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- A1: Tandem - 93 Hardcore
- A2: Alibi Montana Feat Ol Kainry, Dany Dan, Nubi & Sefyu
- A3: Lim - A Neuf Ans Déjà
- A4: Stomy Bugsy - Avoir Le Pouvoir
- A5: Soprano - La Colombe
- B1: Mala Feat Lunatic - Hommes De L'ombre
- B2: Les Sages Poètes De La Rue - Qu'est-Ce Qui Fait Marcher
- B3: 2 Bal 2 Neg' Feat Rocca & Nob - Labyrinthe
- B4: Kamnouze Feat Diam's & Jango Jack - Promise
- B5: Chiens De Paille Feat Akhenaton, Oxmo Puccino & Veust
Die Vintage Sounds Vinyl-Reihe ist zurück mit einer neuen Ausgabe, die diesemal der kubanischen Musik gewidmet ist. Eine Auswahl mit 16 Tracks der größten klassischen kubanischen Songs. Darunter: COMPAY SEGUNDO, JOHNNY PACHECO Y SU CHARANGA, PÉREZ PRADO und viele mehr!
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Clear Memory welcomes En Direct back. After their appearance on CLEAR001 they released two EP's on our sister label Lunatic. With 'The Illusion Of Control', En Direct release their first album. A long player diving deep into the realms of the human mind and its abyss. Exploring insecurities, uproar and mania with Industrial studies and EBM, rounding it off with bittersweet Minimal Wave and Electro for the sleepless Edition of 200, comes with Info-Sheet.
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OCTOTRAX comes to life through a double LP. A debut that lays the foundation for a catalogue driven by exploration and evolution, revealing a snapshot of what has and will be.
A collection of works, each a facet of the same stone, expressed with progressive arrangements and trance essences.
Emerging from a time of rediscovery, this is the result of a pursuit to birth something enduring. More than a definitive statement, it captures a moment of clarity and renewal, a step toward the future with purpose.
octobo is to be written ALL IN SMALL!
Mastered and Cut by Graeme "Grazz" Durham at The Exchange
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- A1: Keeno - Indispensable
- A2: Technimatic & Riya - Deep Sands
- A3: Maduk - Nayru
- B1: Seba & Collette Warren - Never Let Them Break You
- B2: Etherwood - We Felt It
- B3: Telomic Feat Travizwilde - Silent Treatment
- B4: Bcee & Makoto - Out Of The Water
- C1: Hiraeth & Pyxis Feat Kit Rice - Liminal Spaces
- C2: Lsb - Me In Other Form
- C3: Nct & Genetics - Close To Me
- D1: Lmx & Kubiks -See Through
- D2: Auris - More Than Enough
- D3: Dylan Purser Feat Lauren Walton - Earth
- D4: Rienk & Edlan - With Or Without You
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While they’ve been active for more than two decades, it’s only been in recent years that the Berlin and New York based contemporary sonic arts platform, Soundwalk Collective, has begun to gather the accolades and attention that they rightfully deserve. Firmly rooted within a multi-disciplinary practice that engages the narrative potential of sound within the contexts of visual art, dance, music and film, as well as tapping anthropological, ethnographic, and psycho-geographic research, they’ve gained great note for collaborations with Jean-Luc Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others.
Building on the back of 2023’s brilliant “All the Beauty and the Bloodshed”, Soundwalk Collective now returns with “Khandroma”, one of their most fascinating and singular endeavours to date, which re-engages their enduring creative partnerships with Patti Smith. Issued by Ubi Kū, a brand new imprint founded by the Italian Buddhist Union dedicated to the relationships between Buddhist cultures, music, and sound, across the album’s stunning two sides this incredible ensemble draws inspiration from and conjures Tibetan deities, the Himalayan Plateau, the valleys of Nepal and the highest peaks where the most ancient Buddhist temples reside, culminating as a sprawling sonic tapestry like little else. Issued as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, it’s hands down among our favourite releases by Soundwalk Collective to date and not to be missed!
An international experimental sound art collective founded in 2001 by the artists Stephan Crasneanscki, who was joined in 2008 by producer Simone Merli, Soundwalk Collective is a contemporary sonic arts platform, featuring a rotating constellation of artists and musicians, that, in vastly varied number of ways, has continuously explored the remarkable potential of sound within the contexts of visual art, dance, music and film, offering particular emphasis to anthropological, ethnographic, and psycho-geographic research, examining conceptual, literary or artistic themes. In addition to their many collaborations and accolades that attend to an increased ambitious catalog of releases, they scored Laura Poitras’ film, “All the Beauty and the Bloodshed”, which won the Golden Lion at the 2022 Venice Film Festival, as well performed and exhibited at Berghain, CTM Festival, documenta, Manifesta, New Museum, and Centre Pompidou, where they notably opened “Evidence”, a exhibition with Patti Smith comprising an audio-visual journey from the work of French poets Arthur Rimbaud, Antonin Artaud and René Daumal. While Soundwalk Collective’s output and use of sonority - sometimes original composition and others manipulated archival recordings - and context is varied, the project’s endeavours are unified by a focus on sound as material that is both tactile and poetic, pursuing layered narratives that address ideas of memory, time, love and loss. Their latest, “Khandroma”, enlisting Patti Smith’s contribution on one of its tracks, stands among the most exciting and rich of these explorations yet.
Perhaps the best way of approaching “Khandroma” is through Soundwalk Collective’s longstanding focus on the discipline of psycho-geography - a practice that interrogates the impact of an environment’s embedded histories and meanings on the psychology of the present - as well as the group’s integration of observations of nature, and uses of non-linear narrative, as a vehicle for recording and the synthesis of meaning. Like previous projects that have encountered them traveling extensively across the world, occupying diverse environments for long periods of investigation and fieldwork, during which they source materials for subsequent works, the material roots of “Khandroma” are a body of field recordings made by Crasneanscki, Francisco López, and Merli at altitudes between 2,760 and 4,500 meters, in varying locations across Upper Mustang during 2016.
Drawing the album’s title from the Tibetan feminine deity who reigns the skies, the album’s two compositions weave a stunning sonic tapestry from collaged sounds of nature, bells, drones, unplaceable tones and vocals, and in the case of its second piece, “Chasing the Demon”, the voice of Patti Smith, culminating as a deeply emotive and imagistic expanse that taps something far more profound than any of its single parts. As the collective states: “the album traces the continuous morphing of the wind into sound expressions. The Himalayan Plateau seems designed to amplify and echo the encounter of the breaths, the prayers, and the chants emerging from around and within those temples; amid the sounding of bells, the turning of prayer wheels, and the billowing of flags. A resonant musical body that we recorded so as to capture its boundless mutations; an unstoppable force that cries, whispers, and blows through and over stones, wood, empty halls and monastic robes, etching an ever-changing sonic landscape onto the surfaces it encounters.”
Immersive, stunningly beautiful, and haunting, “Khandroma” draws the ancient and distant into the consciousness of the present, close to home, bordering on the profound. Issued by Ubi Kū as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, we can’t recommend it enough.
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Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.
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Join El Maquinista Hypnotica on a sonic voyage to the bygone era of electronic dance music with his latest release, "Chakra EP". This 4-track collection encapsulates the spirit of the late 80's and early 90's, drawing inspiration from New Beat, Techno, and Acid House.
Infused with the universal energies and the golden ratio concept, each track corresponds to the seven chakras, tapping into the ancient wisdom woven into the fabric of our being.
Utilizing genuine vintage hardware, El Maquinista Hypnotica brings four unadulterated techno sounds, embracing the origins of sonic creation with these timeless and potent machines, delivering a raw energy that echoes the purity of the original techno movement.
Chakra's EP visual approach serve as a testament to the fusion of technology and art. P2T has created an immersive experience that reflects the 'trippy', otherworldly artwork of the era using Bryce 3D (version 2.0), a program that was first commercially available in 1995. This antiquated tool was brought back to life via emulation technology, creating a universe that both musically and visually symbolizes the seven chakras and realigns the human body with it's ideal golden ratio.
El Maquinista Hypnotica is not only a producer, he's a magician, who hypnotically manipulates frequencies to light up dance floors. Every song combines the cosmic with the physical in an audio journey that is an alchemical fusion of the past, present, and future.
Get ready to be enthralled and invigorated by the mystical power of El Maquinista Hypnotica and his Chakra EP.
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- A1: Rotterdam Terror Corps - We're Gonna Blow Your Mind
- A2: Buzz Fuzz - Jealousy (Is A M F)
- A3: The Bazeman - Can You Feel The Baze
- A4: Predator - Mind Of A Lunatic
- B1: Bertocucci Feranzano - Xtc Love
- B2: The Stunned Guys - Bim Bum Bam
- B3: Dj Sim - Simbiosis
- B4: Micropoint - Ping Machine
- C1: Neophyte Vs Stunned Guys - Army Of Hardcore
- C2: Dj Delirium & Dj Buzz Fuzz - Immortality
- C3: Diss Reaction - Jiiieehaaaa
- C4: Neophyte Vs Stunned Guys - Get This Motherfucker
- D1: J D.a. & Delta 9 - Real Harcore En Anders Niks
- D2: Charly Lownoise & Mental Theo - Ultimate Sextrack
- D3: Jappo & Lancinhouse - Exlxaxl
- D4: Dj Buby - A E.i.o.u Feat The Stunned Guys
Number One - ‘Il Locale dell’Impossibile’ presents
‘LA SALA 2’ - Limited Edition
Relive the music that made history in
‘Sala 2’ with this exclusive double vinyl!
Available starting Friday, December 13th, 2024, in
record stores and online, or grab your copy in
person at the Number One on Saturday, December
21st, 2024, during the epic celebration in Sala 2.
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Misto Kay is a rising artist/producer from Amsterdam aiming to combine jazz elements and electronics into a sonic listening pleasure. His first appearances were on the Super-Sonic Jazz compilation and on Mo Wrights' 'things2proof' EP with a feature and a remix. Being a multi-instrumentalist, with a focus on jazz piano, you will find playful and melodic elements join forces with surprising rhythms in his music. His broad musical interest is clearly expressed in his productions, given that they can vary heavily in mood, tempo, and genre. House, broken beat are at the core of this debut solo release, but soulful hip-hop grooves are present as well.
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Colombian-born artist Juan Carlos Torres Alonso, aka OKRAA, presents his third sonic exploration on A Strangely Isolated Place titled, La Gran Corriente. This album marks a profound shift in Juan's creative journey, where themes of portals, the illusion of time, and the paradoxes of self-discovery converge into a powerful auditory experience.
Following a transformative visit to Bogotá in May 2023, Juan underwent an introspective journey that inspired a new direction in his music. This experience, which he describes as an encounter with "an infinite current behind or inside of everything," led to a complete reimagining of his work. Abandoning previous demos, Juan embraced a liberated creative process that was both challenging and exhilarating.
La Gran Corriente is characterized by its innovative production techniques, eschewing fixed grids and BPMs in favor of fluid, organic structures and combining influences from Juan’s other production alias, ‘Laudrup’. This approach not only opened up new creative possibilities but also led to numerous "happy accidents," resulting in a body of work that is as unpredictable as it is cohesive.
At the heart of the album lies a poem written by Juan during production, a text that echoes the themes woven throughout the music. Translated loosely to English, the poem reflects on the nature of reality and time, with lines like "the land of oblivion is not real" and "the great current reminisces; time is an illusion." These words serve as both a guide and a reflection of the album’s deeper meaning.
La Gran Corriente is a record that invites the listener to unlearn and to immerse themselves in a sonic current that is both infinite and transformative. It’s a testament to the power of creative reinvention and the relentless pursuit of deeper truths through music.
Featuring artwork by Peter Skwiot Smith, La Gran Corriente is available on gatefold colored vinyl 2LP, mastered by Taylor Deupree / 12k Mastering.
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- A1: Subp Yao - Wrong Path
- A2: Subp Yao - Drift
- A3: Subp Yao - Like Me
- A4: Subp Yao - And Then
- A5: Subp Yao - Talk
- A6: Subp Yao - Broken
- B1: Subp Yao - You Can Do
- B2: Subp Yao & Luna - Styx
- B3: Subp Yao - Directions
- B4: Subp Yao - For Ya
- B5: Subp Yao - Gone
- B6: Subp Yao - Never
- C1: Fiesta Soundsystem - Delphic Scent
- C2: Fiesta Soundsystem - Weavewrithe
- C3: Fiesta Soundsystem - First Flourish (Then Die)
- D1: Fiesta Soundsystem - Residuae Ls
- D2: Fiesta Soundsystem - Veil
- D3: Fiesta Soundsystem - Diaphphanousdiaphophresis
- E1: Fiesta Soundsystem - E13 (X)Elf-Out
- E2: Fiesta Soundsystem - Ir Cursive Crud Bible
- E3: Fiesta Soundsystem - Glistensoftt
- F1: Fiesta Soundsystem - 2Nd (X)-Elfout
- F2: Fiesta Soundsystem - Messy Tesselation
- F3: Fiesta Soundsystem - 3Rd Aspect
- H2: Whylie - The Stars
- H3: Whylie - And Everything Else
- I1: Traka - Yosai (Commodo Remix)
- I2: Traka Feat Killa P - Start Taking Note (Muqata'a Remix)
- J1: Granul - Deformity (Jtamul Remix)
- J2: Granul - Interconnected (Iskeletor Remix)
- G1: Whylie - All My Hopes
- G2: Whylie - In The Sky
- G3: Whylie Feat Softblade - We Follow
- H1: Whylie - Against Them
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White Lunar, an underground electronic music label from Seoul, South Korea.
Founded by Lyumin and Oho, is excited to release its first project.
This debut features four talented artists in the world Oho, ffrvnco, Stefano Andriezzi, and Jucid. Each artist brings their own unique sound, creating a diverse and powerful collection of tracks.
Get ready to experience a fresh and energetic mix of electronic music from these rising artists.
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- A1: Linda Waterfall - Clarity
- A2: Sebastian - Follow My Heart
- A3: Frank E Jeffries Jr - Did It Have To Be Me
- B1: El Pedro - La Luna
- B2: Novidade - Masingita
- B3: Dieta Berliner Feat Jean Baptiste - Paula & Kaspar (Club Mix)
- C1: Angelo Mallia - Hideaway
- C2: Zardoz - Brasilia Drums
- C3: Gert Thrue - I Play The Body Electronic
- D1: In Trance 95 - Warm Nights Driving On Wet Streets
- D2: Flayer - Wanna Get Back Your Love
- D3: Jeancky - Variations Sur Protestation
Love International and Test Pressing commemorate yet another cracking festival with the latest instalment in their collaborative compilation series for their LIXTP label. For The Sound Of Love International #006 they’ve chosen Jay Donaldson aka Palms Trax as their selector. He’s a regular at Love International.
The Berlin-based DJ, known for his eclectic sets and long-running NTS show "Cooking With Palms Trax," delivers a diverse selection of tracks gathered from his global journeys.
The majority of the tracks included were self-released / privately pressed and in many cases the often mysterious artists’ only recorded outings. So, in putting this together Palms Trax has unearthed hidden gems, creating a magical, floor-filling journey through music.
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- A1: Peter Ries - Silent Reset
- A2: Amram Solar & Hot Oasis - Aine
- A3: Haevn - We Are
- A4: Samarana - Sita
- B1: El Búho - An Undiscovered Paradise
- B2: Ensaime & Ravin - Sentimento De Paz
- B3: Chris Madem - Amor Mio
- B4: Jose Solano - Savage
- C1: Buddhattitude - High Limit Spiritual
- C2: Nato - Wanaco
- C3: José Solano - Agua E Pipa
- C4: Christos Fourkis - Drunk Salome
- D1: Jacob Gurevitsch - Lovers In Paris
- D2: Ganga - Carry You Home (Thor & Ravin Rebirth Mix)
- D3: Sahalé - Sapana
- D4: Ravin & Dj Sergee - Love & Desire (Feat Reewa Rathod)
- E1: Buscemi - Luna Misteriosa (Feat Luigi Catalano)
- E2: Oum - Lik (Mashti & Polyesta Remix For Womex 14)
- E3: Islandman - Chaldene
- E4: Rudhaman - Balafon (Original Mix)
- F1: The Kenneth Bager Experience - What's My Name (Extended)
- F2: Vs Prjct - A Night In Napoli
- F3: No Entry - No Exit
- F4: Gli Kuru - Yuregine Deprem
Die Musik ist tief in der DNA der Buddha-Bar verwurzelt und hat schon immer eine Schlüsselrolle in unserem Universum gespielt. Unsere musikalische Handschrift, die 1996 in Paris entstand, spiegelt die traumhafte Atmosphäre unserer Restaurants perfekt wider. Subtile und hypnotisierende Mixe, eine perfekte Mischung aus mystischen House- und elektronischen Rhythmen mit afrikanischen, asiatischen, indischen, lateinamerikanischen oder orientalischen Klängen... Buddha-Bar Music verbreitet seit 1996 seine guten Vibes in der ganzen Welt. Dieses dreifache Best Of zeichnet unsere Geschichte von 2014 bis 2024 nach und versammelt von Ravin sorgfältig ausgewählte Titel und Künstler, darunter Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...
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- A1: Juanita Bonita
- A2: Cumbia Candelosa
- A3: El Mecanico
- A4: Tus Ojos
- A5: Que Te Pasa
- A6: Brisa, Mar Y Arena
- B1: Venenosa
- B2: Uey’ Je’ Je’ Pa’
- B3: El Canje
- B4: Dime Pa’ Quien
- B5: El Guarachero
- B6: Solo Estoy
- C1: La Luna Y El Pescador
- C2: Noche De Fiesta
- C3: Acuarela Cumbiambera
- C4: Las Diez Velas
- C5: El Chontaduro
- C6: Orlandito
- D1: Fiesta Tropical
- D2: Cumbia Del Caribe
- D3: Guepa…Je
- D4: Buenas Noches Diciembre
- D5: Alma Quibdoseña
- D6: Asi Se Baila Cumbia
This album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.
He was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.
Liner notes:
Edmundo Dante Arias Valencia was born in Tuluá, Valle del Cauca, on the 5th of November 1925. He came from a family of musicians. His father, Joaquín Arias Cardoza was a band leader and composer who taught his children to play music. Arias learned to play many instruments such as the guitar, bass, bandola (pear shaped string instrument related to the mandolin), tiple (12 string guitar), clarinet and saxophone. He proved to be a very talented musician and together with his father and his older brother Ricaurte he formed the ‘Trio Arias’. The family lived in different cities across Colombia depending on where they found work. When his father died unexpectedly in 1948, Edmundo and Ricaurte had to support their family working as musicians. In 1951, Arias decided to move to Medellín, in those days the heart of the Colombian music industry and the city where the most important record companies and the best musicians were based. It didn’t take long before Arias made a name for himself as a musician, composer, arranger and band leader for Colombia’s leading labels at the time; Zeida, Ondina, Silver and Sonolux. For the latter, he would eventually become the artistic director. Over the years, he wrote hundreds of songs, recorded many albums with his own orchestras or with the Orquesta Sonolux and collaborated with a countless number of musicians, often uncredited.
Together with Lucho Bermúdez and Pacho Galán, Edmundo Arias is seen as one of the ‘big three’ composers of the tropical music of Colombia. But despite the fact that Arias was renowned, very little is known about his personal life. He was a humble man who preferred to work in the background and avoided being in the spotlight at all cost. He declined interviews and kept away from public life. On some live performances of the orchestra that carried his name, Arias asked one of his musicians to pretend to be him, so that he wouldn’t have to come on stage. You might think that Arias was shy or anti-social, but this was not the case. Most people he worked with described him as a very jovial, good humoured person and enjoyed working with him.
His invisibility in public life belied how present he was behind the scenes. If he wasn’t working on his own productions, he was regularly collaborating with other musicians. Arias had his hand in the work of many of his colleagues and was a mentor for young artists. Some even say that in those days all the musicians in Medellín had worked with Arias in one way or the other. He had a strict working regime: composing, arranging and recording at night while sleeping during the day. He was also very productive. The story goes that on one occasion, he wrote arrangements for a 16 piece band in just a few minutes while the band was recording another song. His hard work and productiveness resulted in hundreds of compositions and many records that carry his name.
Edmundo Arias’ career ran over 6 decades until his death on the 29th of January 1993. Over the years, he left us a huge legacy. The songs on this record are a selection of his work during the 50s and 60s. Many see this period as the absolute highlight of his career. We picked out the songs we consider to be the most outstanding recordings from this period. The title of this compilation Guepa Je! is Colombian slang often used in cumbia to express joy or to celebrate. A free translation would result into something like ‘yeah’, ’let’s go’ or ‘groovy’. I guess this title says enough. Enjoy the music. Guepa Je!
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