Suche:ki!

Following the release of the single Maqlab, the Marseille-based duo Caïn و Muchi presents their debut full-length album Dounia دنيا.

This takes listeners on a journey through a rich tapestry of industrial gloom woven of dubstep, grime, and contemporary hip-hop. In this album, these ‘labels’ matter as much as they don’t, given the heavy mutations they undergo, in a That’s Hara Kiri fashion (RIP Sd Laika).

At the heart of this record lies a dense yet harmonious sound palette, featuring meticulous vocal processing of lead singer Vanda’s voice, which engages reflection on their shared and individual lives.

As the album progresses, the lyrics reveal layers of stress and trauma linked to colonial experience, intertwined with multiple references to North African ghost stories and legends.

The result is a resonant experience, where the wraithlike and glacial instrumentals crafted by the duo encapsulates the introspective act of witnessing the turmoil of our current world.

The Kid That Did is the fourth studio album from acclaimed rapper and Detroit staple, Babyface Ray. Known for his effortless, conversational flow and sharp wordplay, Ray has been building momentum over the past few years, and his latest project promises to be another milestone in his career.

Following the success of 2022’s FACE, which reached #3 on Apple Music’s all-genre chart and earned praise from outlets like Billboard and Complex, and MOB, which featured collaborations with heavyweights like Lil Durk and Blxst, Ray’s new work showcases an artist at the peak of his game. His recent singles “Green Carpet,” “Money On My Mind,” and “Understand” each pulled in over 1.5 million streams in their first week, setting the stage for The Kid That Did to be his biggest release yet.

Fresh off a label deal with EMPIRE and riding the success of his first RIAA-certified gold record, Babyface Ray’s influence continues to grow. After a sold-out tour and major appearances, including a performance on Jimmy Fallon and being named to XXL’s 2022 Freshman Class, Ray is ready to take things to the next level with The Kid That Did.

With his signature Detroit sound and an impressive lineup of collaborators including Bossman Dlow, Peezy, Fabolous, G Herbo, DJ ESCO & more, The Kid That Did is set up to be a defining moment for Ray as he solidifies his place in modern hip-hop.

Kike Pravda is back on his own label Senoid Recordings.
One year of work in the studio summarized in 8 tracks with his own and unmistakable style going further with new sounds and going into sci-fi techno in some tracks combining them with powerful weapons for the dance floor at peak hours.
This album is conceived to last for years.

From the needle drop, the listener is swept away by Moving Still. The Jeddah-born, Dublin-based artist graces Bordello A Parigi with Close to the Shams, four works that summarise his broad range and even broader influences. Pulsating percussion push piano plumes and brass blasts in “Zaman.” A SWANA-inspired scent weaves through the track, with snare rolls adding spice and speed to this heady opener. Tempos drop for “Bang of Luban.” Beats are bolstered, acid squirms lending texture, while the central melody bends and turns from traditional refrains to house reimaginings.

Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.

2025 Repress

DMF is proud to present the K-llab series, a new collaboration project where label head Kerrie partners with some of her favourite artists. The debut release in the series features an original track and a remix by each artist, offering a fresh take on both the sounds and creative processes of each collaboration.

K-llab-01 sees Kerrie teaming up with Italian duo Dynamic
Forces, known for their heavy, old school leaning, industrial influenced techno. After hosting their UK debut at a DMF event in 2024, the connection between Kerrie and the duo was immediate, leading to the creation of the series.

The duos killer original track Moralism sets the tone as the A1, followed by Kerries grooving, steppy broken-beat remix. The B side features Kerries funk-infused Good Intentions and a slamming Technasia-esque style remix from Dynamic Forces.

This release delivers four tracks that merge gritty, industrial influences with futuristic sound design all underpinned by the signature Dark Machine Funk energy, the first K-llab release offers a powerful start to this new series for DMF.

Damian Lazarus and JOJO ABOT unleash mesmerising new single ‘Warrior Dance’ on Crosstown Rebels. The single builds on the release of the Crosstown founder’s fifth album ‘Magickal’, with remixes provided by Major League Djz and Raxon.

Following the initial shock-drop release of his latest album ‘Magikal’ and the 2025 edition of his revered Day Zero Festival in Tulum, Crosstown Rebels founder Damian Lazarus unveils his next sonic offering, ‘Warrior Dance’, featuring Ghanaian interdisciplinary artist and healer JOJO ABOT.

A dynamic and powerful composition, ‘Warrior Dance’ sees Lazarus and JOJO ABOT craft an entrancing fusion of pulsating beats, immersive textures, and commanding vocals, adding to the album’s diverse soundscapes and blending hypnotic rhythms with amapiano influences. Their synergy extends beyond this track, with the duo having already collaborated on ‘Force’, another standout moment from ‘Magikal’ that showcases JOJO ABOT’s evocative vocal prowess and the influence of her Ghanaian roots.

The release also features two expertly curated remixes as Lazarus once again showcases his renowned A&R talents. South African trailblazers Major League Djz serve up signature driving and captivating grooves, following their remix of Lazarus’ ‘Into The Sun’ feat. Jem Cooke as part of ‘Crosstown Rebels pres. CR20 The Album: Unreleased Gems and Remixes’. Meanwhile, Egyptian-born, Barcelona-based DJ/producer Raxon makes his Crosstown Rebels debut, delivering a tunnelling, driving and off-kilter rework that stays true to his trademark sound, as heard on labels like Kompakt, Ellum, and Diynamic.

Boys Noize presents ONES and ZEROS OAZ, a new experimental record label with the mission of breaking open the space of possibilities for techno and beyond. Reflecting new modes of subcultural circulation and integrating music,
objects, and a pluralistic network of artists, OAZ debuts with the 22-track Bo compilation, including two Boys Noize solo tracks, one of them “Bvrning” (Vinyl Only), as well as tracks by Locked Club, Safety Trance & umru, DJ Babatr, Slim Soledad, Schacke, KFR, TINKERHELL, David Löhlein, MarcelDune, and more.

RAWAX is proud to present Ron Maney aka DJ Skull on his own CHIWAX series called The DJ Skull Saga. This platform will present Ron's classic releases from the past and his present works. We're starting the series with the 1993 classic "Stomping Grounds" which came originaly out on the dutch Djax Up label. All tracks are remastered!

180G vinyl pressing

After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.

Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.

Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.

“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”

In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.

Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.

On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.

Since the first releases of ECHT!, one question has been on everyone's lips: does this act belong on a live stage, or is their music best experienced through a set of powerful speakers in a packed, sweaty club? With their third album, 'Boilerism', the band finally settles the debate, diving headfirst into the heart of club culture and bringing the ecstatic energy of the dance floor to the live stage.



Since their debut with the EP DOUF (2019), followed by the full-length albums Inwane (2021) and Sink-Along (2023), ECHT! has consistently been building a reputation for redefining their musical standards, blending deep grooves and adding raw textures. With 'Boilerism', they pick up the pace, exploring genres like acid, drum & bass, footwork, and UK garage. all while retaining their signature love for the unexpected. The album features tracks filled with sudden shifts and twists that keep listeners on their toes. Known for transforming electronic, hip-hop, and jazz influences into live-performed compositions, ECHT! continues to deliver a fresh perspective on electronic music that feels both innovative and uncompromising.



The album's title, a nod to the underground club scene and its unifying energy, captures the album's spirit: music that challenges limits, encourages experimentation, and unites through its intensity.



Opening with tracks like Boilerbeek, Wacky Wave, and the single Highed, the band builds upon the foundations of their two previous albums. However, it's with Mtwk Parts 3 & 4, a direct continuation of earlier chapters, that the energy kicks into higher gear. Midway, the album ventures into harder, more intense territory, showcasing the band's confident evolution. A brief but intricate interlude, Black Sablon, offers a layered moment of respite before the intensity returns. From there, ECHT! fully embraces their club-oriented sound with acid-infused bangers like Klaas Rescue and the provocatively titled BK-hole. These tracks leave no doubt about their intent, delivering straight-up, relentless dancefloor energy that captures the essence of their live performances.



The album concludes with Penguin Alfred, a thoughtful and emotive finale that seamlessly transitions between ambient soundscapes and delicate breakbeats, highlighting the band's dynamic range and creative depth.



It's been three years since ECHT!'s debut album Inwane, followed by their second LP Sink-Along in 2023, both released on Sdban Ultra. Their music has garnered acclaimfrom notable outlets such as Mixmag, DJ Mag, and Tsugi while earning support from respected DJs including Lefto, Gilles Peterson, and Jamz Supernova on BBC Radio 6. ECHT! has performed at iconic venues such as the Jazz Café (London), AB (Brussels), Melkweg & Paradiso (Amsterdam), and Gretchen (Berlin). Their most recent tour spanned 14 countries, including Mexico and India.

Kim Rapatti, aka Mono Junk, is a key figure in Finnish techno, known for his deep, hardware-driven sound. A firm believer in analogue synthesis, he has been shaping raw and hypnotic club tracks since the early '90s, drawing inspiration from Detroit pioneers like Derrick May and Juan Atkins. His releases have appeared on his own imprint, DUM Records, as well as Skudge, Forbidden Planet, and most recently, Cold Blow—earning him a dedicated following among DJs and collectors.

Recorded in Turku in 2002 using the Korg Minikorg 700s, Loving Your Mind showcases Mono Junk's signature stripped-down grooves and live hardware improvisation—an essential pick for anyone seeking an authentic slice of early-2000s machine funk. Alongside the title track is Gamma, a previously unheard production that was commissioned as an exclusive for a highly regarded mix series, further cementing Mono Junk's status as a trusted name in underground techno. Built around a percussive groove, a deep electro-funk bassline, and a four-to-the-floor pulse, the track unfolds in an atmospheric haze, balancing dancefloor functionality with hypnotic depth.

The B-side features remixes from Katerina and Sansibar, two of Finland's most notable international breakthroughs in recent years, known for their modern yet timeless club productions that nod to classic techno and house.

Katerina, a versatile DJ and producer with releases on Rekids, Running Back, and Cómeme, transforms Loving Your Mind into a high-energy techno duet, layering her own vocals over the original vocal track, with her infectious synth lead as the icing on the cake.

Sansibar, one of the fastest-rising names in the underground with releases on Kalahari Oyster Cult, WARNING, and Émotsiya, delivers a darker, four-to-the-floor rework—bringing a sinister edge while maintaining the raw energy of classic machine funk.

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.

Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.

Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.

Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.

But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.

The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.

The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.

We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.

Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).

Limited edition vinyl 12” of 100 copies
Omen Recordings delivers another uncompromising slab of contemporary techno warfare with a split EP from Duellist and Axkan, two sonic insurgents armed with raw industrial aggression and unrelenting rhythmic brutality. A fusion of contemporary hardness and forward-thinking sound design, ‘Chronicles of Conflict’ is a war cry for the underground. No safe zones. No surrender. Just pure unrelenting techno at its most merciless.

Duellist takes command of side A by launching a full-scale assault of distorted kicks, razor-sharp percussion and eerie atmospherics that coil through the mix like barbed wire. His relentless 4x4 barrage grinds through the low end with mechanical force, setting the stage for absolute dance floor devastation.

The B side has Axkan counter-attacking with his signature modular chaos that pulses, shifts and writhes through layers of grinding sonic warfare. Gnarled textures and punishing basslines carve a hypnotic path through the abyss, delivering a masterclass in raw industrial techno.

Emerging from the depths of the Minneapolis underground scene, The Worm is one of the best underground techno duos in the US, composed of midwest stalwarts Naughty Wood and Heckadecimal. Naughty Wood brings decades of experience, including collaborations on Traxx’s esteemed Chicago imprint Nation. The machine wizard known as Hecka- decimal boasts a deep catalog with releases spanning Always Human Tapes and Great Circles. In early 2016, the mysteri- ous tape-duplicator Ryan Wurst received some demos, which soon became The Worm, a very rare and limited cassette on Always Human Tapes. In April of that year, The Worm flew to Denver to perform live at a basement rave co-hosted by Deep Club and Always Human Tapes, at which Traxx also delivered a DJ set. The Worm’s sound was minted in Ryan Scannura’s brain.

Fast forward 8 years, and Ryan S. saw it time for two absolutely mental tracks from the AHT cassette to finally be pressed to wax, together with two other cuts. The A-side kicks off with “12 Days Of Squirm,” a deep, pulsating acid earworm that builds in intensity. “LISA” could almost be an outtake from a lost Nation session. The tune melds haunting melodies with a demented beat, sure to scare off most casual diggers. Deep Club presents two new-old tracks on side B. “808 Verb Talk” is a slimy, wiggly mix in the vein of 12 Days. Finally, “Pytch1” brings the energy down in an extended, slow-burning closer. Eight years and two Ryans later, this collection is finally ready for turntables in living rooms and foggy basements around the world. Only for the most devoted midwest techno warriors!

The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023).

Kind Regards finds the duo refining their shared language while continuing to take risks, allowing the music’s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive.

Recorded in sparkling fidelity and carefully mixed by Ambarchi’s longtime collaborator Joe Talia, the LP contains a single unbroken performance, stretching out for over 45 minutes. Guitar and drums weave together into a symbiotic whole that nevertheless affords us ample opportunity to marvel at the highly personal approaches these two musicians have developed to their chosen instruments through decades of diverse collaboration and prolific performance. The set begins with Thielemans’ hypnotic tom patterns, around which Ambarchi’s wavering, shimmering guitar tones—achieved with the help of the rotating speaker of a Leslie cabinet—flurry and swirl. Thielemans’ drums play subtle tricks with time and perception, adding and dropping beats within repeated patterns to create an effect at once rhythmically insistent and liquified. Growing at first into a rapidly pulsing texture of brushed drums and flickering harmonics, the music builds momentum into an irregular groove over which Ambarchi’s guitar is transformed into haunting, monumental electric organ chords, strikingly recalling the Wurlitzer work of Alice Coltrane, before settling into a section of gentle portamento melody embedded into the tactile clicks and clangs of Thielemans’ percussion.

When Thielemans adopts a more traditional jazz approach to the kit in some of the set’s second half, the results are stunning, demonstrating a feel for shifting accents and sensibility to the touch of the stick on the drum or cymbal that recalls greats like Jack DeJohnette or Billy Hart (one of Thielemans’ mentors). And when Ambarchi turns up the heat, he does so in an unexpected and delightful way, letting loose a swarm of jittering delayed tones straight out of Henry Kaiser’s classic It’s a Wonderful Life, with a more active use of the guitar’s fretboard than his usual approach to the instrument allows. As the performance draws to a close after a climactic episode of distorted harmonic groans and crashing cymbals that manages to be at once thunderous and carefully attuned to detail, it is clearer than ever that, for these two serial collaborators, this is a very special pairing.

Kind Regards shows us the kind of magic that can happen when two masters who have dedicated decades to reimagining their instruments simply begin to play, following the music wherever it goes.

J.Wiltshire returns to MUSAR with Sunflower At Day EP — a deep, atmospheric excursion across four tightly woven dance-floor tracks.
Marking MUSAR’s 20th release, this EP showcases some of Wiltshire’s most club- ready work yet, blending outsider house, ambient trance, and Cornish electronic influences.

The title track ‘Sunflower At Day’ is a shoegaze-infused chugger that nods to the ethereal haze of My Bloody Valentine and has a rave energy reminiscent of Future Sound of London. Track two, ‘Cosmic Slap’, takes over with its deep, dub- heavy sounds and off-kilter rhythms, playing to Wiltshire's more experimental side under a techno beat.

On the B side, we dive deeper into Wiltshire's intricate melodic world.
‘Traversing’ unfolds with enveloping, pastoral harmonic patterns, balancing surging intensity with an organic flow.
Finally, the EP closes with the cinematic ‘Rush Point 9’, a late-night noir groove that offers a perfect, reflective finale to this sonic journey.

With Sunflower At Day, Wiltshire fuses intricate textures and melodies with dance- floor intensity, offering another great soundscape from the artist for both club and home listeners.

DJ Support: The Shapeshifters, Riva Starr, Mousse T., Michael Gray, Dr. Packer, Richard Earnshaw

Serge Funk having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the baitheads, 'Groovy Theme' and 'Cherry Bomb' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.

Irish producer and DJ Casper Hastings returns to the label in full force with a 6-track EP titled “Recreational Murder”, unleashing a lethal mutation of electro, techno and jungle, the release showcases Casper’s versatility as an artist who garners clear-cut expertise in his field.

Nodding to its foreboding title, “Tangerine Meme” follows suit with an increased pace, woven together by squelchy synth work, wobbly bass and a gnawed up vocal scattered throughout.

“Reaper” lands with a pitched-up vocal riff opening the track; the word LSD later echoing through the ghostlike atmosphere laid out by a snappy pattern of snares and smoggy distortion. Peder Mannerfelt’s remix of the track comes as a curveball and flips the B-Side of the record, upending the previously understated but ominous tone with thundering drums, whiplike percussion and in-your-face high velocity.

“Ruthless Romance” continues on the rapid tip, this time highlighting Caspers long-running love for jungle. With a spirited UKG-tinged sample layered over clattering drums and hardcore bass lines with the celebrated genre, this is the track that brings a chunk of quick escapism. The deconstructed “Good Medicine” closes the record with the return of stabbing bleeps, intense kicks and swirling psychedelics accompanied by a grunt-heavy sample to reflect the EP's theme a sense of dread lurking behind every corner. Looping full circle to that initial cinematic feel, the final track / digital bonus “Akashita” marks his solo instalment on the label with palpable effect.

Manufactured in Dublin, Yin Yang Label 2025

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.