Tony Iommi ist ein englischer Musiker. Er war Mitbegründer der bahnbrechenden Heavy-Metal-Band Black Sabbath und war über fünf Jahrzehnte lang Gitarrist, Bandleader, Hauptkomponist und einziges ununterbrochenes Bandmitglied der Band. Er gilt als einer der Wegbereiter und Pioniere der Heavy-Metal-Musik und hat zahlreiche Subgenres des Metal inspiriert. Er gilt weithin als einer der größten Rockgitarristen aller Zeiten. Iommi hat eine Reihe von Preisen gewonnen. Dazu gehören Q Awards, Kerrang! Awards sowie drei Grammy Awards, die er als Mitglied von Black Sabbath gewonnen hat. Glenn Hughes ist ein englischer Musiker, der vor allem als Bassist und Sänger in der Hardrock-Band Trapeze und in den Mk. III- und IV-Besetzungen von Deep Purple bekannt ist. Außerdem war er Mitte der 1980er Jahre kurzzeitig Frontmann von Black Sabbath. Neben seiner Tätigkeit als aktiver Sessionmusiker verfolgt Hughes auch eine bemerkenswerte Solokarriere. Derzeit ist er Frontmann der Supergruppe Black Country Communion und war von 2013 bis 2015 Frontmann von California Breed und von 2019 bis 2023 Frontmann von The Dead Daisies. 2016 wurde Hughes als Mitglied von Deep Purple in die Rock and Roll Hall of Fame aufgenommen. Dies ist eine Neuauflage des zweiten Soloalbums des legendären Black Sabbath-Gitarristen Tony Iommi, das ursprünglich 2005 veröffentlicht wurde. Das Album enthält auch Gesang und Bassgitarre des ehemaligen Sabbath-Frontmanns Glenn Hughes. Diese Veröffentlichung enthält 3 Bonustracks.
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Satoshi Tomiie Is Back on Phonogramme With "12b-Dub Pt. 2," the Second Volume of the Acclaimed Ep Series by Legendary Producer Satoshi Tomiie. This 4-Track Ep Continues to Explore Tomiie's Deep and Innovative Soundscapes, Making It an Essential Addition to Any Electronic Music Collection. Available on a Limited Edition Marbled 12'' Vinyl, "12b-Dub Pt. 2" Promises to Deliver a Unique Auditory Experience With Its Rich Textures and Masterful Production. Don't Miss Out on This Exclusive Release From Phonogramme, Showcasing Satoshi Tomiie's Enduring Influence in the World of Electronic Music....
The Clamps Unveils From Dust to Dawn - A Cosmic Journey into Drum & Bass
French Drum & Bass producer The Clamps is set to release his highly anticipated second album, From Dust To Dawn, through the label Kosenprod.
Known for pushing the boundaries of Drum & Bass, he delivers a highly personal and finely crafted album that merges intricate sound design with an intense dancefloor-oriented energy.
From Dust To Dawn showcases The Clamps' signature Neurofunk style, characterized by deep, dark basslines, meticulously engineered beats, and emotional soundscapes, while also incorporating elements of Jungle, Hardcore, and Techno. This 16 track journey blends introspective themes with hard-hitting club anthems, creating a diverse experience that is both thoughtful and electrifying.
The album will be released as a special double vinyl edition, cementing its place as a must-have for Drum & Bass enthusiasts.
After the success of their first single the super hit 'Hondebrok' (You can trust a man with a Moustache vol. 5), Amsterdam-based trio Tending Tropic return to Moustache Records with their debut EP featuring 3 original tracks and a remix from Machinegewehr that further explore the modern Italo Disco Rave genre. A1. Terpentine. A track that has been the secret weapon and the NEW DJ hit for label boss David Vunk, debuting with strong dancefloor response playing this out for a year non stop at many national and international festivals and venues.
Expect crazy chatchy bassline and hypnotic trippy energizing melody. The new hit where everybody was waiting for! A2. Terpentine (Machinegewehr remix). Rotterdam-based Machinegewehr delivers a remix that takes the title track deeper into Italo territory, adding a distinctive, nostalgic twist. B1. Our Adventure Begins. Modulating Yamaha synths and an adventurous Italo-inspired lead, a track that symbolises the beginning of the next chapter for Tending Tropic. Described by DJ Cormac as absolutely beautiful! B2. Mowing the Lawn.
Final track of the EP drives the listener to the darker side of Italo, complete with signature synth hooks and a deep, clean drop. C1. Kilimanjaro (digital bonus track). Named after the dormant volcano and highest mountain in Africa, this track wreaks havoc using a combination of acid basslines and Italo strings. Dont sleep it this gone is gone.
Introducing What I Love by Orlando Voorn + Han Litz - A 4-Track EP Get ready to dive into the rich fusion of soulful beats and sophisticated grooves with What I Love, the latest 4-track EP by electronic music pioneer Orlando Voorn and jazz flautist Han Litz. This release perfectly captures Voorn's innovative mastery in electronic music paired with Litz's exquisite melodic touch. What I Love is a sonic journey, mixing the best of house, jazz, and electronic fusion with a unique, timeless vibe that fans of both artists have come to adore. Each track on this EP is crafted to captivate and elevate - from soulful harmonies and intricate rhythms to Litz's mesmerizing flute lines that add an organic, uplifting energy to Voorn's powerful beats. Whether you're a DJ, a long-time fan of house music, or new to the genre, What I Love offers a fresh take on sophisticated soundscapes. Don't miss your chance to experience this extraordinary collaboration. What I Love is out now, so bring it to your collection and let the groove take over!
Schrödinger’s Box welcome Catalonia’s Adrian Marth into the fold. The Iberian artist has been drawing crowds and turning heads with his analogue inspired productions and dancefloor inhibitions.
This five tracker sees the Italo Moderni founder explore the glittering angles and brooding shadows of his machines. The punishing percussion and beaming laser lights of “Labyrinth Mind” give way to the tumbling drums and racing synthlines of the addictive “Sex Tonight.” The flip opens with the sleazy grandeur of “Beverly Hills”, looming melodies and retro flourishes combine in this operatic ode to the 1980s. Speaking of the 80s, the inspiration for the penultimate comes from a figure who symbolised the bombastic bravado of the era. “Divine on the Late Show 88” is a tribute to the Pink Flamingos legend, beats sparkle as her sequenced dresses and larger-than-life attitude screams into the present. Danny Wolfers takes the helm to close. Donning his familiar Legowelt moniker, the behemoth of all thing electronics delivers a saturated and spiralling rework of “Divine on the Late Show 88” to the close.
Last time Touch From A Distance released a Brother Nebula record the moniker was still shrouded in mystery. A few years later the veil has been lifted and anyone inclined would know our favourite Texan Lance DeSardi has been behind those meticulously crafted tracks all this time.
In line with his past outings on his own imprint Legwork, Brother Nebula keeps exploring the nooks and crannies of varied tropes of club music. There's the razor sharp, Dub Techno inspired stomper „Mach Loop“. There's „Ice Giant“, a heavy drum workout equally indebted to UK Garage and Jeff Mills. There are „The Grandeur Of Delusion“ and „God's Green Earth“ invoking the forgotten transantlanticism between West London and Detroit.
Having relocated to London and immersed himself in the local scenes and culture, Brother Nebula connects the dots of his past, present and future. Smooth melancholia meets icy beat science creating vivid contrast which makes this ep such an intriguing offering.
Lescale Recordings continues to establish itself as a prominent label in contemporary techno music.
Available exclusively on vinyl, the EP opens with "Quartette", where Hendriks Toth (BODY PARTS) blends a jazzy flow of harmonic percussions that intertwine brilliantly.
Following this, label founder Ramona Yacef collaborates with Floog (PREMIESKU) to expand the soundscape with "Sintetica," delivering a range of deep industrial beats.
Next up, Federico Grazzini (TENAX) and F.T.G (FUCK THE GOVERNMENT) work their magic on "Scrambled Bells", incorporating 90's rhythms with analog drums and progressive synths.
On the flip side, Late Nite Guy (HOWL RECORDS) takes on "Rave Eart Stab", lowering the tempo to create a laid-back, dub-inspired track featuring rough stabs and lush pads. To close the set, Rayo (ALL IN RECORDS) pushes the limits with "Doloni", serving up spacey breaks and steady beats in a magical atmospheric setting.
Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.
Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.
The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.
'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.
Vinz Giaimis comes from southern Italy, a former dj who, during his years of activity found inspiration in New Wave, Disco, Electronic and Kosmische Musik. He describes his musical experience as a journey between experimentation and psychedelic anarchy. In his first EP for the German label Climax! Electronic and Krautrock are blended in a organic and fluid way which leave the listner defenceless inside an unpredictable and multifaceted sound cage.
Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.
Either Recordings welcomes Icelandic artist Hjalti onto its roster with the Skarðsheiði EP, accompanied by a remix from Thor under his Sanasol guise.
Jamie Clarke’s Either Recordings has moved from strength to strength since its inception back in 2020, acting predominantly as a home for the label bosses own music while also welcoming remixes from the likes of Barac, Silverlining and Ryan Crosson, plus original material from Jay Tripwire and now, Hjalti.
Title-track ‘Skarðsheiði’ opens, an eight minute dynamic excursion through delicately intertwined synth melodies, bass grooves and expansive effects before ‘One Small Step’ shifts gears into a more loop-led territory, fusing organic percussion with classic stab sequences, airy chord melodies and weighty subs.
Icelandic icon of Dub Techno Thor then steps up under his Sanasol alias to open the flip side, reworking ‘Skarðsheiði’ with their unique twist on the ‘Found Space Mix’, extracting fragments of the original and shaping it into something deep and atmospheric whilst still retaining a sturdy dance floor focused foundation. ‘Kjölur’ then concludes the EP, embracing minimalistic rhythms with cinematic electronica textures and classic stab sequences throughout.
Legendary House don Harry Romero joins Rekids for the first time with the ‘Nice To Meet You’ EP comprising two massive tracks with classic NY House DNA with the sort of modern twist Romero’s become synonymous with throughout his two-decade-plus career. The Bambossa Records founder now lands on Radio Slave’s flagship label following an impressive 2024, which featured releases on Faith, Nu-Groove, and Defected.
After his appearance on Rekids’ podcast series in August, House hero Harry Romero starts the label’s 2025 with the ‘Nice To Meet You’ EP. First up is the title track, a uniquely hypnotic cut with a bold kazoo melody and raw, club-ready low-end that shines on the breakdowns and high-impact drops. ‘Danny’s Groove’ is next, a track with real Romero energy, its rhythm carefully layered with an organic drum shuffle at the centre, an ear-catching whistle melody in the back, and plenty of synth hits in between - the ‘Nice To Meet You’ EP is a masterclass in building and releasing energy on the dancefloor.
Radio Slave’s Rekids imprint was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Hilit Kolet, William Kiss, Bushwacka, Mathias Kaden, Katerina, Sean Johnston, and many more.
Embark on a timeless musical journey: "Overture", one of the most iconic works from the golden era of progressive trance, is making a grand return.
Released in 1999, this Dutch masterpiece quickly established itself as a quintessential classic, starting in Belgium before taking dance floors across the globe by storm. A resounding success, played not only by club and trance DJs but also by those with a broader musical range, "Overture" is a track with a unique aura. Over 25 years after its release, it continues to electrify retro parties and remains an elegant, timeless standard.
To celebrate this legendary track, we are proud to present a special reissue, elevated by an exceptional remix from the talented Maxim Lany, the mind behind the iconic hit "Renaissance". The Belgian DJ and producer, renowned for reimagining classics with his modern touch, delivers a 2025 version that will resonate with both nostalgic fans and a new generation of listeners.
Maxim Lany shares:
"Reworking this epic classic has been an exciting creative journey. Inspired by the depth of the vocals and the power of the original strings, I set out to transform this track into a version worthy of 2025's dance floors while staying true to its timeless essence."
This exclusive vinyl release is a must-have for collectors, progressive trance enthusiasts, and DJs seeking a centerpiece for their collection. And as always, the Serious Beats touch ensures the original has been fully remastered to deliver an incredible sound, especially for vinyl purists.
Don't miss this chance to relive history while looking to the future. Act fast before it's too late!
Cassette[15,08 €]
Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.
“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.
West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.
Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.
“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing
KingCats are a German Show Band from West Germany, formed in 1972 first as AristoCats. They became KingCats in 1976. The lineup was Peter "Pit" Kurz and Norbert "Knox" Rieger on vocals and guitar, Theo Wild (and later, Hans-Jörg Koch) on keyboards and vocals, Eberhardt "Lupp" Krieg on bass and vocals, and Rolf Knauss on drums and vocals. French drummer/singer Patrick Buchmann, alias "Sdinganuff", joined the band in 1980 upon recommandation from Claus Backhaus (Studio 2000, Mannheim, Germany) and saxophone superstar Peter Drischel, alias « Pete Tex ». Before Buchmann’s departure to Los Angeles to study at Musicians Institute, he suggested they record an LP to document some of the band’s compositions which led to the original self titled "KingCats" album in January of 1983.
This rare album was recorded and mixed in Strasbourg, France at Omega Studio by sound engineer Francis Adam, the LP showcases a variety of 80’s unique compositions by Buchmann, Kurz and Rieger. The song "Down In California" gently made its way to the public ear since. Luckily, Francis Adam found the original 16 track, 1 inch tape in early 2024 and saved the original project from desintegration. This long awaited discovery led to this freshly edited, remixed and remastered 2024 version of "KingCats". Produced by Francis Adam, Patrick Buchmann and Peter Kurz, no instruments or vocals were added, and no animals or vegetables were harmed during this process. We hope you will like this new limited edition of "KingCats" !
Globetrotting Texan trio Khruangbin are set to release ‘Hasta El Cielo’, the band’s glorious dub version of their second album ‘Con Todo El Mundo’. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.
The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t fnd this a surprising release. Dubs of tracks from their frst album ‘The Universe Smiles Upon You’ appeared on limited vinyl releases of ‘People Everywhere’ for Record Store Day 2016 and ‘Zionsville’ on the Boogie Futuro remix 12”. The especially eagle-eared willhave caught a dub of ‘Two Fish And An Elephant’ playing over the credits of the track’s celebrated video.
“For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The frst dub albums we listened to were records mixed by Scientist featuring the music of the Rootsb Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.”- Khruangbin.
Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.
Since the album’s release, the band have continued their almost non-stop approach to touring, playing over 130 dates in 2018 alone. They return to the UK this summer for festival shows at Green Man, Latitude, Mostly Jazz, Funk & Soul Festival and Barclaycard British Summer Time.
2025 Repress
2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. last release of the series is swedish house maffia axel boman.
first track,”chestnut hearts” is super emotional no beat club banger,axel played at his latest boiler room,”slave to the vibe” is slow mo cosmic tune,”paid by the rhythm” is axel’s signature floating house,”copacabana dub” is epic brazilian affair deep house anthem, “don’t bug me” is dubby rasta tune,”konoba boba” reminds little bit early border community sound.
thank you so much for supporting us 15 years!
After a ferocious start to 2020, which saw the band land a top 15 album chart position with their debut Mixtape EP, a #1 spot on the UK vinyl chart, #1 in the Scottish album charts, an appearance and sync in a UK-wide multimillion pound Strongbow ad campaign, FIFA21 soundtrack sync and over 30 million streams, The Snuts have announced their raucous, hook laden debut album, W.L. – out 2nd April on Parlophone Records.
The campaign has gone from strength to strength with the band amassing over 100,000 social followers and daytime support from Radio 1 as well as creating an incredible heartfelt video for single Somebody Loves You in partnership with The Scottish Refugee Council with the video’s production budget and all proceeds from downloads of the track going to the charity.
Adored up and down the country for their uninhibited, sweat-drenched live shows, the band have also announced a UK tour for the end of 2021 – totalling over 30,000 tickets including 3 sold out nights at the legendary Barrowland Ballroom in Glasgow with tickets selling out for that and multiple other dates on the tour in minutes.
Hailing from Whitburn, West Lothian, The Snuts have well and truly found their stride on W.L.. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream in Whitburn, to becoming one of the UK’s most exciting and vital bands of the new decade. The album opens with the poignant ‘Top Deck’, winding through a voyage of genres including the raw, rousing, hip-hop driven ‘Elephants, heart-wrenchingly honest ‘Boardwalk’, the undeniable pop banger ‘Somebody Loves You’, the hauntingly heartfelt anthem ‘Always’ and the main stage festival ready hymn, ‘All Your Friends’.
‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise
‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times
‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut
Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.
Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.
“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”
The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”
Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.
One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.




















