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12 track Album from Derrick Harriott released by Dub Store Records

The warm dim light of the bedside lamp conjures up a kind of shadow theatre, sends the little stars on the ceiling into a spin, and fills the bedroom with a sense of profound peace. A small music box rounds out the evening atmosphere with soft little melodies. Perched at the side of his daughter's little bed, he watches over his little beat princess' slumber and her dreams, all while enjoying with satisfaction the unencumbered lightness of being at night...

The EP Hannah by the Leipzig-based beatmaker Duktus is a musical tribute to his three-year-old daughter and a personal instrumentalization of fatherhood.

A story told from Duktus' point of view in six different pieces, we can become part of little Hannah's world, as she plays in her room and runs around the playground, goes on adventures during the day and dreams at night.

In EP Hannah, Duktus casts his musical gaze backward in two different ways - both in terms of the experience of being a father and the moments, great and small, that this involves, as well as in terms of his musical influences over the past three years. This produces an atmosphere which, however, does not waver from Duktus' musical direction between uptempo broken beats and downbeat house grooves.

The EP Hannah cover was painted by Hannah herself at the age of two. And it is being produced in a complicated silk-screen process, printed in purple - Lila's favorite color! - on uncoated paper, making for a tactile homage to the little beat princess.

It is only a matter of time before Hannah discovers the record for herself as well. She already got her own record player as a present - from her dad, of course - and is a big fan of old fairy tale records. In the eyes and ears of a DJ and beatmaker, this is all a matter of early musical education.
- I dedicate this record to my daughter Hannah'
- Duktus -

Matt Karmil is a British musician currently residing in Sweden. '++++' is his third album, following 2014's PNN debut '- - - -' and IDLE033, released on Bristol label Idle Hands earlier this year. His output also includes a variety of singles for labels such as New York's Beats In Space Recordings and Stockholm's Studio Barnhus.
On this new album, Karmil can be heard exploring the concepts of impossible objects, reflection, symmetry, infinity - perspective, truncated and stellated polyhedra - hyperbolic geometry, tessellations and lost love. While making the music that constitutes '++++' he interacted with mathematicians George Pólya, Roger Penrose and Harold Coxeter as well as the crystallographer Friedrich Haag, and also conducted his own research into tessellation.
The result is '++++', Karmil's most clever, strange, emotional and fun work yet, a testament to his breadth and depth as a musician. Did we forget to mention that he's an awesome party dj

To celebrate Record Store Day 2016, Claremont 56 is proud to
present something rather special - a killer single-sided release whose origins are shrouded in mystery.
'Tropic Of Capricorn' arrived at C56 HQ with little or no information. While its' humid sound effects and glistening, unfurling melodies evoke hazy memories of Mediterranean sunsets and Adriatic sunrises, the track's creators live East of Ukraine, in the colder surrounds of the Russia.
Regardless of who made it, you'll struggle to fnd a single that's quite as warm, tactile and seductively groovy. Built around a hypnotic, slo-mo groove, 'Tropic of Capricorn' soothes and sedates from start to fnish. Its' ingredients are relatively sparse - think gently undulating beats, toasty chords and an electric harp that gently ebb and fow like the waters of a mountain stream - but the results are nothing less than stunning.

Three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar,In Russell's hands, Clay Wilson's "E4" becomes a spaced-out stepper's delight. His rework of Romans' "Coptos" lets the acidic undertones of the original run free while snappy percussion holds focus. And while we're not one to pick favorites, Russell's remix of Zemi17's "Rangda," stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state.

Ark & Pit Spector continue their inspired journey with an extended EP full of groovy jams and absorbing rhythms for Hold Youth. The Frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. On this new EP they go deeper into their sound explorations with five original works and a remix from their Parisian buddy and Hold Youth member, Le Loup. First up, we go into bumping jazzy territory with 'Chauffage Central', a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. Straight up after that, Hold Youth rudeboy Le Loup gives 'Chauffage Central' a funky little rework, throwing live sounding percussion, Nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. The final track on side A, is a cheeky teaser called 'Petite Ondée'. Rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys.

On the flip we kick off with 'Air Conditionelle', a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. The bassline takes you to a New York City street and the whole atmosphere is that of an old school NYC neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. 'Sub Tropical' goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. 'Averse Et Contre Tous' closes out the EP with a slothish ride into the sunset - Ark and Pit Spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys.

Another triumphant effort from Ark and Pit Spector, in fact, some of the finest work to date. Make sure you check it out!

Wallias Band were an Ethiopian jazz/funk outfit active from the
70's until the 90's. They recorded and worked with Mulatu
Astatke. They were amongst the first Ethipian bands to tour the
USA.

On 'Muziqa Muziqa' saxophonist Seyoum Gebreyes collaborates with
the Wallias Band. Very little is known about Seyoum... 'Muziqa
Muziqa' is an uptempo Ethio-funk jam, with a soaring vocal,
driving organ, drums and brass.

'Muziqawi Slit' is a chugging, hypnotic Ethiopian jazz funk
groover featuring organ player by Hailu Mergia. Taken from his
'Tche Belew' LP originally released on Kaifa in 1977, featuring
Mulatu Astatke, arranged by Girme Beyene.

After the killer club versions of Bella Ciao, Leo Mas & Fabrice team up with Italian ambient master Gigi Masin to deliver the already legendary Laguna Mix.

As you probably know Gigi has worked on the label with Tempelhof (watch out for their sophomore album Tsuki...), has made albums as Gaussian Curve (with Young Marco and Johnny Nash) and has worked on many great modern classical albums.

His version is super slow, littered with emotive piano chords and breezy ambient atmospheres that make it perfect for sunsets.

Also on this 12", Leo and Fabrice combine once more for an On Air Remix that is invitingly sparse and gentle sways to and fro with gorgeous trumpets, twinkling keys and a slowly, blissfully building sense of Balearic tension.

Our little Dirt Crew sub label Spiel started out in late 2013 with three excellent releases, the first two by "Clancy" featuring remixes by "Urulu" and "Prins Thomas" followed by a stellar EP from "Mercury". After a hiatus SPIEL
is back for 2016. Renewed and inspired we have a bunch of both fresh faced and established artists on board packing quality releases for the year. With sounds spanning from Indie Dance and Electronica to Disco and spaced out Balearic jams, we're proud to present you the first of our outings for 2016.

First up is close friend and rock solid producer "Good Guy Mikesh". Out of Leipzig, Germany, he's the guy with the Perfect pitch, forward thinking ideas, an impressive discography of 12"s to his name, and a huge range of influences from funk and soul, to 80's new wave electro and back again. He's come to the table with four tracks we've been busting to share with you.

'Whim' is the steady builder. Spacious and very much alive with sliding leads and layers of analogue synths that sparkle, it's melancholic bliss, it's a deep breath inducing, dance floor lifting, thought provoking piece of beauty. 'Why Not' is something deeper, the bass slips and slides dancing with the top line, while a palette of plucked strings, tuned percussion and Mikesh's signature synth soundscapes reach into the distance as the track continues to roll.

On the B side, 'Cookie' is joyful, its playful keys and poolside energies toast to warm weather and good times. Bouncing arpeggios lead the charge in the break, rising before giving way to euphoric synthetic strings which lead us back into the elated refrain. 'Corone' hints towards Mikesh's disco history, boasting a burly bass and a funk all of its own, this indie dance shaker's got a solid groove and vibe to spare.

A listening pleasure and a dance floor treat, Mikesh's far reaching and assured musical vision is inescapable on this record. The perfect welcome back for SPIEL.

Within the House of Soul, the Daptone Staff is affectionately referred to as The Hate Crew,' a name they have earned from their years of ruthless evisceration of anything which doesn't meet their impossibly idealistic expectations. Armed with rolling eyes and barbs of sarcasm, they are the true guardians of the Daptone Sound.
The problem is, this new James Hunter single has turned them all into adorable little kittens. They spend all day mewing to the ballads and scampering about to the uptempo cuts instead of selling records.
In an effort to save the company, label Boss Neal Sugarman declared a Hunter Free Zone,' but when he tried to pry the test pressing of Hunter's latest single from the office turntable and replace it with something a bit more hate-able, the needle slipped and dropped back into the grooves of Something's Calling,' irreversibly morphing him too into a small playful kitten. Meow, James Hunter. Meow. grooves of 'Something's Calling,' irreversibly morphing him too into a small playful kitten. Meow, James Hunter. Meow.

Das 1965er-Album "Beach Boys' Party!" wurde remixed, remastert und erweitert zu "BEACH BOYS' PARTY! UNCOVERED AND UNPLUGGED". Zum 50jährigen Jubiläum erscheint es als Doppel-CD und enthält 81 Songs und Sprachtracks. Am 4. März erscheint die Vinyl Edition mit 12 Tracks, remixed and remastered im "Uncovered and Unplugged"-Style.

Gone with the flow - after a little break the German musicians Julius Steinhoff and Abdeslam Hammouda revived their musical adventures and left all electricity untouched this time. For their new acoustic project the duo has chosen the alias Tonight Will Be Fine - a name that is familiar to those who followed their work in the past years. As Steinhoff & Hammouda they used the name for their first 12" on Smallville Records, the worldwide acclaimed house and beyond label and record store that Steinhoff co-runs. Now they reheated the phrase and chose it as the alias for a bittersweet acoustic singer/songwriter project. Their wonderful, captivating new musical venture came into life due to happenstance and old ferventness. After their trips into house music the duo parted geographically. Hammouda moved away from Hamburg while Steinhoff strengthened his label Smallville, built up a global DJ career and produced acclaimed house records on diverse labels - solo" and with his buddy Dionne as Smallpeople. In all the time Steinhoff and Hammouda never stayed out of touch, bound together through deep friendship.

At some point they met again for musical missions and started to record music that had nothing in common with their prior work. Steinhoff re-activated his self-taught guitar abilities and entered the studio of his friend Lawrence in the back of the Smallville record store to capture some steeldrums and vibraphone sounds. Hammouda brought more instruments like a banjo, a violine and tablas and they just started to record sketches and songs. Hammouda's musical backround leads to a widespread range of influences while growing up, before he got into producing hip hop and electronic music. For Steinhoff, the transformation from an electronic music producer into a singer/songwriter wasn't that new too, as his first musical steps have been routed in band music. Until his late teenage years, when he discovered house and techno, he played drums in a local indie group in Freiburg and for Tonight Will Be Fine he now also freed his old drum kit from cellar dust.

After the duo felt that their musical communication elevates into something more profound then a session thing, they provided themselves with additional instruments like new guitars, claves, an accordion, a piano and more. Initially the songs were very rough and sketchy. Musical ideas that did not have a real song structure. Then we started to arrange the tracks and added our voices and lyrics.' both reveal. Their charming singing covers almost the whole album with a characteristic sense of deep winking melancholy. Their lyrics are exercising the possibilities of words and are inspired by life, the world and all the those questions a human can ask in his time on earth. At some point both started to show their new songs to some friends and they liked it and encouraged the duo to move on. Somehow one of the tracks landed in Toshiya Kawasaki's mailbox. He instantly fell in love with it and asked if they would like to do an album for Mule Musiq. They did what was asked and after some reformatting and reinventing Tonight Will Be Fine originated 13 songs full of sweeping acoustic guitars, airy rhythms, piano melodies, gloomy accordion emotions, touching voices and a bunch of other exotic instruments, done without the help of electronics. They all form Elephant Island' - an incredibly inspirational place where impressionistic lyrics dance gently with kinetic acoustic music that comes out of plain jamming fun. The melange of a structured song base and free improvisation injects all songs a loose feeling. And shows two handsome fellas carving out their own musical utopia. It is a warming one, full of hope and musical freedom powered by an unabashed instrumental playfulness.
nstrumental playfulness.





É a5 | soliloquy

It's time for another limited release from Absys Records. This time we're offering a brilliant EP by Hatti Vatti & Lady Katee - a duo recognized well on both Polish and global electronic music scene. You can be sure about the quality of the release - after, all Hatti Vatti is a producer recording with e.g. Synkro, and his tracks have been remixed by Andy Stott and ASC, for instance, Lady Katee, in turn, is known for her vocal endeavours as part of her post-rock band called Little White Lies. 'Farba Wszystkich Zdarzen' labelled as ABSLTD006 is a pink-coloured 10inch vinyl EP containing 4 tracks, constituting a smooth combination of fresh electronica, characterized by a mixture of depth, subtlety and gentle sound of contemporary electronic music and a delicate layer of vocals. As a whole, the EP seems to be hitting the rather more positive, upbeat notes, but still far from simplicity or tackiness, which is an undeniable asset, especially in terms of escaping the ever-expanding mainstream. Interestingly enough, the title track - 'Farba Wszystkich Zdarzen' (check out the official video! (youtu.be/2vCu5wKYXeI) - is the only track recorded by the duo, where you can hear Lady Katee sing in Polish. A small tribute to the duo's motherland, if you may.

Brazil 45, number 36


Claudia - Garra

Rich, sweet, orchestral bossa nova/MPB from the excellent Claudia, another of our favourite artists and featured several times in this series. Taken from her 'Você, Claúdia, Você' LP released in 1971 by Odeon Brazil.


Os Tres Morais - Freio Dynamico

Uptempo, cinematic, vocal MPB/Jazz with muted trumpets, pinging bass guitar strings and even a little bit of fuzz for good measure! Os Tres Morais we're two brothers and a sister; Jane Vincentina, Sidney and Roberto do Espírito Santo. They formed in 1963.

'Freio Dynamico' is taken from the groups self-titled LP on Odeon 1971.

(1lp vinyl version - hq cover art)
Jakob Häglsperger AKA Kalipo is a busy man. Operating as one third of German electro-punk band Frittenbude, his solo alias was brought to life in 2014 with debut album Yaruto", released on experimental label Antime Records. The multi-faceted producer now returns to Audiolith with the Wanderer EP", after having released the gorgeous Mäusemarsch' this summer on the label's electronic-focused Stiff Little Spinners compilation series. Wanderer is a restless record which sees Kalipo work his way through the deeper ends of four to the flour with a refreshingly experimentalist approach to production, with defamiliarized samples and analogue gear running the show. The music has changed since the Berliner's debut album, becoming more propulsive, more physical and geared towards the dancefloor. Composed mostly on tour or over extended periods of travelling, the track names on Wanderer' each come with their particular story, referencing places Kalipo has previously played or traveled to. Monolithic opener Donau Sunrise' sets the tone straight from the start with sanguine arpeggiators that work their way across a mystical backdrop. Melancholic themes infiltrate the cracks of the album and stand out tracks Banana Garden", written when Kalipo was stuck in a bamboo hut in the middle of thai jungle with a 40 degree fever and nothing else but headphones, a sampler and penicillin for company, and the stunning Institute Of Cotton Wool' are set to become earworms of the highest order. Wanderer' sees Kalipo right in his element.

On November 13th, PNN Records will release the debut album of its most enigmatic artist,
myr. 'Diamondbacks Make Wonderful Pets' is more than just a strange name, it nine tracks represent an exciting evolution in myr.`s trajectory as an artist. Following his debut EP 'Nobody knows Avalon' myr. seems to have dug deep and discovered another level to his sound. Each of the tracks on the record are confidently offbeat and precisely composed.
'A Little-Bitty Bowl (with B.Hotton)', mixes thunder sound-effects with glitchy synth bleeps, layering them above darker tones which build to a perfect storm in the middle. This 10 minute track fails to get boring and is representative of the album as a whole. myr.`s ability to carry off strange hybrids is what makes his music unique. From the ghostly warbles of 'I Think I Hear Them Coming' to the sunnier sounds of 'Eleanor', myr.`s disregard for the norm has lead to an exceptional record that surprises at every turn.

Warm Tapes Adjustment returns with the Second Volume once again performed by SCM a Gari Romalis.
On the A Side two raw and dusty live sample sessions from SCM.
On the B side two lo-fi disco styled house tracks from one of Detroit's finest underground producers
Four house tracks fused in a combination that makes this record unique! Vinyl Only release

Vinyl Only!
We've been meaning to put out some music by our friend Harald ever since we started this wee operation five years ago. Imagine our joy now that we're ready to release not one, but two masterful records signed Mr. Björk! Solemn chord improvisations recorded in the secret gardens of Nacka pair up with a shameless yet humble cover version of a techno evergreen on this perfect little vinyl exclusive record, beautifully designed by Malin Gabriella Nordin. This 7'' single is released synchronously with the 12''/digital Fritids EP

Norman Jay MBE presents his latest compilation, titled 'Good Times Skank & Boogie', set for release 9th October 2015 on Sunday Best Recordings. This is his first compilation since 2011's Good Times 30th Anniversary Addition and follows on from his hotly anticipated Good Times Goes East party at St John Church at Hackney on 29th August.
Norman Jay is undoubtedly one of the finest and highly respected DJs in the world today and yet again pulls from his impressive collection to provide the ultimate eclectic selection.
For this 12th compilation, for those of you counting, Norman kicks off with St Germain's version of Henry Mancini's Pink Panther Theme. A cult favourite from 2004s Pink Panther Penthouse Party album, it of course immediately brings Peter Sellers to mind and a smile to your face. Next up former Uniques front man Slim Smith's Everybody Needs Love is a classic from 1968, cut at the legendary Duke Reid's Treasure Isle studio. Penned originally by Motown heroes Norman Whitfield and Eddie Holland and covered by household names including The Temptations and Glady's Knight & The Pips, Slim's version became something of a signature tune until his mysterious death in 1971. Sticking with Motown, Stevie Wonder's Living For The City is up next but it's the Michael McDonald rendition from his 2008 album Soul Speak, which proves the man who gave us the sublime Sweet Freedom had lost none of his class 20 plus years on.
D-Influence's Good Lover takes things up and brings them closer to home, to the streets of London infact. After a couple of independent releases the band, who had strong connections to the London Jazz and Soul scenes, served up this contemporary boogie tune as part of their 1992 debut long player for East West. They would subsequently score hits as a production team for a number of British R&B acts. Homegrown soul continues with Paul Johnson's Better Than This, released here via longstanding UK soul imprint Expansion to deserved acclaim last year. It's quality and appeal are simply timeless, whilst master Dego and Kaidi's mix adds a classic 80s soul dimension to proceedings.
The Chi-Lites I Keep Comin' Back To You and The Real Thing's Love Takes Tears continue and expand the 80s theme, bringing in 2-step and boogie, as does Deodato's Never Knew Love from the same period.
We switch again with Delroy Wilson's Better Must Come, a massively popular sufferers lament from 1971 by this former Jamaican child star, it would go on to be used in election campaigns by various Jamaican political parties. Kent People by Laurel Aitken & The Gruvy Beat is the next one out the box and was the flip to the 1969 anthem Skinhead Train. It features the UK's top reggae band of the era The Rudies, who along with Aitken, the widely-proclaimed Godfather of Ska, comprised of Earl Dunn (lead guitar), Trevor White (bass), Sonny Binns (keyboards) and Danny Smith (drums). They would go on to enjoy UK chart success backing singer Freddie Notes before they evolved into Greyhound. From the same year Splash Down by The Crystalites is another slate that ignited dance floors in both Jamaica and the UK upon release. Some of you will have noticed the rhythm track is the same as that of the earlier Kingstonians' best-seller, Sufferer, which came courtesy of legendary producer Derrick Harriott.
As the end draws close The Stone City Band featuring Rick James serve up some hard edged boogie, hotly followed by a classic Tom Moulton slice of late 70s disco courtesy of The Fantastic Four and their I Got To Have Your Love. If that doesn't have you dancing then Chanson's superb Don't Hold Back featuring James Jamerson Jr. on bass will leave you no choice. Classic Good Times indeed.