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Celebrating the 10th Anniversary of Disclosure's sophomore studio album, Caracal.    

This record features an eclectic lineup of vocal collaborations including The Weeknd, Sam Smith, Gregory Porter, Lorde, Jordan Rakei and many more. With a total of five singles, the acclaimed second single, 'Omen' featuring Sam Smith was the highest charting of the singles, peaking at No.13 in the UK charts, and has accumulated almost 1 billion global streams since release. The Lorde featured track 'Magnets' follows closely behind with just under 710 million streams since release. Caracal has sold over 135,000 physical copies worldwide since release and was Grammy nominated for The Best Dance/Electronic Album back in 2016.

The limited edition will be available for the first time on a 2LP Zoetrope, housed in a gatefold die cut sleeve. Each side of the vinyl is inspired by the original album artwork and campaign poster from the time, using the caracal cat and the featured vocalists illustrations to create animated movement across the discs as they spin.

The British electronic and sibling duo, Disclosure celebrate 5 years since the release of their third studio album ENERGY.



For this album Disclosure shifted towards a more rhythmic and percussion focused sound, taking influence from UK house, garage, hip hop and world music.



It showcases a diverse range of vocal collaborations including Kelis, Channel Tres, Mick Jenkins, Fatoumata Diawara, Blick Bassy, Kehlani, Syd, and Common.



ENERGY was nominated for Best Dance/Electronic Album at the 63rd Annual Grammy Awards and the single "My High" was nominated for the Grammy Award for Best Dance Recording at the 2021 Grammy Awards. It is BPI certified Silver in the UK.



This 5th anniversary 1LP will now be available for the first time on limited edition Zoetrope, housed in a single die cut sleeve. Designed by Drew Tetz, each side of the zoetrope is inspired by the original album artwork, using the water and the clouds imagery to create lifelike movement with these earth elements.

The Order: 1886 is an epic game score for the 2015 third-person action-adventure Playstation video game The Order: 1886, created by the gaming studio Ready At Dawn. The game takes place in a painstakingly recreated Victorian-Era London, but features new advances in technology brought about by an accelerated Industrial Revolution and the centuries-old conflict between Human and Half-breeds.

The music was created by BAFTA Award-winning composer Jason Graves, who received the BAFTA Award for Best Original Score for his work for the 2008 video game Dead Space. Graves is renowned worldwide for his cinematic and immerse music. His musical background as a classically trained composer, jazz drummer, guitarist, and world percussionist, allows him to compose for a wide variety of genres.

The Order: 1886 is available as a limited edition of 500 individually numbered copies on smoke coloured vinyl, housed in a gatefold sleeve and includes a 4-page booklet with liner notes.

Neon green vinyl, limited to 350 copies. The skies crack, the world coughs, and the smoke clears only to reveal the end. From the depths of the riff-choked void, Belzebong return with a new sermon for the final days - The End Is High. Recorded and mixed by Satanic Audio @ Sound of Records, this new chapter drags you deeper into your doom - where the incense burns green, and time moves slower than death itself. This is the soundtrack for the final procession. No salvation. No redemption. Bong. Fire. Death

Antibalas established themselves in the late 1990s as a burning, tough, horn, bass and drum driven Afrobeat ensemble cut from the Fela Kuti mold, who were politically savvy and socially conscious. Their live shows have been incendiary events where rhythm and perspiration from completely crazy, booty-shaking audience members shared something deeper and wider than the music itself. Security is Antibalas' fourth album. It was co-produced by the band with John McEntire from Tortoise.

The group, whose name means "bulletproof" in Spanish, has indeed proved they possess the mettle to not only survive but also thrive by employing a musical arsenal that has become known worldwide. Initially using the revolutionary blueprint of afrobeat as a launching pad, the dozen-strong members of Antibalas weave a rich tapestry of latin, jazz, classical, funk and soul into their horn-driven mix. Words fail in trying to describe the result: simultaneously polyrhythmic and political, independent and contagious, and the reason why many have credited the band for introducing afrobeat's framework to a new generation.

Security is available as a numbered limited edition of 500 copies on white vinyl and is packaged in a gatefold sleeve.

Stef Heeren, driving force of Belgian band Kiss the Anus of a Black Cat, is embarking on a special reunion concert series with his original folk ensemble to celebrate the 15th anniversary of the band’s acclaimed album, Hewers of Wood and Drawers of Water. Arguably their finest work in their discography, the album was the pinnacle of the band's folk-oriented sound, after which they tapped into more electronic territories.

The initial vinyl pressing (and cd) of Hewers of Wood and Drawers of Water, released in 2011, has long been sold out and now fetches excessive prices on the secondhand market. To mark this milestone, the album will be reissued in early 2026 as a limited-edition vinyl on KTAOABC’s own imprint, Kattengat.
With this re-release on the horizon, Kiss the Anus of a Black Cat is eager to hit the road once more, revisiting their folk roots and performing the songs that defined their earlier years. The concerts will not only celebrate the album Hewers of Wood and Drawers of Water, but also offer a chance to explore the full spectrum of the band's career, from their folk beginnings to their more modern, electronic explorations.

Happy anniversary!

Volcanic Sun Vinyl, limited to 500 copies. The Berlin-based power trio once more is driving their musical WEDGE in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we've heard a hundred times before "Like No Tomorrow" has one huge advantage: It's brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock'n'roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, WEDGE are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now.

LIMITED EDITION (500 COPIES) 20TH ANNIVERSARY REMASTER, AVAILABLE ON VINYL (2LP) FOR THE FIRST TIME IN ALMOST TWO DECADES. HOUSED IN GORGEOUS GLOSSY GATEFOLD SLEEVE AND PRESSED ON RED & ORANGE VINYL TO COMPLIMENT THE ARTWORK
City Calls Revolution is our second full-length album, created as we absorbed the new wave revival and math rock movements that emerged in the early to mid-2000s, while simultaneously reconstructing elements of classic progressive rock, hard rock, and experimental music in our own way.
The album strongly reflects the attitude we cultivated as a live band—deeply influenced by the American and Japanese bands we shared stages with at the time—and embodies the punk spirit that shaped us.

Recorded and mixed in March 2005 at Headgear Studio in Brooklyn, New York, by Paul Mahajan (known for his work with Yeah Yeah Yeahs, TV on the Radio, and others), the album was originally released in May of the same year on both LP and CD by Beta-lactam Ring Records, then based in Portland, Oregon. Long out of print, it now returns two decades later as a newly remastered edition to be released by Riot Season Records in the UK.

In 2026, GREEN MILK FROM THE PLANET ORANGE celebrates its 25th anniversary—and also marks 10 years since Damo joined as our current bassist. It is a joy and an honor to have this album, filled with songs we still play live today, reissued in such a milestone year.

Starting January 2026, we will bring this LP on tour across 27 shows in 11 European countries, including the UK. We look forward to seeing all of you at the venues.
/// 2026 Winter European Tour ///

A unique collaboration between two of the most inquisitive and important artists in modern avant-garde electronic music.

Paper Masks marks a striking new collaboration between visionary Mute labelmates Phew and Danielle de Picciotto. Developed quietly over nearly five years, what began as an experiment between friends gradually evolved into a fulllength album. Phew composed and arranged all the music, weaving in dePicciotto’s voice and freely reshaping it to create something entirely new. Performed in both German and English, the result is an exploratory work that balances electronic minimalism with emotional immediacy.

Described by Pitchfork as “a Japanese underground legend”, Phew - former member of Osaka punk pioneers Aunt Sally - has forged a remarkable solo career, collaborating with Ryuichi Sakamoto, members of Can, and many others. In parallel, Danielle de Picciotto, an American-born interdisciplinary artist based in Berlin, co-founded the Berlin Love Parade and has performed internationally, working with Crime & the City Solution, Gudrun Gut, Space Cowboys, and her partner Alexander Hacke (Einstürzende Neubauten and frequent Phew collaborator) in hackedepicciotto.

Paper Masks stands as a mesmerizing exchange between two singular voices in experimental music - an intimate dialogue across distance, language, and sound, and a compelling addition to both artists’ evolving legacies.

Available on limited edition jellyfish color vinyl, featuring lyrics and poetry, and on CD, housed in an eco card-pack with a lyrics and poetry booklet.

The Final album by Music Legend Brian James ( Founder member and songwriter of both The Damned & Lords of the New Church and writer of the first British Punk single New Rose ) who sadly passed away earlier this year.
Brian was awarded The Pioneer award for lifetime achievements by Uk rock magazine Vive Le Rock last year and his song New Rose was voted best punk single of all time this year in the same magazine . Limited pressing on Yellow Vinyl with printed inner sleeves. Cover art by Graham Humphries famous for his horror poster artwork Evil Dead / …as well as designing Lp covers for Brian and Lords of the new church. Guest Vocalists include Dirty Al from the Dirty Strangers and Ramona from the Mo-Dettes
• Reviews in Record Collector , Vive le Rock , R2 & Shindig already confirmed

Includes demos of every track from the original album, stripped back to (mainly) guitar and voice. Originally a Norman Records exclusive, these are the last few copies available from a limited pressing of just 300. Mark Fry is a France- based, English singer- songwriter/ artist whose debut album, 'Dreaming With Alice,' released in Italy in 1971, became a much-bootlegged "acid-folk" classic three decades later. Fry returned to recording in 2008 and has since released 4 more acclaimed studio albums. These days, far less "acid" than in his youth, Fry still knows his way around a beautiful melody. This album of sketches is resplendent with love songs, the beauty of nature and the passing of time Fry is certainly no stranger to the preparatory sketch. An artist in the truest sense of the word, renowned equally for his decades- long career as a painter of vibrant abstracts and as a cult psychedelic minstrel turned intimate, evocative singersongwriter, his atelier, housed in a converted stable building at his Normandy home, literally doubles as his music studio. It was in this space that Mark's fifth solo album, 'Not On The Radar,' released back in May, was recorded in the summer of 2024, with the singer pushing back his easels to accommodate a four-piece live band and vanloads of miscellaneous accompanying paraphernalia.

Before that, the studio had been a considerably emptier space in which working versions of the album's ten languidly bucolic compositions were first demoed by the solitary songwriter (although some emergent tracks were also captured at Balintore - the home studio of Mark's regular guitarist, Iain Ross, housed on the latter's London-moored canal barge). With those sketches presented here in the same running order as on the mothership longplayer, this new album stands as a document of process - offering the opportunity for track- by- track comparison for those already familiar with Not On The Radar. Crucially, it also makes for a very fine standalone album in its own right, which, if nothing else, bears testament to the inherent robustness of Mark Fry's songwriting.

The Yolanda Be Cool EP captures the playful energy and globally-inspired grooves that define their sound.

Leading the charge is the iconic multi-platinum hit ‘We No Speak Americano’, complemented by the equally infectious ‘Dance And Chant’.

The flip side features the massively recognisable ‘Sugar Man’ and club favourite ‘Soul Makossa (Money)’.

These four tracks are a true representation of the innovative sound design that cemented Yolanda’s status in house music.

Limited Pressing act Fast.

L.A.-based soul singer Leela James started out singing backup vocals on Hip-Hop albums in the late 90s and early 2000s. In 2004, she recorded the song "No Tears" on Pete Rock's "Soul Survivor 2", shortly after she signed a deal with Warner Bros Records and released her debut album A Change is Gonna Come, named after her cover of the Sam Cooke song. A true soul singer, with a voice comparable to Mavis Staples and Betty Wright, Leela enlisted Commissioner Gordon to oversee production, which included tracks by Kanye West, Raphael Saadiq, Wyclef Jean, and Chucky Thompson. The lead single, "Music," is an ode to the soul singers of yesterday, with a Hip-Hop feel. She performs a soulful R&B cover of No Doubt's "Don't Speak" and alternates between funky uplifting tracks like "Good Time" and "Soul Food" with downtempo, soulful ballads like "When You Love Somebody" and "My Joy." Leela James departed from Warner after the release of her debut and went on to release seven more studio albums. It's been twenty years since A Change is Gonna Come was released in June of 2005, and Get On Down is proud to present this underrated gem for the first time on vinyl. The album is pressed on "Golden Pearl" colored vinyl and packaged in a gatefold jacket, limited to 1000 copies. It's been a long time coming, but this is a must-have for neo-soul and R&B music lovers.

While it remains a remarkable achievement, Mavi’s breakthrough debut album Let The Sun Talk was the work of an artist still coming into his own, recorded when the gifted emcee was a teenager attending Howard University. After touring with Jack Harlow and working with artists like Earl Sweatshirt and Pink Siifu, the Charlotte, North Carolina wordsmith returned three years later with the acclaimed follow-up Laughing So Hard, It Hurts, an emotional meditation on life’s complex duality. Embedding his dense flows within lush instrumentation and stuttering percussion, Mavi unearthed new lyrical depth on the album, navigating through joy and sorrow, grief and hope, pain and healing. While many artists have struggled to match the heights of a beloved debut, Laughing So Hard, It Hurts proved that Mavi would only continue to elevate his virtuosic self expression with each new release. Eloquently cascading rhymes reveal an artist searching for truth through a vast scope of thought, floating atop serene production from Monte Booker, Dlyvinci, Ovrkast, and more. After very limited initial pressings, this classic 2022 collection is now receiving its most extensive vinyl release to date.

defaultbox returns with its 20th release entitled "020".

This various artists compilation brings together five carefully selected tracks by Karenz, Gockel, TIKOA, 10.000 BC, and aem.aze, each rooted in a shared vision of deep, functional techno rhythms and subtle dub-infused textures.

The release comes on a limited run of 50 transparent blue splatter copies alongside the regular black pressing.

More limited 80’s records goodness from a stellar line of regular hitmakers Linkwood and Zaf, alongside the Chicago legend Darryn Jones. Remember this stock is usually only around for days, so don’t sleep!

Uno Loop presents the first-ever licensed reissue of Phil Yost's Bent City (1967), a rare Takoma Records title and a landmark of jazz-folk-psych experimentation. Long out of print and previously unavailable digitally, Bent City has gained strong early support with airplay on BBC Radio, Worldwide FM, KCRW, and WFMU, alongside praise from Bandcamp Daily and Aquarium Drunkard. Yost's cult following - particularly within spiritual jazz, American Primitive, and experimental ambient and folk communities -positions this reissue as a high-interest archival title with strong cross-genre appeal.

This edition is fully authorized by the Phil Yost Estate and Concord Records and pressed in a limited run, packaged with an 8-page archival booklet featuring previously unseen photographs, biographical notes, and original research on the enigmatic Bay Area musician. Bent City is the first release in a broader, multi-title restoration of Yost's catalog, with three additional albums to follow (at minimum), including Fog-Hat Ramble (1968), Touchwood's Dream (1970) and Yost's unreleased Sunflower Sojourn - creating a sustained narrative for continued retail engagement. With growing press attention, renewed visibility among collectors, and its unique place in Takoma and outsider jazz-adjacent history, Bent City is a standout catalog builder for stores specializing in jazz, experimental, ambient, and private-press reissues.

2026 Limited Repress

Twisted Utopia is jeku’s first solo release on Harmony. The EP is a funky and eclectic synthesis dedicated to rhythm lovers. Twister Utopia’s progressive roller weaves high-energy elements with a splash of sonic psychedelic textures.

Side A kicks off with “Rhythm Circuit” galactic, drum-driven tunes, followed by “Frantic Antics,” whose rich chord progression is paired with airy vocals and wiggly basslines.

On the B-side, “The Future” delivers prog-infused euphoria beat-matched to perfection. The EP is wrapped up with “Borealia,” a multi-layered symphony of transcendence and tempo shifts.

Very limited repress. Buy or cry!

Opening the release we have one of the most interesting, boundary-pushing artists - Bawrut, who twists Burning Up into outer space. Never one to shy away from a bit of high drama in his tracks, he squeezes every ounce of the original through his sonic mangle resulting in a bass bin wobbling slice of intergalactic house music which confidently stands out in the crowd. Next up, and in perfect contrast, we have UK producer Telfort flipping Becoming Cyclonic on its head. He has well and truly stamped his mark with a fresh sound which takes influence from golden era 90’s deep house but adds a solid, bass-heavy Detroit edge.

He delivers a moody, late-night excursion dripping with fat strings, crisp hats and chiming arps. Flipping over you have the master of deep, iconic and prolific UK producer Charles Webster, who pushes Burning Up to a new sonic level. A sublime rework which is unmistakably his sound, cerebral and dark yet also uplifting, warm and enveloping.