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"Soundz of Freedom" is a classic album in Bob Sinclar"s discography. Certified gold, it"s now being reissued for the fist time as a double vinyl. Featuring : Axwell, Tocadisco, Ron Caroll, Jamie Lewis, Mousse T...

After many years of artistic collaboration, the long-awaited album, KILLING TIME, bringing together London-based MC Killa P and Italian Bass music collective Numa Crew, has finally arrived.

Killa P, a name synonymous with potent lyricism and raw energy in the Grime scene, delivers a vocal masterclass throughout his debut long-player, soundtracked by the stellar production of the Numa Crew. Together they expertly navigate genres including dubstep, grime, dub, and jungle, while maintaining a distinct and cohesive musical identity.

Not simply a collection of individual tracks, Killing Time is a meticulously crafted journey through sound system music. There are no stylistic boundaries, as the long-player encompasses the entire musical spectrum that unites the Italian crew with the London-based MC, with Killa P free to showcase his evolution as an artist. Alongside them, the album also brings together a diverse cast of friends and collaborators, vocalists, and producers, each adding their own unique flavor.

From the pulsating dubstep-infused Boys in Blue, a searing commentary on social inequality, to the reggae-tinged steppa tune Love Inna We Heart featuring Charlie P and Long Range, a plea for unity and love, Killa P's lyrical dexterity shines.

Tracks such as Champion Sound, Badman City Pt.2 featuring the French Ragga legend Big Red, and No Laugh featuring Big Chain and Bristol’s Buggsy are a nod to Killa P's roots, beautifully showcasing his mastery of grime's signature sound, while the sped-up tempos of the Fleck collaboration Jungle Leng, and Can't Get Me Down featuring Ras Demo, inject a jolt of Junglist attitude. Different Life is a vibrant ‘carnival’ jam, that infuses grime and dancehall moods and sees the great Lady Lykez on the second verse.

The album wraps on a contemplative note with Dreaming, a collaboration with Abstract Sonance, and Heartless, featuring Killa’s son GK on production, revealing an introspective note that adds yet more depth to Killa P's artistry.

As the album’s second track, Family, proclaims: ‘man a deal with family, not friends’ - a fitting line to define the album as a whole… An ode to the unity and strength of family.

"Supplicium" represents a perfect balance between tradition and modernity. On one hand, the lyrical concept and epic atmospheres transport the listener to the age of the Roman Empire, evoking visions of triumphant marches and blood-soaked arenas. On the other hand, the sound becomes increasingly technical and refined, with tight riffs, relentless rhythmic sections, and flawless production that enhances every detail. The album, crafted with meticulous care, succeeds in combining the brutality of death metal with highly complex instrumental passages, showcasing a band in constant evolution. With "Supplicium", ADE reaffirm their role as champions of a death metal where historical tradition and modern sound coexist, creating an experience that is both ferocious and captivating.

"Supplicium" represents a perfect balance between tradition and modernity. On one hand, the lyrical concept and epic atmospheres transport the listener to the age of the Roman Empire, evoking visions of triumphant marches and blood-soaked arenas. On the other hand, the sound becomes increasingly technical and refined, with tight riffs, relentless rhythmic sections, and flawless production that enhances every detail. The album, crafted with meticulous care, succeeds in combining the brutality of death metal with highly complex instrumental passages, showcasing a band in constant evolution. With "Supplicium", ADE reaffirm their role as champions of a death metal where historical tradition and modern sound coexist, creating an experience that is both ferocious and captivating.

You may not require any introduction to the members of ROACH SQUAD, or at least one or two of the band. Needless to say, Hugo Mudie (The Sainte Catherines), Frankie Stubbs (Leatherface), Graeme Philliskirk (Leatherface) have all graced the Paradise Gutters around the Punk Rock world for some time. Joining them is Alex Keane (The Murderburgers), along with another local Sunderland Lad, Sim Robson. As with many of the members previous works, a DIY approach to writing and recording the album was taken. The bulk of the recording took place at their own Rocket Studios in Sunderland, UK with the exception of Hugo laying down the vocals from his home in Montreal (Quebec, Canada). Some of you will have noticed the line-up contains two vocalists, and indeed this is the case. For this new Band, Frankie wanted to take some time out from vocal duties and concentrate on playing his guitar. This sees Hugo taking front stage... Not for every song, though! Who knows what you expect, but what we do ask of you before listening is that you find your comfortable spot, abandon any preconceptions, and as always play it loud.

Strut introduces the highly anticipated third volume in the Disques Debs International series, diving deeper into the archives of one of the greatest French Caribbean labels, Disques Debs, based in Guadeloupe. Founded by the visionary Henri Debs in the late ‘50s, the label and studio operated for over 50 years, releasing more than 300 7” singles and 200 LPs, making it a cornerstone of Caribbean music history.

By the dawn of the 1980s, Henri Debs had already established himself as a prolific producer, with a record of releases unmatched in Guadeloupe and Martinique. From its humble beginnings with a 2-track tape machine in the back of a clothes shop, Disques Debs evolved into a powerhouse, boasting a state- of-the-art studio in downtown Pointe-à-Pitre, retail shops for records and musical instruments in Guadeloupe, Martinique, and Paris, a nightclub in Gosier, and international distribution deals reaching Europe, the U.S., and South America.

Disques Debs played a pivotal role in shaping modern Caribbean music. The label bridged traditional genres like biguine and gwoka with contemporary styles like cadence, compas, and zouk, the latter becoming a global phenomenon in the 1980s with contributions from iconic acts like Kassav’ and Zouk Machine. The period also saw Disques Debs champion a new generation of artists while maintaining ties with legendary figures from earlier decades.

Volume 3 in this series spotlights one of the label’s most dynamic and influential periods as it expanded its global reach during the 1980s. Across 2 LPs, the release features a curated selection of tracks from the Disques Debs circle, highlighting both emerging talents and established artists who defined the era.

This collection not only celebrates Henri Debs’ unmatched legacy but also offers a snapshot of Caribbean music’s golden age, cementing Disques Debs as a cultural institution.

And another! One Eye Witness rounds up 4 more acts to deliver the latest instalment of their V/A series, WITNESS07. The EP brings together names from across Europe: here fresh faces — the likes of Bristol’s JoeLy — rub shoulders with more established dancefloor exponents such as SameSame from Germany and Rome’s Christopher Ledger, all utilising the hypnotic tech house aesthetic championed by O.E.W.

Young Adults’ “It’s Only Temporary” kicks the EP into gear, a perky cut loaded with bounce. The The Hague duo employ a rubbery bassline and sound palette with plenty of boing, whilst working in a playful nod to a certain 1997 Loveparade anthem. Christopher Ledger gets classy on “Change That”, its slinky, steady break keeping hips in motion whilst tricky dubwise FX swirl across the stereo field. JoeLy slows things down and reigns it in with “Transitional”: beneath the filter sweeps, a seductive, sliding acid bassline is accompanied by augmented 303 action. As punchy as it is textural, the fittingly titled “Novel End” by SameSame seems draped in gauze — delicate drones wrap the drums in a soft cocoon, offering something a little more cerebral. WITNESS07: A tech house Tour de Europe, brought to you by Amsterdam’s all-seeing eye!

With his debut singles championed by global tastemakers such as Gilles Peterson, Mr Scruff and Jazzanova, Quantic was quick to follow on the initial success of ‘The 5th Exotic’ Like Tru Thoughts label-mates Bonobo and Jon Kennedy, who went on to record with Ninja Tune and Grand Central respectively, Quantic took his inspiration from sleepy 1990s chill and his enviable collection of funk 45s. Apricot Morning, Quantic's ambitious sophomore full length, is built upon the achievements of its esteemed predecessor. Plentiful strings find themselves in friction against the hoots & parps of afrobeat brass, the loping percussion is tasked with drawing these elements together into a cohesive whole. Some inspired instrumentals were further fleshed out by the wonderful vocal contributions of EQ, Bristolian hip-hoppers Aspects and the majestic Alice Russell.

Buffalo’s own Elcamino teams up with Los Angeles producer Real Bad Man for "The Game Is The Game", a gritty and cinematic body of work that showcases their chemistry, with thw two delivering a classic sound for fans of underground hip-hop.

As the first Real Bad Man project for 2024, "The Game Is The Game" captures Elcamino’s vivid street narratives of ambition, survival, and resilience, underscored by Real Bad Man's signature production style—a fusion of soulful samples, eerie loops, and hard-hitting drums that create a cinematic atmosphere.

This collaboration marks a new chapter for both artists, bridging Buffalo’s raw energy with LA’s experimental edge. Hip-hop fans can expect an album that is unapologetically authentic, gritty, and innovative.

To elevate the experience, the album features guest appearances from rap luminaries Benny The Butcher, Boldy James, Rick Hyde, King Ralph and Player K.

third album, "Magic Seeds". The record represents his most personal and collaborative work and blends live recordings and analogue synths to create an organic, rhythmic sound reminiscent of trip-hop and hip-hop.

"Magic Seeds" explores themes of growth and reconnection, featuring unexpected musical moments and influences from 90s electronic music to neoclassical. Tracks like "Smoke in the Air" and "Inner Child" highlight his ability to balance emotional peaks with deep, moody atmospheres. The album’s dynamic range and authenticity reflect James's commitment to musical freedom and societal reflection, making it a compelling sonic collage of his recent experiences.

Over the past few years, Leifur James has steadily built a reputation as a vital new voice in electronic music on both sides of the Atlantic. He’s played prestigious London venues like the Barbican and Village Underground in London and toured Europe, as well as being named Pitchfork and KCRW’s ‘best new music’ in the US, and his music has been championed by the likes of tastemakers Gilles Peterson, Mary Anne Hobbs, Bradley Zero and actor Cillian Murphy, and from BBC 6Music to NTS via KCRW and RMC Italia. James has also enjoyed further flagship press support from Consequence of Sound, Clash, CRACK, Passion of the Weiss, XLR8R, Complex, MixMag, DJ Mag, The Vinyl Factory, and more

Reissue des Debütalbums der Emo-Punker Free Throw aus Nashville, "Those Days Are Gone" aus 2014, das bis heute das beliebteste Album bei den Fans ist. Neue Auflage auf Black Cherry Eco Mix Vinyl, bei dem jedes Exemplar ein Unikat ist.

Repressed Blood Red Vinyl of NECK DEEP's sencond full lenght proper, originally from 2015. Kerrang!: "Life's Not Out To Get You" is a must-listen for any fan of pop-punk." #31 Greatest Pop-Punk Albums of All Time - Alternative Press: "Neck Deep have solidified their position as one of the leading bands in the new wave of pop-punk. Top 10 Essential Records of 2015" - - NME: "Neck Deep have produced an album that is both anthemic and emotionally resonant." - Rock Sound: "Neck Deep have delivered their most mature and accomplished album to date." #3 on Rock Sounds Top 50 of 2015 Following "Wishful Thinking," with their second studio album, "Life's Not Out To Get You", Neck Deep, released what is easily one of their most career defining albums and one of the largest albums in the pop-punk genre. - Featuring fan favorite songs: "December," "Can't Kick Up the Roots," & "Serpents" - DIY wrote the "full-length feels both quintessential and refreshing, a modern classic_The hooks are glorious, the bounce is addictive and it's a little rough around the edges for good measure." In the little over a decade since Neck Deep formed in the Barlow brothers' spare room in Wrexham, Wales, a lot has changed. From the scrappy, naively hopeful beginnings that define the starting of so many teenage bands, the pop-punks have gone on to be one of British Rock music's most successful global exports in recent memory: top 5 records in both the US and UK, global touring, viral hits and over a billion plays, just some of the fruits of ten years spent mastering their craft. - For Fans Of | Blink-182, Green Day, & State Champs

Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allen—the very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allen’s drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth.

If Allen’s language was his beat, then on this record, La BOA—La Bogotá Orquesta Afrobeat—becomes his latest and most fitting interlocutor. What began as a tribute—a song named after Allen—now feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance.

Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in Bogotá, Michel’s Mambo Negro Records has become a cornerstone of Colombia’s underground scene championing Afro-Colombian and independent music throughout that time.

Across this LP, Allen’s recordings lay down the canvas upon which La BOA paints its own vision of Afrobeat—raw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is Bogotá. What ensues is an enduring conversation that crosses eras, borders, even life and death—a celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of Bogotá, so too La BOA meets Tony Allen.

Swedish talent Dold drops nuanced techno cuts on 10" via SHDW's Mutual Rytm X.

Stockholm-based Patrik Eriksson, aka Dold, is a cultured producer known for crafting hypnotic loops with a minimalist, emotive touch-bridging underground dancefloors and introspective listening.

As a DJ, producer, and co-founder of Arsenik, Dold has championed raw, unembellished techno since 2015. His releases on Key and Fuse blend Detroit techno's legacy with IDM's intricacy and ambient's ethereal tones, creating a style that is both timeless and forward-thinking. Whether it's crafting tapestry's recorded via hardware in the studio or performing live, Dold continues to innovate, honouring techno's roots while exploring its future, and his talent is on full display across his label debut on Mutual Rytm X.

'Grainy' opens the EP and showcases Dold's ability to craft deep and loopy techno with a stripped-back, emotive
edge. It's deft but enthralling, with innovative synths rising and falling through the minimal drums. 'Surface' is another compelling deep cut with hurried drum funk and subtle synth pulses, adding a futuristic edge to the groove. The fantastic 'Blush' brings smears of warm synth and machine soul to a dynamic dub techno rhythm that bends the
past with the present. Digital bonus cuts 'Dub at Heart (Club Version)' and 'Dub at Heart (Sofa Version)' offer
contrasting perspectives of the same track, with the first aiming directly for peak-time sessions, while the latter closes the package on a laid-back tip.

And pure full album of Jungle BIG TIME !!! Enjoy the pure pearl it is ! BOOM !

Recorded in 1997, Mountain Top features the commanding vocals of Tony Roots, backed by the legendary Firehouse Crew and produced by the visionary Fada Waz (Clifton Carnegie). This record’s release was driven by the people, evidenced and encouraged by the countless wheel-ups and sing-alongs during King Original’s international tour dates over the last three years whenever this seminal recording was dropped in the set.

Tony Roots, known for his cultural and spiritual themes, delivers a powerful vocal performance, reminding us that life’s most important journey is overcoming obstacles to find ‘Jah Love on the Mountain Top.’ This message is as relevant in today’s fast-paced, easy-come-easy-go consumer culture as it was when recorded three decades ago.

The Firehouse Crew renowned for their work with iconic acts like Luciano and Sizzla—shine brightly on this riddim, with the MPC drum machine-centered sound of 90s Jamaican roots reggae. An up-tempo 4/4 steppers beat layered with rich analogue textures and soulful instrumentation defines this timeless recording.

The first of many collaborations between Studio 55, Before Zero Records, and Footsie, the King Original legacy continues into the future, honouring the enduring contributions of Fada Waz and his collaborators.

Clifton Carnegie aka Ras Wazair aka Fada Waz - Clifton Carnegie, known as Ras Wazair, founded King Original Sound System in 1973, establishing it as East London’s foremost reggae sound. Operating under his Studio 55 moniker, he collaborated with legends like Johnny Osbourne, Barry Brown, Michael Prophet, Cornell Campbell, and Frankie Paul through imprints such as Original Sounds, Studio 55, and Original International. A mentor to many of the UK’s top sound systems and a key figure in London’s RasTafari community, Ras Wazair’s connections with prominent Jamaican artists, bands, and producers like Fattis Burrell ensured that Jamaican music remained an influential force in the UK sound system scene.

King Original
Founded in 1973 by Fada Waz, King Original Sound System shaped East London’s reggae scene for over two decades. Fada Waz and his son Footsie—a UK Grime pioneer who in later years expanded the legacy through his KO LP series and sold-out King Original mixed-genre events at London’s top venues—worked together until Footsie assumed full control following Fada Waz’s passing in 2021. Having worked with artists such as Dizzee Rascal, Arctic Monkeys, The Prodigy, D-Double E, Wiley, and Skepta, Footsie’s dedication to King Original has reinvigorated the legacy that underpins all UK bass music—the reggae sound system. Joining Footsie is his brother, Wazair’s last born Ras D also Jah Model, and long-time collaborator Sir Spyro, producer of two UK number-one hits with Stormzy and son of UK reggae stalwart Nerious Joseph. Armed with cutting-edge QSS sound system technology, King Original continues to set trends, shaping the future of UK bass music.

Tony Roots
Hailing from Manchester, Jamaica, in the 1980s, Tony Roots emerged alongside iconic figures like Garnet Silk and Tony Rebel. While his peers remained in Jamaica, Tony moved to the UK, where he went on to release ten albums and numerous singles, including hits like Grow Your Natty Dread Locks and Hola Zion. A steadfast champion of Rastafari, Tony has collaborated with legends such as the Firehouse Crew, earning worldwide respect and a devoted following within both the reggae community and the UK sound system scene.

The Firehouse Crew
Formed in 1986, The Firehouse Crew became a cornerstone of the 1990s roots-reggae revival. Initially associated with King Tubby’s Firehouse label before establishing their own, the band rose to prominence through collaborations with producer Philip “Fattis” Burrell at Xterminator Records. Their contributions to timeless albums like Luciano’s Where There is Life highlight their extraordinary musicianship. Over the years, The Firehouse Crew has backed iconic artists such as Sizzla, Buju Banton, and Beres Hammond, cementing their legacy as masters of roots reggae.

Grammy-nominated artist, producer and label-head TOKiMONSTA and prolific composer, producer and songwriter, Suzi Analogue have officially released their collaborative mini-album, Analogue Monsta: BOOM via Young Art Records. Originally released in limited quantities exclusively on vinyl in 2012, the 11-track project has now been remastered. Analogue Monsta: BOOM serves as a time capsule to the eclectic sound of the early 2010’s beat scene, which both TOKi and Suzi’s futuristic production styles helped champion out to a broader audience outside of the world of “bedroom producers.” Suzi Analogue's smooth R&B vocals pair perfectly with TOKiMONSTA's glitchy beats and pulsating bass, demonstrating their versatility and flair for pushing sonic boundaries. The album lays one of the early foundations to the fusion of future bass, alternative R&B and electronica, highlighting the pioneering spirit of two acclaimed female artists.

Analogue Monsta: BOOM marks an important milestone for the two as they reflect on the prescient nature of their early collaboration. “This special project with Suzi Analogue is one of my favorites. It never had a formal release so it feels right to share it with the world a decade later with fresh ears,” states TOKiMONSTA. Both Suzi and TOKi’s journeys converged early in their careers as the two paved the way for a groundbreaking era of femme-identifying producers and songwriters within the music industry. Speaking on the project’s significance Suzi Analogue adds, “​​The Analogue Monsta project was truly ahead of its time. We felt a strong calling to propel it into the future, recognizing the trailblazing potential it held. It provided a vital space for femme-identifying producers and songwriters to fearlessly explore beats, lyrics and tempos with us. This experimental journey not only influenced the current musical landscape but is poised to leave a lasting mark on the soundscape of the future."

The result is a record that very much is its own world. Where chaos is carefully organized, where being able to ever actually chill out is totally illusory, a trick mirror.

Repress!

It may have won the DJ Awards Track Of The Season in Ibiza this summer, but the lasting impression left by Roberto Surace’s ‘Joys’ has stretched far beyond the island. As it topped the Shazam Ibiza Dance Chart for eleven consecutive weeks, it was also championed by heavyweight DJs like Marco Carola, Andrea Oliva, wAFF and Joseph Capriati, and made it to the Radio 1 A-List. Now this sought-after track will be available on wax, after the limited edition white label sold out before its official release.

Defected label-mate and consistent hit-maker OFFAIAH’s storming Club Mix joins Roberto’s stellar original on the A-Side, while on the flip master remixer Purple Disco Machine introduces his disco-tinged grooves to the record, before house legend Todd Terry employs deep, swelling synths and an adrenaline fuelled bassline on his remix to round off this essential 12” delivery.

Singer, songwriter and composer Melike Şahin is set to releases her new album AKKOR via Gülbaba Records in partnership with Day Dreamer

An empowering assertion of survival that propels traditional Anatolian pop and folk influences into the future, AKKOR rises like a phoenix from the flames to reintroduce the Turkish superstar diva to an international audience. An expression of Şahin’s personal growth, the album is an affirmation of her growing status as the voice of a generation, and hose lyrics have been adopted as a callto rights for the women’s movement in Turkey.

Recorded live in London with producer Martin Terefe (London Brew, Buika, Jamie Cullum), AKKOR features a selection of the most talented and forward-thinking musicians on the scene, including guitarists Dave Okumu and violinist Raven Bush, as well as terling Campell (David Bowie) on drums, Glen Scott (Eric Bibb) and Nikolaj mTorp Larsen on keyboards. Bringing an international feel to her mheart-rending performances, the record represents the most focussed and complete expression of Şahin’s sound to date. Melike Şahin has made a career of facing down criticism and censorship to make sumptuous and provocative music that captures the defiant tone of progressive creativity in contemporary Turkey. Having performed around the world with Turkish psych legends BaBa ZuLa, Şahin released her debut album Merhem in 2021, gathering billions of streams and building a reputation for unforgettable live performances in the process. Influenced by the style of Sade, cutting an elegant and beguiling figure on the stage. Where Şahin describes Merhem as about healing, she says AKKOR is about survival, both on an emotional level, coming to terms with difficult relationships, childhood trauma and the pressures of newfound fame, and on a social level, in continuing the champion the rights of the oppressed in the face of state and media violence. Powerful and vulnerable in equal measure, AKKOR demonstrates an orchestral grandeur and a dramatic flair drawn from Şahin’s love for traditional Anatolian pop and folk music, injected with the urgency of contemporary production. Bound together by Şahin’s inimitable voice AKKOR skips between Middle Eastern melancholy and classic disco hedonism, for an album that is as stylistically open, pluralistic and affirmative as the messages the music carries.

Although she does not describe herself as an activist, Şahin’s poignant lyrics have come to define the women’s movement in Turkey, with the words, “I deserve each and every inch of this smile,”adorning protest banners on International Women’s Day and celebratory posters at Pride.

“This is the moment that I told myself, Yes, I am an artist,” Şahin says. “I am bearing all of the other things because of this, because I am affecting people's lives, and I am giving some power.” AKKOR – which translates as candescent – finds Melike rising again and burning brighter than ever before.

Overall though, Şahin says AKKOR is her rebirth album – a statement of self-empowerment, through which she hopes tocontinue to raise up the voices of those around her. “You are seeinga woman who falls down, but who rises again and flies,” sheexplains. “Maybe she doesn't win, maybe she doesn't lose, but she's a survivor,” Şahin concludes. “She is a phoenix.”

"577 Records’ The Sea, The Space, and Egypt, Vol. 1 is what happened when old friends and a new connection united in the name of music. A heartfelt tribute to the great Sun Ra, the otherworldly album debuts the collaborative gifts of Michael Sarian (on the trumpet), Matthew Putman (on the keys), Federico Ughi (on the drums), and up-and-coming Cuban bassist Ledian Mola.

Sure, most of these musicians have played together in the past. Sarian and Putman have made many albums together, while Putman and Ughi have conspired on melodies for fifteen years. However, we guarantee you have never heard them all in one spot like this.

Alabama’s Sun Ra rose to the top of the Chicago music scene in the 1940s with something unprecedented. A cosmic pioneer of Afrofuturism, he became known for his diverse and unique avant-garde experimentalism. Modern artists champion him as a true innovator.

The new band revives the late Sun Ra’s magic in this appropriately named new release. Matthew Putman even plays the same keyboard model as the experimental music icon (the Rocksichord). Even the cover art is a nod to Sun Ra's ancient Egyptian influences, featuring an upside-down pyramid over a galactic setting created by Robert Mirolo.

Meanwhile, Ledian Mola adds vocals inspired by Cuban folklore to these incredible improvisations. The album marks Mola’s first time recording with the other artists in the group (and 577 Records), but you would never know it. Their abstract rhythms sound like they’ve been playing together for a lifetime! He was hand-chosen for this project from 577 Records’ 2022 SOF music residency in Italy and has performed at several of the New York Forward Festival's live events."

Trumpet by Michael Sarian.
Keyboards by Matthew Putman.
Bass by Ledian Mola.
Drums by Federico Ughi.