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‘The Oakland band’s wide-ranging debut is a whirlwind of biting critique, nervy post-punk guitars, and absurdist humor. Rarely does a first record speak with such a trenchant voice.’ 7.5 PITCHFORK
‘Post-punk lovers have a new act to follow" - PASTE
Fake Fruit’s visceral indie rock operates so firmly in the present that it’s transportive and unmooring. The Oakland trio’s songs careen with volatile energy and lead singer Ham D’Amato’s lyrics are enveloped with acerbic humor and resonant perceptiveness. Though their new LP Mucho Mistrust is a sly reference to a beloved Blondie lyric, the title encapsulates both the anxieties of daily life, a bloodless music industry, and global capitalism as well as the clear-eyed skepticism needed to rebel against it. Across 12 propulsively unpredictable tracks, the album is both their most collaborative and most immediate yet.
Following the 2021 release of Fake Fruit’s self-titled debut LP, the band’s personal lives hit a turbulent and transformational period. “There were big life changes and I was so close to boiling over,” says D’Amato. “I left a bad relationship, entered a more stable and loving one, got diagnosed with alopecia, and I'm turning 30 soon too.” This personal upheaval was channeled into the explosive lead single “Mucho Mistrust.” The track is simultaneously disorienting and direct, with clanging guitars from Alex Post, off-kilter drums from Miles MacDiarmid, and D’Amato snarling, “How you gonna blame me / when you could’ve done something about it / it’s not right / How you gonna marinate me / in shitty things overnight.” She explains, “This song was a snapshot of how I got through a difficult year.”
Recorded live at the Bay Area’s Atomic Garden studio with producer Jack Shirley (Deafheaven, Home Is Where), the band’s palpable ferocity shines throughout the record. Single “Más o Menos” is searing punk, with buzzsaw guitars and surging bass. It’s a clenched-fist song, one where D’Amato sings, “I decided to assert myself / After I lost all my sense of self.” Later in the track, D’Amato, who is Chicana, sings in Spanish, “¡No me hables! / ¡No escuchare!” While some of these songs deal in heartbreak, they are charged with way bigger themes. “There's also wanting to break up with capitalism and feeling upset about things politically,” says D’Amato.
For the band, these themes are personal. “I'm managing us while I'm in between changing diapers in my day job as a nanny,” says D’Amato. “Everyone in the band still believes in it and is motivated to keep wading through the bullshit.” On this album, they had no choice but to bet on themselves and each other. No track broadcasts their evolution better than the single “Cause of Death,” which morphs from a gorgeous sax-laden banger to something cathartic and anthemic.
As adventurous and righteous as Mucho Mistrust gets, there’s still an inviting core that never takes itself too seriously. From the ripping “Cause of Death,” which self-deprecatingly takes aim at anxiety and indecision, to the searing title track, Fake Fruit imbue their songs with humor and heart. “Our band is fun,” says D’Amato. “My number one coping mechanism for all of life is to joke about it. Even when the album talks about serious things, I am proud of how funny it can be.”

Maggie Antone ist die neue timme im Alt-Country: Nachdem ihr Cover von Tyler Childers "Lady May" über eine Million Likes bei TikTok sammelte,
begann sie, an ihrem Debütalbum zu arbeiten.
Antones kommendes Album Rhinestoned mit zehn Songs ist ein überzeugender Beweis dafür, dass die aus Virginia stammende Sängerin das nächste
große Ding im Country sein könnte. Das Album, das auf ihrem eigenen Label Love Big via Thirty Tigers erscheint, baut auf dem durchschlagenden
Erfolg ihrer Debütsingle "Suburban Outlaw" auf. Auch wenn ihre Stimme einen in ihren Bann zieht, so ist es doch die Verletzlichkeit ihres
Songwritings, die einen immer wieder zurückkommen lässt.

Motion picture soundtrack to the critically acclaimed 2023 black comedy starring Barry Keoghan, Jacob Elordi and Rosamund Pike. Includes the huge resurgent hits Murder on the Dancefloor by Sophie Ellis-Bextor and Perfect (Exceeder) by Mason vs Princess Superstar.

Saltburn is the 2023 black comedy psychological thriller film written, directed, and co-produced by Emerald Fennell. The film stars a student (Barry Keoghan) at Oxford University, who finds himself drawn into the world of a charming and aristocratic classmate (Jacob Elordi), who invites him to his eccentric family’s sprawling estate for a summer never to be forgotten. The film became one of the most-streamed films upon its streaming release on Amazon Prime Video in December 2023. It received critical acclaim and several accolades, including nominations for two Golden Globe Awards and five BAFTA Awards.

Endlich erscheint das gefeierte 2019er Album als luxuriöse Doppel-LP!
Auf den 12 Tracks von 'The Situation' das zusammen mit seinen langjährigen Freunden und Wegbegleitern Kuma Harada, Walter Latupeirissa (beide Bass) Max Middleton (Keys), Juan van Emmerloot und Jeff Allen (beide Drums) entstand, erleben wir den Bluesmeister einmal mehr in Höchstform.

Der muntere Opener und Namensgeber des Albums lädt verheißungsvoll ein. In seinem unnachahmlich zurückhaltenden, "understated" Stil beleuchtet Snowy auf den folgenden Tracks unterschiedlichste Lebenslagen, stets untermalt und kommentiert von seinem markanten Gitarrenspiel. Das Ergebnis ist ein reifes, in sich schlüssiges und immens zufriedenstellendes Album.
Das erstmalig auf Vinyl erscheinende Album kommt als 180Gr. Doppel-LP mit Lyric-Sheet, wattierten Innenhüllen und markantem Spotlack-Effekt im Artwork, bei dem das Hauptelement herausgestellt wird. Die edle LP-Version ist streng limitiert auf 500 Stck.

Die Presse schrieb zum CD-Release:
Rock Hard 7.5/10: "Auf "The Situation" (Snowy White/Soulfood) begeistert der passionierte Les-Paul-Spieler einmal mehr mit einem wunderbaren Solo-Ton, aus seiner rauen, zerbrechlich wirkenden Stimme spricht darüber hinaus die pure Lebensweisheit. Geschmackvolles Blues-Album von einem Mann, der nichts mehr beweisen muss, es aber trotzdem tut."

Guitar 4.5/5: "…zwölf fantastische und lebhafte groovende Nummern…"

Good Times: "Starke Refrains, eingängige Melodien, reichlich Energie…"

Jazz Thing: "…eine Menge guter, von einer gewiss auch altersbedingten Nachdenklichkeit geprägter Songs. Sehr schön."

Break Out: "Eine Platte in die man ganz tief versinken kann."

Rocks 8.5/10: "White führt ein exzellentes Bluesrock-Dream-Team an…"

Classic Rock 7/10: "Eleganter Soft- und Bluesrock…"

eclipsed 8/10: "Grandiose Musik für ruhige Momente, die durch die warme und organische Einspielung gewinnt."

Legacy 12/15: "Auf jeden Fall ist Snowy & Co. ein hochwertiges Genre-Album gelungen, dessen zusätzlicher Reiz es ist, eben über die Grenzen dieses Stils hinauszuwachsen!"

The Circus is a place of lights and colors, but also of shadows, even darkness. Admittedly, it delights children and makes adults laugh. But you only need one rainy autumn evening near a circus tent and the smell of fodder to think of the sadness of the clowns, the endless training of the animals and the freaks who are hidden in some caravan... cinema, the essence of the circus – movement, light, danger and burlesque – will have been admirably rendered in Notes on the circus by Jonas Mekas (1966), one of the inventors of the filmed diary. With Cirque, Michèle Bokanowski does similar work, entirely dedicated to spinning, in the musical field.

She distinguished herself in particular in the composition of musique concrète, among others Tabou and Trois chambres d'inquiétudes, after having studied with Pierre Schaeffer and Éliane Radigue. The latter, great lady of drone and minimalism, fell under the spell of Cirque and wrote the booklet for the piece as a poem.

The piece, divided into five movements, is based on the handling and editing of recordings captured within one or more circuses (this is not specified and is of no importance) between 1988 and 1993. The initial allegro reveals the gallop of a horse joined gradually by other images. The idea of the circular space of the circus tent is immediatly and magnificently rendered and will be constantly recalled by an insistent use of the loop technique. Children's laughter, applause and drum rolls are thus sheared, repeated before being brutally interrupted. Accordion interludes and the distortion of sounds create a dreamlike atmosphere. This beautiful nightmare reminds us, to quote Éliane Radigue, the "Magic of childhood still living in the heart of man even beyond its abrupt end."

Words by Alexandre Galand, from the book “Field Recording – L’usage sonore du monde en 100 albums” (ed. Le mot et le reste, 2012)

Major member of the french musique concrète scene, Michèle Bokanowski was born on August 9, 1943 in Cannes, FR, to a musician mother and a writer father. She now lives and works in Paris.
Music lover since adolescence, it was relatively late, at the age of 22, that Michèle Bokanowski decided to study composition. Reading In Search of a Concrete Music by Pierre Schaeffer was decisive. After classical training on harmony, she met Michel Puig, a student of René Leibowitz, who taught her writing and analysis based on the Treatise of Schönberg. In September 1970 she began a two-year internship in the ORTF Research Department under the direction of Pierre Schaeffer. She takes part in the same time in a research group on sound synthesis, studies musical computing at the Faculty of Vincennes and electronic music with Éliane Radigue.
Her main works are intended for concert: Pour un pianiste, Trois chambres d’inquiétude, Tabou, Phone Variations, Cirque, L’étoile Absinthe, Chant d’Ombre, Enfance, Rhapsodia, Cadence, Elsewhere. She has also composed for theater (with Catherine Dasté), dance (with choreographers Hideyuki Yano, Marceline Lartigue, Bernardo Montet) and cinema: music for the short films of Patrick Bokanowski and his two feature films L'Ange ( 1982) and A Solar Dream (2016).

Devant la porte des étoiles ist ein Portal, gegossen aus den uralten Steinen urzeitlicher Riten und kosmischer Verzweiflung. Dieses Debüt von GRAVENOIRE, das im lebendigen Schmelztiegel der Proberäume geschmiedet wurde und von den korrodierenden Einflüssen der Moderne unberührt ist, kanalisiert die nicht sanktionierten, ungezügelten Energien der Geisterwelt und des Tellurischen. Von den einleitenden Beschwörungsriten der instrumentalen Pavens bis zur hingebungsvollen Trostlosigkeit von Granit ist jeder Track wie ein Foliant, der mit der Tinte der Rebellion, der Mystik und dem unstillbaren Durst nach Transzendenz geschrieben ist. GRAVENOIRE lädt den Hörer ein, die vergessenen Pfade unter der Sternenkuppel zu beschreiten und sich mit den alten Kräften zu vereinen, die in den verborgenen Adern der Erde pulsieren.

Lavender Vinyl. In the late 1970s, a peculiar sound began bubbling up from the land of 10,000 lakes. Buried beneath 50 solid inches of annual snow, Minneapolis made a Sound quite different than what the pop world foresaw. It issued forth as a slick, black, technologically advanced fusion, poised to storm the charts. Never known for sizable African-American populations, the Twin Cities of Minneapolis and St. Paul in fact harbored a tight-knit community of musicians working feverishly through the late '70s and early '80s toward a radical manipulation of American dance music, coating futuristic funk with the glamorous sheen of guitar rock. Synthetic ebony and ivory met electricity, with sexed-up results sent shockingly across the pop heavens like violet lightning.

"Leopard II" heißt die 2. LP der Kolossalen Jugend aus Hamburg. Wurde schon ihr Debüt "Heile, heile boches" lobend aufgenommen, zählt "Leopard II" wohl zu den ernstzunehmendsten und wichtigsten deutschen Produktionen überhaupt. Im Original 1990 auf LADO erschienen. Die LP-Reissue enthält Linernotes von Dietmar Dath.

"Civilians" lädt Fans auf eine Reise in Joe Henrys poetische
Lyrik ein. Das Album überzeugt mit einem Mix aus Jazz-, Folkund Blues-Einfl üssen. Begleitet von langjährigen Weƽefährten
kehrt Henry mit "Civilians" zu einem traditionellen SongwritingAnsatz zurück

Joe Henry is one of the artists who have shaped the sound of modern American folk and blues music like hardly anyone else. “Civilians”, his 10th studio album, was originally released in 2007. It takes the listener on an intimate journey into Henry’s poetic lyricism and is heavily influenced and inspired by the more melancholic sounds of folk and jazz music. Recorded in Henry’s home studio at the time, the Garfield House in Pasadena, the album has a raw and stripped-back feel, with several of Henry’s close friends and collaborators, like Loudon Wainwright III, Bill Frisell, Greg Leisz, and Van Dyke Parks, joining him in the studio to bring these songs to life. Now available on 180g black double vinyl for the first time ever, the 2024 reissue edition of “Civilians” features not only the 12 songs of the original release, but also previously unheard bonus material, including intimate demo versions of several songs on the album, as well as the all-new bonus track “Bread & Flowers”.

Continuing our exploration of São Tomé and Príncipe with DJ Tom B., Les Disques Bongo Joe proudly announces the release of África Negra Anthology Vol. 2. We've carefully selected and remastered 13 standout tracks for this volume, digitized from studio tapes by their tour manager. The album includes a booklet with updated liner notes and vintage photos of the group.

África Negra, established in the early 1970s by Horacio and Emidio Pontes, is São Tomé and Príncipe's most renowned musical group. Their blend of Puxa and Rumba, infused with Leonildo Barros' guitar riffs, Armando Tito's bass lines, and vibrant percussion, gained them recognition beyond the archipelago. This volume offers a glimpse into their musical journey, featuring unreleased sessions from 1979 and 1990, showcasing lead vocalists like João Seria and Sergio Fonseca.

Ray LaMontagne - der gefeierte, mit einem Grammy ausgezeichnete Singer-Songwriter - hat mit seinem neuen Studioalbum Long Way Home das nächste Kapitel seiner Karriere aufgeschlagen.

Long Way Home wurde von Ray LaMontagne in seinem Heimstudio aufgenommen und produziert und ist der Nachfolger des von der Kritik hochgelobten Albums Monovision aus dem Jahr 2020.

LaMontagne hat die letzten zwei Jahrzehnte damit verbracht, sich einen einzigartigen Platz in der modernen Musik zu schaffen. In einer Karriere, die von der Kritik mit überschwänglichem Beifall bedacht wurde, hat er sich aus dem Rampenlicht und der damit verbundenen Berühmtheit in die abgelegenen Hügel von West-Massachusetts zurückgezogen. Die New York Times schreibt: "Ein Besuch bei Ray LaMontagne ist wie eine Reise in ein anderes Jahrhundert". Seine unverwechselbare Stimme, die der Rolling Stone als " makellos verwitterte Tenorstimme" beschrieb, dient nach wie vor als Quelle für Melodien und Songwriting, die die Ära bestimmen. Auf seinen acht Studioalben hat LaMontagne seine Songs und seine Geschichte für
sich selbst sprechen lassen und damit eine tiefe Saite im amerikanischen Unterbewusstsein zum Klingen gebracht. Wie in seiner umfangreichen und preisgekrönten Diskografie nicht anders zu erwarten, liefert LaMontagne auch auf seinem neunten Album wieder eine beeindruckende Leistung ab.

Following a stunning introduction to the world with her 'Sometimes I Forget You're Human Too' EP release in early 2021, Bored At My Grandmas House (AKA Amber Strawbridge) is back with the compelling new single Detox.

It's a tale of navigating change with Amber explaining it’s about “feeling alienated, not knowing who you can and can’t trust, and figuring out how to be yourself whilst also discovering who you are”. “The lyrics represent exactly how I felt in that current moment, numb, confused to who I was and overwhelmed by all the changes I was starting to encounter”.

While Detox retains a lot of the indie and shoegaze elements prevalent in Amber's debut EP, it also shows growth and maturity in sound, with more contemplative lyrics asking questions of the listener. It's a stunning synth-laden track which broods and swells.

Lyrically, there is a deep introspection and a philosophical desire to question and understand human nature, culminating in the "I think we need to Detox" hook.

The track will be released on a limited edition 7" vinyl via Clue Records with a bottle green vinyl available from the artist and label and a toxic yellow version available at all good indie record shops. Following the first 2 pressings of Amber's debut EP selling out ahead of release date, these will be highly sought after.

The track was recorded by Amber at home in Cumbria before being sent to Alex Greaves (bdrmm, Working Mens Club) to add some elements and mix the track. Amber and Alex worked closely together on the final revisions.

The origins of 21 year-old Amber Strawbridge's bedroom shoegaze project Bored at My Grandma's House are perhaps unsurprising given the name. Facing an extended stay with relatives after a trip to Cambodia, Amber used the spare time to start making beats on her phone with Garageband. Fast forward to 2022, the home set up's more than evolved, she's released her debut EP 'Sometimes I Forget You're Human Too' to critical acclaim ,and now steps back into the light with new single Detox.

-3rd album from veteran rap duo Dillon & Batsauce. Dillon on the raps & scratches, Batsauce on the beats. ('On Their Way' - 2018, 'Self Medicated' - 2020).
-Produced entirely by Batsauce, guest features include Grand Puba, Kool Keith, Quelle Chris, Reef the Lost Cauze, Headkrack and Jay Myztroh of Stono Echo.
-Atlanta, GA + Jacksonville, FL album release parties booked for end of July + Northeast Tour Run scheduled for August.
-Batsauce has been producing hip hop and soul for 20+ years with multiple albums on labels BBE (Barely Breaking Even) producing for his wife, soul-singer, Lady Daisey + Galapagos4 where he produced multiple projects for Qwazaar of Typical Cats. He is 1/3 of the group, 'The Smile Rays' (which includes Lady Daisey and Paten Locke). He's also done extensive work with Akrobatik, Mr. Lif and even has multiple songs with George Clinton!
-Dillon is an Atlanta, GA based MC/DJ who has been releasing records for 20 years, 10 of those years was running FULL PLATE, the label he started in 2013 with Paten Locke (RIP). Dillon has worked with many of Hip-Hop's elite from the old school to the true school such as Chuck D, Diamond D, Count Bass D, Kool Keith, Greg Nice, Grand Puba, Homeboy Sandman, J-Live, Quelle Chris, Sadat X, Ras Kass, Stacy Epps, Planet Asia, eLZhi, Slimkid3 of The Pharcyde - and the list goes on!
-Classic black, standard weight vinyl in full-color jacket w/ matte finish. Includes Download Card.
Underground hip-hop veterans, Dillon and Batsauce have been making unorthodox rap music together for nearly 20 years with a simple formula: Batsauce makes the beats, Dillon writes the songs, and whatever happens, happens. After carving out their own lane with a catalog of EPs and LPs over the past 2 decades, the duo has finally slowed down enough to ask themselves, 'What Have We Done'?
Is the title of their latest effort rhetorical or meant to be an actual question? If so, Dillon and Batsauce probably don't want to know the answer. They probably don't want you, the listener, to think too much about it either. Instead, 'What Have We Done' is an invitation to experience the trials and tribulations, the small wins and the big losses of being aging independent artists in an increasingly cut-throat world for music makers.
But Dillon & Batsauce aren't the only ones on this joyride, we also hear from a well-curated crew of characters they've befriended along the way, from bonafide legends like Grand Puba and Kool Keith to modern day rap heroes, Quelle Chris & Reef the Lost Cauze. The end result is a collection of songs that runs the gamut from personal to aspirational to...delusional. Whether it's 'too much' or 'not enough', the answer to the question, 'What Have We Done' remains open to interpretation. Perhaps it’s not a question at all, but merely the naturally visceral reaction when career creators look back at a life lived on the edge.
Track Listing: 1. What Have We Done (Intro) 2. Mind Made 3. Quiet as a Library 4. Eddie Farah 5. Make History 6. Cannonball feat. Grand Puba 7. Banana Peels 8. Accolades feat. Reef the Lost Cauze & Jay Myztroh 9. Wakin' up Hungry feat. Headkrack 10. Goin' Viral 11. Ready on the Left feat. Kool Keith 12. What Are We Doing (Interlude) 13. Watercolors feat. Quelle Chris 14. Speak Easy 15. Isiah Thomas 16. Rock Bottom 17. Yoga Flame

Vinyl-Neuauflage zum 30-jährigen Jubiläum von 'Above The Rim (The Soundtrack)'. Dies ist das erste Mal, dass die komplette 21-Song-Trackliste auf Vinyl erhältlich sein wird. Alle bisherigen LP-Veröffentlichungen bestanden aus 18 Titeln. Sie wird auf doppeltem gelben Vinyl mit orangefarbenen und roten Spritzern erhältlich sein.

Bei seiner Erstveröffentlichung verkaufte sich 'Above The Rim (The Soundtrack)' über 2 Millionen Mal und hielt sich 10 Wochen in Folge auf Platz 1 der Billboard R&B Albums Chart. Der Soundtrack ist vollgepackt mit Songs von so namhaften Künstlern wie Tha Dogg Pound featuring Nate Dogg und Snoop Doggy Dogg, Dr. Dre, Warren G, DJ Quik und Al B. Sure! Zusätzlich enthält diese spezielle 30. Jubiläumsausgabe nun Tracks von 2Pac 'Pain' (feat. Stretch), Lord G 'Mi Monie Rite!' und 2Pac 'Loyal To The Game' (feat. Treach & Riddler).

- Ltd. Col. 2LP: (Yellow w. Red and Orange Splatter Vinyl)

The Singularity is an epic rock concept album, graphic novel, and concert experience from the mind of Grammy-nominated, and Emmy and BAFTA Award-winning composer Bear McCreary. The album features an extraordinary lineup of rock talent, including Slash, Serj Tankian, Rufus Wainwright, Corey Taylor, Jens Kidman, Joe Satriani, Buck Dharma, Asdru Sierra, Griogair, Kim Thayil, Scott Ian, Brendon Small, Billy Boyd, Eivør Guthrie Govan and Bryan Beller (The Aristocrats), Mike Keneally (Frank Zappa), Ben Weinman (The Dillinger Escape Plan), Steve Bartek and John Avila (Oingo Boingo), Warren Fitzgerald (The Vandals), Esjay Jones (We Are PIGS), Sigurjón Kjartansson (HAM), Raya Yarbrough (Outlander), rapper Mega Ran, and legendary metal drummer Gene Hoglan (Strapping Young Lad, Dethklok). McCreary’s brother, Brendan McCreary, also co-wrote and co-produced the album, and sings lead vocals on eight songs.

Though undeniably hard rock, the music also bursts with cinematic energy from use of live orchestra, choir, and international colors including morin khuur, bagpipes, and nyckelharpa.

OBERHEIM! is the love child of Gothenburg's alternative backyard, born from the union of scattered guerrilla groups such as URAN, Exorcist GBG, Dirty Burger, The Population, Melody Fields, Lady Banana, and Tentakel. Their self-titled debut album is a psychedelic garage rock explosion that draws its lifeblood from bands like The Stooges, Can, Kraftwerk, and The Gun Club.

Schwartz Songs is a collection of brand new recordings from the iconic
writer & composer Stephen Schwartz's greatest songs performed by the
West End's finest artists! Stephens career has spanned over 5 decades
and he is the recipient of x3 Grammy Awards, x3 Academy Awards, a
Golden Globe Award, x6 Tony Awards and an Olivier Award
This new album includes spectacular new recordings of songs including DELIVER
US and WHEN YOU BELIEVE (Prince of Egypt), CORNER OF THE SKY (Pippin), LET
THERE BE (Children of Eden), THE WIZARD AND I and DEFYING GRAVITY
(Wicked), COLOURS OF THE WIND (Pocahontas), BEAUTIFUL CITY (Godspell) and
much more.
The opening track Defying Gravity from Wicked, is stunningly performed by four
of the West End's leading ladies who have all played the role of Elphaba in the
West End production: Kerry Ellis, Rachel Tucker, Lucie Jones and Alice Fearn. The
spectacular version will be released as a single on 21st June.
Featuring a fantastic array of West End stars including MARISHA WALLACE,
TREVOR DION NICHOLAS, SAMANTHA BARKS, JAMIE MUSCATO, LUCIE JONES,
LOUISE DEARMAN, KERRY ELLIS, RACHEL TUCKER, BILLY LUKE NEVERS, JOHN
OWEN- JONES, OLIVER TOMPSETT, ROB HOUCHEN, HIBA ELCHIKHE, ALICE
FEARN, RACHEL JOHN, PETER JOoBACK, JAMIE LAMBERT, JORDAN LUKE GAGE
and EMMA KINGSTON
With the first part of the eagerly awaited film adaptation of Schwartz' Wicked
coming out this Autumn, this is a fantastic time to be celebrating so much of his
work, sung by the absolute best in musical theatre.

Kon AKA King of Nothing, mastermind behind many brilliant multitrack edits unleashes 2 brilliant mashup gems. 'Soul Bright' featuring Madonna’s beaming Lucky Star vocals blended over Saucy Lady’s 'Soul Amplified' instrumentation pulled from her 2021 Delirious EP, and 'Watchin’', Rockwell meets Saucy Lady mashup.

The Rockwell vocals adds to that intoxicating Mtume- like harmonies originally set by producer Yuki 'U-KEY' Kanesaka on The Garden, a track that was also released off of Saucy Lady's Delirious record that just got a tasty rework. Already dance floor tested and audience- approved with guaranteed dippin' quality.

Svart Records proudly present Winter’s most classic, gloomy and crust laden doom EP “Eternal Frost” for the first time as a vinyl version on its own ”Eternal Frost” is an EP by New York’s cult death doom band Winter. Never before released on vinyl as its own release and only included in the deluxe edition of ”Into Darkness” released by Svart Records in 2020, ”Eternal Frost” will finally be available on wax in August 2024. Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal. Originally released only on CD by Nuclear Blast in 1994, ”Eternal Frost” is a reissue of the 1989 eponymously titled demo tape with an additional track “Manifestation I”. Winter’s pre-internet infamy led to their demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. “Eternal Frost” is available on Svart exclusive white/red/gold/orange marble vinyl, limited clear/green marble vinyl, and classic black vinyl. Release date August 2nd.

Svart Records proudly present Winter’s most classic, gloomy and crust laden doom EP “Eternal Frost” for the first time as a vinyl version on its own ”Eternal Frost” is an EP by New York’s cult death doom band Winter. Never before released on vinyl as its own release and only included in the deluxe edition of ”Into Darkness” released by Svart Records in 2020, ”Eternal Frost” will finally be available on wax in August 2024. Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal. Originally released only on CD by Nuclear Blast in 1994, ”Eternal Frost” is a reissue of the 1989 eponymously titled demo tape with an additional track “Manifestation I”. Winter’s pre-internet infamy led to their demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. “Eternal Frost” is available on Svart exclusive white/red/gold/orange marble vinyl, limited clear/green marble vinyl, and classic black vinyl. Release date August 2nd.