quête:king tee

Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.

The full-length album follows the Pro-Teens now collectible 7"s of The Pro-Teens' renditions ofPeachfuzz b/w One BeerandDoomsday b/w Curls.

BBC 6 Music - Gilles Peterson

BBC 6 Music - Huey Morgan

BBC 6 Music - New Music Fix

WNXP Nashville - Dan Digs

Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.

The full-length album follows the Pro-Teens now collectible 7"s of The Pro-Teens' renditions ofPeachfuzz b/w One BeerandDoomsday b/w Curls.

BBC 6 Music - Gilles Peterson

BBC 6 Music - Huey Morgan

BBC 6 Music - New Music Fix

WNXP Nashville - Dan Digs

It's a bird, it's a plane, no, it's the mystical masked avengers Los Straitjackets! Their album The Further Adventures of Los Straitjackets continues their conquest as the champion luchadores of instrumental rock. With the heroic efforts of Eddie Angel, Daddy-O Grande, Pedro Del Mar and Teen Beat, the world-renowned kings of Chopsville are set to release one of their most remarkable albums to date. This 2009 masterpiece features 15 tracks of future vintage sounds straight from planet Straitjacket. Do not succumb to the evil temptations of mediocrity and check out Los Straitjackets' amazing journey to save the world one riff at a time! This long-out-of-print album is pressed on green vinyl and is limited to 1,000 copies worldwide! This marks the first time The Further Adventures of Los Straitjackets is pressed on color vinyl.

"Inhaler are an Irish rock band originating from Dublin. The band consists of vocalist/guitarist Elijah Hewson (son of U2 vocalist Bono), bassist Robert Keating, guitarist Josh Jenkinson and drummer Ryan McMahon. The band were tipped for success in 2020 when they ranked at number 5 in BBC's Sound of... music poll. Inhaler have released nine singles, ""I Want You"", ""It Won't Always Be Like This"", ""My Honest Face"", ""Ice Cream Sundae"", ""We Have to Move On"", ""Falling In"", ""When It Breaks"", ""Cheer Up Baby"", and, most recently, ""Who's Your Money On (Plastic House)"". Their upcoming debut album, It Won't Always Be Like This, will be released on 9 July 2021. This’ a record that sees the band turn their early promise into something special, an album teeming with expansive indie-rock grooves and soaring anthems.
Includes the single Cheer Up Baby, a swooping, epic singalong alongside newly recorded versions of early fan favourites My Honest Face and title track It Won’t Always Be Like This. "

The Kings of Northern Hyperblast wear the crown once more with pride: “In The Arms Of Devastation” is a monster of an album that strongly reaffirms KATAKLYSM´s pole position in the world of extreme Metal. Produced by the man himself, KATAKLYSM guitarist J-F Dagenais, “In The Arms Of Devastation” received its accolade through the mixing of mastermind Tue Madsen at the Danish Antfarm Studios. Their 8th album shows the band at its best after a long journey of evolution through the folds of all things brutal, technical, extreme and, most of all, heavy! All the trademarks we love so much about KATAKLYSM bare their teeth in the indeed devastating nine tracks of “In The Arms Of Devastation”. “Like Angels Weeping The Dark” is a killer of an opener and guaranteed to tear the whole place to pieces, whilst the slow, grinding and almost doomy “Crippled And Broken” is the tank that will flatten the remains of the wreckage. “It Turns To Rust” is a first in the band’s history: the first time vocalist Maurizio Iacono has ever recorded a duet for KATAKLYSM. Together with KITTIE singer Morgan Lander he turns the track into a fierce duel loaded with screams and growls from hell. A lesson in violence – just like the whole album, so prepare for total devastation, prepare for the return of the mighty KATAKLYSM!

The last couple of years have seen a renaissance for West Coast singer-songwriters. LA-based youngsters such as Drugdealer and Sylvie have attracted considerable attention releasing warm and mellow records tonally reminiscent of the early 70s. Most fans of this new/old sound are unaware of Bart Davenport's early explorations in the same sonic territory. His now 20-year-old "Game Preserve"album should gain an appreciative new audience with its first ever vinyl release.

In the year 2000, Bay Area troubadour Bart Davenport and several other musicians were recruited by a major tech corporation in Seattle to work on an algorithm-based music matching/search engine. It was what looked like the beginning of a promising career. After a year, however, the project was shelved. Bart and his colleagues were laid off with a healthy severance package... on the 12th of September, 2001. Not only had the musician's life changed, so had the world. Rather than blow the money on a holiday or new car, Bart knew he had to make a record. A proper album that meant something.

Back in Oakland, he entered Wally Sound Studios with former Kinetics bandmate Jon Erickson at the controls, and a swathe of talented local musicians. "With Game Preserve," Bart explains, "Jon and I really wanted to knock it out of the park. I wanted to utilize people from my old bands like Loved Ones drummer John Kent. I also invited my newer indie-pop friends from Call & Response, and a young Nedelle Torrisi. Harmony singing by The Moore Brothers was an essential ingredient on Game Preserve as well."

Both Erickson and Davenport fondly recall growing up in households where the music of The Carpenters, Joni Mitchell and The Eagles soundtracked their young lives. By the early 00s they were ready to reconnect with what is often referred to as the "Laurel Canyon" sound. "I'd buy used tapes at garage sales and play them in the car. "Ladies Of The Canyon" by Joni and Jackson Browne's first album were both in heavy rotation. Jon Erickson was getting deeper into the Steely-Mac-Doobie yacht-rock sound in earnest. A certain amount of childhood nostalgia led a lot of us back to that part of the 70s. I'd flirted with classic soft-rock on my first album, but that record was pretty scattered esthetically. I wanted my next one to be more focused. Jon and I made some ground rules: no electric guitars (except on 'Bar-Code Trees'). No synths. Most importantly, all the songs have an air-tight, super dead, close mic'd drum sound. Putting these sorts of limitations on the sessions will give your record a specific quality. In the case of "Game Preserve"it's mostly about tight drums, acoustic instruments and analog production. We used a 24-track, two-inch tape machine for tracking, then ran the mixes through an analog board straight to a 1/4 inch master tape."

While the album's sonic palette may be firmly planted in 1970, Davenport's songwriting covers a sizable landscape of moods and reflections. From the quasi-flamenco intro of 'Sweetest Game' to the somber Wurlitzer of 'Nowhere Left To Go', to the 12-string shimmer of 'Intertwine', "Game Preserve" tells a story of young love, lost innocence and redemption, crossing borders and oceans along the way.

Released in 2003 on family-run Oakland label Antenna Farm, the ultra-analog sounding "Game Preserve" was only made available on digital formats, including CD. Copies were later pressed by labels in Germany and Spain; the latter being one country the album actually did well in, establishing Bart Davenport with a small but loyal fanbase he still enjoys today. Two European tours as support for Kings of Convenience also helped gain a foothold on the continent. Back in the US, however, Davenport and his sophomore album remained quite obscure.

Limited promotion meant it did little, but for the music lovers that heard it, the album undoubtedly remains a classic of the era, deserving far more. Twenty years on, it now finally receives its vinyl debut. "I personally think it holds up well," says Bart of the album two decades later. "The idea was to make something that could be an homage to late 60s/early 70s West Coast pop but hopefully timeless as well. Years on, I hear it as just that. It was a colorful and brief period of my life that felt at times like it could last forever. I discovered the joy of working in a proper studio with a perfect cast of characters. I'm still very close with all these people and still play music with many of them."

"Alternative History: A Cracker Retrospective" is a dynamic journey through the sonic landscape of Cracker, one of alt-rock"s most enduring and beloved bands. This special compilation album offers fans a fresh perspective on Cracker"s rich musical catalogue, featuring alternative versions, re-recordings, and live takes from the band"s history. Spanning their entire career, this retrospective highlights the band"s evolution, revisiting classic songs with new energy, creative arrangements, and live recordings that capture their unfiltered spirit. Featuring 5 previously unreleased versions and 6 rare live recordings the album presents a mix of fan favourites and deeper cuts.




[b] Teen Angst (What The World Needs Now) [Redux Version]

For the first time two single records of Baksey Cham Krong - the first Cambodian guitar band - are officially being reissued in an identical version. Between surf music and ballad, these two records released in 1963 and 1964 are an invitation to rediscover the effervescent Khmer musical scene of the 1960s.

The early 1960s are often described as the “golden age” of Cambodia, with a flourishing economy and a strong cultural development. As the country had just won its independence, the King Norodom Sihanouk - who had been a singer himself (see below) - encouraged dynamism and creativity in all aspects of cultural life.

In 1959, in the midst of this artistic turmoil, Mol Kamach and his brothers created a band: the Baksey Cham Krong (also spelled Bakseis Cham Krung) named after a temple of the Angkor site. The teenagers were influenced by the latest hits they had listened on the radio. For the music, Kagnol got his inspiration from the rock n’ roll of the Ventures and the Shadows while Kamach took over the vocal techniques of crooners such as Paul Anka. The lyrics were either in French (as for the song Ne penser qu’à toi) or in Khmer. The song Pleine Lune became a hit and revealed Kagnol’s musical genius at playing guitar and Kamach’s delicate voice. From their beginnings on the capital’s high school stages to their first broadcasts on national radio, the success of the Baksey Cham Krong was very quick. At the end of the decade the band already split, the brothers getting back to activities that conformed more with their parents’ expectations.

A few years later, in April 1975, the arrival of the Khmer Rouge in Phnom Penh put an end to this musical development and started the darkest era of Cambodia’s contemporary history. A quarter of the population was killed in the Khmer Rouge genocide and the majority of artists and intellectuals were exterminated in a sordid will to wipe out any form of culture in the country. Films and music were banned, movie tapes and vinyls were destroyed. Mol Kamach and Mol Kagnol luckily managed to flee the country: one now lives in France, the other in the USA. Both still continue to make music nowadays.

Bearing witness to the past history, the reissue of these two single records of Baksey Cham Krong brings back to us the Cambodian musical scene of the 1960s.

Warehouse Find!
Originally only available in Europe in limited quantities, Lex have repressed the Deluxe double vinyl LP edition of 'The Mouse & The Mask' for 2019.

"The Mouse and the Mask" was produced by Lex super-producer Danger Mouse and masked supervillain MF DOOM. The album features Cee-Lo Green (also of Gnarls Barkley), Talib Kweli, Ghostface Killah, Money Mark and the cast of cult cartoon show Aqua Teen Hunger Force and ten years on remains DOOM's best selling album to date.

Joel Sarakula's new album "Soft Focus" is a mid-career album spanning his many influences and genres including Soft-Rock, Funk and Indie Pop, all brought under the umbrella of his gentle gaze and a 'soft' aesthetic. "Soft Focus" is also the name of a photographic technique born out of a spherical abberation of the lens where the image is a bit blurry and undefined: it's both flattering and forgiving on the subject. It's an apt title. As a lifetime wearer of (vintage) glasses, Sarakula knows a lot about spherical abberations. Perhaps he produced these songs with his glasses off as these are abstract and warm vignettes, never overstaying their welcome and for this reason Sarakula manages to feature twelve new tracks on "Soft Focus".

Highlights include one of the two Shawn Lee produced tracks "I'll Get By Without You", the rockier, iberic beat of "King Of Spain", the soulful affirmation of "Back For Your Love" and the psychedelic-tinged "Bird Of Paradise" and "Microdosing". This is a lovingly crafted album, well polished and it feels like the culmination of Sarakula's adventures in soulful soft-rock and his defining statement in the genre. While comparisons will be made with contemporary projects like Shawn Lee's Young Gun Silver Fox, Drugdealer, Benny Sings and Prep, echoes of soft-rock icons Ned Doheny, Boz Scaggs, Todd Rundgren and Michael Franks also ripple gently through the album.

Imagine if Ray Manzarek was the frontman for the Bee Gees... It's a neat visual introduction to Joel Sarakula, a UK-based Australian artist who writes, produces and sings Soulful Pop, gazing out at a contemporary world through vintage glasses, vintage threads and long blond hair. His music is informed by a rich, 1970s-inspired palette, drawing on soft-rock, funk and disco influences: sunny, uptempo jams for darker times. Self-aware that he looks and occasionally sounds like the love child of Ray Manzarek and the Gibb brothers, his self-deprecating sense of humour is always there just below the fringe.

Born in Sydney, based in UK and international in outlook Sarakula is a songwriter who has travelled the world in search of his muse, experiencing everything from being a victim of Caribbean carjackings to performing in the remote fishing villages of Norway before finally establishing his career in the UK and Europe. Since then he has released albums such as "Island Time" (2023), "Companionship" (2020), "Love Club" (2018) and "The Imposter" (2015) that have racked up plays on rotation across national UK and European radio and got him noticed in The New York Times, The Independent (UK), The Irish Times, Rolling Stone Germany, El Pais (Spain) and Sydney Morning Herald. It's- been a long road finding his current cult status starting out at the piano from a young age in suburban Sydney, writing and singing songs by the time he was a teenager and onstage by fifteen years old playing jazz standards in his local golf club. "I came from humble beginnings, it's best not to mention" as he sings in his 70s boogie influenced song "I'm Still Winning". Joel Sarakula is a fixture on the festival and club circuit having previously performed at SXSW, Primavera Sound and Glastonbury festivals. Ever the internationalist, he tours with pickup bands sourced from each territory he plays in: a Barcelona band for Spain, a Berlin band for Germany and so forth. This cross-cultural exchange is another echo of the 1970s when world travelling soul and pop artists from the US did the same and guarantees that his live shows remain fresh, exciting and absolutely contemporary.

Elvis, Franck Sinatra, Dean Martin... They are all there, the greatest crooners ever singing the most popular Christmas songs. 16 timeless songs on a nice picture disc vinyl for the best Christmas atmosphere you could dream of

Die in der Schweiz geborene Halb-Britin Kings Elliot ist ein offenes Buch für ihre Fans.
Bei ihr wurden eine Borderline-Persönlichkeitsstörung und Angstzustände diagnostiziert.
Mentale Gesundheit ist das Kernthema ihrer Musik, ihre Songs sprechen offen über ihren Kampf mit sich
selbst und ihre Social Media Profile sind ein sicherer Hafen und Ort für tiefen Austausch für ihre Fans
geworden.
Kings Elliot spielte bereits weltweit Festivals wie z.B. Barn on the farm oder das Montreux Jazz Festival, wurde unter anderem von Online- und Presseoutlets wie der Deutschen Vogue, Teen Vogue, Billboard,
Clash, Wonderland und zuletzt der Sunday Times gelobt und erhielt social Media Unterstützung von Reese
Witherspoon, Dixie D’Amelio, Lewis Capaldi, Milky Chance und Macklemore.
Sie tourte mit Imagine Dragons durch die größten US Stadien und supportete Sam Ryder (”Space Man”,
bekannt vom Eurovision Song Contest) auf dessen letzer EU Herbsttour, auch Stephen Sanchez nahm sie
als Support mit auf große US Tour.
Im Sommer 2023 supportete sie auch Lana Del Rey bei ihrer großen Hyde Park Show in London.
Mit ihrer EP ”I’m Not Always Sad, Sometimes I’m Angry” erscheint zum zweiten Mal ein physisches
Produkt in Form einer 10” Vinyl.

Lonnie Smith (1942 – 2021), was an American jazz organist. He was part of several vocal ensembles in the 1950s, includ- ing the Teen Kings which included Grover Washington Jr. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3. Smith’s affinity for R&B mixed with his own personal style as he became active in the local music scene. In 1965 he met guitarist George Benson. The two con- nected on a personal level and formed the George Benson Quartet, featuring Lonnie Smith, in 1966. After two albums under Benson’s leadership, Smith recorded his first solo al- bum ‘Finger Lickin’ Good (Soul Organ)’ with George Benson and Melvin Sparks on guitar, Ronnie Cuber on baritone sax, and Marion Booker on drums. This combination remained stable for the next five years. After recording several albums with Benson, Smith became a solo recording artist and sub- sequently recorded over 30 albums under his own name.
Numerous prominent jazz artists joined Smith on his albums
and in his live performances, including Lee Morgan, David “Fathead” Newman, King Curtis, Blue Mitchell, and Joe Lova- no. The album ‘Finger Lickin’ Good (Soul Organ)’ showcases Lonnie Smith’s virtuosity and his innovative approach on the organ, with tracks that feature intricate solos and groovy rhythms so typical of the soul jazz and jazz funk genres. Lon- nie Smith was named 9 times “the best organist of the year” by the Jazz Journalists Association.

This release comes as a limited edition of 750 copies on smoke coloured vinyl.

Featured here on this 3LP Silver vinyl gatefold set are some of the vital and most important music ever committed to vinyl. It covers the first seven recording years of Elvis Aaron Presley, years which saw him progress from teenage Memphis truck driver earning $35 a week to a multi-millionaire performer with the music and movie worlds squarely at his size 11 feet. Enjoy this portrait of the King at his imperious best – young, slick and ready to rock.

"Waxwork Records is thrilled to present CARRIE Original Motion Picture Soundtrack by Pino Donaggio! Expanded and re-mastered for its 45th anniversary, this deluxe double LP album marks the very first time that the complete film music has been released on vinyl. Carrie is a 1976 Horror film adapted from author Stephen King's very first published novel of the same name. The movie stars Sissy Spacek and is directed by Brian De Palma (Scarface, Phantom Of The Paradise).

The score by legendary composer Pino Donaggio (The Howling, Tourist Trap) skillfully captures the pressure of forced innocence, the humor of teen drama, and the trauma of coming of age as a girl in 1970’s America. The album also features the tracks “Born To Have It All” and “I Never Thought Someone Like You Could Love Someone Like Me” by Katie Irving. CARRIE Original Motion Picture Soundtrack features the expanded film music re-mastered and pressed to orange smoke colored vinyl, with new artwork by Phantom City Creative, and old-style tip-on gatefold jackets with matte satin coating."

At 15 years of age Danny aka DJH worked at Dance Force Records, his Dad’s record shop, at the weekends in Kings Lynn. He also built himself a basic studio in the back of the shop where he linked up with a local customer and started to make music. These tracks would form an EP called The Bass Project which went on to be one of the most sought after hardcore records, being offered for up to £750 a copy. Not bad for a 15 year old kid who made his one and only release back in 1993.

This is the 3rd and final release for the DJH series whilst he takes a sabbatical from music, leaving us with 4 heavy hardcore tracks, with that authentic early 90’s feel with ‘Bad Boy Sound’ being a firm favourite of Jay Cunning over recent months on his Kool FM show. Sourcing original samples and memories from his time embedded in the scene as a teenager, this whole EP pays respects to the analogue dance scene that paved the way for all forms of UK bass music that followed.

Anna Erhard returns with her third Album Botanical Garden, on which she expertly deconstructs social mores with her trademark lightness of touch, seeking out the funny side of life's everyday's frustrations with a breeziness and genuine warmth. Available on 180g black Vinyl Side A 170 Botanical Garden B.M.G. Academy Spa Package Side B Hot Family Stash Not Rick Teeth on the King

Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.3

For the album, Mitchell was backed by a band of acclaimed jazz and fusion musicians consisting of guitarist Pat Metheny, bassist Jaco Pastorius, drummer Don Alias, keyboardist Lyle Mays, and saxophonist Michael Brecker. Additionally, vocal group the Persuasions appear on the title track and a cover of Frankie Lymon & the Teenagers' "Why Do Fools Fall in Love".


[a] a1. INTRODUCTION [1:51]
[b] a2. IN FRANCE THEY KISS ON MAIN STREET [4:14]
[c] a3. EDITH AND THE KINGPIN [4:10]
[d] a4. COYOTE [4:58]
[e] a5. GOODBYE PORK PIE HAT [6:02]
[f] b1. THE DRY CLEANER FROM DES MOINES [4:37]
[g] b2. AMELIA [6:40]
[h] b3. PAT’S SOLO [3:09]
[i] b4. HEJIRA [7:42]
[j] c1. BLACK CROW [3:52]
[k] c2. DON’S SOLO [4:04]
[l] c3. DREAMLAND [4:40]
[m] c4. FREE MAN IN PARIS [3:23]
[n] c5. BAND INTRODUCTION [0:52]
[o] c6. FURRY SINGS THE BLUES [5:14]
[p] d1. WHY DO FOOLS FALL IN LOVE [2:53]
[q] d2. SHADOWS AND LIGHT [5:23]
[r] d3. GOD MUST BE A BOOGIE MAN [5:02]
[s] d4. WOODSTOCK [5:08]

repress !

If one band could be cited for the emergence of Ska music, that band would be the Skatalites.

Formed around June 1965 and built around the many musicians that had honed their craft at the Alpha Boys School in Kingston, Jamaica. The early line up consisted of Don Drummond (Trombone), Roland Alphonso (Tenor Saxophone), Tommy McCook (Tenor Saxophone), Johnny ’Dizzy’ Moore (Trumpet), Lester Sterling (Alto Saxophone), Jerome ’Jah Jerry’ Hines (Guitar), Jackie Mittoo (Piano), Llyod Brevett (Bass) and Llyod Knibbs (Drums).

Named originally The Satellites after the big news of the day, the Soviet space satellite. They became The Skatalites when band member Tommy McCook introduced a play on the characteristic ‘Ska’ sound, made by the guitar when following the’ after beat’ of the music.The group had already cut its musical teeth by playing under various guises around the Jamaican island in numerous ‘hotel bands’. When the big Sound System operators Sir Coxsane Dodd, Duke Reid and King Edwards needed new material to play out with and their usual source of the material, American R & B records were drying up. They turned to this pool of musicians to back up their main singers of the day. Delroy Wilson, Alton Ellis and Lord Creator to name but a few. Also to cut the many instrumental tracks they needed usually under the tutor ledge of Don Drummond, official band leader and main musical director. Their knowledge of the old mento tunes and an understanding of Jazz and R&B music somehow blended to make this musical sound that was to dominate the island from the early 60’s up until around 1966 when the sound would slow down to what we now know as Rocksteady.

The time span of the Skatalites career considering their output of litually 100’s of sides of music, was a relatively short one of just over two years. We have delved into the vaults of Wirl Records and have selected some tunes that show the dexterity of the band and what great sounds this group of musicians were capable of producing and the high quality they maintained. They recorded before they were named as a collective The Skatalites, when personal and financial problems became an issue the band split into two halves. Jackie Mittoo and Roland Alfonso going on to form The Soul Brothers band for Coxsone Dodd. Tommy McCook moving over to work with Duke Reid as musical director. Sadly, Don Drummond suffering for years from depression would see his career cut short ending in Belle Vue hospital in 1969.

But while together they cut some of the finest Ska Sounds to be found on record. We hope you enjoy this set as much as we have in putting it together.
So, stand Up, Listen Hard and do the Ska……

THE SINISTER DEBUT ALBUM OF PURE NORWEGIAN BLACK METAL
FEELING,FEATURING MEMBERS OF AURA NOIR, OBLITERATION &
CONDOR."Underground metal the way it should sound returns to
Kolbotn!" - Fenriz (Darkthrone)From the depths of Norway looms a new
rising beast of hate & misanthropy in the form of Avmakt
Featuring the duo of Kristian Valbo & Christoffer Brathen - known for their work
with such acts as Aura Noir, Obliteration & Condor - their debut album, 'The
Satanic Inversion of....', is a grim & revelatory offering. Primitive in a way that
captures the early magic of Kolbotn's metal kings, Darkthrone, as well as the stark
chaos of early-era Bathory along with their very own distinguishable stamp on the
genre, 'The Satanic Inversion of....' is a masterclass of real Black Metal feeling,
wrapped up in a hypnotic frenzy of ice-cold riffing.
Though both members had played in bands covering different genres since their
early teenage years, Black Metal had always been one of the most important as a
vehicle for an honesty & fierceness that resonated deeply within the duo, without
the need for extravagant clothing or pretentious concepts. And so Avmakt itself
was born as the vessel for channelling this stripped-down raw feeling.
Formed in 2020 & with their one & only demo release gaining traction in the
underground, the Norwegians quickly came to the attention of Darkthrone's Fenriz
& Peaceville Records & Avmakt was swiftly included on Peaceville's Black Metal
Compilation, 'Dark Side Of The Sacred Star' which launched at the end of 2022.
Avmakt itself means "powerlessness", the sense of being overwhelmed & not
able to have any influence - without choice, voice, or hope. And so, it is from far
down in this psychological abyss that Avmakt's ideas & expressions manifest
with the completion of their debut studio release; 6 sprawling epic tracks
recorded with the assistance of Arild Torp, also of Obliteration & encapsulating
such themes as emptiness, desolation & alienation in a powerful display of
sinister, uninhibited Black Metal.