To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .
From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .
While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .
On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .
Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .
Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .
Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .
Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .
Whatever the "Source" means for each one . . .
Cerca:l ow project
Shipwrec have delved into the underbelly of electronics for their latest discovery. Fake Youth Cult is the brand new project of Richard van Kruysdijk, an artist who has been integral to the Dutch music scene. Following releases on Delsin, as well as founding his own Music for Speakers label, this latest undertaking explores the darker hues of Kruysdijk's audio creations. Across six tracks, a realm of shadows and steel is constructed. From the murky tones of "Visitor" to the industrial and blackened "Scorched", a towering sound of punishing percussion looms over the listener. Techno is central message. Despite this, the piercing coldness of electro rises in the incising and stark "Messing." The influence of punk comes to the fore in racing rhythms and lean strings that make up "Smear." BPMs drop in the slow burning EBM stained "Management." The machines take control for the finale. A relentless kick is the motor that drives this seven minute juggernaut to the close. Broad and brutish brilliance from a prodigious talent.
‘Out There’, the first album by the duo KOLORA, is a continuous collection of warm and layered soundscapes. The organic guitar sound of Liloe Barend in combination with the synthetic synthesizer sounds of Koenraad Wiering provide a calming sound palette.
The collaboration between Liloe & Koenraad arose during and because of the corona period. Both musicians live in the artist commuity ‘Heesterveld Creative Community’ in Amsterdam South East and were restricted by the corona measures. However, these limitations turned out to be fertile ground for a new musical collaboration: KOLORA.
In addition to KOLORA, Liloe Barend has her own solo project ‘Liloe Rix’ and is a guitarist in the cover band Steam Sister. Last summer she released her new EP with her solo project as a singer-songwriter.
Koenraad Wiering works in the music world as a producer and DJ. You can find him on stage as a DJ under his own name ‘Koenraad’ and also under various pseudonyms including: DJ Beukeboom and 06NRG. In addition to music, he also designins and build light installations.
Amy Dabbs & Coco Bryce return with a long-awaited second instalment of their collab project ‘Slightly Involved’, in which they interpret each other’s tracks using their own unique production styles & techniques.
‘Slightly Involved Vol. 2’ sees Amy & Coco rework four tracks previously released on their own imprints, Dabbs Traxx & Myor. Amy delivers two tracks in her signature style of coding drums from the ground up, on two of Coco’s highly renowned jungle bangers, while Coco serves up jungle versions of two of Amy’s house tracks from her first EP on Dabbs Traxx, crafting his tunes using lusciously layered breaks.
Our very own Sweat Sampler has landed and Vol. 1 kicks things off with four exceptionally Sweaty bops. Firstly, GRAMMY award-winning producer CID joins forces with Italian DJ duo Havoc & Lawn for an epic rework of America's 1972 hit 'A Horse With No Name'. Followed by ‘Come Out’, a product of the new project Saturday Love from Fiorious and Boston’s Kon, fresh off The Vision’s instant-classic Defected LP and 9 million streaming anthem ‘Heaven’. Flip the vinyl and you’ll then find the mastermind who seamlessly combines the underground with a house twist, Marco Lys, as he teams up with Sweat homestay Ben Miller for the funky crowd-pleaser ‘Give It To Me’. Top it off with one of Australia’s most adored dance acts, with over 100 million streams, Platinum and Gold plaques and numerous triple j ‘most played’ hits, Set Mo gives us the feel-good ‘Could I Be’.
Louise van den Heuvel is a dynamic Dutch bass player and composer. She's known for blending modern music technologies and effect pedals in her compositions rooted in the contemporary electronic/jazz scene. Louise founded the up-and-coming Belgian electronic jazztrio Dishwasher_, collaborated with renowned artists on stage such as Zwangere Guy & Lander Gyselinck and Bruno Vansina Orchestra, and is part of Stéphane Gallands' The Rhythm Hunters, The Gallands, and the neo-soul group STACE.
For her latest project, Sonic Hug, Louise composed the whole repertoire by herself. The self-titled album, supported by JazzLab and W.E.R.F. Records, features a stellar line-up of some of the leading figures in the Benelux (jazz) scene: Hendrik Lasure on keys, Daniel Jonkers on drums and Daniel Comerford on reets (live replaced by Werend Van Den Bossche). The band is set to tour in April and May 2024 after its release on 5th of April 2024.
Her own creations expose themselves as elaborated melancholic songs filled with elegant grooves, crystalline vocals and experimental jazz excursions. She's brilliantly using her own musical voice - even literally, since you will also hear her sing on some of the tracks.
?Surrounded by three equally inevitable peer musicians in the front of the new Belgian jazz generation (known from acts such as schntzl, Bombataz, Profound Observer, Otto Kintet, Dishwasher_, Kin Gajo, ...) Sonic Hug becamea very personal, unique new project. Influenced by the sounds of Scandinavia and artists such as ADHD, Nala Sinephro, Floating Points, Y Otis and Joni Mitchell, the vibe of Sonic Hug is etheric, elegant, melodically narrative, and always searching for a grasping groove.
On My Own Terms / Time, a new non-label created for Yorobi's self-released projects.
The first ep "Projection Palace" features 4 tracks across various genres and tempo's.
From bass heavy breaks and house to sound along the hardcore jungle continuum.
The name of the ep refers to a psychological principle of "projection", whereby you project certain (negative) qualities onto others without them being necessarily right.
Quite often the projections say a lot more about the person who's doing the projecting rather than the person on the receiving end.
The idea then was to make an EP that revolved around this theme. The palace bit being a metaphor as if you were a house which would show you all these mirrors which are wonky and distorted, like a fun house on a fairground
Vinyl only.
VELVET, the project of JNJS, brings for the catalogue number two 2 tracks of the Argentinian Montei, which on side A is remixed by the Ukrainian genius, iO (Mulen) and on side B by the label owners, JNJS.
Hailing from Normandy (France), YOU SAID STRANGE offer an indie rock sound made up of psych pop-rock, shoegaze and proto-grunge. The band's music is the work of passionate musicians, combining the dazzling power of their instruments and the union of their voices to create a fusion of melancholy and energy. The band recorded their 1st album, Salvation Prayer, in 2018 in Portland (USA), with Peter G. Holmstrom from The Dandy Warhols. Seduced, the iconic Kevin Cole invites them to perform live in the studios of the prestigious KEXP radio, where their next project will emerge. At the end of 2021, Thousand Shadows Vol.1 is released. Then, after defending it on European and American stages, comes its sequel Thousand Shadows Vol.2 in 2023.
"TRADE YOUR SOUL" plunges us into the complex exploration of human relationships, love, trust and disillusionment, addressing several universal themes in an introspective way. This post-rock tale unfolds as a metaphorical journey of spirituality through life's most intense and intimate emotions and experiences.
YOU SAID STRANGE continues to combine abstract and concrete indie rock with psych-rock, post-punk, shoegaze and indus, inviting listeners to reflect ever more deeply. Nevertheless, "TRADE YOUR SOUL" marks a significant milestone for the band, with a more striking musical approach and a number of innovations, while remaining the work of passionate musicians who combine the dazzle of instruments and the union of voices to fuse melancholy and energy.
Over the past decade Rising Sun has firmly established himself as a purveyor of the finest deep, dubby and cinematic leaning house and techno, consistently delivering a sound that is distinctly his through labels such as Fauxpas, Freund Der Familie and his own numerous imprints Reality Used To Be A Friend Of Mine, Kristofferson Kristofferson and Beautiful Things Don't Ask For Attention under a variant of guises such as The Ambientist, Rising Sun Project, Rising Sun Psyche, Rising Sun Melancholia and simply Rising Sun under which he returns here for Echocord. As one has come to expect from a Rising Sun release ‘The Eternal’ has a firm foundation in emotive melodies and atmospherics across six alternate versions. ‘Eternal 1’ leads with muted drums, fluttering stabs and a preaching spoken word vocal. ‘Eternal 2’ edges into darked realms, merging expansive dub echoes with swelling subs and tension building strings before ‘Eternal 3’ dives head first into ethereal hypnotism via unfurling textures, soft stab sequences and a rounded kick. ‘Eternal 4’ opens the B-side with a subtly unfolding construction as vocals, chords and swinging drums run in unison. ‘Eternal 5’ then strips things back to a gritty statured feel with boomy percussion, enchanting strings and nuanced stabs before ‘Eternal 6’ rounds out the release laying down murky, multilayered pads, widely dispersing reverberations and bubbling delays throughout.
Group is a project with its own sound and a gradually expanding style, and Seedman perfectly reflects these attributes. With 160925_1145, the first cut on side A, the ritualism he has previously exhibited on other albums such as Esoteric Free Afrika, or more recently with Broken Faces, is somewhat apparent, due to the slow cadence, steady rhythm and tribal arguments. 160205_1066 is created from another perspective, however, it is not what it seems because from the first bars there is a syncopated and constant rhythmic pattern that places you in an industrial scenario, and gradually a simple two-tone melody appears that completely changes its initial musical context. 170218_1475 moves between an industrial and dark ambient concept, as it mixes gloomy atmospheres with deep breaks.
The sonic properties of 160131_0683, the cut that opens the B-side, connect with an unexplored environment, with a new, recently discovered and inhospitable scenario, since among other things we can appreciate sounds of machines, radio signals, filtered and choppy voices, combined with disturbing acoustic phenomena. 170213_1455 is a track that describes quite concisely the creative sense of Group, and for this we must take into account that it could be catalogued as a techno production, with groove and aimed at the dancefloor, however, he manages to minimise all these factors by giving it a volatile and atmospheric aspect. 170105_1398 closes the B-side of the vinyl, returning once again to the tribalism and ritualism that characterises many of Group’s productions, given that on this occasion his rhythm is not diluted, it has much more presence and manages to generate a hypnotic state.
In addition to these six tracks that make up the entire vinyl tracklist, Seedman also presents a couple of bonus tracks in digital format. And the first of them, The beast11, already arouses curiosity because its title is not due to a sequence of numbers, as is usual in this project. Musically, it once again shows Group’s ability to adapt any environment to a sonic degradation very much in keeping with his style. 150407_0166, the last track on the album, is an ode to chaos, a hodgepodge of frequencies devoid of rhythm that appropriately serves as an outro.
Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.
Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.
"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.
The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.
The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.
Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.
Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.
Slowaxx is the solo project and live band created by Riccardo Chiarucci, a music producer, arranger and composer based in Tuscany (Italy). His first album ‘‘Shapes Interfusion’’ features a unique blend of jazz, electronic music and hip-hop, recorded with a collective of musicians and the rapper Young A.M.A.
The creative process of the album involves a mix of home-studio production and live recorded sessions. Starting from ideas and demos from Riccardo, all tracks are the result of collaborative jams with musicians bringing their own styles and perception to the table. These sessions created a dialogue of personal vibrations, blending together to emerge as a collective soun
Five trombonists and a three-member rhythm section: that sort of unique musical synergy is what Nabou Claerhout brings to life with her own Trombone Ensemble. For years, such a project had been one of the dream projects on her bucket list, and thanks to Antwerp based cultural actor Rataplan, she already saw the creation become a reality in spring 2022. In the summer of that year, the eight-piece ensemble opened both Gent Jazz and Jazz Middelheim.
In January 2023, Nabou was artist in residence at the Brussels Jazz Festival in Flagey, where she presented the Trombone Ensemble as one of three carte blanche projects. In a sold-out Studio 4, American trombone legend Robin Eubanks joined the line-up as a special guest, having previously also contributed during the studio recordings of the young collective during. The band's self-titled debut album will be released on November 3rd 2023 via W.E.R.F. Records.
Nabou composed the entire repertoire for this Ensemble herself, and did so with a fully open vision. While writing the music, she explored the trombone's wide possibilities: "The aim is to both indulge you with warm, soft, carrying parts and then afterwards discover the trombone's spicy and cordial character." That rhythmic playfulness, which we hear more often in Nabou's compositions with her acclaimed quartet N?BOU, also seeps subtly into this band's sound.
Despite the 'unusual' line-up of five diverse jazz trombonists, each with a different background, you still get to hear a very homogeneous sound, which is full of playfulness and small details. "I tried to make room and focus for each individual. And of course there is also a starring role for the rhythm section with guitar, double bass and drums."
When Nabou started looking for the dream fellow jazz musicians for this project, she ended up with artists from her own country, Belgium, but also from far beyond the country's borders: The Netherlands, the UK and Germany. "In selecting the trombonists, I looked for specific timbres, but also for personality. It is important that there is a good balance in playing together, but also that each musician is strong enough on his or her own for the solo parts."
Wanting to push boundaries in her approach to both compositions and the trombone as an instrument, the real crème de la crème of the newest generation proved indispensable. "I selected a handful of European trombonists with whom I may or may not have already played, but who, above all, inspire me very deeply. They are all young people who have a lot to offer and already have significant projects to their name in their own region or country."
Brownswood Recordings releases the 7th edition of their Future Bubblers Compilation. An expansion of Gilles Peterson's network supported by Arts Council England, the ongoing talent discovery and artist development scheme focuses on developing unsigned talent and building audiences for new left-field music. With support from PRS Foundation as Talent Development Partners, the professional recording, manufacturing and physical release of Future Bubblers 7.0 is made possible. Unlike any other initiatives within music, the compilation acts as a springboard for the musician's careers, with the cooperative model providing direct revenue to the artists by a share of the profits, resulting in a sustainable income to work from. Previous Future Bubblers include artists such as Yazmin Lacey, KinKai, MC Snowy, Forest Law, Victoria Jane, NeOne The Wonderer and Kayla Painter, to name a few.
The 8-track compilation is a musically diverse collection of tracks, fusing genres across Alt-R&B, Dance, Electronic, Jazz, Rap and Trip-Hop. Opening the project, ROMY NOVA flaunts her hypnotic harmonies on a tender offering, 'The Way', whilst Sheffield-born Jackie Moonbather delivers a Funk performance on 'Separate Ways'. Up next, Ney Liqa's 'Blomster' captures a blend of Trip-Hop and Swedish-Pop, fusing her earliest musical influences before Birmingham's very own Landel's cloud-Rap excellence on '2 Many'. Maintaining the ethereal sonic, Petrelli Purple's 'Brisk' is reflective of his ability to curate a "miscellaneous north" sound, followed by MARYSIA OSU's 'Stryder' that highlights her self-coined "harps, beats, and dreams" ethos. Michael Diamond showcases his ability to float between jazz and electronic landscapes on 'Aether' before COEX rounds off the project nicely with 'Reflections'.
Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.
"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.
“The Castle II” is a collection of works composed and recorded by the Japanese artist Tomo Akikawabaya between 1986 and 1989. An album filled with obscure atmospheres, hypnotic rhythms, electronic melodies, experimental interludes and the unique and mesmerizing voice of Akikawabaya.
Since the release of the album “The Castle I” in 1984, Tomo Akikawabaya became disappointed with the music scene in Japan and thought that the only way to continue as a musician was to release his music abroad. After finish to record some new songs, he embarked on an adventurous trip to London in order to look for an opportunity for a new release. Unfortunately, after three months and despite meeting many artists and important people in the music industry, luck was not on Akikawabaya’s side and with time running out he had to return to Japan without a concrete proposal. In the following years, although he continued to work with his long-time partner Takaaki Han-ya with a project called Beata Beatrix, he never published anything and later focused to other activities. It was until 2015 that the New York label Minimal Wave released “The Invitation of The Dead” compiling songs from “The Castle” (1984) and “Anju” (1985), both originally released on his own label Castle Records. Tomo Akikawabaya is currently working under the moniker of Th, together with his wife Rinko, on a project called The Future Eve. They released an album in 2019 with the collaboration of the legendary Robert Wyatt.
The project to found this new independent label, owned by the Italian DJ and producer Alessandro Baglioni, stems from the intention of promoting top and emerging artists on the international scene linked to the contemporary electronic music movement.
The predilection for deep sounds, the search for new percussion and the care of harmonic sounds, represent the distinctive signs of this newborn Italian label from Milan.
Habitat Recordings L.T.D presents its second various artists of a series dedicated to contemporary electronic music created through a careful selection of sounds and grooves in line with the recording project.
Official reissue of Dortmund's self-released single from 1981. For those in the know a sought-after gem, for everybody else the single you didn't know you need in your life! Comes in picture sleeve with the original artwork. Limited edition.
'Titanic' - quite self-explanatory - is about the queen of the ocean and her sinking as a ship believed as unsinkable. Starting off with its morse code-like sounds it evolves into a heavy grooving mélange of alternative rock, funk, new wave and synth pop.
The B-Side 'The Deep' explores depths you didn't know about. This instrumental jazz boogie funk fusion piece takes you on a five minute journey that will be your life-saver on any day.
In the early 1980s the scene of the Ruhr area was alive and kicking but still under the radar. Musicians played in different bands and projects of various styles. Three guys gathered simply under their city name "Dortmund" and did their own thing which led to this conceptual single - their only release.
Before that Elmar Krohn (keyboards) and Thomas Meyer (vocals, bass, guitar, keyboards) were part of the "Mardi Gras Band", a funk and soul band with a great reputation for their live shows. They were also involved in writing 'Blame It On The Boogie' which got performed by "The Jacksons" in 1978 but that is another story. On the drums they were joined by Siegfried Hermes who also played in the band "Die Salinos".
There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.
Both have special insert inside with the bands bio and photos.
Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.
For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.
The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.
Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.
And here are the bands from the album:
1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.
Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).
The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.
The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.
The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.
The trio has performed its original material at many venues and festivals around Europe and Asia.
2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.
3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.
Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.
The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.
Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.
4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.
Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.
5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.
Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.
6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.




















