julian Nalli
on Tenor Sax. Bywater Call has received multiple Independent Blues and
Maple Blues Award nominations including Entertainer, Electric Act and Best
Female Vocalist for the 2024 Awards Season. They have toured extensively in
Europe where shows have been praised by Dutch, German and UK media, with
references to Meghan as one of the best female voices in blues and roots today.
In August 2023, the band participated in Joe Bonamassa's thirdKeeping the Blues
Alive at Sea Mediterranean Cruise alongside headliners Blackberry Smoke and
Christone "Kingfish" Ingram, and were invited to perform at the All-Star Jam on
the mainstage with Bonamassa himself. Guitarist Dave Barnes was also asked to
join legendary blues artist Jimmy Vivino (Conan O'Brien's Basic Cable Band) on
stage. On October 24, 2023, Bywater performed a live stream performance for the
famed German TV show and festival Rockpalast. The band's music is an
exploration of life's highs and lows. From intimate ballads that lay bare the
complexities of human emotion to electrifying anthems that demand to be played
at full volume, their catalogue is a journey through the human experience,
incorporating influences from the likes of The Band, The Wood Brothers, Tedeschi
Trucks Band, Otis Redding, Little Feat, Sly and the Family Stone, among others.
Video Link:

Specially prepared liner notes by renowned music writer Brian Morton.
Canadian pianist Glenn Gould (1932-1982) became one of the best- known and
most celebrated classical pianists of the 20th century and particularly renowned
as an interpreter of the keyboard music of Johann Sebastian Bach. Gould's
playing was distinguished by his remarkable technical proficiency and his
capacity to articulate the polyphonic texture of Bach's music.
This release presents Gould's complete original 1955 rendition of Bach's Goldberg
Variations (Columbia, ML-5060). The work launched the pianist's career as a
renowned international player and became one of the most well- known piano
recordings. Sales were astonishing for a classical album at that time - 40,000
copies by 1960, and more than 100,000 by the time of Gould's death in 1982.

This led to her immediate recognition as a banjo pioneer and to her win in 1991 of the Banjo Player of the Year award from the International Bluegrass Music Association (the first female to win an Instrumentalist of the Year award). For the 2024 reissue, the original 8- track, 1" multitrack tapes were transferred at a resolution of 192kHz/36- bit, and remixed and mastered by Matt Coles at
Compass Sound Studio in Nashville.


The album was produced in 1989 by acoustic music icon and frequent Jerry Garcia cohort David Grisman (architect of "Dawg Music," the jazz- influenced breakout fringe of the bluegrass genre) and recorded with a cast of all- star musicians at Dawg Studio in Marin, CA. Players on the sessions included Alison Krauss (fiddle), David Grisman (mandolin), Mike Marshall (guitar, fiddle, mandolin), Matt Eakle (flute), Joe Craven (percussion) and Jim Kerwin (bass).

The album's 12 tunes were all written by Alison and include the first recorded versions of some of her most well- known compositions, including "Mambo Banjo," "Leaving Cottondale," and "Weetabix."
REMIXED AND REMASTERED from 192kHz/36-bit transfers of the original multitrack tapes. LP – features LIMITED EDITION BLACK & WHITE SWIRL + album download code with 3 never- before- released bonus tracks Includes a 4- COLOR BOOKLET with liner notes from Alison Brown, Dave Dennison, and Mike Marshall, plus ARCHIVAL PHOTOS and SESSION DOCUMENTS

A group of three disillusioned teenaged punks find themselves
transported into a terrifying alternate universe in The Devil's Egg, a new
fantasy rock opera from Missouri music renegades The Hooten Hallers
Throughout 13 spellbinding tracks, the music flows through a rainbow of musical
genres from R&B and metal to punk and prog rock. Captivating audiences with
their high-energy romps for nearly 20 years, the satisfying vocal pairing of John
Randall 's gravel and Andy Rehm 's falsetto, along with Kellie Everett 's low
woodwinds, weave between basslines and melodies to round out one of modern
music's most unexpected power trios. While musically diverse, the rock opera's
coming- of- age storyline ties it all together, conjuring the science fiction of
Stranger Things and the folklore of the Coen brothers to transport characters
through an epic and transformative quest. In the end, the kids form unusual
alliances to attempt their escape, allowing The Hooten Hallers to take listeners
on their wildest, most cinematic journey yet.

It also features guest musicians Andy Dunlop (Travis) on guitar, Ash Soan (Adele)
on drums, Tony Woollard (Damian Wilson) on cello and Hayley Sanderson (Strictly
Come Dancing) on backing vocals.
Damian is a songwriter and vocalist who's known for his exploration into different
genres and is considered one of the most versatile singers in rock. Adam is best
known as the keyboard and guitar player with Ozzy Osbourne and Black Sabbath,
Adam has also released several albums with his father Rick Wakeman.

Damian Wilson and Adam Wakeman's 3rd full-length studio album 'Can
We Leave The Light On
Longer?' containing 10 new songs, features Damian on vocals and acoustic guitar
and Adam on piano, vocals, Hammond organ, acoustic & electric guitars, bass
and percussion. Additional drums and trumpet are provided by Pete Riley and
George Hogg and there's an 18-voices choir.
In line with, perhaps even more than on, their previous albums the songs have a
very personal depth and meaning to Adam and Damian.
Damian is a songwriter and vocalist who's known for his exploration into different
genres and is considered one of the most versatile singers in rock. Adam is best
known as the keyboard and guitar player with Ozzy Osbourne and Black Sabbath,
Adam has also released several albums with his father Rick Wakeman.

Lebanon oud master Rabih Abou-Khalil's stunning 1996 album 'Arabian
Waltz' is appearing here on vinyl for the first time."Arabian Waltz is the
pinnacle of Rabih Abou-Khalil's achievement as a composer and arranger
It is a sublime fusion of jazz, Middle Eastern traditional music, and Western
classical. In addition to Abou-Khalil on oud (the Arabic lute), Michel Godard on the
tuba and the serpent (the tuba's antique kinsman), and Nabil Khaiat on frame
drums, the album also features the Balanescu String Quartet instead of the usual
trumpet or sax. The presence of the Balanescu might seem to pose a dilemma
for the composer: traditional Middle Eastern music uses no harmony but a string
quartet is all about harmony. Abou- Khalil achieves a compromise by generally
writing the string parts in unison (or in octaves), in effect using the quartet as a
single voice, but also letting the quartet split up to play parts in unison with the
other instruments or to provide ornamentation. Without surrendering jazziness at
all, the presence of the strings makes possible a wondrous atmosphere, almost
as if one is listening to the soundtrack of a classy movie set in Beirut or
Damascus during the '40s. This feeling is greatest on "Dreams of a Dying City"
with its brooding tuba and cello motifs and grave, repeated rhythms. "The Pain
After" starts with an impressive tuba solo that turns into a long interlude for tuba
and string quartet; sad, slow music that sounds like one of Beethoven 's late
quartets. Then Abou- Khalil finally enters on oud, bringing a sustained note of
wistfulness. Fortunately, beside the darker numbers lie the propulsive drama of
"Arabian Waltz" and the bobbing and weaving quirkiness of "Ornette Never
Sleeps." Abou- Khalil is known for experimenting with the possibilities his guest
musicians bring to his style. In this case, the guests have inspired the host to
reach a new height and maybe even a new style. This recording suits every fan of
world music, jazz, classical, or just good music." - Kurt Keefner

Finally available again on gorgeous red translucent vinyl, Mammoth is the sixth release by Swedish proggers Beardfish. 'Dense, rich and full' with walls of guitar and keyboards, this great sounding album will be loved by old fans and new.'

2024 Repress

Deep Sleep Robot returns with another throwback excavating some of the rare finds. The second chapter of the series, a Various Artist four-track EP, timeless cuts from the archives.

The A-side, Ronin (aka. J. Axel) the man behind several albums on PlackTown Sounds, Plastic City and Driftwood brings us "Mysterious City", classic Ronin sound here folks this being one of the first releases by the artist back in 1998. Followed by Swedish producer Johan Bacto (aka. Johan Svensson) responsible for labels such as PlackTown Sounds, Everyday, Mankind, Zync, Countdown 2000, with his "Takemountain" the combination of these creates the reunion of the tracks previously released 24 years ago, sounds just as fresh now as it did back then.

The B-side Van Delta (Christopher Bleckmann & Hannes Wenner) a German duo in charge of EP's on Groove Attack Productions, M_Nus, Archipel, and Krush Grooves, gives us a nostalgic trip from 1999. "Adjust", with hypnotic keys and solid bass line building up the tension slowly but steadily creating the groove. The final track by Dav (aka. Davor Stosic) a Croatian artist B+Positive, Cove Recordings, and Sensei labels that regularly has been on Swag Records store shelves. "Flight", a fantastic example of late 90's tech-house. Hypnotic soundscape, variety of layers and a slow build up, giving the track an otherworldly feeling.

All tracks were produced between the years of 1998 - 2003, timeless and rarer then rare.
Order DSR002 now
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2024 Repress

Vinyl Only

Originally released on Southampton label Adrenalin Records run by Stu J. Stu J was a big shaker in the south coast rave industry in the early 90’s and played at all the top clubs in the area including Sterns, Kevins House and Madisons. It was Madisons though that he had the biggest impact, leaving a long-lasting legacy to this day. It was at this venue that Stu J caned this 12” which would later become an anthem at raves up and down the country in 1991 and 1992.

KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.

Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene.

B2 Recordings is back with a second release that is every bit as good as the first. This one comes from Reece Johnson and is a joyous mix of uplifting disco sounds with a timeless edge. 'Comin' In Hot' is a lose-limbed opener with percussive edgy and low-slung drums topped off with dazzling chords. 'Glass Heart' then brings the funk with more expert looseness and this time some hooky and soulful vocals. 'Sup America' keeps the party rolling with instrumental disco brilliance and a Spanish vocal to add real heat while 'Feelin' The Beat' and 'Got To Be Free' close out with higher tempos but no less class.

Die grandiose Early-Works-Kollektion ART DEVO belegt, warum Devo eine der wichtigsten Bands der US-Musikgeschichte waren und immer noch sind. Die streng limitierte 3LP+7" Anthologie enthält meist unveröffentlichtes Archivschätze, Raritäten und Obskuritäten aus ihrer Frühzeit 1973-77, als sich Devo zu einem Kunstprojekt entwickelte, das David Bowie zur 'Band der Zukunft' erklärte. Die von Devo kuratierte Tracklist erscheint auf pink-schwarz-marmorstrukturiertem Triple-Vinyl im Deluxe-Boxset in Goldfolie, mit doppelseitigen Art Prints, darunter ein Scratch'n'Sniff-Bild, sowie Liner Notes der Gründungsmitglieder Mark Mothersbaugh und Gerald V Casal. Es gibt nur 1.000 Stück weltweit.

Paul Weller – der „Godfather of Brit-Pop“ ist zurück!
„66“ heißt sein neues und mittlerweile 17. Studioalbum, welches zu seinem 66. Geburtstag erscheint. Das
Cover wurde von Sir Peter Blake gestaltet. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf
dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die
12 Songs auf ”66” wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von
Gastmusikern (Suggs, Noel Gallagher, Bobby Gillespie, Erland Cooper, Duo White Label, Hannah Peel,
Christophe Vaillant, Say She She, Dr Robert, Richard Hawley, Steve Brooks, Max Beesley) aufgenommen.
Paul Weller wurde bisher mit 4 BRIT – Awards ausgezeichnet, einen für „Outstanding Contribution to
British Music“

Prepare to embark on a sonic journey that will ignite your senses with Incognito's highly anticipated remixes from the album, 'Into You.' This captivating collection reimagines 2 of the band's most iconic tracks with a blend of soulful house and funk. Groove to the infectious rhythms of 'Nothing Makes Me Feel Better,' reimagined with pulsating keys and soulful bassline. 'Keep Me In The Dark' is given a soulful and atmospheric reimagining, its lyrics floating over a thumping bassline. Incognito's remixes are an electrifying fusion of old and new, showcasing the band's enduring creativity and ability to blend genres seamlessly.

The legendary Kool Keith from Ultramagnetic MCs drops this Boombap killer Heavyweights on limited edition 7" Vinyl & Digital, with the Instrumental on the B side! Produced by Jazz T & Dr Zygote, Cuts by Jazz T and artwork by Matt Littler.

For fans of INXS, Michael Hutchence and 80’s Rock! Michael Kelland Hutchence was the co-founder, lead singer, and lyricist of the rock band INXS from 1977 until his death in 1997. The band sold over 50 million records worldwide and was inducted into the ARIA Hall of Fame in 2001. A decade or so after Michael’s death a number of unreleased ideas surfaced in a tape locker in London. This was material Michael’s IP company had financed and that he had been developing for his solo endeavour. In going through the ideas, it became apparent this would be something worth exploring, starting with “Friction” and what became “One-Way”. Producer Danny Saber (Rolling Stones, Ozzy Osbourne, Madonna, Seal, etc...) began the process of producing finished masters. The result is this limited-edition red vinyl picture disc with the aforementioned “One Way” and B-side “Save My Life”. This is a true piece of musical history and will forever solidify Michael Kelland Hutchence as the brilliant singer/songwriter he is. Track listing: One Way / Save My Life