Suche:limited edition

anded Records is delighted to welcome back the legendary Norm Talley with a very special, limited edition 12″ vinyl masterpiece from one of the originators and true players of the Detroit House music scene! This release, as with all his releases, is written and produced through Norm’s fully analogue set-up. NO computers, NO digital limiters, No gimmicks. Just pure, warm, deep Detroit goodness. LTD edition 180g vinyl.

LIMITED EDITION RUN OF 200

A gem of an EP, the "Untitled" track could easily have been mistaken for a Warp Records release or AFX. Techno to drive you nuts.
Written by my Sound Designer friend, Michael Bolton, at University in 1998.

The Driving Me Nuts track is a sample of our tutors reaction to a track I made she hated.

Voodoo Dance Malarky's intro would be worthy of a Chemical Bros track, full of little surprises and an evil break at the end.

Originally recorded to tape. Cleaned up by me years later, remastered by Subvert Central Mastering and cut at Curve Pusher. Pressing by Vinyl Presents on clear Vinyl.

Raw analog acid tracks. Special record store day limited edition RED vinyl.

moogmemory is the latest album from multi-award winning pianist and composer Matthew Bourne, who has turned his considerable talents to the world of analogue synthesizers.

Very much in demand as a collaborator and co-conspirator, Bourne has his fingerprints on a huge number of projects, having worked with artists as diverse as John Zorn, Annette Peacock, Nils Frahm, Nostalgia 77, Amon Tobin and Broadway Project.

Growing from spontaneous improvised live performances, the album took shape in the studio as Bourne explored and moulded the vast sonic possibilities of voltage-controlled oscillators, creating beautiful, brooding landscapes of thick impasto and translucent sunbursts.

The seed for this project was planted when Bourne acquired an uncooperative 1982 Memorymoog, having it painstakingly modified and upgraded by Rudi Linhard in Germany .

Created without the use of computers or sequencers,Moogmemory is the first album to be recorded using only the Lintronics Advanced Memorymoog.

Bourne will tour moogmemory in collaboration with brilliant visual artist Michael England, who has worked with Autechre, Bola, Leila, Demdike Stare and many more.

The album will be available on CD and as a limited edition LP (with CD) in an intricate embossed sleeve designed by England.

Album press release written by Bourne fan Graham Massey (808 State).

The album follows the critical success of Radioland: Radio-Activity Revisited, a visceral live audio/visual experience created to mark the 40th anniversary of Kraftwerk's seminal album, with Franck Vigroux and video artist Antoine Schmitt.

Bourne's first solo studio album, Montauk Variations (The Sunday Times' Leftfield Album of the Year in 2012), was celebrated for its sense of stillness and serenity, marking an important musical turning point in his career and the beginning of a new creative direction.

Tracks from Montauk Variations have appeared on compilations by Bonobo and Needwant.

Disco Segreta releases on 12 two true obscure italo-disco gems!

For the first time ever on a 12' release, Patrizia Saronni's 'E poi' and 'Perché Dovrei', only previously released as a 45 for the tiny Pongo label back in 1984.

'E poi' is a female-voiced tearjerker sung over a heart-melting italo-electro-synth line, while 'Perché Dovrei' is a power synth-pop-talo teenage rebellion anthem.

But the most wonderful discovery on the actual master, has been a *previously unreleased* alternate version of 'E Poi', that didn't make the original release, which sounds crafted for today's dancefloors. Release will also feature a remixTBA. As common with our quality standards, repress is officially licensed and taken from the actual analog masters !

Limited edition !

Profit Prison is the solo work of Seattle-based Parker Lautenschlager, previously in the hardcore band Marrow, power electronics act Anteinferno, and black metal cult Bhereg. Conceived in 2016, Profit Prison explores lyrical themes of isolation, estrangement, deprivation and paranoia against an aural backdrop of synthpop, post-punk and abstract industrial music. Inspired by Franz Kafka as much as Kraftwerk, Profit Prison achieves a cold minimalism that speaks to the nightmarish dystopia in which it was created. The debut Myra was released on cassette by Dominick Fernow's Hospital Productions in 2017.

On March 29 Avant! will release the 12' vinyl debut Six Strange Passions. Six tracks where Hi-NRG disco beats and 70's throbbing synths melt with trembling, reverberated vocals and dark dungeon synth passages.

Limited edition of 300.

Artwork by Italian Noise legend Matteo Castro (Lettera 22, Kam Hassah, Second Sleep label)

For its 2nd release, Nanga boko Records is very proud to present you Ye Mot Ai Kare Mot,
the official 40 years anniversary reissue of the first album of the Cameroonian musician
Atangana Pascal 'Quelqu'un'.
7 raw Bikutsi & Soukous tracks (+ one exclusive bonus track !), recorded after midnight in a
single recording session in a nightclub of Yaoundé.
Deluxe hand-numbered edition, limited to 300, includes a bonus track never released on vinyl
before!
Each record comes with an insert that includes exclusive pictures and very detailed biographies
in both English and French languages, an HQ Digital Download Card and a A2 format (40 x
60cm) poster!
Approved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga
Boko Records.

40 years after the original release, Nanga Boko Records is very proud to
present you the official reissue of De Bonaberi A Douala, the first album from
the Cameroonian musician Nkotti François and his band The Black Styls.
Limited edition, high quality remastered sound, includes a very detailed
biography in both English and French languages with exclusive pictures for a
better comprehension of the work of the musician, and a voucher to download
the album in a HQ digital format.
Approved by the artist himself, 100 % legit, all 8 tracks are under exclusive
license of Nanga Boko Records.

In support of their forthcoming documentary 'Subotnick - Portrait of an Electronic Music Pioneer', Waveshaper Media — the same team behind the wildly-popular, acclaimed modular synthesizer documentary 'I Dream Of Wires' — presents a special reissue: a deluxe, 50th-anniversary-edition vinyl LP of Morton Subotnick's landmark 1967 debut electronic release, "Silver Apples of the Moon." Here are some of the features that make this 50th-anniversary-edition vinyl LP special:

All-new, full-colour gatefold jacket.
Vinyl edition is strictly limited to 1,000 copies.

Audio has been REMASTERED from the original, pre-mastered digital tape transfers. Unlike previous reissues of this LP (both vinyl and CD), remastered for Wergo's 1994 CD edition and narrowing the recording's stereo field, our reissue has been remastered maintaining the full stereo field of the original recording.
Brand new liner notes by Morton Subotnick.

The original, iconic liquid-light cover artwork by Tony Martin has been re-scanned for full-resolution clarity.
Featuring rarely-seen, newly-scanned photos of Morton Subotnick in his Bleecker Street studio where "Silver Apples..." was recorded.

Also includes a scan of the LP's original Nonesuch-edition liner notes

- 180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

The famous Jamaican record producer Duke Reid founded record label Treasure Isle in the 1960s. Some of his best production skills can be found on the compilation album Here Comes The Duke. Showcasing the talents of some of the giants of the rock steady era, the recordings, all issued during the latter half of '68, demonstrate just why the Duke is widely regarded as the king of the rock steady sound. The grooves are thoughtful and the brass section adds the right attitude to the different songs.

Here Comes The Duke is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

Although Itta (Vocals, Harmonium) and Marqido (Analog Synthesizers) have been regular fixtures in Seoul's experimental music community for years, the vinyl release of Spiritual reflects the growing international recognition of their singular sound, described by The Wire as 'meditative synthesized vistas.' Spiritual certainly embodies the meditative element of their music, layering hypnotic modular synth with Indian harmonium drone and Itta's transcendental vocals. This is more than functional music for the metaphysically curious, however. Perhaps more than any of their previous releases, Spiritual offers an open accessibility, owing at least partly to the channeling of krautrock-influenced rhythms. Tracks like 'Luft' and 'Morgen Tempel' wouldn't sound out of place in any DJ set with kraut or psychedelic leanings, while 'Barabonda' and 'Dodeuri' dig deep into a more meditative place, serving as perfect expressions of the album's title and intent. Fans of Neu!, Kraftwerk, Laraaji or Klaus Schulze might find themselves in a comfortable yet unexplored place.

Spiritual was originally released in 2017 as a limited-edition cassette of 250 copies, produced in collaboration with Seendosi, an arts enterprise in Seoul Euljiro district, the city's heart of printing, packaging and electronics manufacturing. The cassette sold out within a year of its production, prompting Extra Noir, who had previously released Tengger's 'Breathe In, Breathe Out' on their Extra Noir Vol. 1 compilation, to propose reissuing Spiritual on vinyl. Working with Seendosi once again, the result is a beautifully produced piece of work. Closely attentive to the band's vision, the gatefold sleeve features rich landscape motifs that evoke Tengger's commitment to earthly travel and the less accessible places beyond. Pressed onto clear vinyl, the design of Spiritual has been carefully constructed to reflect the entirely unique music within: heavy ephemerality, dense transcendence and grounded wanderlust.

- 180 GRAM AUDIOPHILE VINYL
- BRAND NEW 2019 NEO-CLASSICAL ALBUM
- PRINTED INNERSLEEVE
- LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT VINYL

Fermata, Pieter de Graaf's debut project and the birth of a new talent in the neo-classical world. 'Filmic,' he replies when asked about the direction he had in his head, and there's an epic grandeur to many of the tracks. 'I have always written music' de Graaf explains, 'but with Fermata I felt that I could do so much more than just being a pianist, so I thought: 'Why shouldn't I try' The songs aren't 'written' in any traditional sense; instead he plays and improvise segments, records them, and listens back over and over before deciding what to use, what to discard, and what to embellish. No stone is left unturned in being guided by what the song requires - he has travelled North to record a church organ, wrote a score for a choir of four sopranos, and enlisted the help of friends and colleagues at Kytopia, the music collective in Utrecht that houses his studio.

It can take a while for an artist to find their true calling. For Pieter de Graaf, he's been searching since he sat next to his father, aged five, and watched him play the classics and the classical. He later immersed himself in the world of jazz, dedicating hours to practice, and studying at the Conservatory of Rotterdam. Several years spent touring with various bands, friends, and hip hop groups including The Kyteman Orchestra taught him an invaluable lesson, something that has informed his new project right from the start. His influences - Miles Davis, Nils Frahm, Rachmaninov, Bach, Herbie Hancock, and above all Keith Jarrett - allowed him to combine easy melodies with more virtuoso passages without losing the meaning, or the essence, of each song.

Fermata is available as a limited edition of 500 individually numbered copies on transparent vinyl.

hand-painted / signed / numbered / ltd. to 99 copies

Polyarrythmics is an EP by Mark Spn, a music producer and sound engineer who lives in London. While this is his debut EP under this moniker, he has recorded under various other aliases, one favourite being Holdie Gawn on Sylphe Records.

This release slows things down a notch from Mark's other output. He presents a densely layered work that conjures Herbie Hancock's sextant & Kirk Degiorgio's arps, J. Majik's mermaids & Underdog's attic tapes. It is cerebral and cohesive, made to be consumed as a sum of its parts: found sounds and urban field recordings, hushed Hammond grooves and modulated keys, muffled beats and unsyncopated rhythms, flickering electronics and hovering pianos.

Artist John Tsombikos has been commissioned to provide one-off artwork for the limited edition physical product, to be released in mid March. Hand painted, signed and numbered, limited edition of 99.

In 1986 iconic group The Future Sound of London released the UK Top 40 chart album 'Dead Cities', from which came a track 'Yage'. Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it.

Here, on this limited edition, individually numbered LP press exclusively for 2019's Record Store Day comes the results. 'Yage 2019' takes the core of the original and rebuilds it. All together there are eleven tracks reconstructions and interpretations, woven together (as FSOL do) into a 42 minute dreamscape journey across the 2 sides of vinyl. Only 1000 copies of this release will be pressed on vinyl.

Record Kicks presents a limited edition 45 with two deep soul winners from the enfant prodige Alexis Evans. On the A side the northern soul cut "She Took Me Back". On the flipside the rnb/soul floorshaker "It's All Over Now".

Heading from Bordeaux, the Anglo-French Alexis Evans is not a newcomer in the music scene. He discovered Afro-American music as a child and learnt to play guitar thanks to his father, an English musician. At the age of 17 he debuted with his first project "Jumping to the Westside", with which he was awarded the "Cognac Blues Passion" prize and flew to the "International Blues Challenge" in Memphis, Tennessee. Soon after in 2016 he exploded onto the French scene with "Girl Bait", his astonishing debut album that hit the airwaves of FIP, France Bleu, and Jazz Radio amongst the others. Despite his young age Alexis Evans has already built a household name, touring extensively his country with explosive live sets at RDV Erdre Nantes, Rhino Jazz St-Etienne, Lyon Ninkasi, Club Nubia Paris, Festivals Relâche Bordeaux, Jazz à Vienne as well as Festivals in England, Estonia, Switzerland and Wales.

A must have 45 for every soul djs and lovers. Watch out the 45 is limited to 500 copies worldwide.

Pussyfoot Records Is Back After The Labels 15-year Hiatus With A Brand-new E.p Featuring Both Old And New Pussyfoot Artists. 'the Shape Of Cats To Come' Mixes Genre, Age And Artistry, Showcasing The Label's Diverse And Varied Roster Of Artists From All Over The World. The E.p Will Be Available To Buy And Download, Also As A Limited Edition 12' Vinyl With Beautiful Artwork By Tokyo Artist Rob Kidney. Label Founder Howie B Contributes Two Tracks, One Solo And One A Collaboration Between Chinese Artists Mickey Zhang & Whai. New Signing To The Label, London Based, Milo Clare Releases His Debut And Pussyfoot Regular Sie Also Contributes. You Can Listen To The First Release: Sie - Riders On The Storm Here.

Recorded Between The Release Of Sand (1977) And Lost Secrets(1981), Symphonic Songs Is A Formerly Unreleased Work That Chronicles The Dynamic Shift And Development In Experimental Swedish Composer Ragnar Grippe's Canon.

Following His Seminal Release Sandin 1977, Swedish Experimental Composer Ragnar Grippe Worked On Various Art And Performance Commissions, Often Returning To Stockholm During The Summer Months To Focus His Efforts On His Compositional Practice. It Was There At The Famed Ems Studioswhere He Began Employing The Buchla Synthesizer And The Facilities Multi-tracking Capabilities As New Instruments To Map His Mining Of Sound And Movement.

During The Late 1970's, Grippe Formed A Creative Collaboration With Choreographer Susan Buirge, Specifically Writing Compositions For Her Works restes And tamis, Thus Pushing Grippe To Start Working In A More Intricate Studio Environment. These Passages Inspired Grippe Into A More Complex Layering Process That Focused More On Placement And Structure, Rather Than The Aural Floods And Flourishes Of His Previous Sand Album, Eventually Germinating In His First Full 24-track Composition Entitled orchestra.

After Debuting orchestra In 1980 At The Electronic Music Festival In Stockholm, Grippe Holed Up At Ems Studios With Those Lessons And The Fussy Buchla Synthesizer, In Which Grippe Affectionately Recalls needed To Be Tuned And Calibrated Every 20-30 Minutes. He Emerged With A New Commission For Susan Buirge Later Formally Titled Symphonic Songs And Used In Her Avant-garde Theater Piece ci-déla Which Debuted In Paris In 1981.symphonic Songsshowcased Grippe's Sound Au Courant, Pushing Dense Against Sparse, Calm Into Cacophonous, Using Each Track As Its Own Intersecting Plane. Using The Machinations Of Studio And Structure To Drive Symphonic Songs' Voice, Grippe Culled A Haunting, Often Cinematic Electronic Work That Dots And Darts Into Unexpected Corners With Curious Aplomb.

Listen To The Words, Both Terms Have Their Root In Classical Music, But Not In Its Form But Because Now I Had So Many More Stems Or Voices That Could Be Played Simultaneously Compared To My Earlier Pieces. Coming From A Classical Background, But With Big Nostrils For Pop And Jazz Music, I Can Now See A Thread In Which Classical Got A New Costume, Dressed Up In Buchla Synthesizer And Real Bass Sounds Grippe Says. Since Its Live Theater Debut Over 37 Years Ago, Dais Records Releases For The First Time Symphonic Songs, One Of Grippe's Most Ambitious Compositions, As A Deluxe Double Vinyl Lp (with Limited Edition Color Variants) And On Digital Formats. Artwork Packaging By Artist J.s. Aurelius (ascetic House) With Reflective Linear Notes By Ragnar Grippe.

Right here, right now ADF are the most important band in Britain. NME 1997
Rafis Revenge originally peaked at number 20 on the UK Albums Chart and was shortlisted for the 1998 Mercury Music Prize, with Bobby Gillespie hailing them at the time as the best live act in Britain. This 21 year anniversary reissue includes a limited edition, coloured 2xLP plus expanded digital & CD editions with bonus tracks selected by Adrian Sherwood. To celebrate the release the band are playing at Rich Mix, London on 28th March.
By the time they recorded Rafis Revenge in 1998, Asian Dub Foundation were primed to explode. Having initially emerged from East Londons grassroots Community Music project as a largely studio-based collective, the band had galvanised themselves into a riotously exciting touring machine by the late Nineties. Their extraordinary live shows around this period were electrifying to witness, kinetic and dynamic, incendiary and euphoric, confrontational yet celebratory. For sheer roof-raising energy, they were unrivalled. ADF have evolved enormously over the last two decades, of course, but their breakthrough album remains a fascinating chapter in the real, complex, unwritten history of Britpop. Expanded and enlarged for this anniversary edition, these multi-layered musical treasures still dazzle and delight with their grandiose ambition and riotous energ

Glacial Industries return for 2019 with a club focused 12' from Cork born, Berlin based composer ELLLL. ELLLL follows up outings on Art For Blind and First Second Label with 'CONFECTIONARY', a trio of technoid mutations. 'PEPSI' + 'SKITTLES' provide club ammo with their pulsing hard drums, whilst the eerie, off-kilter 'JAWBREAKER' rounds off the release. 'CONFECTIONARY' releases worldwide on Glacial Industries digitally and with a limited edition, full colour sleeved white 12'.

+ download coupon

2LPX version is an indies only format.

An Album About Crossing Physical And Metaphorical Borders That Has Never Been Timelier: Calexico's Classic Album 'the Black Light' Turns 20 This Year. This Limited Celebratory Anniversary Edition Includes All New Artwork By Victor Gastelum, Extensive Linernotes, And 11 Bonus Tracks.

What Was Surprising About The Black Light (and What Set Its Architects Apart From Their Indie Rock Peers) Was The Album's Unusual Willingness To Wade Into The Rapids Of American And Mexican Culture, Fully Immersing Itself Midstream. From The Outset, With 'gypsy's Curse', The Record Combines Guitar Twang And Flamenco Flourishes; And By Its End, Almost An Hour Later, It's Contrived A Skillful And Instinctive Union Of Smoky Bar Room Jazz, Arthouse Indie Rock, And Compelling Mariachi Brass In 'frontera'. If Calexico Falls Short As A Name, It's Only In The Fact That - Alongside Their Mining Of Mexico's Fertile Musical Past - Joey Burns And John Convertino Weren't Just Digging Into California's Songbook...they Were Unearthing America's Too.

- Anniversary-edition On 180g Heavy Double Vinyl Including 11 Bonus Tracks
- Limited Clear Double Lp On 180g Heavy Vinyl
- New Alternative Artwork By Victor Gastelum
- Gatefold Cover With Embossed Logo And Silver Print And 8 Page Booklet
- Limited To One Pressing Only

- Limited edition, 180g heavy, weisses Vinyl, extra-großes, gefaltetes Booklet, Cover Sleeve mit Mittelloch auf der Rückseite

Die Geschichte Von Lambchop Ist Die Der Steten Veränderung Und Weiterentwicklung. Was Vor Fast 30 Jahren Im Keller Von Kurt Wagner Begann Und Von Ihm Selbst Scherzhaft Als most Fucked-up Country Band In Nashville' Bezeichnet Wurde, Hat Sich Inzwischen Nicht Nur Als Eine Der Dienstältesten Sondern Auch Innovativsten Bands Der Us Amerikanischen Musikszene Etabliert. Seit Jeher Verbinden Lambchop Unterschiedlichste Genres Wie Folk & Country, Mit Soul Und Urban Electronica Zu Einem Ganz Eigenen, Unnachahmlichen Sound. Kein Lambchop-album Klingt Wie Das Andere, Aber Jedes Klingt Immer Unverwechselbar Nach Lambchop. Nach Ihrem Wegweisenden Album - flotus (2016) Hat Die Band Aus Nashville Jetzt Ein Neues Album Für Den 22.03.2019 Angekündigt. Für this (is What I Wanted To Tell You)' Arbeitete Kurt Wagner Mit Matthew Mccaughan (bon Iver, Hiss Golden Messenger) Zusammen, Der Ihn Auch Als Teil Des Lambchop Live Ensembles Im April Auf Tour Begleiten Wird.

Im Sommer 2017 Machte Sich Wagner Auf, Über Die Blue Ridge Mountains In Richtung North Carolina, Zum Geburtstag Seines Langjährigen Freundes Und Chef Des Merge Labels: Mac Mccaughan. Dort Traf Er Auf Seinen Jüngeren Bruder Matt Mccaughan, Der Das Letzte Jahrzehnt Als Schlagzeuger Für Bon Iver Und Hiss Golden Messenger Verbrachte. Matt Und Kurt Kannten Sich Schon Viele Jahre, Aber Erst An Diesem Abend Beschlossen Sie Zusammen An Musik Zu Arbeiten. Wagner Schickte Mac Neue Songideen Und Mccaughan Schickte Wagner Synthesizer-stücke Zur Inspiration. Schließlich Gingen Beide Gemeinsam In Nashville Ins Studio, Pedal Steel Und Piano Und Der Harmonika Von Nashvilles Legende Charlie Mccoy, Die Diesen Schwarz-weißen Skizzen Leben Einhauchte.

Das Ergebnis Ist "this (is What I Wanted To Tell You)", Ein Album, Ergreifend Ehrlich, Atemberaubend, Wunderschön Und Überraschend. Aber Lambchop Sind Nicht Immer Nur Für Eine Überraschung Gut, Sondern Überraschen Immer Wieder Mit Verdammt Guten Songs. Wenn Kurt Wagner Etwas Zu Sagen Hat, Hören Wir Natürlich Hin, Das Sollten Sich Alle Zu Herzen Nehmen. Diese Platte Muss Man Einfach Hören!

Heute Gibt Es Die Erste Single Aus Dem Album: the December-ish You' Eine Verblüffende Mischung Aus Bewährt Emotionalen Slide-guitar Und Pianoflächen Alter Lambchop-schule Und Effektiven Pvc Pop Beats, Claps Und Samples, Über Die Kurt Wagner Die Melancholischste friday Night Fever' Ballade Der Dekade Croont.

The B-52's The B-52's on Numbered Limited Edition LP from Mobile Fidelity Silver Label
Ranked at #152 on Rolling Stone's List of the 500 Greatest Albums of All Time Delightfully Campy, Intentionally Goofy, Lyrically Kitschy: 1979 Set Is Nothing But a Good Time
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (America's Best Record Plant): LP Bursts Forth With the Color and Vibrancy of the Brilliant Pop Within
The B-52's' Wild Planet and Cosmic Thing Also Available on Silver Label LP Boffo! Beehive hairdos, goofy sci-fi humor, lava-lamp kitsch, thrift-store fashions, party-starting tunes, unconventional perspectives, and the unique blending of the underground aesthetic with mainstream accessibility: The B-52's mix all this and more into a dizzying cocktail on their self-titled debut, which remains one of the most ahead-of-its-time, endlessly enjoyable, and vividly colorful albums ever released.
Ranked at #152 on Rolling Stone's list of the 500 Greatest Albums of All Time, The B-52's has its roots in the band's improbable genesis, itself reflective of the record's gleeful moods and quirky charms. The five members first played after sharing a tropical alcoholic beverage at a Chinese restaurant, the ironic silliness and spontaneous irreverence indicative of the music on its breakthrough record. Not to mention how it mirrors the unusual hodgepodge of instrumentation: organs, walkie talkies, bongos, glockenspiels, tambourines, toy pianos, smoke alarms, and more!
Musically, the band proves just as adventurous and whimsical. Using pleasant harmonies as a backdrop and Kate Pierson's squealing organ as a starting point, the B-52's draw upon surf-rock grooves, beach-bound soul-pop, herky-jerky funk riffs, minimalist rhythms, and Ricky Wilson's unusual guitar lines to craft songs that tower above the sarcastic suggestiveness and campy declarations. Of course, the latter are plenty entertaining on their own, but there's no denying the dance-bound persuasiveness and melodic shimmy associated with the classic cult single 'Rock Lobster' and splendid cover of the ubiquitous Petula Clark standard 'Downtown.' You've never heard anything like this.

Indeed, the B-52s were about a decade ahead of the alt-rock revolution when they recorded this delightfully campy, intentionally goofy, lyrically tawdry, and undeniably harmonic 1979 new-wave set that comes off as the best dance party you might ever hear. This is 40 minutes of nothing but a good time.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (America's best record plant), Silver Label numbered limited edition LP presents the B-52's brilliant debut in a fidelity it's never previously enjoyed. So detailed and realistic are the timbres, accents, and harmonies, you'll think the band's bright outfits are appearing right in front of you. Plus, the LP is worth the cost alone for the iconic album cover, which spotlights those bouffant 'dos.

A limited edition 7' release this time by Port Authority, DYANMITE CUTS give you a super fresh loud 45 cuts of this Monster Psycadelic horn driven funk jazz theme. With one of the best Drum breaks that gives you everything. 10/10
Including a wonderful re-production of the original sleeve x500

Special Remarks: 1 colored pink LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.

Vinyl (Limited Colored Edition)

Bananarama"s fifth album "Pop Life" was released in 1991. It is the only album released which features Jacquie O"Sullivan who replaced Siobhan Faley in Bananarama upon her departure in 1988
The album includes the singles: "Preacher Man", "Long Train Running", "Only Your Love", "Tripping On Your Love".
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which sound tracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.

1 colored white LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.

Vinyl (Limited Colored Edition)

Bananarama"s fifth album "Please Yourself" was released in 1993 by London Music Stream and is the first album which features the band as a duo. The album includes the singles: "Movin On", "Last Thing On My Mind", "More, More, More"
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which sound tracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.

Machine acid trax on the EP titled 'Gone Fishin''.
Getting lost, escaping a life that got you sick and tired, is sometimes necessary.
This EP combines energetic (A1), disorienting (A2), and heavy-hearted (B1) vibes to provide a getaway from
the ordinary, expressing an overall nasty, acidic feel.
Limited edition, black vinyl.

After selling out with the Rick Wade's huge release , RYMD London's
label comes up now with their third limited edition output, 'Along
The Way'.

A Coloured Vinyl Compilation Release made up by a team of talented
artists exploring different shades of Deep House and Dance music :
Club, Funky , Cosmic , Jazzy , Balearic , Disco-ish and Garage.

INCLUDES REMIXES BY PESHAY & STU M
Limited Edition 12" Vinyl

Remastered and recut by MUSIC PRESERVATION SOCIETY

Mana Can Be Understood As A Powerful, Often Magical, Force Contained Within Objects. As These Objects Get Passed From One To Another, In A Cycle Of Gifting, They Retain The Spirit Of The Giver And Propel Themselves Onto The Next Recipient, Weaving A Network Of Social Bonds. In This Light, Mana Describes The Coming Together Of This Mixtape. The Exchanging Of Avant-garde, Traditional And Electronic Music--old And New--between Andrea Zarza, Curator At The British Library Sound Archive, And Matthew Kent, Founder Of Blowing Up The Workshop, Is What Makes Up The Language And Landscape Of Mana The Record Label, And Its Subsequent Arrival On A Cassette Tape For Queeste, Before Being Sent Onwards, As Our Gift To Listeners. Limited Edition Cassette Tape. Jelly Yellow Colorway. Comes In Resealable Bag With A5 Postcard Designed By Fallon Does And Mana X Queeste Sticker.

Limited Edition Of 500 Copies On Black 2lp Vinyl. Comes In Gatefold Sleeve With A Funky Artwork By Boggie Cramb! Skipping Through Endlessly Boring 70s Flics From Eastern Germany And Digging In The Crates For 1€ Records Crammed With Scheisse Volksmusik Is Something Torky Does All The Time. Don`t Ask Yourself Why. Listen!

Alt. folker Will Oldham - better known as Bonnie 'Prince' Billy - is set to drop a joint record with gently psychedelic crew Trembling Bells

Just four years after their debut album Carbeth, Trembling Bells are amassing a formidable body of work at a startling velocity. Just twelve months after the release of their critically acclaimed third album The Constant Pageant, the Glasgow quartet return to share the billing with a similarly restless creative spirit. A few thousand miles separate Will Oldham and Trembling Bells' drummer and principal songwriter Alex Neilson, but their stories intersect as far back as 2005, when the young Leeds-raised Neilson found himself playing drums on Alasdair Roberts' No Earthly Man, with Oldham producing. In time, a friendship between mentor and student became one between two kindred musicians. Neilson augmented his work with free-psych-drone practitioners Directing Hand by playing with the Bonnie 'Prince' Billy band. The drummer's eagerness to experience new epiphanies yielded unforgettable memories. In Big Sur, he recalls, 'we took mushrooms at midnight, then visited a natural hot spring built into the dramatic cliffs overlooking the Pacific Ocean. The stars were as vivid as frozen fireworks.' All of which is worth dwelling on, because without that background of mutual openness and empathy, it's hard to imagine The Marble Downs existing.

Neilson recalls a conversation about a 'collaboration' in the summer of 2010, though stresses that it 'was nothing too formal at first'. By the end of that year, a limited-edition seven-inch New Year's Eve Is The Loneliest Night of the Year showed what an inspired match the vocals of Trembling Bells singer Lavinia Blackwall and Will Oldham made. The cut-glass precision of the classically-trained student of medieval music and the worldly, careworn tones of Oldham created an unlikely chemistry. It must have seemed that way to Neilson too. He set about assembling a cache of songs with the purpose of further harnessing that chemistry. The result is an album that has, once again, redrafted the boundaries of what Trembling Bells can achieve together. Indeed, genre-lines aren't terribly helpful this time around. Yes, Trembling Bells' love affair with traditional music remains a constant — most emphatically so on the unaccompanied Blackwall/Oldham two-hander, My Husband's Got No Courage In Him. Then there is Blackwall's musical setting of Dorothy Parker's poem Excursion Into Assonance — and the thorough-going new-found classicism of Neilson's increasingly assured songwriting. Albeit delivered with Trembling Bells' rain-lashed sense of abandon, Love Is A Velvet Noose sounds like a standard of sorts — a warped consequence of Neilson's increasing fascination with the songbooks of Cole Porter and Hoagy Carmichael. 'I'm not saying I stand any chance of emulating them,' he adds, 'but the appreciation is definitely there.'

The knowledge that Oldham and Blackwall would be sharing centre-stage on The Marble Downs gave Neilson extra impetus to flex his songwriting muscles. I Can Tell You're Leaving finds both vocalists on irresistible form, dissecting their dying relationship with no heed to the other's feelings. 'You treat me like a child,' sings Oldham. 'I need a man,' she responds, barely catching breath. 'Now like Merle Haggard, you'll see the fighting side of me,' he later promises. 'I guess that's one of the lighter moments on the album,' ponders Neilson, 'I was trying to get a Planet Waves-era Bob Dylan feel there, with the piano and walking bassline.'

Here and elsewhere, the band — Blackwall, Neilson, bassist Simon Shaw and guitarist Mike Hastings — has never sounded more psychically attuned to one-other. On the slow-reveal sonic establishing shot of I Made A Date (With An Open Vein), two minutes of manic modal chaos elapses before Oldham takes the narrative reins of a majestic call-and-response folk-rock epic. The electrifying free-folk portent of Riding — a revival of the Palace Brothers classic — is no less compelling, calling to mind the words of broadcaster Stuart Maconie when he praised Trembling Bells for their ability to invoke simultaneously 'the charm of folk music and the power of rock.' Ditto Ain't Nothing Wrong With A Little Longing, in which Neilson slams down a four-to-the-floor beat over a synergy of demonic krautrock keys and a dialogue between Oldham and Blackwall that scales Nancy & Lee levels of romantic intrigue.

With nine songs gone and one remaining, the album's sonic undulations find an arresting denouement in the form of an inspired cover. Adapted from Robin Gibb's 1970 solo masterpiece Robin's Reign, Lord Bless All sees Trembling Bells tease out the hymnal qualities of Gibb's original with a slow volcanic upswell which — on four minutes — explodes into heavy psychedelic technicolour. What pleases Alex Neilson when he listens back is 'a sense of a common vocabulary and identity being forged.' If, by that, he means that there isn't another band on the planet that quite sounds like Trembling Bells, it would be hard to disagree. The evidence is right here.

'I didn't know anything about Trembling Bells. I just heard them and was knocked out. I instantly became a fan.' Paul Weller

'Trembling Bells are my kind of band.' Joe Boyd

"Jesus fucking shit! These jamz claw so hard at the tatties below methinks the Lord misnamed them, having intended to say Trembling BALLS." Will Oldham

'A poetic incantation of British identity far brighter than Michael Gove's GCSE syllabus.' Stewart Lee

'This time, I'm attempting to reclaim the art of songwriting from the charity shop bargain bin.' Alex Neilson

Roots and Wings is the fourth studio album by the Belgian band Vaya Con Dios, released in 1995. Singer Dani Klein worked together with different studio musicians and the American Muscle Shoals Horns to record this album. The songs are all easy listening and gives you the perfect feeling for those rainy days.

Vaya Con Dios was founded in 1986 by Dirk Schoufs, Dani Klein and Willy Lambregt. They had some international success with songs like "Just A Friend Of Mine", "What's a Woman" and "Puerto Rico". In 2013 they started their farewell tour which ended on 25 October 2014 in Brussels.

Roots and Wings is available as a limited edition of 750 individually numbered copies on transparent vinyl.

In a career spanning 45 years, Leo Sayer has sold more than 80 MILLION records worldwide.
To coincide with Leo's forthcoming return to the UK for his 22-date 'Just A Boy At 70' tour, 'The Hollywood Years
1976-1978' is the second of a series of three Vinyl LP box sets.
'The Hollywood Years 1976-1978' comprises Leo's three studio albums. 'Endless Flight' (released 1976/UK
#4) 'Thunder In My Heart' (released 1977/UK #8) and 'Another Year' (released 1978/UK #15) and marked a
clear departure from his early albums.
Leo recorded these three albums with legendary producer Richard Perry, who brought in a variety of songwriters
and collaborators to work on the projects with Leo; it was a venerable Who's Who of the record industry.
Each vinyl LP Box set in this Limited Edition release, will be pressed on heavyweight 180g clear vinyl and contain
a signed 12'x12' print.
This project has been overseen by Leo Sayer, who remains one of the UK's great singer/songwriters of all time.

Octagonal shaped cover, coloured Vinyl, Numbered Limited edition 200 Copies

Originally released in a limited white-label edition, in two different silk-screened sleeves of 108 copies each, The Stars On Their Horsies, containing just one track, is now reissued as a standard black vinyl LP. Textually based around two NightMares David Tibet had, of which he recorded accounts of as soon as he woke from them, The Stars On Their Horsies may be seen as a SideShowPeek, or perhaps a GasStationCarnival, and a slide into October's new C93 album, The Light Is Leaving Us All. In a full-colour sleeve with artwork by David. Side 1 The Stars On Their Horsies Side 2 The Stars On Their Horsies

Limited retail edition in double transparent yellow vinyl.
Explosions in Slow Motion is the new album from Brock Van Wey's transcendent bvdub project.
Van Wey's previous n5MD album Heart- less found him harnessing the turmoil around him to create something vast, emotive, and brooding, yet somehow comforting, allowing you to cradle in its weight.
Months after Heartless' release Van Wey moved from turbulent times of his native California home to the chilling winter of Warsaw Poland. A divergence. Alone against the icy cold, confined to the indoors in search of protection against the world outside, Van Wey channeled, as he always does, his surroundings as they coalesced with his self-imposed aberration. The outcome of this move, and period of near total isolation, is Explosions in Slow Motion.
Featuring four long-form songs accompanied by four 'ember' vignettes, Explosions in Slow Motion is quite possibly Van Wey's most mournfully isolated work in his massive discography to date.
Filled with swelling arcs of spectres from the past appearing then slowly drift away. Foggy memories of friends, loved ones, and even adversaries seem to achingly sweep across Explosions in Slow Motion's eighty-minute runtime.
There is a forlorn thread of shrouded nostalgia throughout the album which by album's end leads to catharsis, acceptance and the finality of progres- sion.

*Starting the year we present our eighth release on 7' format, another great collaboration between Ojah and Nikolaj Torp Larsen 'Nik Torp', keyboard player from The Specials.

The A side contains the track 'What Goes Around Comes Around', a Hammond and melodica version (both played by Nik Torp) of Ojah's 'Packy' riddim, that was recorded at Nik's studio back in 2015 and is finally seeing the light. It also features new guitars by Puppa Shan and Javier Martin Boix. Next up on Alchemy Dubs will be a 12' featuring a legendary trombone player on this riddim and another one, so these are the complementary versions of side B.
On the B side we find of course a dub version, mixed live in analog by Ojah in classic style. It was difficult to pick just one but we think this one is very special...

Limited edition of 500 copies, hand-stamped and hand-numbered, served in a thick custom reversed kraftliner sleeve.
Produced by Ojah, recorded at Alchemy Dubs Studio, London.
Hammond & melodica by Nikolaj Torp Larsen 'Nik Torp', recorded by Nik Torp at Squat Sound Studio, London, UK, 2015.
Guitars by Javier Martin Boix (lead) and Santi Mijarra 'Puppa Shan' (rhythm) recorded by Puppa Shan at Discoinferno, Madrid, Spain, 2018.
Mixed & mastered by Oscar Pablos 'Ojah" at Alchemy Dubs Studio, London, 2018.
Graphic design by Victor Castro.

Maylee Todd's side project PEGWEE POWER covering 80s boogie classics: 'Mutual Attraction' (Change), and 'Messages from the Stars' (Rah Band). One off. Limited edition. Don't sleep!

Limited Edition heavyweight 180g Vinyl EP - PURSUIT by KWALIA, available now! Following the success of his 'Wallflower' and 'Cloak' LP's, breakthrough artist Jordan Rakei has teamed up with classical composer Richard Melkonian for something entirely new, releasing their debut EP 'PURSUIT' under the name 'KWALIA'. Joining the dots between their respective musical sensibilities, a hybrid sound incorporating free moving jazz rhythms, Rakei's soulful vocals and Melkonian's Armenian harmonies came to fruition. A deep, melodic and emotive journey, the EP features string quartet, woodwind live band and heavy synths throughout. 'PURSUIT' is an authentic blend of two entirely different musical worlds that complement one another in an entirely new way. Rakei's expressionist lyrics unashamedly explore questions about faith, God, identity and power structures. Several of these themes came about through discussions between Rakei and Melkonian and the musical structures of each track follow this free-form enquiry; ideas are allowed to flow, unexpected tangents form and no predetermined song-form is ever adhered to. Running at 22 minutes in length, the EP is comprised of three long compositions.

"On Pursuit, they continue the fruitful partnership with three-long compositions that meld meandering jazz rhythms with Rakei's achingly beautiful vocal work". - XLR8R

"'The Waves' is a superb fusion of their disparate influences, the mellifluous arrangement in a perpetual state of flux, grinding dissonance leading to soothing ambience.

Jordan Rakei's vocal continually strains against the rules, displaying the same daring that flooded through Tim Buckley's late 60s work." - CLASH

Written and produced by Jordan Rakei and Richard Melkonian

Recorded, mixed and mastered by Rick David at Pink Bird Recording Co.

Due to popular demand, 22a presents the out of print Ruby Rushton LP's from 2017, in a deluxe gatefold vinyl format, strictly limited to 500 copies.

The Tenderlonious led jazz quartet Ruby Rushton and their 22a imprint have been at the forefront of the UK jazz scene since the release of their debut album 'Two For Joy' in 2015. The band transport you back to the 70s Headhunters era, whilst still adopting the spiritual concepts of John Coltrane and Yusef Lateef. Audiences can expect to be treated to high energy compositions, fusing flavours of afro beat, hip hop, and Latin jazz.

Both Trudi's Songbook Volume One and Two were met with mass acclaim in the summer and autumn of 2017. They received regular airtime and support from DJ's, tastemakers and radio stations across the world, including Gilles Peterson, Benji B, Bradley Zero, Jazz FM, BBC Radio 6 Music, Worldwide FM, NTS and many more. The huge support for the albums led to Trudi's Songbook: Volume Two being nominated for Jazz album of the year at the 2018 Gilles Peterson Worldwide Awards.

With a brand new album due for release in March 2019, this limited edition, 2xLP, deluxe gatefold issue of Trudi's Songbook: Volume One and Two closes this chapter for the band and paves the way for new material.

Released on CD by Aurora Borealis back in 2010, we're overjoyed to finally see this on vinyl.
- limited edition of 300 copies - 180g black vinyl - reverse board heavyweight sleeve - includes download code and printed insert - mastered for vinyl by James Plotkin - cut at The Carvery, London
An ode to the Lovecraftian lore of Shub Niggurath, 'Black Goat of the Woods' was conceived as "the soundtrack from some lost low budget horror movie, rediscovered on an old and faded VHS cassette found mouldering in a deserted house in the depths of the woods".
The one man project of J.R Moore, Black Mountain Transmitter has released several albums, all to great critical acclaim, and the quality of his work speaks volumes. The original AB 'Black Goat of The Woods' CD version was the first official release and a reissue of the long sold out and much sought after limited CDr.
On describing the recording, Moore said: "The music was certainly very much influenced by that certain breed of 70s horror films. Things like the soundtrack to the original "Texas Chainsaw Massacre", Giuliano Sorgini's atmospheres in "Living Dead At The Manchester Morgue"; Carl Zittrer's soundscapes in "Deranged", "Children Shouldn't Play With Dead Things" and "Dead Of Night", and of course people like Fabio Frizzi in Italian horror and the BBCs Radiophonic Workshop's electronic sounds in something like "The Stone Tape" and countless creepy old TV productions..."
An excellent, macabre and psychedelic release that spans electronica, soundtracks and experimental genres in its 40 minute playing time, 'Black Goat of the Woods' pays perfect homage to the dark denizen of the nocturnal glades, and is a true paean to backwoods horror.

Available for the first time ever on Limited Edition Clear Vinyl, limited to 500 copies, no re-press. The Seattle group led by Palaceer Lazaro (aka Ishmael 'Butterfly' Butler formerly of Digable Planets and Cherrywine) has surpassed all genre confines and captured the imaginations of spectators. Containing a sublime mixture of funk, jazz, dubstep, and structures un-echoed by the typical style of 16-bar hip-hop, Shabazz Palaces quickly gained critical admiration following an unprecedented string of epic performances across their home city. Shabazz Palaces' music is defiant in the face of musical norms both in terms of sheer musicianship and lyricism. Experimental, innovative, and irresistible, 'Of Light' is sure to be heralded by listeners.

Sydney Valette has earned a solid reputation among post-punk scene of Paris. 'Space and Time' is a sample of his very upcoming new album. Minimal synthetic maneuvers combined with sharp guitars for a perfect modern dark sound, probably his best studio work to date. It arrives presented on 12 EP format and produced in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid WHITE vinyl. All tracks have been specially remastered for LONG CUT vinyl by Eric Van Wonterghem.

ORACULO RECORDS is proud to be again the selected label for another very awaited album advance. In this case, NEON ELECTRONICS 'Apollo', to be released in early 2019. Leadered by Dirk Da Davo (Ex The Neon Judgement), NEON ELECTRONICS plays on the bounds or krautdarkrock and minimalistic ebm pushing the audience to a lysergic trip. This EP includes as well an amazing live version of TNJ super classic 'TV Treated' recorded in 2018. It will be presented on 12 EP format and produced in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. All tracks have been specially mastered and remastered for LONG CUT vinyl by Eric Van Wonterghem.

BELLADONNA GRAVE is a new solo project from L.A, California. Past august 2018 has been released 2 mindblowing albums at the same time, 'Behind Despair' and 'Spiritual Death'. This double EP put together the best of the best of those majestic works. At ORACULO RECORDS we strongly think that we are more than probably in front of the cold synth / electronic record of the year. It arrives on ultra deluxe 2×12 EP format and produced in a ONE-OFF truly ultra extra limited edition of 200 copies lacquered pressed on 180 gr. high quality solid black vinyl, including inner big postcard with tracklist and a POSTER of BELLADONNA GRAVE's scan/copy based art. All tracks have been specially remastered for LONG CUT vinyl by Eric Van Wonterghem.

Limited Edition Cassette, edition of 50, purple cassette w/ red ink and riso printed cover

After A Long Night The Sun ¡nally Rises As Our High Leader And
Big Boss Filburt ¡nally Blesses O*rs With His Very ¡rst Full
Artist Ep. The Emotive Three-tracker ‚unnoticed Love' Comes
Along With Two Originals Accompanied By A Remix Of None Other Than Charles Webster. As The Title Track's Relentless Groove Goes On And On Pianos Emerge And The Track Reaches Full Effect When The Vocoder-heavy Vocals Hit, Taking You To A Higher Place Of Emotional Consciousness. Trust Us, You Wanna Go There. ‚it's All About You' With It's Combination Of Harmonic Bleeps, Big Pads, Steel Drums And An Unique Arrangement Sounds Like That Sunrise We Mentioned Earlier. It Is Advised By Authorities To Sit Back, Relax And Take A Long Bath In It. And Then There Is This Charles Webster Remix Which Moves Through A Foggy Territory
Where The Best Kind Deephouse Grows. While There Charles
Plants Some Tribal Seeds Before Going Even Deeper With A
Bassline Richer Than The Sauce Your Granny Made For Christmas Dinner. Limited Edition Of 200, Handstamped+

King's X is the self-titled eponymous fourth studio album by the metal trio King's X. The dark side of their music and song writing is experienced throughout this superb record. The requisite instrumental virtuosity is, as always, hard to ignore, but where this album really shines is in the quality of its vocal performances. This album is not a traditional metal album by any stretch of the imagination, but is a great addition for any music fan in the rock and metal scene. Compact songs are widely covered on this album. With their dense and transparent sound they're one of the strongest acts from their time, and that's exactly what they're showing on this album.

The American rock band King's X combining elements of progressive metal, funk and soul in their versatile sound.

King's X is available as a limited edition of 1000 individually numbered copies on solid moss green coloured vinyl.

One of the first techno-pop songs made in USSR. Written and produced in his Kiev home studio in 1985 by Ukrainian composer Vadim Lashuk. Source audio from master tapes discovered in the attic were kindly provided for this release by the author's family. Limited to 300 copies vinyl edition.

The second release on 4GN3S (pronounced Agnes) is an angular and shadowy 5-track EP by The Golden FIlter. The 'Dislocation' EP is five pariahic pieces paying equal homage to minimal wave, post-punk, no wave, and electro, but retaining Stephen and Penelope's inventive presence. Before 'Talk Talk Talk' became a 2018 summer festival anthem by accident, it was always meant to be the lead track on this EP. Like Siouxsie vs early Human League, but heavier. Originally available only as an extremely limited edition duplate at Rye Wax, 'All The Way In' is a jittery electro beat workout sounding as if Anne Clark were fronting Drexciya. Beatless and odd, 'Dislocation' first premiered on Fort Romeau's Essential Mix on BBC Radio 1. It's Part art-piece, part word association, and part No Wave experimentalism. A mutating arpeggiated bass and an ominous tone drive 'Cut My Hair' into a incongruously sci-fi dark dance netherworld. 'Temple' is classic Golden Filter, with modular bass blurbs, soft vocals, and an 808 beat doused in analog reverb. Dance music to sit in the corner and think to.

Italian directors GUALTIERO JACOPETTI and FRANCO PROSPERI gave birth to a whole new subgenre of 'non-fiction' exploitation movies with their 1962 hit MONDO CANE. After repeated accusations of forgery, unethical behaviors and war crimes, they decided to make a movie about the atrocities of American slavery as an apology of sorts. It was 1971 and the movie was FAREWELL UNCLE TOM (ADDIO ZIO TOM) The famous critic Roger Ebert called the result 'the most disgusting, contemptuous insult to decency ever to masquerade as a documentary' Naked flesh, voyeurism and violence is constantly used but gorgeous photography and a memorable score from Academy Award nominee RIZ ORTOLANI add a sickening slickness to it all: rock- beat tunes mixed with classic big band themes, waltz and funny marches and the beautiful OH MY LOVE, with the vocals from Katyna Ranieri, used, among many others by Winding Refn in his cult movie DRIVE (2011).

FIRST VINYL REISSUE EVER
LIMITED EDITION OF 500 COPIES
COMPLETE EDITION WITH EXTRA TRACKS

Vinyl limited edition, includes lyrics booklet, white vinyl, silver layer printed on cover art, % donated to charity.

To be released on World Mental Health Day, part of the album's proceeds will be donated to a UK-based mental health charity. 'I often wonder how sadness moves through people,' Emika says, 'through time, through stories and history, and if it's something that becomes us rather than coming from us.'
% of album sales will be donated to charity Help Musicians UK
emikarecords. com Invites fans to anonymously share their experiences of depression and create a waterfall of comments inspired by the song Wash It All Away
Studio video promoting the album via Soundcloud, Autumn
Live / DJ video, promoting the album with Beatport, Autumn
Live streaming of the album from Emika's studio via FB, Insta, YT, September.
Bookings by Christopher at Melt Bookings. Team chose to give fans time to listen to the album first, shows starting early 2019, special album show with live band and dome visuals planned in the Berlin Planetarium Feb 2019. A few promo shows summer / fall 2018.
Boiler Room live show as part of Open Dance Floor series tbc
* Given its years of manifestation behind the scenes of other projects, Falling In Love With Sadness reflects a renewed understanding of Emika's own genealogy, kindred lineage and its connection to modernity. Marking a drastic departure from the menacing, stripped-down qualities of albums past, Dva and Drei, Emika has surfaced with a new upwelling of sound gracing the bittersweet, melancholic and sanguine.

* With the interplay of myriad genres both rhythmically and melodically intertwining between spacey, dub tinged Promises, lush synth pop hooks on Escape and the title track's soulful electro, a full spectrum of musicology remains primary to the ever-evolving chroma of Emika's umbrous sound.

* Further characterised by the breathy sibilance and sultry tones of Emika's noirish, vocal aesthetic, the album navigates through the morose and trappings of misanthropy by illuminating a narrative of emotional resilience and recovery.

* Co-produced with Robert Witschakowski of The Exaltics, and continuing her collaboration with guitarist Chris Lockington (as heard on Drei and Dva), Falling In Love With Sadness provides a fifth solo album for Emika, but moreover, defines itself as an overture for her future works.

The final release in the Eight Trigram series. Alpha Steppa concludes the Trigram series with an etherial heavyweight dub staying true to the Trigram sound. Super limited edition press housed in the reverse-board Trigram house bag. Raw, unadulterated tribal bass music with a deep roots foundation

CUL-DE-SAC (1966) WAS ROMAN POLANSKI'S FIRST ENGLISH-LANGUAGE FILM.
He called upon his friend Krzysztof (Christopher) Komeda to score the film which was done in one afternoon in London. Just like the film, Komeda's music is odd and sombre and then, at times witty and enchanting.
Originally only issued in the UK as an (now very rare) EP, this Harkit limited 7' vinyl edition reproduces the cover art and the original six tracks.

Obituary's death metal debut album Slowly We Rot was a ground-breaking release at the end of the 1980s. As one of the pioneers of this genre they created a heavy album where everything was monstrous. From their down-tuned guitar riffs, deep growls and moans and distinct tempo changes. The songs are often slowing down to a doomy tempo, a revolutionary thing at the time of release. Slowly We Rot is inspired brilliance, where the meaning of the title is illustrated in the music and lyrics. Overall, you're in for one hell of a package with this album, as this is the true classic from the death metal.

The Floridian death metal band Obituary is one of the most successful death metal bands of all time. With the exception of their 1997-2003 split, they continue to perform live around the world.

Obituary is available as a limited edition of 2000 individually numbered copies on coloured (solid yellow & transparent green mixed) vinyl.

RIYL HIDDEN CAMERAS/ARTHUR RUSSELL

Since his recording debut as Choir Boy in 2016, Adam Klopp mined a sound swirls 1980s synth noir with captivating, cinematic songs sweeping with pensive sorrow and glowing hope. As a former member of the Mormon faith, Klopp spent his youth both in the pews of his place of worship, but also churning through DIY punk venues, before leaving the sect in the thick of a mission in Tahiti.

The duality of faith and fiction are central to the lush explorations on his debut album Passive With Desire. Recorded at Studio Studio Dada, the album's tracks permuted as bedroom sketches, awash with camp, the sting of loss, and allusions to halcyon days of nocturnal, electronic driven pop. Retaining elements of Klopp's original demos, Passive With Desire was recorded with a full band and polished with trumpet, strings, as well as archival samples calling back to Klopp's hazy youth.

Engineered by Klopp, Bret Meisenbach, and Stephen Cope, Passive With Desire is the entry point to Choir Boy's world of emotive wit, novella kissed lyricism, and bouncy, synth-forward takes on traditional song writing bound by the universal themes of loss, desire, evolution, and exploration.

Now available for the first time in wide release, Passive With Desire is a proper introduction to Klopp's unique storytelling, orated by his full, rangeful vocals. The expanded CD version comes with a 12-page lyric booklet, and combines the album with seven bonus tracks, including the Sunday Light EP and tracks from the limited Part Time Punks cassette. The repackaged LP edition comes in a sturdy matte jacket with matte Eurosleeve insert with lyrics. The first pressing comes in limited editions of 100 on Clear/Black/Red Splatter, 400 on Metallic Red, and standard black vinyl.

Key Selling Points:
- Expanded CD version comes with a 12-page lyric booklet, and combines the album with seven bonus tracks, including the Sunday Light EP and tracks from the limited Part Time Punks cassette.- LP edition comes in a sturdy matte jacket with matte Eurosleeve insert with lyrics. - LP comes with download- Reissue of debut album

Limited Colored Edition - 1000 Copies

Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. 'Heroes to Zeros' is the third and final studio album by The Beta Band released in 2004. It was mixed by famed producer Nigel Godrich and rose to number 18 in the UK charts.

Authors of the 4th release of the Mosaique label are the project Savage Ground, known for its works on Lux Rec, Pinkman Broken Dreams and Enfant Terrible. The project hides two people - Daniele Cosmo (owner of Lux Rec) and CCO (who's already participated in the first V/A ""Universe""). ""In not"" is a mixture of synth wave, analog distortion, experimental dance electronic music and vocals. The EP contains 4 tracks that divided the two sides of the plate into two different moods. This is a vinyl release without digital sales and repress.
Limited edition, vinyl only, A&B Sides - 33RPM.

Emotional Response is delighted to announce Foreign Affairs - a limited edition special remix 7-inch single featuring reworks from Alexis Georgopoulos & Jefre Cantu-Ledesma's "Fragments of A Season" album by Woo and Felicia Atkinson.

Last year's ""Fragments of A Season"" represented a unique chapter in both artist's canon. Georgopoulos, who released the Arp album "Zebra" in June this year and Cantu-Ledesma, who released "On The Echoing Green" in October 2017 - both on Mexican Summer and to critical acclaim - wanted to stretch out and create a discrete work. A peripheral listen to "Fragments" revealed a resonant album of delicate, ambient vignettes, suggesting a Balearic take on Vini Reilly, Young Marble Giants and other poetically-minded, minimalistic post-punk era bands.

The Brothers Ives aka Woo were a major influence on the album's makers and so AG and JCL are thrilled they've submitted a beautiful reworking of the album's "Marine". Whereas the original sounded like Marine Girls and The Gist getting together for a nice beach day jam, Woo's rework transforms it into pulsating track of glistening proportions. Percolating synths, some guitar and clarinet - the true classic, idiosyncratic Woo-ification - creates a woozy, romantic, impossible to categorize slice of Balearic meets dub atmospherics.

If "Marine" is all midday sun, intoxicating and potently optimistic, Atkinson's remake represents the literal and figurative flip, bringing out the overcast dreaminess to "Cleo". Sounding like an outtake from a Rohmer film, or perhaps Cocteau Twins and Broadcast having a picnic in Biarritz, the version veers between abstraction, celluloid ambiguity and suggested narrative. Atkinson's reworking adds poetry of the tune (quite literally!) with her soft vocal under-gliding to perfection. Representing a temporary idyll, a meeting point where cobblestone streets lead to the sea. At nightfall, a discotheque heard in the distance. The morning mist burns off. Only such memories remain.

It has been bubbling for almost four years now inside the walls of a basement in the small-town idyll of Salzburg. Word gets around about ecstatic nights in an intimate atmosphere in the Heizkeller location of the cultural association FREAKADELLE. The monthly events held by the club culture collective, which formed in 2011, have long since become known beyond city and state borders, and so, national as well as international guest artists would frequently pay visits to Mozart town in the last years. Following the club members' wish to maintain relations to the artists beyond the fleeting transience of a night in the club, this release aims at strengthening and cementing these interpersonal ties. The compilation includes tracks by Hüseyin Evirgen aka MAGNA PIA (Cassegrain), Institut fuer Zukunft resident PERM, techno pioneer PATRICK PULSINGER and Pop theorist Didi Neidhart aka LOW PROFILER.
Limited hand-stamped 12'' edition. Comes in five different versions of screen printed sleeves.

Limited Edition: 500 x 2 LP Gatefold Pressing. Bentley Rhythm Ace formed in Birmingham in 1996 when ex Pop Will Eat Itself bassist Richard March and DJ Michael Stokes discovered a shared love of obscure, oddball and eccentric tunes. Utilising lo-fi cut and paste sampling techniques combined with analogue synths and some wild turntable action their debut EP was picked up by Fatboy Slim's Brighton based Skint Records and released to widespread acclaim. The BRA live show added Fuzz Townshend on drums and James Atkin (ex EMF vocalist) on keyboards and the latter years of the 90s saw BRA firmly established as festival favourites with appearances at Glastonbury, Reading, V, T in the Park, Montreux Jazz and Fuji Rock amongst many others. Their irreverent approach mixed with big beats, thundering bass, wild synths and esoteric samples proved to be a hit with fans and critics alike. 1998 saw Bentley Rhythm Ace crowned 'Best Dance Act' in that year's NME awards. Their eponymous debut album was given a worldwide release after the Bentleys signed to Parlophone records and the band toured extensively in the UK, Europe, Japan, Australia and USA. As well as releasing a highly regarded DJ mix album on Ministry of Sound, and releasing a second album for Parlophone (featuring vocals from Black Grape/Ruthless Rap Assassins frontman Kermit), BRA also produced well received remixes for the Beastie Boys and Supergrass as well as soundtracking several TV shows and adverts. This "21st Birthday - Bonus Tracks Edition" of the album has been compiled by Richard March of the band and includes the original 11 track album along with 2 bonus tracks remastered and repressed to vinyl for the first time in almost two decades! Presented in a deluxe gatefold sleeve, complete with original artwork and comprehensive sleeve notes for all thirteen tracks written for this release by Richard March. Bentley Rhythm Ace (21st Birthday - Bonus Tracks Edition)

*Landing on Alchemy Dubs is our third release on 12' format, a very special collaboration between Ojah, Fikir Amlak, Don Fe and Nik Torp.

The A side contains the track 'On my mind', a vocal version of Ojah's 'Mind' riddim that features beautiful vocals and harmonies by Fikir Amlak paired with inspiring and emotional lyrics. The second cut is a vocal dub version mixed in analog live by Ojah.

On the B side we find Don Fe's excellent flute version 'Remind' that takes the riddim to a different dimension with its deep and meditational melodies. The second cut on this side is a haunted flute dub version, also mixed live by Ojah in classic fashion.
The Hammond and melodica featured on both sides have been played by Nik Torp (keyboard player from The Specials) and masterfully recorded through an MCI desk that used to belong to Island Records (hundreds of seminal records where recorded through it, including for example Bob Marley's Exodus).

Also available complementing this release is ALDBS7007, a 7' that contains an additional Hammond & melodica solo version and an additional dub.

Limited edition of 600 copies, 180g heavyweight vinyl, hand-numbered, served in a thick custom sleeve with amazing artwork by Victor Castro.

Produced by Ojah, recorded at Alchemy Dubs Studio, London, UK
Hammond & melodica by Nikolaj Torp Larsen 'Nik Torp', recorded by George Murphy at Eastcote Studio 1, London, UK
Vocals on A1 by Fikir Amlak, recorded by Manuel Guerra Rubio at Arkchant Studio, Barcelona, Spain
Flute on B1 by Don Fe, recorded by Don Fe at Don Fe Studio, Murcia, Spain
Mixed & mastered by Oscar Pablos 'Ojah" at Alchemy Dubs Studio, London, UK
Graphic design by Victor Castro

Limited edition release of 500 in a black sleeve, each with a unique, experimental numbered screen print, 30 cm x 60 cm, in collaboration with Studio Heretic.

In support of the release Daniel Avery will be playing Drone's take over of Tresor on December the 1st, joined by Richard Fearless, Errorbeauty and Drowned performing live.

PSSU are Richard Fearless and Daniel Avery. Long time friends, they first formed their relationship whilst working out of Andrew Weatherall's legendary 'Rotters Golf Club' where Fearless made 'Trans-Love Energies' and Avery did a lot of Drone Logic. The two are now studio neighbours in Leamouth on the River Thames. They were drawn to the collaboration by a mutual appreciation of the other's music.

'307309' is pure electro soul and, with 'Fabricated from Steel', PSSU deliver a techno monster. Both tracks were forged at the Metal Box, Drone's studio in East London

Die sechste Veröffentlichung in der Limited Dance Edition Serie präsentiert die allererste 12" Maxi Single von Anthony Emrold Phillip, besser bekannt als "Bro. Valentino". Die A-Seite 'Stay Up Zimbabwe' ist eine legendäre Shango / Orisha / Calypso Melodie aus dem Jahr 1979, die in die Karnevalszeit in Trinidad und Tobago eingedrungen ist. Bro. Valentino betäubte die Welt erneut mit 'Ah Wo (Band New Revolution)', ein Jahr später mit einer Melodie, die sich für die neue Stimmung der Inseln und den neuen Ruhm der Karibik einsetzte, die zweifellos von der grenadischen Revolution ein Jahr zuvor abgelehnt wurde. Diese erfrischenden karibischen Calypso Afro-Tunes, werden in einem wunderschönen Siebdruckcover und türkisfarbenem limitiertem Vinyl geliefert.

First time on vinyl
10th Anniversary of the Breaking Bad TV Series
5 x 10' vinyl in 5 different jackets, 1 relating to each season
Each 10' is the same colour, Strictly Limited Edition Albuquerque Crystal Coloured (transparent with a hint of turquoise) Vinyl!
Lift off box-set with Breaking Bad logo on front with special drip-off varnish
Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge
Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad
One run only of this very exclusive BOX-SET
Individually numbered the manufacturing qty for Worldwide is est 4000 with 800 for the UK - we could get some more
PLEASE ORDER BY 12.00 TUESDAY 25 SEPT TO BE GUARANTEED YOUR QTY
Available worldwide
Weight ESTIMATED 950g
All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others
Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more
This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).

MOV proudly presents the OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) 5 x 10' BOX-SET!

A TOP PRIORITY RELEASE with WORLDWIDE RIGHTS!

So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl!

Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.

The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!

This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10' records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10' records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. The box-set is a ONE-RUN-ONLY and is STRICTLY LIMITED!

Breaking Bad is an American neo-western crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008 to September 29, 2013. The series tells the story of Walter White (Bryan Cranston), a struggling and depressed high school chemistry teacher diagnosed with lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime by producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title comes from the Southern colloquialism "breaking bad", meaning to "raise hell" or turn toward crime. Breaking Bad is set and filmed in Albuquerque, New Mexico.

Walter's family consists of his wife Skyler (Anna Gunn) and children, Walter, Jr. (RJ Mitte) and Holly (Elanor Anne Wenrich). The show also features Skyler's sister Marie Schrader (Betsy Brandt), and her husband Hank (Dean Norris), a Drug Enforcement Administration (DEA) agent. Walter hires lawyer Saul Goodman (Bob Odenkirk), who connects him with private investigator and fixer Mike Ehrmantraut (Jonathan Banks) and in turn Mike's employer, drug kingpin Gus Fring (Giancarlo Esposito). The final season introduces the characters Todd Alquist (Jesse Plemons) and Lydia Rodarte-Quayle (Laura Fraser).

Breaking Bad is widely regarded as one of the greatest television series of all time. By the time the series finale aired, it was among the most-watched cable shows on American television. The show received numerous awards, including 16 Primetime Emmy Awards, eight Satellite Awards, two Golden Globe Awards, two Peabody Awards, two Critics' Choice Awards and four Television Critics Association Awards. For his leading performance, Cranston won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times, while Aaron Paul won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series three times; Anna Gunn won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series twice. In 2013, Breaking Bad entered the Guinness World Records as the most critically acclaimed show of all time.

Bristol-based producer Drone finally makes his bow for Coyote Records with the release of new four-track EP, 'Light Speed'. Written over the first six months of 2018, 'Light Speed' forms Drone's most accomplished and absorbing release to date, bringing new textures, layers and depth to his music and to the club - a space where his beats have been a mainstay in the sets of producers like Kahn & Neek since debuting on Hear Other Sounds in early 2017. A regular at Coyote's Bristol parties over the course of 2016 and 2017 and inspired by the clinical, freeze-dried grime of label contemporaries like Last Japan, as well as Sector 7 bosses Boofy and Lemzly Dale, Drone has probed, honed and developed his sound to marry the raw impact of his early beats with detailed, widescreen scope. There are nods to the soundsystem culture of his new home city of Bristol on the coarse textures and booming, dubby low-end of 'Narroways' for example, while title-track 'Light Speed' captures the icy, shimmering Coyote sound aesthetic in full view. B-side tracks 'Probiscus' and 'Fangz' continue this theme apace, bleeding into one another like patchwork to showcase a grime sound moulded by the club, but finessed away from it. Born in Hastings, Drone has spent the last three years studying Music Production in Bristol, during which time he's guested on Rinse FM, released on London's Hear Other Sounds and Boofy and Lemzly Dale's influential Sector 7 imprint, as well as self-releasing a limited edition USB - comprised of a slew of unreleased beats - in February 2018.

The New Hozier EP titled 'Nina Cried Power' is available in a limited edition LP format.

The EP includes five brand new tracks written and performed by Hozier.

Limited Edition White with Red vinyl w/DL
For fans of Electronic / Jazz hybrids like: Anenon, Arve Henriksen and RinneRadio

Transformation is the debut album from Parisian multi-instrumentalist Axel Rigaud.
Rigaud's style as a whole is the exploration of the crossroads of electronic music and jazz. By blending steady big bottomed analog synth arpeggios, shuffling beats, and swirling jazz influ- enced reed instruments Rigaud makes the juxtaposi-tionional a compelling and interwoven whole.
Only a few moments on the album does one genre eclipse the other. Even when this happens one finds that the sax or flute are being electronically manipulated or the elec- tronics have that all to special swing.
While seemingly new ground for n5MD Miles, Coltrane and Weather Report are often in the rotation at n5HQ. So it makes perfect sense that Rigaud has found a home for his debut on n5MD.

Bastard Jazz is proud to present the next installment of our long running Tempo Dreams compilation series. As with previous volumes of the compilation, we've tapped an established artist that we're big fans of to shine a light on their personal favorite producers, and compile an album up of all unreleased music from emerging & underrated young talent. And with Volume 5, we're happy to welcome in the Los Angeles based but globetrotting selection of Free The Robots.

Rooted in Santa Ana, CA, Chris Alfaro aka Free the Robots has spent over a decade taking his craft to audiences around the globe. Known as one of the pioneering artists to come out of LA's infamous beat movement, the energy and technical skill behind his live performances have landed him among the greats, sharing stages with Dj Shadow, Prefuse 73, Flying Lotus, to Afrika Bambaataa. Crafting stories to tell with his ever-evolving solo project Free the Robots, he has always had the ability to jump in and out of other worlds inspiring a unique signature sound that hints at jazz, psych, electronic, and hip hop, while remaining un-genre-fiable.

Staying almost permanently on the road, Chris has come across an array of artists and scenes around the world. Different tours and temporary living situations have landed him in the middle of both the DIY underground and more mainstream clubs and stages. Some artists he's connected with have either kept it proudly local or breached international borders. Underrated, unknown, or already on the brink; these are just a few of the people that have crossed paths with Free The Robots. He's chosen these songs as a representation of some of the vibes that inspire his music: Jazz, Psychedelia, Dirtwave, Beats, and a little bit of Future Funk make up Volume 5 of his Tempo Dreams series.

As with all previous volumes, the compiler has produced a track exclusively for the album, which Chris delivers in the bass heavy, South East Asian vibes of "Nasi Goreng" (also available on a limited edition 7" with another unreleased FTR track). Other producers included on the album include Mophono, Never Ending Echo, Kuromoji, RSI-MSK, The Breathing Effect, Cazal Organism, Lefto, Chubby Boss, Caliph8, TITLE, Nois IV, The Heavy Twelves, Mu. and Markey Funk.

Los Angeles - September 7, 2018 - Billy Idol's 1980's remix collection, Vital Idol, is getting a modern-day upgrade with Vital Idol: Revitalized, set for release on CD and digital by Capitol/UMe on September 28. A 2LP 180-gram black vinyl in addition to a limited edition, color variant will follow on November 16.
More than 30 years after his groundbreaking Vital Idol compilation cemented the vibrancy of the dance-rock remix genre in the second half of the 1980's, Idol's Revitalized collection features 11 brand-new remixes of his most classic and enduring hits. Lending their hands to the Revitalized proceedings are electronic dance luminaries Moby, The Crystal Method and Paul Oakenfold as well as current innovators including Tropkillaz, Shiba San, Juan Maclean, CRAY and RAC, who's remix of 'Dancing With Myself' debuts today.
Vital Idol, initially released in Britain in 1985 and subsequently issued in the United States in 1987, was the first remix record released by a rock superstar. Besides being certified platinum, Vital Idol was accompanied by a version of 'Mony Mony' that reached No. 1 on the Billboard Hot 100 Singles chart, as well as hitting the Top 10 on the U.K. Singles chart.
Highlights found within the grooves of Revitalized include The Crystal Method's percussive, explosive stab at 'Rebel Yell,' CRAY's bass-and-keyboard-blessed 'White Wedding,' Tropkillaz's trop-house framing of 'Eyes Without A Face,' St. Francis Hotel's shimmering stop/start caress of 'Flesh For Fantasy,' and RAC's retro-harmonic, fist-pumping 'Dancing With Myself.'
Meanwhile, the digital version of Revitalized features four additional exclusive remixes, namely the brand new Billy Idol/Steve Stevens Remix of 'Mony Mony,' Paul Oakenfold's Extended Remix of 'One Breath Away,' Moby's 'Half Time Version' of his take on '(Do Not) Stand In The Shadows' and 'Save Me Now (Lost Dog Remix),' reworked by Billy Idol's son, Willem Wolfe with Brandon Rauch and Ed Bedrosian.

The Quiet Master Breaks His Silence! Deason's "life" E.p. Is An Homage To The Classic Detroit Sound By One Of Its Most Respected Artists. "life" Takes Familiar Detroit Techno Elements And Delivers A Fresh 4 Track E.p. Of Dancefloor Pounding Peak-hour Modern Classics. Limited Edition Clear Vinyl.

100 limited edition CS

Freedom To Spend's first catalog wide deep dive into an artist's career focuses on four albums from Rimarimba, beginning with 1983's Below The Horizon, followed by 1984's On Dry Land, 1985's In The Woods, and finally, the once-imagined, now-realized assembly of 1988's Light Metabolism Number Prague.

Somewhere out there around the turn of the 1980s, to the left of the post-punk crew, to the right of the minimalists, and surfacing with a friendlier face than the dour industrialists of the time - there existed, seemingly unbidden, an entire, networked, tape-trading community; a community that crossed continents and oceans, that relied on the postal service to do its bidding; a community full of humble visionaries and lost, misunderstood, or just plain ignored home steeped genius.

Exploring that thicket of weirdness in the UK wild, you'd likely stumble across labels like Cordelia, Hamster, and Unlikely; compilations like the should-be-legendary Obscure Independent Classics series, or the Real Time cassettes; and inexplicable one-offs like The Deep Freeze Mice, Jody & The Creams, R. Stevie Moore, Leven Signs, Jung Analysts, and Rimarimba.

Rimarimba was the project of Robert Cox, based in Felixstowe, on the seaside in Suffolk, UK. Rimarimba was not Cox's first entry into the world of recorded music, but was the first time he explored, most perceptively, the parameters of a particular musical mode: one where minimalism is removed from its 'high-art' mantle, Cox inveigling its practices in amongst the doit-yourself creativity of a burgeoning and beguiling underground, letting the music breathe - and most importantly, letting it play, gifting it with imagination.

The first in the Rimarimba series, 1983's Below The Horizon, feature Cox in exploratory mode, figuring out exactly how to make his music. There's a pleasure in hearing how he feels out the parameters of his aesthetic, here - there's a boxy minimalism, slightly clunky and charming with it, that reflects the home-spun, improvisatory tenor of the compositions. It's ambitious music, though, wanting to do the most and the best it can with its limited resources. Cox himself admits to not being 'pre-wired' to making this music, but that only makes it more compelling: 'Were I to be properly musical, it wouldn't actually work as well in some ways; it'd be just another album of contemporary clattery music.'

On October 5, Freedom To Spend will offer Below the Horizon in a one-time edition of 750 copies, followed On Dry Land and In The Woods on January 8, 2019 and February 22, respectively. Each album features artwork reinterpreted from its original edition by Will Work For Good, and accompanying abstracts by Jon Dale.

Next on the DDQ series, Sébastien Michel, best known as UVB, presents his Elements of Joy alias where the French producer explores post punk, industrial and wave influences across 4 rugged tracks. First released as a cassette on his own Body Theory label and now remastered for vinyl on a limited edition of 300 copies.

After a release on I Love Acid and some heavy electro on X0X Records Type-303 delivers a definite acid techno rave anthem that will rip up the dancefloor. You could easily imagine this sort of madness coming from the early 90's acid labels, but in 2018 these kind of tracks are becoming a rare species. On the B-side Finnish HYV is taking the command and remixing the original track into more of a Chicago style jackin' acid (and adding sh**loads of TR-707, but still keeping the track as pumping and mayhem as the original. Limited and numbered edition of 200, after that it's gone, no represses, no digital, so you know what to do!

Record Kicks Pres. "travelers, Exlplorers" The Brand New Single By Legendary Italian Cinematic Funk Combo Calibro 35, Out 9th Of November On A Ltd Edition Vinyl 45.

"travelers, Explorers" Is A New Epic Journey Into Calibro 35's World, A Sung Revisitation Of The Morricone-inspired Tune "travelers" That Closes Calibro 35's Latest Lp "decade". In "travelers, Explores", The Italian Combo Gets Lost In Deep Space With Thewhispered Voice Of Elisa Zoot, Who Guides The Band Into This Journeymade Ofstrings, Brass, Synth Textures And Vibraphone. On The Flip Side, Two Heavy-brass Dirty-groover Versions Of "stingray", Barry Gray's Opening Theme Of The Iconichomonymatv Series: Instrumental Version And With The Italian Singer Serena Altavilla. This 45 Vinyl Is Limited To 500 Copies Worldwide Andall Calibro 35's Previous 45s Went Sold Out In A Few Days, Be Fast!

Calibro 35 Enjoys A Worldwide Reputation As One Of The Coolest Independent Band Around. They Have Been Sampled By Dr. Dre On His Compton Album, Jay-z Love Child & Damon Albarn, They Shared Stages With The Likes Of Roy Ayers, Sun Ra Arkestra, Sharon Jones, Thundercat, Headhunters And As Unique Musicians They've Collaborated With, Amongst Others Pj Harvey, Mike Patton, John Parish And Stewart Copeland And Nic Cester (the Jet). Described By Rolling Stone Magazine's As The Most Fascinating, Retro-maniac And Genuine Thing, That Happened To Italy In The Last Years, Calibro 35 Now Count On A Number Of Aficionados Worldwide Which Includes Vip's Fans Such As Dj Food (ninja Tune), Mr Scruff And Huey Morgan (fun Lovin' Criminals) Among Others.

Format: 180g vinyl, mastered at half speed, heavy cardboard old Stoughton tip-on sleeve, obi, sticker, liner notes - First ever reissue of important Swiss jazz album Stuff Combe 5 + Percussion by Stuff Combe available on 180g vinyl mastered at half speed, with liner notes by Alain Morisod. - For fans of jazz, soul jazz, funk, sci-fi, bossa nova, spaced out sounds, jazz ensembles, collective wizardry, deep solos, Swiss magic, Francy Boland, Benny Bailey, Geneva Tracklisting A1 Space Trip A2 Boss Turquoise B1 Eastern Blue B2 St-Thomas Info We Release Jazz is very happy to present its fourth release (following Ryo Fukui's Scenery and Mellow Dream and Le Cercle Rouge's soundtrack by Eric Demarsan), the official reissue of 1974's Stuff Combe 5 + Percussion, a hard to find soul jazz jewel from a cast of illustrious jazzmen led by glorious Swiss drummer Stuff Combe. The limited edition 180g vinyl LP is mastered at half speed, cut at Emil Berliner Studios, housed in a black and silver Stoughton tip-on sleeve, and comes with liner notes. Recorded in Geneva, Stuff Combe 5 + Percussion finds Stuff Combe conducting an all-star ensemble consisting of Bob Jacquillard on bass, Francy Boland (The Chet Baker Quintet, arranger for Count Basie, Benny Goodman and the list goes on) on piano and electric piano, bebop and hard-bop legend Benny Bailey on trumpet, and Tony D'Adario on saxophone. The sessions ooze with funk, spaced out sounds, breathtaking solos, and moments of absolute collective wizardry. It's soul jazz at its best with sci-fi and bossa excursions! Born in Bern in 1924, Etienne Stephen Jean Gustave 'Stuff' Combe had a wonderfully prolific career, playing all over Europe and the US and working with Buck Clayton, Bill Coleman, Stan Getz, Kenny Clarke, Oscar Pettiford , Art Taylor, Dizzy Reece, and Lucky Thompson just to name a few.

Landing on Alchemy Dubs is our seventh release on 7' format, a special collaboration between Ojah and Nikolaj Torp Larsen 'Nik Torp', keyboard player from The Specials.

The A side contains the track 'Mindset', a Hammond and melodica version of Ojah's 'Mind' riddim, both played by Nik Torp and masterfully recorded through an MCI desk that used to belong to Island Records (hundreds of seminal records where recorded through it, including for example Bob Marley's Exodus). Next up on the label will be a 12' featuring versions of this riddim with vocals by Fikir Amlak ('On my mind') and flute by Don Fe ('Remind').
On the B side we find a dub version as usual, mixed in analog live by Ojah in classic style & fashion.

Limited edition of 500 copies, hand-stamped and hand-numbered, served in a thick custom reversed kraftliner sleeve.
Produced by Ojah, recorded at Alchemy Dubs Studio, London
Hammond & melodica by Nikolaj Torp Larsen 'Nik Torp', recorded by George Murphy at Eastcote Studio 1, London
Mixed & mastered by Oscar Pablos 'Ojah" at Alchemy Dubs Studio, London
Graphic design by Victor Castro

Limited Edition, Heavy Pressed 45rpm - Tribe Of Colin never disappoints. BEAST OF A 7"!

- Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Sticker WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD. Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji 'Banana' Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although 'Debonair Wave' could be a legitimate way to describe this Japan's best-kept-secret of an album. Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!