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Keb’ Mo’ / Taj Mahal - Room On The Porch

Mit „Room On The Porch“ präsentieren Taj Mahal & Keb’ Mo’ den lang ersehnten Nachfolger ihres mit einem GRAMMY ausgezeichneten Erfolgsalbums „TajMo“ aus 2017!

Die außergewöhnliche Kollaboration vereint zwei der besten noch lebenden Blues-Musiker – mit je 11 GRAMMYs sind beide zweifellos wahre Ikonen des Genres.

Den Auftakt der Albumkampagne bildet der Titeltrack „Room On The Porch“ mit der gefeierten Sängerin Ruby Amanfu. Die aus Ghana stammende und in Nashville aufgewachsene Singer-Songwriterin hat bereits für Alicia Keys, Brandi Carlile und H.E.R. geschrieben und war zwei Jahre lang Teil der Band von Jack White. Mit „Room On The Porch“ knüpfen Taj Mahal & Keb’ Mo’ nahtlos an ihren bisherigen Erfolg an und liefern ein weiteres musikalisches Highlight für Blues-Fans weltweit.

pre-order now26.05.2025

expected to be published on 26.05.2025

27,10 €
Night Owls - Hercules / Tell It Like It Is 7"

Side-A features Alex Désert and Deston Berry of Hepcat, in addition to Malik Moore of The Lions. Side-B features Asdru Sierra, vocalist of Ozomatli. Produced, Mixed, and Recorded by Dan Ubick (The Lions, Connie Price and the Keystones). Previous steady radio play on BBC Radio 6, KCRW, SoHo Radio, etc... Very popular among DJ’s and collectors worldwide. To round out their second wave of 7" singles, Night Owls bring the heat once again with their signature sound and vision.

Re-imagining two Aaron Neville classics, “Hercules” feat. Alex Désert and The Lions b/w “Tell It Like It Is” feat. Asdru Sierra from Ozomatli, Night Owls up the ante by bringing in some heavy hitters for both sides of this 45. Side A's "Hercules" features long-time collaborators and bandmates from The Lions (Stones Throw, Ubiquity, NYCT) - the soulful tenor of Alex Désert (also Hepcat) on lead blending seamlessly with the familiar voices of Deston Berry (Hepcat) and Malik Moore (Ocean 11) on backing harmonies. The Lions front line locks in tight from the many years performing together on top of a darker and grittier interpretation of Allen Toussaint’s masterpiece complete with fuzzed-out guitar, Space Echoes and rhythm drops. On the flip, "Tell It Like It Is" keeps the momentum going and hips swaying with added Colombian percussion elements and California lowrider vibes. Featuring L.A. family and multi-talented vocalist of Ozomatli, Asdru Sierra, on lead and Night Owl Dan Ubick on backing vocals Side B creates a unique blend of reggae and Cumbia into a very fresh take on this multi-generational hit

out of Stock

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Last In: 16 months ago
16,18 €
SURPRISE CHEF - SUPERB

Surprise Chef

SUPERB

12inchBCRLP183
Big Crown Records
21.05.2025

Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.

out of Stock

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Last In: 15 months ago
22,65 €
FAT FREDDY’S DROP - WAIRUNGA 2x12"

Wairunga finds the Freddy juggernaut digging deep to debut five songs and revisit two classics captured in an outdoor performance sans audience but with wild weather elements playing an important creative role in producing this unique live album.

Recorded in Wairunga, high above Waimarama Beach in New Zealand, it is place etched into the DNA of Fat Freddy’s Drop who’ve roamed here for over 20 years; to party, relax between tours, make a song Wairunga Blues in its honour and even to get married. Farmed by the Parker family for a century, Wairunga is an oasis of green pasture and native tree filled valleys that fall away to the ocean below.

In inimitable Freddy's fashion the new tunes run a gamut of genre busting styles. Coffee Black is layered with cosmic hot buttered soul and cinematic wigged out psyche-blues while Shady continues Freddy's Afro-Acid adventures with Fitchie’s beat-making tapping into a South African township brand of techno Freddys experienced on tour.

Bush Telegraph is a reggae classic featuring MC Slave aka Mark Williams on the mic with freshly minted yum char spiced rhymes of hope. The other new tracks Leave Your Window Open and Dig Deep are loose rhythmic experiments that the band have been working on for a long time. Versions were developed, rehearsed, but then set aside – dismissed, demonised - only to be revived with new energy in some future moment of creative cohesion. The results are loose-limbed; broken and bruised beats smashing into subterranean bass and twisted up melodies.

Bones and Wairunga Blues are the two classics from Freddy's vast back catalogue. Off the Blackbird album, Bones has aged beautifully - like a fine wine - the song’s component parts matured and melded together in harmony and balance. DJ Fitchie rates this 2021 vintage superior to the 2013 original. Wairunga Blues has been a work-in-progress since it was released on Bays in 2015. Kuki dials up some appropriately off-kilter keys to match the wonky-funk laid down by Fitchie’s bass line and the horns. It’s a mighty comeback – and a fitting tribute to this magical place.

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Last In: 16 months ago
31,89 €
FIGI & LUCA DELL'ORSO - MR. COMPUTER EP

Mr. Computer sees two figureheads of Dutch electronics pay homage to the voice of electro disco, the vocoder. Figi and Luca dell’Orso team up to sing praise of a tool that has crossed genres and styles and give the little metal larynx deserved limelight on their own three track theatre. Rumbling bass is shot through with crisp snaps in the title piece, warbling vocals rising as keys dance in this wonderful collaboration.

Production across the 12” is beautifully clean and sharp, allowing the rich analogue sound and robotic lyrics to be fully appreciated. Of course, as happens with the vocoder, those lyrics are just that shade of bittersweet. That brooding quality is used to full effect by Luca dell’Orso in “Fire with Fire”. A bold and daring melody is countered by a tale flecked with sorrow, the brightness and immersion of synths contrasted by the filtered and fractured human voice. Figi flies solo for the finale. “Moonlight (Vocoder Version)” dips words in a thick mechanical syrup, a story of burning love recanted to moonbeam rinses and bending disco bars.

A true celebration of man and machine.

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Last In: 6 months ago
13,40 €
Various - Earth, Wind & Funk Vol.2 - Pt.1

SAMOSA RECORDS EARTH, WIND & FUNK VOL.2 - Pt.1

Samosa Records comes at you with all the elements for Earth, Wind & Funk Vol. 2 – a succulent double slice of vinyl heaven!

On side A1 label favourites Dirty Elements & Drunkdrivers start the party with the knee-slapping treat ‘Koko’. A bouncing bassline and some sweet clavinet keys act as the starters to this trip around the discophere. Lush strings and sassy vocals provide a delicious cherry on top. Mesmerising stuff.

For A2, Macchianera undergoes a De Gama Re-Groove with ‘Gotta Dance’, a deceptive 115bpm chugger that could travel the tracks for an eternity. Deep, groovy bass and soulful vocals combine perfectly in the build-up to the brass-soaked chorus line. Oh, and you know that rhythm guitar is gonna get you.

Side B1 finds Niels F. ‘Trying To Love’ with a little help from some De Gama Re-Drums. ‘Trying To Love’ breaks out into its stride from the off. With an almost ‘2-step’ vibe at the intro, ‘Trying To Love’ nicely builds to a rag time jam of lush strings, smile-inducing brass and a wicked vocal – all applied perfectly and filtered expertly. Let the good times roll!

B2 brings the Afro inspired delights of MP Soundworks and ‘Gotta Get It’. There’s a tribal vibe in the air at this party, a hypnotic runaway train of a track that makes full use of filtered build ups, looped vocal samples and a wicked, wicked bassline. Bouncier than supper-concentrated Zectron.

In Earth, Wind & Funk Vol. 2 Samosa Records has produced a stunning double slab release, featuring a good mix of some of the label’s most prolific artists and some welcome newcomers.

stock from08.10.2026

Last In: 17 days ago
11,72 €
Soul Clap ft. Haven Star - Gone Stumblin

Soul Clap and Haven Star join forces for vibrant collaboration ‘Gone Stumblin’ on Crosstown Rebels.

Landing on 23rd May 2025, the track brings together years of musical evolution, late-night studio magic, and the unmistakable essence of a true party anthem. Genre-blending US house visionaries Soul Clap return to Damian Lazarus’ Crosstown Rebels with a deeply groovy and emotionally charged new release, teaming up with South Florida’s rising star Haven Star for the striking ‘Gone Stumblin’ - ushering in a new chapter of collaboration and cosmic storytelling.

Rooted in a near-mythical session at Brooklyn’s legendary Marcy Hotel, ‘Gone Stumblin’ began its journey with keyboardist John Camp crafting the original chord progressions and top-line melody. After years of floating in digital limbo, the track resurfaced thanks to Soul Clap’s Charles Levine, who reimagined it with a fresh twist and brought in Haven Star—whose soulful delivery launched it into orbit.

At just 24, Haven Star brings fresh energy and vintage soul sensibility to the table—having shared the stage with legends like Patti LaBelle, Jeff Beck, and Sam Moore, while cutting her teeth across genres from orchestral pop to funk-fuelled house. The original mix merges heady keys and rich chords with a bouncing, crisp low end, while the ‘Dub’ strips it back and introduces trippy sonics and heavy low-ends for after-hours introspection. ‘Unifying Force’ leans into Soul Clap’s psychedelic ethos, before the ‘Bonus Version’ of the title cut offers yet another club-ready rework with added punch.

out of Stock

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Last In: 10 months ago
13,24 €
SURPRISE CHEF - SUPERB

Surprise Chef

SUPERB

12inchBCRLPC2183
Big Crown Records
16.05.2025

Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.

out of Stock

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Last In: 13 months ago
23,95 €
SURPRISE CHEF - SUPERB (TAPE)

Surprise Chef

SUPERB (TAPE)

CassetteBCRCASS183
Big Crown Records
16.05.2025

Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.

out of Stock

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Last In: 15 months ago
10,71 €
Immy Owusu & Sensible J - Spiritual War
  • 1: Spiritual War (feat. Mazbou Q)
  • 2: Doom Elevator
  • 3: Figure It Out
  • 4: Curly Hair
  • 5: Brown Supremacy
  • 6: Spiritual War (stripped)

Inspired by the Zamrock movement of the 1970s, Immy Owusu & Sensible J’s swirling psych/afro/funk EP ‘Spiritual War’ is a rowdy, boisterous selection of songs about injustice, insanity, and the inanity of modern life in the burning house that is late capitalism. Owusu, a Ghanaian Australian singer and multi-instrumentalist, bonded with South African Australian drummer, beatmaker, and producer Sensible J (Sampa The Great, Cool Out Sun, Remi) over a shared love of the raw sounds of 70s African music, in particular Zamrock artists like Witch and Amanaz, and cooked up the EP in J’s iconic House Of Beige studio. Immy played guitar, percussion, and miscellaneous instruments, including the recorder, as well as vocals, while J provided drums, bass, and keys, and a roster of guests added vocals.

pre-order now16.05.2025

expected to be published on 16.05.2025

22,27 €
DJ Aakmael - Numbers Game EP

This latest Unxpozd release has taken a hot minute to arrive but it's been worth the wait, because once again DJ Aakmael shows off his deep house class. '6minutes' kicks off with the sort of whimsical late-night chords that soon get you dreaming as the loveably lazy grooves slouch on. 'Just A Track pt. 8' shows Aakmael's sample skills as he chops up the sounds with some nice jazzy keys. You won't find a groove more lush and smooth than the gently cosmic 'Track 123' while 'Autumn' is perfectly stripped back to chunky kicks, slowly ascending chords and a hint of Kerri Chandler soul with a gospel vocal hook.

out of Stock

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Last In: 6 months ago
13,87 €
VARIOUS - LONELY DAYS LP 2x12"

Various

LONELY DAYS LP 2x12"

2x12inchLOFICOMP02LP
Lofi Records
12.05.2025
 
24

As the nights get colder and longer, we often lose touch with those around us. Nights when loneliness takes hold of us as our only dependable friend, and our imagination becomes the universe; forever questioning the existence of our own reality, while perpetually stuck in an emotional limbo.. Delve into your thoughts with ‘Lonely Days’, the latest Lofi Girl compilation featuring 31 artists worldwide. Soft beats, melancholic pianos, lulling guitars and a range of other instruments are knitted together like a warm blanket to bring ease and comfort for as long as you need. Focus on the ingressing dawn light, close your eyes, and breathe in - this feeling is only temporary, and better days are on their way.

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Last In: 16 months ago
32,73 €
OH SEES - ORC (2025 REISSUE) LP 2x12"
  • The Static God
  • Nite Expo
  • Animated Violence
  • Keys To The Castle
  • Jettisoned
  • Cadaver Dog
  • Paranoise
  • Cooling Tower
  • Drowned Beast
  • Raw Optics

The Oh Sees wasted no time in racing headlong into nightmarish battle with the mighty Orc, clawing even farther up the ghastly peak stormed so satisfyingly by their previous A Weird Exits. The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining—with equal dashes of abandon and menace—on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect. On Orc, fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna. More evil…more complex…more narcotic…more screech… more blare…more whisper…there’s even more Brigid. Less “Thee,” but more of everything else.

pre-order now09.05.2025

expected to be published on 09.05.2025

50,84 €
Jean-Michel Jarre - Transversales Disques

Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales).

In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.

These fifteen tracks are made with only two synthesizers (EMS VCS3 & Farfisa organ) in an experimental and very minimal style.

"It was a crazy album, totally homemade, with rhythms that I made in my student room, with a minimum of equipment and at the same time electronic sounds that I stole from the GRM where I went at night after stealing the keys to the studios. It is a pirate record, in every sense of the word, in which we find what I did afterwards.” JMJ

Audio restored & remastered

out of Stock

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Last In: 8 months ago
22,27 €
Ben McElroy - Elkwort

Ben Mcelroy

Elkwort

12inchLAAPS043LP
LAAPS
02.05.2025

Ben McElroy is a folk/experimental/ambient artist based in the UK. He has released prolific albums since his 2016 debut ‘Bird Stone’ for whitelabrecs. Notable releases since then include 2018s ‘The Word Cricket Made Her Happy’ for Eilean Rec and 2022s ‘How I Learnt to Disengage From The pack’ on The Slow Music Movement (which was folk album of the month in the Guardian).

«This album evolved from long improvisations on pump organ and cello. I really wanted to play the instruments as a form of therapeutic release, a kind of stimming, paying more attention to this than the Appollonian aspects of the music. So scrape and repetition… anger and using the bow/keys to really try to gnaw into deep, old brain feelings.
I often start things with improvisations, but then tidy, smooth things out… I wanted to keep that aspect to the minimum here.. there is some, but where possible I’ve kept the squeaks, the noises, the mistakes.
The project took on another dimension when I received some funding from PRS Foundation, allowing me to bring more artists (Debbie Armour on vocals, Elinor Rowlands on spoken word and Nick Jonah Davis on guitar). Where possibly, these collaborations were also improvised, in the moment and left a little raw.
The funding also allowed me to create an accompanying film ‘Widdershins & Deosil.’ Shot with filmmaker Benjamin Wigley on 16mm film in Derbyshire, it is an abstract story of magic and puppetry using elements of the album as soundtrack.» - Ben McElroy

pre-order now02.05.2025

expected to be published on 02.05.2025

23,74 €
Li Yilei - NONAGE

Li Yilei

NONAGE

12inchMTR016
Métron Records
29.04.2025

“Growing up has always been a solitary journey, marked by forward-looking anticipation, anxiety, unripe potential, aspirations, and closures.”

London based Chinese composer and multi-instrumentalist Li Yilei returns to Métron Records with NONAGE, their second full length release following 2021’s OF. An introspective reflection on the journey through childhood, this new work brings together samples from old Chinese TV shows, mechanical children’s toys and an array of acoustic and electronic instruments - some of which were designed and built by Li themselves.

The Chinese title for "NONAGE" is "垂髫", which translates to “childhood” or “disheveled hair”, and refers to the carefree phase of life when children let their hair down, both figuratively and literally. For Li, nonage is a place that they always revisit - to learn about fear and fearlessness, love and despair, grief and glee, curiosity and mistakes.

“I remember pressing piano keys like touching flowers, reading scores like looking at paintings, writing like how I would talk to myself, greeting death like how I would greet life.”

Initially conceived as an archiving project, the record retraces and reimagines fractions of Li’s childhood memories through smell, location and colour, and brings to life the lingering feelings that remain into adulthood.

Compositions are built around a variety of unusual sources: damaged instruments such as a toy piano, a hand cranked music box, bird whistles, a broken accordion and anything else Li could find that evoked nascent recollections. Interspersed throughout are samples from Li’s childhood piano jams, moments of contemplative transmigration where previous incarnations of self and memory meet the present.

out of Stock

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Last In: 17 months ago
23,74 €
Frequencies Of Love - Frequencies Of Love EP

For their 21st release, Not An Animal Records welcomes the Northeast-of-England's Tom Rankin, aka Frequencies Of Love to the fold for his first-ever release. A half-step away from their usual low-slung sound, the EP is a bright and sepia-tinted affair bringing prime-time energy to the label. It is rooted squarely on the dancefloor and steeped with glimmering synthesizers and lashings of keys. Despite this stylistic departure, the ever-present driving grooves make it feel right at home.

The EP begins with Tucan, delicately shifting and changing synthesizer arps flow throughout, weaving a delightful tapestry of past and present.

The record glides smoothly into round 2 with Bpsyde pulling no punches; it has a distinct atmosphere of the old-school about it. A one-two of percussive breaks on the one hand and progressive bass on the other with LFO Arps, keys and nineties vocal chops completing the combo.

Pegasus is a shimmering whirlpool off the Adriatic coast. An antiphonal of choral chanting and female spoken word endlessly circle the groove, occasionally combining in a viscous duetto of wacky, Italo-flavored deliciousness.

For the remix, groove deconstruction connoisseur Fantastic Man gives Pegasus the Midas treatment. Riding a throbbing and reprogrammed bassline, key elements from the original mix cameo throughout the track, rounded off by piano chord progressions to complete the pensive sound that constitutes the glue throughout the EP.

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Last In: 50 days ago
14,50 €
Fly Anakin - (The) Forever Dream 2x12"
  • 1: Good Clothes feat. Demae (prod. Chris Keys)
  • 2: Teen Summit
  • 3: My Nigga feat. $ilkmoney, Quelle Chris & Big Kahuna OG (prod. Shungu)
  • 4: Lil One (Intro)
  • 5: Lil One (prod. Micall Parknsun)
  • 6: CheckOnMe feat. lojii (prod. August Fanon)
  • 7: NOTTOOSHABBY feat. Quelle Chris, Nickelus F & $ilkmoney (prod. Child Actor)
  • 8: Lord Forgives, I Hold Grudges feat. Denmark Vessey & Pink Siifu (prod. Denmark Vessey)
  • 9: The Times (prod. Mono En Stereo)
  • 10: Forever Dream (Interlude)
  • 11: Forever Dream (prod. Chris Keys)
  • 12: Corner Pocket feat. Quelle Chris & BbyMutha (prod. Alchemist)
  • 13: Dr Phil (Skit) feat. Sycho Sid
  • 14: YOUGOTME!! (prod. Quelle Chris)
  • 15: Foreverever Dream (Interlude)
  • 16: Say Thank You feat. Pink Siifu & Turich Benjy (prod. Foisey)
also available

Black Vinyl[30,67 €]

Tape[14,92 €]


Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

pre-order now25.04.2025

expected to be published on 25.04.2025

33,82 €
Fly Anakin - (The) Forever Dream 2x12"

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

pre-order now25.04.2025

expected to be published on 25.04.2025

30,67 €
Fly Anakin - (The) Forever Dream MC
 
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Pale Blue Vinyl[33,82 €]

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Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

pre-order now25.04.2025

expected to be published on 25.04.2025

14,92 €
Aura Safari / Jimi Tenor - Sensory Blending

In the year since it was first released on Hell Yeah, Aura Safari and Jimi Tenor's Sensory Blending has become a cult modern classic. To celebrate its conquering of Balearic heads and jazz funk hearts everywhere, it now arrives on green transparent vinyl.

The album came about after a chance meeting when Finnish musician Jimi Tenor was playing a Hell Yeah party in Perugia. He had some free time so was hooked up with local collective Aura Safari. It was the first time they had ever met but that didn't stop magic from happening in the studio and giving rise to this lush, rich, life-affirming album.

Tenor is no stranger to collaboration. He has previously worked with Japanese master Calm, regularly plays with Cold Diamond & Mink and has explored psychedelic space-jazz-funk fusion over more than 25 albums and 45 EPs. Right now he is in a rich vein of form, continuing to tour the world and drop cosmic soul voyages on a regal basis.

A year on this album still stands up and has crossed over int several different scenes thanks to high profile plays from plenty of tastemakers. Aura Safari musicians Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio and the production team were all on top form and truly cemented their reputation as a collective to watch.

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.

Sensory Blending is the soundtrack to a steamy summer vacation up amongst the stars.

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Last In: 8 months ago
20,97 €
Teddy Studstill - I Wanna Be With You / There Comes A Time 7"

Unreleased Miami boogie and deep soul from the vault of Teddy Studstill. Mixed and mastered from the original session tapes recorded in the early eighties. Terrestrial Funk ties back to their first release with this Miami magic. Teddy Studstill, an unsung hero of South Florida who played guitar on Lang Cook's 'She's Hot With 2,000 Watts' unearths these timeless tunes he wrote four decades ago. Accompanied by Miami legends Luke Jasmin on the keys and vocalist Harris Mazyck. We're grateful Teddy has brought these tracks to light and now the world can finally indulge in their delight. *comes with double sided insert poster*

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Last In: 4 years ago
13,87 €
Charif Megarbane - Hawalat LP

If Hawalat sounds like a world tour that’s because it essentially is. “As much as Marzipan is a picture of Lebanon from the inside, Hawalat kind of picks up from where Marzipan finished but more looking to the outside, the diaspora, to the notion of exile.” Megarbane says he is interested in the connections between the global and the domestic, the mundane and the cosmic, and wanted to create space for non-linear progression.

Hawalat is based on the idea of hawala, informal money transfers that you can make to certain countries impacted by a lack of currency or unstable political and economic contexts. His use of the term on this album is not a financial one, Megarbane explains, but a nod to notions of creative exchange between “places, persons, generations.” It is the first time Megarbane called on other musicians in this way to inform his sound, including a collaboration with Sven Wunder on the song Helia featuring strings by the Stockholm Studio Orchestra.

The album opens with first single Hanadi, a punchy Somali-inspired track with warm non-lexical vocals and saxophone. It immediately pivots to the Dreams of an Insomniac, which balances soft, effortless vocals and keys with urgent violin intrusions. Al Dollarji feels like Megarbane’s bread and butter, that is Mediterranean sounds with intricate strings, while Al Bahriye takes this staple and introduces hip hop inflections. The result is a rich 17 track album that effortlessly blends genres and styles.

Including 8 page, 12" sized booklet with unseen photos and liner notes by Armani Syed.

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Last In: 10 months ago
22,48 €
Various - Duets

dO iT nOw Recordings makes its debut in the world of vinyl with a various artists' sampler that shows just what they are all about. First up is Pigsie's wonderful 'Silk' which sets a fine tone with lush jazz-inspired keys, dreamy pads and intricate drum work that make it well suited to those late-night sessions. Wearing Shoes then offers 'Finding Your Words' with buttery Rhodes licks and looped vocals over fat bass, and the B-side begins with Michael Oberling and his deep jazz grooves, trumpet solos and swinging drums. Massive R closes with the lovely, jazzy house of 'This Feeling' complete with snappy drums and a catchy piano hook.

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Last In: 16 months ago
13,87 €
Triola - Triola Im Fünftonraum (Remastered 2025)  (LP)

Originally released on CD only – those were the days – “Triola im Fünftonraum“ counts as one of the most iconic albums of the early Kompakt era. Experience this timeless masterpiece of lush electronica lovingly restored and remastered for the first time on vinyl – 21 years after its inception.

We found this review from back in the days that perfectly sums up what “Triola im Fünftonraum” is all about:

The press material for “Triola im Fünftonraum” made allusions to home listening, when the album is mostly about movement… in a car …preferably a fast one … on a muggy spring day.

This might catch followers of producer Jörg Burger off guard. Up until this point, the producer’s Triola tracks – limited to three consecutive appearances on Kompakt’s yearly Pop Ambient series and a spot on “Leichtes Hören Teil 1” – were free-floating ambient washouts (albeit wondrous free-floating ambient washouts) with no pulse. The album, on the other hand, is beat-driven. Though still resolutely ambient – more an update of Burger’s lushest Bionaut tracks, only fully engaging instead of mildly diverting.

The soft, synthetic hand drums and tranquil vapors of “Leuchtturm” from Pop Ambient 2003, remain untouched and begin the album. Two other tracks that might sound familiar receive dynamic overhauls, now supported with quick dance rhythms and additional layers of synth gauze; the whispy flute trills and lightly flickering keys of “AG Penthouse”, for instance, are melted into a churning rhythm and some singing keyboard vamps that resemble a relaxed take on Tangerine Dream’s suspenseful soundtrack work for “Thief” (minus the crazy guitars).

What really makes the whole thing glow is the manner in which the tracks are attached, flowing in and out of another, rising and cresting and receding, with supreme poise – even if its title provides no indication, the album is as much a travelogue as Carl Craig’s “Landcruising”, Morgan Geist’s “Driving Memoirs” and Model 500’s “Deep Space”.

These are some of Burger’s most inventive productions, a remarkable feat since he’s been doing this so long. Catch yourself in the right frame of mind and you’ll wonder if everything he has released has been one extended ramp-up to this. In this age, it’s also refreshing to have a purely ambient techno album with absolutely no connection to “Boards of Canada”.

In other words, it’s a landmark for both its label and its genre.

Andy Kellman

Copyright 2025 TiVo Corporation
Ursprünglich nur auf CD veröffentlicht – das waren noch Zeiten – zählt „Triola im Fünftonraum“ zu den ikonischsten Alben der frühen Kompakt-Ära. Dieses zeitlose Meisterwerk schwelgerischer Electronica erscheint nun 21 Jahre nach seiner Entstehung erstmals liebevoll restauriert und remastered auf Vinyl.

Wir haben diese zeitgenössische Rezension gefunden, die perfekt zusammenfasst, worum es bei „Triola im Fünftonraum“ geht:

Das Pressematerial für „Triola im Fünftonraum“ spielt auf das Zuhören zu Hause an, obwohl es in dem Album hauptsächlich um Bewegung geht … in einem Auto … vorzugsweise einem schnellen … an einem schwülen Frühlingstag.

Das könnte die Fans des Produzenten Jörg Burger überraschen. Bis zu diesem Zeitpunkt waren die Triola-Tracks des Produzenten – beschränkt auf drei aufeinanderfolgende Auftritte in der jährlichen Pop-Ambient-Reihe von Kompakt und einen Platz auf „Leichtes Hören Teil 1“ – frei schwebende Ambient-Auswaschungen (wenn auch wundersame frei schwebende Ambient-Auswaschungen) ohne Puls. Das Album hingegen ist beatgetrieben, obwohl es immer noch entschieden Ambient ist – eher eine Aktualisierung von Burgers üppigsten Bionaut-Tracks, nur dass es voll und ganz fesselt, statt nur leicht abzulenken.

Die sanften, synthetischen Handtrommeln und die ruhigen Dämpfe von „Leuchtturm“ aus Pop Ambient 2003 bleiben unangetastet und bilden den Auftakt des Albums. Zwei weitere Stücke, die einem bekannt vorkommen könnten, erhalten eine dynamische Überarbeitung, die nun von schnellen Tanzrhythmen und zusätzlichen Schichten von Synthesizer-Gaze unterstützt wird; die flüsternden Flötentöne und leicht flackernden Tasten von „AG Penthouse“ zum Beispiel verschmelzen zu einem aufgewühlten Rhythmus und einigen singenden Keyboard-Vamps, die an eine entspannte Version des spannenden Soundtracks von Tangerine Dream erinnern, der für „Thief“ (ohne die verrückten Gitarren) verwendet wird.

Was das Ganze wirklich zum Leuchten bringt, ist die Art und Weise, wie die Tracks miteinander verbunden sind, wie sie ineinander fließen, ansteigen und ihren Höhepunkt erreichen und wieder abklingen, und das mit höchster Gelassenheit – auch wenn der Titel nichts darauf hindeutet, ist das Album ebenso ein Reisebericht wie Carl Craigs „Landcruising“, Morgan Geists „Driving Memoirs“ und Model 500s „Deep Space“.

Dies sind einige von Burgers einfallsreichsten Produktionen, eine bemerkenswerte Leistung, wenn man bedenkt, wie lange er schon dabei ist. Wenn man sich in die richtige Stimmung versetzt, fragt man sich, ob alles, was er bisher veröffentlicht hat, eine einzige Vorbereitung auf dieses Album war. In der heutigen Zeit ist es auch erfrischend, ein reines Ambient-Techno-Album zu hören, das absolut nichts mit „Boards of Canada“ zu tun hat.

Mit anderen Worten: Es ist ein Meilenstein für das Label und das Genre.

Andy Kellman

Copyright 2025 TiVo Corporation

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Last In: 17 months ago
21,81 €
Briain - Cognitive Dissonance (TAPE)

The latest drop on Art-E-Fax welcomes back deep cover braindance tinkerer Briain with a tape of warm and gritty electronica done the right way.

We last coaxed Barry O’Brien away from his day job as sound tech at beloved Berlin haunts Ohm and Tresor for a 12” back in 2019, and now he’s graced us with 11 slices of tweaked and freaked machine funk that should appeal to anyone who savours the maverick electro crossover between Rephlex and Drexciya.

The synth lines crunch and squirm and the beats stutter and rasp as Briain rolls out one wonkily perfect jam after another. In the intricate detail and movement that drives each track forwards you can sense the insular focus that comes with the best shut-in electronica. ‘Fist Fight Or Hug’ toys with sliced up breaks while ‘The Precipitous Descent Of Dignity’ deals in dystopian electro of the highest calibre. ‘Beal Bocht’; puts the drums to one side for a gloriously dislocated trip through FM synthesis and broken delay feedback and ‘Cognitive Dissonance’ revels in twitchy micro perc and delicate keys.

It’s a full-bodied album to sink your teeth into, and while it proudly carries the torch from certain legendary electronica forebears, it’s also delivered with all the charm and personality required to make for a future classic in the braindance canon.

pre-order now11.04.2025

expected to be published on 11.04.2025

15,08 €
Outback - Strangers/Reggie's Thang

An exclusive 7" re-release of this psychedelic funk ballad from Tulsa's "Outback" Band. As featured on Now-Again's 'More Loving On The Flipside' compilation, "Strangers (In Our Homeland)" epitomises the expression of social & political change during an era of psychedlia infused music. In partnership with the two surviving members of Outback, both Symphonical & Now-Again are proud to showcase the voice of independent artists.

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The origin of "Outback" dates back to the late 50s, a five-piece blues outfit named "Little Lo and the Rest of Us" included music educator & bass guitarist Edward "Cha-Cha" Cherry, saxophonists Eugene "Buggy" Roach & James "Flab" Farley whom, alongside drummer Roscoe J. Dabney III "Roach", Ronnie Wilson on trumpet, guitarists Roy "Rochester" Walker & Michael Collins, would form The Magnificent Seven, the house band for Tulsa's 'Rose Room'.


Alumni of Booker T. Washington High School, The Magnificent Seven influenced & set the standard for the Tulsa sound, as demonstrated through their only single, recorded in 1966, the two part 'Pluck-A-Pluck'. 'The Sevenettes', the groups' female vocal trio, included the rotation of Lena Luckey Wilson, Gwendolyn French, Rose Brewer Lewis, Jeanetta Williams & Maxayn. The Magnificent Seven, led by "Cha-Cha", toured nationally throughout the 60s with their infectious, raw R&B sound, and were the platform for many of Tulsa's talent including Ronnie & Charlie Wilson who would later create the GAP Band.


Roscoe J. Dabney III, the first Black Panther to establish the Tulsa chapter in 1969 known as the NCCF (National Committee to Combat Fascism), proposed the name change to "Outback" in the early 70s. Their sound & formation was changing from R&B to Psychedelic, from the grit to the phase, epitomised by their unique line-up of having two bassists playing simultaneously, both Reggie Cherry & "Chilly" Willie Lewis, the musical foundation to their only recorded single, "Strangers (In Our Homeland)" & "Reggie's Thang".


Song writer & band affiliate, Maurice Pope, produced the lyrics to "Strangers (In Our Homeland)" and handed over the musical attributes to Willie Lewis & Outback to convey his message, as sung by Lena Luckey Wilson. Dabney recalls the song is based on religious scriptures, whilst highlighting the parallel of Black slavery in the U.S.


"Reggie's Thang", written by Dabney's cousin, bassist Reggie Cherry, provides a psychedelic instrumental, a sound which Lena recalls is what set apart Outback from other Tulsa groups. As well as playing clubs, the seated shows provided an environment for the group to showcase their musicianship to those who wanted to be immersed & listen.


Their single, released on Empathy, was recorded in 1972, and are the only known recordings by Outback. Recorded live onto 8-track at a studio located at on East Pine St in the heart of Tulsa's Black community, an independent & unknown studio located on a strip mall.


The Outback members who recorded are:


Lena Luckey Wilson - Vocals

Roscoe J. Dabney III "Roach" - Drums

"Chilly" Willie Lewis - Bass

Reggie Cherry - Bass

Edward "Cha-Cha" Cherry - Keys

Joyce Daws - Trumpet

Roy Walker "Rochester" - Guitar

Robert Luckey "Uncle Bobby"- Percussion

Fredy Berry "Freddy" - Tenor Sax


Band leader & group manager: Edward "Cha-Cha" Cherry

Booking Agent: Ernie Fields Sr.

In 1973 whilst performing in Ft. Worth, TX, Buck Ram approached Willie Lewis backstage and invited him to join The Platters, Lewis accepted. Supposedly, a recording deal was offered to Outback in exchange, which never happened.


The group continued in various formations after Lewis left, however as an integral member, the feeling never equalled their original form and soon after dissolved.


Leon Russell approached Lena Lucky Wilson in 1974 to go on tour with the GAP Band as their backing singer, upon returning Tulsa Lena moved to Los Angeles to pursue her musical career with Leon & Mary Russell amongst various others.


Dabney continued music and became a TV producer & director in 1976.


The only surviving members of Outback today are Lena Luckey Wilson & Roscoe J. Dabney III.

pre-order now11.04.2025

expected to be published on 11.04.2025

14,71 €
Juan PabloTorres - Algo Nuevo LP

Juan Pablotorres

Algo Nuevo LP

12inchMRBLP293
Mr Bongo
09.04.2025

Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within

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Last In: 17 months ago
26,68 €
Coke - Coke LP

Coke

Coke LP

12inchMRBLP314
Mr Bongo
09.04.2025

Presenting an official reissue of Coke’s audacious, engrossing self-titled album from 1972, originally released on Manuel J. Mato’s collectible Sound Triangle Records imprint. It’s a heavy hit of Miami Latin-funk, dosed up with psychedelic garage rock and gritty soul excellence, making for an intoxicating blend of styles and genres on this highly sought-after LP.

Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.

Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.

They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.

Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.

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Last In: 17 months ago
27,94 €
Foreal People / Dave Lee / Funky Worm - Hustle With Every Muscle

Z Records returns with a Hustle-tastic 12" to light up both your life and DJ sets. It's the boss himself Dave Lee who kicks off with his extended rework of a bonafide Brit Funk classic in the shape of Hi Tension's 'British Hustle'. Featuring David Josephs's signature vocals over the chugging Caribbean rhythm track, its a song that's never received an extended club mix from the tapes since its first release in 1978. His second cut is a Re-Wriggle of a Funky Worm volume pumping classic that becomes a fat-bottomed house jam with stomping brass, ear-worm vocal hooks and Latin inspired keys. "On the flip' (as they say) is Foreal People's 'Tango Hustle' - a driving clav heavy, jazz funk workout complete with chanting dance instructions over various solos. Add in an Acapella and some 'Hustle Beats' and you have a very muscular package.

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Last In: 17 months ago
17,61 €
NACKLEY - ANGER MANAGEMENT EP

Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordello’s latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound.

Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.

Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.

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Last In: 9 months ago
13,40 €
Liz Stringer - Second High

Liz Stringer has been a steadfast and captivating feature of the Australian musical landscape over a six album career. Venerated by her musical peers and devoted fanbase alike, Stringer's world-class vocals, multi-instrumental prowess, notoriously powerful live performances and story-rich, genre-defying songs place her among the most important songwriters of her era. Mirroring the scope and complexity of Stringer's sensibilities and accomplishment as an artist, The Second High draws from Stringer's wider influences of jazz, funk and soul, and takes her ability to dissect the minutiae of the human condition through song - and connect with her audience - to a new level. The album is redolent with motifs of self-actualisation, lessons learned, sharp and ever-relevant commentary on social issues, and a strong and consistent focus on justice and equality. Fuelled by keys-driven grooves ranging from poignant grand piano lamentations (When You Met Me), the Rhodes-led jazz odyssey of On the Level, hip-hop flavoured keys brightening the bottom-heavy and deeply funky The Second High, to virtuosic keys that dance between strings and soaring multi-layered vocals in To Survive, Stringer's seventh studio album is a fresh and engaging ride to a destination yet uncharted, even by Stringer's standards - thrilling, stark and transformative. If 2021's First Time Really Feeling was an excavation, The Second High is an exorcism.

pre-order now04.04.2025

expected to be published on 04.04.2025

25,17 €
ANDREW DUHON - THE PARISH RECORD
  • WACO KOOL AID
  • HAND ME DOWN LOVE
  • GIRL FROM PLAQUEMINE
  • BAYOU LA BATRE
  • ALMOST FOREVER
  • FELT MY HEART BREAKING
  • SHOTGUN RELIGION
  • MAN ON THE MARQUEE
  • JUST IN CASE
  • ANOTHER HOUSE
  • IT'LL COME BACK TO ME
  • FOG ROLLS IN

Andrew Duhon has a knack for telling the kind of stories that clearly cost the writer something to tell- the kind of honesty that feels noble and never half hearted. When a song written by a stranger heals you, even in the smallest way, that's a connection beyond entertainment, and that is the journey Andrew Duhon sets out on from his home in Louisiana. His songs are about recognizing our story as much as they are about telling his, and his coast to coast pursuits have given him a clearer view of the American Landscape than most are privy to. Still, after years of voyaging off to every corner of the country, a new sensation arises with each return home to New Orleans. From that familiar return comes The Parish Record, a snapshot of life venturing from and returning to one of America's purest cultural vignettes, and the beauty, conflict, and stories that come with it. The Parish Record was recorded at Dockside Studios in Maurice, LA, where deep in Cajun country sits a wood-panel barn engulfed in oak and cypress trees along the slow butterscotch bayou pace of the Vermillion River. In this isolated hub of Acadiana, Andrew Duhon embarked with his trio of most trusted musicians - Myles Weeks (James Hunter Six, Eric Lindell) on Bass, Jim Kolacek (Feufollet) on Drums, and Daniel Walker (Heart, Ann Wilson, Amy Ray) on Keys - to harness of the sound and feeling of their surroundings. "I wanted this record to feel like home. It wasn't time to get out of town or try out something new on this one. It was about believing in the songs from where the songs came from," Duhon says.

pre-order now04.04.2025

expected to be published on 04.04.2025

24,79 €
Kapote - Para Mytho Disco  LP 2x12"

Toy Tonics Music Berlin presents "Para Mytho Disco". The 2nd "Kapote" album of label founder and creative director Mathias Modica.
Keyboarder, DJ, producer, music nerd, graphic designer, multi-instrumentalist, sub-culture impressario and artist (formerly known as Munk of Gomma records.)

Kapote & Toy Tonics
In the last years Kapote was in the spotlight mainly for building the Toy Tonics label with his friends. Developing a platform for new positive quality dance music with a human touch. Toy Tonics is the opposite of the dark, druggy Techno and Trance sounds of the last years.
The warm inclusive music of Toy Tonics represents a new vibe that a young generation of diverse, stylish and culturally intersted generation of dancers loves now. Kapote's Toy Tonics became the key label for that vibe. (In 2024 Toy Tonics made 150 Toy Tonics events in 18 countries. With more than 150.000 people dancing. 90 millions streams on their music.)
Toy Tonics is more than a music label: It's a audio - visual universe. A community, almost a movement.
Based on a new positive attitude and aesthetic diversity. Mixing musicianship with DJ culture, analogue music with electronic, ideas from the past with sounds from now. To create something new. Connecting dance music with graphic design, art and underground fashion.
Kapote and his gang release vinyl, posters, shirts, art fanzines and make exhibitions and partys.

Toy Tonics started in Berlin as a underground niche project. But now became the key label of the new house, wild style disco and organic dance music scene.
Probably one of Berlin's biggest electronic music phenomena along with Keinemusik and Live from Earth.

It went fast: 2020 Kapote's crew started to make small parties in Berlin's off spaces. The "Toy Tonics Jams". The parties became "talk of the town", and Berlin clubs like Griesmühle and Panorama Bar invited the crew. Then international clubs and festival called. Toy Tonics were invited to SONAR (playing the mainstage with Kaytranada and DJ Tennis), KALA festival, Montreux Jazz festival.
Now TT has a residency at Panorama Bar Berlin and sold out events in Europe leading clubs like Phonox in London, Rex Club in Paris, Tunnel in Milan.
Toy Tonics now is the reference brand of a new generation of music loving dancers. Similar to Gomma records, Kapote's former label (2003 - 2015) that was one of the key labels of the "indie dance" scene of the Y2K years (along with DFA and Output Records).

Kapote created a multi-cultural movement with graphic designers, photographers, illustrators from the Berlin scene.
They publish the Toy Tonics Pocket Poster magazine, posters and design shirts. They organize the Toy Tonics Pop Up Galleries mixing music and art. In underground venues in Berlin and in new gallery spaces and museums around Europe.
Toy Tonics has been invited by Palais de Tokio museum in Paris, Triennale Museum Berlin, Design week Milano to create events.
The new Kapote album
The 12 tracks have a very own style. Based on dance music, but going much further. "Para Mytho Disco' is a futuristic mix of sounds. It's far away from the dark monotone techno and trance music from Kapote's hometown Berlin. Instead, he creates warm friendly atmospheres full of sonic colours and little musical surprises.
Kapote's knowlege of music history and his backround as a jazz piano student and son of classic music composer is clearly inside this music. Before turning into a DJ and electronic music producer he has been playing in bands since he was 13 years old.
The album is full of emotional chord progressions played by Kapote on various keyboards. Sometimes reminding music from the past, without being retro at all. The basslines and melodies are inspired by jazz fusion from the 1970ies. And he programmed syncopated grooves that come from afro-american dance music. There are influences from Japanese electronic music (Yellow Magic Orchestra), from 1980s Synthwave and from 1990s electronica (like Squarepusher and Luke Vibert).

Kapote plays keys, bass, flutes and percussions, he plays synth solos and sings on a few tracks. The complexity of the arrangements makes this music never boring. Lot of melodies and solos that catch the listener. Colourful soundscapes that make you want to listen or dance to this album more, and discover details also after you heard it several times.

Kapote background

Before starting Toy Tonics, Kapote used to run a label called Gomma. He produced four albums under the name Munk and music for other artists.
He produced music with Peaches, Franz Ferdinand founder Nick McCarthy, with New York street art legend The Rammellzee, Italian actress Asia Argento, the first three albums of WhoMadeWho and worked with LCD Soundsystem (listen to "Kick out the chairs", the Munk song with James Murphy )
In those "Gomma days" Kapote aka Munk was also one of the main DJs for VICE magazine parties and made music for art projects and fashion brands (Margiela, Prada, Colette).
In 2015 he stopped Munk and Gomma and started Toy Tonics. He found young producers and helped to develop their sound (Coeo, Cody Currie, Gee Lane, Barbara Boeing, Sam Ruffillo). Later he founded the sublabel Kryptox to release music by Berlin based bands that make new forms of jazz or neo classical sounds.

Under the name Kapote Mathias didnt release much:
Only his Kapote debut album "What it is" (2019) and an EP called "Electric Slide" (2022) and a collabo EP with Italian producer Sam Ruffillo ("Robot Salsa").

An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.

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Last In: 13 months ago
20,59 €
TRIO DA KALI - BAGOLA

Trio Da Kali

BAGOLA

12inchTDKONEV25
One World Records
28.03.2025
  • Bagola
  • Dadunkan
  • Cela Sigui
  • Tulunke
  • Orpaillage
  • Dissa
  • Wara
  • Nana Triban
  • Fakoly
  • Latege
  • Deme

In their new album Bagola, Trio Da Kali present newly composed songs accompanied on balafon and ngoniba, that provide a rich accompaniment to the spectacular voice of Hawa Kasse Mady Diabaté. She inherits her singing style from her father, the late Kasse Mady Diabaté, who was widely recognized as one of Africa"s all-time greatest singers and won a Grammy nomination in 2004. Hawa"s voice has an exquisite purity and expressiveness, with a wide emotional range. She is equally at home in the lively, 9/8 rhythms of the title track Bagola, a light-hearted critique of men in Malian society, to the soulful Orpaillage, a song that laments the destruction of land from gold-panning. Orpaillage was in fact composed on the spot in the studio, reflecting the creative chemistry between these three musicians. The musical director of the trio is balafon (xylophone) player Lassana Diabaté, born in Guinea into a well-known family of balafon musicians. His remarkable dexterity on the balafon earned him a place in Toumani Diabaté"s Symmetric Orchestra, and later on in the group Afrocubism (featuring Eliades Ochoa). He has collaborated with many musicians, including bluesman Taj Mahal on the album Kulanjan. With two balafons of 22 rosewood keys each, tuned to play chromatic scales, Lassana Diabaté achieves a perfect balance of rhythm, melody, harmony and virtuosic embellishment. David Harrington, leader of Kronos Quartet, compares him to none other than JS Bach. Underpinning the balafon with compulsive groove, is the large ngoniba, played with brilliant musicality by Madou Kouyaté (son of Bassekou Kouyaté and member of his group Ngoniba). Madou, the youngest member of Trio Da Kali, also adds rich harmonies with his deep breathy voice to the songs. Trio Da Kali were founded in 2013 under the initiative of the Aga Khan Music Programme, with the help of three-times Grammy-nominated music producer Lucy Durán. The Trio first rose to international fame with their sublime album Ladilikan (World Circuit Records 2017), featuring an unprecedented and multi-award-winning collaboration with Kronos Quartet, the legendary classical string quartet from San Francisco. Bagola is a showcase of Trio Da Kali"s entrancing and unique sound, only equaled by their magical performances on stage.

pre-order now28.03.2025

expected to be published on 28.03.2025

23,49 €
Mess Esque - Jay Marie, Comfort Me
  • Light Showroom
  • Take Me To Your Infinite Garden
  • Liminal Space
  • That Chair
  • Crow's Ash Tree
  • Let Me Know You
  • Armour Your Amor
  • No Snow

Mess Esque is an Australian duo who sound like they literally dreamed themselves into being, made up of Helen Franzmann (McKisko) and Mick Turner (Dirty Three, Tren Brothers). The two enjoy moving at an unhurried pace, but what: here"s their third album in less than five years! "Jay Marie, Comfort Me" feels a hemisphere away from Mess Esque"s first efforts, and a whole new atmospheric level above. The duo began as a correspondence course in 2020, swapping tracks remotely between Melbourne and Brisbane to experiment with pairing Mick"s guitar, keys and loops with Helen"s ruminative vocals. Their third effort arrives after the two actualised into the same space - that is, touring and performing together! - but they"ve continued the absentee ballot as before, collaborating from some 800 miles apart to write another great album. One with an edge... rocking, we daresay! Along with Keeley Young and Kishore Ryan from the live band, the album features cellist Stephanie Arnold and a couple of Australia"s living legends of percussion: Bree van Reyk and Mick"s ol" Dirty Three partner-in-crime, Jim White.

pre-order now28.03.2025

expected to be published on 28.03.2025

28,78 €
Rinder & Lewis - Seven Deadly Sins (LP)

Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?

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Last In: 10 months ago
26,85 €
Helloween - March of Time LP 5x12"

Im Laufe der Jahre haben die legendären Helloween aus Hamburg einen unverwechselbaren Weg beschritten
und sich ihren Platz als frühe Pioniere des melodischen Power- und Speed-Metals verdient. Die Band
hinterließ mit den bahnbrechenden Alben Keeper of the Seven Keys Parts I und II einen bleibenden Eindruck
und kann heute eine genreprägende Diskografie vorweisen, die 16 Studioalben, vier Livealben, drei EPs und
30 Singles umfasst. Mit über 10 Millionen verkauften Platten und Bühnenauftritten mit Giganten wie
Iron Maiden, Scorpions und Ozzy Osbourne ist Helloweens Einfluss unbestreitbar und ihr bleibendes Erbe
gesichert. Um 40 Jahre dieser bemerkenswerten Reise zu feiern, hat die Band eine neue Kompilation
namens March of Time veröffentlicht, die ihren gesamten Backkatalog umfasst. Diese Sammlung mit
42 handverlesenen Titeln präsentiert die jahrzehntelange Arbeit der Band. Erhältlich als 5-LP-Boxset
mit farbigem Vinyl, Druck und Puzzle sowie als 3-CD-Set, wirft diese umfassende Veröffentlichung ein
bleibendes Licht auf die Karriere dieser einflussreichen Paten des Genres.

pre-order now28.03.2025

expected to be published on 28.03.2025

144,12 €
Mar De Novo - Daje EP

Mar De Novo

Daje EP

12inchVOV19
Vinyl Only
27.03.2025

Mar De Novo is a mainstay of the Vinyl Only label which is now almost up to release number 20. As always these are magnificent beats that blend great invention with a healthy respect for disco days gone by and they are all made in what must be a studio jam-packed with analogue gear from all across the ages. 'Instant Humidity' has plenty of characterful synth details that are freaky and playful, 'Call Me' pairs stepping disco beats with super sweet vocals and 'Paraggi' is a blissed-out seaside gem. 'Progression' heady back to the club with strobe-lit disco arps, 'Get A Way' pairs plunging basslines with cosmic keys and another great vocal and 'Quiet Down' rounds out with another horizontal downbeat disco gem.

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Last In: 16 months ago
15,76 €
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