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Das in LA ansässige DJ-Trio Cheat Codes, bekannt durch mehrere Singlehits auch in den hiesigen Charts, begibt sich in die 'schönste Stadt aller Zeiten', Nashville, und nimmt zusammen mit einschlägigen Country-Sänger*innen ein Album mit 13 Songs zwischen Country und entspanntem Lofi-Dance-Pop auf. Der Erfolg einer ersten Single mit Lee Brice & Lindsay Ell sowie die erfahrene Zustimmung auf dem Stagecoach Festival 2022 bestätigten ihr Bauchgefühl, Country inspirierte Dance-Pop-Tracks mit einer Vielzahl an Kollaborationen, darunter der legendären Dolly Parton, aufzunehmen.

Octave One's deep and downtempo album “Never on Sunday” arrives in late April 2023. Before that, they release a special reworking of the album single “The Bearer”. Injected with the spine-tinglingly vocal performance from Karina Mia, the Burden Brothers revisit the track with a stripped sultry production ready for dance floors and playlists alike. Leading up to their new collection of deep rhythmic journeys and thoughtful atmospheric material, the ‘Brother’s Burden Pt1’ mix is a soulful mid-tempo groove that introduces you to Octave One’s “Never on Sunday” album in fine style.

Club toilet door-shakers by the incredible Lisene on his Craigie Knowes debut. Technical and intricate club-fodder prepped to shake the foundations of your favourite nightclubs. Watch your hinges!

Eine Entdeckung für Fans von klassischem World- und Folk-Pop a’la Paul Simon, Van Morrison u.a. „Come Back To Me“ ist nach langer Pause das Album-Comeback von Peter One, in den 1980er Jahren
Folk-Pop-Star in Westafrika. Er spielte er in großen Arenen und erreichte mit TV- und Radioshows ein riesiges Publikum. Anfang der 1990er Jahre entschied er sich, in die USA auszuwandern. Unter dem
Eindruck der damaligen Krise des Musikgeschäftes wechselte er in einen Job in der Krankenpflege, schrieb allerdings weiterhin Songs und spielte Gitarre.

Seine Berühmtheit holte ihn in den USA wieder ein, als dort ein Album von 1985 neu aufgelegt wurde und zur Wiederentdeckung seiner Musik führte. „Come Back To Me“ ist jetzt das offizielle Comeback von
Peter One, mit eingängigen neuen Songs in Englisch, Französisch und Peters afrikanischer Muttersprache.

There are only 130 copies in stock

Junior Cat is one of reggae music's most prolific artists. An icon, Junior Cat"The Wild Indian," is known by reggae and hip hop fans across the globe for his dapper Bad Azz style that made the fellas crave and adoring ladies rave over his delivery of edgy lyrics that ricocheted through dancehalls and stages in the 90s with hit classics like “Iron Gloves”; “Top Dog”; “Anorexal Body”; and as featured in the mega-hit movie “Shottas”, “woulda let you go”. Junior Cat is the Don that lesser deejays imitate but never duplicate.

AsOne² introduces the addition of Catherine Siofra Prendergast to the As One line-up after a series of successful live shows together with Kirk Degiorgio. The live duo entered the studio to focus on adding a melodic sensibility to the harmonic structure of the existing AsOne sound. The resulting album once again finds it perfect home with the Belgian record label De:tuned.

Following on the heels of the teaser EP featuring the duo's acclaimed 'Descent Module' - AsOne² is a blend of vintage, warm analog gooeyness and pristine post-modern production techniques. Prendergast's melodic additions veers the AsOne sound towards a more accessible arena without compromising on the core AsOne sonic signature. Yearning chords, sparkling lead lines, bubbling funk basslines and ethereal ambient washes merge to form a coherent whole in this new advance in the development of AsOne - now in its 30th year.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

AsOne² introduces the addition of Catherine Siofra Prendergast to the As One line-up after a series of successful live shows together with Kirk Degiorgio. The live duo entered the studio to focus on adding a melodic sensibility to the harmonic structure of the existing AsOne sound. The resulting album once again finds it perfect home with the Belgian record label De:tuned.

Following on the heels of the teaser EP featuring the duo's acclaimed 'Descent Module' - AsOne² is a blend of vintage, warm analog gooeyness and pristine post-modern production techniques. Prendergast's melodic additions veers the AsOne sound towards a more accessible arena without compromising on the core AsOne sonic signature. Yearning chords, sparkling lead lines, bubbling funk basslines and ethereal ambient washes merge to form a coherent whole in this new advance in the development of AsOne - now in its 30th year.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

REPRESSED !!

200 limited black vinyl edition - be fast!

Pleasure Zone proudly presents Funk E "One Hand Clapping EP"! We're very happy about this great production. Vinyl expected in June and right on time for the outdoor season!

Vinyl Only

Uk Hip Hop legendary group The Mouse Outfit for the first time on 7”inches vinyl with the trademark head-nodding beats, jazz influences, and smooth, stoner sonics to soundtrack summer - this time with new talent and multi-instrumentalist One Only.
Flip it for a deep liquid Drum and Bass version by Shift Ops Edition of 500 copies!

Red Vinyl
Vinyl Only


Uk Hip Hop legendary group The Mouse Outfit for the first time on 7”inches vinyl with the trademark head-nodding beats, jazz influences, and smooth, stoner sonics to soundtrack summer - this time with new talent and multi-instrumentalist One Only.
Flip it for a deep liquid Drum and Bass version by Shift Ops Edition of 500 copies!

Red Vinyl

Als Thes Ones langjähriger musikalischer Partner bei People Under The Stairs 2021 plötzlich starb, wandte er sich nach innen, um ein Werk über Trauer, Verlust und Erlösung zu schaffen. In dieser ehrgeizigen instrumentalen Elegie erzählt Thes One die Geschichte ihres gemeinsamen Lebens, indem er Double Ks Lieblingssongs in einem dicht geschichteten Mosaik aus Jazz, Beats und Psychedelia covert. Mit einer Besetzung aus renommierten Musikern aus der ganzen Welt Kat 010, Headnodic, Mikhail Galkin, Paul 'Chop' Caruso und Saint Ezekiel ist diese letzte Fußnote sowohl ein Abschiedsgeschenk an die Fans als auch ein Liebesbrief an einen verlorenen Freund.

ONLY ONE MUSIC PRESENTS LEE NORRIS AKA NORKEN " SOUTHERN SOUL".
THIS GEM CAME ORIGINALLY OUT IN 1997 ON REEL DISCS (UK)!!!
THE RE-MASTERD VERSION WILL BE OUT IN MAY. DON'T SLEEP ON THIS BEAUTY!
(VINYL ONLY)

ONLY ONE MUSIC PRESENTS LEE NORRIS AKA NORKEN " SOUTHERN SOUL".
THIS GEM CAME ORIGINALLY OUT IN 1997 ON REEL DISCS (UK)!!!
THE RE-MASTERD VERSION WILL BE OUT IN MAY. DON'T SLEEP ON THIS BEAUTY!
(VINYL ONLY)

Fans of the Escapers know the love of Rock Steady and Reggae Music. This time they pay homage to a Johnny Taylor sung Stax classic and transform it into a Lover’s Rock thriller. A bass heavy Roots rhythm combined with Colton’s haunting lead guitar create a perfect platform. Johnny Ruiz to express his love. Hey baby “Ain’t That Lovin You”? Definitely, and for “More Reasons Than One”

More of a double A-Side release, the b-side has The Escapers calling on The Heavyweight Dub Champion himself...the mighty Scientist to reinterpret their biggest single “Stay”! Overton “Scientist” Brown gives this tune a classic style “version” with all the echo and distortion any reggae fan would want. A real privilege to work with one of the true legends of dub music!

Following on from the compilation of Contact-U's foundational UK dance music, 'Dancing Inner Space, 1982-84', Freestyle return to the Challenge Records vaults to reissue another killer Rick de Jongh & Andy Sojka production in the form of Distance's Just One More Kiss.

"We usually recorded at Vineyard studio which was situated in a Victorian warehouse site behind Borough underground station (later owned by the Stock, Aitken Waterman production team)", recalls Rick de Jongh, "but for a reason I can't remember we recorded this record at Phil Fearon's home studio in Kensal Rise - he probably gave us a good deal!". Fearon had been a member of the band Kandidate and was at the time the lead singer and songwriter in Galaxy and would later go on to helm the legendary Production House label in the late 80s and into the early 90s. Rick recalls the studio, a converted back bedroom, being as well equipped as any pro studio though not without it's quirks - "the odd electrical glitch would occur, especially when somebody put the kettle on, which would play havoc with sync codes etc. and we would often have to start again!"

Most of the track had been laid down by Sojka & de Jongh before approaching vocalist Janey Hallett. "At the time Janey was a vocalist with Mari Wilson & The Wilsations, who had a big hit a year or so earlier with 'Just What I Always Wanted' and was introduced to us by our regular keyboard player Garry Hughes, who also brought along Julia Fordham - then a fellow singer in the Wilsations - who provided backing vocals on the track."

Challenge Records would again later utilize the backing vocals of both Janey and Julia on some of their forays into the world of Hi-NRG records. In places there is a certain Hi-NRG tinge to this track, and at times Janey's vocal (in combination with the stripped back and heavy electro backing track) bring to mind the US-based latin freestyle sound of the late 1980s. All in all, it is another piece of foundational & criminally undersung UK dance music, which surely has a place in a wide-range of DJ's record bags!

red marbled vinyl

Crisp beats open a serene, relaxing track in Celestial Beings. Smooth synth work fades in and the dreamy atmosphere builds and smoothly carries the listener along for a blissful ride, which Aural Imbalance fans will be well accustomed to.

Washing in with a lush pad-work intro, light analogue breaks creep in gradually over a deep brooding bassline, setting the tone for a delightful pad-laden journey through time and space.

Smooth glorious pads & light hi-hats welcome exquisite beat-work using the classic Circles break, a collage of delicate samples lightly adding to the ambient tone of the track.

Another treat for the ears with Caladan Shores, Aural Imbalance conjuring serene atmospheric vibes with graceful, elegant pads and synths complemented by that classic understated 808 bassline.

Words by Chris Hayes (Spatial / Red Mist)

Early in his career as a child star during the late 1960s, reggae singing legend Dennis Emmanuel Brown, received the nickname of "boy wonder of Jamaican music." In 1981, reggae fans unanimously ordained Brown with a new title, "Emmanuel, the Crown Prince of Reggae" and the undisputed heir apparent, following the death of reggae "king" Bob Marley. Brown, with his extremely powerful tenor and distinctive singing voice, established himself easily as one of the most impressive reggae artists of the twentieth century. A happy and friendly man, Brown amassed a loving and loyal following throughout his career, and upon his death at the early age of 42, he was widely eulogized for his outgoing personality. He recorded more than 100 records, including over 50 albums, from the time he was in his teens. The world of reggae music lost a "towering talent," noted Billboard magazine, when Brown passed away on July 1, 1999.

Last year BABYMETAL concluded their 10-year journey culminating in the celebration of the formation of the revered Japanese metal band with the vinyl release of their retrospective album 10 BABYMETAL Years. Later they released a cryptic video that announced BABYMETAL will be "sealed" from the world until further notice. Today, BABYMETAL break the seal, making their return to Earth. Their official website has revealed a LEGEND MAP depicting all of BABYMETAL"s future activities, including the news that BABYMETAL"s first concept album THE OTHER ONE will be released worldwide on Friday, March 24th, 2023. The concept album reveals the other side of the BABYMETAL story that until now remains untold. A total of 10 songs have been discovered within THE OTHER ONE restoration project, with each song representing a unique theme based on 10 separate parallel worlds that they have discovered. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album next March. Leading up to the concept album"s release, five pre-release digital singles will be available worldwide for download and streaming, each respectively scheduled to release in October 22, November 22, January, February 23, and March 23.

As a self-described “sponge for club music”, London-based Bristol transplant Ian DPM has cut a singular figure in both the West Country and the capital in just a handful of years. Already situated as the tastemaker behind music curation platform Definite Party Material, co-owner of Scuffed Recordings, and Noods Radio and Rinse FM resident, Ian DPM’s emergence as a producer has marked him as an expansively curious, bass-forward figure at the bleeding edge of genre boundaries.

After retreating to his hometown of Portsmouth during lockdown to absorb the blueprints of ‘90s techno, Ian emerged with a new phase of experimentation: techno-inspired and indebted, yet eschewing loops and grids for a loose-limbed, open minded engagement of the form.

Taking inspiration from the iconic carnival rides that are inseparable from their high-octane happy hardcore soundtrack, “One For The Waltzers” begins with a distant rumble of muffled breakbeats that inch ever closer. But rather than dizzying lights and in-the-red maximalism, “One For The Waltzers” gradually reveals its knowingly deep shimmy and groove. It is a drum-heavy and rhythmic production, masterfully using negative space to showcase every contour of its slowed-down rave horns and acid house synth lines.

“KE01” inhabits the flipside of the same sonic world “One For The Waltzers”. Here, feverish percussive energy contrasts against pensive melodic synth chords. It’s a heady warehouse affair, familiar and complex, referential yet contemporary, and only adds to the momentum that Ian DPM is gathering.

Bladder Flask’s debut (in fact only) LP, originally issued by Orgel Fesper Music in 1981, is one of the most eclectic albums of the post-Industrial era. It is both challenging and perplexing… So, put down your puny instruments of normality and breathe in the frenzied fungal spores of Bladder Flask.

The fact that Steven Stapleton of Nurse With Wound is a big fan of this album is testament to its greatness: »I love Bladder Flask’s »One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling« and what a great title, perhaps my favourite ever. I must have listened to the album so much in the ’80s. I listened to it again recently and it was like welcoming an old friend.«

Personnel: Richard Rupenus, Philip Rupenus + Sean Breadin, John Mylotte, Nigel Jacklin Recorded at Wrongrong Studio and Spectro Arts Workshop 1980-1981 Audio Restoration & Mastering: Colin Potter @ IC Studio

MixCult presents Believe In Records in association with LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.

Electro Music in Dubplate Culture. Highly Exclusive.

Studio One was founded by Clement "Coxsone" Dodd1 in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.12 Amongst its earliest records were "Easy Snappin" by Theophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
In the early 1960s, the house band providing backing for the vocalists were the Skatalites[3] (1964–65), whose members (including Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, Lester Sterling and Lloyd Brevett) were recruited from the Kingston jazz scene by Dodd. The Skatalites split up in 1965 after Drummond was jailed for murder, and Dodd formed new house band the Soul Brothers (1965–66), later named the Soul Vendors (1967) and Sound Dimension (1967-). From 1965 to 1968 they played 9 a.m. to 5 p.m., 5 days a week, 12 rhythms a day (about 60 rhythms a week) with Jackie Mittoo as music director, Brian Atkinson (1965–1968) on bass, Hux Brown on guitar, Harry Haughton (guitar), Joe Isaacs on drums (1966–1968), Denzel Laing on percussion, and on horns (some initially and some throughout): Roland Alphonso, Dennis 'Ska' Campbell, Bobby Ellis, Lester Sterling, among others on horns during the era of Rock Steady. Headley Bennett, Ernest Ranglin, Vin Gordon and Leroy Sibbles were included among a fluid line-up, to record tracks directed by Jackie Mittoo at Studio One from 1966-1968.
During the night hours at Studio One from 1965-1968, singers like Bob Marley, Burning Spear, The Heptones, The Ethiopians, Ken Boothe, Rita Marley, Marcia Griffiths, Judy Mowatt, Alton Ellis, Delroy Wilson, Bunny Wailer[4] and Johnny Nash, among others, would put on headphones to sing lyrics to original tracks recorded by the Soul Brothers earlier each day. These seminal recordings included "Real Rock" (by Sound Dimension), "Heavy Rock", "Jamaica Underground", "Wakie Wakie", "Lemon Tree", "Hot Shot", "I'm Still In Love With You", "Dancing Mood", and "Creation Rebel".
Jackie Mittoo, Joe Isaacs, and Brian Atkinson left Studio One in 1968, recorded drums and bass for Desmond Dekker's and Toots' biggest hits at other Kingston studios, then moved to Canada. Hux Brown stayed in Jamaica to record on the soundtrack The Harder They Come, The Harder They Fall, and toured in Nigeria with Toots and the Maytals and Fela Kuti. The Soul Brothers (a.k.a. Sound Dimension) formed the basis of reggae music in the late 1960s, being versioned and re-versioned time after time over decades by musicians like Shaggy, Sean Paul, Snoop Lion, The Clash, String Cheese Incident, UB40, Sublime, and countless other Billboard originals and remakes trying to emulate their original Rock Steady sound at Coxsone's Studio One.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

Regarded by many as the greatest funk album of all time, ‘One Nation Under A Groove’ was recorded at United Sound in Detroit & included a live track from their concert appearance at the Monroe Civic Center in Louisiana in April 1978. The band’s tenth studio album released during September 1978 was also their most commercial & gave the band their first platinum disc. The iconic title track was an international hit and a US R&B No.1. With lead guitarists Michael Hampton & Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell & Walter “Junie” Morrison’s keyboard wizardry & many more, the album was produced by the genius of George Clinton. Regularly ranked at or near the top of various “best album” lists, ‘One Nation Under A Groove’ is mastered for vinyl in a deluxe facsimile gatefold sleeve with booklet & lyric inner sleeves, all housed in a protective PVC sleeve. The albums’ original bonus songs are now included on a second 12-inch “Special EP” which adds the rare 11-minute “Disco Mix” of ‘One Nation Under A Groove’ to replicate the original first UK pressing from 1978. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

Studio One was founded by Clement "Coxsone" Dodd1 in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.[1][2] Amongst its earliest records were "Easy Snappin" by Theophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one
of the largest and most reputable sound systems in the Kingston ghettos.
In the early 1960s, the house band providing backing for the vocalists were the Skatalites[3] (1964–65), whose members (including Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, Lester Sterling and Lloyd Brevett) were recruited from the Kingston jazz scene by Dodd. The Skatalites split up in 1965 after Drummond was jailed for murder, and Dodd formed new house band the Soul Brothers (1965–66), later named the Soul Vendors (1967) and Sound Dimension (1967-). From 1965 to 1968 they played 9 a.m. to 5 p.m., 5 days a week, 12 rhythms a day (about 60 rhythms a week) with Jackie Mittoo as music director, Brian Atkinson (1965–1968) on bass, Hux Brown on guitar, Harry Haughton (guitar), Joe Isaacs on drums (1966–1968), Denzel Laing on percussion, and on horns (some initially and some throughout): Roland Alphonso, Dennis 'Ska' Campbell, Bobby Ellis, Lester Sterling, among others on horns during the era of Rock Steady. Headley Bennett, Ernest Ranglin, Vin Gordon and Leroy Sibbles were included among a fluid line-up, to record tracks directed by Jackie Mittoo at Studio One from 1966-1968.
During the night hours at Studio One from 1965-1968, singers like Bob Marley, Burning Spear, The Heptones, The Ethiopians, Ken Boothe, Rita Marley, Marcia Griffiths, Judy Mowatt, Alton Ellis, Delroy Wilson, Bunny Wailer[4] and Johnny Nash, among others, would put on headphones to sing lyrics to original tracks recorded by the Soul Brothers earlier each day. These seminal recordings included "Real Rock" (by Sound Dimension), "Heavy Rock", "Jamaica Underground", "Wakie Wakie", "Lemon Tree", "Hot Shot", "I'm Still In Love With You", "Dancing Mood", and "Creation Rebel".
Jackie Mittoo, Joe Isaacs, and Brian Atkinson left Studio One in 1968, recorded drums and bass for Desmond Dekker's and Toots' biggest hits at other Kingston studios, then moved to Canada. Hux Brown stayed in Jamaica to record on the soundtrack The Harder They Come, The Harder They Fall, and toured in Nigeria with Toots and the Maytals and Fela Kuti. The Soul Brothers (a.k.a. Sound Dimension) formed the basis of reggae music in the late 1960s, being versioned and re-versioned time after time over decades by musicians like Shaggy, Sean Paul, Snoop Lion, The Clash, String Cheese Incident, UB40, Sublime, and countless other Billboard originals and remakes trying to emulate their original Rock Steady sound at Coxsone's Studio One.