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Left to Die - Initium Mortis
  • 1: Legion of Doom
  • 2: Archangel
  • 3: Power of Darkness
  • 4: Zombie
  • 5: Witch of Hell
  • 6: Rise of Satan
  • 7: Summoned to Die
  • 8: Mantas
  • 9: Slaughterhouse
  • 10: Death By Metal

Initium Mortis, the upcoming new album from LEFT TO DIE, sees the DEATH-inspired supergroup—including original DEATH members Terry Butler (OBITUARY) and Rick Rozz (MASSACRE)—joining Harvey (EXHUMED, GRUESOME) and Gus Rios (GRUESOME) to capture DEATH's deep, die-hard-only catalog.

pre-ordina ora17.07.2026

dovrebbe essere pubblicato su 17.07.2026

22,06 €
Death - Leprosy

Death

Leprosy

12inchRR52001
Relapse Records
05.10.2026

Foil Jacket - Pink, White and Blue Merge with Splatter. Der sechste Teil von Relapses umfassender Wiederveröffentlichungskampagne des immens einflussreichen DEATH-Katalogs ist Leprosy, das gigantische zweite Album der Band. Ursprünglich 1988 veröffentlicht, war Leprosy ein bahnbrechendes Album, das auf dem Thrash-Sound von Metallica und Slayer aufbaute, aber eine bis dahin ungehörte Extremität hinzufügte. Das gesamte Album sowie das Bonusmaterial wurden von Alan Douches (Mastodon, Nile, etc.) akribisch remastert.

pre-ordina ora05.10.2026

dovrebbe essere pubblicato su 05.10.2026

23,11 €
LEFT TO SUFFER - UNWELCOME GUEST
  • 1: TRACK ONE
  • 2: THERAPY
  • 3: GUN IN THE DUFFEL BAG
  • 4: STFU
  • 5: WRONG NUMBER (FT. ALAN GRNJA OF DISTANT)
  • 6404:
  • 7: UNWELCOME GUEST
  • 8: HONOR AMONGST THIEVES
  • 9: UNREQUITED DREAD
  • 10: BLEEDING OUT
  • 11: GASLIT

GER Erstes Album mit Hopeless der Atlanta Nu-Deathcore-Band LEFT TO SUFFER! Left To Suffer zählen zu den intensivsten und eindringlichsten Acts der modernen Heavy-Musik, eine Band, die mit der Wucht einer Abrissbirne und der Präzision eines Skalpells zuschlägt. Ihr Sound entsteht an der Schnittstelle zwischen Moshpit-tauglicher Brutalität und eindringlicher Melodik; er richtet sich an Hörer, die ihre Katharsis laut, körperlich spürbar und kompromisslos erleben wollen. Von zermalmenden Breakdowns bis hin zu unheimlicher, atmosphärischer Spannung haben sich Left To Suffer eine ganz eigene Nische geschaffen. Hier existieren Wut und Verletzlichkeit unmittelbar nebeneinander, getragen von messerscharfem Songwriting, gewaltigem Tiefenfundament und Hooks, die wie Nachbeben einschlagen. Left To Suffer jagen keinen Trends hinterher. Sie erschaffen etwas, das schwerer, schärfer und unüberhörbarer ist, und dieses Kapitel hat gerade erst begonnen. Oranges Vinyl, Digisleeve CD Hopeless debut from rising Atlanta Nu-Deathcore band LEFT TO SUFFER! Left To Suffer are one of modern heavy music's most visceral acts, a band that hits with the force of a wrecking ball and the precision of a scalpel. Their sound lives at the collision point of pit-starting brutality and haunting melody, built for listeners who want their catharsis loud, physical, and uncompromising. From pulverizing breakdowns to eerie atmospheric tension, Left To Suffer have carved out a lane entirely their own. One where rage and vulnerability coexist in the same breath, anchored by sharp songwriting, massive low-end weight, and hooks that land like aftershocks. Left To Suffer aren't chasing trends. They're building something heavier, sharper, and harder to ignore, and this chapter is just getting started. Orange coloured vinyl, digisleeved CD.

pre-ordina ora09.10.2026

dovrebbe essere pubblicato su 09.10.2026

24,33 €
MaMaMa - Est

MaMaMa

Est

12inchBBR023
Bye Bye
16.10.2026
  • A1: Aussi loin qu’il tiendra debout
  • A2: Tout sauf la vérité
  • A3: Emily Jane
  • A4: Si bien ensemble
  • A5: Anywhere you are, there you are
  • B1: Beau Garçon
  • B2: Le beurre et le miel
  • B3: S’envoler
  • B4: Elle me parle une langue
  • B5: Le bout du ballon
  • B6: Un secret entre toi et nous

It's hard to explain an album when one listen is enough. All the more so with MaMaMa: there's no room to stay passive. Listening to his new album, EST, means immersing yourself in an atmosphere that's softly psychedelic, comforting and organic all at once. A dreamy, electronic pop that proves this Strasbourg-at-heart, Paris-by-adoption musician, arranger, singer, songwriter and producer never stops reinventing himself. After changing his name — formerly Petit Prince — and delivering two critically acclaimed albums ("MaMaMa-gnificent." / "Hooks you carry in your head for a long time" / "sumptuous arrangements"), Elliott Diener now offers an even more sincere record. Real songs in French, after two albums where production sometimes took up all the space: "when you make heavily produced music, once you strip away the layers of sound, there's no fruit left underneath. On EST, I don't need makeup for the songs to work," he admits.


That's what this new album is about: the song and the French language first, then the pleasure of sound. An album less concerned with talking about its own making, more inhabited, more embodied, within a contemporary folklore. With this new album, don't expect to be bored: EST is his best record yet.

No pretense


Entirely conceived in his studio in Pantin — a room of his own, at last — imagined as a space free of any daydream, open to every sonic landscape, MaMaMa offers a record that's both hazy and downy soft. Often composed very early in the morning, it has become nostalgic without being dark, melancholic without being sad, with a few lineages showing through: Flavien Berger, Moodoïd, Feu! Chatterton for the taste for words and unease, Mount Kimbie for the approach to sound and rhythm. Unsurprising, given that EST was finalized with the British duo's producer. Live, MaMaMa is preparing a show in the style of Nicolas Jaar or UTO. Hypnotic and immersive.

The most liberating thing is that EST is an album without pretense. With it, we move through perseverance (in Aussi loin qu'il tiendra debout), the small arrangements we make to avoid facing reality (Tout sauf la vérité), and the fragility of bonds we thought were solid (Si bien ensemble). We also touch on lasting conflicts with the people we love (Anywhere You Are, There You Are), misunderstanding (Elle me parle une langue), and the erosion of friendships (S'envoler). EST draws an intimate and redemptive map of human relationships, in a body of work that's both lucid and sensitive — like when he also addresses social masks such as filial love (in Beau garçon, dedicated to his son) or relationships that have become impossible.

"It's really the album that sounds most like me, in terms of sonic landscape," Elliott points out. A record that rises above the noise of an imperfect, shifting world — like us — joyful in its words, liberating in its production. A true gem.

pre-ordina ora16.10.2026

dovrebbe essere pubblicato su 16.10.2026

23,95 €
JULIE CHROME - STOP - DRAGGIN' MY HEART AROUND EP

Some records feel like they should have existed. This is one of them.Originally buried as an album cut in the catalog of C. C. Catch, ‘Stop – Draggin’ My Heart Around’ never received the maxi single treatment it always deserved. For decades, fans of Dieter Bohlen’s signature sound have been left wondering what could have been… no extended mix, no dub, no proper club version… Until now.

Julie Chrome steps in with a strikingly faithful reinterpretation, capturing the emotional tone and melodic essence of the original, while Ryan Benson carefully reconstructs the sonic blueprint, staying true to that unmistakable mid-80s German disco aesthetic of Luis Rodriguez. Think shimmering synths, tight Linn-style drums and that bittersweet, dramatic tension Bohlen/Rodriguez and Co. perfected. But this release goes further than nostalgia. On this maxi, the track finally unfolds the way it always should have. Fully extended, club-ready, and built for the dancefloor. The Long Version delivers that essential 80s arc: slow build, emotional lift, and extended instrumental passages made for mixing. The Dub Version strips it back into a hypnotic tool, pure drums, synth stabs and atmosphere, tailored for late-night transitions and deeper sets. The Radio Version and Alternative Radio Version complete the package, offering two concise takes that still retain all the charm, drama and melodic punch of the original composition. This is more than a tribute, it’s a carefully crafted time capsule. From the production to the artwork and label aesthetics, everything here is designed to transport you straight back to 1986. For fans of classic German disco, collectors of lost Italo-adjacent gems, and DJs who know the power of a well-placed nostalgic moment – this one hits deep. A record that finally corrects history.

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18,91 €
Andrea Giordano / Kalle Moberg / Jo David Meyer Lysne - Radis LP

Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontese poets Nino Costa, Bianca Dorato and Oreste Gallina. As the musicians explain, the project is an attempt to preserve the beauty and singularity of a language at risk of extinction.

Fittingly, the first sound we hear on the opening piece ‘Fiorìa’ is Giordano’s unaccompanied voice. She sings a poem from Oreste Gallina as a kind of floating cadenza, the accompanying silence sensitizing the listener to the pellucid quality of Giordano’s voice and the unique sound of the Piedmontese language. The voice dies away and into the silence swells a single tone, sounded by Moberg’s accordion and—special guest on this opening piece—the alto saxophone of Mario Gabola. Extended techniques and preparations create unexpected timbres from the acoustic instruments: Gabola’s saxophone is augmented with tin cans and springs and Moberg’s unorthodox techniques allow the accordion to generate wheezing, buzzing textures and patterns of microtonal beating. Giordano’s voice returns, picking up the thread of the languorous opening melody, coexisting for a while with the shifting drone before the piece takes an unexpected yet organic left-turn into a delicate saxophone solo of sorts.

Recorded in several locations across Italy and Norway over the course of three years, Radis documents an ensemble who have developed both a distinctive sound-world and a remarkably sensitive group dynamic. Moving from folkish duets between accordion and Giordano’s organetto (the small accordion used in Italian folk music) to episodes of metallic guitar scraping from Meyer Lysne, the music is both quietly contemplative and gently chaotic. Ensemble roles shift with disarming ease. If on ‘Profij dëspers’ Meyer Lysne’s prepared guitar adds a haywire noise element to a lyrical episode of organetto and accordion, the next piece, ‘D’antorn a lor’, is grounded in chiming guitar chords of stunning beauty; once Giordano’s joins, the result calls up the most spacious moments of Maria Monti’s Il Bestiario. Throughout the seven pieces, the trio explore countless possibilities of group interaction and the margin between conventional euphony and pure abstraction: at times the voice floats against silence or seems almost disconnected from the gentle clatter of the instruments (sometimes reminiscent of Nikiforas Rotas’ haunting settings of Cavafy), while at other points the instruments touch on conventional harmonic accompaniment. What is perhaps most striking of all is the way that voice and instruments relate to each other, the extended technique reframing the voice as a kind of abstract sound object, while the melodic beauty of Giordano’s voice lends a contemplative, almost melancholic air to the wheezing and scraping of accordion and guitar.

Captured in gorgeously intimate recordings, Jim O’Rourke’s careful and beautifully spacious mix highlights the wealth of textural detail in each element. Accompanied by notes, session photos and the text of the Piedmontese poems, Radis is a work of stunning beauty that demonstrates the vitality of exploratory music in Norway today.

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22,27 €
Deux Filles - Silence & Wisdom / Double Happiness

The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's Silence & Wisdom' and 1983's Double Happiness'. Both albums are included here and blend watery piano, occasionally ghostly vocals, sheets of synthesizers, heavily processed guitars and the barest minimum of percussion. Drifting and wistful, they're a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. Each LP includes a sticker of the Lino cuts by Adrian Gill that was included with the original pressing.

"Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)

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23,32 €
Lovelock - Business & Pleasure (LP)

Steve Moore reprises his beloved Lovelock guise by presenting his unique riff on the library breaks genre. Business And Pleasure contains grimy groove and sleazy, funk-laden lounge music.

This vinyl release is hyper-limited, with just 500 pressed for the world.

The LP is ushered in by the spacey synth-funk of the sleazy, woozy title track. This is that serious slo-mo cosmic-balearic head-nod shit. Laidback bass, heavy funk with dreamy synth and electric guitars. An outstanding opener. Up next, the dynamic, swaggering "Last Call" is a sophisticated, elegant stroll - sweeping, mellow strings, a smooth bassline and gorgeous percussion with urgent keys and swelling synths.

"Slinky Strut" is another spaced-out, sleazy funk groove with jazz rock by way of a heavy, heavy guitar riff, mellotron and bass breakdowns which build to brass crescendos. Gigantic. "First Class" closes out the side, and, like classic Hawkshaw / Bennett noir, it's got that mysterious and murky stretched out sleuth / detective soul with a great bassline and percussive elements, with swelling strings, ace synths and smooth Rhodes piano melodies entering the mix halfway through. Dramatic guitars and groovy percussion add extra intrigue. It's 7 minutes of funk!

Side B opens with the stretched-out psychedelic funk and jazz groove of "Stank 49". It takes its sweet time to unfurl, creating enormous - almost sensual - anticipation for the ensuing beauty but, as it does, we're left beguiled and straight-up hypnotised. Heaven-sent synth flourishes and a laidback bassline over smooth drums cement its simple, vivacious grace. "Dangerous Man" is that creeping crime funk we all love; heavy bass and fuzzy guitar riffs, mellow strings and sumptuous piano/synths. It's irresistible, it's ominous and it's pretty gargantuan. It's basically like an El-P hip-hop instrumental. We need to get some rappers over this stuff, stat!

"Stinkbug" is a dazzling and funky groove-fuelled jazz-rock workout with fizzing synth riffs joined by full percussion and drum breaks, building with strings to a strong swagger. Vigour! To close out this remarkable set, the breezy "Win Or Lose" is laidback soul-inflected funk, utilising urgent, skipping drums and galloping basslines. Just stunning.

This collection was written and recorded in Spring and Summer of ’24. Everything was tracked at Steve's home studio in Albany, NY except the drums and percussion, which were recorded by Jeff Gretz at his space in NYC. The whole collection is basically a rhythm section feature, so Steve's Rickenbacker 4003 and Fender Jazz Bass play very prominently. The bass guitar serves as lead instrument in a lot of these tracks. Also, lots of Rhodes and stringers (Solina, Logan etc) and guitar (Strat and Les Paul). He even dusted off my sax for this one, which he doesn’t do as often as he’d like!

This type of groove-oriented library music has been a steady part of Steve's diet since the late 90’s. In heavy rotation while writing this collection were the following classics: “Time Signals” by Klaus Weiss, “Tilsley Orchestral No. 10” by Reg Tilsley, and “Heavy Truckin’” by Simon Haseley. “Voyage” by Brian Bennett was also a big one.

Lovelock started as a dedicated Italo-disco project, but over the years Steve expanded it to include anything directly informed by the commercial/pop side of the music of his childhood (70s/80s). Writing and recording this album was, like a lot of Steve's music these days, basically a test to see whether or not he could do it.

The song titles, like the music, are meant to be evocative yet vague. But there is a bit of a travel theme. Steve imagined this record being the soundtrack to a sleazy salesman’s business trip. The kind of guy who, when asked if he’s traveling for business or pleasure, responds “both.” Beyond the traveling salesman comparison, the title directly relates to the creation of this album. This was something he wanted to do just for his own enjoyment. Yet, like our sleazy salesman, he still found a way to get paid.

The album’s cover was designed by Chris Stevenson, with no little direction from Steve. He knew that he wanted to go with something photography-based for this cover so, in true DIY/cheapskate spirit, Steve started by looking through his own photos. He found the cover image on his phone, taken through an almost empty bottle of beer, and it clicked. The whole album has a very boozy vibe (especially with titles like “Last Call”) so this shot seemed appropriate. We, hic, agree.

Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.

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Open Mike Eagle & Paul White - Hella Personal Film Festival

Open Mike Eagle might not have all the answers, but few in life ask smarter questions.

Recorded in London with producer Paul White, Hella Personal Film Festival artfully dissects modern life's banalities and perils. Continuing where his 2014 Dark Comedy left off, it blends whimsical anxiety, social media addiction, and scorn. Known for collaborations with artists like Danny Brown and Mos Def, Eagle and White create tense, emotionally rich anthems that capture the disorientation of daily life and examine societal double standards and casual bigotry.

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Morcheeba - Escape The Chaos LP

Trip-hop royalty Morcheeba make a blistering return with a stunning 11th studio album Escape The Chaos.

“This whole record is a process of trying to reconnect with what really matters. whether it’s what in your heart or with the world, putting your feet on grass and feeling the earth beneath you” says Ross Godfrey.

“For me, ‘We Live and Die’ is about my duration in the band and the music world and life in general,” Skye says of the lead single. “The lines become blurred after all this time. In a way, it’s a homage to the thirty years of being in Morcheeba which is 60% of my existence.”

Formed in London in 1995 the legendary band have extensively toured the globe, sold over 10 million albums worldwide and left their mark as one of the most influential acts of recent times. Releasing their acclaimed debut album Who Can You Trust? in 1996, the band have gone on to release a string of successful studio albums, including 1998’s platinum selling Big Calm, produced an album for Talking Heads’ David Byrne and produced soundtracks for Oscar-winning director Steven Soderbergh.

In their 30th year Morcheeba are as relevant as ever and are set to mark the celebration in style.

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Various - YVES DERUYTER 40 YEARS (10x12")
 
47

Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.



Yves Deruyter - 40 Years at the Pinnacle of the Night

Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.

If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.

Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.

From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.

With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.

From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.

Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.

Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.

And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.

Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.

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Mary Halvorson - Cloudward LP

Mary Halvorson

Cloudward LP

12inch0075597902334
NONESUCH
28.01.2025

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

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ETCH - Scream of the Butterfly LP 2x12"

True Sneaker Social die-hard Etch returns with a monumental new album. Scream of the Butterfly shows the depth and breadth of one of the illest producers operating across the many spheres of club music with a distinct “you ‘kay?” slant.

From the moment the low-end pressure and loaded samples rear their heads on the opening track, Zak Brashill demonstrates his intent to sculpt Scream Of The Butterfly as a proper album — an end-to-end listening experience full of peaks and troughs which focus on sonic storytelling much more than club functionality. Throughout his imperious output to date, the man like Etch has displayed an affinity for sound design to match his instinct for what bangs on the spectrum of dubstep, garage, jungle and hip-hop, but now he’s gone postal on soundworld-building, with a grip of heavyweights drafted in to help set the scene.

Fellow Sneaker alumnus J-Shadow lends his maverick footwork science to ‘Star Fallen’, while UK rap anti-royalty Lee Scott brings his unmistakable Runcorn drawl to dusky head-nodder ‘Not Surprised’. UK bass-synth-ambient enigma E.M.M.A drops in for the moody, meandering midpoint ‘Stepford Lives’, and Killa P and Emz deliver blazing bars to the double dose of ‘Prayer Wheel (Left You Fi Dead)’ and ‘Heat Map’ respectively.

Elsewhere Brashill follows his own razor-sharp instincts into warping stop-start drum science, widescreen downtempo with teeth, seasick synth studies, moody-but-cosy 140 and lots more besides. Nothing comes as standard, but Scream of the Butterfly is ruff when it wants to be, subtle and spacious if the vibe demands it, and consistently packed full of the detail and intrigue that we’ve come to expect from one of the most inventive and reliably sick producers in the contemporary bassweight firmament.

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Tall Black Guy - 8 Miles to Moenart LP

First Word Records is very proud to bring you the 10th anniversary edition of Tall Black Guy's debut LP '8 Miles to Moenart'!

It includes two brand new jazz interpretations ('From Home To Work, And Back' and 'Running The Motor'), recorded with a live band, as well as a new intro cut ('Black Detroit'), and an alternative mix of the single 'Mon Amie De'troit', previously only available on 7" vinyl.

The original vinyl LP release was a one-time limited edition pressing; this being the first time this project has been available on wax since then, and also includes entirely new artwork and photography.

From humble origins in Detroit, raised on a healthy diet of Motown, jazz and hip hop, Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the hip hop beats scene. Through a steady stream of soulful productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson, Benji B, Don Letts, Lefto, Tom Ravenscroft, Lord Finesse, Huey Morgan, Anthony Valadez and countless others, along with sessions for Boiler Room and more.

'8 Miles To Moenart' literally brought Tall Black Guy full circle, and proceeds to do so once again. Detroit was where he started making music, and it's to his hometown he took inspiration for this debut album. Taking in low-slung hip hop, downtempo house and jazz-tinged street soul, it's a record of rare focus. It encapsulated the musical heritage of Detroit, through the looking glass of Tall Black Guy's own signature sound.

Follow up releases included his sophomore First Word album 'Let's Take A Trip' (which also featured the likes of Masego, Daniel Crawford, Miles Bonny and Moonchild), and records on Ubiquity, Bastard Jazz and Street Corner Music, to name a few, along with a steady slew of limited self-released edits amd productions, most recently with his #7DayVaults series.

He's worked with a number of formidable artists worldwide, including recent extensive work with Zo! (Little Brother), Ozay Moore, Deborah Bond and Dee Jackson (80's Babies), as well as collaborations with 14KT and First Word label-mate Allysha Joy, to name just a few. He is also an integral player for DJ Jazzy Jeff's infamous PLAYlist Retreat sessions, along with more First Word family, Kaidi Tatham and Eric Lau, as well as artists like James Poyser, Ali Shaheed Muhammad and Questlove, and he was a core contributor to First Word's 'Nothing Leaves The House' series, along with Eric, Mr Thing and kidkanevil.

Tall Black Guy has firmly established himself to be one of the most influential producers working today.

Terrel says "I made the bulk of this album back in Detroit around 2012/2013, before I relocated to the UK. I've been back living and working in the States for a while now, and it's great to look back on this project. But while it's nice to reminisce, it's important to look forwards, so I wanted to include something new here to represent my progression as an artist, so there's some new versions included, that I created with the help of some jazz musician friends of mine."

'8 Miles to Moenart' (10th Anniversary Edition) will be released on digital & vinyl on October 18th 2024.



c 03: Funeral Biz / Welcome to Detroit (Interlude) feat. Malice & Mario Sweet

e 05: Mon Amie De`troit (7" Version) feat. Ozay Moore

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Various - Total 24  LP 2x12"

Various

Total 24 LP 2x12"

2x12inchKOM495
Kompakt
06.09.2024

Hello 24! Nice to have you here. 23 is so yesterday, so over the top, really. Well, we’ve been dancing the following dances recently. What about you?

What lasts a long time usually turns out well. Having admired TEE MANGO from afar for many years, our A&R Michael Mayer took heart and invited him to this year’s TOTAL. “So In Love” is in the best tradition of the KOMPAKT minimal funk of the early years. We are delighted to have this lovely Englishman on board!

REINHARD VOIGT has always placed great emphasis on loving animals. On the track with the unsurprising title “Der, der mit dem Gummiball sang (Orange)”, he lets whole hordes of different four-legged friends and poultry on the microphone. Hopefully the stench will dissipate from the studio.

When Rhenish cheerfulness meets holiday anticipation, the result is something like this Hawaiian shirt turned music called “Chee-Caruso” by JÜRGEN PAAPE. No animals were tortured for this piece either, even if it sounds like it.

We stay in the realm of fauna and turn our attention to London’s award-winning pedigree dog REX THE DOG. “Laika” is a heart-warming ode to the mongrel dog of the same name, who was the first living creature to make it from the streets of Moscow into space. She would have loved that bleep.

A little-known fact about MICHAEL MAYER is that he is one of the fastest crossword puzzle foxes on the left bank of the Rhine, always in relentless rivalry with Wolfgang Voigt, who thinks he is even faster. The big battle is yet to come. Uninvited guest with five letters? “Urian”.

As an integral part of the family, JONATHAN KASPAR is of course not to be missed. “Are You” celebrates the kind of early morning rapture that is commonplace at his new DJ venue, the brand new Cologne superclub FI. Everything is so colourful here.

SASCHA FUNKE takes a bow to one of the greats of German showbiz with the trippy electro smasher “The Heck”. Born – like DJ Koze and Barnt – in Flensburg, died in Berlin in 2018 and wore glasses. More will not be revealed.

More emotion, more love, more sing-along factor? Si, claro! ARGIA’s “Love Keeps You Running” masterfully combines groove and pop – a blend that sounds very familiar to us. She may be at home in Madrid, but there’s Cologne DNA in her somewhere. We’re sure of it.

Let’s meet the legends, the veterans! JÖRG BURGER is still in a psychedelic mood in 2024. That suits him, that’s where he needs to be, that’s where we want him to be. A parallel universe is conceivable in which such music is affectionately called Goa.

Before going to bed, the WASSERMANN reads us a fairy tale from the Arabian Nights. At the same time, we focus on a point between everything, but really everything, and absolute, stark naked nothingness. 3, 2, 1… Let go.

Hallo 24! Schön, dass du da bist. 23 ist ja sowas von gestern, geht gar nicht, echt. Also, bei uns tanzt man neuerdings die folgenden Tänze. Und bei Euch?

Was lange währt, wird meist gut. Schon seit vielen Jahren aus der Ferne TEE MANGO bewundernd, hat sich unser A&R Michael Mayer ein Herz gefasst und ihn zur diesjährigen TOTAL eingeladen. “So In Love” steht in bester Tradition des kompaktschen Minimal Funk der frühen Jahre. Wir freuen uns, den quirligen Engländer an Bord zu haben!

Tierliebe wird im Hause REINHARD VOIGT schon immer groß geschrieben. Auf dem Stück mit dem nicht weiter verwunderlichen Titel “Der, der mit dem Gummiball sang (Orange)” lässt er gleich ganze Horden verschiedenster Vierbeiner und Federvieh ans Mikro. Hoffentlich zieht der Gestank wieder aus dem Studio ab.

Wenn rheinischer Frohsinn auf Urlaubsvorfreude trifft, dann kommt so etwas wie dieses Musik gewordene Hawaiihemd namens “Chee-Caruso” von JÜRGEN PAAPE heraus. Auch für diesen Beitrag wurden garantiert keine Tiere gequält, auch wenn es allenthalben so klingt.

Wir bleiben im Reich der Fauna und wenden uns London’s preisgekröntem Rassehund REX THE DOG zu. “Laika” ist eine herzerwärmende Ode an die gleichnamige Mischlingshündin, die es von den Strassen Moskaus als erstes Lebewesen ins All geschafft hat. Den Bleep hätte sie bestimmt gemocht.

Eine wenig bekannte Tatsache über MICHAEL MAYER ist, dass er zu den schnellsten Kreuzworträtsel-Füchsen links des Rheins zählt, stets in unbarmherziger Rivalität zu Wolfgang Voigt, der sich für noch schneller hält. Der große Battle steht noch aus. Ungebetener Gast mit fünf Buchstaben? “Urian”.

Als fester Bestandteil der Familie darf natürlich auch JONATHAN KASPAR nicht fehlen. “Are You” zelebriert frühmorgendliche Entrückungszustände, wie sie in seiner neuen DJ-Wirkungsstätte, dem nigelnagelneuen Kölner Superclub FI Gang und Gäbe sind. Alles so schön bunt hier.

SASCHA FUNKE verneigt sich mit dem trippy Electrosmasher “The Heck” vor einem der ganz Großen des deutschen Showbiz. Geboren – wie DJ Koze und Barnt – in Flensburg, gestorben 2018 in Berlin, Brillenträger. Mehr wird nicht verraten.

Mehr Gefühl, mehr Liebe, mehr Mitsing-Faktor? Si, claro! ARGIA’s “Love Keeps You Running” vereint meisterlich Groove und Pop – eine Melange, die uns durchaus bekannt vorkommt. Sie mag zwar in Madrid zuhause sein, aber irgendwo steckt in ihr eine Kölsche. Da sind wir uns sicher.

Auf zu den Legenden, den Urgesteinen! JÖRG BURGER zeigt sich auch in 2024 in einem psychedelischen Mood. Das steht ihm, da muss er hin, da wollen wir ihn haben. Es ist ein Paralleluniversum denkbar, in dem solche Musik liebevoll Goa genannt wird.

Der WASSERMANN liest uns vor dem Schlafengehen noch ein Märchen aus Tausendundeine Nacht vor. Wir fokussieren uns gleichzeitig auf einen Punkt zwischen allem, aber auch wirklich allem und dem absoluten, splitterfasernackten Nichts. 3, 2, 1… Loslassen

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A Tribe Called Quest - The Anthology LP 2x12"

"The Anthology" wurde ursprünglich 1999 veröffentlicht und enthält die erfolgreichsten Tracks aller ATCQ-Alben bis zu diesem Zeitpunkt, wie z.B. "Can I Kick It" (275m+ Streams), "Electric Relaxation" (160m+ Streams) und "Vivrant Thing" (50m+ Streams), sowie Songs aus Soundtracks. Auch dieses Album war außerhalb der USA seit vielen Jahren nicht mehr auf Vinyl erhältlich und erscheint jetzt als schwarzes 2LP-Vinyl-Set.

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Brassica - Tribeless Gathering LP 2x12"

Ten years after his first full-length effort ‘Man Is Deaf’ landed him firmly in the runnings for DJ Mag’s album of the year, prodigal son Michael Anthony Wright AKA Brassica returns to Civil Music with a deeply accomplished, painstakingly whittled LP of hydraulic electro slickness, rich synthscapes, and hooky, peak-time tearjerkers for the most discerning front-left lifers. ‘Tribeless Gathering’ is a barnstorming testament to Brassica’s stylistic and timbral deftness, touching down in the elusive epicentre of the club/home listening venn diagram with ease.

From the elastic, neon acid pointillism of opener ‘Hop Kweng’ to the mardy, miasmic plod of closing chugger ‘Changa Hill’, Brassica seamlessly segues between avenues of influence, his notoriously omnivorous musical knowledge roadmapping each turn. Raised on a diet of everything from early rave standards to metal, and schooled in avant garde sonics as a student of sound design at LCC, Brassica does a peerless job of sublimating his countless influences into a record of refined, heterogeneous, and most crucially, catchy, club moods.

Less spartan than his more recent oeuvre on Feel My Bicep, and less baroque than his technicolour experiments in postmodern synth pop with vocalist Stuart Warwick, Tribeless Gathering represents Brassica’s triumphant return to the main room, replete with rushy hooks primed for the planet’s finest soundsystems, and passages of heads-down tension bound to draw listeners right to the edge of their seats. Overall it is a concise and refined testament to Wright’s command of spectral sonics and effortless ability to pressurise a dancefloor. It is no surprise that he has also worked as a prolific mastering engineer, tuning music from a plethora of dance disciplines for maximum club impact. This work extends to his own projects (including this one), cementing them as rare expressions of complete artistry from studio to turntable.

As we delve deeper into the record, we are ushered through a series of accomplished and varied club moods, each channelling a unique cocktail of influences, but retaining a warm, ebullient analogue sensibility unique to Brassica’s work. This playful scope of influence calls to mind James T Cotton or Machinedrum’s experiments in dance music form, but Wright manages it all under one roof, wrangling everything from sashaying wub-laden two step to snarling Dillinja-esque FM damage into something inherently his.

Choice cut ‘Change Yourself’ layers an almost Cerrone-like piano refrain over radiant surges of saturated bass, dubby, strobing chords and a jagged, driving break, building to a jaw-clenching apex of dancefloor elation, while the rude, playful half-step of ‘Elevation’ breaks down the vintage speed garage formula into linear fragments, utilising a tight palette of resonant bass slugs, infectious synth leads and Papua New Guinea-style vocal strobes. The aptly named ‘Hold Tight’ fuses heart-in-mouth UK ‘ardkore pads with glissando acid disturbance and surgical snare fills in a formula which recalls the ethereal grit of Nubian Mindz’ 00s experiments in big-smoke break science, while the questing melodic arcs and arpeggiated squarewaves of ‘Pinball Marinara’ could easily have soundtracked an 80s sci-fi epic, beset with sparkling, bare-bones drum programming and hazy beds of sub sediment.

With ‘Tribeless Gathering’, Brassica both irreverently fuses and pays homage to the many unique and weird permutations of UK dance music. The short lived gathering of junglists, ravers and house hotsteppas of a similar name may have long since dissipated, along with the tribes themselves, but across these 11 tracks, he lays a blueprint for a new sound of togetherness.

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Raxon - Speicher 131

Raxon

Speicher 131

12inchKOMEX131
Kompakt Extra
16.02.2024

We’re kicking off the new year in style with a fantastic new double header by RAXON. This Egypt-born, barcelonese powerhouse has left his scent marks all over the place in recent years. He has developed an instantly recognizable sound and that’s no small feat in these times shaped by so much formulaic dullness. “Your Fault” sees our Catalan hot shot in an exuberant disco mood. Mind bending chord progressions foiled with Raxon’s trademark vocal stutters guarantee for wonderfully twisted hands in the air moments. With “Beskar” we’re entering Star Wars nerd territory. Jedipedia says, Beskar is a uniquely resistant iron that develops a wide range of properties—and colors—in the hands of skilled metalsmiths. Alright. Musically speaking, we’re dealing with a stealthy, funky as hell trance-not-trance juggernaut. 2024 is off to a good start:)

Wir beginnen das neue Speicher-Jahr stilvoll mit einem fantastischen neuen Doppelwhopper von RAXON. Dieses in Ägypten geborene Kraftpaket aus Barcelona hat in den letzten Jahren überall seine Duftmarken hinterlassen. Er hat einen Sound entwickelt, den man sofort wiedererkennt, und das ist keine kleine Leistung in diesen Zeiten, die von so viel formelhafter Langweiligkeit geprägt sind. “Your Fault” zeigt unseren katalanischen Draufgänger in ausgelassener Disco-Stimmung. Verrückte Akkordprogressionen, gepaart mit Raxons Markenzeichen, der Stotterstimme, sorgen für wunderbar verdrehte Hands in the air Momente. Mit “Beskar” betreten wir Star Wars Nerd-Territorium. Laut Jedipedia ist Beskar ein besonders widerstandsfähiges Eisen, das in den Händen geschickter Schmiede eine breite Palette von Eigenschaften – und Farben – entwickelt. Nun gut. Musikalisch gesehen haben wir es mit einer verstohlenen, verdammt funkigen Trance-Not-Trance-Rakete zu tun. 2024 hat einen guten Start hingelegt : )

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Various - Braindance

Various

Braindance

12inchORKL-VA-10.1
Die Orakel
15.02.2024

Now in its tenth year, Frankfurt-based record label Die Orakel has earned itself a strong catalogue of classy releases in a distinct sonic and visual attitude, its latest being a compilation called Braindance.

A fair assumption about Braindance as a genre could be, that it's rather in the zone of kaleidoscopic and whimsical quirktronica, less about IDM's futurist tropes. From Die Orakel's point of view, its very own Braindance compilation marks the label's tenth anniversary by releasing an intense listener's atlas, to its own and their creative collaborators' musical slant of mind.

While much could be said about spectral traces of a leftfield past, nostalgia isn't heard anywhere. The more you listen to this selection, the deeper the tracks plug into your brain—stretching from ethereal harmonic licks rippling with fragile glitches, bleepy to bass-heavy electroid steppers of any BPM range, to abstract-scientific neo-modular artistry.

Die Orakel's Braindance transmission can be had as a 15-track digi-release, as well as a 4-track vinyl EP. Pick either for your library of the future. The Braindance compilation will be released on 16 February 2024.

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Russell E.L. Butler - Call Me G LP 2x12"

T4T LUV NRG presents “Call Me G”, the new album by Brooklyn’s Russell E.L. Butler, their first full length LP since the release of 2018’s critically acclaimed “The Home I’d Build For Myself and All My Friends” on Left Hand Path. In the intervening years, Russell has experienced an accumulation of personal subjective experiences which are explored through captivating musical modalities and expressions on this sprawling, gorgeous, and deeply emotional album. Russell’s work on “Call Me G” can be described as a unique amalgam of early NY house music, dub techno and poetry. The album’s title track, as well as its instrumentals, are a kind of storytelling for histories that continue to exist without observation as well as for secrets and the power they hold in spite of their truth being obscured and sometimes lost.

Storytellers like Russell have the ability to collapse the past and future into discrete experiences of non-linear time through the emotional landscape of music and voice. Each song contains a palatable loneliness and hurt to which many in this modern world can relate, but each track also suggests the possibility of genuine connection and the formation of the self through communing and reintegrating with the natural world. These parallel concepts are the subject of “Accumulation”, a writing by Russell which accompanies the release of the album. The emotions, conflicts and resolutions that accompany Russell’s storytelling are felt acutely on tracks such as “I’m Dancing No One Is Watching” and “Stare Into The Light Beam”, among others.

On the title song, which closes the album, Russell sings “Can you call me? Will you call me? All that I want is for you to call me by my name...My name is G.” Context is part of interpretation and thus it is left to the listener to feel in the music and lyrics the concept that what may seem erased never truly dies, the traces still exist in the thing that takes its place. The T4T LUV NRG label is in part a continuing effort to facilitate the documentation of true stories that don’t get told—rather than representing a singular vibe or genre. Russell’s album is a stunning and profound entry in this evolving catalog of music and art. The beautiful cover of “Call Me G” is based on a hand drawn portrait of the artist by Diego Guzman.

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Jürgen Paape - Kompilation 2x12"

Jürgen Paape

Kompilation 2x12"

2x12inchKOMKLASSIKS2
Kompakt
20.10.2023

How do you define an artist who has never performed live, nor DJ’ed, nor ever had his photograph published and has never partaken in an interview? By the music of course. Jürgen Paape has proven this time and time again. How? Listen. Here. Right. Now. Co-owner of Kompakt. The house’s most elusive member remains the uncompromised, untainted shining star. He, who has launched the label with its very first release “Triumph“, Jürgen Paape has left a legacy of music that is a true core of the sound which Kompakt’s foundation is built on.

We celebrate Jürgen Paape with “Kompilation”. A well deserved opportunity to hear Jürgen Paape for fans and newcomers – revived and remastered and for the very first time on double vinyl – in a way that it plays through like a full length album. Some of the biggest moments of Kompakt over a three decade history are here; the chorus of “So Weit Wie Noch Nie” remains timeless – there to send shivers of pleasure down your spine as we feel at the end of exhaustive end of a night. “Take That” is an anthem for the still to be built rock stadiums of tomorrow. It’s a bonafide hit that put him in the charts in Australia and Italy. – “Come Into My Life” remains undeniably one of Kompakt’s catchiest pop tracks ever. “So Wird Die Zeit Gemacht” – builds on Paape’s signature sound with the spirit and vitality of classic house and a truly demented vocal hook. Then there’s the unique Schaffel quirkiness of “Ofterschwang” and so many other hits Jürgen Paape has delivered over the years. Well, it’s Paape!
Wie definiert man einen Künstler, der noch nie live aufgetreten ist, der noch nie als DJ aufgelegt hat, der noch nie ein Foto von sich veröffentlicht hat und der noch nie an einem Interview teilgenommen hat? Natürlich über die Musik. Jürgen Paape hat das immer wieder bewiesen. Und wie? Hört selbst. Hier. Genau. Jetzt. Er ist Miteigentümer von Kompakt. Das am schwersten fassbare Mitglied des Hauses bleibt sein kompromissloser, ungetrübter leuchtender Stern. Er, der das Label mit seiner allerersten Veröffentlichung “Triumph” aus der Taufe hob, hat ein musikalisches Vermächtnis hinterlassen, das der wahre Kern des Sounds ist, auf dem Kompakts Fundament aufgebaut ist.

Wir feiern Jürgen Paape mit “Kompilation”. Eine wohlverdiente Gelegenheit, Jürgen Paape für Fans und Neueinsteiger wieder zu entdecken – aufgefrischt, remastered und zum ersten Mal auf Doppel-Vinyl. Einige der größten Momente in der drei Jahrzehnte währenden Geschichte von Kompakt sind hier zu hören; der Refrain von “So Weit Wie Noch Nie” bleibt zeitlos – er lässt einem noch immer Schauer der Freude über den Rücken laufen, als würden wir nach durchtanzter Nacht morgens aus dem Club taumeln. “Take That” ist eine Hymne für die noch zu bauenden Rockstadien von morgen. Es ist ein echter Hit, der ihn sogar in Australien und Italien in die Charts brachte. “Come Into My Life” bleibt unbestreitbar einer der eingängigsten Popsongs von Kompakt überhaupt. “So Wird Die Zeit Gemacht” baut auf Paapes charakteristischem Sound auf, mit dem Geist und der Vitalität von klassischem House und einem wahrhaft verrückten Vocal-Hook. Und dann ist da noch die einzigartige Schaffel-Schrägheit von “Ofterschwang” und so viele andere Hits, die Jürgen Paape im Laufe der Jahre abgeliefert hat. Well, it’s Paape!

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TECHNOLOGY & TEAMWORK - WE USED TO BE FRIENDS LP

*MILKY CLEAR VINYL - 300 COPIES ONLY FOR WORLD!!* Technology + Teamwork’s fizzling synths, interweaving textures and punchy rhythms are beguiling on their long-awaited debut album We Used To Be Friends. However, at the heart of it all it’s the connection between the group’s two members, Anthony Silvester and Sarah Jones, the friendship the much-travelled duo have managed to maintain for nearly 15 years and a showcase of the slow-burning construction of the electronic world that they’ve surrounded themselves with. We Used To Be Friends is ultimately the tale of two storied artists in their own right, holding onto each other through personal and career twists and turns, relocations and broader movements through respective phases of their lives. Silvester and Jones first met and then collaborated as part of biting post-punk five-piece XX Teens in 2008, eventually breaking off to forge their own path together even as the latter’s demand as a drummer grew. Performing with everyone from Hot Chip, Harry Styles and Bloc Party among many others, Jones has been a constant percussive presence across the sphere of alternative UK pop music – she’s also found time for her own solo project Pillow Person and played on records by the likes of Puscifer and Kurt Vile. Silvester meanwhile has performed in art galleries across Europe including: Fridericianum in Kassel, Kölnischer Kunstverein in Cologne, and Vleeshal in Middelburg, as well as providing sound design and composing work for several art films. Technology + Teamwork is the constant throughout all of that though. “Technology + Teamwork's name perfectly describes how we work” Silvester explains. “Sometimes the teamwork is between each other and sometimes it’s between us and the technology.” Although going by the name Technology + Teamwork as far back as 2014, two events conspired that pulled the project into focus for the pair of them: firstly, Silvester spent a year constructing a soundproof studio shed on the border of London and Essex where he lives. Secondly, inevitably, the pandemic brought the globe-trotting Jones back home to just seven miles away from her long-time collaborator and friend. “We probably hung out more than we had for a few years” says Silvester. “Also, after all her Pillow Person releases Sarah had gotten really good with recording vocals and knowing what did and didn’t work and had a really good home studio set up. We still worked separately though, exchanging ideas via email and WhatsApp.” As with many artists through 2020 and early 2021, working separately was a new necessity that they were forced to adapt to. However, it became clear that there were creative benefits to it. “It really changed our sound and our sounds became a lot more focused as a result” Jones says. “I wanted to use the same ideas of improvisation that I might use while playing the drums for myself and apply that to melodies and lyrics.” The album bristles with hyperpop modernity. You can hear it in the manipulated vocals most prominently on Big Blue’s disco strut and on Moving Too’s heady mix of pitched up voice and burrowing sub bass. However, the pair also looked to San Francisco and the West Coast synthesis movement of the 60s, Silvester inspired by the likes of Suzanne Ciani and Don Buchla. The plaintive lo-fi and melancholy of Amsterdam incorporates Mutable Instrument’s Marbles by Émilie Gillet which – inspired by Buchla’s own synthesis work – outputs random voltages to give the track an air of unpredictability. It’s something that occurs throughout the album, the duo revelling in the happy accidents that disrupt the flow of their hook-laden pop. “The ‘Buchlian’ ideas of music having randomness and uncertainty, completely freed us up” Silvester explains. “It felt a bit like having more members in the band, machines that didn't do what you expected or intended.” Perhaps more subtly, is the influence of 17th and 18th century Baroque music, with Silvester drawing a line between it and the 90’s R’n’B he and Jones both love – exemplified perhaps best on K+B’s percussive claps and sultry grooves. The portentous juddering synthpop of the title track, meanwhile, alludes specifically to Handel’s Sarabande. It’s typical of an album that only needs a scratch of its seemingly glossy surface to unearth a myriad of contorted touchstones and reference points that’ve fermented beneath it. Thematically there’s an anxious sense to the record, with tracks often balancing above a quiet sense of unerring tension even at their most bombastic. Moving Too is the result of an existential doubt that hit Silvester while out cycling, with the outro refrain "it's not enough to die you also have to be forgotten" a take on something Samuel Beckett once said. These worries are echoed on the album’s closing track What A Year, which borrows a lot of lines from the late drag performer and fashion designer Dorian Corey including the grimly defiant "you're gonna leave your mark somewhere in this world just by getting through it”. Those clouds offer a counter point to We Used To Be Friends, but then isn’t that what great pop albums do? Technology + Teamwork undoubtedly love the craft of the hook and the song, but they always position themselves left of centre, prepared to scuff things up, pull something out of shape or manipulate something to leave it sounding warped. Much like their friendship, nothing here is particularly linear – and it’s all the better for it. Bio: Anthony Silvester & Sarah Jones first collaborated as part of biting post-punk five piece XX Teens in 2008, eventually breaking off to forge their own path together even as the latter's demand as a drummer grew. Performing with everyone from Hot Chip, Bat for Lashes, Harry Styles and Bloc Party (among many others), Jones has been a constant percussive presence across the sphere of alternative UK pop music - she's also found time for her own solo project Pillow Person and played on records by the likes of Puscifer and Kurt Vile. Silvester meanwhile has performed in art galleries across Europe including Fridericianum in Kassel, Kölnischer Kunstverein in Cologne, and Wleeshal in Middelburg, as well as providing sound design and composing work for several art films. Technology & Teamwork is the constant throughout all of that though. "We Used To Be Friends" proves that Technology & Teamwork undoubtedly love the craft of the hook and the song, but they always position themselves left of centre, prepared to scuff things up, pull something out of shape or manipulate something to leave it sounding warped. Much like their friendship, nothing hear is particularly linear - and it's all the better for it.

In Stock

Disponibile in Stock e pronto per la spedizione

Last In: 3 years ago
20,97 €
Mouchoir Étanche - Une fille pétrifiée

Mouchoir Étanche

Une fille pétrifiée

12inchCELL-03LP NOCOVER
Cellule 75
30.12.2020

"I am sitting in a garden, I haven't left the property in weeks, someone is dropping off food once a week. I haven't seen a human being in ages, I feel like a reverse Schroedinger cat - do I exist when nobody sees me? I must be somewhere in France but I don't remember. I have lost my consciousness again. When I wake up I hear a broken record looping somewhere in the mansion. A washed-out opera. Behind the trees I see the dilapidated hermaphrodite sculpture in a field of verdant nettles and fern. I hear gunshots far afield, aeroplanes in the sky, sirens on the main road.
When unconscious I dreamt of sitting on the Concorde observing the scarab blue ocean and iridescent clouds from above, an erstwhile receding memory. Sometimes I hear the organ of the nearby Renaissance Cathedral merging with the Russian Church bells.
I am hallucinating again. Someone's humming in the kitchen? Singing? A Radio? I overhear two young women talking about art galleries in the neighbour's garden. Bees attack, again…..again and again. The hairspray finally intoxicates them. An amphoric japanese voice is whispering in my head saying I will die soon. Someone (something?) bangs on the vases. The fountain's water turns dark red.
Fleur calls and says mum died. The funeral will be televised on tuesday. We opt for the synthetic choir for the service. The call is suddenly interrupted. Mold is slowly taking over the house.
I go back inside."

Une Fille Pétrifiée is the debut album of new Black To Comm related entity Mouchoir Ètanche (after one recent 12" on Richter's own Dekorder label). Combining real and fake acoustic instrumentation, sampling, field recordings and excessive yet inaudible post production this is another sublime and ethereal statement. Influences are ranging from (French) Classical & Opera to the anecdotical compositions of Luc Ferrari, Chinese Opera, Chanson, Sacred Music / Church Music, JG Ballard and Surrealism.

Marc Richter records as Black To Comm for Thrill Jockey, Type and Dekorder and as Jemh Circs for his own Cellule 75 imprint. He also produces soundtracks and acousmatic multichannel installations for institutions such as INA GRM Paris, ZKM Karlsruhe and Kunstverein Hamburg.

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Disponibile in Stock e pronto per la spedizione

Last In: 14 months ago
19,37 €
Shcuro - Particle of Memory EP

Shcuro is the alias of João Ervedosa a DJ, producer and graphic designer based in Lisbon. He also runs the record labels Sombra and Paraíso, makes music as Jose Acid and hosts a show on Rádio Quântica. His first contact with a DJ setup happened at age 15, and that’s when Shcuro decided to buy his own turntables and mixer; and started producing his own beats, too. He’s since released music on Basal, Circus Maximus, Obscuur Techno, Golden Mist Records and his most recent collaboration with Photonz for Future Déjà Vu.

‘Particle of Memory’ is a hypnotic 6-track EP that explores new territories in contemporary dance music. Sonically Shcuro paints his sounds blending moody techno with industrial noises alongside fast, apocalyptic electro and breakbeat. He is influenced by Portuguese rave culture that was born in the mid-90s at Lisbon clubs Alcântara-Mar and Kremlin and the country’s first electronic label Kaos Records. Shcuro continues to expand and morph this rich dance heritage to create something entirely different. The bouncy, lead track “Afterlife” features vocals and lyrics by London's ELLES followed by a Decadent Dub rework. All songs have been mastered by George Horn at Fantasy Studios. Housed in a die-cut jacket designed by Eloise Leigh reminiscent of ‘90s escape/sci-fi films with futuristic bright pink pop flourishes

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Last In: 83 days ago
11,13 €
Polaroid - Senza Respiro

Polaroid

Senza Respiro

12inchDE219
Dark Entries
13.09.2018

Polaroid were an Italian post-punk/new wave band, formed in Turin in 1981. This vinyl re-issue of 'Senza Respiro' contains all 6 original songs with 4 bonus tracks from the band's later period.
.
Polaroid made their debut with the cassette 6-track EP 'Senza Respiro', self-released in 1984. Influenced by Bauhaus, Joy Division, The Cure, Pere Ubu as well as Chic and Talking Heads. The music was dark and cold, but also melodic especially with regards to guitars and voices. At the end of 1984 the band added vocalist Michele Cantoblundo while drummer Marco left and was replaced by a Roland TR-909. With Michele began a period of very dark and poetic music, influenced also by bands like Red Lorry Yellow Lorry and The Sisters of Mercy. The band peacefully broke-up in 1987.

All songs have been remastered by George Horn at Fantasy Studios. The record is housed in custom jacket designed by Eloise Leigh and includes 4 polaroid sized postcards with photos notes and lyrics.

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Disponibile in Stock e pronto per la spedizione

Last In: 10 months ago
27,69 €
Giuseppe Cennamo - Butterflies In Your Stomach Ep

Another week and another debut for German label Cellaa Music as they welcome Giuseppe Cennamo to the family. Since his first productions dropped in 2009, the Italien born has gone on to grace labels including Desolat, Minisketch, Leftroom, Moniqué Speciale and of course his own imprint Carillon. Giuseppes's "Butterflies In Your Stomach" ep sees the label continue its stunning run of quality releases.

The Title Track "Butterflies In Your Stomachl" is an earthy house track with a beautifully soulful and mellow vibe.

"The Third Ear" features an irresistible tech house groove and the bassline drops on cue pulling the listener deep into it.

With "Ghostly Lovers" Giuseppe returns with a much deeper Tune and delve into darker territory.

Giuseppe Cennamo in der Familie willkommen heißen. Seit seiner ersten Produktion im Jahr 2009 hat der in Italien geborende auf Label wie Desolat, Minisketch, Leftroom, Moniqué Speciale und natürlich auch auf seinem eigenen Label Carillon releaset. Mit Giuseppe´s "Butterflies In Your Stomach" EP zeigt das Label weiterhin seine atemberaubende Sicht bei der Qualität ihrer Releases.

Der Titel Track "Butterflies In Your Stomach" ist ein sehr trockener House-Track mit einer wunderschön, gefühlvollen und sanften Atmosphäre.

"The Third Ear" bietet einen unwidersthelichen Tech-House Groove und die auf der 1 einsetzende Bassline zieht den Zuhörer tief in den Track hinein.

Mit "Ghostly Lovers" kehrt Giuseppe mit einem viel deeperen Tune zurück und taucht ein in dunkleres Territorium.

collecting

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Last In: 4 months ago
11,72 €
SYLVAN ESSO - OW ∞

SYLVAN ESSO

OW ∞

12inchPSY069LP
PSYCHIC HOTLINE
11.09.2026
  • 1: ENTERTAINMENT & COCA-COLA
  • 1: 2FLOOD SEASON
  • 1: 3HOT SLOB
  • 1: 4CONCRETE GLEN
  • 1: 5BACK AGAIN
  • 1: 6RIBBON
  • 1: 7SLEDGE
  • 1: 8RIGHT TO LEFT
  • 1: 9GOOD AT PAIN
  • 1: 0JESSICA
  • 1: ON & ON
  • 1: 2PLASTIC SWORD
disponibile anche

ANGEL OF DEATH PURPLE VINYL[24,79 €]

Cassette[14,08 €]


Auf ihrem neuen Album verwandelt Sylvan Esso das gemeinsame Musizieren mit anderen Menschen in Kunst, die man einfach liebt - einen greifbaren und einhüllenden freien Fall. Das Album ,Ow " (ausgesprochen ,Ow Infinity"), das über einen Zeitraum von vier Jahren in den Wäldern von Chapel Hill entstanden ist - die längste Zeit, die die Band jemals mit dem Schreiben eines Albums verbracht hat -, erscheint mit einer intensiven Unmittelbarkeit. Bei den meisten Titeln handelt es sich um Meaths erste Gesangsaufnahmen, und die Klarheit sowie die Menschlichkeit ihrer einzigartigen Stimme verankern das Album in der Realität. Es entstand in einer Zeit des Experimentierens und der Zusammenarbeit und mündete in ein kraftvolles, druckvolles, explosives Werk, aus dem sich die Songs geradezu herauskämpfen wollen. Ein farbenprächtiges Totem persönlicher Zerstörung, das Gefühl, zu Knetmasse zermalmt und wieder zu etwas aufgebaut zu werden, das sich fast menschlich anfühlt, fast vertraut, aber zugleich freakig und neu - ein karikaturhaftes, slapstickartiges Grinsen, das sich über eine Ruine legt. Ein großer Teil des Albums entstand aus Improvisation - stundenlang verbrachte Zeit in ihrem Studio in North Carolina, um gemeinsam mit Gastmusikern wie Glenn Kotche (Wilco), Matt Douglas (The Mountain Goats), Jenn Wasner (Wye Oak, Flock of Dimes), Joe Westerlund (Megafaun), Jake Luppen (Hippo Campus, Samia), Daniel Aged (Frank Ocean, Dijon) und dem Schlagzeuger TJ Maiani (Weyes Blood, Neneh Cherry). ,Ow " markiert den ersten Moment, in dem Sylvan Esso sich damit angefreundet hat , dass sie genau das tun - in dem sie herausgefunden haben, auf welchen Wegen sie die Kontrolle übernehmen und Dinge so veröffentlichen können , wie sie es wollen, mit den Menschen, die sie selbst auswählen, in ihrem eigenen Studio und über ihr eigenes Label. Für ein Album, das sich so intensiv mit der Unberechenbarkeit des Lebens auseinandersetzt, trifft es das Duo zu einem Zeitpunkt, an dem es endlich die vollständige Kontrolle darüber hat, was Sylvan Esso sein kann.

pre-ordina ora11.09.2026

dovrebbe essere pubblicato su 11.09.2026

23,49 €
SYLVAN ESSO - OW ∞

SYLVAN ESSO

OW ∞

12inchPSY069LP-C1
PSYCHIC HOTLINE
11.09.2026

Auf ihrem neuen Album verwandelt Sylvan Esso das gemeinsame Musizieren mit anderen Menschen in Kunst, die man einfach liebt - einen greifbaren und einhüllenden freien Fall. Das Album ,Ow " (ausgesprochen ,Ow Infinity"), das über einen Zeitraum von vier Jahren in den Wäldern von Chapel Hill entstanden ist - die längste Zeit, die die Band jemals mit dem Schreiben eines Albums verbracht hat -, erscheint mit einer intensiven Unmittelbarkeit. Bei den meisten Titeln handelt es sich um Meaths erste Gesangsaufnahmen, und die Klarheit sowie die Menschlichkeit ihrer einzigartigen Stimme verankern das Album in der Realität. Es entstand in einer Zeit des Experimentierens und der Zusammenarbeit und mündete in ein kraftvolles, druckvolles, explosives Werk, aus dem sich die Songs geradezu herauskämpfen wollen. Ein farbenprächtiges Totem persönlicher Zerstörung, das Gefühl, zu Knetmasse zermalmt und wieder zu etwas aufgebaut zu werden, das sich fast menschlich anfühlt, fast vertraut, aber zugleich freakig und neu - ein karikaturhaftes, slapstickartiges Grinsen, das sich über eine Ruine legt. Ein großer Teil des Albums entstand aus Improvisation - stundenlang verbrachte Zeit in ihrem Studio in North Carolina, um gemeinsam mit Gastmusikern wie Glenn Kotche (Wilco), Matt Douglas (The Mountain Goats), Jenn Wasner (Wye Oak, Flock of Dimes), Joe Westerlund (Megafaun), Jake Luppen (Hippo Campus, Samia), Daniel Aged (Frank Ocean, Dijon) und dem Schlagzeuger TJ Maiani (Weyes Blood, Neneh Cherry). ,Ow " markiert den ersten Moment, in dem Sylvan Esso sich damit angefreundet hat , dass sie genau das tun - in dem sie herausgefunden haben, auf welchen Wegen sie die Kontrolle übernehmen und Dinge so veröffentlichen können , wie sie es wollen, mit den Menschen, die sie selbst auswählen, in ihrem eigenen Studio und über ihr eigenes Label. Für ein Album, das sich so intensiv mit der Unberechenbarkeit des Lebens auseinandersetzt, trifft es das Duo zu einem Zeitpunkt, an dem es endlich die vollständige Kontrolle darüber hat, was Sylvan Esso sein kann.

pre-ordina ora11.09.2026

dovrebbe essere pubblicato su 11.09.2026

24,79 €
SYLVAN ESSO - OW ∞ (TAPE)

SYLVAN ESSO

OW ∞ (TAPE)

CassettePSY069CASS
PSYCHIC HOTLINE
11.09.2026

Auf ihrem neuen Album verwandelt Sylvan Esso das gemeinsame Musizieren mit anderen Menschen in Kunst, die man einfach liebt - einen greifbaren und einhüllenden freien Fall. Das Album ,Ow " (ausgesprochen ,Ow Infinity"), das über einen Zeitraum von vier Jahren in den Wäldern von Chapel Hill entstanden ist - die längste Zeit, die die Band jemals mit dem Schreiben eines Albums verbracht hat -, erscheint mit einer intensiven Unmittelbarkeit. Bei den meisten Titeln handelt es sich um Meaths erste Gesangsaufnahmen, und die Klarheit sowie die Menschlichkeit ihrer einzigartigen Stimme verankern das Album in der Realität. Es entstand in einer Zeit des Experimentierens und der Zusammenarbeit und mündete in ein kraftvolles, druckvolles, explosives Werk, aus dem sich die Songs geradezu herauskämpfen wollen. Ein farbenprächtiges Totem persönlicher Zerstörung, das Gefühl, zu Knetmasse zermalmt und wieder zu etwas aufgebaut zu werden, das sich fast menschlich anfühlt, fast vertraut, aber zugleich freakig und neu - ein karikaturhaftes, slapstickartiges Grinsen, das sich über eine Ruine legt. Ein großer Teil des Albums entstand aus Improvisation - stundenlang verbrachte Zeit in ihrem Studio in North Carolina, um gemeinsam mit Gastmusikern wie Glenn Kotche (Wilco), Matt Douglas (The Mountain Goats), Jenn Wasner (Wye Oak, Flock of Dimes), Joe Westerlund (Megafaun), Jake Luppen (Hippo Campus, Samia), Daniel Aged (Frank Ocean, Dijon) und dem Schlagzeuger TJ Maiani (Weyes Blood, Neneh Cherry). ,Ow " markiert den ersten Moment, in dem Sylvan Esso sich damit angefreundet hat , dass sie genau das tun - in dem sie herausgefunden haben, auf welchen Wegen sie die Kontrolle übernehmen und Dinge so veröffentlichen können , wie sie es wollen, mit den Menschen, die sie selbst auswählen, in ihrem eigenen Studio und über ihr eigenes Label. Für ein Album, das sich so intensiv mit der Unberechenbarkeit des Lebens auseinandersetzt, trifft es das Duo zu einem Zeitpunkt, an dem es endlich die vollständige Kontrolle darüber hat, was Sylvan Esso sein kann.

pre-ordina ora11.09.2026

dovrebbe essere pubblicato su 11.09.2026

14,08 €
Natalie Imbruglia - Algorithm LP
  • Debbie
  • Upside Down
  • Catastrophe
  • Algorithm
  • Sounds Like It Feels
  • Jesus On Mars
  • Who Dimmed The Lights
  • End Game
  • Just Drive
  • Breathe With The Fire Lola
  • Beautiful Love
disponibile anche

Ltd. Orange Vinyl[32,35 €]


Natalie Imbruglia ist Millionen von Menschen mit ihrem weltweiten Hit "Torn" bekannt, einer der bis heute prägendsten Songs der Neunziger. Damit begann eine außergewöhnliche Erfolgsserie, die u.a. 2 BRIT Awards, 3 Grammy-Nominierungen, 8 ARIA Awards und 7 Mio. verkaufte Exemplare ihres Debütalbums "Left Of The Middle" umfasst. In jüngerer Zeit stand sie durch Auftritte an der Seite von Olivia Rodrigo erneut im Rampenlicht. Jetzt ist der perfekte Moment für ein neues Kapitel: ihr neues Album Algorithm mit der Lead-Single "Upside Down".

Algorithm zeigt Natalie Imbruglia in einer neuen Ära – geprägt von Selbstermächtigung, Freiheit und kreativer Erfüllung. Das erste Album der australisch-britischen Pop-Ikone seit fünf Jahren ist eine echte Tour de Force: ein zutiefst persönliches Werk, das eindrucksvoll daran erinnert, warum wir uns ursprünglich in ihre Musik verliebt haben. Es erscheint in einer Zeit, in der sich der kulturelle Zeitgeist wandelt und Popmusik wieder stärker zur Tanzfläche tendiert – mit einer Ausrichtung, die sich an den eleganten Pop-, Disco- und House-Elementen von Robyn orientiert.

Nach dem UK-Top-10-Comeback mit Firebird (2021) meldet sich Natalie Imbruglia auf Algorithm voller Energie und Tatendrang zurück. Sie ist Co-Produzentin und -Autorin jedes Songs, neben namhaften Kollaborateur:innen wie MyRiot (London Grammar), David Sneddon (Lana Del Rey), Fraser T Smith (Adele, Stormzy, Sam Smith), Gary Lightbody von Snow Patrol, Anu Pillai (Lewis Capaldi), Tobie Tripp (George Ezra), Mark Crew (Bastille, James Arthur) und Dan Priddy (Rag’n’Bone Man, Bastille). Im Anschluss an die Veröffentlichung des Albums wird Natalie Imbruglia ausgewählte Festivaltermine spielen und auf Tour gehen.

pre-ordina ora04.09.2026

dovrebbe essere pubblicato su 04.09.2026

28,15 €
Natalie Imbruglia - Algorithm LP +7"

Natalie Imbruglia ist Millionen von Menschen mit ihrem weltweiten Hit "Torn" bekannt, einer der bis heute prägendsten Songs der Neunziger. Damit begann eine außergewöhnliche Erfolgsserie, die u.a. 2 BRIT Awards, 3 Grammy-Nominierungen, 8 ARIA Awards und 7 Mio. verkaufte Exemplare ihres Debütalbums "Left Of The Middle" umfasst. In jüngerer Zeit stand sie durch Auftritte an der Seite von Olivia Rodrigo erneut im Rampenlicht. Jetzt ist der perfekte Moment für ein neues Kapitel: ihr neues Album Algorithm mit der Lead-Single "Upside Down".

Algorithm zeigt Natalie Imbruglia in einer neuen Ära – geprägt von Selbstermächtigung, Freiheit und kreativer Erfüllung. Das erste Album der australisch-britischen Pop-Ikone seit fünf Jahren ist eine echte Tour de Force: ein zutiefst persönliches Werk, das eindrucksvoll daran erinnert, warum wir uns ursprünglich in ihre Musik verliebt haben. Es erscheint in einer Zeit, in der sich der kulturelle Zeitgeist wandelt und Popmusik wieder stärker zur Tanzfläche tendiert – mit einer Ausrichtung, die sich an den eleganten Pop-, Disco- und House-Elementen von Robyn orientiert.

Nach dem UK-Top-10-Comeback mit Firebird (2021) meldet sich Natalie Imbruglia auf Algorithm voller Energie und Tatendrang zurück. Sie ist Co-Produzentin und -Autorin jedes Songs, neben namhaften Kollaborateur:innen wie MyRiot (London Grammar), David Sneddon (Lana Del Rey), Fraser T Smith (Adele, Stormzy, Sam Smith), Gary Lightbody von Snow Patrol, Anu Pillai (Lewis Capaldi), Tobie Tripp (George Ezra), Mark Crew (Bastille, James Arthur) und Dan Priddy (Rag’n’Bone Man, Bastille). Im Anschluss an die Veröffentlichung des Albums wird Natalie Imbruglia ausgewählte Festivaltermine spielen und auf Tour gehen.

pre-ordina ora04.09.2026

dovrebbe essere pubblicato su 04.09.2026

32,35 €
Shakra - Just Live Loud!
  • 1: Let The Show Begin
  • 2: Wasteland Warriors
  • 3: Just Live Loud!
  • 4: Left Outside Alone (Feat. Seraina Telli)
  • 5: Demon Of The Night
  • 6: Legends Never Die
  • 7: Lost Generation
  • 8: When We Were Young
  • 9: Another Day In The Universe
  • 10: New Tattoo
  • 11: High Above The Storm
  • 12: Screaming Silence

Swiss hard rock veterans Shakra return with renewed fire and unstoppable energy on *Just Live Loud*, their explosive new studio album and the band’s very first release through Frontiers Music Srl. Fueled by massive riffs, soaring melodies, and the unmistakable chemistry that has defined Shakra for decades, the album captures the spirit of classic European hard rock while pushing the band into a heavier, more modern sonic territory. Produced with a raw yet polished approach, *Just Live Loud* delivers a powerful mix of thunderous anthems, emotionally charged ballads, and adrenaline-fueled rockers designed for both festival stages and late-night highway drives. From razor-sharp guitar work and pounding rhythms to towering vocal hooks, every track reflects the band’s commitment to authenticity, passion, and pure rock’n’roll attitude. Lyrically, the album celebrates resilience, freedom, brotherhood, and the determination to live life at full volume — themes that resonate deeply with the band’s own journey through the international hard rock scene. *Just Live Loud* also marks an exciting new chapter for Shakra, combining the experience and songwriting strength of their legacy years with a fresh creative momentum that feels more vital than ever. With this landmark release, Shakra reaffirm their status as one of Switzerland’s premier hard rock exports and prove that true melodic heavy rock is alive, loud, and ready to conquer a new generation of fans.

pre-ordina ora28.08.2026

dovrebbe essere pubblicato su 28.08.2026

27,31 €
Alex Warren - WILDCHILD LP

Alex Warren

WILDCHILD LP

12inch0075678585999
Atlantic
28.08.2026
  • EMERALD EYES
  • SAME STARS
  • PASSENGER
  • RESCUER
  • CRY WOLF
  • FINE PLACE TO DIE
  • ARE YOU HAVING FUN, ALEX?
  • I MISS YOU MORE
  • ONLY THING LEFT
  • FEVER DREAM
  • WON'T GO BACK AGAIN
  • LAST TIME
  • WILDCHILD
disponibile anche

Limited LP[30,88 €]


Alex Warren returns with his highly anticipated sophomore album, WILDCHILD, following the success of his critically acclaimed debut You’ll Be Alright, Kid, which featured the chart-topping, record-breaking hit “Ordinary” and established Warren as one of music’s biggest global breakout stars. Inspired by the nickname his late father gave him growing up, WILDCHILD is Warren’s most vulnerable but also most joyous work to date — a raw, cinematic collection exploring grief, growth, love, and self-discovery. Blending heart-stopping ballads with infectious pop anthems, the album captures Warren at his most honest yet, pairing deeply personal storytelling with soaring vocals and expansive production. Featuring recordings of his father’s voice woven throughout the project, WILDCHILD offers an intimate portrait of an artist moving from heartbreak toward healing.

pre-ordina ora28.08.2026

dovrebbe essere pubblicato su 28.08.2026

30,88 €
Alex Warren - WILDCHILD LP

Alex Warren

WILDCHILD LP

12inch0075678584879
Atlantic
28.08.2026

Alex Warren returns with his highly anticipated sophomore album, WILDCHILD, following the success of his critically acclaimed debut You’ll Be Alright, Kid, which featured the chart-topping, record-breaking hit “Ordinary” and established Warren as one of music’s biggest global breakout stars. Inspired by the nickname his late father gave him growing up, WILDCHILD is Warren’s most vulnerable but also most joyous work to date — a raw, cinematic collection exploring grief, growth, love, and self-discovery. Blending heart-stopping ballads with infectious pop anthems, the album captures Warren at his most honest yet, pairing deeply personal storytelling with soaring vocals and expansive production. Featuring recordings of his father’s voice woven throughout the project, WILDCHILD offers an intimate portrait of an artist moving from heartbreak toward healing.

pre-ordina ora28.08.2026

dovrebbe essere pubblicato su 28.08.2026

30,88 €
The Barbarians Of California - MEGATONS LP
  • 1: Back to the Valley
  • 2: The Gnarlycore Class
  • 3: Vanilla Latte
  • 4: Bomb to a Knife Fight
  • 5: Really Really Rad
  • 6: Megatons Segue
  • 7: Earthquake
  • 8: This Is Shredical
  • 9: Hide All Your Records (or Hide All Your Records Segue)
  • 10: Modern Fashion
  • 11: Shark Out of Water
  • 12: I Am the Submarine

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. Born from the shared passion of Aaron Bruno (AWOLNATION) and his longtime engineer Eric Stenman - who cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Dance Gavin Dance, Death Grips, and Trash Talk - the spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians of California was born.

In 2024, the band released their debut album, And Now I'm Just Gnashing My Teeth, and celebrated with a high-energy show at the iconic Troubadour in Los Angeles, cementing their place in the hardcore scene's next chapter. Since then, they've continued to build momentum with headline shows across LA, a summer 2025 arena tour with Deftones and other festival appearances that brought their explosive live presence to a wider audience. Dropping two new singles in 2025 including a collaboration with Keith Buckley (Every Time I Die/Many Eyes), The Barbarians Of California are gearing up in 2026 for the release of their sophomore album, MEGATONS. With their second full length, The Barbarians of California are unleashing fresh chaos straight from the sun-soaked, teeth-gnashing heart of the Golden State. Blending raw hardcore energy, razor-sharp riffs, and that signature mix of ferocity and tongue-in-cheek humor, these new songs hit like a caffeine-fueled fever dream.

pre-ordina ora21.08.2026

dovrebbe essere pubblicato su 21.08.2026

28,36 €
THE CLINCH - TIMES'S UP

THE CLINCH

TIMES'S UP

12inch177840
Sunny Bastards
31.07.2026
  • 1: ONE GENERATION FROM DESPAIR
  • 1: 2THE GUARD
  • 1: 3MELBOURNE
  • 1: 4COMING TO COLLECT
  • 1: 5LIES
  • 1: 6JOURNEYMAN
  • 1: 7FED
  • 1: 8STRAY DOGS
  • 1: 9CROWN ELECTRIC
  • 1: 0CHOSEN LIFE
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RED W/ BLACK SPLATTER Vinyl[21,43 €]


"Time's Up"! Die australischen Streetpunker von "The Clinch" kommen endlich über den großen Teich mit ihrem brandneuem, dritten Album und ihrer ersten Europa-Tournee! 2018 erschien ihr Debut "Our Path is gone" und die 5 köpfige Band aus Melbourne avancierte schnell zum Geheimtipp: Schnörkelloser rough'n'tough Aussie-Streetpunk mit dirty RnR-Kante a la Rose Tattoo und einer Prise Brickwall-American Oi! Dazu Texte fernab der üblichen ausgetretenen Pfade und dezent eingesetzte aber stets mitreißende Gang-Vocals. Schnell machten Vergleiche mit Bonecrusher oder Bishops Green die Runde. Mit dem 2 Jahre später erschienenen Nachfolger "Basecamp" zementierte The Clinch ihren Ruf und die weltweiten Kritiken von Maximum RocknRoll bis Ox-Fanzine waren sich einig: Diese Band hat das gewisse Etwas und startet durch! Die erste Tour in Europa wurde geplant um aus dem Schatten des Outbacks heraus zu treten_dann kam die Pandemie und eine Krise folgte der Nächsten_aber aufgeschoben ist nicht aufgehoben: Im Fühjahr 2026 veröffentlichen "The Clinch" mit "Melbourne" und "Journeyman" digital die ersten Single-Auskoppelungen und kündigen mit "Time's up" ihr neues Album auf Sunny Bastards an! Musikstil und Sound als bewährtes Rezept sind gleich geblieben auch wenn The Clinch thematisch noch persönlicher den Finger in die Wunde der Gesellschaft legen_ Streetpunk, authentisch, ergreifend, ehrlich und ungeschönt ohne Pathos: 10 harte Volltreffer, die Spuren hinterlassen! "Man's not fed on good intention. No Safe Spaces left to mention" Songs wie "Stray Dogs" oder "FED" sind unter die Haut gehende Underdog-Anthems über Kampf, Verzweiflung, Zuversicht und sich nicht unterkriegen zu lassen. "Another day, another try"! Das Leben ist halt eine Reise und endet für Alle gleich! Mit Deinen Freunden im Rücken, einem Kämpferherz und "Seelenfutter" wie diese Platte ist es jeden verdammten Tag ertragbar. Also genieß es bevor "Time's Up!"! Oder um es mit "The Clinch zu sagen" It's my chosen way of life"!

pre-ordina ora31.07.2026

dovrebbe essere pubblicato su 31.07.2026

19,96 €
THE CLINCH - TIMES'S UP

THE CLINCH

TIMES'S UP

12inch177841
Sunny Bastards
31.07.2026

"Time's Up"! Die australischen Streetpunker von "The Clinch" kommen endlich über den großen Teich mit ihrem brandneuem, dritten Album und ihrer ersten Europa-Tournee! 2018 erschien ihr Debut "Our Path is gone" und die 5 köpfige Band aus Melbourne avancierte schnell zum Geheimtipp: Schnörkelloser rough'n'tough Aussie-Streetpunk mit dirty RnR-Kante a la Rose Tattoo und einer Prise Brickwall-American Oi! Dazu Texte fernab der üblichen ausgetretenen Pfade und dezent eingesetzte aber stets mitreißende Gang-Vocals. Schnell machten Vergleiche mit Bonecrusher oder Bishops Green die Runde. Mit dem 2 Jahre später erschienenen Nachfolger "Basecamp" zementierte The Clinch ihren Ruf und die weltweiten Kritiken von Maximum RocknRoll bis Ox-Fanzine waren sich einig: Diese Band hat das gewisse Etwas und startet durch! Die erste Tour in Europa wurde geplant um aus dem Schatten des Outbacks heraus zu treten_dann kam die Pandemie und eine Krise folgte der Nächsten_aber aufgeschoben ist nicht aufgehoben: Im Fühjahr 2026 veröffentlichen "The Clinch" mit "Melbourne" und "Journeyman" digital die ersten Single-Auskoppelungen und kündigen mit "Time's up" ihr neues Album auf Sunny Bastards an! Musikstil und Sound als bewährtes Rezept sind gleich geblieben auch wenn The Clinch thematisch noch persönlicher den Finger in die Wunde der Gesellschaft legen_ Streetpunk, authentisch, ergreifend, ehrlich und ungeschönt ohne Pathos: 10 harte Volltreffer, die Spuren hinterlassen! "Man's not fed on good intention. No Safe Spaces left to mention" Songs wie "Stray Dogs" oder "FED" sind unter die Haut gehende Underdog-Anthems über Kampf, Verzweiflung, Zuversicht und sich nicht unterkriegen zu lassen. "Another day, another try"! Das Leben ist halt eine Reise und endet für Alle gleich! Mit Deinen Freunden im Rücken, einem Kämpferherz und "Seelenfutter" wie diese Platte ist es jeden verdammten Tag ertragbar. Also genieß es bevor "Time's Up!"! Oder um es mit "The Clinch zu sagen" It's my chosen way of life"!

pre-ordina ora31.07.2026

dovrebbe essere pubblicato su 31.07.2026

21,43 €
Johnny Coley - As I Slip into the Sky

'As I Slip Into the Sky reflects a particularly small sliver of time compared to Where the Smoke Goes, with recordings taking place in early 2025, while Johnny was bed-bound in an assisted living facility with multiple sclerosis. Alabama born, Portland based artist Joel Nelson helms the nearly entirely electronic backdrop, posing a new canvas for Johnny, with Buchla Music Easel bubbling up between Johnny’s lines. This album captures Johnny in a remarkably tender and emotive form. Love and all its permutations. The tangled, but caring nature of familial love, (“But you and me, we can talk on the phone every day. I would never leave you behind”), to the anguish and euphoria of romantic connection. Johnny has a remarkable ability to pose questions, ("What is real love like?), and provide answers that reflect the truest of realities, absent cliche ("I don't know. His curly hair, short on his head, his smile, his smile, his smile...that is what real love is like").
'Joel Nelson's nimble work across a small array of analog synthesizers creates a flowing backdrop to Johnny's stream of consciousness. At times, Broadcast's fuzzed out ballads come to mind, while at others, early Oneohtrix Point Never's gauzy, distant drones anchor beneath Johnny's slippery syntax.
'Johnny recorded his poems while confined to a hospital bed, through an iPhone laid gently on his chest. Assisted by the caring presence of friends John Albea and Lauren Jones, we can hear through these recordings Johnny immersed in his world of words, taking in the world of sounds Joel had provided for him. We hear his breath, at times we hear the harsh sibilance captured by the iPhone microphone, but more than anything, we hear the tenderness and poetic resolve of his caring soul. He was incredibly grateful for the past years of connecting with the small cohort of Birmingham-affiliated musicians and artists who upheld him as the unofficial poet laureate of "The Magic City", Birmingham, AL. Perhaps most appropriately, Johnny closes the album out in a state of gratitude:'

"My funeral was perfect
I was buried wearing a very charming jacket
A very charming jacket I just happened to have on when i died
He was always the lucky one, Mary-Ellen said
I've been looking for a nice casual jacket like that I could wear to casual little outdoor parties and to my funeral all my life
But Johnny just had one
Probably someone left it in his car
He was so lucky
It doesn't even make sense
But its true
He really was that lucky"

pre-ordina ora30.07.2026

dovrebbe essere pubblicato su 30.07.2026

27,31 €
Y.O.P.E. & AVVNT MM - Music for Dogs

Y.O.P.E. & AVVNT MM

Music for Dogs

12inchPIP011-LP
PIP
29.06.2026

This collaborative album is characterized by the unique taste and qualities of Dutch producers Joop de Graaf (Y.O.P.E.) and Tommy van Leuken (AVVNT MM). Where Y.O.P.E. is known as a live project based on groove, improv and electronic music, AVVNT MM has mainly been known for his soothing ambient projects. With this album these two producers find eachother in perfect harmony. Scratch your brains with some perfectly balanced confusion.

pre-ordina ora29.06.2026

dovrebbe essere pubblicato su 29.06.2026

22,90 €
John R. Miller - The Great Unknowing (2x12")
  • Don't Bet On Me
  • Far From The Station
  • Tollbooth
  • Think I'll Start Over
  • Looking For a Place to Die
  • Steering Wheel Drums
  • Daughter of Night
  • A World Away
  • Day Drinking
  • Golden Light
  • Two Days Clean
  • If You Could Only See Me Now
  • Double Lives
  • Static and White Noise
  • Cornbread and Pinto Beans
  • Walk of Life

Born in the Washington, DC area and raised in West Virginia, Miller has built a reputation as a thoughtful, boundary- pushing voice in alt- country and Americana, drawing from punk, traditional Appalachian music, and less conventional rock influences. For this record, he left his comfort zone behind and traveled to Tulsa to record at the legendary Church Studio, drawn by the city's deep musical legacy and its ties to artists like J.J. Cale. Co- produced with longtime collaborator Adam Meisterhans , the album was tracked live with a band of Tulsa- based musicians, including Grammy- nominated John Fullbright, under the steady hand of veteran engineers Gary Laney and Mike Prado. The result is John R. Miller 's most ambitious work to date - a spacious, textured collection that expands on the critically praised Depreciated and Heat Comes Down, blending road- worn storytelling, fuzzy atmospheres, and reflections on movement, memory, and change. Rooted in his West Virginia past yet shaped by constant travel and new collaborations, The Great Unknowing captures an artist trusting the process, embracing risk, and letting the groove lead the way.

pre-ordina ora26.06.2026

dovrebbe essere pubblicato su 26.06.2026

32,35 €
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