Bogotá duo Rush City — aka Jonahlo and Joint4Nine, and heads of the Ritmo Terco label dig deep into their crates for this second vinyl outing, delivering four razor-sharp reworks that balance nostalgia with dancefloor punch. Spanning boogie, Italo disco, electro, and deep house, each track is reimagined with a tasteful blend of analog grit, acid textures, and precise drum programming.
Opener “When Your Ex Wants You Back” breathes new life into Surface’s 1984 boogie anthem, fusing its soulful acapella with 808 rhythms, acid basslines, and shimmering synths for a raw electro-funk twist. Following “Brown Sugar”, lifted from a rare 80s adult film soundtrack, becomes a dubbed-out, indie-leaning acid disco tool — weird, seductive, and undeniably effective.
On the B-side, Dream 2 Science’s deep house classic “My Love Turns To Liquid” is transformed into a hypnotic acid roller, stripping things back while keeping the soul intact. Closer “Don Quichotte” rebuilds Magazine 60’s Italo gem from the ground up — with re-recorded vocals and fresh synth work, it’s a full-throttle electro bomb.
A versatile and expertly crafted four-tracker, this is crate-digger gold with serious club utility.
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DIM KELLY unveils wondrous 9-Track Album Beau Rivage
Belgian electronic artist DIM KELLY returns to All Day I Dream with Beau Rivage, a stunning nine-track album shaped by solitude, reflection, and a renewed sense of creative purpose. The release finds KELLY channeling a winter spent building his new studio into an absorbent body of work and his most personal to date.
“Building tunes, one mistake at a time. This album is made to dance and to remember where it takes you.” – DIM KELLY
"Anti Todo" is Eskorbuto's most celebrated album, recorded in the shortest time imaginable and released in 1985. It shows what the Spanish punk band did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. A new remastering for this edition has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed "Anti Todo", a true classic recorded at Eskorbuto's peak of their creativity and energy. It includes a large poster and insert with notes. DESCRIPTION 1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it. Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things_ When it came to recording "Anti Todo", Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and we have to ask: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song 'Tamara' was practically composed on the spot in the studio in less than two recording days, as was much of 'Ha llegado el momento'. The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed "Anti Todo", a true classic in our musical history, originally released in 1985 at Eskorbuto's peak of their creativity and energy. This edition of the album includes a large poster and insert with notes.
A new release on Keinemusik is coming up, and ‘if you want it’ might be a bit of a rhetorical question to ask. The groundwork for „Crazy For It“ came together when Rampa and Boys Noize were exploring project ideas, and it was only a matter of time until things fell into place. Jack-of-all-creative-trades Vinson stepped in, and laid down those heartfelt vocals. The production was refined exclusively within the Keinemusik circle, and was premiered live together with Vinson at Coachella, showcasing „Crazy For It“ to be the most soulful, passionate, and driving tune you’ll be dancing your heart out to this year. Chances are you might even go crazy for it.
DESTIN CONRAD, is a sultry R&B singer hailing from Tampa, Florida. A newcomer to the music industry, DESTIN actually got his start on Vine, amassing over 1M followers. Years later he received his first major writing credits on Kehlani's Billboard #2 album, It Was Good Until It Wasn’t. DESTIN’s debut project, COLORWAY, was released in 2021 and has surpassed over 120 million streams. He spent 2022 on the road opening for artists Syd and Kehlani on their respective tours.
DESTIN CONRAD did his first headlining tour in EU and UK in 2023, where he sold out shows in Amsterdam, Paris, and three nights in London. His sophomore project, SATIN, was released November 2022 and has been just as successful as COLORWAY. Fader described his catalog as, "lush, intimate earworms infused with a gentle touch." The following releases, SUBMISSIVE, & SUBMISSIVE2, showcased a new era of growth for DESTIN, landing major features on both projects and embarking on a massive 47 show global tour.
All of this has culminated in the release of DESTIN CONRAD’s debut album, LOVE ON DIGITAL, setting himself up as one of the new promising voices in R&B. Previously released singles include “The Last Time (feat. Teezo Touchdown),” “KISSING IN PUBLIC,” & “DELUSIONAL.”
- A1: Hieroglyphic Being - Beyond The Wall Of Sleep
- A2: P Lopez - 3031
- A3: Inland - Our Man With A Plan
- A4: Gulnara - High
- B1: Inland - Veritas
- B2: Inscisor - Medusa Power
- B3: Hieroglyphic Being - A Dream Within A Dream
- C1: Inland - 152 Bleeps
- C2: Touch Ten - Sort Of Place
- C3: Ed Davenport & John Gürtler - The World Absorbing
- D1: Faerber & Fred Mann - Kosmosis (Inland Edit) (Inland Remix)
- D2: Inland - 60311
- D3: Ed Davenport & John Gürtler - Look After Your Heart
Official Movie Soundtrack of the future cult "RAVE ON".
Produced and Edited by Inland (Ed Davenport).
Tracklist curated by Ed Davenport, Freddy K & Viktor Jakovleski.
RAVE ON is a brave, captivating feature film that portrays the subculture of techno like rarely before. Made by real club culture lifers and ravers, it stars Aaron Altaras with appearances by Hieroglyphic Being and Lucia Lu.
A movie by Berlin based filmmakers Viktor Jakovleski & Nikias Chryssos.
yellow vinyl[14,71 €]
Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin. Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style, persona, and sweaty live performance skills - his musical understanding and need to explore new directions took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers - but always in a tone of his own. Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create. The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers. "Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder kid by the media back in the 90's. An insider with new knowledge of Bjorn told us: "Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."
We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if you want to, but don't expect all the rides to be fun - sometimes it hurts! Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart, making music documents for the few. Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is important if you want to make interesting music that last for the future. When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous underground labels, made the jump to a major label, and everything more or less turned out as a big disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the moniker Prinz Ezo - The Body Offset. We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.
Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has gained insight on another level, adding even more nuances and textures to his post-genre compositions.
Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER Why Kurier? Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology - he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and understanding his skills, at the point where you understand why you have to cross borders, still incognito, doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and space. Not Restless nor rootless, just forever on the move, always discovering new landscapes! But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely in balance with the music inside of him. Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?
Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those who never arrived.
Love From San Francisco – 'Keep Rockin' (+ Unreleased mixes)
A true underground classic returns via Mint Condition — 'Keep Rockin' by Love From San Francisco (aka Charles Webster) is back on wax in this freshly remastered 2025 edition. Originally released in the mid-'90s and long out of print, this deep house essential defined a generation of smoky after-hours and West Coast groove.
This deluxe 12" reissue stays true to the original deep, dubby sound but adds extra value for crate diggers and collectors alike with two previously unreleased mixes, recovered from the original DATs. These alternate takes give a new dimension to an already timeless track — stripped-down, hypnotic, and primed for modern floors. Pure vinyl heat from the golden era of deep house.
An extremely rare Northern Soul 45 RPM single originally released in 1965 on the Holly label, Billy Arnell And The Sparkles "Tough Girl" was the product of two childhood friends that lived less than a block apart in suburban Fairlawn, New Jersey in the early 1960s - Billy Smith and Lou Hemsey.
Billy played guitar and sang; Lou played guitar and wrote songs, so they decided to form a band. They added friends Eddie Hoffman on organ and Jack Gullone on drums and began playing lots of gigs locally as Little Willie & The Sparkles. They were young, ambitious, and imagined themselves as the next Beatles. By a stroke of fate, they met Joe Martin of Apex-Martin Distributors in Newark, NJ, who caught the band's live show and was duly impressed. That meeting led to the recording session for the "Tough Girl" single. When they recorded the first version of the song, the producer wasn't happy, nor was Joe Martin - so he fired that producer and brought in the young, up and coming producer, George Kerr. Kerr didn't care much for the band, so they redid the entire thing without Hoffman and Guilone - with just Billy singing and Lou playing guitar.
The pair of old friends were buoyed by session aces Eric Gale on guitar, Bernard Purdie on drums, Bobbie Banks on organ, as well as a bass player whose name has been lost to time. In addition to those changes, they used the studio horn section that Hemsey arranged for, plus two trumpets, two saxes and two vibes players. The resulting single was an infectious amalgamation of rock and soul. Billy changed his surname to Arnell for the 45 release (because he thought it sounded more "show-biz") and the rest is pop history. Arnell later started a record company (Fire Sign Records) and purchased a recording studio (112 Greene Street Recording) in the trendy SoHo section of Manhattan with Steve Loeb.
As for the rest of The Sparkles, Hoffman became a teacher somewhere on Long Island, Guilone graduated from the Culinary Institute of America in Massachusetts and ended up living in Northern New Jersey. Hemsey became a well-known recording engineer, composer (Lou was the one who wrote "Tough Girl"), guitarist, arranger, orchestrator, editor, film director and producer for records and commercials.
DJ Support: SSSLIP, Voigtmann, Moxie, Domenic Cappello, Subb-an, Reiss, Roza Terenzi, Mr. Redley / Rinse FM, Hutch / Ambers / Fabric, Joe Koshin, ODF, Georgia, Marc Satseg, Make A Dance, Raresh, Secretsundaze, ADMNTi, Francesco Mami, B From E, Tifra, Kassian and many more
Handy Record's 'Natural Frequencies' Imprint returns for its 5th Release with Jinjé.
The four track EP 'Days like This' graces the label fusing sounds in the realms of Breaks , Bass , Progressive and techno.
Days like this opens up a new sonic realm for Natural Frequencies with flickering synth's, soaring analogue embellishments warping around a driving subsonic bass and crunchy drums. Delving deeper into the wormhole with vocal snaps and hypnotic layering, keeping your head down and energy up on the dancefloor.
fka boursin is a DJ and producer out of Bristol, UK.
Previously known as DJ Boursin, he is recognized for his deep, ambient-infused house music that explores political dimensions of clubs and identity politics.
Welcomed into the Scissor & Thread fold, fka boursin shares two cuts of deep and introspective
electronic music.
The original Listless Intertext is a hazy trip through ambient soundscapes, shuffling rhythms and half-caught conversations, drifting across a 12 minute run time that slowly evolves and shifts with time.
"Listless Intertext is a track centred around the "failed" employment of cheap vocoder software that attempted to process explicit words and phrases across 11 minutes." says fka boursin. "Instead, the vocoder output made any words indecipherable and I was left with thematic vagueness. The final text of the track is simply a submission to its own limitations with some french thrown in."
When label bosses Frank & Tony step up for their Housebeat Dub, they keep the essential mood but introduce a thick, fat groove that works just as well in conveying the mood.
"Our remix is a strictly dancefloor approach," says Frank, "an extended psychedelic beat rework perfect for late night, early morning vibes".
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. Like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection.
Duncombe and Wennborg have been chewing over ‘Joy, Oh I Missed You’ for four long years, working their process until they were "queasily intimate" with their arsenal of artificial voice tools. Tracing the history of the technology, from voice synthesisers and chatbots to AI voice analysis tools, the duo experiment relentlessly to develop a digital-age response to IRL extended vocal technique - think François Dufrêne, Yoko Ono or Phew. Less interested in replicating human sounds exactly, they instead test how various tools might cough up their own idiosyncratic tics as they stretch and stutter through attempts to mimic their "fleshware" counterparts.
Duncombe's got prior form here, most recently re-synthesising her voice on the brilliantly oily 'Sunset, She Exclaims' 45 for Modern Love, following a stunner for 12th Isle in 2021. Wennborg brings along experience from her tenure as one half of microsound duo soft tissue, whose 2022 LP 'hi leaves' (Students of Decay) was a haptic treasure. These approaches mesh remarkably well on their first collaborative full-length, with Duncombe's eerie bio-electronic incantations providing the ideal foil for Wennborg's carbonated hardware processes. It's not completely clear where the human voice ends and the zeroes and ones begin on 'Your Lips, Covering Your Teeth', as rolling cyborg syllables tumble over OS-startup womps and surprisingly svelte outcroppings of glassy, synthetic glitches. The music is surprisingly mannered, a sonic reflection of the cover, where a mouth is pixellated until only colour swatches remain. Duncombe and Wennborg trace the gradual erosion of their voices, leaning into the chaos as their various tools veer off into unique patterns of failure.
What sounds like a far-off, ghosted folk rendition (we're reminded of the Icelandic laments that Rabelais chewed up on 'Spellewauerynsherde') is offset by gnarled, bitcrushed machine faults and pneumatic lip smacks on the brilliant 'Residue', and on 'Brushed My Hair', the duo massage the voice until it sounds like a flute. Assembling stutters and barks and sighs into a celestial chorus alongside time-stretched moans, they create a levitational atmosphere on 'Smell It', freezing the energy from bizarre pitch steps to configure a zonked vocal ensemble.
'Joy, Oh I Missed You’ is an album that, like its source material, constantly morphs, testing the boundaries of its concept repeatedly without bubbling over into conceptual goo. In fact, it's remarkably euphonious, even at its most theoretically abrasive; Duncombe and Wennborg wring out uniquely angelic formations through a process of trial and error that packs a surprising, hefty emotional punch.
Das Debütalbum des enigmatischen Kollektivs Danzón El Gato stellt einen faszinierenden Dialog zwischen Jazz, Funk und Roots-Musik her. Gegründet im Untergrund der Madrider Experimentalszene, gehen die Mitglieder vom Groove aus, um Traditionen zu erkunden. "El Sonido Bastardo" ist ein Kaleidoskop aus Rhythmen, Landschaften und Echos aus Nordafrika, den Tropen und Lateinamerika, verflochten mit einer rockigen Rhythmussektion, die gleichermaßen von 1970er Library Music wie dem Hip-Hop inspiriert ist. "El Sonido Bastardo" fängt die Essenz eines kulturellen Schmeltiegels im ständigen Wandel ein, dessen Musik in der Tradition verankert ist, aber gleichzeitig einen kosmopolitischen und überschwänglichen Look aufweist. Die beiden Kernmitglieder Javier Adán und Santiago Rapallo schrieben in der Vergangenheit experimentelle Stücke fürs Kino und das Prado-Museum.
Perth’s finest, Psychedelic Porn Crumpets, continue their onslaught on 2025 with the release of a brand new single & announcing details of their 7th record due in May 2025. ‘Carpe Diem, Moonman’ promises to be another weird & wonderful journey through the mind of Jack McEwan, the talisman of the Perth 5-piece. It’s announced alongside brand-new single ‘Weird World Awoke’, another ferocious blast of inimitable rock & roll, with a lyrical rollercoaster to keep pace with the relentless tempo & guitar slaloms.
McEwan himself had this to say about the new record: “Carpe Diem, Moonman” is an entanglement of chaos, the bi-product of excessive touring, an explosion of doubt, wonder, excitement, dog bites, Greek philosophy, death, weekend benders and a partridge in a pear tree, a mongrel of sorts. There’s so many genres, flavours, cream crackers and fairground amusements packed into CDM. It blasts out the gates, takes you for a spin then leads you off into somewhere beautiful, fun and enthralling. I want people to come back and find something new with each listen.”
Das dritte Album der äusserst produktiven und genreübergreifenden Musikerin Jane Remover erscheint in einer ersten limitierten Auflage auf dem jungen Indielabel deadAir und enthält ein Danny Brown-Feature ("Psychoboost"). Die in New Jersey aufgewachsene und in Chicago lebende Künstlerin vermengt Hyperpop, Dubstep, Noise, Hip-Hop und Alternative zu einem exzessiven Amalgam, das nicht nur die Kritiker begeistert. "Die experimentelle Künstlerin macht im Vergleich zu ihrem vorherigen Album eine komplette Kehrtwende und entfesselt ein Inferno aus rohen Gedanken, das alles – Rap, Pop, Stimme, ihre künstlerische Persönlichkeit – bis zum Zerreissen treibt." - Pitchfork
Barcelona-based record label Hot Plates, founded by Nico and Dom of Suicide After 7, is thrilled to present its debut release: a four-track EP distributed by Runas. The record is a dynamic journey through analog textures and genre-blurring rhythms, unified by a shared spirit and sonic identity. Crafted with vintage gear like the TR-808, Juno-106, FM synths, and Prophet, the EP showcases a range of moods and energies:
“Blanked” sets the tone with crisp pads, a subtle Chicago house rhythm, and a blend of futuristic and retro synths. It carries an ominous yet invigorating feel—an understated dancefloor burner that slowly creeps in.
“Fish Fry” pushes into darker territory, with an edgy, slightly menacing EBM vibe. Anchored by a gritty FM bass and splashes of sharp percussion, it rolls forward with underground intensity and eerie momentum.
“Orion” shifts the tone into something romantic and nostalgic, channeling classic Italo influences. Soft pads and a hypnotic, pulsing synth create a dreamy, forwardmoving energy that feels both futuristic and wistful.
“Sole Seller” closes the EP with a disco-inspired banger—playful, stripped-back, and built to move. Sparse vocals float above the groove, giving it just the right hint of attitude while keeping it firmly locked in dance territory.
Each track opens a different window into the Hot Plates universe. Together, they form a cohesive, well-rounded EP—diverse in style, but united by that
unmistakable Suicide After 7 essence
Kevin Fingier returns with a brand new 7” single on his own Acid Jazz imprint Fingier Records. Known for his explosive Latin sound and classic-style production, Kevin has released a string of sell-out soul 45s, a world music vinyl series, and an album and LP respectively.
Here Kevin returns to his Jamaican-influenced roots. He formerly led Acid Jazz-signed reggae band Los Aggrotones and has produced tracks for reggae legends Derick Harriott, Pat Kelly and The Cimarons. Now for the first time this distinct flavour hits wax on the Fingier label.
This release presents a unique, driving Ska-tinged take on Mod/R&B classic ‘Comin’ Home Baby’, paired with a Fingier original, the deeply authentic Trojan-styled ‘Leaving Samsara’ on a limited edition 7” vinyl single.
Presented in the Fingier Records graphic housebag, the perfect addition to the summer DJ box.
Dave Hamilton revived ‘My Sweet Baby’ his 1967 release by J T Rhythm on a harmony group from Flint, Michigan called the Mark-Keys. The backing tracks are similar, but the harmonies are softer and it is this version that appeals to the Lowrider scene devotees. The beautiful ballad flip ‘Heavenly Thing’ adds further interest for the collectors and DJs who are so influential nowadays; the high demand has brought about this Repro pressing.
Don’t Pretend’ by the Belles is one of the foundation stones of northern soul. Largely ignored in its homeland it is revered across the Atlantic. It has been reissued twice in the UK, but this time we have chosen an alternative B side to previous releases. ‘Cupid’s Got A Hold On Me’ was only found in 2004 when Ace bought the Mirwood catalogue and the recording was discovered among the tapes. It deserves its share of the spotlight.
Debut LP by Benedikt Montiel Mathews
Frankfurt-based producer, multi-instrumentalist, and DJ Benedikt Montiel Mathews is set to release his debut LP in August 2025 in collaboration with Jazz Montez. Fusing Jazz, Funk, Electro, House, and Techno, the album reflects Benedikt’s genre-bending sound and unique musical voice — shaped by his skills on keys, trombone, guitar, bass, and vocals.
The record will be released on vinyl and accompanied by a music video and a release gig on August 31st, where Benedikt will curate and DJ the entire night. Expect rich textures, danceable grooves, and a fresh perspective from one of Frankfurt’s most exciting young talents.




















