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As Tele Novella, Chronis (who performs in the beloved and rekindled indie pop band Voxtrot) and Ribbons (who previously performed in the long-running “Victorian punk” project Agent Ribbons) have spent their past two albums creating "Medieval outsider country" on 2016’s House Of Souls and 2021’s Merlynn Belle. Poet’s Tooth – the band’s second album for Kill Rock Stars – steers the duo’s whimsical western-tinted quality into fascinating new directions: cinematic-pop balladry on the autoharp-tinged opener “Young & Free,” gently clip-clopping Americana-folk on “Hard-Hearted Way,” and bass-driven funk on the wry “Eggs In One Basket.” With help from producer Danny Reisch, Tele Novella have crafted their most genre-rich, poetic, and sincere album yet.

NOTE ONE SHEET IS PLACEHOLDER. NEW ONE TBD. Long-lost late-90s Portland band issued on vinyl for the first-time ever! "A chilled classic" said the NME. Produced by Larry Crane (Elliott Smith, Sleater-Kinney, The Decemberists, The Dandy Warhols).

Blue Marble Vinyl. Screaming Blue Murder is the third studio album by British heavy metal band, Girlschool. It was released on Bronze Records in 1982, and featured one line-up change in bassist Ghislaine ,Gil` Weston, formerly of The Killjoys, replacing the recently departed founding member Enid Williams. Nigel Gray, who had previously worked with The Police, produced the album. Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining with or supporting important hard rock and heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

Blue Marble Vinyl. Screaming Blue Murder is the third studio album by British heavy metal band, Girlschool. It was released on Bronze Records in 1982, and featured one line-up change in bassist Ghislaine ,Gil` Weston, formerly of The Killjoys, replacing the recently departed founding member Enid Williams. Nigel Gray, who had previously worked with The Police, produced the album. Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining with or supporting important hard rock and heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

A powerful work produced and composed by Roberto Sánchez at A-Lone Ark Muzik Studio. Three vocal tracks & instrumental dub version. United we stand, Divided we fall. 100% Real & Conscious Rub A Dub. Produced, Recorded & Mixed by Roberto Sánchez at A-Lone Ark Music Studio.

The drums, bass, guitar and organ on this riddim featuring vocals and lyrics by Cornell Campbell were recorded live at A-Lone Ark Muzik Studio, with all the musicians together in the same room with just a few ribbon mics. The idea was to recreate the sound of the golden age of rocksteady when all the musicians shared the same room for a recording. According to this idea, the room was not 100% dry and most of the microphones were ribbon mics which gave the recording a unique atmosphere. Additionally, the session was recorded 100% analogue, using an eight track A80 reel to reel multitrack recorder (1 inch).

Producers S. Fidelity, Bluestaeb, and Melodiesinfonie form a powerhouse trio known for their innovative blend of RnB, House, and 2-Step sounds. Their collaborative magic often unfolds in unique settings, such as a picturesque studio in the South of France, where they crafted their long awaited EP "365 P". The trio's ability to capture the essence of live sessions and translate it into vibrant, downtempo grooves has earned them a reputation already. As a result the group created these most vibey tracks between RnB, House & 2-Step to their catalogue ever - catching the vibe of this beautiful sessions together with douniah.

“Being Stuck in a loop with someone. repeating the same conversations over n over while nothing changes.” - douniah
"We started working on a joint project in Paris at Bluestaeb’s flat in 2017 already. Over the course of the years following, we tried to continue working on the project remotely from Berlin, Paris and Zurich. With only one conclusion: we need to be in the room together to make this a record that feels exciting to us. This May we finally closed ourselves in for a week and created what has become this beautiful EP with tons of live recordings." - S. Fidelity

Reissue of the 2nd full length by Thomas Bücker aka Bersarin Quartett.

“It's rare that I'm able to give an album my fullest recommendation without trepidation. (...) Bersarin Quartett is one such album. There's nary a misstep, every potential danger has been avoided and smoothed out to present the optimal audio experience for your dollar. (...) Something this good can't possibly be real." The Silent Ballet (8.5/ 10)

Almost all reviews concerning Bersarin Quartett’s self titled debut album from 2008 chorused this paean. In 2012 he returned with his long awaited 2nd album called “II”. After turning Bersarin Quartett with two befriended guest musicians into a band project in 2011 and some successful and interesting live experiences in several countries it was time to bring the fragments of songwriting of the past years together to a new 13 tracks journey. Someone mentioned “This music could be written on a lonely island or onboard of a spaceship looking on our planet. Time becomes a new unit and feelings become more weight.” That’s exactly the feeling Bersarin Quartett "II" delivered. References to Stars Of The Lid, Ulver's Perdition City, Bohren & Der Club Of Gore and Cinematic Orchestra are fully justified.

Following their collaboration on 2021"s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko"s score initiated the project that has become his celebrated new film (Best Picture - BFI London Film Fest, Asian Film Awards, Silver Lion - Venice Film Fest, Best Score - Asia Film Awards). Eiko"s compositions are scored for violin, cello, guitar, drums and keyboards. Her longtime partner Jim O"Rourke played the guitar and mixed and mastered the recordings when they were done, eliciting further the necessary nuances of atmosphere and mood that one would expect in one film, much less two!

Leah Chisholm, die als LP Giobbi bekannte Künstlerin, ist eine der interessantesten und wichtigsten Produzenten und DJs der Welt. Sie ist eine im Jazz ausgebildete Pianistin, die sich von der Welt der Jazzmusik inspirieren lässt und es vorzieht, die oft komplizierten und vorprogrammierten Strukturen der elektronischen Musik zugunsten einer spontanen Live-Zusammenarbeit zu vermeiden. Heute kündigt sie ihr zweites Album Dotr an, das am 18. Oktober auf dem Ninja Tune Imprint Counter Records erscheinen wird.
Dotr ist der mit Spannung erwartete Nachfolger von Light Places, dem Album, das ihr den Titel DJ Mag's Best Producer of 2023 einbrachte und sie unter NPR's Favorite New Musicians of 2023, Spotify RADAR's Artists to Watch, Amazon's Artists to Watch und TIDAL's Artists to Watch 2023 platzierte. Mit 3 Millionen monatlichen Hörern auf Spotify und mehr als 340 Millionen Streams auf allen Plattformen hat LP Giobbi große Festivalbühnen geziert - Coachella, Tomorrowland, Electric Forest, Lollapalooza, sowie Auftritte bei Kappa Futur, Arc Music Festival, Lost Village und Portola, die für dieses Jahr geplant sind - und überfüllte Clubfloors, während sie mit Künstlern wie Mochakk, DJ Tennis, John Summit, Diplo, Dead & Co, Black Coffee und ihrem häufigen Kollaborateur Sofi Tukker tourte. In Dotr sind für LP Giobbi echte, unverfälschte Erinnerungen eingestreut: eine letzte Geburtstags-Voicemail von Patricia Lynn und die Aufnahme eines ihrer letzten Gespräche mit Carolyn Horn. Doch obwohl das Album aus der Trauer geboren wurde, ist es im Großen und Ganzen ein fröhliches Projekt, das die Traurigkeit durch die überschwängliche Offenbarung dessen, was es bedeutet zu leben, überwindet. "Is This Love" ist eine wunderbare Kino-Disco, Carolyn" fühlt sich an wie eine Ode an die Chancen, die man einfach so ergreift. Es gibt Lieder über Liebe und Versöhnung, Hymnen über Trauer und Glauben und Hymnen über Angst und Ekstase - keine Emotion ist vollständig ohne ihr gleichwertiges Gegenteil.

List of Demands, Damon Locks" first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized MF DOOM-meets-Nikki Giovanni rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks" decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry - each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.

»Italia Synthetica 2025« features a Fred Ventura curated selection of unreleased tracks from a collective of Italian artists and producers who have long been influential in the electronic underground scene. These musicians continue to push boundaries and explore new frontiers within electro, synth-pop, and new wave. read on / listen

Taking our time has become a sort of ESP modus operandi, often proving that when variables are left to cook long enough—relationships, styles, politics, moments in culture—we may collectively yield a more considered result. Once in a 'Blue Moon', we set sights on a record that conducts some strange voodoo, some rare combination of elements that commands our entire being. Entering our atmosphere with a concise 6-track debut, dub technician Brendon Moeller has brought us exactly that. Although we’ve long been admirers Brendon’s work, separated by only a few degrees—he and ESP’s Lovefingers are the same age and shared a decade of salad days in New York City—it took another decade before enough courage was mustered to suggest we actually work together. Our reticence has seen Brendon’s aesthetic and palette evolve over the years, and the label has simultaneously sculpted a tone of its own, but now we’re more than proud to finally marry his highly refined output with our, let’s say, “deliberate” appetite. 'Blue Moon' touches everywhere Brendon has been as an artist—from the obtuse corners of ambient to IDM, dub techno to liquid drones and bass—yet the vocabulary is honed and succinct, relying on a very intentional handful of expressions. This is almost an exercise in restraint, all 6 tracks are delivered from a disciplined and committed point-of-view, but what we find most captivating is the exploration that this allows in terms of depth, texture, fluidity and pacing. There is a complexity hidden in plain sight that begs to be studied, a comfort that allows us to slip inside like a warm bath, an addictive tingling sensation that we must prolong indefinitely. Even as we write this testimonial, the album is going on a fourth repeat and we languish the intervening silence between tracks. This is being under the spell of Brendon’s 'Blue Moon'.

The recently Grammy nominated song, I SEE LOVE gets the remix treatment by one of the world’s most celebrated production and remix duo’s: Michael Gray and Jon Pearn. Loving this version so much, IZIPHO SOUL felt compelled not only to release it on a 7”, but opt for the full 6 minute version.
Flip it over for ‘The Sweet Side’ - EARN IT, the extended 7 minute version; a pure soul ballad of epic proportions!
The record has been cut at 33⅓ RPM in order to bring you these long versions on a 7” single and they sound incredible!

YSE Saint Laur'Ant returns with Saudade, an EP that digs deep into groove-rich territories, effortlessly blending genres and inspirations. Side A opens with an intriguing cut that merges gospel flair with ESG-inspired rhythms, driven by raw beats and a bassline that hooks instantly.

Following up is Special, where YSE’s long-time collaborator adds soft, spacey vocals over a supremely laid-back groove, creating a floating, heady vibe. Flipping to Side B, New York Boys offers a curious, spaced-out pulse with a touch of big-city grit, setting up the EP's final track, Gone Fighting. This midtempo closer stands out with an infectious Slavic sample infusion that rounds off Saudade on a note that's both groovy and reflective.

Another instant classic 45 guaranteed to be all over DJs set lists. With their sophomore full length coming in September, they treat us to another bomb of a two sider. Side A is a cover of the Dr Dre hit XXplosive done up in proper BRSB fashion, smashing drums and steel pans playing the lead and bass lines. They take this one into new territory by adding synth parts and dubbed out horn lines playing Nate Dogg's infamous vocal hook melodies. Side B takes on one of NYCity's grimiest Hip Hop club anthems, Mobb Deep's Burn . We decided to do this tune and demoed it out long before the unfortunate passing of Prodigy. Unfortunately, he will never get to hear this cover, and that has been one of the nicest things in covering some of these more current Hip Hop tunes. Rest In Peace P. BRSB manages to do it again.....a version equally as raw and punchy as the original. Pans bang out the iconic riff from the original, theremin ushers in the changes, and the low rubble of the synth bass is sure to crush the subwoofers.

2026 Repress

Gems is a brand-new label dedicated to unearthing the seminal and original tech-house cuts from the 90’s and early noughties from the producers that birthed the genre term. Label boss Paul Still was a music industry don and has proud connections with the trailblazers of the scene from his Croydon roots, the OG home of the sound, where he sourced and sold these vinyl bombs from the back of his van around London and beyond during that time. The rare and choice cuts he has uncovered are now remastered and reissued, offering this legendary sound life to a new fanbase all over again.

The first in the series see the one and only Terry Francis take the remix reigns on the Radical Chic classic; a bomb that changes hands for upwards of £50. An essential tech-houser of the day and THIS was the mix that is in demand. Flipped with the equally brilliant Space Bunny jam, The Key, of which OG copies would cost between £50-£100.
2 of the original tech-house jams on one essential slice of wax.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York, London, Berlin and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......

Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date.

The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments.

All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

The Long awaited release of My Life With The Wave Vol 2 is here. Mike Huckaby is finally ready to take you on another journey of skillful sound programming using the legendary Waldorf Wave Synthesizer.

Yes, this is Volume 2 of My Life With The Wave. 4 tracks of strictly deep house music made entirely from the Wave. Enjoy another experience of music made exclusively with this synthesizer, The Waldorf Wave.

Kicking off the EP we have a Jungle Techno track from 2007 ‘Revolution’ made by Persian & DJ Staf, ‘Kool London’s finest DJ’...

‘D dub retwist’, see’s a minimal Break Heavy Dub amidst a Trippy background soundscape from a Japanese Movie.

‘Rumbling interlude’ There’s some interesting Organ at play over modern D&B being played here, al be it with the room vibrating (hence the title) this short segment is a nice escape!

‘Milton 21’ This track dates from 2001, this is a rare glimpse of what Jungle Techno may have become, a direction of futurist sound play amidst Bone Crunching Heavy Bass! Again, Genre pioneering stuff, from True Underground Artists.

‘Not nuff time’, feature’s Lauryn’s freshly sounding Tone, over one of Persian’s Breakbeat projects...

This has variations of electronic shades of what a deejay would love! These tracks were found & lovingly remastered for this ‘ Collector’s Breaks’ EP.
The cross over has been kept!