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Various - HANDSWORTH EXPLOSION  1 LP

Back in stock - limited numbers. Note new price. As with the second volume, the original of this release suffered from limited distribution and despite the valiant efforts of band members to promote the album, literally travelling around the UK's record shops with boxes of LPs, the original release sold in very limited numbers. It has justifiably become one of the most sought after and expensive British reggae LPs and one where the music more than lives up to expectations. Black Symbol provided other local Handsworth based bands with the opportunity to record their songs properly in the well equipped Outlaw Studio and then gave them the platform of this album with each band getting two tracks to showcase their talent. This album lifts the lid on a scene that was overflowing with talent and yet rarely documented

pré-commande12.01.2024

il devrait être publié sur 12.01.2024

23,11
Various - Generacja JAZZ LP

Various

Generacja JAZZ LP

12inchUKM116COLOR
U Know Me Records
12.01.2024

There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.

Both have special insert inside with the bands bio and photos.

Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.

For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.

The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.

Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.

And here are the bands from the album:

1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.

Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).

The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.

The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.

The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.

The trio has performed its original material at many venues and festivals around Europe and Asia.

2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.

3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.

Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.

The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.

Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.

4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.

Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.

5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.

Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.

6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.

pré-commande12.01.2024

il devrait être publié sur 12.01.2024

35,25
99letters - Zigoku / 地獄

99Letters

Zigoku / 地獄

12inchPHNTM35LP
Phantom Limb
08.01.2024

"Ultra-textured arrangements that radiate quiet power, locking listeners into a distorted landscape before evaporating without any fanfare."
Resident Advisor

"Both reflective and rapturous...focuses on altering the DNA of traditional Japanese instruments and building something new from it, without losing the essence."
Bandcamp Daily Acclaimed Japanese musician 99LETTERS joins Phantom Limb for new album Zigoku / 地獄, seamlessly processing traditional Japanese instrumentation into pitch-black techno and quasi-industrial sound design.

“This album is made with the theme of human death,” 99LETTERS (Osaka producer Takahiro Kinoshita) writes of Zigoku / 地獄 Eng: hell, his first album for Phantom Limb. “Even if I eventually end up in hell when I die, it might be a more peaceful place than I had imagined. The whole album may represent the world of death that I desire.”

Though the music of Zigoku / 地獄 is ostensibly programmed with dark, disorientating, disturbing sound design, 99LETTERS continues his now-characteristic practice of sampling, processing and disguising traditional Japanese instrumentation to develop a sound world both organic and unsettling. The very real presence of beauty, culture, and folklore remains throughout the record, in attendance as a kind of heaven to offset the willful hell of Kinoshita’s craft.

Appropriately - and in his typically cryptic language - Kinoshita speaks of human interference with reality and morality as key themes of the album: “Everyone has a good and bad person within them, which can be deceived by misinformation and superstition. The bad side can be ferocious and can easily hurt people. Sometimes I think that the present age is a complicated and difficult era to live in, and that this era may be hell.”

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22,90

Last In: 2 years ago
Zakk Sabbath - Fairies Wear Boots LP

Mit der 7"-Single "Fairies Wear Boots" spendieren ZAKK SABBATH einen ersten Vorgeschmack auf ihren zweiten Longplayer, dessen Erscheinen für Anfang 2024 geplant ist.
Dieser amüsante Klassiker des Heavy Metal wurde ursprünglich im Jahr 1970 als letzter Track auf BLACK SABBATHs zweitem Album "Paranoid" veröffentlicht. ZAKK SABBATH sind aus purer Leidenschaft und Liebe zur Musik entstanden. Der Gitarrist, Sänger und Kopf von BLACK LABEL SOCIETY, Zakk Wylde, der sich auch als langjähriger Lead-Gitarrist bei OZZY OSBOURNE und nun auch noch PANTERA einen Namen machte, gründete die Band als Hommage an die "Erfinder" des Heavy Metal: BLACK SABBATH.
Anfangs spielten ZAKK SABBATH zunächst nur Live-Shows in wechselnder Besetzung, bis im Jahr 2017 die 12"-EP "Live in Detroit" erschien. Vom 50. Jahrestag des selbstbetitelten Debütalbums von BLACK SABBATH inspiriert, das bezeichnenderweise am Freitag, dem 13. im Jahr 1970 veröffentlicht wurde, ging die mittlerweile stabile Besetzung mit Zakk sowie OZZY OSBOURNE und ROB ZOMBIE Bassist Blasko und Joey Castillo am Schlagzeug (DANZIG, QUEEN OF THE STONE AGE) ins Studio, um jenem Album einen angemessenen Tribut zu zollen, dessen Songs die Geschichte der Musik entscheidend beeinflusst hat. Ein Jahr später erschien das ZAKK SABBATH Debüt mit allen Songs des monumentalen BLACK SABBATH Meilensteins unter dem Titel "Vertigo" (2020), womit die Amerikaner auf das legendäre Label Vertigo Records des Vierers aus Birmingham anspielten. "Vertigo" wurde von Kritikern und Fans gleichermaßen mit Lob überschüttet. Der Erstling des Trios wurde zu einem globalen Erfolg, was durch beeindruckende Platzierungen in den Charts unterstrichen wurde: "Vertigo" kletterte auf Platz 5 in den US Hard Music Charts, wo es auch Platz 7 in den Current Rock Albums Charts und Platz 27 in den Billboard Top Albums Charts erreichte. Im Ausland kaperte die Tributscheibe sogar Platz 1 der Metal Alben Charts in Frankreich sowie Platz 3 der deutschen Album-Charts und den 9ten Rang der UK Top 40 Rock/Metal-Charts. Mit "Fairies Wear Boots" setzen ZAKK SABBATH der legendären Metal-Band aus Birmingham nun ein weiteres Denkmal. Fortsetzung folgt!

pré-commande05.01.2024

il devrait être publié sur 05.01.2024

18,28
Kamp & Whizz Vienna - Versager Ohne Zukunft LP 2x12"

KAMP & WHIZZ VIENNA veröffentlichten vor eineinhalb Dekaden ihr legendäres Debütalbum „VERSAGER OHNE ZUKUNFT“ - für das Juice Magazin war es 2009 die „Platte des Jahres“ und für die geschmackssichere Hörerschaft ein gefeierter Klassiker. Bis heute genießen die schmerzhaft persönlichen Texte auf langsam stampfenden Soul Chops Kult Status und das Album wird für absurde Preise gehandelt. Anlässlich des 15 jährigen Jubiläums wird dieses Stück Deutschrap Geschichte jetzt erstmals neu aufgelegt - also schnell zugreifen bevor dann wieder Jahrzehntelang rumgedeutelt wird!

pré-commande05.01.2024

il devrait être publié sur 05.01.2024

37,40
Ramin Djawadi - House Of The Dragon: Season 1 (3x12")
 
44

WaterTower Music today announced the release of the eagerly-awaited House of the Dragon: Season 1 (Soundtrack from the HBO® Series), featuring 44 tracks from the first season of House of the Dragon, the Game of Thrones prequel which aired on HBO and HBO Max in August, and whose final season aired last night. All the music for the soundtrack was created by Emmy Award-winning and Grammy®-nominated composer Ramin Djawadi, responsible for the immensely popular scores for HBO's Game of Thrones and Westworld.


Four of Djawadi's tracks were released during the season to great acclaim from fans of the series. Today, fans can enjoy House of the Dragon: Season 1 (Soundtrack from the HBO® Series) in its entirety on 3LP gatefold vinyl, which is now available for pre-order.

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50,38
THE EXCITERS - TELL HIM LP

The Exciters

TELL HIM LP

12inchDMOO022
Destination Moon
Release unknown

The Exciters began as the Masterettes, a girl group formed by high school friends Brenda Reid, Carol Johnson, Lillian Walker, and Sylvia Wilbur. A single was cut for Brooklyn’s Le Sage label before Wilbur was replaced by Brenda’s husband, Herb Rooney, and after auditioning for Leiber & Stoller, the Exciters recorded the international smash ‘Tell Him’, a song so popular that it spawned foreign language renditions. Our edition of this marvellous debut LP includes the spectacular follow-up hit, ‘Do Wah Diddy,’ another immortal nugget of irresistible pop soul. Bright, light grooves for your dancing feet!

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19,12
Love - Forever Changes LP 2x12"

#40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME: ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe



Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.

Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.

Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.

The seemingly opposing combination – ominous, dark reflections situated amidst lush, light melodic beds – affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.

Alternatively sad and beautiful, the album-opening and flamenco-inspired "Alone Again Or" establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.

No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.

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96,60
FIDDLER'S GREEN - THE GREEN MACHINE (LIMITED)

Gibt es etwas, was Iren und Franken gemeinsam haben? Eine ganze Menge! Da wäre wohl zuallererst eine ganz besondere Heimatverbundenheit und die Liebe zu seit vielen Generationen überlieferten Traditionen, mit der man sich sowohl auf der Grünen Insel, als auch im rot-weißen Frankenland seinem Brauchtum widmet. Hinzu kommt eine gewisse sympathische Eigenwilligkeit, die Dinge auf seine Weise in die Hand zu nehmen. Und nicht zuletzt eine fast todesverachtende Geselligkeit, mit der Iren und Franken gleichermaßen unerschütterlich das Leben mit all seinen Höhen und Tiefen feiern Eigenschaften, die Fiddler`s Green seit mehr als drei Dekaden in ihrem mitreißenden High Power-Sound vereinen. Seit seiner Gründung im Jahr 1990 hat sich das Erlanger Sextett den Status als eine der beliebtesten, erfolgreichsten und beständigsten Formationen innerhalb der europäischen Folk Rock-Community erarbeitet. Eine bestens geölte Irish Speedfolk-Maschine, die sich nun mit ihrem neuen Studioalbum „The Green Machine“ auf dem Zenit ihres Schaffens zeigt! Schon während der Arbeiten an ihren letzten drei Alben begann sich die Idee zu „The Green Machine“ parallel zu entwickeln, zu reifen und schließlich ein Eigenleben zu führen. Gemeinsam mit dem bewährten Produzenten Jörg Umbreit (In Extremo, Grave Digger, Die Toten Hosen) entstand so in den vergangenen 36 Monaten in der Abgeschiedenheit des renommierten Principal Studios bei Münster ein lebendiger Organismus, der Fiddler´s Green nun von ihrer abwechslungsreichsten und vielschichtigsten Seite präsentiert. Zwölf Songs lang spannt die Band den stilistischen Bogen von ihrem liebgewonnenen Vollgas-Party-Sound über berührende Balladen und poppigere Stücke bis hin zu treibenden Midtempo-Rockern und sogar Country- und Western-beeinflussten Tracks, die man in dieser Form bisher noch nicht von den Erlangern gehört hat. 50 Shades of Green sozusagen, in denen die Fiddler jede Menge Energie mit einer beispiellosen Detailverliebtheit und einem hochprozentigen Storytelling verbinden. „Irish Speedfall“-2023: Ab Anfang November gehen Fiddler`s Green auf kurze Tour in Deutschland, bevor das Sextett das neue Album im Frühjahr 2024 auf ihrer großen „The Green Machine“-Tournee live präsentiert.

pré-commande29.12.2023

il devrait être publié sur 29.12.2023

24,79
DAVID TATTERSALL - ON THE SUNNY SIDE OF THE OCEAN LP

David Tattersall, the Wave Pictures guitarist and frontman releases a solo album of interpretations of John Fahey tunes, recorded live in the studio. "I have been a fan of John Fahey's music since I was very young; it has always been with me and I can't remember a time when I wasn't affected by it. It is weird music, and very good. Of course, Fahey is an important cult figure in the history of music: as the first man to find a language for steel string guitar that can stand proudly alongside the established tradition of nylon string classical guitar; as one of many men who rediscovered obscure old blues musicians and recorded them for a new generation in the 1960s; as one uniquely able to reconcile 20th century avant-garde music with folk tradition; as an early indie-label DIY pioneer. For me personally, Fahey went beyond technique, and to some extent beyond historical or intellectual justifications for his work. He explored his emotions through his instrument of choice, and in so doing made the case for the guitar as the ultimate conduit for emotional expression. While there are many imitators who try to play ''like Fahey'', I avoided using his fingerpicking style or sense of rhythm, and tried instead to use his music to explore my own emotions, my own dreams and memories. I was more interested in the lyrical and expressive aspects of Fahey's music than in the techniques of it. I tried to find myself within his compositions and without composing anything I feel that I have managed to make a David Tattersall record that says as much about me as any of the many albums that I have written. John Fahey's beautiful discography shows that the guitar can carry as much mystery and soul as the human voice, and simply put, I wanted in on a little of this action. This is my second all-instrumental solo acoustic album, and where this differs from my first attempt, Little Martha, is that here I improvised freely. I used Fahey's originals only as guides. I'm not sure what I was looking for, perhaps something beyond explanation, but I tried to be as free as possible, and I am delighted by the spontaneous results. Hopefully, they will make the listener feel happy and dreamy, just like the effect that Fahey's many albums have on me. One of the most important things that Fahey ever said was his advice to guitarists to try to feel the emotions that each chord they play on a guitar brings forth. He is telling guitarists to not only play the guitar, but to let the guitar play them. I did my best to follow this advice. I hope you enjoy listening to the album, that it brings you some dreamy moments, and that it sends you back to happily explore the originals. I had a great time recording it. Naturally, I can't put the experience adequately into words but that's the whole point. I think Fahey was a genius of the kind that creates a whole genre single-handedly. There could be thousands, millions, of reinterpretations of his compositions. In fact, there probably already are. And long may this continue. All tracks were recorded live with no tampering."

pré-commande29.12.2023

il devrait être publié sur 29.12.2023

24,79
TOR LUNDVALL - LAST LIGHT LP

Tor Lundvall

LAST LIGHT LP

12inchDAISLP219
Dais Records
27.12.2023

Originally released as a hand-numbered CD on New Year's Eve of 2004, Last Light captures Tor Lundvall 's hushed songcraft at its most ghostly and grayscale, stripped bare like branches bracing for winter. Initially conceived of as "a piano album with sparse electronics" (with the working title November), Lundvall's palette steadily expanded, incorporating synthesizer, samples, bass, metronomes, and his signature spectral vocals. A journal entry from the spring of 2002 proved formative to his evolving vision: "I remember watching the blueish-grey light shimmering outside and hearing distant sounds echoing far away, eventually sinking into silence and stillness." The album's 12 tracks are steeped in this sense of autumnal transience, of bearing witness to what fades. The music moves in whispered swells, between dirge, drift, and devotional. Synths chime like slow-tolling bells; percussion shuffles and shivers, icy and isolated; bass traces a low-lidded plod - it's a mode both austere and seductive, lulling the listener into its landscapes of deepening dusk. Lyrically, Lundvall's language skews observational and depressive ("through lace curtains / grey light falls / dark clouds gather / in my soul" ), with each song like a gauzy glimpse into a different tableau framing winter's descent: rust - colored leaves, frozen ponds, cold crescent moons. Lundvall has long considered Last Light a "personal favorite" in his discography, and it's easy to hear why. In texture, finesse, and pacing, it vividly evokes the rare mood of fragile, frosty pastoral noir depicted in his iconic oil paintings. His is an art of the half-seen and half-remembered, of fleeting figures, shapes and shadows, and gathering darkness. Of all that disappears, and the ghosts that never leave: "So I wait / as the years / slowly drain the magic and the light / and the girl / I never loved / haunts me through the dark roads of my life."

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21,81

Last In: 2 years ago
WICKED DUB DIVISION MEETS NORTH EAST SKA JAZZ ORCH - LIVE STUDIO SESSION #1

A collaboration between two prestigious Italian bands, the wizards of dub and the masters of big-band ska-jazz, in perfect symbiosis. An album full of dub atmospheres mixed with orchestral patterns; compelling rhythms of the ska and reggae traditions together with dilated and hypnotic electronic sounds. A recording fruit of a challenge and a celebration of music, something that is undoubtedly reflected in the spectacular outcome. 22 musicians locked in a large studio to rediscover the beauty of sharing after months away from the stage due to the pandemic, without even being able to rehearse.

The decision to record a live album was instantaneous, it was just about enjoying the energy of the moment. All tracks were recorded strictly live in the studio, without overdubs, with the aim of apprehending something unrepeatable.

The electronics, the melodies of the wind section and the vocal power come together in this work, recorded live at Deep Studio in Treviso (Italy) and mastered by Ibon Larruzea (Bilbao), full of dub atmospheres mixed with orchestral patterns.

All this merges into a unique and explosive sound in which the strength of the big band meets the deep and hypnotic beats of dub music. The instrumental "Cascade Dub" opens the album with a rootsy, majestic brass-led track.

From there on, Michela Grena, Rosa Mussin and Freddy Frenzy jump into their vocal games, inducing a trance-like state from which you can't (don’t want to) get out. A succession of untamed riddims and expansive sounds in which, in many cases, the wind section remains crouched in the background leaving the creative element in the hands of the dubmaster unit. As small depth charges "You Can Fly", "Lion", "Moon", "Beating Heart", generate submission to the beat and texture. "Mama", the successful first collaboration between the two bands, celebrates the bright sounds and colours of mother earth, a glorious song to our home. In the face of inequality, the senselessness of war, injustice, it becomes necessary to "Shine a Light" that offers hope and, at the same time, to "Give Thanks" for what we are fortunate enough to enjoy. The power of the big band merges with the heavy and deep step of the dub.


A progression of organic, pressing cadences, as in the solidest of the ska and reggae traditions and, at the same time, electronic resonances, dilated and deep. "Sinking Sand" closes the album in a sort of sonorous fencing of styles that makes us guess (as well as the title of the album itself) that WDD and NESJO still have a lot to debate. WDD began their journey as a quartet in 2014 and prior to Studio Session #1 they had already released two albums and several singles. NESJO formed in 2012 and have previously released two albums (both available on Brixton Records) and are working on what will be the recording of their next full-length.

Northeast Italy is a border area and it's easy to connect with each other in those territories made of enchanted landscapes. That energy, that desire to experiment and get involved, have made possible this ambitious project in which a ska-jazz orchestra and a dub band, each with its own language, are assembled in an amazing sonority

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

22,06
Palm - Rock Island

Palm

Rock Island

12inchCAK124LPMC
Carpark Records
22.12.2023

Clear Vinyl

On Rock Island, their second LP, Palm produces evidence of a distinct musical language, developed over time, in isolation, and out of necessity. On the island, melodies are struck on what might be shells or spines. Rhythms are scratched out, swept over, scratched again. Individual instruments, and sometimes entire sections, skip and stutter. There is the sense of a music box with wonky tension or a warped transmission in which all the noise is taken for signal.

Like other groups so acclaimed for their compulsive live show, Palm has been burdened by the constant comparison between their recorded material and their touring set. On Rock Island, they render this tired discussion moot, using the album form to present that which could never be completely live, reserving for performance that which could never be completely reproduced.

Despite appearing behind the instruments typical of rock music, Palm trades in sounds of their own making. On these songs, one of the guitars and the drum kit are used as MIDI triggers, producing an index that can be combed through later and replaced with new information. The percussion is sometimes augmented so as to suggest a multiplication of limbs. The strings are manipulated to choke, crack, and hum like other instruments, or other bodies, might.

Working again with engineer Matt Labozza, the band spent the better part of a month in a rented farmhouse in Upstate New York. With the benefits of time and space, Palm recorded the various elements piecemeal, only rarely playing together in groups larger than two or three. While some members tracked, others holed up in the next room, experimenting with quantization, beat replacement, and other methods borrowed from electronic music. Even accounting for the many labors that brought them to be, these materials seem produced by an organic logic. Their complex friction forms a habit of thought, scores a network of grooves on the floor of the mind.

This is music with dimensionality. Sonic objects are deployed, developed, and dissected in various states of mutation. The listener flits about between the field and the lab. The tone is warm in a way only the sun could make, the pace as forceful and as variable as a gale. Whether one locates Rock Island in a sea or in a refinished attic (as in Greg Burak's album cover), whether one escapes to there or is banished, its psychic environs are charted clearly enough. Only at this remove from the mainland can we sense the conditions necessary for such a strange species of sound.

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

26,47
OSCAR PETERSON - Con Alma: The Oscar Peterson Trio – Live in Lugano

Oscar Peterson’s trio with Ray Brown and Ed Thigpen is widely regarded as Peterson’s “classic trio,” considered by fans as the most popular and in-demand of his long and storied career (featured on releases such as 1963’s Night Train and 1964’s We Get Requests). Recorded during their creative peak in 1964 (5 years into their collaboration), this previously unheard and unreleased live performance is destined to become a fan favorite from the Oscar Peterson vaults. In his memoir Peterson reflects on the dedication that Ray and Ed brought to the group:

"In addition to our trio rehearsals, therefore, Ray would call his own rehearsals in his or Ed’s room and they would simply practice ‘time.’ They created a flexible and multi-faceted rhythmical language that they could apply to any musical statement I might make and enhance any direction I might choose. In short, they practiced ‘all the possibles.’” - Oscar Peterson

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

31,89
ORT - MASCHINENHAFEN LP

Ort

MASCHINENHAFEN LP

12inchMPMLP31
MYPROUDMOUNTAIN
22.12.2023

ORT ist ein Trio aus Dortmund, bestehend aus Hellmut Neidhard (alias Guitar-Drone-Großmeister "N") und der Rhythm-Section Simon Dümpelmann und Dennis Müller, die zuvor bereits in einem berüchtigt lauten Sludge- Metal-Kamikazeunternehmen zusammen spielten. Bestehend aus zwei langen Instrumentalkompositionen zeigt "Maschinenhafen" die Band von einer noch epischeren und atmosphärischeren Seite als vorangegangenes Material, lässt dabei allerdings dennoch auch Passagen von schwergewichtiger Massivität und krachiger Aggressivität wie eine Symphony aus Drone, Sludge-Metal und schroffem Nosierock nach vorne marschieren. Jemand beschrieb ORTs Musik mal als etwas, "das so lange ins Hirn gemartert wird, bis Du das Atmen vergisst". Spurenlemente von frühen Earth lassen sich im Sound und Stil von ORT wahrscheinlich genauso finden wie eine Geistesverwandtschaft zur dystopischen Aura von Killing Joke, und zur instrumentalen Schubladenlosigkeit einer Band wie Blind Idiot God ist es genauso nicht mehr ganz so weit weg wie zur Kompromisslosigkeit von Sleep's "Dopesmoker". Maschinenhafen - Musik zwischen epischer Atmosphäre, schroffer Direktheit und massiver Schwere, live in der renommierten "Tonmeisterei" in Oldenburg aufgenommen.

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

19,96
AZERTYKLAVIERWERKE FT. ALEX DEFORCE - SOORT VAN NERD / TONDER (FT LOCKED GROOVE)

About Tonder:
Match made! Between poet Alex Deforce and Azertyklavierwerke more specifically. Over a runaway beat, they seem intent on taming the search for love, or anything that smells like it from far or near. "Swiped right, match made" dictates Deforce as rhythmically and unflappably as if he were a Chat GPT controlled computer: more mechanical and cold love has never sounded. What follows would not have been out of place on the soundtrack of Fritz Lang's Metropolis: an industrial drum computer gasping for breath in an attempt to ward off an epileptic fit.
Contemporary yet headstrong, cryptic yet unapologetic: Tonder is an intriguing song full of contradictions that leaves you orphaned but also addicted.

About Soort Van Nerd:
A hearty dash of tristesse rubbing up against the best work of such masters of Weltschmerz like Sufjan Stevens or Spinvis: "Soort Van Nerd" translates as "Kind of nerd" and is a kind of genius underground pop song.
Melancholy and sincere emotion, it is still allowed. Melancholy but above all thoughtful: Azertyklavierwerke handles words and sound extremely sparingly but cuts deeper into his or anyone else's skin as a result. On a nostalgic but austere bed of a drum machine, a naive piano line he pokes Eternal-sunshine-of-the-spotless-mind-wise where it hurts: "I wish you could melt, like an ice cube in the sun."

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

12,19
OHL - ALLES FÜR DIE HEIMAT

Ohl

ALLES FÜR DIE HEIMAT

7"-VinylPIU291
Power It Up
22.12.2023

Vor 40 Jahren erschien mit "Die Deutschen Kommen" einer der wichtigsten und seinerzeit umstrittensten Sampler der deutschen Punkgeschichte. Vier Tracks der deutschen Punkband OHL waren darauf enthalten und um das ursprüngliche Veröffentlichungslabel, das schnell mehr als fragwürdig wurde, nicht zu unterstützen, feiert diese Veröffentlichung das 40-jährige Jubiläum dieser Tracks entsprechend als separate 7"-Edition mit dem Titel "Alles für die Heimat". Die Solid Yellow Edition ist weltweit auf 150 Exemplare limitiert und enthält die vier klassischen OHL-Compilation-Tracks, mit Linernotes.

pré-commande22.12.2023

il devrait être publié sur 22.12.2023

9,66
Krust - Irrational Numbers Volume 4 LP (2x12")

Volume 4 of Krust's career spanning collection is here, boasting some serious deep dives into his archives alongside some serious classics that every DJ and listener should own! Once again, this collection shows the breadth of Krust's anachronistic style and original flavour. Often imitated, but never bettered, this latest instalment once again shows it should be done. Truly original and engaging music from the streets of Bristol.

'Irrational Numbers' is a meticulously curated collection of five parts, available on both vinyl and digital formats. The compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

Volume 4 offers up the dubplate only mix of 'Asian Love Dance' for example, the anthemic 'Jazz Note II' for the heads and futuristic roller '21st Century' as well the groundbreaking 'Coded Language' featuring the stellar vocal talents of NYC poet and MC Saul Williams.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

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30,21

Last In: 2 years ago
THE LEAF LIBRARY - LIBRARY MUSIC VOLUME ONE LP 2x12"

Sixteen track double LP collecting the North London drone pop band's 7" singles, one-offs and compilation tracks spanning the first 14 years of the group's existence. It includes synth pop, indie fuzz and moody motorik workouts, alongside pastoral folk sketches, dubby electronics and the occasional drone experiment. More immediate than their stretched out and slow-burning recent album tracks, the music here is taken from limited vinyl releases, album bonus tracks and music for compilations on labels as diverse as Bezirk Tapes, Second Language, Modern Aviation, and Concrete Tapes as well as the band's current home, Where It's At Is Where You Are.

pré-commande19.12.2023

il devrait être publié sur 19.12.2023

27,69
David Tattersall - On The Sunny Side Of The Ocean LP

David Tattersall, the Wave Pictures guitarist and frontman releases a solo album of interpretations of John Fahey tunes, recorded live in the studio. "I have been a fan of John Fahey's music since I was very young; it has always been with me and I can't remember a time when I wasn't affected by it. It is weird music, and very good. Of course, Fahey is an important cult figure in the history of music: as the first man to find a language for steel string guitar that can stand proudly alongside the established tradition of nylon string classical guitar; as one of many men who rediscovered obscure old blues musicians and recorded them for a new generation in the 1960s; as one uniquely able to reconcile 20th century avant-garde music with folk tradition; as an early indie-label DIY pioneer. For me personally, Fahey went beyond technique, and to some extent beyond historical or intellectual justifications for his work. He explored his emotions through his instrument of choice, and in so doing made the case for the guitar as the ultimate conduit for emotional expression. While there are many imitators who try to play ''like Fahey'', I avoided using his fingerpicking style or sense of rhythm, and tried instead to use his music to explore my own emotions, my own dreams and memories. I was more interested in the lyrical and expressive aspects of Fahey's music than in the techniques of it. I tried to find myself within his compositions and without composing anything I feel that I have managed to make a David Tattersall record that says as much about me as any of the many albums that I have written. John Fahey's beautiful discography shows that the guitar can carry as much mystery and soul as the human voice, and simply put, I wanted in on a little of this action. This is my second all-instrumental solo acoustic album, and where this differs from my first attempt, Little Martha, is that here I improvised freely. I used Fahey's originals only as guides. I'm not sure what I was looking for, perhaps something beyond explanation, but I tried to be as free as possible, and I am delighted by the spontaneous results. Hopefully, they will make the listener feel happy and dreamy, just like the effect that Fahey's many albums have on me. One of the most important things that Fahey ever said was his advice to guitarists to try to feel the emotions that each chord they play on a guitar brings forth. He is telling guitarists to not only play the guitar, but to let the guitar play them. I did my best to follow this advice. I think Fahey was a genius of the kind that creates a whole genre single-handedly. There could be thousands, millions, of reinterpretations of his compositions. In fact, there probably already are. And long may this continue. All tracks were recorded live with no tampering

pré-commande18.12.2023

il devrait être publié sur 18.12.2023

23,32
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