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DURAND JONES & THE INDICATIONS - PRIVATE SPACE / SEA OF LOVE
 
2
also available

Dark Purple Vinyl[9,87 €]


The latest 45 from Durand Jones & The Indications out on Colemine Records features two tracks from their previous LP, Private Space. The A Side features the album's title track and is a laid-back, string-enhanced, smooth progression where guitarist Blake Rhein plays minimal but on-the-money strokes. The flip is an uptempo, drum heavy beat with lyrics depicting heartbreak and longing. "Sea of Love" delivers on that smell good, look good, feel good '70s synth sheen arrangements, lavish string charts, and double-down confidence from a band who gets to move their core expertly into a different decade.

pre-order now11.10.2024

expected to be published on 11.10.2024

9,87
Daphne Guinness - Sleep LP

Recorded at British Grove and Abbey Road studios, Daphne Guinness’s fourth
album, Sleep, is unlike anything Guinness has produced before. Contemplative, self-
reflective, and personal, it represents her most beguiling body of work to-date; a
sleek sophisticated experience enhanced by an array of esoteric creative touches,
complementing its dancefloor rush.

Mixed by Ricky Damian, known for his work with Lady Gaga, Adele, Georgia Smith,
Dua Lipa, her creative connections include long standing collaborator Malcolm
Doherty and Tony Visconti (who scored the album’s strings).

The album’s scale is further amplified by collaborators, including Guy Pratt (Madonna, Michael Jackson) and Rob Shirakbari (Burt Bacharach, Dionne Warwick), plus a 34-piece string section.

The scope of her associations extends far beyond the core album. Daphne collaborated with Nick Knight of SHOWStudio for the video to early single ‘Hip Neck Spine’, and with the iconic filmmaker and photographer, David LaChapelle for the current single ‘Volcano’.

pre-order now11.10.2024

expected to be published on 11.10.2024

25,17
DOROTHY ASHBY - THE RUBAINAT OF DOROTHY ASHBY

Psychedelic jazz album by harpist Dorothy Ashby with lots of Eastern and African influences. Most of the tracks are really mellow and laidback with instruments such as the harp, koto, vibes... Sweet!!

pre-order now11.10.2024

expected to be published on 11.10.2024

26,68
Chromacolor - Chromacolor LP

Chromacolor

Chromacolor LP

12inchARBITRARY18V
Arbitrary
09.10.2024

»Chromacolor« is one of those records that immediately feels like home even though it is hard to locate stylistically. Written and recorded by Hanno Leichtmann in Berlin and Madeira between 2020 and 2022, it draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces.

The foundation for Leichtmann’s Chromacolor project was laid when the prolific Berlin-based producer, musician, and drummer borrowed a vibraphone and a Fender Rhodes from two friends. Combining their unique sonic affordances with those of a Guitaret, an electric lamellophone, he further expanded his sound palette by inviting other musicians—Anthea Caddy, Sabine Vogel, Tobias Delius, Els Vandeweyer, Sabine Ercklentz, Mike Majkowski, Andrei Ladeishchikov, Oona Farchy, Gonçalo Caboz as well as Rafael and Hugo Andrade—to play small but vital parts in the production of the album.

The opener »Kisses and Wine« masterfully sets the tone for an album that is as inviting as it is challenging. Working with relaxed repetitive rhythms, Garlid’s anthemic vocals and a sprinkle of saxophone and flute tones courtesy of Delius and Vogel, respectively, as well as tender piano notes played by Leichtmann, it evokes a lot with only few means: a certain melancholy, but also an elevated atmosphere that feels both exuberant and restrained.

Leichtmann’s elegant study of the power of repetition, minute rhythmic shifts and subtle use of melodic and harmonic elements creates ambiguities and polyvalences like these throughout the entire record, up until its understated finale, aptly titled »A Beautiful Day«—a drone-jazz piece, if you will, both longing and joyful.

As an album, »Chromacolor« is hard to pigeonhole, but rich and rewarding. All it takes is immersing yourself in it.

out of Stock

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18,11

Last In: 19 months ago
DURAND JONES & THE INDICATIONS - PRIVATE SPACE / SEA OF LOVE
 
2
also available

Black Vinyl[9,87 €]


The latest 45 from Durand Jones & The Indications out on Colemine Records features two tracks from their previous LP, Private Space. The A Side features the album's title track and is a laid-back, string-enhanced, smooth progression where guitarist Blake Rhein plays minimal but on-the-money strokes. The flip is an uptempo, drum heavy beat with lyrics depicting heartbreak and longing. "Sea of Love" delivers on that smell good, look good, feel good '70s synth sheen arrangements, lavish string charts, and double-down confidence from a band who gets to move their core expertly into a different decade.

out of Stock

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9,87

Last In: 16 months ago
Ken Boothe - Blood Brothers LP

Ken Boothe released his album Blood Brothers in 1976 but was picked up by Trojan Records two years later to be distributed internationally. The album features some of his more laid-back and mellow style, as can be heard on “Walk Away From Love”, “Mamy Blue” and “Love Don’t Love Nobody”. Blood Brothers also features several cover versions of Bob Marley Classics, including “No Woman No Cry” and “I Shot The Sheriff”.

Ken Boothe released his album Blood Brothers in 1976 but was picked up by Trojan Records two years later to be distributed internationally. The album features some of his more laid-back and mellow style, as can be heard on “Walk Away From Love”, “Mamy Blue” and “Love Don’t Love Nobody”. Blood Brothers also features several cover versions of Bob Marley Classics, including “No Woman No Cry” and “I Shot The Sheriff”.

Blood Brothers is being reissued for the first time since 1978 and is available as a limited edition of 500 individually numbered copies on orange coloured vinyl

pre-order now04.10.2024

expected to be published on 04.10.2024

32,73
King Tubby - Dub Mix Up

King Tubby the Dub Master, who's output was as prolific as it is sought after, and who's presence is surely missed. We would like to take you on another dub excursion. This time through some essential cuts made for the Producer / DJ Tappa Zukie. King Tubby always added something a little special to the tracks he worked on. Producers would often bring their already recorded tracks to his home studio at 18 Drummlie Avenue in the Kingston district of Waterhouse. The backing tracks which were laid at various other studios around Kingston. Like Channel 1and Randy's Studio 17, would then be voiced/Re-voiced at King Tubby's. Tubby and his team which included Prince Jammy and Philip Smart would be left to create the version cut.

Having listened to the track it would be striped back to the bone of bass and drums and rebuilt. Sprinkling his magic over the track by dropping the bass in and out, adding echo and emphasising various elements of the song. In some cases, dubbing the cut into something unrecognisable from its original sound.

The tracks would be aired on Tubby's Hometown Hi-Fi Sound System. Which acted much like a pre-release for the record to gauge the crowd’s reaction, before the tracks would be unleased on the public. We think we have sourced another fine collection of Tubby Cuts see also King Tubby's Lost Treasures JR001, comprising of work with Mr Tappa Zukie. Lost cuts to some of his own tracks like 'First Street Rock', alongside productions he undertook with the great Prince Allah, Junior Ross and the Spears. Also, the much-overlooked vocal group Knowledge. Some great rhythms, some great tracks, worked over by the greatest dub mixer of them all. Hope you enjoy the set as much as we have compiling it...

Respect Jah Floyd.

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15,42

Last In: 10 years ago
The Congos - Feast

The Congos

Feast

12inchKSLP008
Kingston Sounds
04.10.2024

The Congos were formed by Cedric Myton (born 1947 St Catherine, Jamaica) and Roydel ‘Roy’ Johnson (born 1943 Hanover, Jamaica), around the mid-seventies, a time when the Rasta message coming out of Kingston and other pockets of the Jamaican Island was at its most prominent. Cedric Myton’s singing career began back in the rocksteady era in Reggae’s musical story.

He formed the ‘Tartans’ group taking lead vocal duties alongside Devon Russell, Prince Lincoln Thompson and Lindbergh Lewis. They cut ‘Dance All Night’ (1967) and ‘Coming On Strong’ (1968). The line-up reduced to a two piece, Cedric and Devon Russell, when tracks like ‘What a Sin Thing’ and ‘Short Up Dress’ were cut. This line-up became the Royal Rasses, Cedric formed The Congos, on meeting Roydel Johnson. Roydel previously sang as a member of Ras Michael and the Sons of Negas, cutting such tracks as ’Go To Zion’ (1973). As we can see Cedric’s and Roydel’s Rasta roots were firmly in place by the time they had formed The Congos sometimes called ‘The Congoes’.

The Congos possess what all bands look for,that unique sound that draws the listener to them.Lead singer Cedric Myton’s style and phasing, with his distinctive Falsetto voice makes this just the case.Built on a foundation of classic rhythms and with the aid of then Producer, Lee Perry, the groups statement of intent was laid down with one succinct message. The Congos mighty 1977 ‘Heart of the Congos’ album, is quite simply one of the best reggae albums ever recorded.

Producer Lee Perry had wanted to record a classic Jamaican vocal group in his newly built Black Ark Studio. The voice of Watty Burnett was added at the time to cover baritone vocal duties. The studio after various changes in equipment etc. was finally finding its way. A sound built in Lee Perry’s back yard in Cardiff Crescent, Washington Gardens, Kingston, but existing until then in Mr Lee Perry’s mind. The album they cut would be the defining group release to come out of The Black Ark studios, when the vital elements, vibes, musicians, songs and singing would gel to form ‘Heart Of The Congos’. Come the time of it’s release 1977, Lee Perry was in dispute with Island Records and opted to release the record on his own ‘Black Art’ label. Without the high-profile push of a major label, the record undersold and caused a split between producer and band. Under different circumstances maybe this album would be sitting in thousands of homes alongside the Bob Marley, Culture, Burning Spear releases. Cedric Myton went on to release albums with the French arm of the CBS label and Roy Johnson records and tours as Congo Ashanti Roy.

Cedric Myton the central force carries on the mantle of the Congos and we at Kingston Sounds are proud to pick up the story with another set of vocal statements, which sees Cedric cut some of his finest tunes. Helped along by another reggae legend Brent Dowe, lead singer of the Melodians (Rivers of Babylon), over some classic 1970’s rhythms. Yet again we find that magic formula of strong statements working alongside classic rhythms making the balance work. The Rasta message is still strong on modern classics like ‘King Rastafari Is His Name’, ‘Rasta Congo Man’ and the injustices of the world dissected in tunes ‘Some A Thief’, ‘Watch & Pray’ and the prophetical, ‘Citizen Of The World’.

Once touched by magic it does not fade away, but resurfaces as it has with what we believe to be some of the Congos most heartfelt and meaningful set of songs ...... Let the feast begin.

pre-order now04.10.2024

expected to be published on 04.10.2024

15,55
Cosmic Shuffling - Lovonauts' Odyssey

In 2023, all sources of life across the multiverse jumped and twisted to the irresistible sound of COSMIC QUEST, the second full-length record of Swiss septet extraordinaire COSMIC SHUFFLING. Today, the Geneva based combo returns with the second half of the quest: a FULL INSTRUMENTAL long play.

This new record carries on the band’s journey to a realm where the stars dance to the beat of your heart. Travelling across galaxies, passing through nebulas, black holes and asteroid fields, the handsome lads disseminate the classic sound of SKA and ROCKSTEADY with burning hot-like-plasma scorchers. Temperature rises,
bodies warm up, sway, embrace and go wild. This is the effect produced by the explorers of unconditional cosmic love: the LOVONAUTS.

Welcome to the LOVONAUTS’ ODYSSEY – the ultimate soundtrack of the septet astral adventures. Let yourself be carried away by these ten love letters to Jamaica’s iconic sound of the 60’s and its greatest musical stars

pre-order now04.10.2024

expected to be published on 04.10.2024

23,95
Arab Strap - The Week Never Starts Round Here

The year 1996 saw the release of Arab Strap’s first single, “The First Big Weekend,” and debut album The Week Never Starts Round Here. Into an underground rock milieu preoccupied at the time with slo-core, math rock, and all things Pet Sounds, the duo of Malcolm Middleton and Aidan Moffat couldn’t have sounded more alien.

In many ways, The Week Never Starts Round Here bears all the marks of a debut: it’s raw, unguarded, and crammed with ideas. It also firmly establishes the particular set-up that would define Arab Strap’s sound over the course of eleven years, with Middleton handling the music while Moffat provides the vocals and lyrics. Even this division of labor—more common to rap music than to the shoegazers and increasingly ubiquitous “collectives” of indie rock—seemed to defy expectations.

The sound of Arab Strap is a distinct brand of existential miserablism. Middleton’s cleverly arranged foundation of nocturnal guitars and rudimentary drum machines provides a canvas for Moffat to relay, in a thick Scottish dialect, his many sloshed, candid confessions. Long before artists like Mike Skinner chronicled the picaresque days of lads getting pissed and getting laid, Arab Strap’s vivid tales of lovers, lager and shame were being broadcast on college stations everywhere.

The Week Never Starts Round Here is an album full of drugged-up kisses and dried up egos; it chronicles the conquests and knockbacks of weekends that last forever, and it does so unapologetically, poetically, and profanely. Indie rock would never be the same.

pre-order now04.10.2024

expected to be published on 04.10.2024

18,91
DYL & Senking - Diving Saucer Attack

Senking and DYL team up again after first collaborating for a track on 2020’s »Uniformity Of Nature« EP that also featured different solo productions by the two producers. »Diving Saucer Attack« is the first full-length record by the German artist and his Romanian collaborator, released through the Berlin-based Karaoke Kalk label, home to the former’s work for more than a quarter of a century. The six pieces, two of which were produced individually, both showcase the duo’s shared interests for dub-heavy, adventurous electronic music while also emphasising the productive friction generated by the subtle differences between their respective approaches.

Cluj-Napoca-based DYL, real name Eduard Costea, cites his colleague Jens Massel’s work and especially his »Ping« EP—released in 1999 through Karaoke Kalk—as a crucial point of reference for his own development. »He’s one of the producers who inspired me to start making music,« he says. Massel was already familiar with his partner’s eclectic productions when he was approached by him with the idea of collaborating for a piece in 2020. They didn’t stop there, as Massel explains »It went very well and ever since we’ve been sending each sounds and tracks.« As their first joint album, »Diving Saucer Attack« documents the multi-faceted results of this on-going process.

The album opens with a track in true Senking style. Throbbing bass frequencies, haunting synth melodies and carefully placed rhythmic elements form a slow, but driving groove. Before DYL’s »a7r380R« introduces the listener to his anthemic take on IDM, the collaborative second track »2024« showcases how well their respective philosophies complement one another: the two create a detailed soundscape in which an intricate interplay of percussive elements and melodies can unfold. The title track transforms rattling drums and growling bass sounds into a laid-back, spooky trip-hop tune with a live-jazz feel, while »Astral Project« sees the duo venture into the uncanny regions of dub techno. »Not Just Numbers« closes on an even more sombre note—a fitting closing statement to an album full of twists and turns.

»Diving Saucer Attack« is a special album on more than the musical level. Massel released his first records under different guises such as Fumble, Kandis, and Senking through Karaoke Kalk between 1997 and 2001, after which he focused on his work as Senking, putting out a string of iconic albums through raster-noton, among others. 23 years after his last Senking LP for Karaoke Kalk, 2001’s »Silencer,« his return is as non-nostalgic as you’d expect it from such a forward-thinking producer: together with DYL, he continues to explore the possibilities and outer limits of electronic music in an intergenerational dialogue.

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19,75

Last In: 16 months ago
Various - Panorama LP

Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled.
11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

Deluxe Tip-On jacket LP including exclusive and extensive liner notes.
Vinyl Only / No Digital
Remastered from the original master tapes

out of Stock

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21,81

Last In: 18 months ago
Jos Ma - Mongo's Dance

Jos Ma

Mongo's Dance

12inchMOM006
Mas O Menos
01.10.2024

Repress!

This EP is delicately melodic and fluid that even in its short four tracks shows a producer with different bows to their arrow. Intro is a laid back, downtempo affair with vocal samples punctuating the track’s pared down synths and gently propulsive beats.

Contrast that with Engang, which sees Jos Ma chisel all other elements away and put trust in the groove and urgency of its percussive elements. It’s something he echoes in Like Honey, although here the bright stabs of keys provide a welcome interjection - as does the chopped-up vocals that offer a further counterpoint to its kwaito-reminiscent shuffle. It is perhaps here that his respect and love of central and southern Africa’s dance forms is presented at its most bare.

The EP finishes with Mongo’s Dance, so-called after the Cuban Mongo Santamaria and driven forward by a chopped-up pachanga rhythm taken from one of the pioneering percussionist’s tracks. He then adorns it with wavy synths and flutes, each intertwining over the top as though engaged in ritual with one another. It’s a euphoric, slightly delirious end to an EP that puts Jos Ma firmly in Mas O Menos’ “neither here nor there” camp – a producer who simply follows his instincts and revels in the enthrallingly wandering music it throws up.

out of Stock

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15,08

Last In: 14 months ago
CLAN CAIMAN - PICA-PAU LP

Clan Caiman

PICA-PAU LP

12inchEM1213LP
Em Records
30.09.2024

Clan Caimán, led by composer Emilio Haro, is a group from Argentina, but their timeless, organic music transcends nationality. “Pica-Pau” (woodpecker), their third album, is their most abstract and minimal to date, but this is not a cold abstraction nor an austere minimalism; the music here, with its focus on rhythm and texture, is warm and hypnotic, seeming to have existed forever despite the fact that it was recorded in 2023-24. As on their previous albums, all with EM Records, the music is driven by the kalimabafon, Haro’s self-made tuned percussion instrument. The kalimbafon’s patterns weave through waves of reverb-drenched lap steel and guitar, as bass undertow and sans-cymbal percussion allow the music to flow music inexorably forward, like a broad, timeless river. The compositions here have a feeling of being immersed in deep night, surrounded by life, away from the enclosed isolation of the urban environment. As with previous albums, the compositions are instrumental, the exception being the final song, a vocal version of the opening track, sung in a language invented by Haro.

pre-order now30.09.2024

expected to be published on 30.09.2024

22,65
Royal Trux - Twin Infinitives LP 2x12"

Ltd Double Silver Vinyl, Monochrome edition artwork, DL card. Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians. Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with Moogs, guitars and melodicas to name a few ingredients. It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives. The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage. Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives. “Sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now.” Pitchfork. Track List: Disc One: A1 Solid Gold Tooth A2 Ice Cream A3 Jet Pet A4 RTX-USA A5 Kool Down Wheels B1 Chances Are The Comets In Our Future B2 Yin Jim Versus The Vomit Creature B3 Osiris Disc Two. C1 (Edge Of The) Ape Oven D1 Florida Avenue Theme D2 Lick My Boots D3 Glitterbust D4 Funky Son D5 Ratcreeps D6 New York Avenue Bridge

pre-order now30.09.2024

expected to be published on 30.09.2024

30,21
Various - Midnight Rock's Secret Tapes LP
  • A1: Linval Thompson – I Can Be Your Man
  • A2: Luciano – Good Things Goin' On
  • A3: Courtney Melody – Hey Sexy Lady
  • A4: Gryphan– I Love To Smoke
  • A5: Jah Thomas & Junior Vibes– Sounds A Go Dead Tonight
  • B1: Pinchers & Josey Wales– All A The Gal Them
  • B2: Super Cat – Me Glad She Gone
  • B3: Jah Thomas– Drunk & Stage
  • B4: Daville – Since I Laid Eyes On You
  • B5: Tony Curtis, Ghost & Mitch – Love Songs Are Back Again

Deejay-turned-produced Jah Thomas’ Midnight Rock helped shift roots reggae to dancehall in the late 1970s and Thomas continued producing in the new millennium, sometimes revamping Roots Radics tracks from Channel One, and alternately cutting fresh work at King Jammy’s, Black Scorpio, and Mixing Lab. Secret Tapes has stellar guests like roots messenger Luciano, dancehall don Super Cat, supreme crooner Courtney Melody, Jah Thomas himself, and a collab between Pinchers and Josie Wales; Tony Curtis, Ghost and Mitch are courtesy of a Buju Banton co-production. Special request to all dancehall fans!

pre-order now30.09.2024

expected to be published on 30.09.2024

16,18
Tim Tucker / Bachflora - Fairy Funk Vol 2: Intergalactic Transmutation

Tim Tucker and Bachflora team up for this brilliantly boogie-infused new collection of cosmic disco sounds and future house delights. It's a collection that shows off their considerable songwriting skills as well as production chops as the tunes blend a far-sighted sense of futurism with a hint of melodic nostalgia. Some are part starters like the playful 'Star Key' while some are more laid back and funky sounds like 'Cosmic Dreaming, Now We Jamming!' All in all, they make for an adventurous and cinematic journey that takes mind, body and soul up and away amongst the stars.

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28,78

Last In: 19 months ago
Class of '78 - I'll Keep Loving You/No Use Hidin

Unreleased boogie-funk tracks from 1982 London. Music from an obscure, yet adored era/location, featuring the band that laid the groundwork for McKenzie and Gardiner, a certified UK Boogie Funk group from back in the day, known by funk/boogie aficionados and crate-diggers worldwide. “I’ll Keep Loving You” and “No Use Hidin’” are the final demos from the group Class of ‘78, which is the 7-piece band that predated the duo of McKenzie and Gardiner. It showcases a more loose live group feel on these two unearthed cuts recorded in 1982. “I’ll Keep Loving You” and “No Use Hidin’” are proper boogie-funk era tunes: both are spacey upbeat love songs with elements of disco, funk, lounge, and new wave

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17,44

Last In: 19 months ago
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