Mark Broom and CJ Baker team up as Kingpin Cartel on Rekids for the The ‘Long Dark Soul Of The Night’ EP
Kingpin Cartel, Mark Broom and CJ Baker’s joint House alias debuts on Rekids this November with the ‘Long Dark Soul Of The Night’ four-tracker. The EP starts with the title track, a playful, funk-fuelled cut with squelchy licks and soulful keys. Next, Kingpin Cartel’s ‘Moonrise’ leads with strong percussion that lay underneath a smooth swinging piano riff. ‘You Are’ then dives deep, perfectly blending emotive synth chords with an undeniably weighty house beat before ‘Shakedown’ closes the ‘Long Dark Soul Of The Night’ EP with a quirky synth line and an infectious bassline that firmly keeps it old-school.
Mark Broom is a UK dance music legend with releases on labels like Warp, M-Plant, and Hardgroove. He returns to Rekids as one of its core artists, joining CJ Baker, a producer known for EPs on Innervisions, Emissions Lo-Fi, Well Rounded, and many more. Founded in 2005, their Kingpin Cartel alias has released on Nic Fanciuli’s Saved Records as well as Mark Broom’s Rewired, Pure Plastic, and Beardman imprints, now landing on Radio Slave’s flagship label with the ‘Long Dark Soul Of The Night’ EP.
Buscar:kingpin
Two certified Kingpin Cartel anthems, originals of which trade hands for hefty sums, get a much deserved repress having never been on the same 12 inch before. Mark Broom and C.J.Baker pulling out all the stops with the feel-good blinder ‘Ghetto’ on the A and the boogie bomb ‘Moogie Nights’ on the B. Essential cuts for every collection.
- A1: Just One Of Those Days
- A2: Wave The Nine
- A3: Champloo
- A4: World Jumper
- B1: Just One Of Those Days (Instrumental)
- B2: Wave The Nine (Instrumental)
- B3: Champloo (Instrumental)
- B4: World Jumper (Instrumental)
Just before dropping the 3rd chapter in his "Threesome" series, Hus Kingpin surprises us with a brand new EP on which he gets out of his comfort zone, rapping on some chill hop beats provided by Wun Two and Made In M, once again proving the versatile and creative MC he's always been! Hand-Numbered pressing limited to 350 copies.
- A1: Halloween Hus (Prod. Owltree)
- A2: The Darker Knight Ft. Skrilla, Supreme Cerebral (Prod. Owltree)
- A3: Rio De Dinheiro Ft. Bala No Judas (Prod. Madlib)
- A4: Star Voyager (Prod. Johnny Slash)
- A5: Pray 4 Me (Prod. Poppa Infizzi)
- A6: Jimmy Jump Pt. 2 (Prod. Infitada Beats)
- B1: Eagle Wings (Prod. Coley Beats)
- B2: Murder Ink Ft. Tritty (Prod. Jotabit)
- B3: Purple (Prod. Macapella)
- B4: Slime Wave God (Prod. Relense)
- B5: Who Made You Look Ft. Shyheim (Shaolin Remix) (Prod. Manny Megz)
"Slime Wave 2" is the highly anticipated sequel to Hus Kingpin's 2019 album, immersing listeners into the gritty, yet hypnotic world of one of the waviest MC’s in underground hip-hop. Building upon the foundation laid by its predecessor, this album pushes boundaries, blending intricate lyricism with captivating production to create an auditory journey like no other.
Backed by an array of talented producers, the album's beats range from soulful and jazz-infused to hard-hitting and gritty, providing the perfect backdrop for Hus Kingpin's lyrical prowess. Each track is a sonic masterpiece, meticulously crafted to evoke a range of emotions and keep listeners captivated from start to finish.
"Slime Wave 2" features a killer lineup of guest appearances, adding layers of depth and diversity to the album's sonic landscape, with Bala No Judas, Shyheim, Supreme Cerebral, Skrilla and Tritty joingin Hus on this journey.
Behind the boards, a stellar lineup of producers brings their A-game to "Slime Wave 2," ensuring a diverse and immersive listening experience. From the legendary Madlib's signature soulful soundscapes to the gritty, boom-bap vibes of Macapella, Owltree, and Manny Megz, each producer leaves their indelible mark on the album, creating a rich tapestry of beats that perfectly complement Hus Kingpin's lavish lyricism.
Madonna and Big Daddy Kane, Naomi Campbell and Kate Moss — Lord Wavo is back to keep the standards high with the follow-up to his previous Threesome EP. On this sequel Hus picks up where he left off and keeps the same soulful vibes going, still going solo apart from the hook by Miles Bonny and with the menage a trois vibes provided by Buckwild, Prince P, Macapella and Chin Beats.
- A1: Intro
- A2: One Life 2 Live
- A3: Nobody Crosses Me
- A4: Midnight Hoes
- A5: Lookin' For Da Chewin
- B1: Long Story
- B2: Y'all Ain't No Killaz
- B3: Hear My Dear/Anger
- B4: I Don't Lov'em
- C1: We Ain't No Playa Hatas
- C2: Pimpin' And Hoin
- C3: Don't Test Me
- C4: Let's Start A Riot
- D1: King Of Da Playaz Ball
- D2: All About Them Prophets
- D3: Outro
- D4: Blaze Up Another 1
Hus continues his streak of conceptual albums, "The Firm" comes in fresh off of his last LP, the Portishead inspired album titled "Portishus", which is currently sold out. Inspired by the 1997 group The Firm (Nas, AZ, Foxy Brown, Cormega, Nature) and the 1993 film "The Firm" starring Tom Cruise. The album features Canibus, Max B, SmooVth, SageInfinite, Khrysis (Jamla) + more.
TRACKLIST: 1. Ray Mcdeere (Prod. By Macapella) 2. Devasher (Prod. By Scary Hour) 3. Affirmative Action (Feat. SmooVth & SageInfinite) (Prod. By Prynce P) 4. The Moroltos (Feat. BeenOfficialLord & Apollo Ali) (Prod. By Kencussion) 5. Lambert & Locke (Feat. Ali Vegas) (Prod. By Stu Bangas) 6. Glass Castle (Prod. By Khrysis) 7. Cayman Islands (Feat. Rozewood) (Prod. By Macapella) 8. Harmony (Prod. By Sean Zeon) 9. Desperados (Feat. Canibus) (Prod. By Macapella) 10. Firm Biz (Feat. Pure) (Prod. By Stu Bangas) 11. The Wave Angels (Feat. Max B) (Prod. By Prynce P) 12. Firm Fiasco (Prod. By Blaqknight) 13. Executive Decision (Prod. By DJ Tako)
- A1: Blinded By The Dark (Feat Dave Clarke)
- A2: Riot Gear
- A3: Full Circle
- B1: Echoes From A Wasted Land (Feat Exzakt)
- B2: The Hooded Figure
- C1: Modesty Is A Virtue (Feat Perel)
- C2: Harvester
- C3: It Doesn´t Matter If We All Die
- D1: Phantom Pain (Feat Kira)
- D2: Sanctuary Of Vices (Feat Jay Denham)
- D3: Infrapunch
Turbo Recordings is proud to present the revival of German techno giant Gregor Tresher’s Sniper Mode alias with the Riot Gear LP. We have been promised that this release will usher in a Golden Age of Electro in which we will serve at the right hand of the Lord for a starting annual salary of €43,000. Not bad.
Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks. Lead single “Blinded by the Dark” is a collaboration with Dave Clarke, the most respected man in electro and perhaps just in general, and features the most punishing drop in recent memory. The album also includes standout vocal contributions from Detroit techno pioneer Jay Denham (“Sanctuary of Vices”), Miami Bass kingpin Exzakt (“Echoes From a Wasted Land”), dance-world enigma Kira (“Phantom Pain”), and Turbo favorite Perel (“Modesty Is a Virtue”). We would argue that this album represents a landmark achievement in the genre, which you have to admit would reflect pretty well on us as a label.
It is not every day that Turbo Recordings embraces the responsibility of husbanding a full-album release, and you should know that it comes as a cost. The additional listening time, track title typing, and intensive download/upload workload have pushed our dedicated staff of 90 to its breaking point. We have a lot going on over here.
- A1: Intro By Redman
- A2: Iron Man
- A3: Sample 420
- A4: Curtis May
- A5: 4Th Disciple
- B1: Windows
- B2: Pause
- B3: Georgy Porgy
- B4: Force Md
- B5: Break Beats
- B6: Beat Box
- C1: Rap Kingpin
- C2: Sale Of The Century
- C3: The Trail
- C4: Love Me Anymore
- C5: Soul Thang
- C6: Metaphysics
- D1: Candyland
- D2: Lenny Green
- D3: The Zoom
- D4: You Ma Friend
- D5: Knuckles
Black Vinyl[32,35 €]
- A1: Purple Disco Machine - Body Funk
- A2: Shakedown - At Night (Purple Disco Machine Extended Remix)
- B1: Claptone & Mylo - Drop The Pressure (Purple Disco Machine Remix)
- B2: Tensnake - Coma Cat (Purple Disco Machine Extended Re-Work)
- C1: Purple Disco Machine - In My Arms
- C2: The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix)
- D1: Purple Disco Machine - Beat Fantasy
- D2: Fallout - The Morning After (Purple Disco Machine Re-Work)
- E1: Purple Disco Machine - Dished (Male Stripper)
- E2: Fatboy Slim - Praise You (Purple Disco Machine Remix)
- F1: Spiller Ft. Sophie Ellis-Bextor - Groovejet (If This Ain't Love) (Purple Disco Machine & Lorenz Rhode Remix)
- F2: Weiss - Feel My Needs (Purple Disco Machine Mix)
Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.
- 1: Damn
- 2: Free
- 3: Wet & Wild
- 4: Just Two
- 5: Tectonic
- 6: Party People
- 7: Angle Of Satisfaction
- 8: Switch
- 9: Hackney Wick
- 10: First
- 11: Everything Changes (But I Won’t)
- 12: Louder, Please
From its instructive title to its unapologetic sound, 'Louder, Please' is Rose Gray powerfully - but with quintessential, British politeness - backing herself (who she is, what she wants, and the artist she's always had the potential to become). It's a statement of intent reflected in the record's breadth of collaborators, which span legendary pop kingpins Justin Tranter (Lady Gaga, Chappel Roan) and Zhone (Troye Sivan) to underground electronic heroes like Seda Bodega, Uffie and Alex Metric. Throughout 'Louder, Please' pairs home truths with dance hedonism, summoning not just a transformative night out - the new faces and chosen family, ecstatic highs and crushing lows - but also telling Rose Gray's story: a life lived through club music, and always to its fullest.
- A1: Be Ill Feat. Eddie Kaine X Rim
- A2: Now Is The Time Feat. Hus Kingpin
- A3: Love Is The Message Feat. Planet Asia, Ras Kass & Sally Green
- A4: Gods Playground Feat. .38 Spesh X Skyzoo
- A5: Pendulum Swing Feat. Kxng Crooked X La The Darkman X Canibus X Chino Xl
- B1: International Feat. Kool G Rap X Tristate X Joell Ortiz
- B2: Sign Of 7Even Feat
- B3: I'm Good (Rakim Solo)
- B4: Not To Be Defined Feat. Lazarus
- 1: Intro By Redman
- 2: Iron Man
- 3: Sample 420
- 4: Curtis May
- 5: 4Th Disciple
- 6: Windows
- 7: Pause (Skit)
- 8: Georgy Porgy
- 9: Force Md (Skit)
- 10: Break Beat
- 11: Beat Box
- 12: Rap Kingpin
- 13: Sale Of The Century (Skit)
- 14: The Trial
- 15: Love Me Anymore
- 16: Soul Thang
- 17: Metaphysics
- 18: Candyland
- 19: Lenny Green (Skit)
- 20: The Zoom
- 21: You Ma Friend
- 22: Knuckles (Skit
2x12" vinyl[28,78 €]
A founding member of the legendary Wu-Tang Clan, Ghostface Killah is Hip Hop’s masked poet — known for his cinematic storytelling, gritty slang, and razor-sharp delivery. With classic albums like Supreme Clientele and Fishscale, Ghostface carved his name into rap history as one of the most original and consistent voices in the game. The Wait is Over. Supreme Clientele 2 is FINALLY here. The highly anticipated album is a vivid- late-night noir where every bar brought Ghost’s inner thoughts to life. From Staten Island to sold out stages worldwide.
- 1: Intro By Redman
- 2: Iron Man
- 3: Sample 420
- 4: Curtis May
- 5: 4Th Disciple
- 6: Windows
- 7: Pause (Skit)
- 8: Georgy Porgy
- 9: Force Md (Skit)
- 10: Break Beat
- 11: Beat Box
- 12: Rap Kingpin
- 13: Sale Of The Century (Skit)
- 14: The Trial
- 15: Love Me Anymore
- 16: Soul Thang
- 17: Metaphysics
- 18: Candyland
- 19: Lenny Green (Skit)
- 20: The Zoom
- 21: You Ma Friend
- 22: Knuckles (Skit
cassette[16,18 €]
A founding member of the legendary Wu-Tang Clan, Ghostface Killah is Hip Hop’s masked poet — known for his cinematic storytelling, gritty slang, and razor-sharp delivery. With classic albums like Supreme Clientele and Fishscale, Ghostface carved his name into rap history as one of the most original and consistent voices in the game. The Wait is Over. Supreme Clientele 2 is FINALLY here. The highly anticipated album is a vivid- late-night noir where every bar brought Ghost’s inner thoughts to life. From Staten Island to sold out stages worldwide.
- A1: Blue
- A2: Trouble Man – Kyle Eastwood Feat. Joni Mitchell
- A3: Moon At The Window - Demo
- A4: Be Cool – Demo
- A5: Harlem In Havana
- B1: Cherokee Louise
- B2: Come In From The Cold
- B3: In France They Kiss On Main Street
- B4: Nothing Can Be Done
- C1: Sex Kills
- C2: Edith And The Kingpin
- C3: Cold Blue Steel And Sweet Fire
- C4: The Jungle Line
- D1: Shades Of Scarlett Conquering
- D2: Yvette In English
- D3: Marcie
- D4: A Bird That Whistles
- E1: Love
- E2: Comes Love
- E3: The Man I Love – Herbie Hancock Feat. Joni Mitchell
- F1: At Last
- F2: You’re My Thrill
- F3: Sometimes I’m Happy
- F4: Stay In Touch
- G3: Sweet Sucker Dance – Early Alternate Version
- H1: You Dream Flat Tires
- H2: Answer Me, My Love
- H3: Love Puts On A New Face
- H4: Both Sides Now
- I1: Harry’s House/Centerpiece
- I2: Sunny Sunday
- I3: Hana
- I4: Last Chance Lost
- I5: Smokin’ (Empty, Try Another)
- J1: Paprika Plains
- K1: Hejira - Live At The Santa Barbara County Bowl, September 9, 1979
- K2: Refuge Of The Roads
- K3: Blue Motel Room
- L1: Black Crow
- L2: Off Night Backstreet
- L3: Just Like This Train
- L4: No Apologies
- L5: Not To Blame
- L6: The Magdalene Laundries
- M1: The Sire Of Sorrow (Job’s Sad Song)
- M2: God Must Be A Boogie Man
- M3: A Chair In The Sky
- N1: Goodbye Pork Pie Hat – Live At The Santa Barbara County Bowl, September 9, 1979
- N2: The Tea Leaf Prophecy (Lay Down Your Arms) – Herbie Hancock Feat. Joni Mitchell
- N3: Shine
- G1: The Crazy Cries Of Love
- O1: If I Had A Heart
- O2: Impossible Dreamer
- O3: One Week Last Summer
- O4: Summertime – Live At Newport Folk Festival, July 22, 2023
- P1: Stormy Weather
- P2: Two Grey Rooms – Demo
- P3: The Dry Cleaner From Des Moines
- P4: Twisted
- P5: If
- G2: Face Lift
- Piranhas (Feat. J-Spliff &Amp; Estee Nack)
- Facelift (Feat. Estee Nack, Raz Fresco &Amp; Daniel Son)
- Overkill (Feat. Hus Kingpin)
- You&Apos;Re Dead (Feat. Al.divino &Amp; Crimeapple)
- &Apos;83 Canadian Hollow Tips (Feat. P-Dirt, Raz Fresco &Amp; Daniel Son)
- Head Hunters (Feat. Izrell)
- Welcome To Hell (Feat. P-Dirt, Dj Eclipse &Amp; Ill Bill)
- Maximum Overdrive (Feat. Raz Fresco, Goretex &Amp; J-Spliff)
- White Crown Pt. Ii (Feat. Casual, Dj Eclipse &Amp; Planet Asia)
- Call Me Snake (Feat. P-Dirt &Amp; J-Spliff)
- Wild Style Warz (Feat. Raz Fresco &Amp; Da Flyy Hooligan)
- Writing On The Wall (Feat. Izrell &Amp; J-Spliff)
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Re-Animation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I'm on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.
- Piranhas (Feat. J-Spliff &Amp; Estee Nack)
- Facelift (Feat. Estee Nack, Raz Fresco &Amp; Daniel Son)
- Overkill (Feat. Hus Kingpin)
- You&Apos;Re Dead (Feat. Al.divino &Amp; Crimeapple)
- &Apos;83 Canadian Hollow Tips (Feat. P-Dirt, Raz Fresco &Amp; Daniel Son)
- Head Hunters (Feat. Izrell)
- Welcome To Hell (Feat. P-Dirt, Dj Eclipse &Amp; Ill Bill)
- Maximum Overdrive (Feat. Raz Fresco, Goretex &Amp; J-Spliff)
- White Crown Pt. Ii (Feat. Casual, Dj Eclipse &Amp; Planet Asia)
- Call Me Snake (Feat. P-Dirt &Amp; J-Spliff)
- Wild Style Warz (Feat. Raz Fresco &Amp; Da Flyy Hooligan)
- Writing On The Wall (Feat. Izrell &Amp; J-Spliff)
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Re-Animation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I'm on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.
- Piranhas (Feat. J-Spliff &Amp; Estee Nack)
- Facelift (Feat. Estee Nack, Raz Fresco &Amp; Daniel Son)
- Overkill (Feat. Hus Kingpin)
- You&Apos;Re Dead (Feat. Al.divino &Amp; Crimeapple)
- &Apos;83 Canadian Hollow Tips (Feat. P-Dirt, Raz Fresco &Amp; Daniel Son)
- Head Hunters (Feat. Izrell)
- Welcome To Hell (Feat. P-Dirt, Dj Eclipse &Amp; Ill Bill)
- Maximum Overdrive (Feat. Raz Fresco, Goretex &Amp; J-Spliff)
- White Crown Pt. Ii (Feat. Casual, Dj Eclipse &Amp; Planet Asia)
- Call Me Snake (Feat. P-Dirt &Amp; J-Spliff)
- Wild Style Warz (Feat. Raz Fresco &Amp; Da Flyy Hooligan)
- Writing On The Wall (Feat. Izrell &Amp; J-Spliff)
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Re-Animation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I'm on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.
- A1: Kotms Ii Intro Ft Kingpin Skinny Pimp
- A2: Ultra Shxt Ft Key Nyata
- A3: Set It Ft Maxo Kream
- A4: Hot One Ft Tiacorine & A$Ap Ferg
- A5: Black Flag Freestyle Ft That Mexican Ot
- A6: Headcrack Interlude Ft Kingpin Skinny Pimp
- A7: G'z Up Ft 2 Chainz & Mike Dimes
- A8: Lunatic Interlude
- B1: Sked Ft Kenny Mason & Project Pat
- B2: Choose Wisely Interlude Ft Kingpin Skinny Pimp
- B3: Cole Pimp Ft Ty Dolla $Ign & Juicy J
- B4: Wishlist Ft Armani White
- B5: Hit The Floor Ft Ski Mask The Slump God
- B6: Hoodlumz Ft A$Ap Rocky & Playthatboizay
- B7: Kotms Ii Outro Ft Kingpin Skinny Pimp
Neon Green Vinyl[32,98 €]
Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally.
Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.
With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade.
- A1: Be Ill Feat. Kurupt & Masta Killa (Prod + Cuts By Rakim Allah)
- A2: Now Is The Time Feat. B.g, Hus Kingpin & Compton Menace (Prod. Rakim Allah)
- A3: Love Is The Message Feat. Nipsey Hussle, Planet Asia, Louis King & Snoop Dogg Additional Vocals By: Sally Green, Kobe Honeycutt & The La Grand Choir (Prod. Rakim Allah) (Violin Quartet Courtesy Of Nino Chikviladze)
- A4: God's Playground Feat. .38 Spesh, Fred The Godson & Skyzoo Additional Vocals: Dmx (Prod + Cuts By Rakim Allah)
- B1: Pendulum Swing Feat. Kxng Crooked, La The Darkman, Canibus & Chino Xl (Prod. & Cuts By: Rakim Allah)
- B2: International Feat. Kool G Rap, Tristate & Joell Ortiz (Prod. Rakim Allah)
- B3 - Sign Of Se7En Feat. Prodigy (Of Mobb Deep), Method Man, X-Raided & Big Twins (Prod. Rakim Allah)
Cassette[14,50 €]
Hip-hop legend Rakim is breaking new ground with his upcoming studio album, G.O.D.'S NETWORK (REB7RTH), by flexing his skills both on the mic and behind the boards. Widely lauded as the best lyricist of all time, The God MC himself is blessing the culture with the next step in his historic career.
“I feel like the battery in my back has been reenergized,” Rakim said about his new album, which arrives nearly four decades after the release of his classic debut with Eric B., Paid In Full. Since then, he’s continued to shape the landscape and culture of hip-hop as we know it, inspiring rising artists with his hype live shows and incredible studio albums. And while he’s produced some of his previous work—notably “Don’t Sweat the Technique,” “Juice (Know The Ledge),” and “Paid In Full”—this feels like new territory for the 18th Letter, whose production and scratching talents are nothing short of remarkable.
G.O.D.'S NETWORK (REB7RTH) is proof that Rakim is truly one of the most special artists we’ve known not just in hip-hop, but all of music. You can tell he feels that level of praise when speaking about the genesis of the album. “Having the ability to showcase my talents behind the boards coupled with the elite lyricism the world already knows and gives me infinite praise for alongside some of the best talents to ever do it is truly a blessing and for that I am humbled,” he said.
Rakim is more than an official triple-threat as an artist, because he’s also showing off skills as a curator. On this album’s seven tracks, he enlists a who’s-who of top hip-hop talent, including the dearly departed Nipsey Hussle, Fred the Godson, DMX, and Prodigy (of Mobb Deep). Rakim also linked with many of his contemporaries, such as Snoop Dogg, Method Man, KXNG Crooked, B.G., and Kool G. Rap, among others.
The album’s first single, “Be Ill,” is the perfect introduction, as it pairs Rakim’s raw rhymes and head-nodding production with slick guest features from Kurupt and Masta Killa. Elsewhere, Rakim slows it down for the soulful “Love Is The Message,” which features Nipsey Hussle, Planet Asia, Louis King, Snoop Dogg, Sally Green, Kobe Honeycutt, and the LA Grand Choir. And then there’s the chest-thumping “International,” a straight-up slapper with hard-hitting rhymes from Kool G. Rap, Tristate, and Joell Ortiz.
For fans of hip-hop, and especially of Rakim’s storied discography, there is so much to love on this record. You can hear his hunger as an emcee and producer on every track, as well as his desire to collaborate with so many respected artists. Despite having decades in the game and many classics to his name, it feels like Rakim is just getting started.
While the world awaits the July 26th release date, fans can catch Rakim performing live throughout the US from now until the end of year in support of G.O.D.S Network (REB7RTH). In addition to debuting new material, he’ll be performing all the classics from his beloved catalog.
- A1: Be Ill Feat. Kurupt & Masta Killa (Prod + Cuts By Rakim Allah)
- A2: Now Is The Time Feat. B.g, Hus Kingpin & Compton Menace (Prod. Rakim Allah)
- A3: Love Is The Message Feat. Nipsey Hussle, Planet Asia, Louis King & Snoop Dogg Additional Vocals By: Sally Green, Kobe Honeycutt & The La Grand Choir (Prod. Rakim Allah) (Violin Quartet Courtesy Of Nino Chikviladze)
- A4: God's Playground Feat. .38 Spesh, Fred The Godson & Skyzoo Additional Vocals: Dmx (Prod + Cuts By Rakim Allah)
- B1: Pendulum Swing Feat. Kxng Crooked, La The Darkman, Canibus & Chino Xl (Prod. & Cuts By: Rakim Allah)
- B2: International Feat. Kool G Rap, Tristate & Joell Ortiz (Prod. Rakim Allah)
- B3 - Sign Of Se7En Feat. Prodigy (Of Mobb Deep), Method Man, X-Raided & Big Twins (Prod. Rakim Allah)
Vinyl LP[25,17 €]
Hip-hop legend Rakim is breaking new ground with his upcoming studio album, G.O.D.'S NETWORK (REB7RTH), by flexing his skills both on the mic and behind the boards. Widely lauded as the best lyricist of all time, The God MC himself is blessing the culture with the next step in his historic career.
“I feel like the battery in my back has been reenergized,” Rakim said about his new album, which arrives nearly four decades after the release of his classic debut with Eric B., Paid In Full. Since then, he’s continued to shape the landscape and culture of hip-hop as we know it, inspiring rising artists with his hype live shows and incredible studio albums. And while he’s produced some of his previous work—notably “Don’t Sweat the Technique,” “Juice (Know The Ledge),” and “Paid In Full”—this feels like new territory for the 18th Letter, whose production and scratching talents are nothing short of remarkable.
G.O.D.'S NETWORK (REB7RTH) is proof that Rakim is truly one of the most special artists we’ve known not just in hip-hop, but all of music. You can tell he feels that level of praise when speaking about the genesis of the album. “Having the ability to showcase my talents behind the boards coupled with the elite lyricism the world already knows and gives me infinite praise for alongside some of the best talents to ever do it is truly a blessing and for that I am humbled,” he said.
Rakim is more than an official triple-threat as an artist, because he’s also showing off skills as a curator. On this album’s seven tracks, he enlists a who’s-who of top hip-hop talent, including the dearly departed Nipsey Hussle, Fred the Godson, DMX, and Prodigy (of Mobb Deep). Rakim also linked with many of his contemporaries, such as Snoop Dogg, Method Man, KXNG Crooked, B.G., and Kool G. Rap, among others.
The album’s first single, “Be Ill,” is the perfect introduction, as it pairs Rakim’s raw rhymes and head-nodding production with slick guest features from Kurupt and Masta Killa. Elsewhere, Rakim slows it down for the soulful “Love Is The Message,” which features Nipsey Hussle, Planet Asia, Louis King, Snoop Dogg, Sally Green, Kobe Honeycutt, and the LA Grand Choir. And then there’s the chest-thumping “International,” a straight-up slapper with hard-hitting rhymes from Kool G. Rap, Tristate, and Joell Ortiz.
For fans of hip-hop, and especially of Rakim’s storied discography, there is so much to love on this record. You can hear his hunger as an emcee and producer on every track, as well as his desire to collaborate with so many respected artists. Despite having decades in the game and many classics to his name, it feels like Rakim is just getting started.
While the world awaits the July 26th release date, fans can catch Rakim performing live throughout the US from now until the end of year in support of G.O.D.S Network (REB7RTH). In addition to debuting new material, he’ll be performing all the classics from his beloved catalog.
- A1: Bronx Bars (Axel Leon, Fred Da Godson, Reef Hustle, David Bars)
- A2: Truthfully Yours (Ransom)
- A3: Music Is My Religion (Fleelord)
- A4: Asian Kingpins (Planet Asia &Amp; Hus Kingpin)
- A5: Love Of The Streets (Jay Royale)
- A6: Suede Couch (Willie The Kid)
- B1: This Is It (Rim Da Villain &Amp; Bub Rock)
- B2: Bourbon St. Gutter Water (Daniel Son)
- B3: Milanos Theme (Milano)
- B4: Qualified (Little Vic)
- B5: New Sole Flow (Skrewtape)
- B6: Survivor (Smif N Wesson)
- B7: La Marina (Musalini &Amp; Emilio Craig)
DITC’s legendary producer Buckwild is back with his second producer album of 2020, aptly titled “Music Is My Religion”. His devotion to the craft has made history and continues to do so, with the Bronx’s producer collaborating with more and more interesting new names in today’s game. On this new offering he has gathered guest appearances by Fred The Godson (RIP), Willie The Kid, Planet Asia, Milano Constantine, Has Kingpin, Flee Lord Daniel Son, Rim of Da Villins and Jay Royale among others.
Latin funk at its finest. A kingpin player of Miami’s Cuban music scene, Ray Fernandez, brought together his ‘court’ for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other talented musicians including Rickey Washington on saxophone, father of the contemporary jazz maestro Kamasi Washington. Originally released in 1973 on Manuel J. Mato’s iconic and collectible Sound Triangle Records, Ray & His Court is a dose of Miami heat fuelled by a Cuban fire, taking in salsa, soul, funk, calypso and Afro-Cuban rhythms.
A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.
The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.
'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.
- Live At Harvard Square Theater
- Cambridge, Ma, November 20, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Introduction – Bob Neuwirth
- 2: Edith And The Kingpin
- 3: Don’t Interrupt The Sorrow
- Live At Music Hall
- Boston, Ma, November 21, 1975
- Recording Supervised By Don Devito; Mixed By Patrick Milligan
- 4: Introduction – Bob Neuwirth
- 5: Harry’s House
- Live In Bangor
- Bangor, Me, November 27, 1975
- Recorded By L.a. Johnson & Petur Hliddal
- 6: A Case Of You
- Live At Montreal Forum
- Montreal, Qc, Canada, December 4, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Intro To Coyote
- 2: Coyote
- 1976: Tour Of The United States
- Recorded By Stanley Johnston From Pa Mixes By Brian Jonathan
- (Courtesy Of The Estate Of Stanley Tajima Johnston)
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 3: Free Man In Paris
- 4: Shades Of Scarlett Conquering
- Live At Nassau Coliseum
- Uniondale, Ny, February 20, 1976
- 5: For Free
- Side Three
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 1: Shadows And Light
- 2: In France They Kiss On Main Street
- 3: Intro To Furry Sings The Blues
- 4: Furry Sings The Blues
- Hejira Demos
- A&M Studios, Hollywood, Ca, March 1976
- Recorded By Henry Lewy; Mixed By Patrick Milligan
- 5: Traveling (Hejira)
- 1: Black Crow
- 2: Amelia
- Rolling Thunder Revue
- Tarrant County Convention Center, Fort Worth, Tx, May 16, 1976
- Recording Supervised By Don Devito; Engineered By
- Don Meehan; Mixed By Patrick Milligan
- 3: Intro To Song For Sharon
- 4: Song For Sharon
- Hejira Sessions
- A&M Studios, Hollywood, Ca, Summer 1976
- Recorded & Mixed By Henry Lewy
- 1: Refuge Of The Roads (Early Mix With Horns)
- 2: Don Juan’s Reckless Daughter (Early Rough Mix)
- Don Juan’s Reckless Daughter Sessions
- A&M Studios, Hollywood, Ca
- Recorded & Mixed By Henry Lewy
- 3: Otis And Marlena (Early Rough Mix)
- Mingus Sessions
- Electric Lady Studios, New York, Ny
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 4: Sweet Sucker Dance (Vocals & Drums Version – Take 5)
- Live At Bread & Roses Festival
- Greek Theatre, Berkeley, Ca, September 2 & 3, 1978
- Recorded & Mixed By Henry Lewy
- 1: Introduction
- 2: The Dry Cleaner From Des Moines
- 3: Intro To Goodbye Pork Pie Hat
- 4: Goodbye Pork Pie Hat
- 5: Intro To The Wolf That Lives In Lindsey
- 6: The Wolf That Lives In Lindsey
- Mingus Early Alternate Version
- Electric Lady Studios, New York, Ny And A&M Studios
- Hollywood, Ca, 1978 & 1979
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 15: God Must Be A Boogie Man
- 1: Sue And The Holy River
- 1979: Tour Rehearsals
- Sir Rehearsal Studios, Los Angeles, Ca
- Recorded By Joel Bernstein
- 2: Jericho
- 3: Help Me
- 1979: Tour Of The United States
- Live At Forest Hills Tennis Stadium
- Queens, Ny, August 25, 1979
- Recorded By Joel Bernstein From Pa Mix By Ed Wynne
- 4: Big Yellow Taxi
- 5: Just Like This Train
- 6: Raised On Robbery
- 1: The Last Time I Saw Richard
- Live At Greek Theatre
- Los Angeles, Ca, September 13, 1979
- Recorded By Andy Johns & Henry Lewy; Mixed By Patrick Milligan
- 2: Intro To A Chair In The Sky
- 3: A Chair In The Sky
Features Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos & An Extensive Conversation Between Joni & Cameron Crowe
Sourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks & Cassette Tapes
Throughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA 1976, the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.
Available as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread & Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.
Vol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.
Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.
- A1: Introduction
- A2: In France They Kiss On Main Street
- A3: Edith And The Kingpin
- A4: Coyote
- A5: Goodbye Pork Pie Hat
- B1: The Dry Cleaner From Des Moines
- B2: Amelia
- B3: Pat’s Solo
- B4: Hejira
- C1: Black Crow
- C2: Don’s Solo
- C3: Dreamland
- C4: Free Man In Paris
- C5: Band Introduction
- C6: Furry Sings The Blues
- D1: Why Do Fools Fall In Love
- D2: Shadows And Light
- D3: God Must Be A Boogie Man
- D4: Woodstock
Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.3
For the album, Mitchell was backed by a band of acclaimed jazz and fusion musicians consisting of guitarist Pat Metheny, bassist Jaco Pastorius, drummer Don Alias, keyboardist Lyle Mays, and saxophonist Michael Brecker. Additionally, vocal group the Persuasions appear on the title track and a cover of Frankie Lymon & the Teenagers' "Why Do Fools Fall in Love".
[a] a1. INTRODUCTION [1:51]
[b] a2. IN FRANCE THEY KISS ON MAIN STREET [4:14]
[c] a3. EDITH AND THE KINGPIN [4:10]
[d] a4. COYOTE [4:58]
[e] a5. GOODBYE PORK PIE HAT [6:02]
[f] b1. THE DRY CLEANER FROM DES MOINES [4:37]
[g] b2. AMELIA [6:40]
[h] b3. PAT’S SOLO [3:09]
[i] b4. HEJIRA [7:42]
[j] c1. BLACK CROW [3:52]
[k] c2. DON’S SOLO [4:04]
[l] c3. DREAMLAND [4:40]
[m] c4. FREE MAN IN PARIS [3:23]
[n] c5. BAND INTRODUCTION [0:52]
[o] c6. FURRY SINGS THE BLUES [5:14]
[p] d1. WHY DO FOOLS FALL IN LOVE [2:53]
[q] d2. SHADOWS AND LIGHT [5:23]
[r] d3. GOD MUST BE A BOOGIE MAN [5:02]
[s] d4. WOODSTOCK [5:08]
- A1: Kotms Ii (Feat Kingpin Skinny Pimp - Intro)
- A2: Ultra Shxt (Feat Key Nyata)
- A3: Set It (Feat Maxo Kream)
- A4: Hot One (Feat Tiacorine & Asap Ferg)
- A5: Black Flag Freestyle (Feat That Mexican Ot)
- A6: Headcrack (Feat Kingpin Skinny Pimp - Interlude)
- A7: G'z Up (Feat 2 Chainz & Mike Dimes)
- A8: Lunatic (Interlude)
- B1: Sked (Feat Kenny Mason & Project Pat)
- B2: Choose Wisely (Feat Kingpin Skinny Pimp - Interlude)
- B3: Cole Pimp (Feat Ty Dolla Sign & Juicy J)
- B4: Wishlist (Feat Armani White)
- B5: Hit The Floor (Feat Ski Mask The Slump God)
- B6: Hoodlumz (A$Ap Rocky & Playthatboizay)
- B7: Kotms Ii (Feat Kingpin Skinny Pimp - Outro)
Black Vinyl[32,98 €]
Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally.
Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.
With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade.
In 2004, California-based indie band Golden Shoulders followed up their highly acclaimed debut with their second album, Friendship Is Deep. Now, on the twentieth anniversary of its release, the album most requested by their fans for a vinyl release is finally set for one on Unspun Heroes. Described as “one of the great semi-lost albums of the 21st Century”, the album showcases singer, songwriter, and band mainstay, Adam Kline’s knack for lyrical hooks and penchant for catchy melodies. But, like friendship, this is deeper than its pop sensibilities might suggest.
From the moment the opening track I Will Light You On Fire opens with its simple piano refrain and vocal harmonies you know you’re listening to something worthy of further exploration. From this building of tension between its temporary aural chaos and the beauty that ultimately emerges, you’ll be hooked. Yet, scratch beneath the surface and you’ll find this is an album that carries with it a political, pro-peace, and pro-humanity message, albeit somewhat more satirical than you might expect of a band hailing from America’s West Coast. This is particularly notable on tracks such as Golden Soldiers and the Committee, where Kline’s turn of phrase and wit shines through, cleverly weaving words so they create detailed poetic mosaics.
Golden Shoulders is a loose and ever-changing lineup of international talent, with Kline as the kingpin and sole songwriter. Given the pedigree of those whose talents grace the album – among them, Todd Roper and Greg Brown (Cake), Josh Klinghoffer (PJ Harvey, RHCP, Pearl Jam), Neal Morgan (Joanna Newsom, Fleet Foxes), and Dan Elkan (Broken Bells) – it’s no surprise the compositions and attention to detail present in each and every one of the 14 songs is top notch. It’s this pleasing mix of accomplished individuals, and their mishmash of influences, which lend a pinball effect to the set of stylistically diverse songs on Friendship Is Deep. Collectively though, the music you’ll hear has a focus, one that channels late 90’s Brendan Benson, the poppier side of 80’s Violent Femmes, and even the mid-60’s flair of the Beatles’ Rubber Soul.
"Limited Run on Bottle-Green Clear Vinyl
Remastered by Bernie Grundman under the supervision of Joni Mitchell
Includes ""In France They Kiss On Main Street,"" ""Edith And The Kingpin,"" and ""The Jungle Line"""
DJ Pooch returns to Amen Brother with his third EP for the label. A popular artist on the label who sells out every time that we release his music.
A legend of the scene going back to the early 90’s, who played at all the big raves back in the day and released plenty of quality music during this era, including the Skrufneck series (Part One released on Vinyl Fanatiks in 2022 on green vinyl).
Here he returns to his roots and produces 4 massive future rave anthems, including a remix of one of his previous Amen Brother tracks. And to keep things authentic to the sound of the 90’s, Pooch produces all his music using outboard hardware including the legendary Akai sampler, to get that crunch on those beats and samples.
Enjoy the journey from one of the scene's original kingpins.
Pressed on Black & Blue 180g marbled vinyl.
Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.
- 1: Cold Blue Steel And Sweet Fire
- 2: Like Veils Said Lorraine
- 3: Medley: Bony Moronie/Summertime Blues/You Never Can Tell - With James Taylor
- 4: You Turn Me On I’m A Radio - With Neil Young & The Stray Gators
- 5: See You Sometime (Early Version With Bass & Drums)
- 1: This Flight Tonight
- 2: Electricity
- 3: Lesson In Survival
- 4: Blue
- 5: Banquet
- 6: Intro To For The Roses
- 7: For The Roses
- 1: Intro To Judgement Of The Moon And Stars (Ludwig’s Tune)
- 2: Judgement Of The Moon And Stars (Ludwig’s Tune)
- 3: Blonde In The Bleachers (Alternate Guitar Mix)
- 4: Barangrill (Guitar/Vocal Mix)
- 5: Sunrise Raga
- 6: Twisted (Early Alternate Version)
- 1: Piano Suite
- A. Down To You
- B. Court And Spark
- C. Car On A Hill
- D. Down To You
- 2: Help Me
- 3: Trouble Child (Early Alternate Take)
- 4: Car On A Hill (Early Alternate Take)
- 5: Bonderia
- 1: Introduction
- 2: Free Man In Paris – With Tom Scott & The L.a. Express
- 3: The Same Situation – With Tom Scott & The L.a. Express
- 4: Just Like This Train – With Tom Scott & The L.a. Express
- 6: Jericho
- 7: Woman Of Heart And Mind
- 1: In France They Kiss On Main Street
- 2: Edith And The Kingpin
- 3: Don’t Interrupt The Sorrow
- 4: Harry’s House
- 1: The Jungle Line (Guitar/Alternate Vocal)
- 2: Shades Of Scarlet Conquering (Alternate Version)
- 3: The Boho Dance (Alternate Version)
- 4: Dreamland (Early Alternate Band Version)
- 1: Raised On Robbery – With Neil Young & The Santa Monica Flyers
- 2: People’s Parties (Early Alternate Take)
Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) is the latest entry in Rhino’s ongoing, GRAMMY-winning series exploring the vast untapped archives of rare Joni Mitchell recordings — a project guided inti-mately by Mitchell’s own vision and personal touch. Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) will be available as a 4 LP with an accompanying book featuring photos and a conversation about this period between Joni Mitchell and longtime friend Cameron Crowe.
The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hol-lywood.
From there, listeners are treated to early demos and alternate versions from sessions from For The Roses, Court & Spark, and The Hissing Of Summer Lawns; historic live show recordings, including the entirety of Mitch-ell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her Court And Spark backing band Tom Scott & the L.A. Express; and tracks from sessions cut alongside James Taylor, Graham Nash, and Neil Young.
q 5. Sunrise Raga [3:41]
Limited Loser Edition on Mustard Yellow vinyl. In 1988 Mudhoney released their debut 7" single, "Touch Me I'm Sick," and it rapidly became the defining anthem of the Seattle scene that, shortly thereafter, took the world by storm. Punk? Garage? G****e? Who cares when it rips this much! The B side, "Sweet Young Thing Ain't Sweet No More," ain't no slouch, either. Later in 1988, the band followed up with Superfuzz Bigmuff, a six-song EP so overflowing with chaotic rock energy it warped thousands of minds, and inspired countless guitarists to immediately search for the titular fuzz pedals. In the words of Dynamite Hemmorage's Jay Hinman: "My feeling - and I know I'm not alone in this one - is that for all the play and worldwide attention several Seattle-area bands got during the 1988-92 period, at the end of the day (and even at the time), there was Mudhoney - and then there was everybody else. To me, you, and most everyone who was paying close attention to underground rock music during those years, Mudhoney still sound like the undisputed kingpins of roaring, surging, fuzzed-out, punk rock music. These first recordings were so life-affirming upon their release, connecting everything great about the sixties (biker movies, fuzzboxes, old guitars, three-minute songs) with the frothing, punk rock of the early 80s, that a whole new style of music was born. They called it grunge, but to me it was amped-up, clear-the-room, ramalama rock that exploded like Nagasaki live, and it was about as joyous and as fun a noise as anyone'd heard in years." These 2023 colored-vinyl editions of the two releases celebrate the 35th anniversary of Mudhoney's opening salvos, and we couldn't be more excited to have them back in print.
- Intro
- Anna Got Me Clickin
- Tired Of Dis Sh#T
- Gettin' Real Buck
- Gotta
- Touch 'Em (Part 1)
- Break Da Law (Part 1)
- Twist It, Hit It, Light It
- I Cheefa
- Yeah, They Done F#Cked Up
- Kickin' In Da Door
- Slangin' Rocks
- For My
- Nigg#Z
- Now I'm High (Part 1)
- Neighborhood Hoe
- Outro
- Tear Da Club Up (Original) (Bonus Track)
- I Can't Get Sh#T (Bonus Track)
- Bustaz Betta Make Way (Bonus Track)
- Talk Yo Ass Off (Remix) (Bonus Track)
Volume 16: The Original Masters is classic Triple Six Mafia down South
Hip Hop
DJ Paul has been a highly influential writer, producer, and artist since 1994. His
dark production, often referred to as Gangsta, Crunk, Horrorcore and sometimes
Hardcore Hip Hop, really stands apart from the corny rap of the current era. Paul
has created a truly unique sound that continues to resonate after all these years.
Featuring Koopsta Knicca, Gangsta Blac, Kingpin Skinny Pimp, Lord Infamous,
and the late great Gangsta Boo.
Limited one time pressing of 1000. Raising the bar yet again, Night Owls' first single of 2023 lays yet another set of classic soul songs on you, flipped into the band's signature style. On Side A we find The Flamingo's beloved Doo-Wop/soul hit from 1959, "I Only Have Eyes For You," re-imagined to wind your waistline with Night Owls' longtime friend and collaborator - the one-and-only Chris Dowd from Los Angeles' legendary Fishbone on vocals. Known for tunes like "Pouring Rain" and "Everyday Sunshine" Dowd brings his signature soul drenched delivery with a hint of rude boy grit to match the rhythmic and tonal stylings of the group. Wanting to take things to the next level, producer Dan Ubick called in veteran underground Jamaican legend Tippa Lee (Stones Throw, Dub Club, Jammy's, Greensleeves, etc.) to sprinkle his magic rasta dust on top and deejay/toast on the track and the results are burning hot.
But wait, that's not all!! On Side B we find the beloved beat diggers classic "Live And Let Live," originally performed by Jimmy Jones in 1970 on Deke Records out of Chicago. For the Fender Rhodes-driven reggaefied version here, Night Owls roped in another longtime friend - Los Angeles kingpin and mover ’n' shaker, "Music Man" Miles Tackett to add his soulful vocals to the track and it's as buttery as cornbread from Cracker Barrel! Tackett is the mastermind behind globe-trotting funk/soul collective Breakestra (of which Night Owl Dan Ubick was a member) and legendary weekly L.A. dance parties like Funky Sole, Root Down and The Breaks. This side also includes Destani Wolf, who many will remember was featured on Night Owls’ version of “Let’s Stay Together”, providing the beautiful ‘verbed out backing vocals
Raising the bar yet again, Night Owls' first single of 2023 lays yet another set of classic soul songs on you, flipped into the band's signature style. On Side A we find The Flamingo's beloved Doo-Wop/soul hit from 1959, "I Only Have Eyes For You," re-imagined to wind your waistline with Night Owls' longtime friend and collaborator - the one-and-only Chris Dowd from Los Angeles' legendary Fishbone on vocals. Known for tunes like "Pouring Rain" and "Everyday Sunshine" Dowd brings his signature soul drenched delivery with a hint of rude boy grit to match the rhythmic and tonal stylings of the group. Wanting to take things to the next level, producer Dan Ubick called in veteran underground Jamaican legend Tippa Lee (Stones Throw, Dub Club, Jammy's, Greensleeves, etc.) to sprinkle his magic rasta dust on top and deejay/toast on the track and the results are burning hot.
But wait, that's not all!! On Side B we find the beloved beat diggers classic "Live And Let Live," originally performed by Jimmy Jones in 1970 on Deke Records out of Chicago. For the Fender Rhodes-driven reggaefied version here, Night Owls roped in another longtime friend - Los Angeles kingpin and mover ’n' shaker, "Music Man" Miles Tackett to add his soulful vocals to the track and it's as buttery as cornbread from Cracker Barrel! Tackett is the mastermind behind globe-trotting funk/soul collective Breakestra (of which Night Owl Dan Ubick was a member) and legendary weekly L.A. dance parties like Funky Sole, Root Down and The Breaks. This side also includes Destani Wolf, who many will remember was featured on Night Owls’ version of “Let’s Stay Together”, providing the beautiful ‘verbed out backing vocals.








































