DJ Support: Damian Lazarus, James Zabiela, Chloé Caillet, Luke Slater, Solomun, Huxley, Peggy Gou, Alan Fitzpatrick, TSHA, Mat.Joe, Eliza Rose.
It’s been a standout year for X & Ivy following the release of “Let The Bass Kick” on Forever Days. The duo have earned support from heavyweights including Peggy Gou, Todd Edwards and DJ Tennis, with their Chic-sampling club weapon lighting up dancefloors worldwide all summer.
Now, they hand the reins to DJ/producer Jennifer Loveless, who flips “Let The Bass Kick” into a fresh, forward-thinking rework built for the dancefloor.
Buscar:luke solomun
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- A1: Intro + Dreams Feat Liv East
- A2: Fruits Of The Universe Feat Douniah
- A3: Define Us Feat 30/70 & Dreamcastmoe
- A4: High Feat Cor.ece
- B1: Vibin Feat Ben Westbeech & Sanity
- B2: Without The Sun Feat Oliver Night
- B3: Bells
- C1: Rearrange Yourself Feat Ben Westbeech & Obi Franky
- C2: Downstream With Life On Planets
- C3: Be Real Feat Life On Planets
- D1: Looks Like It (Space Talk)
- D2: Illusions (Midnight Dub) Feat Ava Lavá & Life On Planets
- D3: Simulate Feat Goya Gumbani & Javonntte
DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd
In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.
Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.
Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.
For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.
DJ Support: Peggy Gou, Chris Stussy, Jamie Jones, Solomun, TSHA, Eliza Rose, and others
Following a breakout summer, “The One” is now getting a vinyl release.
The track became a viral hit on TikTok, amassing over 5.5 million lifetime engagements, and has solidified its status as one of the year’s defining dance anthems — surpassing 14.6 million streams and continuing to grow rapidly across platforms.
Included on the vinyl release are the acclaimed remixes from HAAi, Bashkka, and Obskur that have further expanded the track’s reach.
With a Grammy nomination and club backing from global tastemakers including Peggy Gou, Chris Stussy, Jamie Jones, Solomun, TSHA, Eliza Rose, and others, “The One” continues to dominate both the underground and mainstream dance scenes.
“The One” — a summer anthem that shows no signs of slowing down.
On the A side with ‘Joy’, Bruise head in a jubilant direction. Chanting vocal chops ride along deep cut kick grooves and vivid piano riffs; modernising the classic house sound and forming a track that would as likely go off in a club in the UK as it would on the sun-soaked beaches of Ibiza.
In ‘The Theme’, Bruise switches things up and offers up a weighty, bass-driven progressive techno heater; bolstered with rattling break chops and polyrhythmic analogue synth arpeggios. As the track progresses, rip-roaring, squelching acid-lines are introduced at the crescendo; creating a versatile club record; primed and ready for the clubs reopening.
On this single ‘When Pianos Attack’, the vibe is instantly recognisable. Piano chords lead the charge of yet another dancefloor destroyer, with that signature sound of swinging beats, layered pianos, lashings of strings, and hosts of heavenly soulful choirs. Just close your eyes, look up, feel the rush, and dance.
+ Includes the unreleased vinyl exclusive ‘Akiba Choirs’. A new school dance anthem!
Huge support from: Annie Mac, Pete Tong, Laurent Garnier, Severino / Horse Meat Disco, Sasha, A Trak, Andhim, Spiller, Graeme Park, DJ EZ, John Digweed, Fatboy Slim, Sam Devine, Laurence Guy, Gilles Peterson, Fred Everything, Soul Clap, James Lavel, Basement Jaxx, Francois K, Luke Solomun.
'Joy'
- Pete Tong’s Essential New Tune + Tong asked Bruise to record a Joy themed Essential Mix for BBC Radio 1.
- Premiered by leading dance authority Mixmag.
- Featured in Defected / Faith’s behind the counter.
‘When Pianos Attack’
- Played by Blessed Madonna as an artist to watch 2022!
- Played at Warehouse Project by Graeme Park, and then again by Terry Farley.
- Magnetic Magazines Best of Month
Bruise appeared in Faith Magazines taking a full page for interview with a heavy focus on When Pianos Attack.
It’s been exactly a year since the 6th Borough boys emerged from their hiatus to bring us the Rhythm & Truth EP. This killer three tracker picked up where they left off and showed us that fans of deep, dusty, dubbed-out disco were as hungry as ever for new 6BP material and went on to garner praise from the likes of Jamie 3:26, Luke Solomun, Dam Swindle, Young Pulse and the Faith crew to name a few. Here on their follow up we’re treated to more of the good stuff and sees Craig Smith and Graeme ‘Revenge’ Clark whipping up four new cuts spanning speaker- wobbling sub-aquatic grooves and stripped back deep house.
One Way sets the tone with a subtle yet infectious percussive workout which is one of those mood setting tools which looks set to become a lot of DJ’s secret weapons this summer. Filtering strings and tweaked synths add that classic Chicago energy which won’t fail to get you locked into it’s groove. Spare Change treads a similar path but goes heavier on the echoing synth stabs and deep string pads proving that when the rhythm is rolling this nicely just let it roll.
Flip over for Backlash which takes us deeper still with lush chords and driving square wave bassline taking centre stage supported by an unrelent ing kick drum which helps to keep an intensity throughout the arrangement. Closing out the EP we have The Other, which sees 6BP dropping the BPM’s to create a low-slung slice of deep, underground house perfection.
Hold Up ft Kendra Foster is the breakout first single on Lonely C’s (aka Charles Levine of Soul Clap) debut album, Charles & Tribulations. Foster, known as a multitalented force of singer/songwriter who's toured the world for over a decade with Parliament-Funkadelic, won a Grammy for her co-writing on D’Angelo & The Vanguard’s Black Messiah, most recently set forth as a solo act with her 2016 eponymous sophomore album.
This may be Kendra’s first foray into house music, but she’s no stranger to the groove. This is a dance-floor classic in the making, already receiving powerful response from crowds at Soul Clap’s DJ sets.
Lonely C’s original mix features vocal/songwriting super talent Kendra Foster’s cathartic tale of a love gone away. Mike Dunn’s remix is a guaranteed dance floor activity, Javonntte dub for the dancers.
Then last but no means least FSQ’s Funkadelic Touch mix of “True” featuring Billy Bass Nelson, GKoop, O-Man, & Kim Manning”
Upfront DJ Support:
Dixon, Seth Troxler, Gilles Peterson, Moxie, Francois K, Osunlade, Josh Wink, Jovonn, Kraak & Smaak, Tensnake, Horse Meat Disco, Crazy P, Leo Mas, Luke Solomun, Hot Chip, Nightmares on Wax, Honey Soundsystem, Danny Tenaglia, Red Rack’em, Soul Clap.
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