Buscar:lôan

To mark a decade as one of Ibiza's most iconic musical sanctuaries, Hostal La Torre announces 'La Torre Ibiza Volumen Cinco', a new compilation curated by long-standing residents Pete Gooding and Mark Barrott. Released June 27 on CD and double vinyl, the 15-track collection captures the spirit of the venue that has come to define the golden-hour soundtrack ofthe island's west coast.

Since opening in 2015, La Torre has established itself as a bastion of Balearic culture-set high on the cliffs overlooking the sea, where music flows with the sun rather than the clock. The fifth volume in the celebrated La Torre series is a journey through Brazilian soul, ambient electronica, classic deep house, orchestral minimalism, and dusk-lit Detroit techno-an emotional arc designed to mirror the progression of an evening at the venue.

From timeless icons like Nina Simone, Mazzy Star, Talk Talk (with their Spirit of Eden closer "Wealth"), and Boards of Canada, to boundary-pushers like Auntie Flo, Eden Burns, and µ-Ziq (aka Mike Paradinas), Volumen Cinco weaves together deep-rooted classics and leftfield discoveries. Mark Barrott contributes a brand-new exclusive, 'When Devils Become Gods', while the compilation closes on a rare gem from Yellow Magic Orchestra's Yukihiro Takahashi. Also includedis Software's 'Present Voice', a quietly powerful tribute to the late José Padilla, the spiritual architect of Ibiza's sunset sound.

Volumen Cinco is more than just a listening experience-it's a tribute to La Torre's ethos: open-hearted, genre-fluid, rooted in place and time. Each track is carefully sequenced to evoke a feeling, a shift in light, or a shared memory beneath the fading sun.

Over the years, La Torre has welcomed some of the most influential names in Balearic and electronic music, from José Padilla, Alfredo, and Jon Sa Trinxa to DJ Harvey, David Holmes, Lovefingers, Heidi Lawden, Wolf Müller, Don Carlos, and Phil Mison. With each summer season and each release, the venue continues to build a musical legacy that has earned critical acclaim from Resident Advisor, Phonica Records, Juno, and Piccadilly Records, regularly featuring in their year-end lists.

As Test Pressing once wrote, "La Torre is not a party, it's a place of pilgrimage. It feels almost sacred." That spirit resonates deeply in this anniversary compilation-a celebration of music, community, and connection that spans a decade.

La Torre Ibiza Volumen Cinco is dedicated to the artists, friends, collaborators, and guests who've shaped its story so far-and to everyone who continues to gather, listen, and lose track of time as the sun slips beneath the horizon.

Four Flies is thrilled to present the very first release of Gianfranco Reverberi's hidden masterpiece: a mind-blowing soundtrack, possibly his wildest and most daring. This Italian score is sort of a Holy Grail for fans of the spaghetti sound, especially thanks to the legendary track "Psicolimite".


In 1973, a mysterious 45 rpm single surfaced under the name 'Sharon Chatam e la sua Orchestra.' The single seemed to be a harmless cover of the theme from Last Tango in Paris, complete with a typical image from the film. But behind the innocent facade, a secret was hidden: the B-side track, "Psicolimite," was actually the main theme from Rivelazioni. When someone in the United States figured this out and realized the 'Sharon Chatam' moniker was a pseudonym for Reverberi and his team, the price of the record skyrocketed, making it a coveted collectible.


This makes the discovery of the full soundtrack even more exciting, considering that the music Reverberi composed for the infamous film by Renato Polselli - one of the most outrageous and uncompromising Italian genre cinema directors - was thought to be lost forever, perhaps vanished into the depths of some film processing lab. But thanks to the sleuths at Four Flies, this enigmatic masterpiece has been resurrected and presented in all its glory. It's available now as a luxurious gatefold double LP with original artwork by the brilliant Eric Adrian Lee.


While the film, despite some critics praising it as "psychotronic," is a bizarre mishmash of rambling pseudo-psychoanalytic theories and sexual deviance voyeurism, the music stands out as a foremost, vital element, able to exist on its own.


Reverberi's reputation as a serious, refined producer (for artists like Lucio Dalla, Gino Paoli, Luigi Tenco, and many more), however, led him to keep his distance from exploitation films like Rivelazioni. To maintain his image, he had his friend and former schoolmate Umberto Cannone take credit for the score – a tactic he also used for Polselli's next film, Mania (1974).


But this anonymity might have unexpectedly increased his creative freedom, for the score he put together and recorded is experimental, at times raw, and driven by a relentless rhythm section where bass and drums lay down the groove. The use of electronic instruments is impressive for the time, with drum machines and spacey synths creating a dark and dreamlike atmosphere. Psychedelic flutes, piano phrases, crazed percussion, filters, compressors, and jazzy improvisations on sax and vibraphone complete the mix.


The full soundtrack was recovered following the discovery of the original 1-inch, 16-track tapes, which were transferred, mixed, and mastered for optimal listening on both vinyl and digitally, with the digital version featuring 8 bonus tracks.


Available from November 22!

After the first, extremely successful "Motor City Days Vol.1" release from 2002/04 with all those then-and-now enduring tracks by Jeff Mills, Tronic Pulse, Drivetrain and St. Andy, the "Motor City Days Vol.2" follow-up comes along now as another ambitious showcase of the continous work of that other electronic music axis Detroit-Cologne in full effect!

The extra limited MLP-Vinyl offers 6 more, typical Planet Detroit tracks on the cutting edge of Techno, House, and Electro by Teknobrat (Bunkerbliss, Ottawa), Claus Bachor (remixed by the D's own Lockstep, Soire Rec. Int.), Ferndale Parking Attendants (House Gallery Detroit), Thomas Barnett (Visillusion Rec.), Eno Justin (BangTech 12/ DTM), and Jason Garcia (Cryovac Rec. / House Gallery).
They all pay attention to the innovations that have come before them. And this is where some experiments in the Motor City's E-Funk fusion show a high fondness for the past while sacrificing none of the production tricks of the modern day. Brimming with full spirit and box-energy.

Finally, this is one of those records that when you hear the DJ play it, you'll leave your drink behind and run out to the dancefloor. While all these trainspotters ran up to ask what was playing? So "Motor City Days Vol. 2" is definitely on fire!

Repress!

Sophomore release from the acclaimed trio of Inspectah Deck (Wu-Tang Clan) And 7L & Esoteric. Features MF Doom, GZA, Method Man, Large Professor, Juju Of The Beatnuts, Ra The Rugged Man, & Meyhem Lauren. Packaged in a 70+ Page Hardcover CD Casebook / 2LP on Clear vinyl with Lyrics & Cover Art From L'amour Supreme (Mishka NYC). Includes a comic, written by Esoteric with artwork by Gilberto Aguirre Mata (El Ultimo Codice) & L'Amour Supreme. CZARFACE - Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric - isn't concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group's fans. In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the '90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante. This time around the group is the same, but it's fair to say that all three men have stepped up their game. We knew how we felt about the last album, but weren't sure how it would be received by listeners,' explains MC Esoteric. But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.' Inspectah Deck adds, Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I'm in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I'm here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit...I love that. I love when i can just spit freely and just be an MC.' The fighting analogy - whether drawn from pugilism or '80s wrestling, both which figure into Every Hero Needs A Villain - is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.' On the production side, 7L shows yet again - as he did with the group's debut - that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths. If that wasn't enough, it's all iced with a ridiculously intricate and beefy 70-plus page, hardcover CD casebook with lyrics and extensive artwork by Gilberto Aguirre Mata (El Ultimo Codice) and L'amour Supreme, and with Death & Abduction,' a comic written by Esoteric, and an explosive, comic-book-inspired cover by L'amour Supreme (Mishka NYC).

01. Don The Armor
02. Czartacus
03. Lumberjack Match
04. Nightcrawler (Feat. Method Man)
05. World Premier (Feat. Large Professor)
06. The Great (Czar Guitar)
07. Red Alert
08. Junkyard Dogs (Feat. Juju Of The Beatnuts)
09. Sgt. Slaughter
10. When Gods Go Mad (Feat. Gza)
11. Ka-Bang! (Feat. Mf Doom)
12. Deadly Class (Feat. Meyhem Lauren)
13. Escape From Czarkham Asylum
14. Sinister
15. Good Villains Go Last (Feat. Ra The Rugged Man)

Dead Mammals II' is the second album by the UK's Dead Mammals, written and recorded by founding members Chris Garth and Peter Basden. The album further explores the sounds made during the last great decade of music (Nirvana, The Jesus Lizard, Some Velvet Sidewalk and Big Black) which influenced their first album 'Dead Mammals' released in 2021. 'Dead Mammals II' pushes into new territories, expanding on the lo-fi sounds of their debut but more powerful, corrosive and uglier than before. New Noise Magazine have said Dead Mammals Il "....continues in the purest tradition of idle losers seeking revenge on a sanitised society. Noisy, devastating, and endowed with the same sh** *y humour. Everything we like". 'Dead Mammals II' is now available for the first time on "toxic River Medway "coloured vinyl via new label House of Gain Records.

JULIAN JONAH featuring MARVA KING - BETTER MAKE ROOM FOR LOVE (FULL LENGTH & 7 INCH VERSIONS)

IZIPHO SOUL is thrilled to announce that producer extraordinaire JULIAN JONAH has a new creation - featuring on vocals, the marvellous MARVA KING. To have an artist of this magnitude is a massive coup - we are truly blessed.

The enchanting soulful boogie production of BETTER MAKE ROOM FOR LOVE is permeated with real instruments - lush strings, infectious bass guitar riffs, synths, horns and combined with Marva King’s soulful vocals - it’s a perfect concoction!

Various Artists - "Collector III" (FURV3)

Future Romance presents the 3rd edition of their vinyl release series called „Collector“, featuring the labels most wanted and most sucessful tracks. This collector's release is a sonic journey through the realms of melodic house & techno, featuring four captivating tracks by different distinct artists. Each composition has already garnered widespread acclaim and massive DJ support from across the globe. "Collector" is a testament to Future Romance's commitment to delivering unparalleled musical experiences on the beloved vinyl medium. Part III gives us wonderful tracks by Solee, Stereo Underground, James Harcourt and Gai Barone.

Die „Volver“ EP ist Sofia Kourtesis’ erste neue Musik seit „Madres“, ihrem Debütalbum, das im Oktober 2023 erschien. Sofia Kourtesis hatte bereits mit einer Reihe von Singles und EPs den Durchbruch geschafft und die Veröffentlichung von „Madres“ markierte einen großen Moment für sie, der sich seither stetig weiterentwickelt hat: das Album wurde von Pitchfork als „die Art von Musik, die jede Kälte auftaut und dich an deine Lebendigkeit erinnert“ beschrieben und rangierte hoch in den Jahresendlisten von MSN, taz, Berliner Zeitung, Deutschlandfunk, Kulturnews, Plattentests und anderen.
Die Aufnahme der EP selbst beschreibt sie - passend zum Titel - wie einen Pedro-Almodóvar-Film: eine chaotische, schmerzhafte, aber letztlich freudige Erfahrung, da sie an ihren beiden Wohnsitzen in Deutschland und Peru arbeitete und sich dabei ständig dramatische Veränderungen ergaben. Während dieses Prozesses tourte Sofia Kourtesis durch die Welt, spielte immer größere Shows, arbeitete mit lokalen Gemeinschaften in Deutschland und Südamerika, kümmerte sich um die Pflege ihrer Mutter und beschloss sogar, ein Medizinstudium aufzunehmen. Das hat Sofia Kourtesis schon immer zu einer ganz besonderen Künstlerin gemacht - es steckt so viel Leben in jedem Zentimeter ihrer Musik. Auf der neuen EP baut sie genau darauf auf, ihr mitreißender Geist ist präsenter denn je.

Kevin Saunderson’s E-Dancer combine with DJ Minx to create an instant classic and am anthem for a long hot summer.

If is a triumphant colloboration between Techno godfather Kevin and his son Dantiez, who as well as being part of E-Dancer co-wrote and co-produced this latest gem from Detroit’s electronica lineage.

The result is an insanely catchy proud homage to the Motor City’s Techno roots propelled by one of by one of those unforgettable Reese bass lines.

The Electrifying Mojo, Juan Atkins, Carl Craig, Mayday, Stacey Pullen, UR, Ken Collier, MK, Moodyman, Jeff Mills, Terrence Parker and Octave One are amongst the Area Code 313 legends name checked in the lyrical romp.

DETROIT made its’ debut at the city’s recent Movement celebration of all things Techno and was acclimated as a gem by those who understand that you can’t tell the Motor City’s how to play its’ music. Kevin followed this up with a DJ trip to Ibiza where DETROIT created Detroit mayhem.

“WHATTUPDOE —WE’RE THE D”

Trip Maps 3 is a compilation of psychedelic / electronic oddities written by The Future Sound of London under various guises.

The Trip maps series (now at Vol.3 ) is created in conjunction with charity label Touched Music.

Live drums and bass mash with bizarre electronics , feels like the past but definitely the Future …….

Collecting Orders For 2025 Repress

Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule. These tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.

Hot off their two smashes for Marvel’s blockbuster lm Venom: Let There Be Carnage, CZARFACE is back, triumphantly swinging into your universe with their all new CZARMAGEDDON! Expect many twists and turns as Wu-Tang’s Inspectah Deck and Esoteric go to war with an all-new, all-different soundscape from Czarface producers the Czar Keys. Alt-rap icon Kool Keith shatters the lyrical glass and the enigmatic Frankie Pulitzer, who rst appeared on the Venom soundtrack on Czarface’s Today’s Special, is back with guns blazing. Fans will crash the gates for this all new chapter of the Czarface saga.

Includes:
-Collector's Lunchbox with embossed Czarface art on front and back
-Series 2 Trading Cards only available with the Lunchbox
-Cassette of CZARMAGEDDON! only available in the Lunchbox

Karate Boogaloo aus Melbourne, Australien präsentieren mit Stolz "Hold Your Horses", ihre fesselnde neue Langspielplatte mit originalen Instrumentalstücken. Henry Jenkins, Hudson Whitlock, Callum Riley und Darvid Thor sind das Herzstück von Melbournes aufkeimender Instrumental-Soul-Bewegung und machen seit ihrer Schulzeit gemeinsam Musik. Die vier Freunde lernten sich in der Highschool kennen und haben die großen Instrumental-Bands wie Booker T & The MG's und The Meters genau studiert. "Hold Your Horses" ist Karate Boogaloos eigene Interpretation von instrumentalem Funk. Eine echte Reise vom Anfang bis zum Ende, bei der jedes Stück nahtlos in das nächste übergeht und eine Welt mit kinematischen Momenten, skurrilen Melodien und unheimlichen Dissonanzen erschafft, und von unbestreitbarem Super Heavyfunk untermauert wird. Alle Songs für "Hold Your Horses" wurden gemeinsam im Studio geschrieben, ohne dass eines der Mitglieder vorgefertigtes Material einbrachte. Es ist ein Prozess, der speziell darauf ausgelegt ist, die Stärken der Band und ihre Beziehung zueinander zu maximieren. Um das Erlebnis noch zu verstärken, erzeugt das LP-Cover (entworfen von dem in Melbourne lebenden visuellen Künstler Drez) ein interaktives optisches Kunsterlebnis, wenn die Innenhülle aus dem Umschlag entfernt wird. Karate Boogaloo ist ein Quartett, das mehr ist als die Summe seiner Teile; und die Teile allein sind sehr, sehr gut.

Kristoffer Eikrem Releases “Beneath the Sky and Moments Between” – A Journey into Ambient
Soundscapes

Mutual Intentions proudly presents Beneath the Sky and Moments Between, a 12-track ambient exploration by
Kristoffer Eikrem. Known as one of Norway’s leading jazz trumpeters and a skilled instrumental hip-hop producer,
Eikrem now debuts as a solo artist in the ambient genre, blending his musical heritage with serene, textural
soundscapes shaped by FM synthesis.
For fans of 80s-inspired ambient works like Hiroshi Yoshimura’s Music for Nine Postcards, or artists such as Gigi
Masin, Brian Eno, and Aphex Twin, this album offers an introspective experience. It captures fleeting moments
and expansive skies with minimalist elegance, balancing warm, organic tones and spacious sound design.
Having collaborated with artists like Ivan Ave and Fredfades—whose earlier ambient project with Eikrem hinted at
his potential in this space—Beneath the Sky and Moments Between stands as one of Eikrem’s most complete
artistic visions to date

it “Seeadler” stechen Käpt'n Rummelsnuff und sein treuer Maat Asbach erneut kraftvoll in See und liefern ein Album, das keine Genres und Grenzen kennt. Zwischen rauer Elektronik, schweißtreibendem Schunkelpogo und hymnischer Strommusik entfaltet sich ein einzigartiges Klangbild, das gleichermaßen wuchtig wie gedankenreich ist. Rummelsnuff, bekannt für seine markante Mischung aus maritimem Charme und industrieller Power, bleibt sich auch auf diesem Werk treu: Mit Texten, die zwischen Seemannsgarn und tiefgründiger Symbolik oszillieren, und Sounds, die von stampfendem Maschinenbeat bis zu anrührenden Akkordeonklängen reichen.

“Seeadler” zeigt die gesamte Bandbreite des künstlerischen Schaffens dieses außergewöhnlichen Duos. Besonders auf Vinyl kommt die vom Käpt'n selbst betonte Aufteilung in Schunkelpogo und Tanzmusik zur

Geltung. Ein Album, das sowohl eingefleischte Rummelsnuff-Fans als auch interessierte Neulinge abholen wird.

Stepping out of the shadows with refined precision, Saktu returns to Heisenberg with the Fucha EP – a sharp, hypnotic exploration of minimal groove. Sleek rhythms, tactile textures, and playful low-end pressure define this trio of deep, late-night rollers.

Balancing raw functionality with subtle artistry, the Fucha EP captures the essence of what makes Heisenberg a beacon in the modern minimal scene. Crafted for the floor, tested in the booth

MIKE & Tony Seltzer präsentieren das Doppelvinyl ihres zweiteiligen Albums "Pinball". Das Original aus 2024 wurde von Fans und Kritik begeistert aufgenommen, war es doch etwas Neues, MIKE in dieser Direktheit rappen zu hören. Dieses Neue ersetzt MIKE auf "Pinball II" mit verfeinertem Songwriting und einigen der besten und energiegeladensten Raps seiner Karriere. Tonys Produktion klingt dabei kraftvoller und mutiger als je zuvor. Nach zwei Kollaborationen haben die beiden Künstler eine gemeinsame Chemie gefunden und schaffen ein Projekt, das vielleicht MIKEs zugänglichstes ist, das gleichzeitig aber die Essenz bewahrt, die ihn bis hierher gebracht hat. Zu den Gastfeatures und Kollabos beider Teile gehören Earl Sweatshirt, Clams Casino, Jay Critch, Akachi (Chief Keef-Produzent), Lunchbox, Sideshow, Niontay und viele mehr.

Jüngstes Lob für Pinball II:
* "Der Rapper und der Produzent aus Brooklyn haben sich für eine energiegeladene Fortsetzung des letztjährigen Pinball wiedervereint. Es ist eine leichter verdauliche Version von MIKE, die sich dennoch authentisch anfühlt." – Pitchfork 8.1
* "Der immer produktivere Rapper aus Brooklyn liefert eine Reihe Trap-beeinflusster Tracks, die es schaffen, alle Genre-Schubladen zu sprengen, in die man ihn stecken könnte." – Rolling Stone****
* "Rap-Fans auf der ganzen Welt sollten dankbar sein, dass MIKE sich entschieden hat, mit Tony Seltzer zusammenzuarbeiten." – The FADER

Visionary producer and one half of pioneering electronic duo The Chemical Brothers, Tom Rowlands returns to Phantasy with ‘We Are Nothing / All Night’, the first solo dancefloor material since his last appearance on Erol Alkan’s storied London label in 2013 with ‘Through Me / Nothing But Pleasure’.

Once again, Rowlands delivers a double A-side single in order to commit two progressive new productions to wax. Heavily road-tested across the world in Chemical Brothers DJ sets, the sprawling arrangement of ‘We Are Nothing’ trips through a decades-long obsession and subversion of house music and psychedelia alike. Imaginatively sampling Canadian outsider artist Bill Bissett, Rowlands uses the poet’s existential phrasing as the foundation for a rising slalom of acid catharsis, peppered with snatches of soul, analogue freakouts, and all-encompassing groove.

‘All Night’, meanwhile, finds a different, perhaps unexpected rhythm. Here, Rowlands’ unmatched studio instincts deviate in a different direction entirely, employing a searing tempo to embrace the analogue experimentation at the heart of his work, as well as an appreciation for electronic music’s willingness to barrel ever-forward; the result is a worthy head spinner from both label and artist alike.

Tom Rowlands will play a rare solo DJ set at Glastonbury's Stonebridge Bar on Friday 27th June, as part of Bugged Out's 30th Anniversary celebrations.

The Sun Trax EP marks Jonny Loves House’s return to vinyl with four dancefloor ready deep underground house grooves. With elements of funk, disco, house, and techno, it brings a crisp and crunchy sound that fuses classic underground vibes with forward-thinking production.

Feelings has a lively club vibe with its crowd noises, FX, pumping beats and funked-up synth bass holding down the groove. Classic keys and synth melodies come in and out, bouncing off the cut-and-paste female vocal loop.



Hazey Phase takes things deeper, with a minimal guitar lick, jazzy keys and dreamy synths. A subby garage bassline and hypnotic beats hold the track together as it builds up and down throughout.



What You Do To Me takes things a bit harder while still retaining the funk, with its acid-tinged synths, call-and-response rhythms mixed with tight, crispy beats and percussion, a rolling bumping bassline and vocal snippets.



Soundtrack builds a lush soundscape with rich synth textures, an arpeggiated synth, emotive keys and deep bass playing off each other. The crunchy beats and percussion keep things moving along, with spaced-out vocodered vocals drifting in and out over the top.

We are very happy to present you a special release from gutinstinct! After his contribution ‚Eternal Jungle’ on the 10 year anniversary compilation ‚Down The Danube River’, he returns to Fortunea Records with the Back To The Roots EP. A collection of tracks suitable for different moments in a clubbing environment.

The record opens with his melodious and emotional expression of ‚Art‘. This energetic track forces us to sink into venturesome sound waves driven by a dark but at the same time warm pad. A beautiful catchy synthesizer hook line is the icing on the cake on top of it.

Similar tonal but not as uplifting as the opener is the title-track of this EP. A simple, grooving, relentless and continuously deep journey that exemplifies gutinstinct’s profound innate understanding of rhythmic grooves and complexity in simplicity.

Sensuous chills and thrills continue with ‚Pueblo’ on the B-side. A constantly rolling and evolving piece of synth laden ecstasy with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define his catalogue.

Lastly, the record closes out with a remix of the title-track by the analogue gear enthusiast Jakobin. In this version he takes the beautiful arpeggio synth sounds and amalgamates them into a framework of lo-fi house aesthetics. You can just imagine this track slicing through an unbent sunset dance floor or morning afterhour ceremonies.

The Back To The Roots EP will be available on august 1st, 2025 digital and on limited vinyl.