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John Carpenter, Cody Carpenter, and Daniel Davies - Halloween Ends Original Motion Picture Soundtrack
also available

Black Vinyl[24,79 €]

Blue Curacao Vinyl[24,33 €]

Black Vinyl[23,95 €]

Red Vinyl[23,95 €]

Pumpkin Orange Vinyl[26,85 €]


After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive.

When the franchise relaunched in 2018, Halloweenshattered box office records, becoming the franchise’s highest-grossing chapter and set a new record for the biggest opening weekend for a horror film starring a woman. In 2021, Halloween Killsearned the biggest opening weekend for any horror film in the pandemic era and simultaneously set a new record for a non-live event premiere streaming on Peacock.

As Halloween Endsmarks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Together they once again bring the celebrated music score to the horror movie series, one of the most distinctive aspects of the franchise to date

Similarly to the last two soundtracks, Halloween Endswas recorded in its entirety at John Carpenter’s home studio and Daniel’s studio. “The three of us compose,perform, and record all the music, and everything is mixed by Daniel together with John Spiker” says John Carpenter.

The unmistakable mix of software synths, vintage analogue equipment, and live instrumentation is utilized once again to provide the signature sound of Halloween. However, rumors have it that Halloween Ends is going to be somewhat different from the previous two films in the trilogy. With that comes an expanded soundtrack, one that matches the tone of a tangible rise in stakes and conveys the climatic feel of the film. The soundtrack of the third installment broadens old themes whilst creating new ones

pre-order now20.01.2023

expected to be published on 20.01.2023

26,85
John Carpenter, Cody Carpenter, and Daniel Davies - Halloween Ends Original Motion Picture Soundtrack
also available

Black Vinyl[24,79 €]

Blue Curacao Vinyl[24,33 €]

Black Vinyl[23,95 €]

Red Vinyl[23,95 €]

Black Vinyl[26,85 €]


After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive.

When the franchise relaunched in 2018, Halloweenshattered box office records, becoming the franchise’s highest-grossing chapter and set a new record for the biggest opening weekend for a horror film starring a woman. In 2021, Halloween Killsearned the biggest opening weekend for any horror film in the pandemic era and simultaneously set a new record for a non-live event premiere streaming on Peacock.

As Halloween Endsmarks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Together they once again bring the celebrated music score to the horror movie series, one of the most distinctive aspects of the franchise to date

Similarly to the last two soundtracks, Halloween Endswas recorded in its entirety at John Carpenter’s home studio and Daniel’s studio. “The three of us compose,perform, and record all the music, and everything is mixed by Daniel together with John Spiker” says John Carpenter.

The unmistakable mix of software synths, vintage analogue equipment, and live instrumentation is utilized once again to provide the signature sound of Halloween. However, rumors have it that Halloween Ends is going to be somewhat different from the previous two films in the trilogy. With that comes an expanded soundtrack, one that matches the tone of a tangible rise in stakes and conveys the climatic feel of the film. The soundtrack of the third installment broadens old themes whilst creating new ones

pre-order now20.01.2023

expected to be published on 20.01.2023

26,85
The Sea Urchins - Stardust

The Sea Urchins

Stardust

12inch1972-10
1972-
20.01.2023

Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah.

The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect.

As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honor also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.”

In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins. Liner notes by Television Personalities legend Dan Treacy.

pre-order now20.01.2023

expected to be published on 20.01.2023

27,94
The Sea Urchins - Stardust

The Sea Urchins

Stardust

12inch1972-10X
1972-
20.01.2023

Orange Vinyl

Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah.

The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect.

As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honor also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.”

In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins. Liner notes by Television Personalities legend Dan Treacy.

pre-order now20.01.2023

expected to be published on 20.01.2023

28,53
Threshold - Dividing Lines (2LP/Gatefold)

Dividing Lines ist eine Sammlung emotional starker Denkmäler des ewigen Aufruhrs der Menschheit und mag eine düstere Platte für dunkle Zeiten sein, aber in seinem Herzen liegt eine Botschaft der Hoffnung auf bessere Zeiten.

Wenn die Zukunft dieses Planeten düster aussieht, wird zumindest der Soundtrack spektakulär sein. Dividing Lines ist ein Album voller Schatten und Licht, Verzweiflung und Hoffnung; die menschliche Erfahrung, gerendert in schillernden Breitbildfarben und mit all der Intensität und Leidenschaft aufgeführt, die Thresholds mehr als drei Jahrzehnte aktiven Dienst geprägt haben. Die britischen Könige des Prog Metal sind zurück und bereit, die Welt erneut zu erobern.

Während "Legends Of The Shires" eine in sich geschlossene Erzählung darstellte, die es THRESHOLD ermöglichte, ihrer Fantasie freien Lauf zu lassen, verzichtet "Dividing Lines" auf diesen konzeptionellen Ansatz zugunsten einer traditionelleren Gruppe von Songs, die durch ein verschwommenes, aber unverkennbares gemeinsames Thema verbunden sind.

pre-order now20.01.2023

expected to be published on 20.01.2023

25,17
Threshold - Dividing Lines (2LP/Gatefold)

Gold Vinyl

Dividing Lines ist eine Sammlung emotional starker Denkmäler des ewigen Aufruhrs der Menschheit und mag eine düstere Platte für dunkle Zeiten sein, aber in seinem Herzen liegt eine Botschaft der Hoffnung auf bessere Zeiten.

Wenn die Zukunft dieses Planeten düster aussieht, wird zumindest der Soundtrack spektakulär sein. Dividing Lines ist ein Album voller Schatten und Licht, Verzweiflung und Hoffnung; die menschliche Erfahrung, gerendert in schillernden Breitbildfarben und mit all der Intensität und Leidenschaft aufgeführt, die Thresholds mehr als drei Jahrzehnte aktiven Dienst geprägt haben. Die britischen Könige des Prog Metal sind zurück und bereit, die Welt erneut zu erobern.

Während "Legends Of The Shires" eine in sich geschlossene Erzählung darstellte, die es THRESHOLD ermöglichte, ihrer Fantasie freien Lauf zu lassen, verzichtet "Dividing Lines" auf diesen konzeptionellen Ansatz zugunsten einer traditionelleren Gruppe von Songs, die durch ein verschwommenes, aber unverkennbares gemeinsames Thema verbunden sind.

pre-order now20.01.2023

expected to be published on 20.01.2023

31,30
Lionel Pillay - Plum & Cherry

Following the April 2022 reissue of the album Shrimp Boats, We Are Busy
Bodies presents companion titles Plum and Cherry and Deeper in Black
to round out a Lionel Pillay and Basil Mannenberg Coetzee trilogy as part
of the label's As-Shams South African jazz archive series
The connection between these three albums is tight as the 1987 release Shrimp
Boats compiled unreleased recordings from both the 1979 session for Plum and
Cherry and the 1980 session for Deeper in Black. These two rare records have
been carefully remastered from their original tapes and are back in print for the
very first time in over 40 years.Shrimp Boats and Plum and Cherry capture the
extraordinary musical chemistry that existed between pianist Lionel Pillay and
tenor saxophonist Basil Coetzee in the late 1970s. The respective album
showpieces Shrimp Boats and Cherry each occupy an entire side of vinyl with
both exquisite musical journeys clocking in at an epic 25 minutes a piece. While
Shrimp Boats was an instrumental reimagining of the popular 1951 song by
American singer Jo Stafford, Cherry drew inspiration from Abdullah Ibrahim at the
behest of producer Rashid Vally, who wanted to emulate the success of the
famous track that had helped launch his independent As-Shams/The Sun record
label in 1974.
Ibrahim's hit Mannenberg had also featured Basil Coetzee and it was this zeitgeist
South African jazz recording that had given rise to his stage name. Capturing the
grace and vitality of working- class township life on the city fringe, Cherry
channels the type of laid-back Cape groove that Abdullah Ibrahim, recording as
Dollar Brand, introduced to South African jazz in the 1970s. On the flip side, Plum
appears to take its own simple chord change in the same direction before
breaking into a chugging 20-minute romp that verges on proto-electronica and on
which Pillay hangs all manner of savage keyboard riffing and experimentation.
The two distinct flavours of Plum and Cherry make for a well-rounded platter with
an iconic cover featuring the work of abstract expressionist painter and AsShams/The Sun collaborator Hargreaves Ntukwana.

pre-order now20.01.2023

expected to be published on 20.01.2023

36,09
Worriers - Imaginary Life

Worriers

Imaginary Life

12inchLPDG102C
Don Giovanni
20.01.2023

Lauren Denitzio is a maven at writing pop-punk anthems - Playing music
for over a decade beginning with the New Brunswick punk band The
Measure sa we had yet to see what Denitzio could accomplish as a sole
songwriter until recently
Worriers, the Brooklyn-based band fronted by Denitzio and joined by friends, has
released the 7 Past Lives on No Idea Records in 2011, the 12 EP Cruel Optimist
on Don Giovanni Records in 2013. This summer, Worriers brings us their finest
work to date, with Laura Jane Grace of Against Me! As producer, on their first fulllength release Imaginary Life. Packaging: LP Clear w/Black Heavy Splatter Color
Vinyl

pre-order now20.01.2023

expected to be published on 20.01.2023

27,69
Roky Erickson and The Explosives - Live At The Whisky 1981

1st Time On Vinyl - Roky Erickson & The Explosives had been honing their
craft in hot, sweaty clubs all over Texas for a couple of years before this
California tour which, along with the Whisky, included the Warfield
Theater in San Francisco, Galactica 2000 in Sacramento, the Stone in San
Francisco, the Keystone Berkeley in, well, Berkeley, the Bacanal in San
Diego and the Europa in Tucson, AZ on the way back to Texas
But, the Whisky was a special, magic night of music. Roky was on top of his game
and the Explosives was a well oiled machine capable of musically "turning on a
dime" with nary a single apple falling from the cart. The proof in that statement
was when, as we were walking on stage to start the show, Roky turned to us and
asked "Do you guys know the song Heroin by Lou Reed?" We replied "no" as we
plugged in and Roky launched into, you guessed it, "Heroin" by Lou Reed. The
results are on this record!

pre-order now20.01.2023

expected to be published on 20.01.2023

31,30
Gewalt - Gewalt Live at Clouds Hill LP

Die Reihe "... Live at Clouds Hill" gibt es nun schon seit
einigen Jahren. Alles begann 2011 mit einer
improvisierten "Krautrock"-Performance der Extraklasse.
Faust & Omar Rodriguez-Lopez. Jean-Hervé Perón
stürzte mit einer laufenden Kettensäge rückwärts und
schlitzte Rodriguez-Lopez' Jeans auf und nur mit Glück
nicht das Bein auf. Seitdem waren große Bands wie Le
Butcherettes (US), Nissennenmondai (JP), Bosnian
Rainbows (US), Wargirl (US), Dillon (D), Kolars (US) oder
Peter Doherty (UK) zu Gast und beehrten die heiligen
Hallen der Clouds Hill Studios mit grandiosen
Live-Auftritten. Diese Auftritte vor Fans und Freunden
werden auf Band aufgenommen und live abgemischt. Mit
dem letzten gespielten Ton ist die Aufnahme beendet und
kann auf Vinyl geschnitten werden. Unvollkommenheit als
Konzept. Als Träger von Emotionen. Und genau so einen
magischen Abend konnten Fans und Freunde mit Gewalt
am 28. Oktober in den Clouds Hill Studios erleben.

pre-order now18.01.2023

expected to be published on 18.01.2023

21,81
Paleman - Veiled

Paleman

Veiled

12inchSUBL010
Sublunar
17.01.2023

“For the last decade, Calum Lee AKA Paleman has steadily built a powerful catalogue of releases showcasing his unique percussive and textural take on electronic music. In 2020 he launched a new alias ‘Fresnel Lens’ that showcases his film scoring work and more experimental, explorative personal works running alongside his continuing work as Paleman. After 2021’s self-released PLMN005, 2 Fresnel Lens albums and a short film OST, Paleman turns to Florence based Sublunar Records in 2022 for his next release and longest work to date – ‘Veiled’. The release encapsulates a considered and focused writing process informed by rhythm, momentum, abstract moods and a desire for tangible visceral sound design orbiting techno, UK experimental electronic music, and early electronics. ‘Veiled’ begins with a statement of precision, opener Bite gallops into action with polyrhythmic vactrol loops and grainy incisive modular sound design. The LP moves through moods, spaces and tempos arriving at the distilled and appropriately named ‘Mandible’ that chews into the previous tracks’ themes with a stumbling urgency and an insectoid textural palette. Veiled feels like the culmination of a decade of Paleman works, a collection of tracks and merged sonics that represents his experiments, his club focused minimal works and his more recent explorations on PLMN and as ‘Fresnel Lens’ with drone, experimental and cinematic work. ‘Veiled’ paves the way for a new decade for Paleman, condensed and focused, whilst simultaneously expressive, experimental and free.

out of Stock

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17,86

Last In: 6 months ago
Various - Noisebleed vol.1

Various

Noisebleed vol.1

12inchVHXX1
PURE HATE
17.01.2023

Berlin’s Pure Hate releases the first record in their new Various Artist series ‘Noise Bleed’ featuring tracks by Ryuji Takeuchi, Gaja, Swarm Intelligence & STRISC. Ryuji Takeuchi: Making a return to Pure Hate after his infamous ‘Essentials EP’ on PH002, Ryuji Takeuchi is renowned for his driving, hypnotic, atmospheric, raw, emotional interpretation of Techno. he has released on some key labels over the years including Inner Surface Music, LK Rec, Arms, Clan Destine Records, Infidel Bodies, Instruments Of Discipline, Depth. Request, his own LSN & Hue Helix imprints and more recently Mord and Dax J’s Monnom Black. Gaja: Once locked into the throes of Berlin’s ceaseless techno throb and now back home in Albenga, Italy, Gaja represents the gnarly, noisy extremity of modern dance music. It’s a desolate, distorted place where blasts of noise spit in the empty footprints once shaped by snares and hi-hats, and the bass bleeds out over everything. Having recently released his debut album ‘Morning Fist’ on his own Ophism imprint, Gaja makes his Pure Hate debut in style with track ‘Hangman’. Swarm Intelligence: From rhythmic noise to the brutal and bleak constitute a distinctive sound that Simon Hayes has been honing for more than a decade under his Swarm Intelligence guise. Having remixed MDD on PH003 The Dublin-born artist has cemented his place in the Techno underground with critically acclaimed LPs and EPs on labels like 47, Instruments of Discipline and Voitax plus standout sets at clubs like Berghain and Basement NY. Simon also recently launched his own self titled vinyl imprint Swarm Intelligence as a platform to explore his own imaginings of futuristic industrial music. STRISC.: Last but not least and rounding the record off in his trademark brutal style, label head STRISC. finally makes his anticipated debut on Pure Hate with track ‘Melt Pit’. VHXX1 is available in stores from 16th January 2023, distributed by Ready Made Distribution, Berlin. Mastered by Joe Farr. Artwork by Slave To Society. Tracklist: A1. Ryuji Takeuchi – Spur A2. Gaja – Hangman B1. Swarm Intelligence – Deviant B2. STRISC. – Melt Pit

out of Stock

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10,88

Last In: 23 months ago
Samuel L Session & Van Czar - Route

Samuel L Session and Van Czar drop a four-track techno EP on Unrilis that showcases a deeper and more hypnotic sound with dystopian atmosphere and driving percussion. Rino Cerrone launched the Unrilis record label over 15 years ago, and part of the label's back catalogue is its iconic Rilis series. 2022 sees the relaunch of the Rilis series that has a focus on underground DJ tools with raw analogue sounds. The Rilis series was originally launched in 1999, and was restricted to a concept on only 10 releases, each pressing a limited run of vinyl. It was hugely popular with each one often selling out in only a week and picking up DJ support by people ranging from Jeff Mills to Richie Hawtin. Those first 10 releases were focused on Rino Cerrone's own music, but since his retirement from the industry, the revitalised Rilis series will welcome other artists whose sound matches the label's underground concept.
This latest release in the Rilis series features collaborative tracks by Samuel L Session and Van Czar who have previously teamed up for releases on other imprints ranging from Marco Bailey's MB Elektronics to Ben Sims' Hardgrooves. Both are also successful solo artists, Sweden's Samuel L Session being well-known for his headline DJ sets at clubs around the world, along with the music he has released via iconic imprints such as Slam's Soma, Shlomi Aber's Be As One, Len Faki's Figure and Emmanuel's ARTS plus his own imprints SLS, Cycle, New Soil, and Klap Klap Belgium's Van Czar is also an accomplished DJ who is well-established across Europe and he has also released music on respected record labels ranging from Kevin Saunderson's KMS Records as well as the classic imprint, Yin Yang.
'Air Raid' opens the release with its eerie pads, spine-tingling melody loop and machine-driven percussion. It's got a raw aesthetic with dramatic claps and snare fills that add to the building suspense.
'18-022' is a dark and stripped back track with modulating synth textures layered with fast-flowing high-end percussion. Its pounding kick drum and clap rhythms add rigid structure to its expansive atmosphere and dance floor focused groove.
'Route 200' has thrashing cymbals punishing claps and rippling pads that create a stripped back groove submerged in deep atmosphere. Rich with analogue textures and gritty sound design, its relentless energy is tailor made for club sound systems.
'Objectivism' closes out the release with it's funky bassline and bleeping melody. Whirling textures and fluttering percussion maintain an unrelenting tension that's driven forward by the pounding kick drum.

out of Stock

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12,82

Last In: 7 months ago
eb_flow - Transmission

Eb_Flow

Transmission

12inchFUSEX001
Fuse London
16.01.2023

FUSE launches its new ‘X Series’, a new instalment on the label centred around collaborations, with the first four-track offering courtesy of anonymous partnership eb_flow.

Continuing to evolve, adapt and blossom as an imprint leading the way across house, minimal and beyond, London favourites FUSE have undeniably levelled up once again as they approach a decade and a half in the game. Adding to their global events and long-standing sub-label INFUSE with sister imprint LOCUS, the brand has delivered quality productions across the electronic sphere from a mix of label regulars and emerging names, with founder Enzo Siragusa heading up and curating the subtle nuances and directions across their wide-reaching ventures. A new project for 2022, late August, welcomes the arrival of the label’s ‘X Series’ - a collaborative introduction which will see label favourites and special guests combine to unveil a string of unique releases in partnership with one another. The inaugural release sees anonymous pairing eb_flow join the label, delivering four cuts which have been essential records amongst the head honcho’s sets this year.

Opener ‘Transmission’ welcomes an otherworldly trip through hazy vocal murmurs and sweeping lead melodies as skippy percussion and rumbling sub-bass take hold before ‘Show Me’ delivers an impactful, bottom-heavy anthem fusing murky basslines beneath garage-tinged drums, funky grooves and dubby sonics.

The vinyl package comes loaded with two further cuts in the form of ‘Elevate’ and ‘Space’, with the former delivering a dreamy, mind-altering trip guided by bright stabs and loose, free-flowing drum shuffles, while the latter serves up a late-night skittering ride through resonant electronics, elongated pads and rubbery bass.

out of Stock

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15,34

Last In: 5 months ago
Omni of Halos - Omni of Halos LP

Omni Of Halos

Omni of Halos LP

12inchLLY056LPGRE
Lovely Music
13.01.2023
also available

Splatter Vinyl[24,16 €]


Swedish alternative rock group Omni of Halos enters the stage with their
self-titled debut album Omni of Halos, a guitar-driven explosion of noisy
pop music, contains the four tracks from the 2022 EP Care Free
(previously only released digitally) from plus six new, until now
unreleased songs
This collection of skewed, bittersweet, and beautiful tracks was recorded and
produced by Per Steberg (Division of Laura Lee, Pablo Matisse, etc) in Welfare
Studios. Offering a unique mixture of distinct vocals, vibrant rhythms, and rich
pedal steel guitar melodies, Omni of Halos stands out from its kind while still
communicating a sound firmly rooted in the expressive soundscapes of the
alternative '80s and '90s.The album was mixed by John Agnello, known for his
work with Dinosaur JR, Sonic Youth, and Kurt Vile, to name a few. The band
comments: We just wanted to play massive indie rock with no limitations or
influences says singer, guitarist and songwriter Henrik Hjelt Rostberg. "We aim to
be a hard- working band, stay on the road and accomplish memorable live
performances where our music is at its best."
The artwork for the album was illustrated by Sebastian Murphy (Viagra Boys) -
Recorded and produced by Per Stalberg (Division of Laura Lee, Pablo Matisse),
and mixed by John Agnello (Dinosaur JR, Sonic Youth, Kurt Vile, Mark Lanegan,
Nada Surf, Violent Femmes, Chavez). - Band members have previously been seen
in bands as: Division of Laura Lee, Bombus, Sparks of Seven, De Lyckliga
Kompisarna, Speed of Sound Enterprise, Firebreather, - Colorful, noisy music
derived from skewed, guitar-driven melodies, bringing the Alternative Rock of the
90's back to life.
Omni of Halos contains the four tracks from the band's 2022 EP Care Free plus
six new, until now unreleased songs. - The vinyl is pressed on two coloured
editions (each limited to 500 copies). One edition on Yellow/ Red Splatter vinyl
and one edition on Transparent Green vinyl. - The album is released through
Lovely Records (Sweet Teeth, Rotten Mind, The Dahmers, True Moon, among
others)

pre-order now13.01.2023

expected to be published on 13.01.2023

24,16
Omni of Halos - Omni of Halos LP

Omni Of Halos

Omni of Halos LP

12inchLLY056LPSPLA
Lovely Music
13.01.2023
also available

Green Vinyl[24,16 €]


Swedish alternative rock group Omni of Halos enters the stage with their
self-titled debut album Omni of Halos, a guitar-driven explosion of noisy
pop music, contains the four tracks from the 2022 EP Care Free
(previously only released digitally) from plus six new, until now
unreleased songs
This collection of skewed, bittersweet, and beautiful tracks was recorded and
produced by Per Steberg (Division of Laura Lee, Pablo Matisse, etc) in Welfare
Studios. Offering a unique mixture of distinct vocals, vibrant rhythms, and rich
pedal steel guitar melodies, Omni of Halos stands out from its kind while still
communicating a sound firmly rooted in the expressive soundscapes of the
alternative '80s and '90s.The album was mixed by John Agnello, known for his
work with Dinosaur JR, Sonic Youth, and Kurt Vile, to name a few. The band
comments: We just wanted to play massive indie rock with no limitations or
influences says singer, guitarist and songwriter Henrik Hjelt Rostberg. "We aim to
be a hard- working band, stay on the road and accomplish memorable live
performances where our music is at its best."
The artwork for the album was illustrated by Sebastian Murphy (Viagra Boys) -
Recorded and produced by Per Stalberg (Division of Laura Lee, Pablo Matisse),
and mixed by John Agnello (Dinosaur JR, Sonic Youth, Kurt Vile, Mark Lanegan,
Nada Surf, Violent Femmes, Chavez). - Band members have previously been seen
in bands as: Division of Laura Lee, Bombus, Sparks of Seven, De Lyckliga
Kompisarna, Speed of Sound Enterprise, Firebreather, - Colorful, noisy music
derived from skewed, guitar-driven melodies, bringing the Alternative Rock of the
90's back to life.
Omni of Halos contains the four tracks from the band's 2022 EP Care Free plus
six new, until now unreleased songs. - The vinyl is pressed on two coloured
editions (each limited to 500 copies). One edition on Yellow/ Red Splatter vinyl
and one edition on Transparent Green vinyl. - The album is released through
Lovely Records (Sweet Teeth, Rotten Mind, The Dahmers, True Moon, among
others)

pre-order now13.01.2023

expected to be published on 13.01.2023

24,16
Various - We Are Not Alone - Part 4 (2x12")

Ellen Allien and the We Are Not Alone collective are back with a second edition of the We Are Not Alone series. A 36-track compilation split into 3 parts, each consisting of 12 cuts, dedicated to the infamous We Are Not Alone event series and the best of Berlin’s underground techno talent.

Ellen Allien's innovative party series We Are Not Alone was launched in 2016 and remains committed to inviting an exciting crew of artists to perform at the 36 hour events, now in a new home at RSO.BERLIN, where they returned with bang over 36 hours and 3 floors in May.

out of Stock

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23,99

Last In: 11 months ago
Various - We Are Not Alone - Part 5 (2x12")

Ellen Allien and the We Are Not Alone collective are back with a second edition of the We Are Not Alone series. A 36-track compilation split into 3 parts, each consisting of 12 cuts, dedicated to the infamous We Are Not Alone event series and the best of Berlin’s underground techno talent.

Ellen Allien's innovative party series We Are Not Alone was launched in 2016 and remains committed to inviting an exciting crew of artists to perform at the 36 hour events, now in a new home at RSO.BERLIN, where they returned with bang over 36 hours and 3 floors in May.

The We Are Not Alone compilation features artists that have played at the parties, as well as those who will join the line-up for future events. The 4th, 5th and 6th parts include music by Ellen and established names names such as Thomas P. Heckmann, Dollkraut & DJ Europarking, Francois X, Phase Fatale and Etapp Kyle. Rising stars Nene H, Nur Jaber, Stephanie Sykes, Wallis and Métaraph. BPitch signings including Rosa Anschütz, Shaleen, Matasism and Uncrat.
For this installment of the series, Ellen Allien collaborates with esteemed director and photographer Stini Roehrs for the multidisciplinary project ‘’AFTER DARK – Emotional States of Techno’’, consisting of a virtual rave film, book and exhibition produced by AKKURAT Studios, and the We Are Not Alone VA, which is to be released physically and digitally via BPitch.

The next We Are Not Alone parties take place at RSO, Berlin in July, August and October of this year. 22nd July, CSD weekend, is set to be a single night event on two floors. 20th August a We Are Not Alone floor during the RSO Club Festival and then we’ll be back for over 30 hours on 15th & 16th October. Watch this space.

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24,58

Last In: 2 years ago
Bonn - Never Ever

Bonn

Never Ever

12inchPCR011
Polycarp Records
13.01.2023

Hamburg’s Polycarp Records delivers the ‘Never Ever’ EP by Bonn this January, backed with remixes from Johannes Albert and The Cruiser.
The Polycarp Records imprint was launched in 2016 by Simon Ferdinand and across its past ten releases has unveiled an array of material from the likes of Pleasant Systems boss Tilman, Frank Music founder Johannes Albert and Simon Ferdinand and Basch both under their own artist names and of course their collaborative project, Bonn. In 2019 Ferdinand and Basch inaugurated their Bonn guise with a debut album entitled ‘Forget Forgot Forgotten’, 2021 saw the release of a follow up EP entitled ‘Ravenous’ and here the story continues with the pair’s latest collaborative works.
The original mix of title-track ‘Never Ever’ opens the EP and lays down
crunchy, off-kilter drums alongside mystical atmospherics, an unfurling acid bass lead and loopy, fluttering stab sequences. Johannes Albert’s twist on ‘Never Ever’ follows next, the fellow German producer takes things down his signature cosmic, nu- disco path via bubbling arpeggio lines and 80’s tinged resonant leads melded together with fragments from the original composition.
‘Phero’ then opens the flip side and sees Bonn deliver a twitchy house
workout fuelled by fidgety synth bleeps, dubbed out chords and bumpy,
saturated drums. Last up to round things out, The Cruiser turns in a
high- octane interpretation of ‘Phero’, upping the tempo and reshaping the original’s raw elements into a murky, dynamically unfolding thumper.

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9,96

Last In: 3 years ago
LUCAS SANTTANA - O PARAíSO

Lucas Santtana

O PARAíSO

12inchNOF56LP
NO FORMAT
13.01.2023

With this new solar album, Brazilian singer-songwriter Lucas Santtana wishes to re-enchant our life on earth. For his ninth album "O Paraíso" (Paradise), the free heir of the Brazilian tropicália intends to redefine our idea of Paradise. "It is in front of us, we must open our eyes and learn to contemplate it in depth," he explains. The Earth is a living organism also called "biosphere", a unique planet in the solar system where all the conditions are gathered to welcome life. Lucas places life at the heart of his songs and celebrates the collective forces that resist to preserve it. His guitar-vocal songs with bossa nova sounds are mixed with organic sounding percussions, enriched with electronic orchestrations and textures. The Brazilian composer gets closer to his French audience by collaborating with Flavia Coelho, Flore Benguigui (from the band L"Impératrice) or the saxophonist Laurent Bardaine, and by even trying his hand at French on one of his tracks. It"s a festive new album, which helps us better understand where we live and with whom we share this heavenly home.

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25,08

Last In: 3 years ago
Senses Fail - The Fire

Senses Fail

The Fire

12inchHOFFVR25LP07A
Hassle Records
13.01.2023

The Fire is the fourth studio album by the American post-hardcore band Senses Fail. Widely looked on by fans and critics alike as one of the band's finest studio album, the record features singles including title track 'The Fire, 'New Years Eve' and 'Lifeboats'.

Originally released on October 26th 2010, this new pressing is the first since it's original release, packaged in a hand-numbered sleeve with accompanying lyric insert, and comes complete with bonus track 'Ghost Town'. Released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

"The Fire showcases an immense growth in both the band's songwriting and arrangements, proving that these scenes stalwarts are not about to rest on their laurels." Revolver

pre-order now13.01.2023

expected to be published on 13.01.2023

28,36
Senses Fail - The Fire

Senses Fail

The Fire

12inchHOFFVR25LP07A
Hassle Records
13.01.2023

The Fire is the fourth studio album by the American post-hardcore band Senses Fail. Widely looked on by fans and critics alike as one of the band's finest studio album, the record features singles including title track 'The Fire, 'New Years Eve' and 'Lifeboats'.

Originally released on October 26th 2010, this new pressing is the first since it's original release, packaged in a hand-numbered sleeve with accompanying lyric insert, and comes complete with bonus track 'Ghost Town'. Released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

"The Fire showcases an immense growth in both the band's songwriting and arrangements, proving that these scenes stalwarts are not about to rest on their laurels." Revolver

pre-order now13.01.2023

expected to be published on 13.01.2023

28,36
Circa Survive - Two Dreams LP 2x12"

Circa Survive

Two Dreams LP 2x12"

2x12inch4050538713220
RISE Records
13.01.2023

Whether intentional or not, Philadelphia’s Circa Survive have become experts on that critical second word of their band name. With six full-length records and three EPs behind them, the beloved alt-prog/post-hardcore giants are entering their 17th year together amid global upheaval and personal renaissance, creating together while navigating through one of the most unstable chapters in American history. It’s a necessarily existential period, where that one imperative rises to the top: survive.
In early 2020, the band was forced to reschedule the tenth anniversary tour for their ground-breaking 2010 LP Blue Sky Noise. Pushing off the tour—now slated for 2022—and delaying plans for a new record has ushered in a new chapter for Circa Survive.

Two Dreams, the forthcoming seventh full-length record from Philadelphia’s Circa Survive, is a project of dual realities in both theory and practice. The 12-track record comprises two individual six-song EPs, titled A Dream About Love and A Dream About Death. The dreams in question aren’t the idyllic material of sleep, but a much more tangible, dark surrealism. They’re the twin experiences of vocalist Anthony Green after relapsing and overdosing on heroin during the writing of the album.

With Two Dreams, Circa Survive aims higher in both collective spirit and individual practice. After nearly two decades of international tours and festival mainstages, the band has regrouped to protect one another and their work. They’re playing the long-game. “I want to make 100 more records,” laughs Green. But now, the goal isn't to simply survive. It’s to thrive.

pre-order now13.01.2023

expected to be published on 13.01.2023

36,93
BE WELL - THE WEIGHT AND THE COST (SPLATTER)

Repress auf babypink w/ blue splatter Vinyl, limitiert auf 200 Exemplare. Be Well - ein Zusammenschluss bekannter Gesichter der Hardcore Szene! Ins Leben gerufen von Brian McTeran, Gründer der ikonische Straightedge-Hardcore-Band Battery und ergänzt durch Mike Schleibaum von Darkest Hour und Battery, Aaron Dalbec von Bane sowie Peter Tsouras und Shane Johnson von Fairweathe, wurde Be Well gegründet um McTeran einen neuen Output für seine Emotionen zu geben. Nach der Auflösung von Battery im Jahr 2000 lenkte McTernan seine Energie zunächst in eine arbeitsreiche Karriere als Produzent um. Er hinterließ auf wegweisenden Alben von Bands wie unter anderem Thrice, Hot Water Music, Circa Survive und Turnstile seine Spuren. Bis er 2014 schließlich eine radikale Kehrtwende machte und eine Projektmanagement-Funktion für ein Bauunternehmen übernahm. Anfangs fühlte sich der Wechsel in Tempo und Karriere gesund an. Doch nachdem er oft zwischen Baustellen hin und her und reiste und dabei 400 Meilen pro Tag fuhr - traten größere Probleme in McTernans psychischer Gesundheit hervor. Eine Zeit schwerer Depressionen verlief laut McTernan jahrelang unkontrolliert, bis sich Battery 2017 vorübergehend wiedervereinigten und ihren ersten neuen Song nach 17 Jahren schrieben. Der Song, "My Last Breath", unterschied sich deutlich von allem, was vor ihm kam. In vielerlei Hinsicht diente der Text als spiritueller Vorläufer dessen, was schließlich zu Be Well wurde. Also schrieb McTernan weiter, began seine Erfahrungen durch Texte zu verarbeiten und eine neue Band zu formen. The Weight And The Cost ist das Ergebnis dieser gesammelten Erlebnisse. Ein Album das weit über die Grenzen dessen hinausgeht, was man über die früheren Bands seiner Mitglieder weiß. Die Vergangenheit der Be Well-Mitglieder könnte sogar das Uninteressanteste an diesem Projekt sein. Wo die meisten Hardcore-Platten ihren Inhalt an die Form der Genrekonventionen anpassen, zeigt dieses Album, was möglich ist, wenn der Inhalt die Form schafft: The Weight and the Cost folgt McTernans zutiefst persönlicher Erfahrung.

pre-order now13.01.2023

expected to be published on 13.01.2023

25,08
Varials - Scars For You To Remember LP

Das Quintett VARIALS aus Philadelphia - Mitchell Rogers Gesang, Mike Foley Bass, James Hohenwarter
[Gitarre], Shane Lyons [Gitarre] und Sean Rauchut [Schlagzeug] - haben ihr neues Album Scars For You to
Remember angekündigt. Der metallische Moloch ist ihr dritter Longplayer und wird am 14. Oktober über
Fearless Records erscheinen.
Das Gleichgewicht entsteht inmitten von Extremen. VARIALS wechseln nahtlos zwischen Momenten erdrückender Kraft und melodischer Gelassenheit, wobei sie die Harmonie in der Mitte der gegensätzlichen
Pole freilegen. Die Band schärft diesen unverwechselbaren Stil mit brennender Intensität, unbändiger Energie und kompromissloser Kreativität. Diesen Sound haben sie im Laufe der Jahre sorgfältig kultiviert.
Mit Pain Again [2017] und In Darkness [2019] hat sich die Band eine treue Fangemeinde erspielt. Letzteres
brachte ”Romance” hervor, das 3 Millionen Spotify-Streams anhäufte, Tendenz steigend.

pre-order now13.01.2023

expected to be published on 13.01.2023

33,57
Maajun - Vivre la Mort du Vieux Monde

Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was... Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of Chicago. Under these conditions, Long Live Death!

“The most French of all the French groups, determined to take Maurice Chevalier’s place in American hearts.” This was how Rock&Folk presented Mahjun in 1977. So be it. But when “Vivre la Mort du Vieux Monde”, was issued, it was 1971, and the name, though the same group, was still spelled Maajun. So, let’s look back at the story.

At the end of the sixties, five blues fans decided to form a French group ready to break down the barriers: Jean-Pierre Arnoux (drums, vibraphone, saxophone), Cyril Lefebvre (guitar, organ), Jean-Louis Lefebvre (bass, violin, guitar, vocals), Alain Roux (saxophone, flute, harmonica, vocals) and Roger Scaglia (guitar, vocals). This was Maajun, and Vivre la mort du vieux monde would be their only album, but which would (nevertheless) be followed by those of Mahjun created later by Lefebvre (Jean-Louis) and Arnoux.

Recorded for the Vogue label, “Vivre la Mort du Vieux Monde” would disturb a number of people. This is mostly due to the lyrics, many of which were written by Gérald Escot-Bocanegra, who, while summoning the spirit of Lautréamont and Rimbaud, turned the Maajun musicians on to rock and free jazz. Add a bit of politics into the mix, and the release of the album was delayed for several months. But then, wasn’t it worth waiting for?

Because “Vivre la Mort du Vieux Monde”, a real concept-album, is an important and iconoclastic statement made directly in the face of (francophone) dreamers of all countries. Over heavy guitar riffs, psychedelic interludes or fantasy-fuelled digressions, Maajun built mazes on the advice of alchemists known only to themselves before heading off on a long march on the “cracking walls”. It was an ambitious project, but Maajun could handle it, going so far as to proclaim: “Tomorrow will be a huge party!” But as we can see “tomorrow”, is now!

pre-order now13.01.2023

expected to be published on 13.01.2023

23,49
Black River - Generation aXe (Ltd. LP)

Polens BLACK RIVER besteht aus Musikern der Bands BEHEMOTH, DIMMU BORGIR, VESANIA, ROOTWATER und NEOLITHIC. Ihre Musik ist eine wahre und ungezügelte Hommage an die Tradition der musikalischen Härte, mit der die Musiker von BLACK RIVER aufgewachsen sind. Live-Konzerte zu spielen ist ihre wahre Stärke, wo die Professionalität und das Können der Band sie ran an die Speerspitze des Genres bringen soll. Laut Metal Hammer spielt die Band auf auf dem Album Black'n'Roll Stoner Rock, den das Magazin als "Monster Magnet im Danzig-Sound" bezeichnet. Auf Liedern wie Lucky in Hell erinnere die Band zudem an Alice in Chains. Das nun auf dem Label Crusader Records erscheinende 'Axe' bleibt diesem Stil treu.

pre-order now13.01.2023

expected to be published on 13.01.2023

24,33
Christian McBride - The Movement Revisited: A Music Portrait of Four Icons 2x12"

Bassist/composer Christian McBride's 'The Movement Revisited: A
Musical Portrait of Four Icons' is the culminating documentation of a
richly inspired piece lauding four key figures of the Civil Rights
Movement: Rev
Dr. Martin Luther King, Jr., Malcolm X, Rosa Parks and Muhammad Ali.
Marshalling his ever- sharpening skills as a composer, arranger, conductor,
musician and lyricist, McBride has created a historically and culturally
illuminating five- part suite for an 18- piece big band, chorus and narrators that
places the motivating forces as well as the goals of the Civil Rights Movement
within a powerfully relevant artistic context. It is a one- from- the- heart project
McBride was, apparently, destined to undertake.
This recording of The Movement Revisited marks the addition of a fifth
movement, Apotheosis, which acknowledges the election of Barack Obama as
the first African American President of the United States.
2-LP regular weight black vinyl gatefold jacket.

pre-order now13.01.2023

expected to be published on 13.01.2023

47,86
JOAO GILBERTO - Warm World Of Joao Gilberto

In summer 1958, João Gilberto -an unknown 28 year-old Brazilian guitarist and singer from Bahia- made his recording debut as a singer with two songs "Chega de Saudade" and "Bim Bom." With a new rhythmic feeling, batida, and rich harmonies he laid the basis of the modern Brazilian samba, now known as Bossa Nova. Underpinned by his insouciantly swinging guitar, Joãos seductive, vibratoless vocals caressed both ear and soul in a mesmerizing, highly addictive combination, refreshing and modern. Chega de Saudade was a hit, launching Gilbertos career and the bossa nova craze. Soon, singers and guitarists were trying to imitate him and composers were all on a Desafinado (the second Gilbertos hit) and Chega de Saudade kick. The longawaited renewal of the Brazilian samba was now a fact. Antonio Carlos Jobim said: Gilberto appeared as a light, as a big star in the firmament, in the heavens. He became a focus, because he was pulling the guitar in one way and singing the other way, which created a third thing that was profound. Yes, the guy who brought the Bossa Nova beat to the world was João Gilberto.

pre-order now13.01.2023

expected to be published on 13.01.2023

21,64
Kaitlyn Aurelia Smith - Euclid

Repress of Kaitlyn's solo debut Euclid (primarily written on a Buchla Music Easel synthesizer), it was inspired by her love of mbira music, early electronic music pioneers like Laurie Spiegel, Oskar Sala, and Terry Riley, and euclidian geometry. Each of the first six songs on Euclid were initially structured using euclidian geometry, an idea which Smith explored while attending a class at the San Francisco Conservatory. As Smith explains, "We each chose a 3D shape and assigned our own guidelines to the different components that make up the shape. For example each point of the shape represents a different time signature, each line between the points represents a pitch, each shape within the closed lines represents a scale, etc. And then you play the shape." Despite their heady geometric origins, the songs have a playfulness and warmth that makes them inviting and memorable. In addition to the buoyant grooves of Smith's synthesizers, some of the songs feature wordless vocals, which energize the otherworldly songs, while grounding them with Smith's earthly presence. She slows things down for the second half of the record, which features a collection of twelve short pieces, Labyrinths I-XII. Originally composed as new soundtracks to old silent films she found online, Smith says the tranquil Labyrinth pieces are "intended to feel like one is walking through a holographic labyrinth and encountering different experiences such as hang gliding, viewing microbes under a microscope, ice fishing in Alaska, and watching glaciers collapse." Despite their brevity, most of these songs feel like mini odysseys, effortlessly casting a cinematic hue on the the listener's world. Throughout Euclid Kaitlyn Aurelia Smith consistently delivers sonic puzzles draped in a warm Pacific mist. At times these songs feel so alive like the musical analog to roots growing deeper and stronger, leaves on branches bending towards the light, or the sun peeking over the horizon, briefly igniting the air with a primordial swirl of warm and cool colors.

pre-order now10.01.2023

expected to be published on 10.01.2023

16,60
Pharoah Sanders featuring Leon Thomas - Shukuru

Pharoah Sanders' "Shukuru" is noteworthy as being the album that reunited Sanders with vocalist Leon Thomas, who sang on some of Sanders' most endearing and powerful compositions-- among them the legendary "The Creator Has a Masterplan".

Thomas only joins the band on two tracks-- "Mas in Brooklyn (Highlife)" and "Sun Song". The former gets a full calypso reading complete with steel drum sounds and chanted vocals traded between Sanders and Thomas. It's a lot of fun, but by and large, throwaway. The latter is one of the true gems on the album-- a pretty ballad that serves as both a launching point for Sanders' best balladry and Thomas' vocal, with the latter soaring in his upper register wordlessly between verses intoned in his trademark baritone. It's by and large simply stunning.

The rest of the record has got its issues however, and by and large this comes in the part of Henderson's synthesizer-- while his piano tone is virtually indistinguishable from an acoustic piano, several tracks receive irritating synth vocals or strings (it's really hard to tell which, it's fairly indistinct and obnoxious), mangling otherwise fine performances of traditional tenor feature "Body and Soul", Sanders-penned "Jitu" (although admittedly the leader manages such a powerful solo it gets past it) and an absolutely breathtaking reading of "Too Young to Go Steady". At least opener "Shukuru" and closing funereal piece "For Big George" are spared this as the use of synths of them are far more tasteful (although one questions Sanders' choice to intone his wife's name over the former's smokey lines, but that's another story). by Vine Voice

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38,61
Local Bastards - Dekade LP

Zehn Jahre Local Bastards. Und auf der Bühne stehen noch immer dieselben Mistkerle wie am ersten Tag. Mit ihrem neuesten und mittlerweile sechsten Studioalbum „Dekade – 10 Jahre Local Bastards“ setzen die Jungs Maßstäbe, verbinden Altes mit Neuem und behandeln tiefgreifende Themen wie nie zuvor.
Die Suche nach dem eigenen Ich und dem individuellen Sinn des Lebens oder die Diskrepanz zwischen Recht und Gerechtigkeit:Der neue Longplayer der vier Hessen spielt textlich in der obersten Liga. Neben fünf brandneuen Songs enthält das Album fünf Lieder, die im Laufe der zehnjährigen Bandgeschichte entstanden sind und im neuen Sound daherkommen
Die limitierte Jubiläumsedition überzeugt mit einem 60-seitigen Earbook mit unveröffentlichten Archivbildern und einer 1:45h Dokumentation zur Bandgeschichte. Zehn Jahre Local Bastards – ein Anlass, der gebührend gefeiert werden muss. Mit ihrem Jubiläumswerk machen die Jungs genau das und werden ihre Fans vom Hocker reißen. Make some noise for the Bastard Boys!

pre-order now30.12.2022

expected to be published on 30.12.2022

29,79
Jupiter Jones - Die Sonne ist ein Zwergstern LP

Hat eigentlich schon irgendwer darüber nachgedacht, ob es nach all den Jahren deutschsprachigen Pop-Zusammengehörigkeitsgefühls mal Zeit wird, weiter als von Fußball-WM zu Fußball-WM zu denken und mit dem irren Gedanken aufzuräumen, dass schon alles gut wird, wenn wir uns bloß Alle immer ständig sagen, dass wir das schon hinkriegen?!

Vielleicht war’s Zeit für Jupiter Jones, die Brücke zwischen dem Punk aus den alten Tagen von vor mittlerweile zwanzig Jahren und dem Pop aus den neueren Alben zu schlagen, um eine Melange aus beidem zu schaffen, die sich nicht daran stört, ob irgendwelche Genre-Dogmen eingehalten werden und die sich nicht scheut, auch unkomfortable Themen in komfortablere Töne und Wörter zu packen? Weil Pop eben nicht da aufhört, wo Normativität ihre Grenzen findet.

Sei’s in Songs wie „Überall waren Schatten“, „Bleibt zusammen“, „Wenn’s nicht wehtut“ oder „Melatonin“, die all die Gründe aufleben lassen, wegen denen die Band im Jahre 2002 überhaupt gegründet wurde: Nämlich der Frage nach dem Warum-zum-Teufel-nochmal?

Oder in Songs wie „Vielleicht“, „Ja sicher“, „Oh! Philia“ oder „Der wichtigste Finger einer Faust“, die ganz bewusst Tanzbarkeit mit dem Gefühl verbinden, sich unbedingt mal für mehrere Stunden hinzulegen und die Wand anzustarren?

Oder eben in Songs wie „Atmen“, „Der Nagel“, „Mein Viel und dein Vielleicht“ und „So hat noch jedes Ende angefangen“, die im weitesten, wie im nähesten Sinne Liebeslieder sind. Lieder für und gegen die Liebe, Lieder mit und ohne.

„Die Sonne ist ein Zwergstern“ ist nicht das Corona-Album von Jupiter Jones. Auch, wenn das Revival der Band ziemlich zeitgleich mit dem Virus kam und die Songs dementsprechend ausnahmslos in dieser Zeit geschrieben wurden. Es ist das Album, das einen Blick auf die Welt wirft, einen Blick auf das Innere und einen Blick auf die Verbindung von beidem. Es ist das Album, dem mehr als jedem Album der Band zuvor egal ist, wo die Grenzen verschwimmen. Es ist entschlossen, laut und leise zugleich und es ist alles, nur kein Kompromiss.

Ganz sicher ist es das Ergebnis aus der Erkenntnis, dass wir alles wieder zusammen machen und schaffen können, sobald wir gecheckt haben, dass wir erst mal wir selbst sind. Und dass sich all das lohnt.

pre-order now30.12.2022

expected to be published on 30.12.2022

23,32
Jupiter Jones - Die Sonne ist ein Zwergstern LP

Hat eigentlich schon irgendwer darüber nachgedacht, ob es nach all den Jahren deutschsprachigen Pop-Zusammengehörigkeitsgefühls mal Zeit wird, weiter als von Fußball-WM zu Fußball-WM zu denken und mit dem irren Gedanken aufzuräumen, dass schon alles gut wird, wenn wir uns bloß Alle immer ständig sagen, dass wir das schon hinkriegen?!

Vielleicht war’s Zeit für Jupiter Jones, die Brücke zwischen dem Punk aus den alten Tagen von vor mittlerweile zwanzig Jahren und dem Pop aus den neueren Alben zu schlagen, um eine Melange aus beidem zu schaffen, die sich nicht daran stört, ob irgendwelche Genre-Dogmen eingehalten werden und die sich nicht scheut, auch unkomfortable Themen in komfortablere Töne und Wörter zu packen? Weil Pop eben nicht da aufhört, wo Normativität ihre Grenzen findet.

Sei’s in Songs wie „Überall waren Schatten“, „Bleibt zusammen“, „Wenn’s nicht wehtut“ oder „Melatonin“, die all die Gründe aufleben lassen, wegen denen die Band im Jahre 2002 überhaupt gegründet wurde: Nämlich der Frage nach dem Warum-zum-Teufel-nochmal?

Oder in Songs wie „Vielleicht“, „Ja sicher“, „Oh! Philia“ oder „Der wichtigste Finger einer Faust“, die ganz bewusst Tanzbarkeit mit dem Gefühl verbinden, sich unbedingt mal für mehrere Stunden hinzulegen und die Wand anzustarren?

Oder eben in Songs wie „Atmen“, „Der Nagel“, „Mein Viel und dein Vielleicht“ und „So hat noch jedes Ende angefangen“, die im weitesten, wie im nähesten Sinne Liebeslieder sind. Lieder für und gegen die Liebe, Lieder mit und ohne.

„Die Sonne ist ein Zwergstern“ ist nicht das Corona-Album von Jupiter Jones. Auch, wenn das Revival der Band ziemlich zeitgleich mit dem Virus kam und die Songs dementsprechend ausnahmslos in dieser Zeit geschrieben wurden. Es ist das Album, das einen Blick auf die Welt wirft, einen Blick auf das Innere und einen Blick auf die Verbindung von beidem. Es ist das Album, dem mehr als jedem Album der Band zuvor egal ist, wo die Grenzen verschwimmen. Es ist entschlossen, laut und leise zugleich und es ist alles, nur kein Kompromiss.

Ganz sicher ist es das Ergebnis aus der Erkenntnis, dass wir alles wieder zusammen machen und schaffen können, sobald wir gecheckt haben, dass wir erst mal wir selbst sind. Und dass sich all das lohnt.

pre-order now30.12.2022

expected to be published on 30.12.2022

32,31
The Owners - The Owners

The Owners

The Owners

12inchDIS193.5/RRR04
Dischord Records
30.12.2022

The Owners are a band from Washington DC, featuring Dante and Catherine Ferrando, Alec Budd and Laura Harris.

Over the years, they have played in bands ranging from Iron Cross, Gray Matter, The Shirks and Ex Hex. Their first full-length is a split between Red Room Records and Dischord

The vinyl is a limited edition pressing on splatter vinyl.

pre-order now30.12.2022

expected to be published on 30.12.2022

19,79
Various - The Wonderful Sounds of Quality Record Pressings (3x12")
 
27

Celebrate the technical expertise of the world's finest LP pressing plant — Quality Record Pressings — with the finest LP sampler ever assembled!

The Wonderful Sounds Of Quality Record Pressings includes music hand-picked by Acoustic Sounds CEO Chad Kassem and classical music tracks chosen by the team at Reference Recordings.

Every song meets the criteria of excellent performance, perfect recording and flawless mastering. What better way to celebrate such a monumental anniversary for one of the absolute leading brands in analog high fidelity than with this to-die-for LP sampler? Contains most genres of music — blues, jazz, classical, R&B and female vocal. From now on, you'll only need to carry one demo record around with you.

Vinyl expert Michael Fremer, of Analogue Planet and Stereophile, gives you a track-by-track tour of the history and production of the songs on this special album.

What separates our world-renowned Quality Record Pressings LPs from other manufacturers? Since Acoustic Sounds CEO Chad Kassem launched QRP in 2011, the focus has been on producing consistently virtually silent vinyl playing surfaces, as well as reproducing details that were hallmarks of vintage labels — the "deep groove" label of Blue Note LPs, for example.

The craft of pressing fine vinyl is perfected in such details. Such as plating lacquers within 24 hours of their arrival at the plant. Cut grooves are prone to change with temperature fluxuations, high humidity and time. The sooner that lacquers are plated, the better the fidelity of the final pressing. Other keys include using a proprietary silver spray formulation, made fresh daily. And incorporating computer microprocessors on our presses to precisely control press functions with absolute precision. And an imbedded temperature sensor in the dye cycles the press with just as much control. The result — more consistency in each LP, high fidelity and reduced distortion. The ultimate sonic advantage.

pre-order now30.12.2022

expected to be published on 30.12.2022

147,02
Local Bastards - Dekade

Zehn Jahre Local Bastards. Und auf der Bühne stehen noch immer dieselben Mistkerle wie am ersten Tag.
Mit ihrem neuesten und mittlerweile sechsten Studioalbum „Dekade – 10 Jahre Local Bastards“ setzen die Jungs Maßstäbe, verbinden Altes mit Neuem und behandeln tiefgreifende Themen wie nie zuvor. Die Suche nach dem eigenen Ich und dem individuellen Sinn des Lebens oder die Diskrepanz zwischen Recht und Gerechtigkeit: Der neue Longplayer der vier Hessen spielt textlich in der obersten Liga.
Neben fünf brandneuen Songs enthält das Album fünf Lieder, die im Laufe der zehnjährigen Bandgeschichte entstanden sind und im neuen Sound daherkommen. Die limitierte Jubiläumsedition überzeugt mit einem 60-seitigen Earbook mit unveröffentlichten Archivbildern und einer 1:45h Dokumentation zur Bandgeschichte.
Zehn Jahre Local Bastards – ein Anlass, der gebührend gefeiert werden muss. Mit ihrem Jubiläumswerk machen die Jungs genau das und werden ihre Fans vom Hocker reißen.
Make some noise for the Bastard Boys!

1LP Kastentasche Vinyl mit 10 Tracks, schwarz/gold marmoriert & handsignierter Beileger mit Songtexten.

pre-order now30.12.2022

expected to be published on 30.12.2022

30,71
SANTAKA - NO RIVERS HERE LP

Santaka

NO RIVERS HERE LP

12inchBYRV39
Byrd Out
28.12.2022

Marijus Aleksa is a Lithuanian cross-genre drummer and music producer who has spent his last decade touring and in session with some of the contemporary jazz greats including Joe Armon- Jones, Ashley Henry, Bill Laurance, China Moses and many more. Manfredas is a key figure in Lithuanian electronic music community, internationally acclaimed club DJ, owner of Radio Vilnius, music producer and remixer on releases by Andrew Weatherall, Metronomy, Erol Alkan and more.

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21,47

Last In: 3 years ago
MOZES AND THE FIRSTBORN - MOZES AND THE FIRSTBORN

Mozes And The Firstborn liefern waghalsigen Garagen Pop, catchy Surfmomente, kratzige Gitarrenriffs, Ahh's und Ohh's gewürzt mit reichlich Selbstironie. Im Frühling als Support von Two Gallants, The Growlers und FIDLAR auf Vorstellungsrunde, erscheint am 20. September das Debüt Album in Deutschland, Österreich und Schweiz bei Siluh Records. Im Herbst 2013 folgen Auftritte u.a. beim Reeperbahn Festival, dem Waves Vienna und der Berlin Independent Night. Das verschmitzte Grinsen haben die vier Jungs nicht umsonst aufgesetzt. Nach unzähligen Shows auf House Partys, in Coffee Shops und Spelunken haben sich Mozes And The Firstborn auf die großen Bühnen der Niederlande gespielt und rumpeln bisweilen selbst in nachmittäglichen TV-Formaten. Auf Europas wichtigstem Newcomer Festival Eurosonic gewannen sie schließlich auch die Schweißporen der internationalen Gäste für sich. Launig, waghalsig und mit viel Übermut präsentieren sich die vom Garagen-Punk-Rock der 70ies infizierten Jungspunde vor Publikum. Nun erscheint ihr selbstbetiteltes Debütalbum in Deutschland, Österreich und der Schweiz auf dem Wiener Label Siluh Records, das zuletzt mit Releases von Sex Jams und Mile Me Deaf ein Händchen für rotzige Gitarrenmusik bewiesen hat. Mit lausbübischem Humor, dem Draufgängertum der jungen Rolling Stones, der verpeilten Lockerheit der Black Lips sowie dem erstklassigen Songwriting von Indie-Heroen wie Guided By Voices überzeugten sie auch das kalifornische Label Burger Records, das bereits zum internationalen Sprungbrett für Szenegrößen wie Ty Seagull, Black Lips oder King Tuff wurde.

pre-order now28.12.2022

expected to be published on 28.12.2022

16,60
T.O.M.B. - Terror Winds (Black Vinyl)

Mit 'Terror Winds' kehren T.O.M.B. mit sechs Tracks, die nach altem, rohem, blasphemischem Black Metal riechen, und von einer faszinierenden symphonischen Atmosphäre und nekromantischen Noise-Klanglandschaften durchdrungen sind, zu ihren Friedhofswurzeln zurück. Das Album steht für epische Weiterentwicklung der Band, deren Black Metal-Feeling für die frühen 90er authentisch ist. Das Album wurde live in den Ossuary Studios in New York City aufgenommen und von Tore Stjerna in den Necromorbus Studios in Schweden gemastert. Im Laufe der über 20-jährigen Bandgeschichte haben T.O.M.B. hat kontinuierlich die Grenzen der extremen Musik überschritten, indem es Elemente aus Dark Ambient, Doom, Death Industrial und Power Electronics zu einem einzigartigen Stil von erschreckendem Black Metal Noise zusammengefügt hat. Es ist ein Stil, der der Band einen wohlverdienten Platz als einer der Top-Innovatoren des modernen Black Metal eingebracht hat.

pre-order now23.12.2022

expected to be published on 23.12.2022

37,44
UNKNOWN MORTAL ORCHESTRA - BLUE RECORD EP

Die "Blue Record" EP enthält 5 Songs: die beeindruckenden Akustikversionen von drei Songs des 2013er Albums ,II" sowie zwei fantastische Coverversionen, "Swing Lo Magellan" (DIRTY PROJECTORS) und "Puttin It Down" (BECK). "Ich habe erst im letzten Jahr damit angefangen, Akustikgitarre zu spielen. Die Idee, dass eine Gitarre Sound in Elektrizität übersetzt und es dann richtig laut wird, mochte ich schon immer. Ich dachte, dass die Akustikgitarre vielleicht ein bisschen zu niedlich für mich ist. Doch nachdem uns einige Gelegenheiten geboten wurden, Akustiksets zu spielen, um die neue Platte zu promoten, habe ich beschlossen, das Ganze als Herausforderung zu betrachten und zu versuchen, akustisch zu spielen und dabei nicht langweilig zu klingen. Schließlich fand ich es schon immer toll, wie Arthur Lee akustisch spielt und fragte mich, ob ich das wohl überzeugend hinbekommen könnte. So wurde ich praktisch durch ein paar Radiosessions dazu gezwungen, mir die Akustikgitarre anzueignen und beschloss, ein paar Songs akustisch aufzunehmen und zu veröffentlichen, weil den Leuten das anscheinend gefiel. Alles wurde in meinem Keller mit nur einem Mikro direkt auf Band aufgenommen." - Ruban Nielson, UNKNOWN MORTAL ORCHESTRA ENG "I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically and release them since people seemed to be liking the way I was doing it. Everything was recorded straight to tape in my basement with a one mic set up." - RUBAN NIELSON, UMO


[a] 1 SWIM AND SLEEP (LIKE A SHARK) [ACOUSTIC VERSION]
[b] 2 FADED IN THE MORNING [ACOUSTIC VERSION]
[c] 3 SO GOOD AT BEING IN TROUBLE [ACOUSTIC VERSION]

pre-order now23.12.2022

expected to be published on 23.12.2022

19,29
Enzo Siragusa - Dreamscape

Enzo Siragusa

Dreamscape

12inchFUSE050
Fuse London
22.12.2022

Landmarks and milestones are always memorable, but the 50th EP release on FUSE feels that little bit more special as head honcho Enzo Siragusa steps up to the mark and returns for the second time this year. Having launched the label in 2011 with his now iconic ‘The Sagamore’ EP, the renowned selector and producer has grown and shaped the FUSE from a Sunday after-hours to one of the most notable names within house and techno worldwide - anchoring the label at the heart of its identity and bringing its trademark sound to an international audience. Following material from original residents Rich NxT, Rossko, Seb Zito and Archie Hamilton through to regular guests and close friends such as Guti, East End Dubs, Michael James and Fabe, October sees Siragusa showcase both his and FUSE’s evolution over the past decade as he uncovers two bustling productions across his ‘Dreamscape’ EP.

A production oozing with his signature sound, yet introducing fresh subtleties in amongst the track’s snaking groove and hypnotic melodies, ‘Dreamscape’ welcomes a title cut full of energy as the FUSE boss picks up right where he left off to provide yet more heavily requested material on home turf. On the flip, ‘Bean That Talks’ sees Siragusa get playful while maintaining the vigour of his bustling live sets, combining chunky low-ends with skippy percussion and rich pads to showcase precisely why he and FUSE continue to flourish as leaders of a sound that they can truly call their own.

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13,87

Last In: 2 years ago
Unknown - Sennin

Unknown

Sennin

12inchMSK10
Mask
21.12.2022

MASK unveil the final entry in its untitled release series.
Berlin-based label MASK records has become known for releasing a string of vinyl-only EP’s by unnamed producers which have seen the support of respected artists such as Jimpster, DJ Bone, Ben Sims,
Santiago Salazar, Laurent Garnier, Ryan Elliot, Marcel Dettmann, and the Blessed Madonna amongst others. Now, the tenth and final instalment of the series consists of an eclectic collection of techno and house cuts, all recorded on tape during an analog live session in the artist’s studio.
The A1 eases you into the record through glitchy textures, swelling synths and broken beats before the A2 gets you into a rapturous tracky groove offset by lo-fi vocals and dreamy pads. The A3 takes a darker turn through hypnotic drums and a droning bass, readying the listener for the B-Side which continues this raw energy.
The B1 picks up the pace with energetic drums and clean ride cymbals while the B2 incorporates floaty arps and a tantalising repeating vocal. ‘B3’ closes out the release with a retro 80s synth feel, putting a wrap on yet another incredible vinyl EP by this exciting underground label.

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11,13

Last In: 2 years ago
Various - LCSTRAX002

Various

LCSTRAX002

12inchLCSTRAX002
Locus
20.12.2022

LOCUS unveil the second instalment in their VA series ‘LOCUS Trax’ with fresh material from Mathijs Smit, LaRosa, BODJ, and Nolga.

Continuing to quickly grow as one of the most-loved emerging labels in the game, LOCUS looks set to go from strength-to-strength throughout the remainder of 2022 as the FUSE family builds yet another label offering quality and consistent material from across the house sphere. Having launched their new various artist series LOCUS Trax earlier this year, TBC welcomes the arrival of the sophomore offering with four fresh productions as Groningen’s Mathijs Smit, Brooklyn’s LaRosa, Athens’ BODJ and Manchester’s Nolga all make label debuts.

Mathijs Smit’s ‘Green Hill’ is a slinking cut guided primed for peak time fun as slinking acid tinged low-ends meet playful samples and sweeping pads, while ‘Amelia’s Groove’ sees LaRosa work shuffling drums amongst warped vocals and rich melodies. Next, BODJ veers towards spacey sythns and colourful electronic motifs across ‘Back To Party City’, before Nolga lays down woozy chords on top of a no-nonsense bassline to close the show.

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13,87

Last In: 77 days ago
Louie Vega - Joy Universal / Igobolo 2x12"

Louie Vega is launching a trio of Double Pack 12” releases that includes special unreleased versions of select titles from the Expansions In The NYC album project. Each package also features unique customized art by celebrated artist Andrew Thiele who also created the art for the album package as well. Joy Universal and Igobolo (Feelin’ Love) spotlight the profoundly soulful and musical energy that emerges when Louie collaborates with two of the stars of the House Music community namely Josh Milan and Joe Claussell.

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32,56

Last In: 10 months ago
Kaidi Tatham - It's a World Before You LP 2x12"

Back in stock !

First Word Records is very proud to present a brand new full-length album from Kaidi Tatham. 'It's A World Before You'.

Following on from two EPs released on First Word last year ('Changing Times' and 'Hard Times'), Kaidi has delivered us thirteen tracks that deftly illustrate his various talents as a multi-instrumentalist.

Kaidi is probably best known for his work with Bugz In The Attic, though his musical contributions over the years have also included Amy Winehouse, Slum Village, Mulatu Astatke, Soul II Soul, Moonchild, Leroy Burgess, Amp Fiddler, Chris Dave, Macy Gray, King Britt, DJ Spinna, Mr Scruff and IG Culture to name but a few! In recent times, he's worked with DJ Jazzy Jeff on a variety of projects, including his most recent album 'M3', touring Europe for Jeff and Will Smith's reunion shows, and on the PLAYlist album 'Chasing Goosebumps', with Glenn Lewis, Stro Elliot (The Roots), Masego, Maimouna Youssef, Rich Medina, Daniel Crawford and more.

All this in addition to heating up dances around Europe with his inimitable DJ sets, and working heavily with First Word label-mate, Eric Lau (who also mixed this album) on a variety of projects, and adding releases to his already impressive catalogue on 2000 Black, Eglo and Theo Parrish's Sound Signature, with regular compadre, Dego (who features on the album's title track).

This album personifies Kaidi's diverse palette of sounds - bar Eric & Dego's features, every piece of music is played by himself. Largely flowing on a broken beat rhythm section, Kaidi effortlessly incorporates washes of afro, latin and funk throughout. From the harmonics of 'Your Dream Don't Mean A Thing', to the breakneck funk of 'Outta Audah', each and every riddim exudes energy. But this isn't simply a bruk record. The album is laced together with downtempo beats and future jazz interludes throughout, and some sweet synth boogie is never very far away, especially on the weighty vibes of 'It's About Who You Know'. To top it all off, there's two delightful nuggets of hip hop soul - Mancunian label-mates, Children of Zeus, feature on the neo-soul vibes of 'Out Here On My Own', and there's a feature from Amir Townes, better known as Uhmeer - an upcoming MC from Philadelphia, and son of one Jazzy Jeff Townes - who rides a sub-heavy, piano-led slice of boom bap, voicing an assortment of characters to tell the tale of 'Cupid'.

'It's A World Before You' is set to cause serious damage to sound-systems over the Summer, and show and prove once again the skills of one of the UK's best unsung musical talents, Kaidi Tatham.

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27,31

Last In: 15 months ago
Brahja - Watermelancholia LP

Brahja

Watermelancholia LP

12inchCORTIZONA018
CORTIZONA
16.12.2022

LP including booklet with extended liner notes. Channeling wild seventies Impulse vibes, even resonating the guts of early Art Ensemble of Chicago and the tempering spirit of Max Roach's 'We Insist' era: BRAHJA is soul searching their spirit on 'Watermelancholia'.

Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group BRAHJA. Waldman has accompanied his aunt, poet Anne Waldman, since the age of ten. Waldman is a co-founding member of Radical Reversal, Diva of Deva Loka, and Notable Deaths. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC's Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi's Land of Kush, and of the Norwegian hardcore group MoE.

As a youngster, Waldman was taken under the wing of avant-garde giant Paul Bley. Along with Anne Waldman and cousin Ambrose Bye, Waldman is a co-producer for Fast Speaking Music -a NYC poetry and music label which has released recordings with Amiri Baraka, Meredith Monk, William Parker, Laurie Anderson, Eileen Myles, CAConrad, Fred Moten, Daniel Carter, Clark Coolidge, Thurston Moore, Joanne Kyger and many others.

Ancient to the future 2.0

Watermelancholia is about the law of Karma:
a law so obvious that it often goes unspecified and ignored.
Neglecting this law invites a world of chaos.
It's been articulated in endless ways.
Some have called it Cosmic Law or Natural Law.
Others translate it as Do No Harm.

(liner notes excerpt)

The moment the first bass note of Luke Stewart kicks in on 'Watermelancholia', followed by the swelling drum roll of Malick Koly and the lush leading voice of Janice Lowe you feel Devin Brahja will take you on a deep mind-blowing spiritual journey.


Channeling wild seventies Impulse vibes on 'O.P.K' or, could we say, even resonating the guts of early Art Ensemble of Chicago and the tempering spirit of Max Roach's 'We Insist' era: BRAHJA is soul searching their spirit on 'Watermelancholia'.


A poetic stream of consciousness, backboned by top-notch musicians, transcending the cosmic universe, trying to find answers and musically connecting.


Watermelancholia is a meditation on healing the inner schism between the sense of self - the ego - and the inner being. It is about bringing the ego to justice; putting it on trial, as it were.

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22,65

Last In: 2 years ago
James Taylor - JT LP

James Taylor

JT LP

12inchMFSL1-354
MFSL Records
16.12.2022

James Taylor's best-selling record since 1970's hallmark Sweet Baby James, the triple-platinum JT takes its permanent place as one of the singer's most enduring albums — an affair that gorges on country, blues, and rock styles as well as incisive songwriting. As the pre-eminent singer-songwriter's Columbia debut, it catapulted Taylor back into the limelight and re-established his place as the era's leading-edge folk-rock troubadour.

Sourced from the original analog master tapes and pressed at RTI, Mobile Fidelity's numbered-edition 180g LP possesses a warmth, immediacy, and intimacy absent from other pressings. The singer's comforting voice, breath control, and enchanting guitar lines sound as if they pour right out of the studio control room. Similarly, the splendid array of backing instrumentation is balanced, vivid, and dynamic. Taylor should always sound this realistic, warm, and lively.

More than any other of his records, JT features all sides of Taylor's lyrical persona. Optimistic, content material fills half of the 1977 set while Taylor reveals a darker, moodier identity on a number of songs that keep the 12-track set alternating between shade and light, shadow and sun. He turns romantic and blissful on the touching ballad "There We Are," praises the power of love on "Your Smiling Face," and enchants with the graceful "Secret O'Life."

In addition to channeling domestic bliss, Taylor expresses surprise and cynicism on "Honey Don't Leave L.A.," delves into despair on "Another Grey Morning," and invites sardonic tones on "Bartender's Blues." The result is a complete picture of an extraordinary songwriter and an accurate sketch of the mixed emotions many of us feel when it comes to romance. Taylor's ability to capture deep-seated feelings and set them to lyrical and musical poetry explains why we relate to him on such a meta-level. It's also why his music, including JT, remains timeless.

Taylor doesn't do it all alone. JT benefits from an all-star support cast. Carly Simon and Linda Ronstadt supply background vocals, saxophone great David Sanborn plays the horn, Russ Kunkel mans the percussion, and arranger David Campbell oversees the strings and woodwinds. It's no wonder why many fans consider this gorgeous collection of Laurel Canyon pop-rock Taylor's finest.

Whether you've never heard this record or know it inside and out, this reissue will open your ears to previously hidden details ranging from pedal-steel guitar accents to honky-tonk tonalities. Taylor's funky rhythms, too, gain in stature, as does his command of pace and tempo.

pre-order now16.12.2022

expected to be published on 16.12.2022

57,10
Sammal - Aika Laulaa

Sammal

Aika Laulaa

12inchSVART332LP
Svart Records
16.12.2022
also available

Orange Vinyl[24,79 €]


Svart Records proudly presents: Finnish prog-psych quintet Sammal sheds skin and changes into a power trio, new album announced Sammal have since their 2013 debut cemented their reputation as one of the leaders of the Fenno-Ugrian neoprogressive and psychedelic scene and also raised some waves internationally, performing at the well-respected Roadburn Festival in 2015 and garnering a series of raving reviews around the world of psychedelia and progressive rock fandom, such as “Truly amazing and otherworldy music” or “Earnest, vibrant music specked with impressive nuance”. A few years have passed since the successful Suuliekki album, and since then two of their five members have left the fold. Guitarist and songwriter Jura Salmi decided, however, that Sammal must continue in some form or another. “During the spring of 2020 I would spend time alone recording new demos with the guitar. The remaining three Sammal members had already decided that if the band was to continue, we would not seek another keyboard player.I had bought a guitar pedal that can simulate keyboard sounds and it opened a new world to me. I realized we can perform fine as a power trio without a bass or a keyboard player”, comments Jura Salmi. “Sammal has always been a melting pot of all music we like. If in the past we used to be heavily into bands lke Camel, Dungen and Opeth, when working on this album we’d liste to everything from Bo Hansson and Iron Butterfly to Type O Negative and Whitesnake”, laughs Salmi and continues, “We’d also pick the language of a song’s lyrics based on what we felt would fit the mood of the song. This album has songs in Finnish, Swedish and English.” Sammal’s unexpected prog-psych-boogie epic Aika laulaa will be released on November 18th on all platforms as well as on CD and LP.

pre-order now16.12.2022

expected to be published on 16.12.2022

24,79
Sammal - Aika Laulaa

Sammal

Aika Laulaa

12inchSVART332LPB1
Svart Records
16.12.2022
also available

Black Vinyl[24,79 €]


Svart Records proudly presents: Finnish prog-psych quintet Sammal sheds skin and changes into a power trio, new album announced Sammal have since their 2013 debut cemented their reputation as one of the leaders of the Fenno-Ugrian neoprogressive and psychedelic scene and also raised some waves internationally, performing at the well-respected Roadburn Festival in 2015 and garnering a series of raving reviews around the world of psychedelia and progressive rock fandom, such as “Truly amazing and otherworldy music” or “Earnest, vibrant music specked with impressive nuance”. A few years have passed since the successful Suuliekki album, and since then two of their five members have left the fold. Guitarist and songwriter Jura Salmi decided, however, that Sammal must continue in some form or another. “During the spring of 2020 I would spend time alone recording new demos with the guitar. The remaining three Sammal members had already decided that if the band was to continue, we would not seek another keyboard player.I had bought a guitar pedal that can simulate keyboard sounds and it opened a new world to me. I realized we can perform fine as a power trio without a bass or a keyboard player”, comments Jura Salmi. “Sammal has always been a melting pot of all music we like. If in the past we used to be heavily into bands lke Camel, Dungen and Opeth, when working on this album we’d liste to everything from Bo Hansson and Iron Butterfly to Type O Negative and Whitesnake”, laughs Salmi and continues, “We’d also pick the language of a song’s lyrics based on what we felt would fit the mood of the song. This album has songs in Finnish, Swedish and English.” Sammal’s unexpected prog-psych-boogie epic Aika laulaa will be released on November 18th on all platforms as well as on CD and LP.

pre-order now16.12.2022

expected to be published on 16.12.2022

24,79
BANG BANG BAND GIRL - 12 SUPER DUPER EXTRAORDINARY GIRL TROUBLE ROCK’N’ROLL TRACKS

From Chile now Rotterdam comes that extraordinary One Lady Rock'n'Roll Orchestra giving you the most obscure Covers of the Cramps, Motörhead or the Drifters, Recorded in Peru and the NL Ladies & Gentlemen welcome to violence, der künstlerischen Gewalt der emotionalen Kraft, Sinnlichkeit und grenzenloser Stärke... Willkommen in der Welt von Bang Bang Band Girl, der allmächtigen ein Damen-Band, die dieses fabelhafte Album komponiert und gassenhauer neu um-komponiert, spielt, singt und produziert. In Chile geboren, dann auf der ganzen Welt gelebt und jetzt im niederländischen Rotterdam heimisch, ist das Album ein echtes Sonic-Meisterwerk, das wie eine Jukebox die grandiosen Hits unseres Bang Bang Band Girl spielt. Eine wild abgespacte Wand aus Fuzz gitarren, Theremin, Reverberation-Feedback und einer warmen, gefährlichen und doch süßen Stimme bringt Ihnen die Hits von The Troggs (Wild Thing) Wanda Jackson (Funnel Of (trash) Love) Hasil Adkins (No More Hot Dogs) Nancy Sinatra (bang bang) Motorhead (the Watcher) The Drifters (Up On the Roof) Dave Diddle Day (Blue Moon Baby) The Heartbreakers (All By My Self) Elvis Presley (Heartbreak Hotel) the Cramps (Call Of The Wighat) alles selbst aufgenommen und gespielt in Rotterdam oder Lima, Peru, ausgenommen Walter Daniels (daddy long legs, Oblivians, john schooley etc) spielt Saxophon in Blue Moon Baby und Veronik spielt das Theremin in Heartbreak Hotel, wir können nur aufstehen mit den Füssen stampfen und laut applaudieren und eine weitere Münze in die Jukebox werfen, nur um in den Tiefen der Nacht zu tanzen. (Frank Zwiler) Vinyl-LP mit DLC, Poster-Booklet-Inlay und Gratistrip ins All, CD in Karton-Digisleeve inklusive 12seitigem Insert, kein Kunststoff bis auf die CD

pre-order now16.12.2022

expected to be published on 16.12.2022

19,29
The Ganjas - Generation

The Ganjas

Generation

12inchBYM085
BYM Records
16.12.2022

New Studio Album after long 8 years! Produced by Jack Endino in Chile and Mastered by Tony Cousins (The Verve, The Stone Roses) at Metropolis Studios U.K, Lacquer cut by Richard Simpson (Beck, Flamin’ Groovies, Lou Reed). After 8 long years The Ganjas returns with a new studio album, a joint production between Jack Endino and the band. Like the 2012 album ‘Resistance’, this LP combines sounds and styles that have marked the band since its inception; long space rock songs, neo grunge guitars, Manchester-reggae rhythms, and ballads with R&B vocal harmonies. For fans of: Sundial, Keith Richards, The Stone Roses, Swervedriver
A job that very well summarizes the more than 20 years of uninterrupted career. After the compilation album ́Ghost River ́ (2015) and having finished the European tour in September of the same year, the drummer changed, the long-lived founder Aldo Benincasa left and Nes entered, who had already replaced him on a couple of occasions. In March 2017 they embark on a trip to El Médano a mountain refuge that is on the border between Chile and Argentina, and in there for several days they shaped the songs that gave life to this album. Then, in 2018, Jack Endino, an old acquaintance of the group, travels from Seattle to Santiago to record 10 songs with different nuances and colors, lyrics in English and Spanish, radio cuts and long durations, rock, groovy and power ballads, at Estudios Lautaro. The album has songs like ‘America’ and ‘Ex-Pilot’ an opening and closing of almost 10 minutes in a cadenced and hypnotic groovy march, spatial and psychedelic in the purest style of The Verve's A Northern Soul album. While ‘Space Trees’ and ‘10.000 Años’ are short, powerful, fast and acid songs with the grunge and alternative rock stamp that sounded in the 90's, nothing to envy to Sundial and Swervedriver. There is room for Manchester-reggae moments in ‘New Berlin’, an instrumental dance song that was born in that city thanks to the collaboration with Andrés Bucci and ‘Listen To The Lion’, a trippy and deep Dub-Reggae cut. R&B ballads have always been part of the group's work and on this album they stand out with ‘Generation’, the title that gives the album its name, with a sound reminiscent of Keith Richards solo songs and the emotional nirvana-esque ‘Far Along The Way’. The mix was carried out in 2019 between Seattle and Santiago de Chile, during upheaval and social protests as a result of the October outbreak and was mastered in 2020 at the Metropolis studios in the U.K. by Tony Cousins, an engineer who had already worked with The Verve and The Stone Roses, influences recognized by The Ganjas. Due to the pandemic the release was postponed to the end of 2022. For the likes of: Sundial, Keith Richards, The Stone Roses, Swervedriver. Genre: Alternative / Indie

pre-order now16.12.2022

expected to be published on 16.12.2022

26,68
Los Crudos - Discografia 2x12"
  • 1: Tiempos De La Miseria
  • 2: Me Robaron
  • 3: Crudo Soy
  • 4: La Madres Lloran
  • 5: Eliminación
  • 6: Desde Afuera
  • 7: Asesinos
  • 8: Se Ve En Tu Cara
  • 9: Cipayos, Traidores Y Vendidos
  • 10: Sin Caras
  • 11: No Estoy Convencido
  • 12: Curiosidad
  • 13: ?Por Qué?
  • 14: Tú Lo Enseñaste
  • 15: Lucha Para Que Te Escuchen
  • 16: Corrido Jodido
  • 17: Escaleras
  • 18: Llegan Empujando
  • 19: Nada Cambia
  • 20: Achicados
  • 21: En Mi Opinión
  • 22: No Te Debo Nada
  • 23: Levántate
  • 24: La Caída De Latinoamérica
  • 25: Nos Quieren Como Siempre
  • 26: No Me Vengan A Salvar
  • 27: Déjanos En Paz
  • 28: Tierra De Libertad
  • 29: Victorias Y Ganancias
  • 30: Unidad Prohibida
  • 31: That's Right We're That Spic Band
  • 32: Poco A Poco
  • 33: Suéltalo
  • 34: Migra Violencia
  • 35: Viejos Patéticos
  • 36: Del Pasado Al Presente
  • 37: Esto No Trae Precio
  • 38: A Los Inseguros
  • 39: Tomando Los Golpes
  • 40: No Existen Palomas Blancas En Mi Barrio
  • 41: No Va A Haber Revolución
  • 42: ?Quién Es El Pendejo Más Grande?
  • 43: ?Qué Pasó Con La Paz?
  • 44: Metiendo Sal En La Llaga
  • 45: ?Vas A Regresar?
  • 46: Hardcoregoismo
  • 47: Naciste Con Voz
  • 48: Ilegal, ¿Y Qué?
  • 50: Identidad Perdida
  • 51: Vendedores De Dolor
  • 52: 500 Anos
  • 53: ?Ahora Quién Se Queja?
  • 54: Lengua Armada
  • 55: ?Qué Paso Con La Paz? (Alt. Version)
  • 56: Peleamos
  • 57: Escupiendo En Tu Propia Cara
  • 58: Que Te Conviene
  • 59: Me Lo Paso Por El Culo
  • 60: Cobardes
  • 61: Desde El Barrio
  • 62: Sin Título
  • 63: Somos Peligrosos
  • 64: No Se Acabó
  • 65: Lo Que Queremos
  • 66: ?Qué Me Importa?
  • 67: Mediocre

Repress!

European version of the long overdue LOS CRUDOS Discography collection. LOS CRUDOS, formed in Chicago's Pilsen neighbourhood in the early 90's, are a Latino punk band with a strong socio-political message and an extremely militant DIY attitude. During their first incarnation, spanning the years 1991 to 1998 the band self-released their own records, printed their own merch, booked their own shows and toured relentlessly around the world. From South America to Japan including a 3 month European tour in the winter of 1996. They spoke to the freaks the outsiders and the minorities and were not afraid of confronting the white middle class punk who reigned supreme during the terrible 90's. A time which will not be remembered for their hardcore output except for a few exceptions, in which CRUDOS are surely included. Their sound, far from being a copycat of whatever flavour of the month was reigning at the time was heavy rooted in the golden years of European and Latino American ferocious hardcore punk. With bands as IMPACT, WRETCHED, OLHO SECO, TERVEET KADET or MASACRE 68 as obvious influences in a time when the simple mention of any of those bands (or any non English speaking bands really) was usually met with a laugh or a joke. They sang in Spanish, with aggression and conviction and that made their message spread out widely, reaching thousands of Spanish speaking punks both in Latino America and Spain as well as inside USA where third generation Latino kids surely were missing a voice within the punk scene. The band split up in 1998 after a really intense year of touring and reformed in 2008. The band will be undertaking their first ever Scandinavian tour in July/ Agust 2016. This collection, originally released as a benefit for MRR magazine last year, includes all the LOS CRUDOS output plus compilation tracks as well as a couple demo tracks and an unreleased song. The European version comes in a gatefold sleeve and brings a 40 page booklet with flyers and the lyrics of all songs.

Track list: 1. Tiempos De La Miseria 2. Me Robaron 3. Crudo Soy 4. La Madres Lloran 5. Eliminación 6. Desde Afuera 7. Asesinos 8. Se Ve En Tu Cara 9. Cipayos, Traidores y Vendidos 10. Sin Caras 11. No Estoy Convencido 12. Curiosidad 13. ¿Por Qué? 14. Tú Lo Enseñaste 15. Lucha Para Que Te Escuchen 16. Corrido Jodido 17. Escaleras 18. Llegan Empujando 19. Nada Cambia 20. Achicados 21. En Mi Opinión 22. No Te Debo Nada 23. Levántate 24. La Caída De Latinoamérica 25. Nos Quieren Como Siempre 26. No Me Vengan A Salvar 27. Déjanos En Paz 28. Tierra De Libertad 29. Victorias y Ganancias 30. Unidad Prohibida 31. That's Right We're That Spic Band 32. Poco a Poco 33. Suéltalo 34. Migra Violencia 35. Viejos Patéticos 36. Del Pasado Al Presente 37. Esto No Trae Precio 38. A Los Inseguros 39. Tomando Los Golpes 40. No Existen Palomas Blancas En Mi Barrio 41. No Va A Haber Revolución 42. ¿Quién Es El Pendejo Más Grande? 43. ¿Qué Pasó Con La Paz? 44. Metiendo Sal En La Llaga 45. ¿Vas A Regresar? 46. Hardcoregoismo 47. Naciste Con Voz 48. Ilegal, ¿Y Qué? 50. Identidad Perdida 51. Vendedores De Dolor 52. 500 Anos 53. ¿Ahora Quién Se Queja? 54. Lengua Armada 55. ¿Qué Paso Con La Paz? (Alt. Version) 56. Peleamos 57. Escupiendo En Tu Propia Cara 58. Que Te Conviene 59. Me Lo Paso Por El Culo 60. Cobardes 61. Desde El Barrio 62. Sin Título 63. Somos Peligrosos 64. No Se Acabó 65. Lo Que Queremos 66. ¿Qué Me Importa? 67. Mediocre

pre-order now16.12.2022

expected to be published on 16.12.2022

30,04
Ayats-Thorvald - Lune Atroce

Banging electro/EBM tracks on this new ELectronic Emergencies! 'Lune Atroce' by Ayats-Thorvald arrives just in time for the dark days of December. Lune Atroce is a five track 12-inch on green vinyl by techno and electro laureates Marc Ayats and Jorgen Thorvald, famous for their work for the legendary A-TRACTION Records, among others. The collaboration of Ayats and Thorvald results in a stomping electro/EBM-banger, fuelled by absinthe and inspired by the poetry of Rimbaud and a great friendship. Apart from 2 different versions of Lune Atroce by the masters themselves, the release contains 3 other remixes: one by emerging French producer Voltaire, one by techno hero Southsoniks and the final one by Swedish EBM legend Celldod. Prepare to turn the heater off (or your shirt) when Lune Atroce is played in the club!

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17,10

Last In: 3 months ago
Julia Holter - Ekstasis LP (2x12")

Ende November 2012 veröffentlicht Domino das Re-Release von "Ekstasis", dem bedeutenden, zweiten Album der kalifornischen Popkünstlerin Julia Holter. Bislang war das Album in Europa nur als nordamerikanischer Import erhältlich. Nach dem großen Anklang, auf den das Album in den USA stieß, erscheint eine der für diese Dekade so wichtige Platte aus dem amerikanischen Untergrund nun endlich auch offiziell in Deutschland. "Ekstasis" ist ein Album, bei dem Julia Holter ihre umfangreichen Klassikkenntnisse mit einem natürlichen Pop-Flair unterlegt. Damit reiht sie sich zwar neben Künstlern wie Arthur Russell und Laurie Anderson ein, bleibt durch ihre unerschütterlich nach außen strahlende Vision aber dennoch eine einzigartige Künstlerin, die auf ihrem neuen Album alle schönen und süßen Mysterien festhält, die das Leben mit sich bringt.

pre-order now14.12.2022

expected to be published on 14.12.2022

18,70
Soseies - Neue Sachlichkeit LP

Neue Sachlichkeit bezeichnet eine Stilrichtung der Kunst,
welche sich nach den Gräueln des ersten Weltkriegs mit der
menschlichen Vergangenheit von Gewalt auseinandersetzte.
Entgegen der Romantisierung des eigenen Weltbezugs trat
eine nüchternere Betrachtungsweise, welche der Darstellung
von Hässlichkeit neben Schönheit einen Platz einräumte.
Neue Sachlichkeit bezeichnet ebenfalls die Platte des
Produzenten und Rappers Soseies. Das Album setzt sich auf
seine Weise ebenfalls mit Vergangenem auseinander und
stellt es in Form von Beats, Skits und Texten fest; gipfelt
ebenfalls in einer neuen Perspektivität. Neue Sachlichkeit
kommt als erste Platte des Magdeburg-based Labels
Hallenbande auf schwarzem Vinyl daher. Wesentliche
Bereicherung erfuhr das Album durch hauseigenes Mixing &
Mastering von Asbeluxt sowie Texte von Schubidoobie,
Schmero und Pucci. Das gesamte Design basiert auf dem
Gemälde der Künstlerin Mundiartis. 14.12.2022 Der Sturz
aus den Festigkeiten wird Schwebenkönnen. Hallen ist die
Bande.

pre-order now14.12.2022

expected to be published on 14.12.2022

22,27
Laughing Eye - An Die Freude / Pass In Light

More than three years has passed since her last release on Höga Nord Rekords but now Laughing Eye is back on the label with two tracks of electronic neo hippie beat-music. A departure from the 2019 album (”Laughing Eye”) but still true to the core of psychedelic music, Laughing eye taps in to the early eighties and primitive drum machine driven music on these two tracks.

Both ”An Die Freude” and ”Pass in Light” has an alien and outer spacey feeling to them: the titles suggests this and the music fits them perfectly. If Laughing Eye aimed at your inner space on the last album, these songs goes to seek extraterrestrial life with kind intentions.

Gothenburgs observatory lies under threat of a shutdown due to raised rents, but maybe with help from Laughing Eye and other space freaks like her, we can turn this ”development” around and secure the resources needed in the search for life on other planets!

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10,88

Last In: 3 years ago
Hamish Balfour - Running Colours

Pianist, drummer, composer and producer Hamish Balfour presents jazz funk, soul and electronic music, bridging the gap from classic Blue Note to Warp via Sonar Kollektiv on Running Colours, his electrifying debut album for London's Shapes of Rhythm Records.

Praised by Jazzwise for hissolo flourishes and sidestepping harmonies, Hamish Balfour should be a recognisable face to jazz addicts. The go-to keys player has performed and recorded alongside American jazz drumming legend Harvey Mason, Tenderlonious, The Temptations, Odyssey, Faze Action, Yolanda Charles' Project PH, Bassically, Nim Quartet and Yam Who. Popping up not only in the credits of many sought-after albums, but also Channel 4, ITV and BBCprogrammes for his compositions on various shows.

Over the course of eleven tracks, Balfour folds in and explores his influences, with a wide yet highly cohesive and strong palette of sounds, whilst interacting with high caliber guest vocalists such as spoken word artist and broken beat icon, Lyric L(Seiji,Nathan Haines), London Elektricity and Hospital Records' star vocalist Elsa Esmeralda, award-winning and chart-storming singer-songwriter Belle Humble (Freestylers, Paloma Faith) and soul and house mainstay Andre Espeut (Afriquoi,Simbad,Faze Action).

Responsible for all piano, synths, percussion and production on the album, Balfour's musicality shines through, a reminder of how overdue this debut album as leader is. However, in addition to the incredible vocalists, he's joined by some of the UK's finest jazz musicians: James Copus (trumpet), Pete Matin (bass), Laurie Lowe and Saleem Raman (drums) and Rob Updegraff (guitar).

Elsa Esmeralda implores us 'not to be afraid' on lead single and title track Running Colours. A perfect invitation to get stuck into this many layered album. Balfour compliments Esmeralda's soothing vocals with delicate piano intro before Lowe's bruk-easque drums and lead an irresistible groove bedded in warm synths and guitar licks.

Yes or No showcases Loose Lips legend Lyric L contemplating the uncertainty of love over a swinging mid-tempo jazz funk boogie groove propelled by tight drums and Hammond chords, closing with a flying trumpet solo from Copus, weaving around Balfour's nimble keys.

Wealth, featuring singer/songwriter Belle Humble, displays incredible depth and restraint. Humble delivers the enticing vocal with ease, as it slides over the intricate webs of jazz fusion and electronics.

Mogul is arguably Running Colours' curveball. An eastern-inspired whirlwind of all manner of synths and twisting drums which constantly morph throughout. Guitars and trumpets take turns to solo on a track that feels like a series of questions that we never quite get answers to.

Balfour's ability to merge free wheeling jazz and fusion with timeless electronic production and soulful compositions is also apparent on instrumental pieces such as Reflector 28. Here, we find the musicians upbeat, uplifting, progressive and playful, showcasing the keys whilst the bass underpins the groove.

South Of The Sun is Running Colours' laid-back moment with Roy Ayers-type vibrations as bass and drums sit in the pocket (at least to begin with), whilst a Rhodes weaves its magic. Like many of the album's tracks we take a few twists and turns before returning to our main feel-good motif.

Hamish's long awaited debut is sure to exceed the expectations of those who know him already, whilst introducing a whole new audience to his wealth of talent and originality.

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17,61

Last In: 3 years ago
Ella Fitzgerald - Ella Wishes You A Swinging Christmas

First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

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20,38

Last In: 3 years ago
VARIOUS - GEMS UNDER THE HORIZON 2

Gems Under The Horizon, the chillout division of Belgium’s Basic Moves returns with its second release this July, comprised of four original cuts from various artists across the globe.
Gems Under The Horizon was launched by Basic Moves label boss
Walrus originally as a Sunday daytime party series aimed at sharing electronic music in the chillout, ambient and downtempo sphere to wind down the weekend. The affiliate imprint was launched in April 2021 with material from Astral Industries artist Sonmi451 and Dylan Thomas Hayes.
Here the label returns with four new tracks welcoming an array
of new artists onto its roster and leading the way is &Apos who delivers ‘Vigo’, a hauntingly beautiful journey through swelling textures, plucked strings ethereal voices and synth modulations. Salamanda’s ‘No Vacation’ follows, the Seoul, South Korea based duo of Uman Therma a.k.a. Sala and Yetsuby a.k.a. Manda turn their focus
towards an amalgamation of gamelan like chimes, metallic percussion, organic drum grooves and flute like synth work.
Ugné & Maria’s ‘Into Orbit’ opens the flip side, as the name would suggest embracing a spaced-out aesthetic with intricately unfolding melodies, cinematic atmospherics, and gritty broken drums. Bogota, Colombia’s Manta Ray then rounds out the release with ‘Mysterious Ways’ as she traverses through off-kilter rhythms, unfurling pads,
choppy scratches, broken vocal cuts and meandering subs.

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11,39

Last In: 3 years ago
Timid Boy - Blond Tall Speed

Vinyl Only

A key player in the French electronic music scene, DAMIEN ALMIRA launches his new single vinyl label ALMIRA RECORDS.

On the 2nd release, he resumes his famous pseudonym TIMID BOY :
"Blond Tall Speed" is a deep tech dancefloor anthem.
The remix is directed by Romanian hero MIHAI POPOVICIU for a delicate journey in depth.
'Awao' is a beautifull dreamlike rhyme performed with the voice of the French-Russian Parisian u-datcha.

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10,50

Last In: 2 years ago
Leftfield - This Is What We Do LP 2x12"

The first album in 7 years from seminal electronic music pioneers and twice Mercury Prize Nominated, Leftfield. Currently reaching a new audience through Idris Elba’s Gucci ad, this will be their 4th album in their 28 year history. The new single will be featured in the soon to launched eFootball by Konami (previously PES).

Their last tour (in 2017) featured 7 sold out UK shows (including 2 X Brixton Academies), a sold out world tour and various festival headlines.

Quote from Neil Barnes: "I wanted ‘Pulse’ to be the first statement from the new album. It felt strong. Dance floor. Human. Positive. And I love the bass. It’s Leftfield."

Full pitch notes with bio to come

CULTURE

Leftfield (originally comprised of Neil Barnes and Paul Daley), have been at the cutting edge of dance music since the 1990s, releasing albums that have become some of the most influential electronic records of all time around the world with their debut LP 'Leftism' being widely regarded as one of the most boundary-pushing electronic LPs ever released.

In 2010, Neil Barnes reignited the Leftfield name, and went on to release an acclaimed new album (Alternative Light Source) touring the world with the full live band. Neil has also been cementing his reputation as a top-tier DJ and record collector unleashing modern dance floor weapons, selling out venues, headlining festivals and creating some amazing nights with his sets.

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30,21

Last In: 3 years ago
Anja Lauvdal - From a Story Now Lost

Produced by Laurel Halo and released via Norway’s respected Smalltown Supersound label, Anja Lauvdal’s first solo release, From a Story Now Lost, is a gorgeous musical essay reflecting on time, its perception, and lost histories rediscovered. Finally exploring her own voice after more than a decade of collaborative improvisational playing – starting at her time in jazz conservatory in Trondheim – the album is a jewel of subtle beauty and innovative detail.

A freeform musician on piano, synthesizers, and electronics, Lauvdal’s discography stretches back to 2013 and includes her participation in a myriad of ensembles and collaborations exploring the limits of sound and music in many forms, including noise, jazz, and more. Following her move to Oslo after graduation, she became deeply embedded in the music community there, touring with Jenny Hval as well as playing on her records. When pandemic hit and isolation was the norm, Lauvdal began working on her own, recording her improvisations in an attempt to capture something new for herself

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25,17

Last In: 3 years ago
Butch Haynes introduces Complementary Minds - Vol. 1.

Terapia Records is thrilled to introduce you the very first release of its catalogue, a stunning LP by the two founders Luca and Michele (aka Complementary Minds) called Butch Haynes introduces Complementary Minds Vol. 1. The newborn label launches its ambitious, yet very much considered project, after the debut of one of the two head-honchos Luca Ferrara aka Butch Haynes on Apparel Music and Sistrum Recordings. He metaphorically introduces the first LP by the Milan born and bred duo, who share a deep love for music and a great productive connection. They deliver a brilliant eleven-track album, full of diversified sonic influences and quite representative of their bright talent. The record, which will be presented to you both on vinyl and digital, starts with a couple of masterly produced beats (Fantastic/Teacher Carey), both with an analogous mellow, warm energy, some brilliantly crafted bass-lines and a substantial harmonic presence. The album keeps rolling with the Deep feeling of Flower Diva: its soulful, skilfully arranged vocals and the dreamy synthetic chords help the pair to perpetuate this passionate, balmy vibe. Insomnia ends the first quartet of sexy tunes with some seductive improvised spacey key stabs and its delicate pensive chords while Q Orchestra (the lost tape mix) speeds up the heartbeat and leads to the closing track of the A side, Bebi: a gorgeous groovy interlude. B side kicks off in style with the slightly darker feel of Myers Boogie Man where the pitched sampled vocals, the solid rhythm section, a profound array of sonic details and a marvellous warm synth melody towards the end of the track make it a true ghetto hit! Right On, with its broken-beat and a radiant harmonic progression, Contact 911 with its tight kick-snare connection and some far-out, whimsical chord evolution and G Buster with its irresistible slightly acid driving force, pave the way for the grand finale where Maam, a proper club banger, ends this amazing LP in epic fashion. Butch Haynes introduces Complementary Minds Vol. 1. is such a cohesive, yet incredibly diversified album and their authors, Luca Ferrara and Michele Fallabrino, achieve the challenging task of telling their sonic story with a flawless work. What a way to start Terapia Records’ experience.

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22,65

Last In: 3 years ago
Various - Greasy Mike's Middle Eastern Harem

More in the new series from Jazzman featuring the lowest of the lowball schlock n' roll 45s never known to exist!
After many years in hiding, notoriously shady Super Spiv of the record world Greasy Mike has finally opened up his vinyl dungeon, and we were first to raid it!
We have left no box untouched, no crate unrummaged, no pile unpilfered! Just the greasiest and grimiest, the most shocking and sordid 45s have made it onto our selections. Watch out for more!!!
In this adventure Greasy Mike finds himself lost in the wilderness; hot, thirsty and alone under the unforgiving desert sun. He's been days without food and water; the heat of the day stifling almost beyond endurance, the cold of night a trial of torment. Survival seems impossible - or does it? Staggering across the sandy plains, the eerie yet unmistakable sound of a snake charmer's reed curiously winds its way into his ears. Instinctively he turns his head towards the sound - and lo! An oasis just ahead! Music, laughter - and belly dancers!!!

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21,81

Last In: 3 years ago
Fozzy - Boombox (Ltd. Black Vinyl)

Die Powerhouse-Rocker Fozzy veröffentlichen ihr neues Album BOOMBOX, ihr erstes Album seit fünf Jahren. Das Album, das die US-Top-10-Singles "Nowhere to Run" und "Sane" enthält, wurde erneut von Johnny Andrews produziert. FOZZY-Frontmann Chris Jericho sagt über das Album: "Judas... sowohl das Album als auch der Song waren ein RIESIGER Durchbruch für FOZZY. Es brachte uns auf das nächste Level und brachte uns eine gute Position im Rockradio und als Live-Magnet ein. Daher wussten wir, dass wir das Album unseres Lebens nachlegen mussten. BOOMBOX ist dieses Album! Ihr habt bereits die Top-Ten-Singles "Nowhere To Run" und "Sane" gehört - knallharte, eingängige Songs, die den Ton für dieses Album angeben. Aber es sind "I Still Burn", "Army Of One" und "Relax", die meiner Meinung nach dieses Album und diese Band noch weiter nach oben bringen werden! Also dreht die Lautstärke auf und haltet euch die BOOMBOX an eure Ohren!!! Es wird ein wilder Ritt werden."

pre-order now09.12.2022

expected to be published on 09.12.2022

23,32
DIKKA - Oh yeah!

Dikka

Oh yeah!

12inch0602448664242
Universal / Island
09.12.2022

Rap für Erwachsene? Kann doch jedes Kind! Und ein ganz bestimmtes Nashorn kann das auch: DIKKA
– das rappende Rhinozeros kommt auf seinem Debütalbum „Oh Yeah!“ mit jeder Menge wilder, frecher
und lustiger Songs für starke Kinder. Groß, grau, gutgelaunt, mit dickem Bauch und ordentlich was in der
Birne stellt DIKKA sich dabei nicht auf die Seite der Eltern, sondern nimmt die kleinen Hörer an die Hand
und geht gemeinsam mit ihnen mal den wirklich wichtigen Fragen des Lebens nach
Warum werden irgendwann selbst der leckerste Oma-Kuchen, die knusprigen Pommes und der Ketchup zu
Kakka? Weshalb denken Mama und Papa eigentlich, dass sie alles besser wissen und man immer Hilfe
braucht, wenn man es doch eigentlich längst alleine kann? Wieso immer rosa für Mädchen und blau für
Jungs und nicht mal Grau als Lieblingsfarbe? Und wie sagt man jemandem wohl am besten, wie lieb man
ihn hat?
Aber DIKKA kann noch mehr: Eine Hymne auf alle Superpapas singen zum Beispiel. Das Abendbrot
schon morgens essen oder auf dem Bügelbrett surfen. In Rosinen baden und mit einem Kopfsprung im
Salat landen. Auf dem Flohmarkt ein paar Flöhe kaufen und rückwärts zum Späti an die Ecke laufen, um
dort ein extragroßes Eis zu schlecken. Mit dem Rad zu entspannten Beats durch den Kiez rollen, dass es
jeder sieht – mit schimmerndem Schutzblech, klingelnder Klingel und vor allem mit Helm, denn der schützt
schließlich die Melone. Klare Sache!
„Oh Yeah!“ beinhaltet Songs mit MusikerInnen wie LEA, Sido und Mark Forster.
Ab dem 09.12.2022 auch als LP erhältlich.
Musikrichtung: Musik (Kinder)

pre-order now09.12.2022

expected to be published on 09.12.2022

28,53
Akae Beka - Kings Bell

Akae Beka

Kings Bell

12inchIGBZRLP005
Before Zero Records
09.12.2022

Kings Bell, first made available to the world on CD and digital on November 1, 2011, is now being released on a 12" vinyl courtesy of Before Zero Records. This LP joined the best of St Croix with the best of Jamaica: an amazing lineup of players spearheaded by the venerable Jamaican production maestro Andrew "Bassie" Campbell. The result of this collaboration is Kings Bell – a modern roots masterpiece. As Vaughn Benjamin's first-ever full-length collaboration with a Jamaican producer, Kings Bell was a historic release and features some of the greatest musicians the genre has ever seen including Leroy "Horsemouth" Wallace, Earl "Chinna" Smith, Squidley Cole, Mikey "Boo" Richards and Sticky Thompson.

The driving musical force behind the album, producer and bassist Andrew "Bassie" Campbell has crafted beautiful rhythms that truly compliment the deep lyrics of Vaughn Benjamin. The power and authenticity of Andrew Bassie's productions stand out from the mass of slickly-produced modern roots coming out of Jamaica today. Much of the music was recorded organically in Jamaica at Tuff Gong Studio, with additional overdubs, vocal recording and mixing completed at I Grade's studio in St. Croix. The result is a collection of songs that capture not only the essence of classic roots from the hands and minds of some of the individuals who have literally helped build the genre, but also the urgency and innovation of the present time. In more than seventy albums and in over twenty years of Midnite music nothing like this cross-fertilization of Jamaican classic roots tradition mixed with St. Croix's own deep roots tradition has ever happened, making "Kings Bell" a glowing highlight in the expansive catalogue of Vaughn Benjamin. A catalogue born from a non-stop movement in pursuit of progressing his craft and delivering his message to the world. One of Benjamin's most fruitful stops along his journey was with I Grade Records, headed by producer/engineer/multi-instrumentalist Laurent "Tippy I" Alfred, regarded by many as some of the finest work of his career.

pre-order now09.12.2022

expected to be published on 09.12.2022

21,43
UNKNOWN MORTAL ORCHESTRA - BLUE RECORD EP

Die "Blue Record" EP enthält 5 Songs: die beeindruckenden Akustikversionen von drei Songs des 2013er Albums ,II" sowie zwei fantastische Coverversionen, "Swing Lo Magellan" (DIRTY PROJECTORS) und "Puttin It Down" (BECK). "Ich habe erst im letzten Jahr damit angefangen, Akustikgitarre zu spielen. Die Idee, dass eine Gitarre Sound in Elektrizität übersetzt und es dann richtig laut wird, mochte ich schon immer. Ich dachte, dass die Akustikgitarre vielleicht ein bisschen zu niedlich für mich ist. Doch nachdem uns einige Gelegenheiten geboten wurden, Akustiksets zu spielen, um die neue Platte zu promoten, habe ich beschlossen, das Ganze als Herausforderung zu betrachten und zu versuchen, akustisch zu spielen und dabei nicht langweilig zu klingen. Schließlich fand ich es schon immer toll, wie Arthur Lee akustisch spielt und fragte mich, ob ich das wohl überzeugend hinbekommen könnte. So wurde ich praktisch durch ein paar Radiosessions dazu gezwungen, mir die Akustikgitarre anzueignen und beschloss, ein paar Songs akustisch aufzunehmen und zu veröffentlichen, weil den Leuten das anscheinend gefiel. Alles wurde in meinem Keller mit nur einem Mikro direkt auf Band aufgenommen." - Ruban Nielson, UNKNOWN MORTAL ORCHESTRA ENG "I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically and release them since people seemed to be liking the way I was doing it. Everything was recorded straight to tape in my basement with a one mic set up." - RUBAN NIELSON, UMO


[a] 01. SWIM AND SLEEP (LIKE A SHARK) [ACOUSTIC VERSION]
[b] 02. FADED IN THE MORNING [ACOUSTIC VERSION]
[c] 03. SO GOOD AT BEING IN TROUBLE [ACOUSTIC VERSION]

pre-order now09.12.2022

expected to be published on 09.12.2022

19,29
Laurent Garnier - Coloured City (Remastered)

repressed !

Die vierte und finale Staffel im Zuge des 25-jährigen Jubiläums des legendären und stilbildenden Pariser Labels F Communications mit remastered Reissues ikonischer EP's komplettiert die 25. Den krönenden Abschluss bilden St. Germains (Ludovic Navarre) Deep House-Meisterwerk "Blanc EP" (1994, veröffentlicht in Kollaboration mit Didier Delesalle als Nuages), der Techno-Monolith "Silvery Sounds" (1998) des Frankfurter Produzenten Andreas Köhler (aka Sound Of K) mit den fantastischen Technasia-Remixen, die legendäre erste "Flame One" EP (1996) des Baleric-House-Projekts A Reminiscent Drive, Jori Hulkkonens techy Spätwerk " A Letter From Cardassia" (2004), sowie natürlich nochmal Laurent Garnier mit seiner jackin' "Coloured City" EP (1998).

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14,24

Last In: 15 months ago
Tatie Dee - Purple Wave EP

Friendsome Records and Tatie Dee are delighted to present to you her debut EP Purple Wave. After a few singles released on various french and international labels and compilations, that launched a very promising career, the young prodigy has produced this beautiful 5 tracker to take you on an Acid trip full of jumpy melodies, heavy beats and banging drops ! Oscillating between “classic” House and contemporary Acid touches , you will first be taken on a journey of grooves fully produced by Tatie Dee (A1 to A3). Each in their own styles won’t definitely get a crowd in stagnation ! The B side has much more heaviness to it, starting with a remix by the one and only UK legend Mr G, where he took Take Me Up in a mix which only he has the secret for. Followed by the last (but not least!) track of the record, OMZ, which we could describe as the “dirty side” of Tatie Dee. Enjoy your trip !

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13,40

Last In: 2 years ago
Slacker - Damage To Be Undone

Slacker

Damage To Be Undone

12inchSFTRW01
Soft Raw
07.12.2022

Soft Raw is a new label from Danielle – a natural extension of the Bristol-based DJ’s expansive tastes within contemporary club music. Over the past few years the NTS resident has become a leading light in the multifaceted world of modernist techno abstractions, ably balancing soundsystem pressure and propulsive rhythmic intensity with experimental textures and explorative energy variations. Soft Raw seeks to continue that mission with releases which will progress stylistically from one approach to another, taking in exciting, emergent producers unique in their approach but bound together by the idiosyncratic curation of Danielle – a faithful reflection of her proven skill as a selector.

The label launches with a six-track drop from Slacker. Sam Black has been winding up a potent strain of needlepoint techno which leans towards jungle and half-time D&B in its tempo and structure. Across a selection of various releases, Black’s sound has evolved into an accomplished and detailed style which draws on moody atmospheres and advanced engineering in the grand tradition of UK soundsystem music. Across this EP the Slacker sound matches up to the spirit of Soft Raw, balancing fierce kinetic energy with delicacy and finesse and leaving some space for outright ambience. At times he locks into a half-step warm-up mode, while elsewhere the amens creep in for a more pronounced jungle rinse-out.

It’s a strong opening statement for this new label, but crucially this doesn’t spell out the future in absolute terms. True to Danielle’s broad outlook, subsequent releases are set to take in everything from straight up 4/4 and acid to footwork and electro, with a narrative binding each release together according to her internal logic and the tension between soft and raw qualities explored across consistently cutting-edge tracks.

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11,56

Last In: 2 years ago
Lucas Arruda - Sambadi

Lucas Arruda

Sambadi

12inchFVR080LPR
Favorite
06.12.2022

Favorite Recordings presents a reissue of Lucas Arruda's first album, Sambadi.

Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from a musical family (his dad and older brother are musicians) he started playing and listening to music very young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and keyboards, expanding his musical range of skills. At the same time he started a project called Du Black, with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings, as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth, or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the guys who influenced me.”

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18,95

Last In: 3 years ago
Various - The Reflex Revisions Part 3 (2x12")

After his previously successful outings with Vol. 1 & 2, Nicolas Laugier aka The Reflex is back with the third instalment of his Revisions series of Salsoul catalogue classics. Adding his familiar touch to update the labels renowned disco hits, there’s four tracks to choose from - all with that unique The Reflex flavour. Gaz’s “Sing Sing” and Edwin Birdsong’s “Win Tonight” get the Revision treatment while Rafael Cameron makes a double appearance, with a fresh version of “All That’s Good To Me” and a Cosmic Dub Revision of “Boogie’s Gonna Get Ya”.

With three volumes under his belt, if there’s one person who can be trusted with the legendary Salsoul vault it’s The Reflex.

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25,17

Last In: 10 months ago
Devon Russell - Darker Than Blue

Devon Russell

Darker Than Blue

12inch333LP001
333
05.12.2022

Death Is Not The End launch sub-label 333 with a first-time vinyl reissue for the late Devon Russell's Darker Than Blue LP - put together as a tribute to the great Curtis Mayfield. First issued in 1993 but featuring material originally recorded as far back as 1979, the collection includes a cast of prominent players across it's 10 tracks - featuring musical contributions from Sly Dunbar, Aston "Family Man" Barrett, Earl "Wire" Lindo, Dean Fraser, Bobby Ellis, Leroy "Horsemouth" Wallace, Prince Lincoln Thompson and many others - plus production & arrangment from Earl "Chinna" Smith, Sly Dunbar & King Tubby's Firehouse Crew alongside Russell himself. Limited to 333 copies.

"The concept for Darker Than Blue dates back to 1979. Returning from South Amerrica with my partner (in duo Lloyd & Devon) Lloyd Robinson, we did "Red Bum Ball" which had been a massive hit in the 60's. It was around this time that Earl Chinna Smith (of The Wailers and Soul Syndicate fame) approached me with the idea of re-making some Curtis Mayfield songs. "Darker Than Blue" was the first track we did, followed by "Move On Up" in 1981, both of which received great reviews.

On returning to Jamaica from a UK tour in 1986, my good friend King Tubby had taken on five men from my school of music, from which the Firehouse Crew were born. Within 3 years they had matured to become Jamaica's No.1 instrumental band, winning the Rockers award. Then in the spring of 1990, together we managed to record the album "Money, Sex & Violence", during a tour of the UK & France, on which we did Mayfield's "Give Me Your Love". The track was played to Steve Barrow who suggested we do more Curtis tracks.

Sly Dunbar and I have known each other for as long as I can remember. We grew up in the same hood and used to jam regularly in our youth. I told Sly about the further Mayfield tracks I wanted to do and he agreed that it would be a good idea. So Sly, myself and The Firehouse Crew went to work at the Leggo Studios in Kingston, Jamaica and created the remaining tracks for the Darker Than Blue LP, a tribute to Curtis Mayfield.

We grew up on the sounds of Curtis Mayfield and The Impressions. Everyone in Jamaica loved them. His death was a terrible thing, but while there is life, there is hope."
- Devon Russell, 1994.

333, under license from Prestige Elite Records Ltd.

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20,97

Last In: 3 years ago
Flox - Square LP

Flox

Square LP

12inchUR838471
Underdog Records
04.12.2022

Flox is square. Square, precise, direct.

He goes straight to the point, and doesn’t waist his time with useless considerations. “I have no time to shit around”, he says. So, his seventh album is called Square. Square represents a major turning point in the career of the pioneer of nu reggae. An extraordinary architect of studio production and multi-instrumentalist who records, mixes and produces but also, for several years, performs on stage with his musicians. After recording Square, he started touring alone, equipped with a machine he designed and built with Midi controllers to launch original samples and loops - an autarky assumed from one end of the process to the other. “You have to master all the tools to deliver what you want”, he has been saying for years...

Yet, this Square is wide open: old school rhythms or techno-like approaches, vintage dub or futuristic take offs, thick sound basses and melodies, scraped to the bone...

pre-order now04.12.2022

expected to be published on 04.12.2022

23,82
mim - L'Amour aux Mille Parfums (avec Charlène Darling)

With L'Amour Aux Mille Parfums, mim comes out of the shadows, naked, and gives a very personal vision of love that is at once accessible, profound and complex.

mim writes a politics of intimacy that grows out of the rubble of free pop tinged with experimental song. He turns clichés and expectations on their head in his own way in a "post-modern love" music that lowers its weapons and invites laughter and a form of enlightenment. Surprising and invigorating.

To accompany him in this adventure, he invites his friend, Charlène Darling, and together they stage their friendship in a dialogue full of sincerity and laughter. mim & Charlène had already collaborated on the excellent album "Saint Guidon".

Translated with DeepL Translator (free version)
We've heard it a million times: the story of the diary in music, the coming of age, the coming of age, the coming of age record. We've heard it a million times times, but never like this. With L'Amour aux mille parfums, mim comes out of the shadows, naked, and gives a very personal vision of a a record with a heavy heart, hemmed in by inner turmoil as much as by questions by inner turmoil as much as by questions about a socially stifling era. a kind of intimate politics that grows out of the rubble of a free pop tinged with experimental song.

L'Amour aux mille parfums is divided into two segments: a "social" A side and a "mystical" B side. and a "mystical" side B, both of which Mim has conceived of as two proponents of a of a vision embedded in the reality of the desire for love shattered by the outside world. world. Pas Malade is, according to its author, "a piece that breaks the screen, almost documentary". Bienvenue (which opens the album) states loud and clear, without any aesthetic irony "better a broken heart than a closed one". The The narrative and musical path of this album is naturally freed from the of love to wander with a certain malice in the sensitivity of the musician and the sensitivity of the musician and those who listen to him. It turns clichés and expectations on their head in its own way. clichés and expectations in his own way, writing a kind of "post-modern love" music music that lowers its weapons and invites laughter and a form of enlightenment.

pre-order now02.12.2022

expected to be published on 02.12.2022

17,61
LABI SIFFRE - Crying Laughing Loving Lying
  • A1: Saved
  • A2: Cannock Chase
  • A3: Fool Me A Goodnight
  • A4: It Must Be Love
  • A5: Gimme Some More
  • A6: Blue Lady
  • B1: Love Oh Love Oh Love
  • B2: Crying, Laughing, Loving, Lying
  • B3: Hotel Room Song
  • B4: My Song
  • B5: Till Forever
  • B6: Come On Michael

Labi Siffre’s third album was the first to be produced by Labi himself, who declares it to be “the one where it all
came together… singing some of my best songs”.
• Issued in 1972, it features the beautiful original version of “It Must Be Love”, a # 14 hit for Labi nine years
before Madness took it to the top. Also featured is “My Song”, as sampled by Kanye West for “I Wonder”, and
the # 11 hit title song, also covered by Rod Stewart and Olivia Newton-John.
• This new edition has been expertly cut by Barry Grint at AIR Mastering from the original stereo tapes using
precision half-speed mastering.
• Half-speed mastering is a vinyl cutting technique that improves groove accuracy and transient information
creating an incredibly detailed stereo image with a natural high frequency response.
• Presented in its original gatefold sleeve, pressed on180 gram heavyweight vinyl, featuring an obi strip and
housed in a poly-lined inner sleeve, with all the lyrics on the 4 page insert.

pre-order now02.12.2022

expected to be published on 02.12.2022

32,73
Aroma Di Amo - Koude Oorlog

First-time reissue of Aroma Di Amore's debut album, originally released in 1984.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
ROY DAVIS JR - WIND OF CHANGE

Back in stock !

Dope oldschool house goodness by Chicago legend Roy Davis Jr!

Friendsome Records is a fresh imprint born out of the historic parisian dance music scene. A label whose aim is to create a balanced platform across gender, race, age and background. Launching a label in 2022 isn’t easy but what a way to kick things off, with this beautiful three track E.P with the legendary ROY DAVIS JR....

"I'm really excited to be putting out some of my raw electronic house tracks with my Friendsome buddy's in Paris, These tracks I have been vibing to, finally have a goodhome..The EP is a reflection of my more analog vision that got me into house music in the first place so I brought out my classic MPC 60 with my Roland Tr 808,TB 303 & Moog to transcend what house feels like to me."

180gr limited eco-responsable yellow record (500 copies)

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15,08

Last In: 2 years ago
Leftfield - This Is What We Do LP 2x12"

The first album in 7 years from seminal electronic music pioneers and twice Mercury Prize Nominated, Leftfield. Currently reaching a new audience through Idris Elba’s Gucci ad, this will be their 4th album in their 28 year history. The new single will be featured in the soon to launched eFootball by Konami (previously PES).

Their last tour (in 2017) featured 7 sold out UK shows (including 2 X Brixton Academies), a sold out world tour and various festival headlines.

Quote from Neil Barnes: "I wanted ‘Pulse’ to be the first statement from the new album. It felt strong. Dance floor. Human. Positive. And I love the bass. It’s Leftfield."

Full pitch notes with bio to come

CULTURE

Leftfield (originally comprised of Neil Barnes and Paul Daley), have been at the cutting edge of dance music since the 1990s, releasing albums that have become some of the most influential electronic records of all time around the world with their debut LP 'Leftism' being widely regarded as one of the most boundary-pushing electronic LPs ever released.

In 2010, Neil Barnes reignited the Leftfield name, and went on to release an acclaimed new album (Alternative Light Source) touring the world with the full live band. Neil has also been cementing his reputation as a top-tier DJ and record collector unleashing modern dance floor weapons, selling out venues, headlining festivals and creating some amazing nights with his sets.

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29,37

Last In: 3 years ago
David Löhlein - VISION I NYSA Remixed

clear red vinyl

Stuttgart's David Lohlein has been involved in electronic music for a number of years and launched the Vision Ekstase event in his hometown of Stuttgart together with his friends before providing the inaugural release on the same titled label which picked up support from the likes of Ben Sims, Luke Slater, Efdemin and many more established names within the techno world. David now invites remixes from Mote-Evolver artist Rene Wise, Hayes producer VIL and Vision Ekstase residents Rove Ranger and Fabian Wegmeth.

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11,30

Last In: 5 months ago
FFF - Full Of Light EP

Fff

Full Of Light EP

12inchLOWBATTERY002
LOW BATTERY
02.12.2022

Inspiration comes in many forms; the city in which we live, the culture from countries across the globe and our love for TV, film and books.This rings true for FFF as a move from his home of Vlissingen in 98 to Rotterdam, combined with his love for UK sounds and comic books created a unique, outward-looking perspective. The DJ, producer and long term party thrower now turns in a record for Low Battery; so come and see for yourself.

Opening track 'In Toom' launches a satellite straight into deep space, picking up transmissions from an unknown source. The track deploys alien electronics and other-worldly vocal snippets, building a curious and ghostly atmosphere. Bass lures heavy around the mid-way point creating an increasing sense of unease, as unidentifiable objects head straight for earth. The aptly titled 'Desperately Seeking Summer' is a giant leap toward the good times ahead. You can sense its energy in the air; the smell of freshly cut grass, the charcoal from a newly lit BBQ and the coastal breeze on a warm summer's day. Summer is almost here and we could all do with a serotonin boosting elixir.

The B-side opens with 'Voices' as candy-floss vocals topped with xtra sugar taste even better with every play; while ascending basslines and frenetic drums join hands to produce that FFF energy we all know and love. 'Full of Light' provides tranquility at the end of a wild ride, as shimmering synths shine with radiant bliss with the power to transcend "bathed in light and lifted in what I can only call another dimension."

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5,84

Last In: 2 years ago
Philippe Sarde - Le Choc OST

Philippe Sarde

Le Choc OST

12inchRGOR4
Orbis
02.12.2022

Five years after "Mort d'un Pourri" (Death of a Corrupt Man) Philippe Sarde finds Alain Delon for this adaptation of a violent thriller by Jean-Patrick Manchette. If "Le Choc" (The Shock) offers a rather watered down vision of the original novel, the composer chooses to give a boost. Sarde explains : “My position was this : to inject singularity into this somewhat smooth story. I get some really good soloists together for an unconventional score balanced between rock, jazz fusion and romanticism. I wanted it to be energetic with a modern drive. To me, "Le Choc" is a direct extension of the great blends in "César et Rosalie" or "Coup de Torchon (Clean Slate)". A jazz-rock rhythm section, musicians from Weather Report with the London Symphony Orchestra, and the great Wayne Shorter. I

asked him if he could play his soprano with a timbre like a bombard, an unexpected transposing of a folk instrument onto a jazz horn..." To director Robin Davis, this magnificent score will be a real lifeline : "With his music, Philippe told a story alongside mine, he brought "Le Choc" back to what it might have and should have been. And I love the invisible link with Lautner. After Stan Getz and "Mort d'un Pourri", we’re still with Delon & Sarde but this time the saxophonist is a black American, Wayne Shorter."

Pressed for the first time from a high definition transfer of the recording tapes, this new album has been mastered without any compression, respecting all the dynamics of the recording produced at Abbey Road.

pre-order now02.12.2022

expected to be published on 02.12.2022

26,01
Maroki - Return to Emerald City

Originally from West Wales now residing in Amsterdam in a studio nestled beside the river Ij, Maroki now joins the ROOS family following a string of stellar releases. He leaves nothing to chance, using his classically trained skills and expertly engineered sounds into a pool of influences that range from breaks, moon-lit acid and headsdown chuggy goodness.

The record launches with title track 'Emerald City' a moody cut that whisks you away from the city's bustling streets and off the beaten track. Maroki's fixed hand helps elements blend seamlessly into another, in what feels like a personal guide through the emerald's subterranean. Then comes the gentle and tranquil electronics of 'Alfred Stole My Brain' both welcoming and meditative, while the swing in drums provide dance-floor functionality and set the pace. The A side comes to a grand close with 'Talk2Me' a brooding acid cut that mixes in elements of breaks and aquatic synths. The track's swelling energy feeds from the A side's previous two, culminating in a build up of emotion and speed.

'Total Recall' raises its hypnotic head, a series of winding synths and 4/4 kick drums creating a maze of sound, before perhaps the record's hidden gem 'All Be Over' arrives like an old friend. The track's familiar sound design coupled with Maroki's distinct personality create a warm and lasting friendship; melting together old and new perspectives. 'Slower' rounds off the EP, an equally stunning and fiery mix of breaks and angelic electronics.l

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5,84

Last In: 22 months ago
Itchy Spots - Itchy Spots

Itchy Spots

Itchy Spots

12inchTTW158
The Tapeworm
02.12.2022

The Berlin based duo Itchy Spots combine falling words with tricky rhythms. Their music concerns the simultaneity of intensity and nonchalance, feverish high speed drumming, static sounds and tribal hypnosis. The vocal performance seems to stand alone, it is independent from whats happening rhythmically, yet it all melts together perfectly. Grooving skeletons of songs, rituals and shamanism. Itchy Spots are James Main (former singer and lyricist with Wild Daughter) and Ansgar Wilken (Ilse Lau, Feedbackorchester, Happy Zloty).

pre-order now02.12.2022

expected to be published on 02.12.2022

9,20
JOAN REGGAE DRUMMER - “Dub Explosion”

Joan Reggae Drummer, based in the region of Catalonia in Spain, is a great lover of Jamaican music, at a very young age he began to be so passionate about drums that he created his first musical projects, among them, the band that was a turning point was The Pepper Pots. With 6 albums already released and several tours in Europe, UK, Japan, USA & Czech Republic , Joan has opened for internationally artists such as Jimmy Cliff, Kymani Marley, Laurel Aitken, Derrick Morgan, Ticken Jahfakoli or The Pioneers among others. He performed at major festivals such as Summerjam Reggae Festival (Germany), Rototom Sunsplash (Italy), Primavera Sound (BCN), Rock For People (Czech Republic) or SXSW (Austin, USA).

Joan as a drummer has also worked with a lot of top international soul artists such as Curtis Mayfield's legendary band The Impressions, Eli "Paperboy" Reed, Maxine Brown, Binky Griptite from Daptone Records that has been in bands such as Antibalas, Sharon Jones & The Dap-Kings, The Dap-Kings or The Mellomatics.

In 2020, after a time of musical hiatus due to the Covid, he began his more personal adventure, creating his own channel dedicated solely and exclusively to the world of drums in Reggae and Dub. Currently his Instagram channel has more than 34.000 followers and the content published has so much repercussion.

First this major collaboration last year with Aston Barrett Jr for a special tribute to his uncle , Carlton Barrett (Bob Marley), one of Joan's favorite drummer. And at last all this work led him to record his first debut EP "DUB Explosion" on the label Two Flames Records, a real explosion of DUB, where the common thread of the songs are drums.

JRD "DUB Explosion" is a performance in the form of an EP, consisting of 4 instrumental Dub tracks with a totally different concept than what we are used to, since the songs were created from the drum beats.

Great musicians from different countries have participated in this EP: Guitar - Arturo Landaeta (Venezuela), Bass - Elie El Ossais (Australia), Keyboards - Ireneu Grosset (Spain), Nyahbinghi Drums - Maurici Bongo (Brazil), Trombone and Trumpet - Pablo Martín (Catalonia), Tenor sax - Tomy Muñoz (Catalonia), Bass - Miliu Llorach (Catalonia), Flute - Lluís Doménech (England), Bass - Joshua Jones (Jamaica), Keteh & Triangle - Aurel Cade (France), Trumpet - Glenn Holdaway (United States).

Finally, the production, mixing and dub was done by the musician and producer Ireneu Grosset, in the analogue studio of Dr. Dubwiser. It was quite an experience as the studio has a team very similar to what Jamaican producers had in the golden age of Reggae in the 70's.

pre-order now02.12.2022

expected to be published on 02.12.2022

26,01
Aroma Di Amor - Zwarte Doos 6x12" + 7"

Comprehensive box of 6 LPs / EPs and the band's first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986) contributing to the music.

Box Set includes: Gorilla Dans De Samba 7" (1983), Voor De Dood 12" (1984), Koude Oorlog LP (1984), De Sfeer Van Grote Dagen 12" (1985), Zonder Omzien 12" (1986), Harde Feiten LP (1986), Koudvuur LP (1987)

pre-order now02.12.2022

expected to be published on 02.12.2022

138,61
Aroma Di Amore - Harde Feiten

First-time reissue of Aroma Di Amore's 2nd album, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
Aroma Di Amore - Koudvuur

First-time reissue of Aroma Di Amore's 3rd album, originally released in 1987.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
Aroma Di Amore - De Sfeer Van Grote Dagen

First-time reissue of Aroma Di Amore's 3rd EP, originally released in 1985.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music

pre-order now02.12.2022

expected to be published on 02.12.2022

20,38
Aroma Di Amore - Zonder Omzien

First-time reissue of Aroma Di Amore's 4th EP, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

20,71
Paul Draper - Cult Leader Tactics

Paul Draper

Cult Leader Tactics

12inchKSCOPE1150
KSCOPE
02.12.2022

LIMITED EDITION PICTURE DISC EDITION OF PAUL DRAPER'S NEW
ALBUM CULT LEADER TACTICS .Meaty art-rock, austere orchestral
interludes & driving future pop - Classic Rock 8/10 Cult Leader Tactics is
sleek & smart, full of melody, humour and flair - Record Collector 4*
Former Mansun frontman, Paul Draper, returned in early 2022 with a
collection of his finest songwriting since the bands' imperial phase
Cult Leader Tactics', is a self-help manual on how to become a complete cult in
the music industry & is his first solo album since 2017's much- lauded Spooky
Action'. Cult Leader Tactics' offers a satirical analysis of the self- help manual
genre. A guide on how you can get to the top of your chosen profession, or ahead
in life & in affairs of the heart, by acting in a Machiavellian manner, employing
dirty tricks or Cult Leader Tactics' to achieve your life goals. After experiencing
these types of human behaviours & themes, the album arrives at the conclusion
that the only true answer in life is love. Paul plays most of the instruments on the
album, including lead vocals, guitar & various Moogs & synthesisers. An album
produced with long-time collaborator & acclaimed producer Paul P-Dub' Walton
(Massive Attack, The Cure, Bjork) at Loft Studios, it also includes guest
appearances from Porcupine Tree's Steven Wilson & Gam of the band Sweat' as
well as featuring a 288-person C.L.T. Lockdown Choir. Cult Leader Tactics' offers
a selection of Paul's most focused & ambitious work so far, a brilliantly dark
commentary on an industry he is all too aware of. Kscope are proud to present a
limited Picture Disc edition of Cult Leader Tactics'.

pre-order now02.12.2022

expected to be published on 02.12.2022

27,94
Robert Schumann - Marsch Nr. 2 .. G-minor / Waldszenen / Six Parts / S.richter

The music of Robert Schumann and the artistry of Sviatoslav Richter are a natural match. Schumann was loathe to use flashy, purely virtuosic elements in his compositions, a fact brilliantly illustrated in the vast majority of his works for solo piano. Rather, Schumann was much more likely to tell a story, paint a picture, or read a poem through his music, although his works were not overtly programmatic. Richter possessed a technique virtually unrivaled during his career and was able to definitively toss off even the most technically demanding works. At his heart, however, Richter was a poet and an artist with profound musical insights and introspections. This album, featuring recordings made in the late '50s, is one of Richter's surviving albums in which poor sound quality does not distract listeners from this artistry. His performances of the C major Fantasy, the Op. 82 Waldszenen, and the Op. 12 Fantasiestucke are magnificently refined, unhurried, and unsullied by some pianists' need to make the works flashier then they need to be.

out of Stock

Order now and we will order the item for you at our supplier.

14,08

Last In: 3 years ago
CLUSTER - CLUSTER 71 LP

Cluster

CLUSTER 71 LP

12inchBB581
Bureau B
26.11.2022

Re-release Gegründet 1970 von Dieter Moebius und Hans-Joachim Roedelius zählen Cluster zu den einflussreichsten Bands der experimentellen Elektronik- und Ambientmusik in Deutschland. "Cluster 71" war das Debütalbum des Duos und zählt laut dem Musikmagazin "The Wire" zu den "One Hundred Records That Set The World On Fire". "Cluster 71" ist ein Monster: Das Album enthält gerade mal drei (unbetitelte) Stücke und ist schwere Kost für unvorbereitete Ohren. Doch das Album war wegweisend wie kaum ein zweites elektronisches Musikwerk. Cluster waren vorher noch ein Trio und schrieben sich Kluster. Aufgrund musikalischer Differenzen trennten sich Moebius und Roedelius 1970 von Konrad Schnitzler und spielten 1971 im Hamburger Star Musikstudio ihr erstes Album ein. Clusters völlige Abkehr von gebräuchlicher Harmonik und Rhythmik bis hin zu totaler klanglicher Abstraktion, ihr selbstverständlicher Umgang mit Geräuschen, rigorose elektronische Live-Improvisationen und das Bewusstsein, nichts verlieren zu können - das alles kennzeichnet diesen innovativen Aufbruch. Der Begleittext stammt von Asmus Tietchens.

pre-order now26.11.2022

expected to be published on 26.11.2022

21,22
LAUREL CANYON - DROP OUT

Debut single for NEW label set up by Savage Pencil (Art), Al From Hell (Printer) and Agitated Records.. primarily to release tasty limited 7” records by awesome new musics.. first release is by Pensylvanian guitar manglers Laurel Canyon, evoking strains of the Stooges via a distinct Pacific Northwest pop filter.. Fluid, Tad, Screaming Trees, Mudhoney etc..are easy points of reference.. but these songs have fire and melody in equal measure and burn their own path, recorded earlier this year with Steve Albini. Punk rock band Laurel Canyon – Nicholas Gillespie, Serg Cereja, and Dylan Loccarini – formed in 2019 when Nick and Serg met through a mutual friend in their hometown of Allentown, Pennsylvania. After connecting over a shared interest in both Arthur Rimbaud and The Stooges, the two began to rehearse together in Serg’s garage. By October 2020, Serg and Nick began composing original songs together as Laurel Canyon. Following their first release, “Two Times Emptiness” b/w “Enemy Lines,” in May 2021, Nick and Serg traded in their characteristic jangle for fuzz pedals and established a relationship with veteran producer Bryce Goggin (Pavement, The Lemonheads) at Trout Recording in Brooklyn. They released their 5-track EP “Victim” digitally on January 14, 2022, rounding out the line-up with bassist Dylan Loccarini. The artist Savage Pencil, who has created artwork for Big Black and Sonic Youth, drew the EP cover. Singles “Daddy’s Honey” and “Eczema” created a buzz online and were featured in Spotify playlists “All New Rock” and “Smells Like Stream Spirit.” Their debut LP, recorded by Bryce Goggin and Steve Albini, will be released in early 2023. More news on that real soon!

pre-order now25.11.2022

expected to be published on 25.11.2022

16,77
Daniel Vangarde - Daniel Vangarde The Vaults - The Vaults Of Zagora Mastermind (1971 - 1984) 2x12"
 
20

Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1967, he met Jean Kluger who became his publisher. In the 1970s, their tandem stood out in those fields, for a plethora of popular French artists such as Petula Clark, Claude François, Joe Dassin, Dalida, Régine, Sheila and Ringo. 1975 saw the birth of Vangarde’s label, Zagora, and his first and only solo LP. Later on, Vangarde and Kluger were responsible for a number of hit songs by The Gibson Brothers, Ottawan and La Compagnie Créole. With or without Kluger, Vangarde also wrote and produced songs that remained underground, under several monikers (Starbow, Who’s Who, Soul Iberica Band, Yamasuki, Rocky & Vandella…) and for various artists. Let’s open these incredible cosmic disco funk vaults! Available on Double Vinyl (featuring 2 exclusive tracks) & CD .

pre-order now25.11.2022

expected to be published on 25.11.2022

30,21
Leather - We Are The Chosen LP

Leather

We Are The Chosen LP

12inch886922476310
Steamhammer
25.11.2022

Als Vollblutmusikerin, als außergewöhnliche Metal-Sängerin, vor allem aber als bedingungslos positiver Mensch lautet ihre Botschaft: Gib niemals auf und bleibe so wie du bist! Man muss nicht lange suchen, um dies mutmachende Credo auch auf ihrem neuen Soloalbum WE ARE THE
CHOSEN zu finden. Es zeigt sich gleich im Opener und lautet ‚We Take Back Control‘. Deutlicher kann man Selbstbewusstsein und Tatendrang
kaum artikulieren. Dieser Song gibt sofort die weitere Richtung vor, für das Album, für Leathers Ambitionen, für ihre Zukunft als engagierte Musikerin. Ihre lebensbejahenden Texte ziehen sich wie ein roter Faden durch sämtliche zehn Tracks der Scheibe und spannen einen atmosphärisch
dichten Bogen bis zum programmatischen Finale ‚The Glory In The End‘. Veröffentlicht wird WE ARE THE CHOSEN am 25. November 2022 über
Steamhammer/SPV als CD, Vinyl-LP und digitaler Download. Bereits am 23. September wird ein erster Song ausgekoppelt, gefolgt von einer
zweiten Vorabsingle am 4. November 2022.

pre-order now25.11.2022

expected to be published on 25.11.2022

20,55
Läuten der Seele - Die Mariengrotte als Trinkwasseraufbereitungsanlage

The prolific German musician Christian Schoppik is dropping his second solo album of 2022 under the moniker Läuten der Seele, following up his critically acclaimed self-titled debut album released at the start of the year.

Once again, “Die Mariengrotte als Trinkwasseraufbereitungsanlage” (The Mother Mary Grotto as a Drinking Water Treatment Plant) is a work based on a mix of sample collages and recorded instruments that are often used sparsely but as load-bearing elements. However, this time, Schoppik came up with two long tracks where the narrative evolves in multiple and intricate movements to tell mysterious stories that have to be imagined by the listeners as the music unfolds. If the title of the tracks “Opferkerzen weihen das Betonbecken” (Votive Candles consecrate the Concrete Pool) and “Der Heilige Geist aus der Leitung” (The Holy Ghost from the Water Tap) give a starting point to these stories, the ethereal, mystic and dreamy sounding minimal atmospheres presented in this record let each one of us contemplate our own soothing experience against the continuous chaos surrounding us.

pre-order now25.11.2022

expected to be published on 25.11.2022

24,16
David Lance Callahan - English Primitive II

“Arguably his generation’s best lyricist” – Mojo // “The year’s stand-out album for me” – Stewart Lee // “A sort of modern-day pastoral” – Simon Armitage, Poet Laureate // The follow-up to last year’s first volume, English Primitive II continues the themes introduced previously in a harder, more electric and psychedelic style. The songs were mostly recorded during the same sessions but, if EPII showcased the ‘songs of innocence’, this new set comprises ‘songs of experience’. Callahan's lyrical themes here are frequently the sleaze and corruption of our ‘betters’, the intentional and unintentional brutality meted out on those weaker and the sometimes perverse ways in which this happens. There are moments of reflection among the broken mirrors, but they allow scant solace or reassurance. Dressed in another of Scottish artist Pinkie McClure’s witty and detailed stained glass creations and recorded at home and under a railway arch, EPII rises above its origins and invades the wider world, in all its colour, gritand glory. Each song serves as a monument to its internal tale – in fact, the whole LP is as much a collection of musical short stories as it is an album of songs. Opening with Invisible Man, the impression of a regular person with hidden grievances, biding his time and waiting to lash out is given. Waves of distant samples ebb and fall as the warped guitars swell and crash behind the main themes. We don’t know when this explosion will happen – we only know it will. A sleazy celebration of Britain’s position as the laundering capital of the world follows in the form of Beautiful Launderette. It’s good that we keep everything nice and clean for the whole planet, isn’t it? Business as usual, keeping the globe turning – that’s our role and we love it. The Parrot rocks like only a prolonged evisceration of governmental mouthpieces and their court stenographers can. It’s a thankless task making sure that the powers that be retain their authority in all things and patrolling the borders of what is allowed to be said and believed, but somebody’s got to do it. If you’re providing a service, you’ll need to present a united front against the grievances of the public, so you’ll need The Scapegoat. Mistakes and accidents can’t be the company’s fault, so you’ll need to pay someone to be publicly and repeatedly sacked to make it appear as if you’re solving problems and getting better. Lessons will be learned, going forward. The disturbing tale of Bear Factory begins side two and is the real-life story of the murder of one of the singer’s primary-school classmates in the 1970s, and true in every detail. The victim’s body was never found but the killer justifiably imprisoned for life. A more ancient scent of death pervades The Burnet Rose. This ground-hugging plant covers the graves of the victims in a seventeenth-century plague village on the Yorkshire coast to this day, commemorating their sacrifices when all around have forgotten. It’s this particular songwriter’s favourite flower. Orgy of the Ancients describes the intimate intricacies of ageing politicians and the press as they decide whether to go to war. In grotesque scenarios worthy of Caligula, they decide the fates of our children. And it’s not even half the truth. To finish, the songwriter looks back to an admired predecessor, when he sets William Blake’s famous poem London in a groovier setting than we’re used to – in the form of London by Blakelight. If London swings, it’s from the Tyburn tree. Tracks: Invisible Man / Beautiful Launderette / The Parrot / The Scapegoat / Bear Factory / The Burnet Rose / Orgy Of The Ancients / London By Blakelight

pre-order now25.11.2022

expected to be published on 25.11.2022

23,10
Good Charlotte - Youth Authority LP

Good Charlotte

Youth Authority LP

12inchMDDN001VL
MDD
25.11.2022

Seit der Bandgründung Mitte der 90er, haben Good Charlotte fünf Alben veröffentlicht und mit zahlreichen Künstlern kollaboriert. Die Band hat einen maßgeblichen Teil dazu beigetragen, das Pop Punk Genre weltweit zu etablieren. Dafür legten sie mit ihrem selbstbetitelten Debütalbum und den Singles 'Little Things' und 'Festival Songs' im Jahr 2000 das Fundament.
'The Young and the Hopeless', mit dem Good Charlotte 2002 riesige Erfolge feiern konnten, katapultierte die Band schließlich in den Pop Punk Olymp und machte sie zu weltweiten Superstars. Es folgten 'The Chronicles of Life and Death' (2004) und 'Good Morning Revival' (2007), die in ihrer Heimat ebenfalls mit Platin ausgezeichnet wurden. Nach ihrem letzten Album 'Cardiology' (2010), wurde es Zeit für eine Pause, man musste dringend durchatmen. Die Madden-Brüder konzentrierten sich auf ihr Recording Studio im Herzen Hollywoods, wo sie für andere Künstler vieler Genres schreiben, aufnehmen und produzieren. Außerdem sitzen die beiden in der Jury der australischen Version von The Voice.
Dass die beiden überhaupt wieder anfingen, ihre eigene Musik zu schreiben, ist laut Benji und Joel wohl den australischen Pop Punk Newcomern 5 Seconds of Summer zuzuschreiben. Die Zusammenarbeit mit der jungen, aufstrebenden Band, erinnerte die Brüder an den Spaß, den sie mit ihrer eigenen Band hatten und inspirierte die Beiden 2015 schließlich dazu, einen Neuanfang zu starten. "Es packte uns und das Schreiben kam wie von selbst," erklärt Joel. "Während wir an ein paar Platten für andere Künstler arbeiteten, wurde uns klar, dass es großen Spaß machen würde, wieder eine Good Charlotte Platte zu machen. Und eine Good Charlotte Platte können eben nur wir machen. Wir wurden ein bißchen nostalgisch und folgten unseren Instinkten."

out of Stock

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19,87

Last In: 3 years ago
Detraktor - Full Body Stomp LP

Detraktor

Full Body Stomp LP

12inchMASLP1291
Massacre
25.11.2022
also available

Red Vinyl[24,33 €]


Nach einem wichtigen und dringend benötigten Besetzungswechsel haben DETRAKTOR ein neues Kapitel aufgeschlagen und machen das, was sie am besten können.
Dieses Album schlägt in Sachen Groove und heftigen Riffs, das beides in der Vergangenheit fehlte, eine neue Richtung ein. Die Band erforscht Themen, die vom animalischen Instinkt der Menschheit inspiriert sind und wie dieser unser tägliches Leben beeinflusst.
Von der erstklassigen Aufnahme und Produktion bis hin zu einem härteren und reiferen Sound, schlagen DETRAKTOR mit diesem Album ein neues Kapitel in ihrer Laufbahn auf. Eines, dass alle offenen Fragen darüber beantworten wird, was in dieser langen Zeit der Hoffnungslosigkeit geschehen ist.
Jedes Riff und jedes Wort beweist, dass DETRAKTOR hart daran gearbeitet haben, dem Hörer das beste gottverdammte Headbang-Erlebnis zu bieten, das man sich nur wünschen kann!

pre-order now25.11.2022

expected to be published on 25.11.2022

24,33
Detraktor - Full Body Stomp LP

Detraktor

Full Body Stomp LP

12inchMASLR1291
Massacre
25.11.2022
also available

Black Vinyl[24,33 €]


Nach einem wichtigen und dringend benötigten Besetzungswechsel haben DETRAKTOR ein neues Kapitel aufgeschlagen und machen das, was sie am besten können.
Dieses Album schlägt in Sachen Groove und heftigen Riffs, das beides in der Vergangenheit fehlte, eine neue Richtung ein. Die Band erforscht Themen, die vom animalischen Instinkt der Menschheit inspiriert sind und wie dieser unser tägliches Leben beeinflusst.
Von der erstklassigen Aufnahme und Produktion bis hin zu einem härteren und reiferen Sound, schlagen DETRAKTOR mit diesem Album ein neues Kapitel in ihrer Laufbahn auf. Eines, dass alle offenen Fragen darüber beantworten wird, was in dieser langen Zeit der Hoffnungslosigkeit geschehen ist.
Jedes Riff und jedes Wort beweist, dass DETRAKTOR hart daran gearbeitet haben, dem Hörer das beste gottverdammte Headbang-Erlebnis zu bieten, das man sich nur wünschen kann!

pre-order now25.11.2022

expected to be published on 25.11.2022

24,33
Various - ONE PIECE NEW WORLD OST 2x12"

LIMITED PRESSING OF 2000


A SIDE

(Sabaody/Fishman Island/Punk Hazard) :

- To the New World!!

- Rebirth! The Straw Hat Pirates

- Jinbei Strait

- Surgeon of Death

- Master's Scornful Laughter

- Enemies Appear

- Spirit Of Guru

-The Weak Power Strengthens!

- A Man's Battle





B SIDE

(Dressrosa)

- I Think Of The Past

- Go Go! The Straw Hat Pirates!!

- Country of Love, Passion & Toys, Dressrosa

- Frenzy! Colosseum

- Donquixote Doflamingo

- Trafalgar Law

- Admiral "Fujitora"

- Violet's Dance of Passion

- Love Cannot Be Stopped

- Fight in the Colosseum

- Fierce Battle in the Colosseum





C SIDE

(Dressrosa/Zou)

- Revolutionary Army's Chief of Staff, Sabo

- Gear Fourth

- Ballad of Sadness

- Approaching! Birdcage Encirclement

- Doflamingo ~Overwhelming Force~

- The Thousand Year Island, Zou

- Garuchu~!!

- The Mink Tribe's Battle

- The Samurai and Mink Tribe's Bond

- Dressrosa's Hidden Secrets

- Brook ~Healing Violin~

- Eyecatch ~New World Version~





D SIDE

(3D2Y/Heart of Gold)

- To the Origin of Ace!

- Main Title ~ Teachings of Rayleigh

- Things We Desired

- World VS Luffy: Final Battle

- Destroyer of the World! World

- Loneliness, Solitude

- Gathering of the Straw Hat Pirates! Towards Battle

- Releasing the Trap

- Straw Hat Pirates VS Mad Treasure

- Luffy, to Victory

- Escape from Bonbori-sama

- Next Time Preview ~We Go! Version

pre-order now25.11.2022

expected to be published on 25.11.2022

68,87
VII Circle & Tham - Split Series 001

solid white vinyl

For the third release on his own imprint, DTR, VII Circle launches the new split series by teaming up with THAM, on a full split EP.

Following the latest EPs 2020's 'Fearless EP', 2021's Warriors which saw the support from artists like Perc, Paula Temple, Headless Horsemann and Regal just to name a few, VII Circle is with two impactful tracks which are establishing once again his uncompromising sound and exposure to the dark post-punk and heavy music influences he got.

On the other side of the vinyl, THAM shows his genuine and real interpretations of how complex grooves, pounding bass drums and aggressive synths are driving his sound.

With this release, the duo wants to rise a new musical vision and musical compactness that has distinguished them in recent years, making them find their true personal sound.

out of Stock

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13,03

Last In: 18 months ago
Nas - It Was Written LP

Nas

It Was Written LP

12inchGET51310LP
GET ON DOWN
25.11.2022

Repressed! Illmatic, the 1994 studio debut of Nasir "Nas" Jones, was more than just a critical success for the Queensbridge-based rapper. At a time when East Coast hip-hop was increasingly being taken less seriously than their West Coast counterparts, Illmatic's raw jazz and soul-based production, dire atmosphere and lyrics, coupled with Nas' uncompromising flow was integral in restoring interest in the East Coast as a hotbed of hip-hop artistry. Along with key releases from Wu-Tang Clan and Notorious B.I.G.,it shifted attention away from the funky, dayglo synth-based G-funk coming out of California and back to the grimy streets of New York. After such an unprecedented debut record, expectations were understandably high for Nas' follow-up. What came next threw critics and fans for a loop, but was no less influential than Illmatic, and would become the most commercially successful album in the entirety of Nas' discography. The 1996 sophomore follow-up was titled It Was Written, and in contrast to the urban bleakness of his debut, had Nas dipping his toes into the world of mafioso rap. Amidst production from heavy hitters like Trackmasters, Dr. Dre, L.E.S., Havoc of Mobb Deep, and Illmatic-collaborator DJ Premier, among others, Nas weaves evocative narratives of gang warfare, downtrodden neighborhoods, drug deals gone awry, and gangsta triumph, against a backdrop of samples from Sam Cooke, Etta James, the Isley Brothers, and even Chuck Mangione. It Was Written was not hard up for top-tier guests either, featuring major guest turns from Lauryn Hill and Joel "JoJo" Hailey of K-Ci & JoJo. It also introduced the world to The Firm, the brief Nas-led supergroup featuring rappers AZ, Foxy Brown, and Cormega. It even managed to cause some minor controversy in the hip-hop community for its collaboration with West Coast producer Dr. Dre, at a time when the East Coast/West Coast rap feud was reaching a fever pitch, briefly attracting the ire of one Tupac Shakur. Not only was It Was Written received warmly by critics, but became a major commercial success, reaching the top of the Billboard 200 charts, reaching platinum sales status four times, and alongside albums like Raekwon's Only Built 4 Cuban Linx, helped usher in the era of mafioso rap in the mainstream. It rendered chart hits out of singles like the Eurhythmics-mimicking "Street Dreams", and the Grammy-nominated "If I Ruled The World (Imagine That)", and proved to be a major influence on artists like Kendrick Lamar, Lupe Fiasco, and many more.

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Bent Out Of Shape - Old Rats On A New Ship (Ltd. Black LP)
  • My Part Of Town
  • Stag Night
  • Places To Go
  • Ghosts From The Past
  • Never Went Away
  • Ozzy Was A Skinhead
  • Good Old Memories
  • What You Wanna
  • Contagious
  • Stand By Your Guns

BeNeLux Streetpunk Outfit Bent Out Of Shape sind zurück mit ihrem ersten Full-Length-Album. Bent Out Of Shape ist eine im Oktober 2019 gegründete Streetpunk/Oi-Band aus Fryslân (Niederlande) mit (ehemaligen) Mitgliedern von Icepick, Spirit 84, DSS, No Denial, Dead Horse Running, de Hûnekop. Anfang des Jahres veröffentlichten sie ihre CD "Demo 2020" mit 7 Songs. Ende 2020 wurde die EP von Who Laughs veröffentlicht. Im Jahr 2021 veröffentlichten sie eine Split 7" mit Boldness aus Indonesien und im Mai 2022 veröffentlichten sie eine Split Picture Disc 7" mit ihren Freunden Skroetbalg.

pre-order now25.11.2022

expected to be published on 25.11.2022

22,48
Dizzy Gilespie - Live at the Singer Concert Hall 1983

For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates "Brother K" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: "The Blues", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty: "Yes Dizzy, you made it".

Dizzie Gillespie, Trumpet and Vocals
Mike Longo, Piano
Alexander Gafa, Guitar
Earl May, Bass
Mickey Roker, Drums
Guest Artist : Jon Faddis, Trumpet on tracks 9 and 10

Recorded at the Singer Concert Hall

Laren Jazz Festival, 25.VIII.1973

STEREO ℗ 1973 VARA

Remastered by ℗ & © 2017 FONDAMENTA

Made and printed in Germany

pre-order now25.11.2022

expected to be published on 25.11.2022

58,78
League of Distortion - League of Distortion LP

"A new force, LEAGUE OF DISTORTION, unite to defeat the shadows cast upon the music scene with their fresh sound and style! Back in 2017, Anna Brunner celebrated remarkable international success with her symphonic metal band Exit Eden, and now, teams up with notorious guitarist Jim Müller - known from his famous heavy metal band Kissin’ Dynamite. Together, they’ve formed one of the hottest modern metal upstart bands of the year, combining their signature sounds to create a powerful soundscape. Now, having recently signed with Napalm Records, they are ready to fight the darkness yet again with their 2022 full-length, self-titled debut album, League of Distortion. Lifting the dark veil of stagnation caused by the pandemic, LEAGUE OF DISTORTION introduce a new sound that resonates with the uncertainty of this period. “Wolf or Lamb” - the addictive first stand-alone single that introduced the band as a force to be reckoned with - ushered in a completely new era by serving modern, melodic rhythms and technical prowess, igniting the fire of the full album, League Of Distortion. “Rebel By Choice” and “The Bitter End” show the band’s burning passion and dedication to the genre, while “My Revenge” convinces with a catchy hook and bashing guitar riffs. The elemental force of Anna “Ace” Brunner’s distorted, powerful voice merged with chunky riffs played by Jim “Arro” Müller, steady and strong beats delivered by Tino “Aeon” Calmbach and edgy bass by Felix “Ax” Rehmann unifies them, forming a strong blast of an album that cannot be missed! LEAGUE OF DISTORTION showcase the individual musical expertise of its members without ever becoming stagnant or pretentious - unabashedly distorting the order and launching a new age of metal. Songs like “I’m A Bitch” and “It Hurts So Good” abandon all rules, while catchy hooks like in “L.O.D.” mark anthems to claim their new reign. With songs like “Solitary Confinement” and “Sin”, the band shows their lyrical depth by turning their sadness into a powerful war cry, providing expressive pieces and hymns for the lost. LEAGUE OF DISTORTION convince with classic pieces featuring strong instrumentals, on-the-nose lyrics and energetic vocals, proving their penchant to stand out from the pack. They’ve transformed their frustration into a musical statement beyond compare. With “Do You Really Think I Fucking Care”, the band lands the final punch of the album to make the message clear: LEAGUE OF DISTORTION are here to set the scene ablaze! "

pre-order now25.11.2022

expected to be published on 25.11.2022

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