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Stefan Robbers is one of the most known and respected non-U.K.-based European techno producers, and (along with Speedy J) one of the only Dutch techno artists to reach a wide audience outside of Holland. Recording as Terrace, Florence, and under his own name, Robbers has been responsible for some of the most memorable moments in experimental dance music in the last few years, from the first release on the now-commanding D-Jax label (Terrace's 1990 EP 916 Beuna Avenue) to recent Terrace and Florence full-lengths released on his own Eevo Lute imprint. Although tracks have appeared through GPR and New Electronica as well, his focus since 1994 has been on Eevo Lute, likely in an effort to raise awareness about Dutch techno artists and which also prompted the astablishment (by Robbers and Speedy J's Jochem Paap) of a Dutch remix network. Most often cited in connection with the sort of "listening techno" associated with the Warp, GPR, and New Electronica labels, Robbers' recent releases have moved increasingly toward the incorporation of du jour electronica hybrids such as trip-hop and ambient jungle, although his trademark mixture of intricate, off-kilter rhythms and sweet melodies has remained. Along with Robbers' own releases, Eevo Lute has also issued material from David Caron, Max 404, and Wladimir M., as well as two label compilations (Agenda 21 and Agenda 22). A remixed version of Terrace's 1996 Konnekt LP, entitled Re-Konnekt, was released in 1996, featuring Speedy J, Global Communication, Sean Deason, Kirk Digiorgio, Orlando Voorn, and Thomas Heckmann.

Not one to be pigeonholed, highly respected DJ and producer WILL SAUL has always run the gamut of electronic dance music: from deep house to techno and UK bass, his sets and tracks like to rock the boat of any given genre, taking in contemporary impulses as well as classic inspirations. As label honcho for iconic imprints like Simple or Aus Music, he further honed his ear for the perfect groove and was invited to bring his expert selection to the revered DJ Kicks mix series in 2014. A remix collaboration with fellow UK producer October for Michael Mayer's MANTASY REMIXE 2 (KOMPAKT 272) turned out to be a fine first foray into Kompakt territory - now to be succeded by the LOST IN TIME EP, for which he teamed up with Bristol-based soundsmith KOMON. Komon & Will have been collaborating for many years, resulting in tracks on Will's DJ Kicks and remixes for labels such as Ninja Tunes (Kelis) and Houndstooth (Throwing Snow). Komon has been a mainstay on Will's Aus Music imprint, with solo releases and regular collaborations with Appleblim. For Kompakt, they turn in a swooping trio of floor-versed cuts that are no strangers to atmosphere and experimentation, but like to keep the crowd in check with outbursts of pressurized funk. Leading the pack is the title cut featuring quality vocals from BEN WESTBEECH (aka Breach), flanked by the introspective DRONE and immersive mover DIGITAL PARADISE - a versatile and powerful outing from two artists that know perfectly well how to set the scene.
(de) Als einer, der sich nie leicht kategorisieren ließ, hat der hochrespektierte DJ und Produzent WILL SAUL stets die gesamte Bandbreite der elektronischen Tanzmusik zum Thema gemacht: von Deep House zu Techno und UK Bass findet alles den Weg in seine Sets und Tracks, jenseits von Genregrenzen und gerne inspiriert von zeitgenössischen wie klassischen Impulsen. Der Macher hinter gefeierten Labels wie Simple oder Aus Music ist bekannt für sein feines Ohr am Groove der Zeit und hat seine Expertise in 2014 für die berühmte DJ Kicks Mix-Reihe zum Einsatz gebracht. Eine Remix-Kollaboration mit dem befreundeten Klangschmied October für Michael Mayer's MANTASY REMIXE 2 (KOMPAKT 272) entpuppte sich als grossartiger erster Ausflug in Kompakt-Gefilde - nun der Schritt zum eigenen Release mit der LOST IN TIME EP, für die er sich mit dem Bristol-Produzenten KOMON zusammengetan hat. Komon & Will arbeiten seit vielen Jahren zusammen, was bereits zu Tracks auf Will's DJ Kicks and Remixen für Labels wie Ninja Tunes (Kelis) und Houndstooth (Throwing Sbow) geführt hat. Dank seiner Solo-Releases und der Kollaborationen mit Applebim ist Komon ein gern gesehener Gast auf Will's Aus Music. Für Kompakt liefern die beiden ein bissfestes, tanzflur-erprobtes Track-trio ab, das gerne in experimenteller Atmosphähre badet, den Tänzern aber auch gerne mit Hochdruck-Funk Beine macht. Der Titeltrack brilliert mit wundervollen Vocals von BEN WESTBEECH (aka Breach), flankiert vom introspektiven DRONE und dem mitreissenden Schieber DIGITAL PARADISE - eine vielschichtige und kraftvolle Darbietung von zwei Künstlern, die ganz genau wissen wie man den Beat in Szene setzt.

Pursuing their explorations of international Funk and Disco music, Favorite Recordings and Bruno "Patchworks" Hovart present us Voilaaa. With this first 2 tracks single revealing the Afro-Disco inspiration of this new experience, Favorite also expands its new series of Disco 12inch singles recently launched with several fine reissues.

Under the imprint of the label and after their long years of collaboration in the achievement of projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences.

Indeed, as everywhere in the 70s and 80s, Funk and Disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, sounds like a perfect balance. Aiming to respect this energy and specific sound, Patchworks quickly began producing a few tracks, Using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and DIY effects pedals and boxes.

Surrounded by a very dynamic music scene, where there is no shortage of artists with African origins, Patchworks decided to work with local singers, even if it means to accompany them on unusual musical paths. A more than successful bet with a result surprising of authenticity, as it's unveiled by these first two titles alongside Sir Jean and Pat Kalla, both from a musical background as rich than different.

With an album planned for the end of the year, that promises to be as explosive and magnetic, Patchworks and Favorite Recordings make a strike again... Voilaaa tout (Thaaat's all)!!

LTD Color repress !

Curtea Veche returns with this 3 track vinyl only release! 'Ganduri Spirituale' 3 huge techno Groovers from an exclusive unknown artist... Huge support coming from the likes of Archie Hamilton, Nu Zau, Georgia Girl and more!

repressed !

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud.

Soundgarden feiern das 20-jährige Jubiläum ihres bahnbrechenden Albums Superunknown mit einer neuen LP-Ausgabe des Meilensteins, bestehend aus zwei 180-Gramm-Vinylen im aufklappbaren Cover, auf denen sich die 16 Tracks der ursprünglichen Doppel-LP befinden.

Superunknown gilt als Soundgardens Meisterwerk. Mit ihm definierte die Grunge-Band aus Seattle 1994 den Alternative-Rock neu und stellten Weichen in der Musikgeschichte.

Die Albumtracks 'Black Hole Sun' and 'Spoonman' gewannen 1995 zwei Grammy-Awards. Superunknown war ebenfalls in der Kategorie Best Rock Album nominiert. Es wurde in den USA mit fünffachem Platin-Status ausgezeichnet, hat weltweit um die neun Millionen Exemplare verkauft, und ist damit Soundgardens kommerziell erfolgreichstes Album. 2003 reihte das Rolling-Stone-Magazin es in seine Liste der 500 Greatest Albums of All Time ein und platzierte es unter den 100 Greatest Albums of the Nineties.

Hier kommt eines der wichtigsten Rock-Alben der 1990er im Original-Doppel-LP-Format zurück, auf 180-Gramm-Vinylen im aufklappbaren Cover.

After a very promising first release on Mike Grant's Moods & Grooves, Phonogramme is proud to welcome Romanian trio: Lisière Collectif.Lisière Collectif represents the collaboration between the three members: Andu Simion, Dan Gheorghe and Bogdan Ardeleanu.The ' Lisière ' was the place in the suburbs of Ploiesti where they gathered together all the time.Their work approaches simple minimalist themes that highlights the main idea of the project.

A couple years ago Developer created a Modularz sub label named " Developer Archive " the idea was to slowly release tracks taken from his personal collection and specifically made for his live DJ sets. Through Developer Archive these tracks are now being released in a limited amount and the chosen selection are the ones that Developer felt made the largest impact in clubs and venues around the world.

Midgar is proud to introduce a newcomer for the third release. A great debut for the maltese Cloned, delivering Sapphire 1990 E.P. The record, way more straightforward and groove centered than the previous Midgar outputs, opens with - Sapphire 1990 - , track that sounds like very nostalgic memories from a timeless rave. On the same side, a live out-take from Cloned's repertory, - The Pendulum - swinging synth-lines which dominate pretty direct rhythmics over a costant background noise. - Belgassem - as the first cut on the B side, is an absolutely heavy one for the label's standards, empowered by a really strong and obsessive acid-line. Closing the vinyl, the slow - Submerging - , groovy drums embraced by very brights heavenly pads.

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

repressed !

On Paranoia, Oliver Huntemann's prowess and versatility as a producer is evident, from the space age minimalism of 'Magnet', through to more melodic, upbeat productions such as 'The End', in which warm sounds resonate through the listener.

2x180g vinyl plus download code!
We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It's a reflection of all the years we've been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

If you are into techno, Svreca needs no introduction. This Spanish DJ and producer has been travelling around the world for a while and his label Semantica has earned its place amongst the best cult labels thanks to their support of the vinyl format and investment on incredible artworks. They also have one of the best artists rosters.

Oscar Mulero has released some tracks on Semantica and now it's time for Semantica's boss to release in Warm up... So we are really excited about this!

This release comes in two versions: a four-track EP and a six-track digital release with two
bonus edits by Oscar Mulero.

'Disorder' opens side A. A bleepy, repetitive exercise, with a solid kick and extra high-
frequency analogue percussions and sweeps.
Oscar Mulero's version follows as track A2, adding more pressure to the rhythm, more
atmospheres and some FM synth details, while preserving the original bleep.

The B side starts with 'Overgang'. Once again, an obsessing high-pitched sequence as the
absolute star, plus Svreca's traditionally insane high frequency noises, a concrete kick and
repetition as a formula.

OM's version of 'Overgang': more complex than the original, with 909 hats, more synth lines,
extra bleeps and a dynamic and constantly changing arrangement.

Closing the vinyl release is OM's version of 'Overgang': more complex than the original, with 909 hats, more synth lines, extra bleeps and a dynamic and constantly changing arrangement.

The digital version is completed with two extra versions of 'Overgang': by Oscar Mulero. The
first one, on a more straight techno vibe and trademark sound. The second one has a more
mental approach.

This vinyl includes a free downloadcode were customers get the
whole digital release (incl. Bonustrack) for free via Facebook !!
Anyhow fresh but still trusts! 4CR comes with his second vinyl - release,
and it sounds fat. "Menschenskind" has delivered with "Tequila" this time
a real Minimal House bomb with catchy tune character. Organic guitar -
samples and fresh Grooves sound like the fruity sweet taste of summer
which drips in the dusty and dry desert. A touch of western, High Noon
and heat under cloudless sky. "Menschenskind" gives us with Tequila an
acoustic place under the sun, the suitable drink and just the pure groove.
Alec Troniq, Sonntagsmusikant and Tinush deliver their great remixes on
top. While Sonntagsmusikant holds the striking theme first a little more
covered and comes along even more minimally, Alec Troniq with a stylish
variation of the subject rocks more offensively forwards. Tinush adds with
his Remix some Coolness and completes this 4CR Release. This package is
the fruity cocktail, which runs down the dusty throat, while the smell of
the sun and desert is omnipresent. Get a drink, and enjoy Tequila!

Irgendwie fresh aber dann doch vertraut! 4CR kommt mit seinem
zweiten Vinyl - Release, und es kommt dicke. Menschenskind hat mit
- Tequila' diesmal einen waschechten Minimal- House Knaller mit
Ohrwurmcharakter abgeliefert. Organische Gitarren - Sounds und
freshe Grooves klingen wie der fruchtig süße Geschmack von Sommer,
der in die staubtrockene Wüste tropft. Ein Touch von Western, High
Noon und Hitze unter wolkenlosem Himmel. Menschenkind gibt uns
mit Tequila einen akustischen Platz unter der Sonne, den passenden
Drink dazu und den puren Groove. Dabei liefern Alec Troniq,
Sonntagsmusikant und Tinush ihre großartigen Remixe on top.
Während Sonntagsmusikant das markante Thema zunächst etwas
gedeckter hält und noch minimaler daher kommt, rockt - Alec Troniq'
mit einer stylischen Variation des Themas offensiver nach vorne.
Tinush packt mit seinem Remix die Coolness und rundet dieses 4CR
Release gekonnt ab. Dieses Package ist der fruchtige Cocktail der die
Staubige Kehle runter läuft, während der Geruch von Sonne und
Wüste allgegenwärtig ist. Schnapp dir n Drink, und genieß Tequila!

GREEN VELVET MAKES HIS CIRCUS RECORDINGS DEBUT WITH BIGGER THAN PRINCE, HIS MOST TALKED ABOUT TRACK IN YEARS...

BIGGER THAN PRINCE WAS BORN OUT OF A CONVERSATION BETWEEN LABEL BOSS YOUSEF AND GREEN VELVET WHEN BOTH PLAYED THE INDONESIAN LEG OF THE ANNUAL CIRCUS TOUR. THE IDEA OF THE CHICAGO LEGEND CONTRIBUTING A BRAND NEW TRACK FOR THE CIRCUS X // PART 1 COMPILATION WAS FLOATED AND SOON HE WAS JOINING NINE OTHER FRIENDS OF CIRCUS WHO WERE ALL TO FEATURE IN CELEBRATION OF TEN YEARS OF EVENTS.

'BIGGER THAN PRINCE' IS A CLASSIC GREEN VELVET VOCAL NUMBER AND SHARPER AND FRESHER THAN ANYTHING WE'VE HEARD THIS SUMMER. QUIRKY AND DRIVING, ITS SET TO BE ONE OF THE TRACKS OF THE SEASON.

TO BACK THE ORIGINAL, YOUSEF HAS DRAFTED IN MORE FRIENDS OF CIRCUS ON REMIX DUTIES, HOT SINCE 82 AND THE MARTINEZ BROTHERS...



DJ FEEDBACK



STEVE MAC - "LOVE THIS RECORD AND THE REMIXES... GREAT RELEASE!!"

TOTALLY ENORMOUS EXTINCT DINOSAURS - "I LOVE THIS RECORD!!! I'LL PLAY THE ORIGINAL!"

MATTHIAS TANZMANN - "BOTH REMIXES REALLY ARE GREAT!! PERFECT FOR ME!"

LEE BURRIDGE - "IT WAS ALWAYS GOING TO BE THE ORIGINAL FOR THIS GREEN VELVET FAN!"

SINDEN - "ORIGINAL WINNING FOR ME!!!! CLASSIC GREENB VELVET... I LOVE IT!"

ZOMBIE DISCO SQUAD - "WOW! I DON'T THINK I NEED TO SAY MORE. THAT COVERS MY ENJOYMENT MARTINEZ BROS. MAYBE MY FAV."

TIEFSCHWARZ (ALI) - "A GREAT GREAT RELEASE FROM GREEN VELVET. SUPPORT!"

AXEL BOMAN - "THIS IS SUCH A COOL TRACK... LOVE THE ORIGINAL FROM GREEN VELVET!"



DANNY HOWELLS - "MEGA PACKAGE... SUPERB ORIGINAL AND STUNNING REMIXES TOO... ALL GOOD!"

DEETRON - "REALLY LIKE THE ORIGINAL AND THE MARTINEZ BROTHERS REMIX AS WELL. I'LL BE PLAYING."

UNER - "THE MARTINEZ BROTHERS REMIX IS SUPERB!! <3"

DRUMS OF DEATH - "I LOVE THIS WHOLE PACKAGE... WILL PROBABLY PLAY THEM ALL ACTUALLY! "

SOUL CLAP - "PURE FUNK, STRAIGHT UP NASTY!! "

MOXIE - "BIG BIG TUNE!!"

RALPH LAWSON - "THE MARTINEZ BROTHERS REMIX IS BEST OF THE PACKAGE FOR ME. GONNA TRY IT OUT AND LET YOU KNOW."

ALEX WOLFENDEN - "CLASSIC GREEN VELVET TRACK WITH GREAT REMIXS! MARTINEZ BROS' THE ONE FOR ME, FULL SUPPORT."

ANNIE NIGHTINGALE - (BBC RADIO 1) - "HOT SINCE 82 SOUNDS QUITE HOT IN 2013!"

LARSE - (KLUBBING, WDR 1LIVE, GERMANY) - "I LIKE THE MARTINEZ BROTHERS REMIX. WELL DONE GUYS!"

WAIFS & STRAYS (AMOS) - "ALL TRACKS ARE KILLER! THE MARTINEZ BROS REMIX IS AMAZING...FULL SUPPORT."

LUKE SOLOMON - "I HATE TO SAY IT AS I AM SUCH A HUGE GV FAN...BUT MB'S MIX KIND OF TIPS IT FOR ME. SORRY CAJ."

&ME - "I DON'T LIKE IT, I LOVE IT!!!!!!!!!!!!!!!"

GERD - GREEN VELVET = BIGGER THAN PRINCE! LOVIN' THE LINNDRUM WINK... GREAT REMIXES TOO!"



ZDAR - "LOVE THIS TUNE!!! CURTIS IS THE BEST AND ALWAYS BE... VERY GOOD MARTINEZ BROS. MIX TOO! LOVE!"

DJ HELL - "AND ANOTHER BIG TUNE FROM THE NEW PRINCE OF DANCE MUSIC! THIS IS GREAT!"

TOM FINDLAY (GROOVE ARMADA) - "GREAT EP!! MASSIVE, SUPER FRESH! GREAT CHOICE OF REMIXES TOO, BOTH SMASH IT!"

SHADOW CHILD - "YES! THE HOT SINCE 82 REMIX SOUNDS DOPE!!! "

SKREAM - "SICK RECORD!! MARTINEZ BROTHERS REMIX IS MY FAV ON FIRST LISTEN."

JORIS VOORN - "WAHAAHA CLASSIC GREEN VELVET ATTITUDE! GREAT STUFF GUYS!!"

ALIX ALVAREZ - "GREAT PACKAGE. GREAT MIXES, ESP FROM MY GUYS TMB, BEING MY FAVORITE. GONNA TRY IT OUT THIS WEEKEND."

TAYO - "THE COOLEST MOFO OUT THERE. CLASSIC GREEN VELVET. SLEAZY "CONTROVERSY" STYLE BUSINESS. LOVE."

CATZ N DOGZ (VOITEK) - "FUCK!! YES PLEASE!!! THIS IS FANTASTIC... MARTINEZ BROS. MIX MY FAV TO PLAY ON FIRST LISTEN."

IAN POOLEY - "THE HOT SINCE 82 MIX IS WICKED!! I'LL BE PLAYING THIS OUT FOR SURE!"

JD TWITCH (OPTIMO) - "I REALLY LIKE THE ORIGINAL OF THIS!! SUPPORTING."

MARC ROMBOY - "GREAT SELECTION OF VERSIONS AND GREAT TO HAVE A NEW GREEN VELVET IN THE BOX! HS82 IS MY PICK TO PLAY OUT THOUGH!!!"

DIESEL (X-PRESS 2) - "THE ORIGINAL AND THE HOT SINCE 82 MIXES AT ARE THE BEST FOR ME. WE'LL BE PLAYING THESE!!"

COPYRIGHT (DEFECTED RADIO) - "HARD TO CHOOSE A FAV. WHAT A PACKAGE...LOVE THE BEATS ON THE MARTINEZ BROS MIX...KILLER!"

After the great success of 'Der Himmel uber Berlin', the second release on 'Envlp imprint' is signed by another South Italy's talent: Drum Communicate is a project of drummer and composer Francesco Varchetta.
The EP take the name from the first track, 'The Fast Line', which show all his talents as a musician, producing an 'Ambient' track with Detroit's influences.
Tuner is the second track, which has a marked groove and much more dancefloor, also remixed by Brendon Moeller in two versions, goes to conclude a release for true connoisseurs of the genre.

Als Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt, der es KOMPAKT erlaubt Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 73 haben sich Hollands Synth-Epiker QUINCE sowie der in Berlin lebende Techno- und Modekünstler TOM PETERS hinters Mischpult begeben, um in zwei meisterhaft auskomponierten Tracks der Suche nach dem Horizont zu frönen.

Weltweit von DJs zum Einsatz gebracht, sind QUINCE's Techno-Etüden ein bekannter Klang im elektronischen Kosmos, dank starker Releases auf respektierten Labels wie etwa DELSIN oder MUSIC MAN RECORDS. Seine Produktionen beeindrucken generell mit ihrer profunden Kenntnis der großen Skylines, doch irrt der holländische Meister hier ein wenig ab von seinem Kurs durch 4/4-Welten und verliert sich stattdessen in den weitläufigen Kellerkorridoren des wolhltemperierten Schaffelbeats. LOST baumelt fast acht Minuten lang von der Klippe und gibt sich ganz als kubistisches Märchen vom einsamen Helden im dunklen Wald: in Erwartung einer zu errettenden Prinzessin bahnte der sich einen abenteuerlichen Weg durchs Unterholz und berichtet nun von unermeßlichen Schätzen und Momenten großen Glücks. Schon massiv gut, wenn sich die eigene, jahrelange Live-Erfahrung so anstandslos in perfekte DJ-Munition ummünzen last.

Zwei Stunden nördlich von Berlin liegt Kartlows kleiner Ortsteil Unnode, wo der ansonsten eher umtriebig veranlagte TOM PETERS wohlverdiente Ruhe in den Alltag eines DJs, Produzenten und angehenden Modezaren einkehren last. Hier, in inspirierender Nähe zur Ostsee, entwirft er die Skizzen für die meisten Tracks; so auch für TAKE YOUR CHANCE, dessen Silhouette sich deutlich geprägt sieht von der Weite der lokalen Natur. Toms Produktionen weisen alle Anzeichen transzendentaler Melancholie auf, verfehlen jedoch nie das urbane Momentum: sein Beitrag für SPEICHER 73 präsentiert eine simple, doch weitläufige Melodie, deren Haar vom Beat elegant zurückgebunden wurde, Futter für die Beine und die Seele. Ganz wie die handgedruckten Botschaften seiner eigenen Modeserie SAVE FASHION, vermag nämlich auch Toms Musik auf dem dünnen Seil zwischen dem Einfachen und dem Mehrdeutigen zu balancieren... dream on, dreamer.

We kick off 2013 in style with an Ep from Kiiroy. It´s always exciting for us to be introduced to a new artist. Especially when we are blown away by their Music. For his debut on Cellaa Music Kirroy brings a bouncing track which is perfect for all floors. Please help this new label get off to the best of starts by listening well and leaving considered and constructive feedback. Thank you.

30 years old Kiiroy is using freaky instruments and concrete sounds, our lovely boy, always keepin his distinctive funky´n´groovy attitude. Deep, fresh and seductively satisfying, this tune was designed for the discerning Dancer.

A bumper remix is lead by Stefano Libelle who bring a trademark deep house tune with a weighty, warped bassline and euphoric break. Here he strips the original to it´s essential parts. The super dry kickdrum and percussion in combination with the dark bassline together create Stefano´s own deep-house vision.

deutsch:
Wir starten mit einer EP von Kiiroy stylisch ins Jahr 2013. Für uns war es schon immer aufregend, neue Künstler vorzustellen, ganz besonders, wenn uns ihre Musik umhaut. Für sein Debüt auf Cellaa Music präsentiert Kiiroy einen bouncigen Track, den man auf jeden Floor einsetzen kann. Wir bitten euch, unser neues Label bei seinem Start zu unterstützen, indem ihr euch den Track genau anhört und uns Vorschläge und konstruktive Kritik zukommen lasst. Vielen Dank!

Der 30-jährige Kiiroy verwendet eine freaky Instrumentierung und harte Sounds. Unser Liebling, der stets bei seinem bezeichnenden, funkigen und groovigen Stil bleibt. Die Melodie ist deep, frisch und verführerisch und somit ideal für den anspruchsvollen Zuhörer.

Stefano Libelle liefert mit seinem Remix ein schönes Deephouse-Stück ab. Mit einer deepen, verschrobenen Bassline und euphorischen Breaks reduziert er das Original aufs Wesentliche. Die supertrockene Kickdrum und die Percussion in Verbindung mit der dunklen Bassline sind die Zutaten von Stefanos ganz eigener Deephouse-Vision.