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Leo Parker war einer der ersten Baritonsaxofonisten, die sich auf das glatte Parkett des Bebop wagten. Nachdem seine glanzvolle Karriere Mitte der 1950er Jahre durch exzessiven Drogenkonsum einen Einbruch erlitten hatte, gelang ihm 1961 bei Blue Note ein leider tragisch kurzes Comeback. Auf “Rollin’ With Leo” begeisterte er mit swingenden Eigenkompositionen. Nur vier Monate nach den Aufnahmen starb er im Alter von 36 Jahren an einem Herzinfarkt.

Nachdem Grachan Moncur III bei Blue-Note-Aufnahmen von Jackie McLean und Herbie Hancock auf sich aufmerksam gemacht hatte, produzierte Alfred Lion für das Label zwei Soloalben des versierten AvantgardePosaunisten. Auf “Some Other Stuff” ist er mit einem besonders abenteuerlustigen Ensemble zu erleben, dem gleich drei Musiker angehörten, die seinerzeit im legendären zweiten Quintett von Miles Davis spielten.

Melancholische Gitarrenakkorde, ein introspektiver Gesang, und immer wieder bedrohliche und energische Ausbrüche mit Percussions und Stakkato. Zwischen intimem Songwriting und Soundtrack-inspiriertem Pathos bewegt sich Jerome Reuter, der nun, 2025, das zweite Jahrzehnt seiner Band ROME feiert.

Zwei Dekaden begleitet das Luxemburgische Bandprojekt ROME nun also die Europäische Tragödie. Und während sich die Alben der ersten zehn Jahre noch vor allem historischen Themen widmeten, treten in der nicht mindert produktiven Ära zwischen 2016 und 2025, die auf dieser neuen "Anthologie" dokumentiert wird, auch aktuelle und grundsätzliche philosophische Fragestellungen ins Zentrum. ROME orientierte sich immer am großen Bild. Im Songwriting deutlich inspiriert vom französischen Chanson, dem späten Johnny Cash und Nick Cave, wurden von Beginn an auch literarische Quellen verarbeitet, und werden sie nicht namentlich genannt (wie bei "The Secret Germany" Paul Celan), so schwingen sie doch zwischen den Zeilen mit, die Denker - nicht nur - des 20. Jahrhunderts. Philosophische und gar okkulte Aspekte werden auf den Alben reflektiert ("The Hyperion Machine", "Hall of Thatch", "The Lone Furrow", "Le Ceneri di Heliodoro"), doch immer wieder wird es konkret, sei es mit Blick auf die russische Invasion in der Ukraine ("Gates of Europe", "World in Flames") und grundlegende Konflikte, die mythisch gelesen werden ("Coriolan", "Hegemonikon"). Wiederkehrend ist das mythische Motiv der Sonne, so auch auf dem jüngsten Werk "Civitas Solis".

Mal als volles Band-Line-Up, mal als Singer-Songwriter, und immer wieder im Austausch mit anderen Musikern (etwa Nergal von Behemoth oder der schwedischen Punklegende Thåström), Jerome Reuter erfindet sich beständig neu, und arbeitet kontinuierlich an einer singulären Stimme in der gegenwärtigen Popkultur. Wie ein Januskopf zurückgewandt in die Zukunft blickend.

An Introduction To Syd Barrett, is a reissue of the 2010 collection that brought together for the first time the tracks of Pink Floyd and Syd Barrett on one compilation.

David Gilmour, who originally worked on Syd Barrett's two solo albums, as co-producer of The Madcap Laughs and as producer of Barrett, was the executive producer for the album. Damon Iddins and Andy Jackson at Astoria Studios remixed five tracks including ‘Octopus’, ‘She Took A Long Cool Look’, ‘Dominoes’ and ‘Here I Go’, with David Gilmour adding bass guitar to the last track. Pink Floyd's ‘Matilda Mother’ also received a fresh 2010 Mix.

The album features the original 24-page booklet and graphics plus all lyrics, and was designed including the cover art by long time Pink Floyd associate the late Storm Thorgerson and his estimable studio.

Born in Cambridge in 1946, Roger Keith 'Syd' Barrett was the primary songwriter, guitarist and original lead vocalist in the first incarnation of Pink Floyd. He formed the band in the mid-1960s with drummer Nick Mason, bassist Roger Waters and keyboard-player Richard Wright. With their groundbreaking, semi-improvised sets at the legendary UFO Club in London's Tottenham Court Road, they became the prime movers of British psychedelia.

Barrett wrote the warped pop vignettes ‘Arnold Layne’ and ‘See Emily Play’, the group's two hit singles from 1967, as well as 'Apples And Oranges', and the lion's share of the material – the dreamy ‘Matilda Mother’, ‘Chapter 24’ and the whimsical ‘Bike’ – on their debut album The Piper At The Gates Of Dawn. Recorded at EMI's famed Abbey Road Studios while the Beatles were making Sgt Pepper's Lonely Hearts Club Band, Pink Floyd's first album has proved an enduring classic, referenced by everyone from David Bowie to Spiritualized via The Damned.

Barrett contributed ‘Jugband Blues’ to A Saucerful Of Secrets, the band's follow-up, but his behaviour became increasingly erratic and he left in April 1968, a few months after the addition to the group of his Cambridge friend David Gilmour on guitar and vocals.

Syd Barrett's first solo album, The Madcap Laughs, was a long time coming but made the Top 40 on its release in January 1970. Barrett followed in November that year, and contains tracks such as ‘Baby Lemonade’ and ‘Gigolo Aunt’ that provided the names for two cult US groups in the 80s and 90s.

Over the last four decades, Syd Barrett has become the ultimate rock enigma. In 1975, he paid an eerie visit to his former band mates at Abbey Road while they were recording ‘Shine On You Crazy Diamond’, the centrepiece of the Wish You Were Here album he had inspired. He never entered a studio again. In 2001, he was the subject of a BBC Omnibus documentary.

He died in July 2006 but his legacy lives on in the music of R.E.M., Robyn Hitchcock, Julian Cope, Spiritualized, Blur and countless other groups. Earlier this year, Faber and Faber published Syd Barrett: A Very Irregular Head, an exhaustive biography by long-time fan Rob Chapman.

An Introduction To Syd Barrett provides a handy overview of this visionary talent, this madcap genius whose star shone brightly yet burnt out all too quickly.

'Liberation' ist das neue Album der Blueskünstlerin ZZ Ward, auf dem sie ihre Liebe zum Blues zelebriert. Das Album ist ihre dritte Veröffentlichung bei Sun Records und vereint Eigenkompositionen wie 'Mother', ein Song über ihre neue Rolle als berufstätige Mutter, mit Coverversionen von Klassikern wie 'Grinnin' In Your Face' von Son House. ZZs kühne Stimme glänzt auch bei ihrer Interpretation von Songs aus dem historischen Sun-Katalog, wie 'Cadillac Man' von The Jesters und 'Something You Got' von Alvin Robinson.

- Ltd Col. LP: (Psychedelic Waves Vinyl mit bedruckter Innenhülle)

“Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by professional musicians working an established industry centered in the capitol, Cairo. However, far from the bustling cosmopolitan center of Cairo, north and northwest, in towns like Tanta and Alexandria and extending across the Saharan Desert to the Libyan border, dozens of fully marginalized artists were developing a raw, hybrid shaabi/al-musiqa al-shabiya style of music, supported by smaller upstart, independent labels, including the short-lived but deeply resonant Bourini Records. Launched in the late 1960s in Benghazi, Libya, Astuanat al-Bourini اسطوانات البوريني (Bourini Records) published some 40 to 50 titles from 1968 to 1975. Bourini released 7-inch 45 RPM singles by 15 artists, all but one of them Egyptian, igniting brief careers for Alexandrian singer Sheikh Amin Abdel Qader and the blind Bedouin legend Abu Bakr Abdel Aziz (aka Abu Abab). The tracks compiled here comprise a full range of styles covered by the label, while highlighting some of its most gobsmacking moments, from Basis Rahouma’s beastly transformation into a growling and barking man-lion by the end of “Yana Alla Nafsa Masouda,” to Reem Kamal’s hopeful-if-bitter handclapping party pivot “Baed Al Yas Yjini,” which descends into an almost Velvet Underground outro-groove of nihilistic dissonance. All the tracks on this compilation were laid down in stark divergence from the mainstream Egyptian popular music topography of heightened emotions buoyed by lush arrangements. The contrast is most evident in Mahmoud al-Sandidi’s “Ana Mish Hafwatak,” wherein his voice weaves heavily but deftly through a constant accordion drone, and Abu Abab’s “Al Bint al Libya,” a sparse, slow-burning lament with minimal percussion, violin, and Abab’s nephew Hamed Abdel Muna'im Mursi on lyre. Whereas the Egyptian mainstream was aspirational, attempting to reflect Egyptian culture at its most refined, the performances captured by Bourini were manifestations of everyday life lived by the mostly otherwise ignored masses. More than half century old, this music has lost none of its urgency, presence, or relevance. We hear these artists as if they’d just joined us in our living room, and not on a stage decades ago surrounded by tens of thousands of long-forgotten acolytes.

The seventh and penultimate season of the fantasy drama television series Game of Thrones premiered on HBO in 2017.

The penultimate season focuses on the convergence of the show's main plots in preparation for the final season. Daenerys Targaryen arrives in Westeros with her army and three large dragons and begins to wage war against the Lannisters, who have defeated her allies in the south and west of Westeros. Jon Snow leaves Sansa in charge of Winterfell and visits Daenerys to secure her help to defeat the White Walkers and the Army of the Dead. He mines the dragonglass at Dragonstone and begins a romance with Daenerys. Arya and Bran (now the Three-Eyed Raven) return home to Winterfell; the Starks execute the treacherous Littlefinger. Tyrion persuades Daenerys not to destroy King's Landing, reminding her that she does not want to be simply a queen of ashes. Instead, Jon goes north of the wall to capture a wight to prove to Cersei that the fearsome army of the dead exist and are coming; in doing so, his group is pinned down and nearly killed. Daenerys rescues them with her dragons but the Night King kills one of her dragons and makes it part of his army. The undead dragon later destroys part of the Wall and the dead march through. Bran learns that Jon is really his cousin, Aegon Targaryen, the legitimate heir to the Iron Throne.

Game of Thrones Season 7 received 22 nominations for the Primetime Emmy Awards and won for Outstanding Drama Series and Dinklage won for Outstanding Supporting Actor in a Drama Series. The score by Ramin Djawadi was also nominated for a Grammy Award for Best Score Soundtrack for Visual Media.

Game Of Thrones Season 7 is available as a limited edition of 750 numbered copies on silver coloured vinyl and includes a 4-page booklet.

Lion_and the mean ecstasy of "You've Got A Woman," the B-side to their sole release_comprise a rare burst of psychedelic-Western soul from two names best known for Dutch progressive rock and new wave. Drummer Peter de Leeuwe, departing from the symphonic leanings of Dutch prog-fixtures Ekseption, penned it in 1975, layering syncopated explosions of hand-claps, vibraslap and slick drumwork with neutron-star density, with super-producer Hans van Hemert nearly bursting Glenn Robles' vocals through the fore. The "Shoes Subtle Edit" provides exactly that, gently teasing the organ- and requinto-hinted contours of the track to better suit the treasure within. Chicago-based septet Whitney have brought some attention to "You've Got A Woman" with a recent cover, and the faith with which they recreate much of the original instrumentation proves the extent of Lion's accomplishment.

When considering the jazz vibraphone giants of the 20th century, seven stand out: Lionel Hampton, Red Norvo, Milt Jackson, Terry Gibbs, Cal Tjader, Gary Burton, and Bobby Hutcherson. Bobby Hutcherson (1941-2016), originally inspired by Milt Jackson, emerged from Los Angeles in the late 1950s. After a stint with the Billy Mitchell-Al Grey sextet in 1962, Hutcherson moved to New York, becoming the house vibraphonist for the Blue Note label. His foundation in hard bop did not limit him, as he also played in avant-garde sessions with artists like Eric Dolphy and Jackie McLean. On December 11, 1983, the 42-year-old Hutcherson performed seven standards with a stellar group. Pianist George Cables, consistently excellent throughout his career, had been working with Hutcherson since 1977. Bassist Herbie Lewis, a versatile musician, had collaborated with Hutcherson since 1966. Drummer Philly Joe Jones, known for his work with Miles Davis, also contributed to the session. The recording of the Four Seasons album features seven standards, starting with Thelonious Monk’s “I Mean You,” which showcases each musician. Hutcherson’s solo on Cole Porter’s “All Of You” is particularly adventurous. “Spring Is Here” receives a beautiful interpretation, and “Star Eyes” is taken uptempo. Hutcherson’s introduction on “If I Were A Bell” is notable, as is Jones’s solo. The session spotlights Cables on “Summertime” and concludes with a vibrant version of “Autumn Leaves.” Decades later, the music remains a timeless classic. Four Seasons is available on black vinyl, celebrates its 40th Anniversary, and includes an insert with newly written liner-notes by Scott Yanow

Hailing from Rimini, Italy, Matteo Gatti is fast becoming one of the country and Europe’s most respected underground names.
Inspired by several of the industry’s leading names, including Sven Vath, Marco Carola, Luciano, Danny Tenaglia, Ricardo Villalobos and many others, Matteo’s refined sonic blueprint of Deep, Tech and Minimal House has led to ever-growing appeal as a DJ and Producer globally.
His unwavering studio ethic has seen Matteo go on to release music on some of the scene’s most-loved imprints, including Neverdogs’ Bamboleo Records, Dennis Cruz & Eddy M’s MUSE, and Riva Starr’s Snatch! Records, Artslaves’ Moan, Stefano Noferini’s Deeperfect and countless others.

Find all the titles that influenced one of the greatest rock band of all times, on a double vinyl. With: B.B. King, John Lee Hooker, Elvis Presley, Little Richard, Bob Dylan, Joan Baez, Muddy Waters, Sonny By Williamson I... The tracklist was made up by the journalist Lionel Eskenazi, who is a true specialist of the what many consider as the best rock band ever

'Spring Board: The Early Unrecorded Songs" ist/war das letzte leidenschaftliches Projekt von Chills' Martin Phillipps vor seinem plötzlichen Tod. Es ist eine engagierte Neuinterpretation früher, unveröffentlichter Songs, die zu seinem künstlerischen Abschied, einem bleibenden Vermächtnis und einer Erinnerung an sein großes, unterschätztes Talent werden. Das Album wurde mit der Liebe und dem Enthusiasmus seiner Band, der Familie und Freunden abgeschlossen. Martin Phillipps, Sänger, Songwriter und Hauptmotivator der Chills hat in den 2000er Studio- und Live-Alben veröffentlicht, während er mit dem typischen Elan in sein sechzigstes Lebensjahr ging. Inmitten dieser Dynamik suchte er immer noch in alten (Demo-)Bändern nach den Ursprüngen, die 1987 zu seinem weltweiten Erfolg geführt hatten, der zwar über Nacht eintrat und doch sieben Jahre brauchte, um zu zünden. Diese frühen Songs und Skizzen wurden wieder aufgegriffen, überarbeitet und schließlich auf Album gebannt. Spring Board" ist somit das letzte Kapitel des unermesslich bedeutsamen Schaffens des Martin 'The Chills' Phillipps, ist alarmierend, persönlich, spröde und manchmal hoffnungslos optimistisch. Hier blickt ein Mann zurück auf eine wellenförmige Karriere, die zu nichts Geringerem als Kultstatus führte. Die Lieder eines Menschen, der seine Wurzeln und die innersten Gedanken, Hoffnungen und Ängste seines jungen Ichs wiederentdeckt und zum erstenmal. Spring Board" enthält Beiträge von Julia Deans von Fur Patrol, Elroy Finn und Split Enz, Neil Finn von Split Enz/Crowded House, Hollie Fullbrook von Tiny Ruins, Greg Haver von den Manics, Troy Kingi, Shona Laing, Tami Neilson, Dianne Swann (Everything That Flies) und Clementine Valentine von Purple Pilgrims. The Chills 2024 sind/waren Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton und and Todd Knudson. Doppel-LP, UV Spot Klappcover, klassisch schwarzes Vinyl mit dlc oder Digisleeve CD mit Lyric-Poster-Booklet

'Spring Board: The Early Unrecorded Songs" ist/war das letzte leidenschaftliches Projekt von Chills' Martin Phillipps vor seinem plötzlichen Tod. Es ist eine engagierte Neuinterpretation früher, unveröffentlichter Songs, die zu seinem künstlerischen Abschied, einem bleibenden Vermächtnis und einer Erinnerung an sein großes, unterschätztes Talent werden. Das Album wurde mit der Liebe und dem Enthusiasmus seiner Band, der Familie und Freunden abgeschlossen. Martin Phillipps, Sänger, Songwriter und Hauptmotivator der Chills hat in den 2000er Studio- und Live-Alben veröffentlicht, während er mit dem typischen Elan in sein sechzigstes Lebensjahr ging. Inmitten dieser Dynamik suchte er immer noch in alten (Demo-)Bändern nach den Ursprüngen, die 1987 zu seinem weltweiten Erfolg geführt hatten, der zwar über Nacht eintrat und doch sieben Jahre brauchte, um zu zünden. Diese frühen Songs und Skizzen wurden wieder aufgegriffen, überarbeitet und schließlich auf Album gebannt. Spring Board" ist somit das letzte Kapitel des unermesslich bedeutsamen Schaffens des Martin 'The Chills' Phillipps, ist alarmierend, persönlich, spröde und manchmal hoffnungslos optimistisch. Hier blickt ein Mann zurück auf eine wellenförmige Karriere, die zu nichts Geringerem als Kultstatus führte. Die Lieder eines Menschen, der seine Wurzeln und die innersten Gedanken, Hoffnungen und Ängste seines jungen Ichs wiederentdeckt und zum erstenmal. Spring Board" enthält Beiträge von Julia Deans von Fur Patrol, Elroy Finn und Split Enz, Neil Finn von Split Enz/Crowded House, Hollie Fullbrook von Tiny Ruins, Greg Haver von den Manics, Troy Kingi, Shona Laing, Tami Neilson, Dianne Swann (Everything That Flies) und Clementine Valentine von Purple Pilgrims. The Chills 2024 sind/waren Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton und and Todd Knudson. Doppel-LP, UV Spot Klappcover, klassisch schwarzes Vinyl mit dlc oder Digisleeve CD mit Lyric-Poster-Booklet

Universe Room is the eighteenth Guided By Voices album in ten years and packs a vast mix of energy levels and sounds into seventeen diverse tracks in less than forty minutes. The new record ventures into truly surprising territory, where barely any song segments and choruses are revisited and fidelity daringly shifts between lo-fi and hi-fi.

“I wanted to create, hopefully, an experience, kind of a wild ride, where the listener would want to hear it multiple times in order to grasp all the sections and fields of sound to discover something new with each listen,” says Robert Pollard. “I trimmed down the songs so that there wasn’t a lot of repetition, so you get a lot of sections that happen only once or twice.”

Universe Room embodies a realm of new horizons for Guided By Voices, who continue to redefine and expand as they blast off to unpredictable worlds.

Here’s another one of those great early-‘90s glam metal albums that got lost in the grunge explosion. And because it came out in 1992, Capitol never bothered releasing it on vinyl in the U.S. So this one’s been a long time comin’…and as soon as you hear the opening cut “Hang On Lucy,” you know you’re in for a ride. Fans of Dokken, RATT, Skid Row, and Mötley Crüe will flip over Under the Influence…and lead vocalist Drew Hannah is in the grand tradition of Vince Neil et al. Trivia note one: Wildside ruled the Sunset Strip (and were the subject of a bidding war between Capitol and Polygram) under the name Young Gunns but was forced to change their name when Lionsgate Films came out with their Young Guns movie. Trivia note two: this was the first non-Van Halen record recorded at Eddie Van Halen’s 5150 home studio, engineered by famed Led Zeppelin producer Andy Johns! We’ve had this lost classic remastered for vinyl to make sure it pops…fire orange pressing housed in a deluxe gatefold jacket!

Franco Rosso’s epic cinematic opus of reggae social commentary, Babylon, landed in November of 1980. Moving through the film’s opening frames of grey dreary London, two spars – Blue and Ronnie – run with unrestrained anticipation to link with their Ital Lion Sound System brethren. Simultaneously the rest of the crew does what sound crews have done from time: Load them boxes up in the van and trod with vigor to the dance.

But that bassline…The soundtrack notes that carry the celluloid movements of the film’s opening scenes…That bassline…Upside down…Jazzy…Dubby…A bassline like no other reggae bassline the Ital Counselor has ever heard. The hook that got me deep into UK roots music from the band that is my number one inspiration.

If there is bassline that represents the core imperative of Ital Counselor Records, it would have to be Aswad’s Hey Jah Children. It seemed therefore only fitting to bring its absolutely resplendent glory to a new generation. Lovers of sounds and blues, it is time for the dread ital lion sound to once again rise to meet the day. So it is with the deepest of gratitude and respect to the legacy of Aswad (RIP Drummie Zeb) and Franco Rosso, that we present a deeper than deep next cut…Christened here…the Ital Lion Serenade.

In line with all IC releases, we have enlisted top tier session musicians and studio men. Long time IC collaborator, Inyaki BDF, is at the center of the action as the musical maestro. Hopping on the BDF sonic lorry are Aratz Diez on Trombone and James Zugasti on the dub mixes. This crew bring the original composition up-to-date with a heady dubwise weight. Syndrums ricochet while Inyaki’s bassline rumbles teetering as it does somewhere between a modern dubstep warble and its core roots-wise influence in Tony Gad’s original playing.

Diez’s trombone playing comes across like an x-ray of the Aswad Horn Section and keeps intact the jazzy abstraction of the original. In turn, Inyaki goes full 70s synth on the psychedelic dubwise of the B-side’s Operation Swamp 81. UK history buffs better you know the reference in that title and its thematic echoing significance from the UK depicted in Rosso’s film and carried on in remembrance on this here hotter than hot 12”.

A warning: the Zugasti dub cuts are devasting to speaker boxes.

Lions Law kommen zurück mit "Evermore", ihrem bisher vielleicht wirklich stärksten Album. Die Franzosen sind eine der führenden Oi! und Street Punk Bands Europas, und im Februar 2025 lassen sie ihr brandneues Album aus dem Käfig. Nachdem die Band im letzten Jahr eine Compilation mit all ihren Französisch gesungenen Songs veröffentlicht hat, ist dies der mit Spannung erwartete Nachfolger zu 2020s P, B & S, welcher das Vermächtnis der Band fortführt, ungebremmste explosive Energie und rohe Intensität zu liefern, die Fans auf der ganzen Welt so an ihnen schätzen. Mit 15 komplett neuen Tracks untermauern Lion's Law ihren Status als eine Schlüsselband der globalen Punkszene, bleiben ihren Wurzeln treu und heben ihren Sound doch auf ein neues Level. Seid bereit für die unaufhaltsame Kraft von "Evermore" und bleibt dran an Lion's Law! Inklusive der Highlights "Brother", "Sewer Rats", Titeltrack "Evermore" sowie A Flock Of Seagulls-Cover "I Ran". CD und LP, Vinyl klassisch schwarz und farbig am Start. Oi!

Lions Law kommen zurück mit "Evermore", ihrem bisher vielleicht wirklich stärksten Album. Die Franzosen sind eine der führenden Oi! und Street Punk Bands Europas, und im Februar 2025 lassen sie ihr brandneues Album aus dem Käfig. Nachdem die Band im letzten Jahr eine Compilation mit all ihren Französisch gesungenen Songs veröffentlicht hat, ist dies der mit Spannung erwartete Nachfolger zu 2020s P, B & S, welcher das Vermächtnis der Band fortführt, ungebremmste explosive Energie und rohe Intensität zu liefern, die Fans auf der ganzen Welt so an ihnen schätzen. Mit 15 komplett neuen Tracks untermauern Lion's Law ihren Status als eine Schlüsselband der globalen Punkszene, bleiben ihren Wurzeln treu und heben ihren Sound doch auf ein neues Level. Seid bereit für die unaufhaltsame Kraft von "Evermore" und bleibt dran an Lion's Law! Inklusive der Highlights "Brother", "Sewer Rats", Titeltrack "Evermore" sowie A Flock Of Seagulls-Cover "I Ran". CD und LP, Vinyl klassisch schwarz und farbig am Start. Oi!

Lions Law kommen zurück mit "Evermore", ihrem bisher vielleicht wirklich stärksten Album. Die Franzosen sind eine der führenden Oi! und Street Punk Bands Europas, und im Februar 2025 lassen sie ihr brandneues Album aus dem Käfig. Nachdem die Band im letzten Jahr eine Compilation mit all ihren Französisch gesungenen Songs veröffentlicht hat, ist dies der mit Spannung erwartete Nachfolger zu 2020s P, B & S, welcher das Vermächtnis der Band fortführt, ungebremmste explosive Energie und rohe Intensität zu liefern, die Fans auf der ganzen Welt so an ihnen schätzen. Mit 15 komplett neuen Tracks untermauern Lion's Law ihren Status als eine Schlüsselband der globalen Punkszene, bleiben ihren Wurzeln treu und heben ihren Sound doch auf ein neues Level. Seid bereit für die unaufhaltsame Kraft von "Evermore" und bleibt dran an Lion's Law! Inklusive der Highlights "Brother", "Sewer Rats", Titeltrack "Evermore" sowie A Flock Of Seagulls-Cover "I Ran". CD und LP, Vinyl klassisch schwarz und farbig am Start. Oi!

Londoner come Margatean Ben Sun returns to RNT with a full-length offering of introspective analog electronic textures. Moving through various tempos and rhythmic styles, Ben crafts a sonic palette that feels alternatively meditative and melancholic, dark and brooding, or meditative and euphoric, while always rooted in a solid groove. With gorgeous artwork designed by Ben himself, this record is a gorgeous listen, and essential warmth for the frigid winter months

Repress 2026

THE WORLD OF HANS ZIMMER - PART II: A NEW DIMENSION ist die mit Spannung erwartete Fortsetzung des Erfolgsalbums The World of Hans Zimmer - A Symphonic Celebration von 2019. Dafür hat Hans Zimmer neue, klangmalerische Orchestersuiten komponiert, die auf vielen weiteren seiner ikonischen Soundtracks basieren. Höhepunkte des über zwei Stunden Musik umfassenden Doppelalbums sind die wie ein Cellokonzert angelegte Suite von No Time to Die, das elegische A Time of Quiet Between the Storms aus Dune II oder die epische Orchestersuite von The Prince of Egypt. Darüber hinaus können sich Fans über eine einzigartige neue Version von The Rock freuen - einem der großen Hans Zimmer Klassiker aus den 90er Jahren. Auf THE WORLD OF HANS ZIMMER - PART II: A NEW DIMENSION versammelt Hans Zimmer ein herausragendes Ensemble von Solist*Innen. Darunter die Sänger*Innen Lebo M, Lisa Gerrard, Gan-ya Ben-gur Akselrod und Nokukhanya Dlamini, der Multi-Holzbläser Pedro Eustache, Bassist Juan García-Herreros, Gitarrist Alexios Anest, Pianistin Eliane Correa, Cellistin Mariko Muranaka, Violinistin Rusanda Panfili sowie die Percussionisten Aleksandra Šuklar, Luis Ribeiro und Lucy Landymore. Diese spielen gemeinsam mit dem Odessa Orchestra & Friends und dem Nairobi Chamber Choir unter der Leitung von Dirigent Gavin Greenaway.Part 1 Man of Steel SuiteDriving (Miss Daisy) SuiteThe Rock SuiteNo Time To Die Suite Interstellar Suite Dune II SuiteThe Prince of Egypt SuiteWonder Woman SuiteSherlock Holmes SuiteInception SuitePart 2The Dark Knight SuiteGladiator SuitePearl Harbor SuiteKung Fu Panda SuitePower of One: Mother AfricaThe Lion King SuitePirates of the Caribbean Suite

Vintage-Pariser Jazz. Vintage-Pariser Ambiente. Paris hat schon immer Jazzmusiker aus aller Welt in seine Clubs & Cafés gelockt. Paris ist insbesondere die spirituelle Heimat des Gypsy-Jazz, wo viele Jazzmusiker in der ersten Hälfte des 20. Jahrhunderts in den Bals-Musettes der Stadt spielten. Django Reinhardt machte sich in den 1930/40ern mit dem Geiger Stéphane Grappelli und seinem Quintette du Hot Club de France einen Namen, ebenso wie mit den Bands von Alex Renard, Alix Combelle, Ray Ventura, Claude Bolling und Jerry Mango. Dieser LP-Sampler gibt einen hervorragenden Überblick über die damalige Szene, als kurz nach dem Krieg die Viertel Saint-Germain des Prés und Latin zahlreiche berühmte Jazzclubs beherbergten. Alle Tracks wurden remastert.

The Dub Pistols reissue journey continues and some could argue we’ve saved the best for last. Originally released on CD in 2012, the tour-de-force of ‘Worshipping The Dollar’ is finally receiving the vinyl treatment it deserves.

Including festival big hitters such as Mucky Weekend, Alive and Bad Card, this outstanding LP is being pressed on stunning blue and white splatter vinyl and it sounds better than ever. With its hard-hitting beats, infectious melodies, and socially conscious lyrics, 'Worshipping The Dollar' still acts as a commentary on the current state of our world and the detrimental effects of greed. The album features collaborations with legendary artists such as Rodney P, Red Star Lion, and Lindy Layton, adding an extra layer of depth to an already dynamic sound.

From their early beginnings as a soundsystem project, Dub Pistols have grown into a party-rocking live band that ignites festivals and venues. Main man Barry Ashworth has even gone a step further by developing his own hugely successful ‘Mucky Weekender’ festival named after Worshipping The Dollar’s lead single. Mucky by name, Mucky by nature - the festival certainly isn’t for the light hearted!

‘Worshipping The Dollar’ serves as a testament to Dub Pistols’ enduring spirit and tenacity and you can now pre order the album on how it was originally meant to be listened – on glorious vinyl.

a Alive feat. Red Star Lion 04:42
b West End Story feat. Akala 03:42
c Mucky Weekend feat. Rodders 05:08
d Bang Bang feat. Ashley Slater [03:33]
[e] Rubadub feat. Lindy & Dan Bushall [05:00]
[f] New Skank feat. T.K. [04:18]
[g] Rocksteady feat. Rodney P & LIndy [04:20]
[h] Countermeasure feat. T.K. [04:40]
[i] Gunshot feat. Darrison & Rodders [05:42]
[j] Bad Card feat. Dan Boskills [05:22]
[04:16]

Following their collaboration on 2021"s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko"s score initiated the project that has become his celebrated new film (Best Picture - BFI London Film Fest, Asian Film Awards, Silver Lion - Venice Film Fest, Best Score - Asia Film Awards). Eiko"s compositions are scored for violin, cello, guitar, drums and keyboards. Her longtime partner Jim O"Rourke played the guitar and mixed and mastered the recordings when they were done, eliciting further the necessary nuances of atmosphere and mood that one would expect in one film, much less two!

Originally released in 1993 on Blades legendary lp, The Lion Goes From Strength to Strength, Dark and Sinister featuring MC Mell'o' is now available for the first time on limited edition 7" vinyl. The instrumental is on the B-Side.

The long-awaited new album by the Belmondo
Brothers, their first in a decade.
Renowned internationally for their collaborations
with such luminaries as Milton Nascimento and
Yusef Lateef, trumpeter Stéphane Belmondo and
his brother saxophonist Lionel - the most famous
jazz siblings in France - celebrate their artistic
reunion.
The brothers salute their masters and synthesize a
quarter of century of musical adventures via a
series of new original compositions.
Featuring songs inspired and dedicated to Wayne
Shorter, Bill Evans, Yusef Lateef, Woody Shaw
and their late father Yvan.
Featuring the great Belgian Eric Legnini on piano
and a tight and full-bodied jazz quintet.
An original mix of modal and spiritual jazz with
hints of classical liturgical influences and ethnic
vibes.
For fans of John Coltrane, the Blue Note albums of
Wayne Shorter, Bill Evans, Freddie Hubbard,
Yusef Lateef, Herbie Hancock, Jacky Terrasson,
Lili Boulanger.

“Mata leao” means “lion killer” in Portuguese, an appropriate title for this beast of an album, Biohazard’s first as a trio. In this case less is more; with a sound blending so many ingredients (hardcore, rap, metal), the increased focus brought on by the streamlined line-up just hardens the tip of the jackhammer.

Produced by Dave Jerden of Jane’s Addiction and Alice in Chains fame, this 1996 release sees its first US issue on vinyl, complete with printed inner sleeve.

Das legendäre Debütalbum 'Kingston Journey' (2019) eines der besten Soundsystems der Schweiz und Europas, Little Lion Sound, ist eine Odyssee, die den Hörer auf eine faszinierende Reise durch das Herz und die Seele der jamaikanischen Musik mitnimmt. Jeder Titel ist eine Hommage an das reiche Erbe von Reggae und Dancehall und zeigt die beispiellose Fähigkeit dieser Formation, diese Genres mit Finesse zu vermischen und zu kuratieren. Feat. Capleton, Junior Dread, Brother Culture, Micah Shemaiah, u.a.

Prepare to embark on a sonic odyssey as CRIMEAPPLE and PRESERVATION unveil the inaugural chapter of their groundbreaking trilogy with "EL LEÓN”. The album's title, a nod to the undisputed king of the jungle, serves as a meta-phorical beacon for the unyielding hunger that the lyrical predator has always shown.

On this audio hunting expedition, CRIMEAPPLE, the lyrical monarch, roars with an intensity that mirrors the lion's fe-rocity over a wild musical tapestry provided by PRESERVATION, with each track being a testament to the insatiable appetite and predatory instincts needed to navigate the wilderness of today’s music industry, a game that both artists have never bowed down to but always dominated from the outside in.

CRIMEAPPLE has always proven to be a leader of the pride, with the non-stop grind he’s been putting into his MAN-TECA imprint and with legendary collaborations with producers such as DJ Muggs and DJ Skizz carving his name as one of the prominent stars in the game today.

On the production side, PRESERVATION’s musical journey, whether with long-time collaborator Yasiin Bey (fka Mos Def), or as one half of Dr. Yen Lo with Brooklyn emcee Ka, or through legendary collaborations with the likes of billy woods, MF DOOM, Roc Marci, RZA, Sean Price, Raekwon and countless others, have made him an iconic name in musical alchemy.

As the trilogy begins, "EL LEÓN" stands as the beginning of a new hunting season for the two, where CRIMEAPPLE and PRESERVATION are sure to transcend boundaries and reign supreme.

Desde los oídos de un sapo

We are very excited to announce a new chapter in our journey. Here we are blazing a new trail, making our way to document and leave a first-class record of sound design, Field Recording and cutting-edge electronic music made in South America. We present our first album, 'Desde los oídos de un sapo', by our favourite amphibian, a man ahead of his time, the Uruguayan Lechuga Zafiro.

"How could I call it my sound if I had not found it myself?"___

States the artist, who finished forging his outstanding musical identity based on field recordings. Metal, wood, plastic, glass, rock, toads, birds, sea lions, pigs and water (in its various forms) captured in Uruguay, El Salvador, Chile, China, Argentina and Portugal, coexist and exchange harmonic and dynamic properties. By altering, editing, or simply letting the sounds manifest themselves, Lechuga generates a wide and complex rhythmic-timbral universe. These are 7 tracks that never cease to have consistency and a fierce character.

Lechuga's debut album is a milestone in Latin electronic music. This document opens a new territory, one so genuine and challenging, so real and fertile, that we are confident it will be a must-have anywhere on the planet. This collaboration is our new contribution to the mission of contemplation, so please stop, come to this frog's ear, to feel with both Pablo and us.

Fabio Lione has become a household name in the Metal scene over the last 25 years.

When ATHENA XIX first appeared, they released 3 critically accliamed and beloved albums before Lione had to focus his talent completely on Rhapsody and Angra. Now ATHENA XIX are back with "Everflow Part 1: Frames Of Humanity" and beckon you to follow them on a travel through the human subconcious. The album includes high ranking guests like ex-Kamelot and current Conception vocalist Roy Khan.

This EP from The Brothers Grimm is a bona fide classic - but what else would you expect from the legendary combination of two of the best producers in the scene, Dyce and Acen?

Both sides are incredible, but Exodus is the track that really took off to become one of the first jungle anthems. The EP is famous for its clever use of an absolutely killer breakbeat, and a unique vocal that showcased all the best elements of old skool rave and jungle. This is mixed with many audio elements that were brand new back then, but have since become standard in the jungle scene.

Now beautifully remastered from DAT, this is an EP that every collector and raver must have in their collection!

For the first time in their diverse second act, they allow themselves to be a rock band, freed of adornment and embellishment. As much as Carlson’s guitar has always been the focal point of EARTH’s music, it’s been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn O))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) and Jodie Cox (Narrows). Perhaps the largest left turn on Primitive And Deadly, though, is the prominence of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of EARTH into something approaching traditional pop structures.
On “Rooks Across the Gates,” a song stylistically the closest to the folk inspired modality of Angels Of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. “From the Zodiacal Light,” meanwhile, takes the late 60s San Franciscan/freaked-out jazz-rock transcendence of The Bees Made Honey In The Lion’s Skull and quickly re-appropriates that sound into a musky torch song for the witching hour.
This contradictive tension between a band pushing itself ever-forward whilst surveying their history is reflected in the albums twin recording locales. The foundation of the record was laid in the mystic desert highlands of Joshua Tree, California where EARTH recorded hour after hour of meditations on each track's central theme at Rancho de la Luna. Upon returning to Seattle these were edited, arranged and expanded upon at Avast with the help of long-term collaborator Randall Dunn (who was previously at the helm for the Hex, The Bees Made Honey In The Lion's Skull and Hibernaculum sessions).

In 2015, Membranes released their first album for 25 years.
It was a critically acclaimed double album about life, death, and the universe. An ambitious work, it became the band's best-selling album in a long and unconventional career. “Dark Matter / Dark Energy” was both the band’s critically acclaimed return and best-selling release and, due to public demand, it is now reissued as a double vinyl album in stunning and experimental, ground-breaking new artwork and packaging.
The album which will be launched in December with gigs at the Albert Hall in Manchester and Shepherds Bush Empire in London was inspired by Membranes’ John Robb, meeting John Incandela the head scientist from the CERN project at a TEDx talk they were both giving.
Incandela had just completed his work on the Higgs Boson particle project, and Robb became friends with him and other scientists from the project. Their conversations about the universe were mind-blowing, and the album attempted to capture these in musical form.
The band toured the album around the world, supporting The Stranglers, The Sisters Of Mercy, and Mark Lanegan, who called the Membranes one of his favourite all-time post-punk bands and said that ‘John Robb is a legend - I’m truly honored to know him’.
The Membranes were formed in Blackpool in the late seventies and were big John Peel and music press favourites with their innovative bass driven discordant Death To Trad Rock sound providing a template and influence for many bands over the years including Big Black, Mercury Rev, The Wedding Present and even the likes of the Lambchop who covered them.
John Robb is also a well-known face on TV and radio as well as running the Louder Than War music and culture website and writing best-selling books like ‘Punk Rock - An Oral History’ and ‘The Art Of Darkness - The History Of Goth. He is currently working on his mémoires and a new Membranes album.
The new edition of the album comes in revolutionary and stunning new artwork gatefold sleeve, complete with lyric sheet, and a poster of the original album cover, all of which captures its interstellar themes.

In 2015, Membranes released their first album for 25 years.
It was a critically acclaimed double album about life, death, and the universe. An ambitious work, it became the band's best-selling album in a long and unconventional career. “Dark Matter / Dark Energy” was both the band’s critically acclaimed return and best-selling release and, due to public demand, it is now reissued as a double vinyl album in stunning and experimental, ground-breaking new artwork and packaging.
The album which will be launched in December with gigs at the Albert Hall in Manchester and Shepherds Bush Empire in London was inspired by Membranes’ John Robb, meeting John Incandela the head scientist from the CERN project at a TEDx talk they were both giving.
Incandela had just completed his work on the Higgs Boson particle project, and Robb became friends with him and other scientists from the project. Their conversations about the universe were mind-blowing, and the album attempted to capture these in musical form.
The band toured the album around the world, supporting The Stranglers, The Sisters Of Mercy, and Mark Lanegan, who called the Membranes one of his favourite all-time post-punk bands and said that ‘John Robb is a legend - I’m truly honored to know him’.
The Membranes were formed in Blackpool in the late seventies and were big John Peel and music press favourites with their innovative bass driven discordant Death To Trad Rock sound providing a template and influence for many bands over the years including Big Black, Mercury Rev, The Wedding Present and even the likes of the Lambchop who covered them.
John Robb is also a well-known face on TV and radio as well as running the Louder Than War music and culture website and writing best-selling books like ‘Punk Rock - An Oral History’ and ‘The Art Of Darkness - The History Of Goth. He is currently working on his mémoires and a new Membranes album.
The new edition of the album comes in revolutionary and stunning new artwork gatefold sleeve, complete with lyric sheet, and a poster of the original album cover, all of which captures its interstellar themes.

Alligator’s Grammy Award-winning, best-selling release of all time, remastered and reissued in honor of the title’s 40th anniversary on clear vinyl and packaged in a beautiful gatefold cover featuring previously unpublished photographs, plus reminiscences of the sessions by producer/Alligator founder Bruce Iglauer. Over 310,000 units sold in all formats. Universally recognized as one of the greatest blues albums of all time. A celebrated studio “cutting contest” between three legendary blues guitarists. Albert and Johnny are sadly no longer with us, but Robert Cray continues to record and tour, and is one of the best-selling blues artists in history with over 3.3 million career units scanned.

"Hollywood, the new album by German pianist Sebastian Knauer is centred around the music and family story of legendary American film music composer Alfred Newman.
He recorded it with the son of Alfred, conductor and composer David Newman and the Deutsches Symphonie-Orchester Berlin.
Alfred Newman, the founding father of the Hollywood sound, composer of the world's most famous fanfare, the 20th Century Fox logo, winner of nine Academy Awards, nominated for 45, friend of Gershwin,Copland, Bernard Herrmann, mentor of Alex North, Elmer Bernstein, Jerry Goldsmith and founder of the most successful film music dynasty: his younger brothers Emil and Lionel Newman (“Hello, Dolly!”), his older son David Newman (“Ice Age”, “Anastasia”), the younger son Thomas Newman (“American Beauty”, ""James Bond: Skyfall""), his nephew Randy Newman ... and his grandchildren are already starting their careers ...
George Gershwin or Aaron Copland, Alex North or Elmer Bernstein, Bernard Herrmann or Jerry Goldsmith - all the composers on Sebastian Knauer's new album have three things in common: they come from the USA, they have naturally intertwined classical composition and film music and they are closely associated with Alfred Newman."

Reissue of the debut full-length album by the leader of the Ukrainian band Edenian, Max Molodtsov, offers a 50-minutes long journey to the world of gloomy and hasteless, but atmospheric doom-death, where brutal elements are contrasted by melancholic interludes.The lyrics of the "Of Ruins..." album are based on the classical English poetry from the 19th century and the original author's verses. Mixed and mastered at Slow Burn Studio (When Nothing Remains, Crypt Of Silence).

Dennis Bovells produktive und vielseitige Karriere umfasst ein riesiges Spektrum an Musik: von Dub Poetry über Lovers Rock und Post-Punk bis hin zu Disco, Pop und mehr. Seine Produktionsarbeit umfasst so unterschiedliche Persönlichkeiten wie The Slits, I Roy, Maximum Joy, Fela Kuti, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, Steel Pulse und mehr.

Diese Zusammenstellung konzentriert sich auf die Zeit während und unmittelbar nach Bovells Engagement beim Jah Sufferer Sound System und gräbt tief, um deepe Cuts und weniger bekannte Versions zu finden, hauptsächlich aus den Jahren 1976-1980, samt eines umwerfenden und weniger bekannten Dub des ikonischen Tracks "Silly Games". Sorgfältig restauriert und remastered bei Dubplates & Mastering in Berlin, sodass diese Jahrzehnte alten Tracks makellos und dynamisch klingen und so angeordnet sind, dass sie den Hörer auf eine Reise durch Bovells Produktions- und Arrangement-Genie mitnehmen.

Die beiliegenden Sleevenotes sind das Ergebnis eines langen Gesprächs mit Dennis über diese Zeit seines Lebens, mit Erinnerungen an jeden einzelnen Track und faszinierenden biografischen Anmerkungen. Die Vinyl- und CD-Versionen weisen unterschiedliche Cover auf, wobei jedes Format ein einzigartiges Foto von Syd Shelton verwendet.