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Principal is the new solo project by producer and musician Rasmus Allin, who’s first album Treacherous Dub will be released on the Copenhagen-based label StereoRoyal in July 2020.

Best described as an homage to old-school Jamaican dub, Principal’s music features live recorded drums and other instruments. Fused with electronic elements, it celebrates the sound of the original dub pioneers.

Born in 1970, Rasmus Allin has been working as a producer, musician, and songwriter since the mid-nineties, primarily within the realm of electronic music. Inspired by the British trip hop and drum ‘n’ bass scene, he soon gravitated towards Jamaican dub, rocksteady, and reggae. "I found my inspiration in the old Jamaican dub masters like Lee Scratch Perry, King Tubby, Augustus Pablo, and Scientist. I’ve spent endless hours in the studio trying to replicate their sound, using old tape delays, filter boxes, and modulation effects,” he says.

In 2002, Allin formed the band Junkyard Productions, playing major venues and festivals like Elysee Montmartre, Le Triptyque, Télérama Dub Festival, and Roskilde Festival while touring through Denmark, Germany, Switzerland, and France. Alongside this, he continued to hone his skills in producing, co-writing, and remixing music, working with top Danish pop and reggae acts the likes of Natasja, Pharfar, Wafande, Shaka Loveless, and the British girl band All Saints.

Treacherous Dub will be released on vinyl and all major streaming platforms, and will be Allin’s first album of pure instrumental dub tracks —an ambition he’s been wanting to fulfil for years. Marking his debut as a solo artist, the album also marks his premiere as a visual artist, with the album cover lithograph made by Allin himself. For Rasmus Allin, the collaboration with StereoRoyal offered “the perfect opportunity to give the tracks the finishing touches.”

StereoRoyal is a Danish library music label founded in 2010 by and specializes in off-kilter music for film and TV. Originally, the label focused on electronic genres, but over the years has grown to include a broader variety of music produced by some of the most talented composers in Scandinavia.

Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records.

Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them.

The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes.

We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

Songs for dancing, having fun, and vibing out, B. Bravo's latest project, the "Cosmic Mind" EP, brings listeners to the dancefloor by way of a healthy dose of talk-box, retro synths and irresistable boogie grooves.



Los Angeles producer, talk-boxer, remixer, DJ & instrumentalist, B. Bravo, has been flipping interstellar references and laying down galactic beats for over a decade. From 2009's Analog Starship to 2020's Cosmic Mind EP, the funk in him is alive and well. Born in California with roots in Japan, Bravo combines his love for jazz, soul, hip hop and electronics into his own signature sound of swinging grooves, melodic synths and bouncing analog basslines.

The third, and final part, of Luke Vibert’s entertaining and infectious cavort through some of dance music’s key motifs, delivers a singular collection of tracks that the creator defines as Rave Hop.

‘Luke Vibert presents Rave Hop’ finds the British producer and musical trail blazer kick back on a bunch of lazy hip hop breaks and breezy samples. Soulful vocals, suave raps and buoyant riffs are expertly infused with dope as fuck beats and booming basslines.

‘Rave Hop’ concludes Vibert’s trilogy of albums for Hypercolour that has gifted us absorbing musical dispatches from the breakbeat and rave frontlines. With an enviable recording career that has taken in countless projects for labels like Ninja Tune, Warp, Planet Mu and Rephlex, Luke Vibert still holds the crown for king of the beats

Fusing dexterous hand-percussion, hypnotic guitar riffs & soaring melodies, Waaju rise from London’s rich cultural palette with their latest album ‘Grown’, proving UK Jazz doesn’t have to sound the way we expect it to. Led by drummer and percussionist Ben Brown (Alfa Mist, Dizraeli, Ashley Henry), the band comprises percussionist Ernesto Marichales (Jordan Rakei, Sigala), guitarist Tal Janes (Nubiyan Twist, Bahla), Sam Rapley (Fabled, Maria Chiara Argiro) and Joe Downard (China Moses, Judi Jackson), each with their own strong presence on the UK’s extensive music scene. Waaju’s refined and divergent sound connects the dots between the likes of Ali Farka Touré, Alain Peters, Los Muñequitos de Matanzas, Oscar D’Leon and Beth Carvalho. Waaju formed as a means of exploring music’s hidden connections, from trance-inducing Moroccan Gnawa to Caribbean carnival music, and embracing them to reflect different shades of London’s own musical culture. It was the band’s love for Mali’s folk music – and Ali Farka Touré’s stylistic prowess in particular – that first set the project in motion. London’s Jazz Cafe invited Waaju to reinterpret classic tracks from Farka Touré’s catalogue to sold-out audiences in 2018 and 2019. According to Brown: “Ali’s one of the best. He has such a unique sound. His playing is so gnarly. His spirit and attitude are things I always think of when making music.” Waaju (meaning ‘to urge, inspire or influence to take action’ in Malian language Bambara) blends pulsing Latin polyrhythms, psychedelic Malian blues licks and cinematic textures. Following the group’s 2018 self-titled debut record, Grown presents a group more unified and distinctive-sounding than ever with six fresh, bold compositions. The record begins with Moleman, a potent reminder of the intricacy and energy Waaju’s become known for. Gritty, clattering metal defines the landscape for sizzling builds, hinting at rave culture styles like Bashment and Jungle. Listening Glasses follows and it’s clear why this is the album’s lead single – its Afrobeat-like energy and joyful interplay between guitar and tenor sax lies somewhere between Tony Allen’s grooves, Chimurenga guitar and Headhunters’ funk. On late night jam Rollando, Joe Downard’s skulking bass frequencies rule and wonkiness reaches new heights as heavy dub grooves almost tear themselves apart. Time’s Got a Hold was co-written by Waaju and Jordan Rakei for a show together in November 2018. Kicking off side B, this version features special guest vocalist Will Heard over bouncing triplets evocative of 1970’s Sega from La Reunion. A kind of looseness found only at night, the quiet drive of Wassoulou is sparse yet purposeful. Pulling back the tempo and dimming the lights, cavernous percussion fills each corner of the room, springing back as spectral reverbs. The title and final track shows the many dynamic sides of the outfit’s far-reaching sound, with its expansive harmonies and explosive psychedelia, spanning Yoruba Andabo to Hendrix, signing off an exciting and energetic second LP from Waaju at their most scintillating.

The notorious London White vinyl only project returns with more original Rave material!

Selected by Gareth Wild this cut through VA sees excellent additions to the series via standout material from JK Flesh, 7XINS, Keikari and Voicedrone.

Tried and tested, dance floor killers!

All tracks written and produced by the artists.
Mastered by Simon at The Exchange.
Graphics design by Grade A.

This is the 4th ep that continues a volume of a 5 ep project. Its own kind of album type edition so to speak. Destination celebrates the drum and bass genre with its own style reminiscent of Aphex Twin and Squarepusher. type programming. It fuse’s eclectic beats with a more common flow of bass licks that cruise throughout the track. With a more psychedelic presence this track offers a complexity of rich sounds that will encapsulate any avid lover of electronic music from the headphones to the dance floor. Bouncy and fun yet with deep exploration of ‘Abstract sounds’ bringing a serious edge, Destination is equipped for any explorer seeking any type of Destination. Then comes Arrival. Not an ordinary piece of music, with the artist expressing themselves from past musical influences, to curve their own piece of storytelling art, through audio sonic means. An inner world reflective explanation can be as follows - An epic piece revealing the adventures of seeking depth, from ones dense conscious reality, tribal like mannerisms, traveling to a higher frequency of light and wonder, breaking through to the heart centre of ones own unique truth. By doing so, welding together the whole aspects of being, Arriving at ones own true balance of self. Reuniting with the dense tribal like self yet with a complete transformative understanding of life and self in relation to life as a whole. Ones outer world of reflective explanation can be this - starting from earth, leaving the tribal terrains of earth based reality, exploring out into the cosmic wilderness, looking back from a distance, witnessing Earths magnificence and enigmatic beauty. Continuing to swim out to the depths of the galaxy to ‘Arrive” at an unexpected splendour unknown to the human consciousness ,to a cosmic giant….. giant what? This remains to be unseen! It’s left to the imaginators discretion of wonder within the experience of the audio sonic delights presented in,….. ‘Arrival’.

AD and Worldline deliver Toy Opulent’s third release - and it’s first vinyl imprint.

Soft Serve Angel projects a clear and present sense of techno drive and a delightful symphony of melodic synths. The beginning is minimal and evolves into a full cacophony of beauty and craftsmanship, layered with the vocals of the mysterious Crisis Luxury. Here, meanderings of childhood tones echo from an East L.A. ice cream truck. From the hailed vehicle emerges the soft serve angel - with a vanilla cake cone prepared, just for you, on a sunny California day. This track is incredibly versatile.


A Soft Serve Angel remix is presented to us by a master of his art, Persuader. He shows us, once again, that minimal drive that we can all count on to provoke thought and movement with modern engineering skills and a familiar old school flair.


Bubble Gum Eyes is minimal perfectly pitched protocol of TR-909 love with a morphing bassline and epic-scale science-synth work. The track addresses both a question and an answer.


Rocket POP! I mean, who don’t love a good rocket pop? This dubby dub dub mix contains fragments of the entire release that sums it up, and finishes it off perfectly - the cherry on top of the soft-serve angel.

NYC's legendary West End record label has contributed a fair few classics to the disco cannon and continues to influence dance music today with it's forward looking releases. 'When you touch me' is no exception, recorded and released in the golden year of 1979 and featuring the breathy, sensual vocals of a young Tanaa Gardner who had previously worked as a backing vocalist for numerous other projects until the label released her (other) stone cold solo classic 'Work that body' the same year on 12".
Both cuts featured on her self titled debut LP and boasted the combined production and studio talents of Kenton Nix, Bob Blank and of course - Larry Levan. Now, that's a serious line-up to have behind the boards (& in the clubs!) and of course 'When you touch me' was a classic with it's slow, elongated intro that calls to mind a sleazier version of Donna Summer's 'Love hangover' before launching into a full-on disco assault that you won't forget in a hurry! Yes, the record surprises you, Tanaa leads us into a false sense of a 'slow jam' and then - Boom - We're off!
Backed with the incredible instrumental version the 12" is repressed here in it's original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with West End Records, NYC.

Following January’s acclaimed vinyl debut from Exterior and summer’s much-loved Kota Motomura EP, Edinburgh’s Hobbes Music label ends 2019 with its first album release, also a debut, from GAMING, a fresh new braindance electronica project straight outta Glasgow, from producer and musician Alan Bryden.

GAMING is a new solo outing that brings together a lifelong love of music and technology and creating left field, rhythmic electronica. It’s the sound of IDM, nineties techno and mensch maschine computer music that is as spontaneous as it is programmed.

“Scenes From A Deserted City is a collection of tracks that started as a set of riffs, loops, rhythms and grooves and unfurled around a sense of growing unease about the future of the urban environment around me.
It’s an album that started out as sound…and ended up as a way of telling stories about the age of anxiety we live in, how our world is changing, and how we find a way through that.
This is DIY electronica from Glasgow – it was made on a growing collection of digital and analogue synths and FX units, including a bunch of modular racks, each with its own idiosyncrasies and character that belies the assumption of the binary.
The studio where it was recorded – an abandoned, and often very cold, school building reclaimed by the community some twenty years ago – offered up stories of resilience, even when all seems lost. (I’m not sure what the mice contributed but they definitely climbed in and out of some synths).
This album is ultimately about my changing relationship with Glasgow, a city I’ve lived in for more than 25 years. It’s about how I feel now about the increasing sense of urban decay and how the city can be a very isolating place. It’s about how I reflect on my younger creative self trying to find a direction but mainly feeling a sense of dislocation and not fitting in. And it’s about the questions I have about how that relationship is changing, how it will be forced to move forward.
The result is a soundtrack for walking home on your own, in that headphone bubble when it’s just you focusing on that music that makes sense to you alone. It’s for early in the morning, after the night before, or going to work with the memories of that slipping and sliding inside your head. It’s about how it feels to be both elated and lonely, to be lost in the familiar, despairingly hopeful.”
ALAN BRYDEN (Glasgow, August ‘19)

Ju/Na is a collaborative project between Juri Corrado and Nathan Dawidowicz and was borne in Berlin where both of them live. It's a conjunction of free verse and analog soundscapes - which could be described as 'analog poetry'

This debut album 'Haiku' is an exploration of contemporary narcisism which unfolds against a backdrop of different facets of contemporary life in imaginary/imagined or concrete urban spaces. Each side of the record contains three tracks - reflecting the three phrases of Japanese Haiku poetry. With a surreal language and quotes from mythology, the opus potrays the dreamy delirium of the Ego, from Love to disenchantment.

Mono Han are brothers Alessandro and Davide, who collectively have a deep and long understanding of electronic music. Davide is a co-founder of N.O.I.A, one of Italy’s first electronic live acts to perform and record with drum machines and synths as early as 1978. He was also behind seminal Italo outfit Klein + M.B.O and proto-house hit “Dirty Talk”. Alessandro, following in his brother’s footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.

Since then they have released under an array of aliases, have clocked up numerous club hits and this project brings them back to their 80’s roots.

IZIPHO SOUL are ecstatic to collaborate with Marlin McNichol’s Angel Dove Global.

Legendary 70s funk band Ripple return with their two original members - Curtis “Kazoo” Reynolds & Keith “Doc” Samuels - as RIPPLE 2.20.

For the first project, we present a brand new version of John Edwards’ ‘Exercise My Love’, this is no ordinary cover, check out the slick production and Doc Samuels’ incredible vocals!

On the flip we’ve gone as funky as we’ve ever dared to venture. A remix of Ripple’s signature song, with a fresh modern twist, that will ignite your record rooms now and dance floors soon!
Limited edition of 300 copies

While the ongoing global pandemic means our chances to gather and dance beneath deep blue skies are likely to be limited, there’s never been a greater need for warm, positive and life-affirming music. NuNorthern Soul has decided to do its bit by offering up a brand new 'Summer Selections' sampler that’s packed to the rafters with magical musical treats lifted from some of the label’s most potent forthcoming releases.

The EP begins with something rather special from Canadian producer Igor B: a gentle, sunrise-ready soundscape rich in languid hand percussion, bubbly synthesizer lines and glistening guitars. Entitled 'Deep Breath', the track is just one of the many highlights you’ll find on his forthcoming debut album, “Stranded Seaside”.

There’s a similarly tactile and immersive feel to 'Early Morning Ferry' by George Koutalieris, a Greek producer whose debut album 'Stop, Look, Listen' will be released by NuNorthern Soul later in the year. On his contribution to 'Summer Selections Two', Koutalieris wraps lilting, sun-soaked guitar solos and soft-touch electronics around a chunky groove that doffs a cap to the more laidback end of the 1970s West Coast rock spectrum.

Next up, long-time friend of the family Chris Coco delivers a stunning interpretation of 'Dinum', an overlooked neo-classical/ambient fusion track by Faroe Islands-based producer Kristian Blak’s Yggdrasil project. Coco’s simmering, string-drenched re-imagining is featured here as a teaser of NuNorthern Soul’s reissue of the 2014 track in the autumn, which will also feature a mind-blowing 10-minute rework by Mike Salta – an artist who is also featured on 'Summer Selections Two'.

This time round you’ll find Salta collaborating with Mortale on the starry, EP-ending ambient bliss of 'Bells of Burgibba', a deliciously drowsy mixture of twinkling electric piano motifs, chiming lead lines and woozy pads taken from the forthcoming “Celestial Hike EP”. It paddles in similar sonic waters to label boss Phil Cooper’s stretched-out, slo-mo Balearic dub of new signing Faint Waves’ 'Aphrodesia', a teaser of the artist’s “Islands In Time EP” which can be found elsewhere on 'Summer Selections Two'.

No NuNorthern Soul label sampler would be complete without a contribution from BJ Smith, an artist who has been with the imprint from its earliest days. Smith returns to the imprint with another reminder of his uncanny ability to deliver ear-catching cover versions that re-cast classic cuts as loved-up rays of Balearic sunshine. This time round Smith takes us on a huggable shuffle through Prefab Sprout’s 'All the World Loves Lovers', re-imagining it as a future Balearic anthem and a summer 2020 sing-along. It’s not only a sneak peak of what we can expect from 'Dedication to the Greats Volume 3', his first covers collection for nigh on six years, but also a life-affirming highlight of an EP that oozes musical positivity from start to finish.

Belgian psychedelic jazz collective Compro Oro are pleased to announce a new collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel. Entitled 'Simurg', the album is set for release on the 19th June via Sdban Ultra and follows Compro Oro's critically acclaimed sophomore album 'Suburban Exotica', released last year.

Compro Oro's introduction to Turkish psychedelics came off the back of a live performance between guitarist Bart Vervaeck and Murat Ertel at Istanbul Express in 2016. Connecting both musically and spiritually, they headed into the studio and under the watchful eye of producer and multi-instrumentalist Dijf Sanders, Compro Oro and Murat recorded several tracks during an intense recording session that would make up 'Simurg'. "The new music is entirely based on improvisation. In contrast to 'Suburban Exotica', which is built more from song structures and where there was more overdubs," explains frontman Wim Segers.

The story of Simurg is a story of attraction, existential research, purification and rebirth. In a mysterious search for fulfilment, millions of birds embark on a journey, crossing several valleys, each representing a human characteristic. While some yield to the attractions of love, ego or grow ignorant and faithless, others remain curious and continue their expedition. Slowly but surely this murmuration of birds thins out and a selection of 30 birds reach Mountain Kaf and the nest of the Simurg. There and then they become one, they are reborn and reincarnated in an almighty and omniscient phoenix.

The strength of Simurg as a result of its power to resurrect from its own ashes reflects the resilience of every human being. We all have the power to strengthen and improve ourselves, not in the least in our contact with others, and this is exactly what this project is about: a spontaneous dialogue, a quest for new musical horizons, a gathering of liberal spirits to reach for the unknown. From the Anatolian rhythms and reverb-smothered funk rock of 'Ben', to the mystical atmospherics of 'Ignorance Is Bliss (Valley Of Ignorance)' and the dark, dub-infused grooves of 'Valley Of Disbelief', 'Simurg' is an allegory about the noise that you can create as a person.

Mirae Arts is an independent vinyl label based in northern California with focus on experimental ambient and techno music. Inspired by travel and natural landscapes, Mirae Arts boasts a diverse catalogue of projects from artists such as Seraphim Rytm, Michiru Aoyama, and Katsunori Sawa.

Katsunori Sawa & Anthone (aka Martsman) are Bokeh, the dynamic duo behind some of the most notable releases on Berlin’s Weevil Neighbourhood. Bokeh blends together the distinctive styles of Katsunori Sawa & Anthone, who have releases on labels such as Opal Tapes, SNTS, Hidden Hawaii, and many more under their belts. This year, Bokeh has already released a 12” EP for UVB-76 and Mirae Arts is proud to announce the follow up debut LP release called Lenses Dances.

Lenses Dances comprises 8 tracks that reflect on the photograph effect called bokeh, where aperture settings of the respective camera lens create vivid patterns, almost like dancing dots. It is a dedication to the artists’ love for photography. The music is complemented by Paul Nicholson’s signature graphic designs.

Artwork design by Paul Nicholson, UK graphic designer who created the famous Aphex Twin logo and The Laughing Man logo for the cult-classic anime, Ghost in the Shell: Stand Alone Complex. Paul has since designed logos and artworks for numerous artists and organizations.

Mastering and lacquer completed by Kassian Troyer at the legendary Dubplates & Mastering.

The Berlin based label Sonar Kollektiv has been waiting for it anxiously: Key Elements' debut album leads Jazz music into the new decade down-the-line. The music Key Elements create is fresh, merciless and ruthless and has always the finger on the pulse of the time. The album's eight tracks are all far away from Broken Beat nostalgia or Beatmaking nedism, they breathe inspiration from the young, thriving British jazz scene. Key Element's initiator, DJ and producer Marian Tone, built up a reputation in the Berlin hiphop, soul and jazz scene over the years (also as a co-founder of Beatkollektiv). With all of his compositions you always feel this heritage and his love and passion for hiphop. But the other two allys within ëKey Elementsû, drummer Waldi and the keyboard or bass player Jim Dunloop made their contribution with compositions and ideas as well. An album which was initially designed to be a mere solo project became an effort of a trio over the years being inherently consistent.

Presenting a very special and unique collection of electronic and dance music aimed at assisting and honouring our brave and skilled NHS frontline workforce in this most challenging of times. Artists of all walks of life and of all musical persuasions and styles have contributed hand-picked tracks for inclusion on Care4Life free of charge. Through the challenges of the Covid19 pandemic we have all developed a new understanding and awareness about the role our frontline health professionals undertake, and as a nation we are all united in our appreciation of the incredible work they have delivered in the face of much adversity and pressure in the last couple of months. We hope the proceeds from this amazing collection of music can contribute to easing that pressure in some way.

Care4Life features lots of new, exclusive and unheard music from the vaults, hard drives and archives of UK artists as diverse as The Chemical Brothers, Nathan Fake, Groove Armada, Joe Goddard and Pete Tong alongside tracks from Radio Slave, Locossolus (DJ Harvey), Matthew Herbert, Crooked Man, Daniel Avery and many more. Care4Life is a truly varied and diverse listening experience that not only mirrors the collective talents involved, it wholeheartedly celebrates the openness and love that the NHS has shown us all at some stage throughout most of our lives here in Britain and beyond.

In the continued spirit of people coming together in this time of need the Care4Life project aims to give some much needed support to these frontline workers from our fellow artists and friends in the music industry and its surrounding community. Above Board Distribution is working in conjunction with Dispersion PR and Your Army Music is ensuring that 100% of the proceeds from the sale of this product, will be donated directly to NHS Charities Together (registered charity no.1186569). NHS Charities Together has been consulted throughout this process and are proud to be an official fundraising ‘commercial participator’.

Presenting a very special and unique collection of electronic and dance music aimed at assisting and honouring our brave and skilled NHS frontline workforce in this most challenging of times. Artists of all walks of life and of all musical persuasions and styles have contributed hand-picked tracks for inclusion on Care4Life free of charge. Through the challenges of the Covid19 pandemic we have all developed a new understanding and awareness about the role our frontline health professionals undertake, and as a nation we are all united in our appreciation of the incredible work they have delivered in the face of much adversity and pressure in the last couple of months. We hope the proceeds from this amazing collection of music can contribute to easing that pressure in some way.

Care4Life features lots of new, exclusive and unheard music from the vaults, hard drives and archives of UK artists as diverse as The Chemical Brothers, Nathan Fake, Groove Armada, Joe Goddard and Pete Tong alongside tracks from Radio Slave, Locossolus (DJ Harvey), Matthew Herbert, Crooked Man, Daniel Avery and many more. Care4Life is a truly varied and diverse listening experience that not only mirrors the collective talents involved, it wholeheartedly celebrates the openness and love that the NHS has shown us all at some stage throughout most of our lives here in Britain and beyond.

In the continued spirit of people coming together in this time of need the Care4Life project aims to give some much needed support to these frontline workers from our fellow artists and friends in the music industry and its surrounding community. Above Board Distribution is working in conjunction with Dispersion PR and Your Army Music is ensuring that 100% of the proceeds from the sale of this product, will be donated directly to NHS Charities Together (registered charity no.1186569). NHS Charities Together has been consulted throughout this process and are proud to be an official fundraising ‘commercial participator’.

A soul-funk studio project for the Italian label S.P.Q.R. (Sound Production Quality Record) featuring vocals by Nathaniel Bush and arranged by Marco Colucci (aka Mark Owen). Comes on a 2020 re-edition of 300 copies!