Cerca:la ma

Spanish artist Rapha Mundi delivers three dancefloor-focusedcuts that move between deep techno and refined technotextures for The Rose Island's sixth release, closing with abeautiful ambient piece designed to make your mind stop for awhile.

Born from Amsterdam’s intimate dance night, Notturno now steps into a new phase as a record label. Simon Paw unveils the debut release on his new imprint with Inner Space, a deeply personal two-track EP that sets the tone for the label’s sonic identity.
The title track, “Inner Space,” is an introspective and atmospheric journey rich in texture and feeling. With additional keys by Marco Airaghi and expressive flute and saxophone from Maurizio Moscatelli, the track unfolds with haunting elegance and organic warmth.
On the flip, “Eternal Sunshine” reveals a deeper, spiritual side of Simon’s production. Warm grooves carry evolving melodies and delicate piano moments, creating a track suited for immersive dance floors and reflective listening alike

Following the launch of FABRICLIVE’s new chapter with his inaugural artist release ‘Model Collapse’, Sully returns with a heavyweight remix package led by Basic Rhythm, alongside a brand-new track, ‘Proof’.

Originally the first release on the revived FABRICLIVE label, ‘Model Collapse’ set the tone for its forward-facing vision. Here, Basic Rhythm reworks the track into a stripped-back, bassbin-driven weapon - a dubplate turned anthem already making serious impact on the dancefloor.

On the flip, Sully delivers new track ‘Proof’, inspired by conversations with Basic Rhythm around his approach to drums.

Closing the EP is the original ‘Model Collapse’, the club hit that launched the label’s new era and continues to resonate.

- 2026 repress / hot foil printed sleeve -

Limited Edition: Box with holographic hot foil logo print and five printed inner sleeves - No Repress

SHDW's label, Mutual Rytm hits a notable milestone at the start of 2024 as it turns two years old and hits its 20th release. To mark the occasion, the carefully curated compilation 'Federation Of Rytm III' arrives on February 2nd with a 30-track 5 x 12" boxset vinyl release and a further 6 digital bonus tracks.

Mutual Rytm is synonymous with serious, no-frills techno. It is a go-to for the world's most influential DJs and a home to some of the scene's most innovative producers. Over the last two years, it has explored several shades of sound, always with high-quality production and forward-thinking styles. A fine balance has always been struck between new and emerging talents and established names with plenty more to say, and that is the case on this collection which features the legendary likes of Blawan, Gary Beck, Colin Benders, The Advent and Dax J next to ANNE, Alarico, JakoJako, Chlar, LDS and many more.

Founder SHDW says, "I've poured my heart into curating a compilation of 36 tracks, a reflection of my deepest musical passions. The lineup is stacked with incredible artists, and it captures the label's essence - a fusion of artists spanning generations, united by a shared spirit and aesthetic, creating a seamless 'mutual rhythm'."

Although all 36 tracks stand alone as high-grade and club-ready dynamite, they also collectively form a versatile listening experience thanks to how they've been carefully assembled into a perfectly sequenced journey.

Each one dives into a different nuance within the world of techno and there is a range of moods from dark and driving to more energising and uplifting. The collection not only shows how far Mutual Rytm has come in a short space of time but also that it remains in a constant state of evolution and has a bright future ahead in 2024 and beyond.

SHDW's vision at Mutual Rytm was always to present a cohesive yet varied musical experience, and Federation Of Rytm III does exactly that.

Mutual Rytm spawns new sub-label ‘Versus’ with debut EP from longtime techno associates Regent and Chontane. Continuing to expand its creative world, SHDW’s Mutual Rytm imprint now introduces ‘Versus’ - a new sub- label crafted for creative symbiosis between two artists across one shared release. Opening the series with authority, Regent and Chontane man the debut offering - two close friends and native Berliners who have been shaping techno for more than 15 years. Both long-standing members of the Mutual Rytm family, having released multiple times here before, the pair have always created music informed by life immersed in their local scene. Having both mutually influenced one another over the years, here they present their shared interpretation of techno with individual artistic DNA, forming a unified sound that represents the best of both worlds. Regent goes first, leaning towards functional, anthemic, dance-floor-focused techno. ‘Ephemera’ is tight, minimal but forceful; ‘Slow Burn’ has synth tension rising through the dark, next to glitchy percussion; and ‘Afterglow’ lets in more light, bringing otherworldly synths that hang above the groove and consume your focus. Chontane then explores a more musical and unconventional approach. ‘Plaxaric’ is supple, warm, and deep techno that tunnels into an abyss. ‘Grounding Factor’ is just as economical in design, but with introverted funk and evolving layers of sound. ‘Mental Lab’ spins out into complex rhythms inspired equally by IDM, jungle, and techno. It’s a mental workout as well as a physical one. Both artists add a pair of digital bonus tracks. Regent’s ‘Control Room’ and ‘Rarely Enough’ deliver elevated, hypnotic tools, before Chontane’s ‘Escore’ and ‘Outside In’ bring extroverted drum patterns along with contrasting melodic unease

2026 Repress Favorite Recordings proudly presents Voiciii, the 3rd and new album by Voilaaa, an immersive dip into its Afro-Disco universe spread across 14 tracks. Needless to say you’ll find in this new LP all the ingredients that made him famous: strong dancefloor-friendly festive bangers, irresistible funky arrangements and an undeniable sense of humor and irony.

Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”).

Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.

Kenny Dope - the legendary DJ and producer - has been a central figure in the incredible Spring Revisited series, launched in 2025. A collaboration between Acid Jazz and Ace Records, the series has explored the legacy of Spring Records, with a run of sell-out vinyl releases, digital singles and a 2LP compilation, with new mixes from the biggest names in dance music and remix production. The series continues with this new 7” single: ‘Spring Revisited vs. Kenny Dope - The 45 Mixes’.

It pairs an edit of Kenny Dope’s mix of ‘Mucho Macho’ by Macho with the mix of Millie Jackson’s ‘Don’t Send Nobody Else’ he created with Swedish producer Magnus Frykberg. Macho was an alias for the mighty Fatback Band, who are central to the Spring legacy, led by the great Bill Curtis (and co-writer of Mucho Macho), while Millie Jackson is one of the great voices of modern soul. Soulful and dance-floor ready, this 7” arrives fittingly in time for spring.

Jeder Künstler muss seine eigene Stimme finden. Gia Margaret fand sich selbst erst, als sie ihre Stimme verlor. Aufgrund einer Stimmbandverletzung, die sie jahrelang am Singen hinderte, entwickelte sie andere musikalische Ausdrucksformen und meisterte die Grammatik einer komplexen, heimeligen Form der Ambient-Musik, die von Ernest Hood begründet und von The Books perfektioniert wurde. Angeführt von sanften Klaviermelodien, die wie Atem auf Glas hauchen, jetzt, da ihre physische Stimme geheilt und ihre künstlerische Stimme geschliffen ist, schließt sich der Kreis mit Singing, ihrem ersten Gesangsalbum seit There's Always Glimmer aus dem Jahr 2018. Die Musik auf Singing zeugt von derselben Sensibilität für Details, die sie in ihrer Stille entwickelt hat. ,Es gab eine Zeit, in der ich wirklich nicht wusste, ob ich jemals wieder singen würde. Als ich dann geheilt war, stand ich unter großem innerem Druck, stark zurückzukommen", sagt Margaret. ,Ich wusste nicht mehr, wer ich war. Es fühlte sich an, als würde ich neu anfangen und mich wieder mit diesen sehr alten, alten Teilen meiner selbst verbinden." Dieses Gefühl der Vermischung von Entfremdung und Wiederentdeckung ist auf dem gesamten Album spürbar. Im Opener ,Everyone Around Me Dancing" beobachtet sie eine Party von den Seitenlinien aus und ist sich bewusst, wie ihr Körper sie von gemeinschaftlicher Freude abhält, ihr aber gleichzeitig neue Wege der Selbsterkenntnis eröffnet. Ausgeschlossen von der Szene ist sie ,näher am Boden, am Planeten". In ,Alive Inside" ist sie so weit entfernt von der Quelle, dass sie zu jedem betet, der sie hören könnte (,ein Gott, ein verstorbener Freund, ein Geist"). Wenn ihre Stimme anschwillt, scheint sie in einem Netz aus Verzerrungen gefangen zu sein; es ist, als würde sie in ihrem Streben die Grenzen des Sagbaren ausloten. Der Entstehungsprozess von ,Singing" war ein Prozess des Lernens, jedem dieser Gefühle zu vertrauen. Das Album wurde teilweise in London mit Guy Sigsworth von Frou Frou aufgenommen, der Margaret dabei half, die Vielzahl ihrer Ideen für ,Good Friend" zu vereinen, einem Highlight des Albums, das unter anderem gregorianische Gesänge von ILA und Turntable-Scratches enthält . David Bazan und Amy Millan sind ebenfalls zu hören, ebenso wie Kurt Vile und Sean Carey, während Margarets langjähriger Kollaborateur Doug Saltzman einen Großteil des Albums spielt und co-produziert. Deb Talan, ehemals Mitglied von The Weepies, steuert ihre Stimme, ihr Klavier und ihre Gitarre zum abschließenden und definitiven Statement des Albums ,E-Motion" bei. Gia Margaret singt stets. Jede Note dieses Albums singt ein warmes Requiem für ihr vergangenes Ich; jede Ebene singt ihr zukünftiges Ich ins Leben. Auf dem gesamten Album wendet sie die Lektionen der Sprachlosigkeit an - die quasi-rationalen Wege, auf denen wir kommunizieren, ohne zu kommunizieren, die Art und Weise, wie formlose Klänge wie ein Skalpell zum Kern der Dinge vordringen können - auf ihre eigene künstlerische Stimme.

Jeder Künstler muss seine eigene Stimme finden. Gia Margaret fand sich selbst erst, als sie ihre Stimme verlor. Aufgrund einer Stimmbandverletzung, die sie jahrelang am Singen hinderte, entwickelte sie andere musikalische Ausdrucksformen und meisterte die Grammatik einer komplexen, heimeligen Form der Ambient-Musik, die von Ernest Hood begründet und von The Books perfektioniert wurde. Angeführt von sanften Klaviermelodien, die wie Atem auf Glas hauchen, jetzt, da ihre physische Stimme geheilt und ihre künstlerische Stimme geschliffen ist, schließt sich der Kreis mit Singing, ihrem ersten Gesangsalbum seit There's Always Glimmer aus dem Jahr 2018. Die Musik auf Singing zeugt von derselben Sensibilität für Details, die sie in ihrer Stille entwickelt hat. ,Es gab eine Zeit, in der ich wirklich nicht wusste, ob ich jemals wieder singen würde. Als ich dann geheilt war, stand ich unter großem innerem Druck, stark zurückzukommen", sagt Margaret. ,Ich wusste nicht mehr, wer ich war. Es fühlte sich an, als würde ich neu anfangen und mich wieder mit diesen sehr alten, alten Teilen meiner selbst verbinden." Dieses Gefühl der Vermischung von Entfremdung und Wiederentdeckung ist auf dem gesamten Album spürbar. Im Opener ,Everyone Around Me Dancing" beobachtet sie eine Party von den Seitenlinien aus und ist sich bewusst, wie ihr Körper sie von gemeinschaftlicher Freude abhält, ihr aber gleichzeitig neue Wege der Selbsterkenntnis eröffnet. Ausgeschlossen von der Szene ist sie ,näher am Boden, am Planeten". In ,Alive Inside" ist sie so weit entfernt von der Quelle, dass sie zu jedem betet, der sie hören könnte (,ein Gott, ein verstorbener Freund, ein Geist"). Wenn ihre Stimme anschwillt, scheint sie in einem Netz aus Verzerrungen gefangen zu sein; es ist, als würde sie in ihrem Streben die Grenzen des Sagbaren ausloten. Der Entstehungsprozess von ,Singing" war ein Prozess des Lernens, jedem dieser Gefühle zu vertrauen. Das Album wurde teilweise in London mit Guy Sigsworth von Frou Frou aufgenommen, der Margaret dabei half, die Vielzahl ihrer Ideen für ,Good Friend" zu vereinen, einem Highlight des Albums, das unter anderem gregorianische Gesänge von ILA und Turntable-Scratches enthält . David Bazan und Amy Millan sind ebenfalls zu hören, ebenso wie Kurt Vile und Sean Carey, während Margarets langjähriger Kollaborateur Doug Saltzman einen Großteil des Albums spielt und co-produziert. Deb Talan, ehemals Mitglied von The Weepies, steuert ihre Stimme, ihr Klavier und ihre Gitarre zum abschließenden und definitiven Statement des Albums ,E-Motion" bei. Gia Margaret singt stets. Jede Note dieses Albums singt ein warmes Requiem für ihr vergangenes Ich; jede Ebene singt ihr zukünftiges Ich ins Leben. Auf dem gesamten Album wendet sie die Lektionen der Sprachlosigkeit an - die quasi-rationalen Wege, auf denen wir kommunizieren, ohne zu kommunizieren, die Art und Weise, wie formlose Klänge wie ein Skalpell zum Kern der Dinge vordringen können - auf ihre eigene künstlerische Stimme.

Superonda’s debut release, Aurora Spectralis, introduces the latest project from Mahatmos, a duo emerging from long-established practices in electronic music, sound design and composition for moving images. Released on 12” vinyl and digitally, the EP unfolds across four tracks of electronic ambient music shaped by atmosphere, con1nuity and restrained propulsion. Ambient textures open a broad emotional and spa1al field, while slow, insistent rhythms provide steady forward motion.
Superonda has created a space for Mahatmos to sharpen their focus on sound as material. Modular synthesis, analogue instruments and live processes techniques are balanced with precision and restraint, resulting in music that moves between progressive and hypnotic forms, informed as much by underground club culture as by cinematic composition.
Mahatmos is a Rome-based duo with complementary and deep-rooted practices. Gianluca Meloni brings a long-standing presence in techno and experimental music scene, with international releases and performances (as Laertes and as part of Modern Heads). Maurizio Loffredo contributes an extensive background in composition, production and sound engineering across popular music and film, with a refined sensitivity to timbre, structure and sonic narrative.
Superonda is a Rome-based label founded by artists engaged in deep sonic research and advanced technical exploration. Operating as an open platform, it connects collaborators working across recording, synthesis and composition, approaching music as a process-driven practice rather than a fixed genre. Each release stands as a distinct exploration, linked by shared sensibilities rather than formal constraints.
The physical edition of Aurora Spectralis is conceived as an extension of the work itself. Alongside a standard black vinyl pressing, a limited run of color and marbled copies has been produced, each one unique. Variability and tactility are embraced as part of the object’s identity, reinforcing the record as something to be experienced gradually, over time.

FOR THE FIRST TIME EVER: THE LONG-LOST RECORDINGS OF BIRMINGHAM ROOTS REGGAE PIONEERS NATRUS Mastered from the original tapes by Guy Davie at Electric Needle Mythology, the label founded by music writer, author and broadcaster Pete Paphides, is thrilled to announce the archival release of newly-discovered recordings by Birmingham reggae band Natrus. Comprising members of the same family – seven in total – Natrus were a ubiquitous presence of the live circuit within and beyond the West Midlands in the late 1970s. Used as an ad hoc “Wrecking Crew” by local producer and promoter Toney Owens, NATRUS frequently provided live accompaniment to visiting Jamaican artists such as Sugar Minott, Johnny Osbourne and Freddie McKay. With an age span ranging from 9 to 25, NATRUS’S live work had to be structured around the educational obligations of their younger members. But when they weren’t playing live, they would frequently hone their own compositions at Owens’ studio in Saltley, Birmingham.

During their collective lifetime, NATRUS released one very limited edition single Mash It, with a stellar guest vocal from deejay Ranking Glad(Stone). Featured alongside Mash It on this release are a selection of recordings previously thought lost by the group who laid them down. They were only discovered after Toney Owens’ alerted Needle Mythology’s Pete Paphides to the existence of some 60 quarter-inch reels featuring all the music recorded by Owens over a period of ten years or so. When Paphides finally tracked down NATRUS rhythm guitarist Owen Taylor, he was stunned to hear of their existence. After a meeting with Taylor and his siblings, Needle Mythology collaborated with NATRUS on the restoration and remastering of the tracks featured on this, their very belated debut album. As well as Mash It and its original flipside Come From Africa, highlights on ‘NATRUS’ include a superb version of Slim Smith’s The Time Has Come and the deep roots entreaties of Freedom Inna Babylon, both showcasing the soulful vocal of lead singer Fitzdonald “Fitz” English and the almost psychic sense of musical attunement that percolates right down the the formidable rhythm section of Beverley Stewart (bass) and Clinton Gordon (drums).

Taking place in the Paras district, Cangallo province, in the Ayacucho region of the Central-South Sierra of Peru - this is a recording of a ritual held on February 5th 2020 for the one year anniversary of the death of Mrs. Sofía Miranda de Bellido, recorded by her grandson Hánkel Bellido.

At noon the coffin of "Mamay Sofía" was presented, so that her relatives could say goodbye for the last time. Following tributes from family members, these songs dedicated to her life and her passing were sung.

The townspeople were notified of the events by the sound of bells that produce a peculiar and powerful sound, and that can be heard in the other nearby towns of Paras. It is said that these bells were greased with human fat, and brought from the Cerro de Pasco region during colonial times. The bells must be played all morning until the change of mourning takes place.

At midnight the songs of the Almakunapaq (also known as San Gregorios) mass began. These are unique to the Andean peoples - a fusion of Andean and Christian syncretic traditions - and are said to help the dead to enter the eternal Kingdom.

It was 4am when the change of mourning took place, and in accordance with traditions, the friends & family announce the presence of harp and violin players, to liven up the proceedings with songs of joy and merriment until the next day.

"Mamay Sofia, manan wañukunkichu, kawsakuchkankim sunquykupi; sichus qunqarusqaykiku, chaymi ichaqa wañukunki!"

"I have not died, I will die on the day that you forget me!"

RANDY'S 50th ANNIVERSARY CHAPTER ONE / VARIOUS - First time on vinyl for Chapter Two second part of the acclaimed previously CD only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum' Chapter Two showcase classic after classic from a all-star line up of the 70's reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz.

Italian cinematic funk heroes Calibro 35 announce a limited edition 45 rpm vinyl featuring two previously unreleased singles. The record is pressed on clear orange vinyl, limited to 600 copies, making it a must-have collector’s item.

On the A side, Calibro 35 reimagine Grover Washington Jr.’s jazz-funk classic “Mister Magic” with an ultra-groovy cinematic funk stormer, perfect for DJs and collectors alike. On the B side, the Milan-based combo revitalizes Can’s krautrock anthem “Vitamin C” with a fresh jazz-punk energy, a track recently brought back into the spotlight through Kanye West’s sampling. Both tracks are taken from the Deluxe Edition of their latest studio album Exploration, set for digital worldwide release on February 6th via Record Kicks.

Praised by Rolling Stone as “the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years,” Calibro 35 have built an international reputation as one of the coolest independent bands around. Their music has been sampled by Dr. Dre, Jay-Z, and The Child of Lov (featuring Damon Albarn), and they’ve collaborated with icons such as PJ Harvey, Mike Patton, and Stewart Copeland, continuing to push their cinematic funk universe further.

To celebrate the release, Calibro 35 will hit the road starting mid-October, with two special U.S. shows in Miami and Los Angeles, followed by a European tour including Barcelona, Berlin, Paris, and London.

Hannah Diamond’s debut album Reflections expanded to include Reflections Remixes and selected Reflections Instrumentals across two LPs. This upscaled edition is pressed on Milky Way Clear Glitter vinyl, in a gatefold sleeve featuring the Remixes Star artwork, and premium board inner sleeves, enhanced with metallic lavender HD monograms. It also includes a high-gloss poster insert of the original Moon artwork and lyric sheet. No secret track.

Paul Weller releases Weller At The BBC (Vol.2) on Friday 24th April.

This second BBC outing gathers live session and live in concert performances, including intimate stripped back acoustic versions and re-workings of tracks across The Jam, The Style Council and Paul’s extensive solo career.

From timeless classics such as Start!, Shout To The Top and Wild Wood, to deep cuts and covers, like The Zombies’ Time Of The Season and Billie Eilish’s What Was I Made For?

The album also features some beautifully orchestrated tracks with the London Metropolitan Orchestra, arranged and conducted by Hannah Peel, including Aspects, Boy About Town and Have You Ever Had It Blue.

5th solo-album from former Ozzy Osbourne guitarist! 1st album release in over 5 years. Guest appearances from Doro, Matt Barlow, Ronnie Romero & Dino Jelusick. Gus. G. will be touring extensively all over the world during 2026. Gus G. is featured as a playable character in the mobile-game Rock Kommander. The game has a global reach with hundreds of thousands of downloads, and will be promoting Gus G. and Firewind extensively throughout 2026.

Das fünfte Soloalbum des ehemaligen Ozzy Osbourne-Gitarristen! Das erste Album seit über fünf Jahren. Mit Gastauftritten von Doro, Matt Barlow, Ronnie Romero und Dino Jelusick. Gus G. wird 2026 ausgiebig auf Welttournee gehen. Gus G. ist als spielbarer Charakter im Handyspiel Rock Kommander vertreten. Das Spiel hat eine globale Reichweite mit Hunderttausenden von Downloads und wird Gus G. und Firewind im Laufe des Jahres 2026 ausgiebig promoten.

5th solo-album from former Ozzy Osbourne guitarist! 1st album release in over 5 years. Guest appearances from Doro, Matt Barlow, Ronnie Romero & Dino Jelusick. Gus. G. will be touring extensively all over the world during 2026. Gus G. is featured as a playable character in the mobile-game Rock Kommander. The game has a global reach with hundreds of thousands of downloads, and will be promoting Gus G. and Firewind extensively throughout 2026.

Das fünfte Soloalbum des ehemaligen Ozzy Osbourne-Gitarristen! Das erste Album seit über fünf Jahren. Mit Gastauftritten von Doro, Matt Barlow, Ronnie Romero und Dino Jelusick. Gus G. wird 2026 ausgiebig auf Welttournee gehen. Gus G. ist als spielbarer Charakter im Handyspiel Rock Kommander vertreten. Das Spiel hat eine globale Reichweite mit Hunderttausenden von Downloads und wird Gus G. und Firewind im Laufe des Jahres 2026 ausgiebig promoten.