Suche:li ve su

Keine Ahnung wieviel ungezählte Stunden die Jungs von FLEISCHWOLF seit ihrer Gründung vor 10 Jahren auf der Autobahn verbracht haben, aber bei über 300 Club- und Festivalshows kommt da ganz schön was zusammen. Genug jedenfalls für die "Letzte Platte vor der Autobahn", ihre brandneues, 4. Album zum Bandjubliäum. "Blinker links" und ab auf die Überholspur: Genug neues Material haben die Punk-Thrash-Hardcore-Rotz(Rock)-Löffel jedenfalls gut verstaut im Kofferraum und auf ihre neue Scheibe gepackt. Da ächzen die Stoßdämpfer und freut sich die Schallplatten-Nadel, wenn mit "Jetzt geht es los" die wilde Fahrt beginnt. Dabei lassen die Mettcore-Spezialisten sich erneut nicht ausbremsen: Mit ihrer charmant-prolligen Art verheizen Sie alles was ihnen so unter den Asphalt brennt mit rebellischer "I don't give a fuck" -Attitüde und jeder Menge Spass in wohlklingenden Krach ohne Geschwindigkeitsbegrenzung. Fleischwolf kann weder ein "Punkrock-Polizist" stoppen und na klar - "Aufgeben ist keine Option"! Ein ganz besonderer Song zu dem die Band Vinnie van der Schnuut ("Fresse"/ "BPM") und Mr. Wheelchair ins Studio eingeladen hat, der seit seinem Unfall 2010 mit gebrochenem Genick nur noch den Kopf bewegen kann. Begleitet von Gitarrengewitter trifft hier Punkrock auf Metalcore, Gefühl auf Härte - Eine bewegende Kampfansage an das Leben! Das die Band jede Menge "Asi-Elixir" getankt hat, war schon mit der "Kleiner Vorgeschmack" Doppel-10nch Vinyl glasklar. Und so gibt's nicht nur musikalisch jede Menge Qualm aus den Auspuff: "Watt denn", "Geh Sterben" sind nicht gerade für Sonntagsfahrer geeignet und nicht nur bei der Fahrprüfung gilt "Mach die Augen auf"! Wenn Du also einen Hybrid aus klassischen Deutschpunk, Hardcore-Thrash mit fettem RocknRoll-Vergaser suchst und der Zugkraft eines 14-Tonners_, steig in die verdammte Karre und dreh das Radio auf! "Hier ist die letzte Platte vor der Autobahn"! Und hier ist garantiert nicht die letzte Platte von Fleischwolf, dafür aber die mit den bislang meisten Pferdestärken!

Keine Ahnung wieviel ungezählte Stunden die Jungs von FLEISCHWOLF seit ihrer Gründung vor 10 Jahren auf der Autobahn verbracht haben, aber bei über 300 Club- und Festivalshows kommt da ganz schön was zusammen. Genug jedenfalls für die "Letzte Platte vor der Autobahn", ihre brandneues, 4. Album zum Bandjubliäum. "Blinker links" und ab auf die Überholspur: Genug neues Material haben die Punk-Thrash-Hardcore-Rotz(Rock)-Löffel jedenfalls gut verstaut im Kofferraum und auf ihre neue Scheibe gepackt. Da ächzen die Stoßdämpfer und freut sich die Schallplatten-Nadel, wenn mit "Jetzt geht es los" die wilde Fahrt beginnt. Dabei lassen die Mettcore-Spezialisten sich erneut nicht ausbremsen: Mit ihrer charmant-prolligen Art verheizen Sie alles was ihnen so unter den Asphalt brennt mit rebellischer "I don't give a fuck" -Attitüde und jeder Menge Spass in wohlklingenden Krach ohne Geschwindigkeitsbegrenzung. Fleischwolf kann weder ein "Punkrock-Polizist" stoppen und na klar - "Aufgeben ist keine Option"! Ein ganz besonderer Song zu dem die Band Vinnie van der Schnuut ("Fresse"/ "BPM") und Mr. Wheelchair ins Studio eingeladen hat, der seit seinem Unfall 2010 mit gebrochenem Genick nur noch den Kopf bewegen kann. Begleitet von Gitarrengewitter trifft hier Punkrock auf Metalcore, Gefühl auf Härte - Eine bewegende Kampfansage an das Leben! Das die Band jede Menge "Asi-Elixir" getankt hat, war schon mit der "Kleiner Vorgeschmack" Doppel-10nch Vinyl glasklar. Und so gibt's nicht nur musikalisch jede Menge Qualm aus den Auspuff: "Watt denn", "Geh Sterben" sind nicht gerade für Sonntagsfahrer geeignet und nicht nur bei der Fahrprüfung gilt "Mach die Augen auf"! Wenn Du also einen Hybrid aus klassischen Deutschpunk, Hardcore-Thrash mit fettem RocknRoll-Vergaser suchst und der Zugkraft eines 14-Tonners_, steig in die verdammte Karre und dreh das Radio auf! "Hier ist die letzte Platte vor der Autobahn"! Und hier ist garantiert nicht die letzte Platte von Fleischwolf, dafür aber die mit den bislang meisten Pferdestärken!

Keine Ahnung wieviel ungezählte Stunden die Jungs von FLEISCHWOLF seit ihrer Gründung vor 10 Jahren auf der Autobahn verbracht haben, aber bei über 300 Club- und Festivalshows kommt da ganz schön was zusammen. Genug jedenfalls für die "Letzte Platte vor der Autobahn", ihre brandneues, 4. Album zum Bandjubliäum. "Blinker links" und ab auf die Überholspur: Genug neues Material haben die Punk-Thrash-Hardcore-Rotz(Rock)-Löffel jedenfalls gut verstaut im Kofferraum und auf ihre neue Scheibe gepackt. Da ächzen die Stoßdämpfer und freut sich die Schallplatten-Nadel, wenn mit "Jetzt geht es los" die wilde Fahrt beginnt. Dabei lassen die Mettcore-Spezialisten sich erneut nicht ausbremsen: Mit ihrer charmant-prolligen Art verheizen Sie alles was ihnen so unter den Asphalt brennt mit rebellischer "I don't give a fuck" -Attitüde und jeder Menge Spass in wohlklingenden Krach ohne Geschwindigkeitsbegrenzung. Fleischwolf kann weder ein "Punkrock-Polizist" stoppen und na klar - "Aufgeben ist keine Option"! Ein ganz besonderer Song zu dem die Band Vinnie van der Schnuut ("Fresse"/ "BPM") und Mr. Wheelchair ins Studio eingeladen hat, der seit seinem Unfall 2010 mit gebrochenem Genick nur noch den Kopf bewegen kann. Begleitet von Gitarrengewitter trifft hier Punkrock auf Metalcore, Gefühl auf Härte - Eine bewegende Kampfansage an das Leben! Das die Band jede Menge "Asi-Elixir" getankt hat, war schon mit der "Kleiner Vorgeschmack" Doppel-10nch Vinyl glasklar. Und so gibt's nicht nur musikalisch jede Menge Qualm aus den Auspuff: "Watt denn", "Geh Sterben" sind nicht gerade für Sonntagsfahrer geeignet und nicht nur bei der Fahrprüfung gilt "Mach die Augen auf"! Wenn Du also einen Hybrid aus klassischen Deutschpunk, Hardcore-Thrash mit fettem RocknRoll-Vergaser suchst und der Zugkraft eines 14-Tonners_, steig in die verdammte Karre und dreh das Radio auf! "Hier ist die letzte Platte vor der Autobahn"! Und hier ist garantiert nicht die letzte Platte von Fleischwolf, dafür aber die mit den bislang meisten Pferdestärken!

Those albums that never age, that never cease to surprise with their innovative freshness—listen after listen—defying the years that go by.

Released in 2016, Heimat’s debut album is one of those records you love knowing is there on the shelf or on the turntable, like a reassuring talisman.

To mark its 10th anniversary, and such an awaited repress, we decided to honor this landmark album as it deserves: with a powerful remaster by Tioma Tchoulanov (UVB76, NzeNze) featuring enhanced dynamics, and an ultra-limited edition on blue splatter vinyl.

What a beautiful object this is, celebrating—alongside Armelle and Olivier Demeaux—ten years spent exploring the outer limits of music, in France and abroad, from SMAC venues to squats and other joyful initiatives.

Their deeply sincere music loses none of its naive tension; the emphasis is there, yet it remains restrained, contained, almost nervous, without any show of. Here, then, is something to make this fantastic album, a subtle milestone in a teeming musical landscape.

A fine achievement indeed!

Dam Swindle tap Kerri Chandler, Louie Vega, Folamour, Cinthie & more on 100th Heist release.

The ‘House of House’ V/a takes in nineteen all-new tracks from some of house music’s most revered names and new-school talent.

Dam Swindle present ‘House of House’, a triple vinyl V/a compilation marking the one-hundredth release milestone on Heist Recordings, landing on 8th May 2026. Across nineteen all-new tracks, ‘House of House’ reads like a roll call of modern house royalty.
The compilation features contributions from scene legends and contemporary torchbearers alike, including Kerri Chandler, Two Soul Fusion (AKA Louie Vega & Josh Milan), Folamour, Cinthie, Kolter, DJ Sneak, and Supershy, the dance music alias of Tom Misch, alongside rising talents like Papa Nugs, Lolu Menayed, and many more.

From the old-school magic of tracks like Dam Swindle’s ‘Back to the Old School’ feat. DJ Minx and Kolter’s ‘Need U, Want U’, to the jazzy, soulful depths of Kerri Chandler’s ‘Kerriousity’ and Superhy’s ‘Pyrenees’, to the peak-time energy of Papa Nugs & Mixolydian’s ‘Let Go’ and Elisa Elisa’s ‘Coco Coco’, the compilation captures the full spectrum of house sounds that have shaped the world of Heist Recordings over the past 13 years.

Launched in 2013, Heist Recordings has become a high benchmark for quality house music – a home for legendary artists like Cinthie and DJ Sneak, and a breeding ground for new talent from Kassian to Make`z. Dam Swindle have cemented their place among the upper echelons of modern house, with three critically acclaimed LPs, collaborations with the likes of Kerri Chandler, Tom Misch, and a relentless tour diary.

‘House of House’ reflects the ethos that has defined our label since day one: a home for house heads who bring genuine soul to club music, whether they’re legendary originators or new-school up-and-comers. Heist’s one-hundredth release is more than just a number – it’s a testament to the community, creativity, and legacy we’ve built, release after release.

As always enjoy the music and play it loud.

Much love, Heist HQ

The Sound of Love International 008 curated by Ivan Smagghe.

The next chapter of Love International's compilation series with Test Pressing arrives through the lens of Ivan Smagghe. Guided by his long-standing mantra, “the style of no style,” the 12-track selection drifts effortlessly between shadow and light - a reflection of the festival as he knows it.

This is Smagghe’s version of Love International: unpolished in the right places, intuitive, and deeply attuned to the stranger corners of the Adriatic experience. The compilation captures the balance at the heart of the festival: connection, curiosity, and a shared rhythm that holds it all together. Slightly out of reach yet exactly where it should be.

With Get Together III, the journey moves into its next chapter, as four artists come together once again to bring the many colors of electronic music to life.
modul808 opens the journey with deep, warm chords and a driving groove that instantly pulls the listener into the depths of its sonic landscape. In “Kamuro”, shimmering details line the explorer’s path, while the magical vocals of Igor Pose are elegantly woven into the arrangement, creating a dense and hypnotic atmosphere. With “Habits”, Heidmann continues the journey in a similarly groovy fashion, leading the way to sunlit clearings filled with memorable melodic gems. Cie effortlessly picks up the uplifting mood on the B-side, where the magnificent “Schlosshotel” unfolds with majestic chords and shimmering strings, inviting every house lover to stay for a while.
Finally, the journey home begins with Dip’s “Module”, which follows a deep path once more, uncovering sparkling sonic secrets along the way.
Together, the four tracks form another chapter in the Get Together series - a warm and timeless deep house journey shaped by four distinct artistic voices.

Mit Get Together III geht die Reise in ihr nächstes Kapitel: Vier Künstler kommen erneut zusammen und bringen die vielfältigen Farben elektronischer Musik zum Leuchten.
modul808 eröffnet die Reise mit tiefen, warmen Chords und einem treibenden Groove, der den Hörer sofort in die Tiefen seiner Klangwelt zieht. In „Kamuro“ säumen glitzernde Details den Weg des Entdeckers, während die magischen Vocals von Igor Pose elegant in das Arrangement verwoben sind und eine dichte, hypnotische Atmosphäre entstehen lassen. Mit „Habits“ führt Heidmann die Reise ebenso groovig fort und öffnet den Weg zu sonnendurchfluteten Lichtungen voller einprägsamer melodischer Klangperlen. Die gute Laune greift Cie auf der B-Seite mühelos auf: Vor ihm erhebt sich das prächtige „Schlosshotel“, das mit majestätischen Chords und schimmernden Strings jeden House Liebhaber zum Verweilen einlädt. Beschwingt beginnt schließlich die Heimreise mit Dip’s „Module“, das erneut einen deepen Pfad einschlägt und auf seinem Weg funkelnde klangliche Geheimnisse offenbart. So entsteht ein weiteres stimmiges Kapitel der Get Together-Reihe - vier Künstler, vier Perspektiven und eine gemeinsame Reise durch warme, zeitlose Deep-House-Landschaften.


Early DJ Feedback:
Christian Seitz / Show "Neuland" on Radio Z
A beautiful compilation that brings together deepness and dancefloor
Sebastian / f.a.r.e.s / Bass And Space
Great EP, thanks!
ed2000 / Dangerous Drums, Cashmere Radio, Face Radio, dub intervention
Very nice set of tracks, support and thanks radio and dj set plays.
Sasha / Circus Recordings, Renaissance, Global Underground
Cool from Cie
Anthony Pappa / Selador / Renaissance
Nice tunes. Thank you.
Timo Maas / Cocoon Recordings, Crosstown Rebels, Rockets and Ponies, Mobilee, Moon
Harbour, Tenampa, etc etc
Nice Heidmann
Stéphane Chambord / Radio Resonance ("DeeJay Academy" Radio Show)
repérages : Kamuro & Habits je prépare une émission spéciale avec un mix des productions du label
Cyprien Rose / Lui, Houz-Motik, Waxdoesmatter
Amazing > Modul808 - Kamuro feat. Igor Pose
Rob Zile / Brain Food Radio (Kiss FM) / Brain Food Records
Great deep tunes
John Digweed / Bedrock Records
Downloading
T. Carlita / In My House
Good Vibe
Laurent / WTM
Another wtm's playlist is coming soon…;)
Douglas Arellanes / Radio 1
Cool chilled out vibe on this record.
Valerio Vaudano
I like "Kamuro" and "Habits". Will try these warming up the dance floor. thx for sending
Stuart Bruce / Chain DLK
Downloading for possible review on ChainDK
Noah Pred / Thoughtless, Biotop, Highgrade
Some nice ones here, thanks.
Ninu / Hipodrome
I like Habits
BARRcode / Backseat Mafia
Solid release.
Carl Craig / Planet-E
dl 4 erno thx!
Ilario Alicante / Cocoon Recordings, Alphahouse, Bosconi, Prism
Downloading for Ilario Alicante, thanks for the music!
Andrew Till / Machine, Fnoob
Cool dubbed out grooves ,,,Heidmann - Habits is my pick.
Ju / Upperberry
Dope =)
Kat Davids
nice and smooth!
Como Las Grecas / Kali Modernphase, Denis Yurgens, Alejandro Club, German MT, Como Las
Grecas
Deep mind in house groove. Interesting VA of deep house.
Dole & Kom / Death By Disco, Mixmag
Really liking Modul808's and Cie's traxxx Thank you

With Get Together III, the journey moves into its next chapter, as four artists come together once again to bring the many colors of electronic music to life.
modul808 opens the journey with deep, warm chords and a driving groove that instantly pulls the listener into the depths of its sonic landscape. In “Kamuro”, shimmering details line the explorer’s path, while the magical vocals of Igor Pose are elegantly woven into the arrangement, creating a dense and hypnotic atmosphere. With “Habits”, Heidmann continues the journey in a similarly groovy fashion, leading the way to sunlit clearings filled with memorable melodic gems. Cie effortlessly picks up the uplifting mood on the B-side, where the magnificent “Schlosshotel” unfolds with majestic chords and shimmering strings, inviting every house lover to stay for a while.
Finally, the journey home begins with Dip’s “Module”, which follows a deep path once more, uncovering sparkling sonic secrets along the way.
Together, the four tracks form another chapter in the Get Together series - a warm and timeless deep house journey shaped by four distinct artistic voices.

Mit Get Together III geht die Reise in ihr nächstes Kapitel: Vier Künstler kommen erneut zusammen und bringen die vielfältigen Farben elektronischer Musik zum Leuchten.
modul808 eröffnet die Reise mit tiefen, warmen Chords und einem treibenden Groove, der den Hörer sofort in die Tiefen seiner Klangwelt zieht. In „Kamuro“ säumen glitzernde Details den Weg des Entdeckers, während die magischen Vocals von Igor Pose elegant in das Arrangement verwoben sind und eine dichte, hypnotische Atmosphäre entstehen lassen. Mit „Habits“ führt Heidmann die Reise ebenso groovig fort und öffnet den Weg zu sonnendurchfluteten Lichtungen voller einprägsamer melodischer Klangperlen. Die gute Laune greift Cie auf der B-Seite mühelos auf: Vor ihm erhebt sich das prächtige „Schlosshotel“, das mit majestätischen Chords und schimmernden Strings jeden House Liebhaber zum Verweilen einlädt. Beschwingt beginnt schließlich die Heimreise mit Dip’s „Module“, das erneut einen deepen Pfad einschlägt und auf seinem Weg funkelnde klangliche Geheimnisse offenbart. So entsteht ein weiteres stimmiges Kapitel der Get Together-Reihe - vier Künstler, vier Perspektiven und eine gemeinsame Reise durch warme, zeitlose Deep-House-Landschaften.


Early DJ Feedback:
Christian Seitz / Show "Neuland" on Radio Z
A beautiful compilation that brings together deepness and dancefloor
Sebastian / f.a.r.e.s / Bass And Space
Great EP, thanks!
ed2000 / Dangerous Drums, Cashmere Radio, Face Radio, dub intervention
Very nice set of tracks, support and thanks radio and dj set plays.
Sasha / Circus Recordings, Renaissance, Global Underground
Cool from Cie
Anthony Pappa / Selador / Renaissance
Nice tunes. Thank you.
Timo Maas / Cocoon Recordings, Crosstown Rebels, Rockets and Ponies, Mobilee, Moon
Harbour, Tenampa, etc etc
Nice Heidmann
Stéphane Chambord / Radio Resonance ("DeeJay Academy" Radio Show)
repérages : Kamuro & Habits je prépare une émission spéciale avec un mix des productions du label
Cyprien Rose / Lui, Houz-Motik, Waxdoesmatter
Amazing > Modul808 - Kamuro feat. Igor Pose
Rob Zile / Brain Food Radio (Kiss FM) / Brain Food Records
Great deep tunes
John Digweed / Bedrock Records
Downloading
T. Carlita / In My House
Good Vibe
Laurent / WTM
Another wtm's playlist is coming soon…;)
Douglas Arellanes / Radio 1
Cool chilled out vibe on this record.
Valerio Vaudano
I like "Kamuro" and "Habits". Will try these warming up the dance floor. thx for sending
Stuart Bruce / Chain DLK
Downloading for possible review on ChainDK
Noah Pred / Thoughtless, Biotop, Highgrade
Some nice ones here, thanks.
Ninu / Hipodrome
I like Habits
BARRcode / Backseat Mafia
Solid release.
Carl Craig / Planet-E
dl 4 erno thx!
Ilario Alicante / Cocoon Recordings, Alphahouse, Bosconi, Prism
Downloading for Ilario Alicante, thanks for the music!
Andrew Till / Machine, Fnoob
Cool dubbed out grooves ,,,Heidmann - Habits is my pick.
Ju / Upperberry
Dope =)
Kat Davids
nice and smooth!
Como Las Grecas / Kali Modernphase, Denis Yurgens, Alejandro Club, German MT, Como Las
Grecas
Deep mind in house groove. Interesting VA of deep house.
Dole & Kom / Death By Disco, Mixmag
Really liking Modul808's and Cie's traxxx Thank you

„A Love for Strangers“ ist eine völlige Neuerfindung für Nick Murphy. Sein erstes Album als Chet Faker
seit vier Jahren erweitert seinen etablierten Sound in aufregende neue Richtungen. Mit mondbeschienenen
Saxophonen, die an legendäre Acts wie Prefab Sprout und The Blue Nile erinnern, sowie dem üppigen,
Breakbeat-lastigen Pop von David Grays Klassiker „White Ladder“. In diesen zwölf Songs sinniert Murphy
über Liebeskummer und Unsicherheit im großen Maßstab – er stellt Fragen darüber, wie wir miteinander
umgehen, untersucht, wie wir dabei scheitern, und vermittelt das notwendige Gefühl der Hoffnung, wenn
es darum geht, unsere Beziehungen zur Welt um uns herum zu reparieren.

The fifteenth release from electro label Gladio Operations once again brings us a multi-artist format, featuring new faces and a distinctly Spanish flavour.

This EP opens with the return of producer Cycloplex, with his characteristic minimalist sound.
This track, titled ‘EP01-A’, once again showcases his powerful and aggressive bass lines.
From Gerona comes one of the new and talented artists on the Spanish electro scene. David Pasajero makes his debut on Gladio Operations with ‘Dislektro’, a fluid journey of melodies and warm textures infused with acidic touches.

On the B-side we find Barcelona producer Dark Vektor, who needs no introduction, as he is one of the Spanish icons of electro sound. This artist also makes his debut on the label with ‘Te Voy A Dar Ahhhhh’, a dizzying track with suspenseful melodies and a powerful bass line that will keep you on the dance floor no matter what.

The Spanish duo Slit Observers is another of the label’s new faces and treats us to this vibrant track titled ‘Green Machine’, where we encounter dark passages with a perfect dose of acid and embellished with subtle vocoders.

The EP closes with a collaboration between German producers Intergalactic Noize Commander and Elektrotechnik, the latter an artist who has released music previously. ‘Informationen’ is a rough track, created in the most hidden German bunkers, featuring arpeggios and robust bass lines that dominate throughout the whole track, accompanied by gloomy vocals.

In Hayk Karoyi’s music, the vibrant palette of the Mediterranean meets the deep layers of Armenian medieval culture. A composer, sound artist, producer, selector, and live performer, as well as a multi-instrumentalist specializing in Armenian woodwinds, Hayk channels his cultural identity intuitively, allowing memory, place, and subconscious expression to shape his sound. Coming from a mixed East Mediterranean and Armenian heritage, he has never aimed to define himself—or his music—within a single tradition.

Instead, his work exists as a continuous fusion: electronic music intertwined with ancient timbres, improvisation, and experimentation. His work has been presented in clubs, concert spaces, and international festivals across Italy, France, Spain, Germany, Armenia, Georgia, Uzbekistan, and Indonesia. He has appeared on festival lineups such as Terraforma Symposia (Italy), Stihia Festival (Uzbekistan), O3 Festival (Armenia), Nopa Sound Festival (Armenia), TKESHI FESTIVAL (GEORGIA) ,Urvakan Festival (Armenia), New East Festival (Barcelona, Spain), Suara Festival (Indonesia), and Un Week-end Festival (France).

“Yotqar” is a love letter to the artists and musicians who have shaped me; those whose music I’ve carried in my heart and those I’ve shared stages and moments with over the years. The album is deeply rooted in Armenian woodwind traditions, echoing voices of the masters I admire. Its soundscape stretches across a wide geography and draws inspiration from the mountains of Syunik to the streets of Anjar, weaving in local sounds, memories and emotions. Endless gratitude to my parents, and especially to my mother for the folklore melodies she sings while cooking, filling the house with warmth and history.” - Hayk Karoyi

"Lost in the spinning sound" is the 12th studio album by The Dining Rooms (Stefano Ghittoni and Cesare Malfatti) who, over the years, have delved into an original style that balances cinematic atmospheres with funk, dub and ambient music. Here they have invited just one vocal guest, Chiara Castello from I'm Not a Blonde, for a collaboration that delivers a slow, nocturnal, orchestral, very minimalist album, oscillating between folk and blues, with deeply meaningful lyrics that explore the intricate nature of interpersonal relationships. The album cover, an illustration by Sara Vivan, conveys the idea of metamorphosis and invites us to dive into the sounds that surround and protect us. This is also the main message of the album: losing ourselves in order to protect ourselves a little. Drifting along and finding new, safer and more peaceful shores.

Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales).

In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.

These fifteen tracks are made with only two synthesizers (EMS VCS3 & Farfisa organ) in an experimental and very minimal style.

"It was a crazy album, totally homemade, with rhythms that I made in my student room, with a minimum of equipment and at the same time electronic sounds that I stole from the GRM where I went at night after stealing the keys to the studios. It is a pirate record, in every sense of the word, in which we find what I did afterwards.” JMJ

Audio restored & remastered
Including cuesheet poster/ Limited edition of 500 copies

Contemplating the role of the album format in an attention-deficient society, Speedy J presents Walkman -- a constantly shifting, 90-minute soundtrack to a journey of your choice. Jochem Paap's first solo album in over 20 years is a freewheeling, 20-track testament to his decades-deep studio skill and sonic versatility, running from skewed rhythmic rabbit holes to exploratory tonal abandon. For Paap, the traditional idea of the album had become obscured by listening habits and the non-stop information barrage of our digital lives. Having moved on from his breakthrough years releasing LPs and touring off the back of them, he was more inspired to develop his many-sided STOOR project and feed into a bigger artistic body of work than the temporary shelf-life of a single release. As is natural for any artist, his perspective shifted over time and he found himself drawn back to the idea of an album, realising he connected best with longer releases while he was on a walk, out for a run or generally in transit one way or another. With an endearing call back to the humble Walkman, he selected an hour and a half of material created during studio sessions at the beginning of 2025, perfectly sized to fit on two 45-minute sides of a cassette tape. As has long been the case for his studio practice, there were no fixed intentions when sitting down in the STOOR lab to start making noise -- just a wealth of experience and an expansive set of tools to start exploring with. From hours of jams Paap pulled together standout moments and moulded them into a mixtape-like narrative ranging from two-minute beat nuggets to full-tilt techno workouts and immersive ambient drops. Every sound is intentional, but the overall delivery is instinctive and curious, showing multiple new dimensions to Paap's sound and offering unpredictability at every turn. 'Arp Amp Chasm' opens the album up in a thick blanket of humming, harmonic waves with an electric emotional charge, while 'Ctrssalms17 (Cold Render)' journeys through evocative blooms of melancholic, gritty pads and rugged, half-submerged tech funk. 'Modern Birds (Origin Edit)' reaches skywards with grand sweeps of dynamic, brilliantly rendered synthesis. From the dexterous drum science of 'Drift Vector' to 'Osc Hop (Slow Collapse)'s lurching, beatless swamp of synths, on Walkman even the briefest snapshots leave an impression that lasts beyond the quick-scan cycle of the modern music experience. With his return to the album format, Paap's message is clear --put your headphones on, get outside and lose yourself in the sound of an artist constantly committed to moving forwards.

ELSI celebrates the 40th anniversary of Marimba Do Mar with a special reissue of the highly sought-after record produced by Roberto Lodola, one of the pioneers of Italy’s Afro-Funk movement.

Four decades on, Marimba Do Mar remains a true Balearic anthem. This special edition includes Feeling Of The Sun, created in 2014 from rediscovered original tapes and reimagined by Lodola into a sun-soaked, electronic version of the original. The B-side delivers two vinyl debuts: Marty’s Beach, driven by elegant piano riffs and a memorable sax solo from long time collaborator Alessandro Bertozzi, and Mother Africa (Ibiza Dub Mix), a deep Afro-Funk interpretation in a modern electronic key produced during his stay on the magic island.

This limited pressing, distributed by Sound Metaphors, offers selectors a rare opportunity to celebrate a landmark chapter in Balearic history, with ELSI placing your next summer record directly into your hands.

The new PST release on B?rft rec is a dance groove oriented record with a twist. 3 bangers on the A-side and a surprising ambient work on the B-side. Here is nice house music & techno beats with a sniff of 90's with rolling bass, vocal hooks and driving hihats giving you the night that never will ends... Classic and old school from deep house to Chicago house, heavy claps pumping bass, moody accords... 124 - 127 - 139 BPM on A-side while no BPM on the B-side. For the club or the Yoga lesson. Review by Jesper Rydberg

WRWTFWW Records is very happy to announce the release of Renga, the new collaborative album from Gak Sato and Tadahiko Yokogawa - available on limited edition LP (300 copies worldwide !) housed in a heavyweight sleeve with inside out print of a beautiful artwork by Aoi Huber Kono.
Renga (??, linked poem) is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (?), of 5-7-5 and 7-7 morae (sound units or syllables per line) are linked in succession by multiple poets.
Inspired by the traditional Japanese poetic form of linked verses, Renga unfolds as a fluid 10-track journey spanning ambient, jazz, breakbeats, electronica, environmental music, techno, cinematic, library music, and musique concrète. Much like its literary namesake, the album is built on intuition and shared momentum, each piece emerging from what came before while opening new paths forward. Beats appear, disappear, then reassemble, while textures shift between organic warmth and electronic abstraction. The result is music that resists fixed categorization, existing somewhere between known subgenres and free-form exploration.
The album's visual counterpart, created by Aoi Huber Kono, mirrors the sensibility of the music. It's elegant, modern, and quietly expressive, extending the idea of linked forms from sound into image.
Points of interest
- For fans of ambient, experimental electronic music, jazz-inflected compositions, breakbeats, techno, cinematic soundtracks, library music, musique concrète, genre-blurring sonic exploration, linked verses, and dark blue.
- A unique collaboration between Gak Sato and Tadahiko Yokogawa, inspired by the Japanese poetic form of linked verses.
- Presented on limited edition LP housed in a heavyweight sleeve, edition of 300 copies.
- Artwork by acclaimed visual artist Aoi Huber Kono, extending the album's concept of interconnection across disciplines.

Finally, it's time to get these classic tunes out on vinyl for the very first time. The support from DJs has been off the charts, and the list is long - including Carl Cox, Dave Clarke, Ben Sims, Kolsch, Deadmau5, Armin van Buuren, Lilly Palmer, Radio Slave and Laurent Garnier, just to name a few. The support spans a wide spectrum, from DJs with very different musical profiles - yet they all play these tracks. Proud to bring SWAY back on vinyl!

One of Vince Watson’s biggest selling tracks (but rarest vinyl records) finally gets a repress on wax. This time fully remastered and mixed and on his own Everysoul Audio imprint. The original vinyl release on Osunlade’s Yoruba Records in 2015, and was a very limited vinyl run. Now it sounds better than ever and on fresh wax. The track is backed up by a new dancefloor version of ‘Reach For The Sun’, a track that featured on the ‘Every Soul Needs A Guide’ album. This time its flexing jazz vibes, a driving addictive rhythm and ‘Jaguar-esque’ uplifting chords and strings.

a A1: Eminesence [2026 Rework]
[b] B1: Reach For The Sun [Floor Mix]

RareTwo Inc. aka DJ Sneak and Tripmastaz are back together for 33 chambers EP, the next Respect The Craft release.

Words by Sneak:
"On a hot Ibizan summer the Rare Two fellas spent a period of 33 days on the island making tracks in a house garage with a couple of pieces of affordable gear and a whole lot of talent. We managed to create 33 tracks often burning them on CD to take to djs like Ricardo Villalobos at Amnesia and seeing the instant reaction of the crowd. We are a mega team of same mentality dudes who create from the heart breaking all rules and getting music done for a purpose. The Tripmastaz and Sneak Team is one to expect many great dance floor killers. As we call them Guttah Styles!

Words by Tripmastaz:
Recently I found these projects and since they were done on just a laptop and cheap small speakers, I gave them proper analog mixing and mastering.

All tracks remain exactly the same form and arrangement as they were originally done, including track Aww Lawd, that was featured on R. Villalobos BBC Radio 1 Pete Tongs mix back in 2018.

Mike Grinser at Mandmade Mastering did the lacquer cut and made it sound very crisp and loud a lot like it would've been cut in the 90s.