Search:kenny ken

* Limited edition 10” Vinyl release.

* Beat Merchants team up with Jungle Soundclash champion and all-round Jungle / D&B legend Kenny Ken again for an extended four track release of their project 'Riddim Up'.

* Three brand new mixes of last years dancefloor destroyer, a Reggae mix, a Jungle mix, and a Dub version. Ezy Star's features on all tracks, with his cover of Cornell Campbell’s ‘Boxing Around'.

* Beat Merchants have been making real waves over the past 18 months, with their authentic mix of dub, reggae, soul & R&B infused with Drum & Bass flavours. Made up of Jubbz (Supply & Demand) and legendary MC Juiceman, who’s been a main stay and D&B and UKG events for the past 20 years. Beat Merchants are on a mission to bring the jungle vibes back to D&B.

* Kenny Ken is a man who needs no introduction to those who know their Drum & Bass. Legendary DJ who has been flying the Jungle flag since the early 90s. For years Kenny repped for the Kiss 100 D&B show and has been touring the world bringing his unique Mix’N’Blen to crowds the world over ever since.

The Eclectic Limited 002 delivery is on the launching pad! It contains 4 amazing tracks full of energy and groove.
Your sensations will be captured both by the ETD and the Kenny Dahl original tracks, being full of strength and sound lightning. It will feel like a deep immersion into the dark and mysterious sonorities of the night.
2 fantastic remixes of 2 great artists round up the project. In fact, RADIAL and KEN KARTER hit your feelings with 2 elegant inspirations unchaining the energy of the sound.

On Chuck Strangers’ latest opus, Glory Of The King’s Hand, he raps, “I still rap from the perspective of my government name…” The stage name “Chuck Strangers” is, of course, an alias but it’s not necessarily an alter ego. For the man born Che Jessamy, his rap moniker isn’t some over-the-top rock star persona contrived for public consumption, it’s just a name. What you hear on his records is really who he is - a heavy-tongued griot from East Flatbush, Brooklyn with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he’s gained in his lifetime - especially in the 14 years since he first made his debut with the Pro Era collective.


The elaborate title of his new album, Glory Of The King’s Hand, speaks to his gratitude for the hand that life’s dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That’s something to be thankful for.


Glory Of The King’s Hand, not only represents Chuck’s matured attiGlory attitude but also his matured sound. Key to this refined approach was tude collaboration. Chuck is a proficient beatmaker in his own right as evidenced by his production for himself and artists like Joey Baevidenced Badass, and Boldy James. But this time around Chuck chose to be a dass, producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself. d Up Reprise


The list of contributing producers is a who’s who of underground sound scientists including The Alchemist, Animoss, Theravada, Kensound Kenny Segal, Preservation, Child Actor, and Morriarchi.

Co-founder of Pond and touring member of Tame Impala, Jay Watson, also makes music as GUM. “GUM is my brain, unfiltered,” Watson says. A labour of love and an exercise in joy, written and recorded with Ambrose Kenny-Smith, best known as the mesmeric harmonica-player, keyboardist and vocalist with King Gizzard & The Lizard Wizard and The Murlocs. The debut collaborative album between the two is a 10 track exploration into groove, blues and soul, deeply hypnotic from start to finish.

2026 Re-Release

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

LP ltd colored vinyl, 140 gram, gatefold, mp3 Download PostCard

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

An absolute, hard-charging funk hammer from the Dap-Kings - an incredible instrumental co-written and co-produced by Dapper Bosco Mann and Kenny Dope! If "Nervous Like Me" has a title that reflects some kind of apprehension, the track is anything but! It's simply pummeling - with a rhythm that kicks out from some stealth bongo and rolling trap that build into some playful guitar and bass response until the horns crash and boom! The beats on the flip isolate the funky drums, providing a sizzling beat track.

Richard Sen debuts on Phantasy with ‘Space 1999 / Bergen Light Rail’, the first transmission from the illustrious DJ and producer since his vinyl-only solo LP, 2024’s ‘India Man’.

Deeply invested in electronic music for over thirty years, first at the intersection of London’s acid house and graffiti art scenes, evolving in cult duos Padded Cell and Bronx Dogs, and now generously sharing his formidable knowledge of club culture on London’s Do!! You!!! Radio, Sen is known to take listeners anywhere. On this occasion, he locks into two distinct influences from his winding creative journey, with ecstatic results.

The title of ‘Space 1999’ mirrors Sen’s own hand-painted accompanying artwork, yet its sonic influence sits much closer to our own orbit; A tribute to a slice of London nightlife history, Space at Bar Rhumba was a midweek party led by residents Luke Solomon and Kenny Hawes, whose selections helped sculpt the deep house scene at the turn of the millennium. ‘Space 1999’ transports contemporary dancers back there in no less than ten minutes, led by a deep bassline and swinging drums, while an intergalactic melody slowly takes hold, resulting in pure satisfaction.

‘Bergen Light Rail’ embraces a different kind of kosmische, looking to the northern light of space disco and following the tram route of its namesake to the Norwegian city’s beloved Club Ostre, riding a rhythm of pogoing toms and crashing drums. Conjuring a dreamy tête-à-tête between ever-expanding, heavenly synths and tightly-wound arpeggiators, Sen’s transmission to the stars is a deeply human call to dance.

On Chuck Strangers’ latest opus, Glory Of The King’s Hand, he raps, “I still rap from the perspective of my government name…” The stage name “Chuck Strangers” is, of course, an alias but it’s not necessarily an alter ego. For the man born Che Jessamy, his rap moniker isn’t some over-the-top rock star persona contrived for public consumption, it’s just a name. What you hear on his records is really who he is - a heavy-tongued griot from East Flatbush, Brooklyn with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he’s gained in his lifetime - especially in the 14 years since he first made his debut with the Pro Era collective.


The elaborate title of his new album, Glory Of The King’s Hand, speaks to his gratitude for the hand that life’s dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That’s something to be thankful for.


Glory Of The King’s Hand, not only represents Chuck’s matured attiGlory attitude but also his matured sound. Key to this refined approach was tude collaboration. Chuck is a proficient beatmaker in his own right as evidenced by his production for himself and artists like Joey Baevidenced Badass, and Boldy James. But this time around Chuck chose to be a dass, producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself. d Up Reprise


The list of contributing producers is a who’s who of underground sound scientists including The Alchemist, Animoss, Theravada, Kensound Kenny Segal, Preservation, Child Actor, and Morriarchi.

„Once Upon A Time“ ist ein Schlüsseldokument des britischen Modern Jazz um 1970. Alan Skidmore
stellte das Quintett für das Montreux Jazz Festival 1969 zusammen, wo es gleich drei Preise gewann –
darunter als beste Gruppe und Skidmore als bester Solist. Der Erfolg führte zur Zusammenarbeit mit
Deram-Produzent Peter Eden. Mit Kenny Wheeler, John Taylor, Harry Miller und Tony Oxley vereinte
Skidmore einige der später wichtigsten Stimmen des europäischen Jazz. Das 1969 aufgenommene und
1970 auf Deram Nova (SDN 11) erschienene Album verbindet Skidmores Coltrane-geprägtes Tenorspiel
mit Modal Jazz und freien Formen.

Unless you’ve been living under a rock you will have bound to have heard Prospa and Cloonee’s 2026 Summer anthem Free Your Mind which reimagines the iconic vocal from this legendary Fibre Foundation track. Featuring Sybil’s vocals originally heard on Oh, How I Love You, produced by Victor Simonelli, Prospa & Cloonee’s track introduces the beloved hook to a new generation of House music fans.

Now for the first time since it’s initial release in 1995 Free Your Mind by Fibre Foundation, one of the many aliases of New York house mainstay Victor Simonelli, is available again on the original label, Victor’s own Big Big Trax.

Driven by uplifting piano riffs, soulful vocal touches and groove-led rhythms, the track captures the essence of classic US garage house, delivering a feel-good energy that continues to resonate on modern dancefloors.

Featuring a selection of mixes including UK Mix, NJ Mix, Instrumental and Bonus Dub, the release offers strong versatility for DJs across house and garage sets, from peak-time moments to deeper transitions.

Rooted in the New York house tradition, Simonelli’s productions sit comfortably alongside artists such as Masters At Work, Todd Terry and Kenny Dope, making this a natural fit for stores supporting classic US house and garage.

Back on fresh 12" vinyl, this iconic release maintains strong appeal for both collectors and DJs looking for reliable, time-tested dancefloor material.

Cold, Bold & Together (CBT) CBT was founded in Bellingham, Washington in 1971 by percussionist Tony Gable and musicians Solomon Harris, Keith Hooks and twin brothers TC & Jamar Jenkins. It soon became evident that Bellingham was not a particularly welcoming environment for R&B music, so they moved to Seattle to try their luck and plumb the rich supply of venues, which they successfully did until disbanding in 1978. They spent their early Seattle years playing a combination of covers and originals in clubs, later becoming the "go to" opening act for various nationally known artists, such as Ohio Players, Kool and the Gang and Earth, Wind & Fire. While they were paying their club circuit and opening act dues, they squeezed in recording sessions whenever they could and released their own material, which was well-received and got strong regional airplay. However, because of the feudal nature of the music business at the time, they just couldn't break out, and like a lot of Northwest bands with great potential, they inevitably broke up and went their separate ways. Upon disbanding, they left behind a collection of original recordings at Seattle's legendary Kaye-Smith studios.

Unfortunately for CBT, the studio passed through several owners and at some unknown point in time, one of them did the unforgivable and destroyed the storied studio inventory of two-inch tapes and quarter-inch masters. Unknown to the band, a copy of their masters was smuggled out by their producer who added them to his legacy collection of cloned quarter-inch masters. After several years and many moves, he became concerned about the tendency for magnetic tape to deteriorate over time.

He sent the tapes to a Seattle lab to be restored and digitized, with the hope that perhaps, some day, they might be made available for the listening pleasure of R&B fans. The hoped-for day has finally arrived. Russell Paine and Super Disco Edits has pressed two of the Kaye-Smith CBT tracks: "Go For It", a jazz-influenced instrumental, featuring Kenny G, and "Unity", sung by the group en masse with Tony Gable singing lead. The musicians on these tracks are: Tony Gable, leader, vocals and percussion Harry Alexander, drums Kenny Gorelick (now world-renowned "Kenny G"), sax, flute and horn arrangements Chris Ishi, trumpet Michael Young, Trombone Jamar Jenkins guitar, vocals TC Jenkins bass, vocals 1 Philip Woo, keyboards Footnotes: CBT gave legendary saxophonist Kenny G his start in the music business. Kenny was still in high school when he was recruited to play sax and write horn arrangements. Kenny co-wrote, arranged and played sax and flute on the instrumental "Go For It." He rips a smoking tenor sax solo in the middle, which showcases his already masterful technique and solidifies his R&B bona fides. He went on to have a spectacular career recording for Clive Davis and Arista Records. Before his untimely passing in 2016, Tony Gable went on to found contemporary Jazz group, "Tony Gable and 206" (206 being Seattle's then only area code). With songwriting, performance and production help from Kenny G.

All tracks have got massive support from Djs like Danny Krivit,Kenny Carpenter,Dave Lee ZR,MicFreak,Alan King,Mijangos,Dj Disciple,Peppe Citarella and many many more.

DJ Support: Louie Vega, Terry Hunter, Kenny Dope, Jazzy Jeff, Natasha Diggs, Wayne Williams & More

Broken at the Chosen Few Picnic in Chicago by Terry Hunter, where 40,000 people were singing along to it, after which the label received dozens of requests from a who’s who of DJ’s asking for a copy.

It’s since become one of the biggest tracks around played from Chicago to Ibiza.

Grab your copy now, Limited Pressing act fast!

Talking with the Taxman About Poetry is the third album by Billy Bragg, originally released in September 1986.

This long overdue vinyl reissue comes in a gatefold sleeve and was remastered by John Webber at Air Studios using high-resolution transfers made from master tapes in Billy's archives. There will also be a limited edition run of coloured vinyl albums.

For Talking with the Taxman About Poetry, Bragg embraced a more fully realised band sound with the help of special guests Kirsty MacColl and Johnny Marr and production courtesy of John Porter (Roxy Music, The Smiths) and Kenny Jones. ‘Taxman…’ was his first top ten album and gave the world some of his most enduring songs in ‘Greetings To The New Brunette’ (his first top 40 hit), live favourite “Levi Stubbs’ Tears” about a victim of domestic abuse taking comfort in the music of the Four Tops, and classic workers’ anthem “There Is Power in a Union”.

The debut Peacefrog album from Kenny Dixon Jr. aka Moodymann originally released in 1998 is an album of truly epic proportions, a must have for any and all collectors and lovers of house music. Utilising soul, funk, gospel, and even hip hop production techniques and alternating from mellowed-out disco dubs like "Mahogany Brown" and "Stoneodenjoe” to more raw and dirty tech-house tracks like "Me and My People's Eyes.”. Mahogany Brown delivers a slice of Black American music that affirms Kenny's reputation as a major influence on house music today.

Das dritte Studioalbum von Los Bitchos vereint Einflüsse der multinational besetzten Band mit Beiträgen internationaler Gastmusiker. Sie spielen vorwiegend Instrumentalmusik im Stil der Cumbia der 1970er und 1980er Jahre. Die neun Tracks verbinden unterschiedliche musikalische Hintergründe und enthalten mehrere Kollaborationen, darunter "Hang Up (Pt 2)", "Holding Cell", "Conexiones" und "El Pençe".

2026 Repress

The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece.

The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit.

Already a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy Burgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback.

All six tracks here could have been stand alone 12" hits. Indeed, some of them were. But together they are also an incredibly cohesive album, where all the compositions are deeply relevant to each other. In short, it’s essential; a thrilling showcase for Burgess’s finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass.

Opener “(You’ve Got) That Something” is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of “Dancing Into The Stars” - married to percolating synth and airtight drums - showcases the chemistry between Burgess and the rhythm section.

The fusion of funk and gospel-influenced harmonies which propels “Something Else” is remarkable - deep, joyous and bouncy. Infamously mixed by Larry Levan, “I Know You Will” is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. “Lay It On The Line” radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer “Sweet To Me” is a chilled-out gem of profound soulful elegance.

Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, in the last decade, MCDE and Harvey Sutherland have routinely cited it as a huge influence. Accordingly, finding original copies on vinyl at affordable prices has been a thankless task. This fresh Be With reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves to.

Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, we think this is a reissue that does justice to this classic LP.

Do You Want Me Baby sees Cloud 9 deliver a timeless garage house cut from New York legend Victor Simonelli, returning on fresh 12” vinyl.

Built around uplifting piano lines, soulful vocal hooks and groove-driven rhythms, the track captures the feel-good energy of classic US garage house and remains a staple for DJs across house and garage sets.

Featuring a full suite of mixes including Club Mix, Deep Dub, Bonus Beats and Instrumental, the release offers strong versatility for DJs looking for both peak-time energy and stripped-back club tools.

With a sound rooted firmly in the New York house tradition, this release sits comfortably alongside artists such as Masters At Work, Todd Terry and Kenny Dope, making it a natural fit for stores supporting classic US house and garage.

Back on fresh 12" vinyl, this iconic track continues to resonate with both long-time collectors and a new generation of DJs.

A reliable and highly playable catalogue piece for stores supporting classic house and garage.

For the first time in its 27-year history, Defected compile its greatest hits, underground anthems and bonafide house music classics into a 5 volume triple vinyl collectors series.

Spread over the three records, Volume Three collects twelve of Defected’s most established and sought after releases. Featuring the UK No.1 hit; MK’s remix of Storm Queen’s ‘Look Right Through’, Bob Sinclar’s anthemic ‘I Feel For You’ that has seen an Ibiza revival this summer, Jamie Jones’ ‘My Paradise' and Pete Heller’s classic ‘Big Love’, plus productions and remixes from Inner City, Louie Vega, Dennis Ferrer and more.

Mit FATHERS präsentiert sich ein außergewöhnliches neues Kollektiv aus Produzent Kenny Beats, Keyboarder Kiefer, Bassist CARRTOONS und Drummer Nate Smith. Auf ihrem selbstbetitelten Blue-NoteDebüt verbinden sie die Offenheit des Jazz mit Hip-Hop, Funk, Soul und elektronischen Einflüssen zu einem
ebenso virtuosen wie zugänglichen Sound. Entstanden aus einer Zusammenarbeit beim Montreal Jazz Festival 2023 und weiterentwickelt auf gemeinsamen Tourneen durch die USA und Japan, lebt FATHERS
von der kreativen Chemie seiner Mitglieder. Das Ergebnis sind acht Songs voller präziser Grooves, starker
Melodien und geschmackvoller Arrangements, die musikalische Raffnesse mit unmittelbarer Zugänglichkeit
verbinden.

Following the success of UNLOCKED and UNLOCKED 1.5, acclaimed rapper Denzel Curry and visionary producer Kenneth Blume fka. Kenny Beats reunite for another explosive collaboration on upcoming album ii. Featuring JPEGMAFIA, Yebba, and Westside Gunn, the project pairs boundary-pushing production with sharp lyricism. The campaign includes music videos for both focus tracks, behind-the-scenes content, exclusive interviews, and more, giving fans an inside look at the making of this highly anticipated release.

A batch of bass-heavy basement house tracks on the Clone Royal Oak series, simply because these are too much fun not to release on vinyl! The QB-1 project leans on those stompin' old school Todd Terry and Kenny Dope beats, but adds some modern production skills and turns them into proper DJ tools for those sweaty house basements, or what the heck, even your TikTok rave!

2026 REPRESS

COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!

4 carries on the celebrated series, showcasing selections from the legendary Sub-Urban catalogue, bringing together a selection of classic garage house cuts from some of the scene’s most respected names.

Featuring standout tracks from Tommy Musto under both his Tribute & Unifunkation guises, Kenny Dope as well as Matthias Heilbronn & Mike Delgado as Lift, the release captures the soulful, groove-led sound that helped define New York and US garage house throughout the 90s.

Including favourites such as Kenny Dope presents James Rouse’s Dance and Unifunkation featuring Alexander East’s Feel Me, this fourth volume brings together a selection of proven club records in one DJ-friendly vinyl package.

Limited Edition Orange Repress of the massive “You'll Never Find”. Recently voted one of the most influential tracks of the last decade at the Winter Music Conference.

Supported by the likes of Pete Tong, Cajmere, Grant Nelson, Sonny Fodera, Quentin Harris, Robert Owens, Tony Humphries, Danny Rampling, John Morales, Graeme Park, and many more worldwide.

Good For You present a special Paradise Garage inspired 12 Inch sampler from the ‘Paradise Garage : Inspirations’ compilation, featuring two of Kenny Summit's collaborations with the Director's Cut duo, and Godfathers of House, Frankie Knuckles and Eric Kupper.

The A side houses the last ever Frankie Knuckles production, a project Frankie and Summit worked on with Eric Kupper - remixing 'You'll Never Find Another Love Like Mine' by the legendary Lou Rawls – pure soulful house brilliance from the very first second. On the flip you’ll find a further Kenny collaboration with the dynamic duo entitled ‘Loving You’ – the trio teaming up to deliver a stunning Motown inspired dance floor stomper with an uplifting vocal by the one and only Yasmeen.

From Harmony: I've wanted to do a collab EP with Kenny (Kid Lib) for sometime, as he's a great producer and friend. Kenny and I wrote "Dressback" together a few years ago, but never finished anymore colabs. Recently, I found it while going through my hard drive, and we both decided it still needed to be released. So each of us wrote an additional track to finish off the EP, giving you a bit of our separate styles alongside our collab.

The Is It Balearic crew has long held down all things blissed out and downtempo, and their once secretive but now essential side label Magic Wand is doing just as much vital work. Veteran house head Peter Blaker is next up after an already solid showing on Razor-N-Tape in April, and he offers two lush flips. The first is a chord-laced and gently waving rework of Kenny & Dolly that has a lovely new age wash, and the second is a more beat-driven and textured take on 'You Belong In The City.' It has a layer of percussion, big drums and a sort of rhythmic sway that is perfect for the outdoors.

Cloudy Pink / Cloudy Green 2XLP. Before being called “the coolest man in music” (The Line of Best Fit), Paul Castelluzzo was a teenager surfing the beaches of San Diego and playing bars with local jazz greats like Curtis Taylor, until Rodney Jerkins brought him to Los Angeles to perform on tracks for Britney Spears and Justin Bieber. In between driving for Lyft and serving as the music director for a Russian Pentecostal church to make ends meet, he was enlisted for Romeo Santos’ album, Golden, but soon returned home to begin his next chapter as Hether.
Since then, his self-taught guitar style, songwriting talents and profound production palette have led to him working with everyone from Clairo, Dominic Fike, Remi Wolf and The Marías to Paul McCartney, Anderson .Paak, Benny Blanco, Kali Uchis, Kenny Beats, Mac Miller, Rick Ross, Vince Staples and more who continue to discover Hether. Having already amassed millions of streams and hundreds of thousands of fans, landing music in HBO shows and scoring films, Holy Water marks both the culmination of everything Castelluzzo has experienced and accomplished, and an expansive new evolution of a project that has shaped the present and predicted the future, but remains entirely his own.

Tetragon ist das zweite Album des Tenorsaxophon-Virtuosen Joe Henderson beim Label Milestone, auf
dem er seinen Sound im Post-Bop-Bereich weiterentwickelte, bevor er sich später in seiner Karriere weiter
in den Bereich des Spiritual Jazz vorwagte, begleitet von einem Weltklasse-Ensemble mit Ron Carter, Jack
DeJohnette, Kenny Barron, Louis Hayes und Don Friedman.
Diese Jazz Dispensary Top Shelf-Neuauflage von Tetragon wurde von Kevin Gray aus den originalen Analogbändern (AAA) geschnitten, bei Fidelity Record Pressing auf 180-Gramm-Vinyl gepresst und kommt in einer
Gatefold-Tip-On-Hülle.

PAPER ROUTE iLLUMINATi is the compilation album from Paper Route EMPIRE, the label founded by late Memphis legend, Young Dolph, and home to the equally iconic Key Glock and an impressive roster of additional artists including Snupe Bandz & Big Moochie Grape. Including the hit songs, "Talking To My Scale," "I Do This," & "Mister Glock 2," as well as deep cuts like "Broccoli & Cheese," this album is a must have for Southern rap fans and encapsulates a time when PRE was at the height of their game, shortly before Young Dolph's untimely passing. 2xLP pressed on Red Snake Eyes Galaxy vinyl, and housed in a gatefold jacket. Long Live Young Dolph.

‘Distracted’ is Thundercat’s fifth studio album, featuring contributions from an incredible cast of friends including A$AP Rocky, WILLOW, Tame Impala, Lil Yachty, Channel Tres, and a long awaited collaboration with the dearly departed Mac Miller. The record was primarily created in close collaboration with a new creative partner – the super-producer Greg Kurstin – plus Flying Lotus, Kenny Beats (Kenneth Blume) and The Lemon Twigs. In the six years since his GRAMMY-winning album ‘It Is What It Is’, Thundercat’s star has risen: playing stadiums worldwide with Red Hot Chilli Peppers with Flea naming Thundercat “the best bass player on the planet”; performing live with A$AP Rocky, Steve Lacy, Tame Impala, Gorillaz, Silk Sonic, Erykah Badu, Spinal Tap, Yo Gabba Gabba; collaborating with Haim, Smino, Kaytranada, Kamasi Washington and Justice. He also branched out into acting with a role in Star Wars: The Book of Boba Fett. His warm, playful presence is never too far away, and life’s all the more enlivened by it.

RareTwo Inc. aka DJ Sneak and Tripmastaz are back together for 33 chambers EP, the next Respect The Craft release.

Words by Sneak:
"On a hot Ibizan summer the Rare Two fellas spent a period of 33 days on the island making tracks in a house garage with a couple of pieces of affordable gear and a whole lot of talent. We managed to create 33 tracks often burning them on CD to take to djs like Ricardo Villalobos at Amnesia and seeing the instant reaction of the crowd. We are a mega team of same mentality dudes who create from the heart breaking all rules and getting music done for a purpose. The Tripmastaz and Sneak Team is one to expect many great dance floor killers. As we call them Guttah Styles!

Words by Tripmastaz:
Recently I found these projects and since they were done on just a laptop and cheap small speakers, I gave them proper analog mixing and mastering.

All tracks remain exactly the same form and arrangement as they were originally done, including track Aww Lawd, that was featured on R. Villalobos BBC Radio 1 Pete Tongs mix back in 2018.

Mike Grinser at Mandmade Mastering did the lacquer cut and made it sound very crisp and loud a lot like it would've been cut in the 90s.

2026 Repress

DJ Support: Mousse T, Mr V, Quentin Harris, Mark Knight, Claptone, Severino, Roger Sanchez, Moplen, David Morales, Kenny Carpenter and Terry Farley

So Sure presents – Tedd Patterson: Pieces Of Me EP
A1. “Let The Music Set You Free” (feat. Manchild Black & Monster Black)
Tedd Patterson joins forces with Manchild Black and Monster Black to deliver a vibrant, uplifting slice of NYC dancefloor energy. “Let The Music Set You Free” puts a fresh spin on The Illustrious Blacks’ signature message of joy and empowerment.
Patterson’s trademark production—tight, driving beats, bright synths, and peak-time club pressure—creates the perfect foundation for The Illustrious Blacks’ playful, feel-good, and exuberant vocals. Their dynamic presence shines throughout, bringing color and vitality to a track crafted for uplifting moments and late-night release.
A standout A-side full of personality, positivity, and true NYC spirit.

B1. “Piece Of Me” (feat. Inaya Day)
“Piece Of Me” is a high-energy, funk-infused dancefloor bomb featuring a sublime, hook-laden vocal from the legendary Inaya Day. Expertly produced and perfectly executed, this track hits that sweet spot between soulful house and classic club firepower, with Inaya’s unmistakable presence elevating it into instant-favourite territory.

B2. “Do It Again” (feat. Joi Cardwell)
Fresh from collaborations with Inaya Day and The Illustrious Blacks, Tedd Patterson returns with another heartfelt slice of soulful NYC house. “Do It Again,” featuring the unmistakable voice of Joi Cardwell, is vocal house at its purest—authentic, emotive, and stamped with Patterson’s bonafide New York pedigree.
If you like your house music infused with feeling, warmth, and groove, “Do It Again” delivers in full.

Secrets ist das zweite Studioalbum der US-amerikanischen Sängerin Toni Braxton und wurde ursprünglich 1996 veröffentlicht. Das Album markierte einen entscheidenden Moment in Braxtons Karriere, indem es R&B-, Soul- und Pop-Einflüsse miteinander verband und einen Sound schuf, der sowohl zeitlos als auch modern ist. Mit kraftvollen Tracks wie dem Grammy-prämierten "Un-Break My Heart" und dem sinnlichen "You're Makin' Me High" präsentiert Secrets Braxtons unvergleichliche stimmliche Stärke und ihre charakteristische emotionale Erzählkunst.