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Turntable / Plattenspieler - OMNITRONIC BD-1380 USB Silver

Belt drive DJ turntable with USB interface and recording software, silver

Built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records
Plug & play: no driver installation required, unit is identified automatically
Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
Incl. software for recording and editing
2 speeds, pitch control ±10 %
Large start/stop button
Strobe lamp for exact speed adjustment
Adjustable anti-skating
Shock-absorbing feet
Switchable phono/line output
Delivery includes removable acryl dust cover, pick-up system, RCA and USB cable
USB 1.1 support
Suitable for Windows XP, Vista, 7, 8, 10 and Mac OS X
the device can be connected via USB to the PC

Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Frequency range: 20 - 20000 Hz
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 3-4 g
output level: phono 1.5-3.6 mV/ 1 kHz 5 cm/sec
line 90-216 mV/ 1 kHz 5 cm/sec
Color: Silver
Connections: Output: line/phono via Stereo RCA
Output: via USB B (W) mounting version
Pitchrange: ±10%
USB port: 1 x USB 1.1, Typ B
Material: Plastic
PC connect: via USB
Width: 45 cm
Height: 14.5 cm
Depth: 36 cm
Weight: 3.90 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

En stock

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145,00
Turntable / Plattenspieler - Technics SL-1210MK7

Technics' SL-1200 turntable is back! This beautiful, matte black MK7 version is a direct-drive turntable with a 'coreless' motor that is lighter and more powerful than before. Thanks to its design, not only is it extremely reliable, but cogging issues should now be a thing of past. That means you can concentrate fully on doing what you do best.
SL-1210 MK7: Classic turntable with a modern look

Apart from its colour, the MK7 SL-1210 may look familiar, but it has a few new additions on board. This includes a microchip that comes from Blu-Ray technology and makes the turntable more accurate, also when scratching. It's possible to adjust the power as well as the braking time of the motor and, if you have a stylus that supports it, you can make use of 'reverse platter play'. Another change is the use of removable cables instead of fixed ones.

Die Technics 1200-Serie
Der originale SL-1200 wurde im Jahr 1972 als direktgetriebener Plattenspieler vorgestellt und erfreute sich sehr schnell einer außerordentlichen Beliebtheit. Er wurde weltweit ungefähr 3,5 Millionen Mal verkauft. Charakteristisch waren von Anfang an das hohe Antriebsmoment, die einfache Bedienung und die hohe Langlebigkeit. Er wurde sowohl von Audio-Enthusiasten als auch von DJs hochgeschätzt. Letztere verhalfen dem SL-1210 zum Kultstatus, gerade im Bereich der elektronischen Dance Music. Auch heute noch wird diese Modellreihe von DJs in aller Welt außerordentlich geschätzt.
Höchste Klangqualität getreu den Maßstäben der Technics Philosophie
Eisenkernloser Direktantriebsmotor für eine stabile Rotation und kräftiges Antriebsmoment

In einem direktangetriebenen Plattenspieler wird ein langsam rotierender Motor verwendet, der direkt mit dem Plattenteller verbunden ist und die Bewegung unmittelbar an diesen weitergibt. Das bringt zahlreiche Vorteile mit sich: Das Gerät erreicht eine beeindruckende Umdrehungspräzision, ein extrem kraftvolles Antriebsmoment, eine hohe Zuverlässigkeit über die gesamte Lebensdauer und ist wartungsfrei. Lange Zeit wurden dem Direktantrieb kleine Unregelmäßigkeiten in der Rotation durch das sogenannte Rastmoment nachgesagt. Für den neuen SL-1210MK7 wurde daher ein neuer Direktantriebsmotor entwickelt, der mit einem eisenkernlosen Stator arbeitet und damit die Ursache für das Rastmoment vollständig behebt. Gleichzeitig erreicht die Antriebskraft der Rotormagnete im SL-1210MK7 ihr Optimum. Der Spalt zwischen dem eisenkernlosen Stator und den Rotormagneten wurde so verbessert, dass es dem Drehmoment des früheren Modells SL-1200MK5 ähnelt. Das gleichmäßige Rotationsverhalten und kräftige Antriebsmoment ermöglichen eine präzise und originalgetreue Klangqualität bei allen Schallplatten.
Der empfindliche Tonarm sorgt für eine hochpräzise Abtastung des Schallplattensignals

Der Tonarm, der die in der Schallplattenrille enthaltenen Musikinformation ausliest, ist eine statisch ausbalancierte Konstruktion in S-Form – typisch für Technics Modelle. Das Tonarmrohr besteht aus leichtem, hochfestem Aluminium, während die Lagersektion der kardanischen Aufhängung über ein gefrästes Gehäuse sowie hochpräzise Lagerelemente verfügt. Dies sorgt für einen hervorragenden Abtastvorgang mit einem Minimum an unerwünschten Nadelbewegungen selbst unter rauen Bedingungen, wie z.B. beim Scratching.
Zweischichtiger Plattentelleraufbau mit verbesserter Vibrationsdämpfung

Der Plattenteller des SL-1210MK7 besteht aus einer zweischichtigen Konstruktion. Vibrationsabsorbierender Kautschuk überzieht die gesamte Unterseite des Tellers, der aus einem Aluminium-Spritzguss gefertigt ist. Diese Verbundkonstruktion verhindert unerwünschte Resonanzen und bietet hohe Stabilität bei überragender Vibrationsdämpfung, wodurch die Schallplatte vor schädlichen Vibrationen gestützt wird. Das Ergebnis ist ein ungestörter, authentischer Klang.
Hochstabiles Gehäuse und effektive Dämpfungsfüße für umfassenden Vibrationsschutz

Das Chassis des SL-1210MK7 besteht aus einem sehr stabilen, extrem vibrationsarmen Gehäuse. Das Aluminium-Spritzguss-Chassis ist fest an einer Konstruktion aus ABS(Acrylnitril-Butadien-Styrol-Copolymer)-Kunststoff befestigt, das mit Glasfasern verstärkt ist. Die somit erreichte Zweischichtkonstruktion bietet eine Festigkeit und Vibrationsdämpfung auf höchstem Niveau und garantiert somit eine originalgetreue, dynamische Soundreproduktion.

Für eine optimale Dämpfung sorgen die Dämpfungsfüße aus einer Feder-Gummi-Konstruktion. Der hohen vertikalen Dämpfung steht ein sehr steifes Verhalten in der horizontalen Bewegung gegenüber. Diese Kombination sorgt für eine unkomplizierte Handhabung besonders beim Scratchen und für eine sehr gute Störfestigkeit – auch bei sehr hohen Schallpegeln.
Abnehmbares Netz- und Signalkabel für höhere Flexibilität

Die Netz- und Phonokabel des SL-1210MK7 sind abnehmbar, sodass sie, z.B. im Falle eines Defektes, schnell ausgetauscht werden können. Die vergoldeten Phono-Anschlussbuchsen sichern dabei beste Klangqualität und Kontakteigenschaften.
Hoher Bedienkomfort trifft auf innovative Funktionen
Anpassung des Start-/Abbremsmoments

Der SL-1210MK7 überzeugt mit innovativen Motorregelungstechnologien, die vor allem bei der neuesten Generation von Blu-ray-Spielern eingesetzt und perfektioniert wurden. Durch einen Microcomputer hält der Regler sowohl dem normalen Abspielvorgang als auch anspruchsvolleren DJ-Anwendungen wie z.B. dem Scratching problemlos stand. Zudem kann der Nutzer das Startmoment und die Abbremsgeschwindigkeit an seine individuellen Vorlieben anpassen.
Pitch-Funktion für eine präzise und stabile Feinregulierung der Geschwindigkeit

Die Umdrehungsgeschwindigkeit des SL-1210MK7 kann auf 33-1/3, 45 oder 78 U/min eingestellt werden.* Der Pitch-Einstellbereich liegt bei ±8%/±16%. Dies ermöglicht eine hochpräzise und stabile Feinanpassung der Geschwindigkeit sowie das perfekte Matchen z.B. zweier SL-1210MK7 Einheiten im DJ-Betrieb.

* Die Verwendung von 78 U/min wird über den Haupt-Ein-/Ausschalter aktiviert.
„Reverse Play” für maximale Kreativität

Werden die Geschwindigkeitstaste und die Start-/Stop-Taste gleichzeitig gedrückt, dreht sich der Plattenteller in die Gegenrichtung. Die Reverse Play-Funktion wird über den Haupt-Ein-/Ausschalter aktiviert. Dies eröffnet dem DJ neue, kreative Möglichkeiten. Dafür muss das Tonabnehmersystem allerdings für den Scratch-Betrieb ausgelegt sein.
Traditionelles Design – perfekt für den DJ-Einsatz
Nadelbeleuchtung dank heller, langlebiger LED

Bei der Teleskop-Nadelbeleuchtung kommen ein neuer Druckmechanismus sowie eine helle, langlebige weiße LED zum Einsatz. Zudem wurden der Beleuchtungsbereich sowie die Belichtungsintensität angepasst. Verglichen mit den Vorgängermodellen ist somit eine bessere Sichtbarkeit der Nadel gewährleistet – selbst in sehr dunklen Umgebungen.
Durchgängig schwarzes Design

Die Bedienelemente sowie der Tonarm des SL-1210MK7 sind in Schwarz gehalten. Gleichzeitig wurde die Form der Bedienelemente der früheren Modelle beibehalten. In Kombination mit der matten Textur des schwarzen Gehäuses strahlt der Plattenspieler einen coolen Chic aus. Die LED-Tastenhinterleuchtung kann individuell in blau oder rot angepasst werden.


Technische Daten SL-1210MK7:

Technologie zur Umdrehungskonstanz

Eisenkernloser Direktantriebsmotor
Hochpräzise Motorregelung

Konstruktion zur Vibrationsentkopplung

Vibrationsdämpfender Plattenteller
Steife Gehäusekonstruktion
Dämpfungsfüße mit Feder-Gummi-Verbund

Hochwertige Bauteile

Tonarm hoher Empfindlichkeit
Vergoldete Anschlussbuchsen

Technics Definitive Design

Aus der SL-1200 Serie entwickelt

Plattenlaufwerks-Sektion

Typ: Direktgetriebener Plattenteller
Umdrehungsgeschwindigkeiten: 33 1/3, 45, 78 U/min
Pitchbereich: ±8%, ±16%
Anlauf-Drehmoment: 2.2 kg・cm
Anlaufzeit: 0.7 s. aus dem Stand auf 33 1/3 U/min
Gleichlaufschwankungen: 0.025% W.R.M.S.
Rumpeln: 78dB (IEC 98A-bewertet)
Plattenteller: Aluminium-Druckguss
Durchmesser:332mm
Gewicht:ca. 1,5 kg (inkl. Gummi-Auflagematte)

Tonarm-Sektion

Typ: Universell, statisch ausbalanciert
Effektive Länge: 230mm
Überhang: 15mm
Spurfehlwinkel:
Innerhalb 2° 32' (an der äußeren Rille einer Langspielplatte (30cm/12")
Innerhalb 0° 32' (an der inneren Rille einer Langspielplatte (30cm/12")
Kröpfungswinkel: 22°
Tonarm-Höhenverstellung: 0 - 6mm
Bereich der Auflagekraft: 0 - 4g (Direkte Abtastung)
Gewicht des Headshells: Ca. 7.6g
Tonabnehmer-Gewichtsbereich:
ohne Zusatzgewicht 5.6 - 12.0g (14.3 - 20.7g (einschließlich Headshell))
mit Zusatzgewicht 10.0 - 16.4g (18.7 - 25.1g (einschließlich Headshell))
Bohrungsabstand der Tonabnehmermontage: JIS 12.7mm
Headshell-Kabelanschlüsse: 1.2mmφ 4-Pin

Anschlüsse

PHONO (RCA) x 1, Erdungs-Schraubklemme x 1

Allgemein

Netzspannung: AC230 V, 50 Hz
Leistungsaufnahme: 11 W (Ca. 0.2W Standby)
Abmessungen (B x H x T): 453 x 173 x 372 mm
Gewicht: Ca. 11.2kg
Zubehör:
Plattenteller, Gummi-Auflagematte, Staubschutzhaube, Single-Adapter, Gegengewicht, Hilfsgewicht, Headshell, Überhangschablone, Schraubensatz f. Tonabnehmer-Befestigung, Phono-Anschlusskabel, Erdungskabel, Netzkabel, Bedienungsanleitung

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831,93
WILD NOTHING - GOLDEN HAZE

Golden Haze Vinyl. After being long out of press (with the exception of a small, instantly sold- out pressing in 2018 to celebrate Captured Tracks' 10-year anniversary), Golden Haze is finally back on limited edition Gold vinyl!The charming and gorgeous Golden Haze EP is the culmination of Wild Nothing's (Jack Tatum) sound in 2010. Fresh off the heels of breakout debut album Gemini, Golden Haze has become a true fan-favorite of Tatum's cata- log, and an enduring fixture of Wild Nothing's live shows across the world. The tracklist features the previously unavailable Evertide EP, a Gemini B- Side, and now, for the first time on vinyl, includes bonus tracks "Asleep" and "Vultures Like Lovers."When Golden Haze was released in 2010, the EP filled with melancholy vocals over addictive guitar riffs offered a perfect continuation to Gemini. It also re-revealed that Tatum has a knack for creating unique, modern ar- rangements based on decades-old influence. On Golden Haze's single of the same name, tweaked drums and a "textural mesh of severely-gated snare and sleigh bells" evoke 80s bands like The Cure. "Vultures Like Lovers," a newly available track on vinyl, presents delayed guitars with tremolo'd vocals. The most different to Gemini, it revealed that Tatum could make more "electronically pulsed" songs with echoey, hollow vocals. Over 10 years later, Golden Haze continues to prove Tatum's ability to create new songs while evoking a musical nostalgia for the past.

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22,27
DWIGHT SYKES & JAHARI - ROCK STEADY

"Rock Steady" was from the first album with Jahari, recorded with Needa on vocals and the first time using machines in the mix. During that session we had another song called "One Night Stand" that didn't make it on the album, but it should have looking back now. PPU Records fixed the instrumental for "Rock Steady". We didn't even know it was on the old tapes, we put it here as a bonus track.

7" with photo insert

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13,03
Demi Riquísimo - Perilous Joy EP

DJ Support: Saorise, Moxie and Niks

Semi Delicious return for their 19th edition via label head Demi Riquisimo’s ‘Perilous Joy’ EP.

The 5 track release effortlessly meshes the classic influences synonymous with the Semi Delicious sound whist maintaining a forward thinking approach to the dance floor.

The A-side consists of ‘Sinewinder’ & ‘Direct Fix’. A pair of four to four tools that can be noted for their functionality as much as their unique sound. ‘Sinewinder’ being a more diva, big room affected track and ‘Direct Fix’ airing on the side of deepness with a head turning bass line. The flip kicks off with the title track ‘Perilous Joy’ which offers a nod to the sonics of dreamy, progressive Italian house of yesteryear. Up next is ‘Thyme After Time’ and with it more psychedelic house deepness. Demi slows the pace on the balearic chugger Autoglide’ to close out yet another impressive outing for one of 2024’s most talked about imprints.

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15,55
Various - John Gomez & Nick The Record Present Tangent LP 2x12"

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

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19,12
Turntable / Plattenspieler - OMNITRONIC BD-1320 / black

Belt drive DJ turntable, black

Delivery includes pick-up system and stylus
Adjustable ±10 % speed control
Large start/stop button
Strobe lamp for exact speed adjustment
Delivery includes removable dustcover
Adjustable anti-skating
Shock-absorbing feet


Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 0-4 g, adjustable
output level: phono 1.7-3.5 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: phono via Stereo RCA
Pitchrange: ±10%
Material: Plastic
Width: 45 cm
Height: 14.5 cm
Depth: 35 cm
Weight: 3.77 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

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116,01
Humanoid Gods - Disclosure EP

Humanoid Gods offers Fixed Rhythms four dark breakbeat, dubstep tinged, heavy padded stuffers from the temporal Aside. Hark!

Confronting the status quo...how can obscene wealth be more important than human lives? Where have the humanoid gods come from, and who do they serve? Did we create them? Are they a construct of our own imagination and desires?

Extraterrestrial transmissions cut to Earth's club-preferred loudness, replicated on 300 copies of 12" black vinyl.

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13,40
Turntable / Plattenspieler - OMNITRONIC BD-1390 USB (Black)

Belt drive DJ turntable with USB interface and recording software, black

Built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records Plug & play: no driver installation required, unit is identified automatically
Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits

Incl. software for recording and editing
2 speeds, pitch control ±10 %
Large start/stop button
Strobe lamp for exact speed adjustment
Adjustable anti-skating
Shock-absorbing feet
Switchable phono/line output
Delivery includes removable acryl dust cover, pick-up system, RCA and USB cable
USB 1.1 support
Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X
the device can be connected via USB to the PC

Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Frequency range: 20 - 20000 Hz
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 3-4 g
output level: phono 1.5-3.6 mV/ 1 kHz 5 cm/sec
line 90-216 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: line/phono via Stereo RCA
Output: via USB B (W) mounting version
Pitchrange: ±10%
USB port: USB 1.1, Typ B
Material: Plastic
PC connect: via USB
Width: 45 cm
Height: 14.5 cm
Depth: 36 cm
Weight: 3.95 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

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145,00
Various - Toolroom Sampler Vol 5
 
4
également disponible

Vol. 1[13,40 €]

Vol. 2[13,66 €]

Vol. 3[13,66 €]

Vol. 4[13,03 €]

Vol.6[12,90 €]

Vol.7[13,03 €]

Vol. 8[13,40 €]

Vol. 9[12,90 €]

Vol. 10[13,87 €]

Vol.11[13,87 €]

Vol.12[13,87 €]

Vol 13[14,08 €]

Vol 14[14,24 €]

Vol 15[14,08 €]

Vol 16[14,50 €]


Repress!

Next up on Toolroom’s 4-track vinyl sampler series is a tasty collab from label founder, Mark Knight who teams up with rapidly rising talent Crusy for a staunch collaboration ‘Daddy Shhh’. A fiery club heavy cut, focusing on Toolroom’s founder’s speciality of Tribal Tech House, ‘Daddy Shhh’ is a record made for the dance floor specifically. Mixing high energy grooves, Latin percussion and rolling tech bass line that’ll keep you moving until the early hours.

Next up, we’re welcoming UK selector and producer Huxley who drops brand new single, ‘All I Need’. An artist not bound by conventional genres, Huxley’s sound shifts and melds into whatever fits the record, and that is certainly true when listening to ‘All I Need’. Coming through with a lush, Deep House synth vibe and an earworm vocal that melts into the mix before launching into Classic UK House style bass stabs means only one thing, a straight up belter.

Up next is another heater from Liverpudlian DJ and producer ESSEL who returns to the label with ‘Lennon’. An artist well versed in the art of hit-making; ESSEL has been a firm fixture of the Toolroom family over the past few years. A darker take on her typical vibe, ‘Lennon’ is a record that skirts the edge of her sound, tipping over into clubland and we have to say, it’s absolutely class. If there’s ever a glass ceiling above then ESSEL is sure to smash straight through it, she certainly is an exciting new prospect and without doubt one to watch.

Last but not least, we see the return of powerhouse DJ and production duo Leftwing : Kody who team up with fast-rising producer James Hurr on their debut outing ‘Music Is the Medication’. Reggae vocalist I Jah also features, bringing some Ragga styled heat to the record. ‘Music Is The Medication’ is a sublime record, mixing a tough, Tech House focused vibe with UKG styled breaks and a straight to the point Ragga vocal overlayed for maximum delivery means only one thing, a certified banger.

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13,66
Allen & Heath - Xone:92 Mixer

shipping to EU only !

The industry standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound.

With its solid construction and easy to use interface, the 92 is on the riders of most of the world’s top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters.

With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ’s dream tool.

Features:

• 6 dual stereo channels – 4 phono/line, 2 mono/mic or stereo return
• 2 independent stereo mix outputs
• 2 aux sends for output to external FX units
• VCF system – 2 independent stereo filters with frequency and resonance controls
• 2 independent LFO’s for filter manipulation
• 4-band EQ – total kill on HF and LF, wide Q for cut, narrow Q for boost
• Booth output – dedicated output on TRS jack
• MIDI values can be output from 6 controls (e.g. crossfader, LFO)
• P&G easy change professional VCA crossfader
• Illuminated lightpipes showing status of performance controls
• Intelligent cue for pre or post EQ monitoring
• Monitor section includes post EQ switch, split cue and mix to cue balance
• 2 headphone outputs (1/4” and 3.5mm)
• Ducking control on mono/mic channel

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1197,44
Vinyl Holder - 7

The Vinyl Set Holder Smart 7'' For Up To 25 Records In 7''-format Has A Minimal Design And An Especially Lightweight Construction - Ideal For Installation On The Wall In The Living Room, Home Studio Or Record Store.


Features

Holds up to 25 vinyls in the 7''-format
Especially light and stable construction
Easy assembly on the wall, incl. fixing accessories
Supplied without decoration (7''-records)


Technical Data

Dimensions: 218 mm x 150 mm x 64 mm (L x H x W)
Weight: 80 g

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12,40
Espen Horne - The Anatomy Of Serene Eloquence LP

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

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22,65
Glorious - 12

The Vinyl Set Holder Smart for up to 25 records has a minimalist design and an especially lightweight construction - ideal for use in the home studio or record store.

Technical Data
Incl. fixing accessories

Features
Holds up to 25 vinyls
Especially light construction
Easy assembly

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12,40
Ortofon Stylus - Concorde MKII Scratch

Ortofon Stylus

Concorde MKII Scratch

ERSATZNADEL176249
Ortofon
10.04.2024

* ONLY FOR THE NEW CONCORDE GENERATION !!!


The SCRATCH stylus features

Replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.

• Larger, wider and more robust stylus body
• Easier to grip and handle
• Better fix by metal spring
• Tactile feedback of correct mount
• Large stylus viewing cut‐out


Stylus SCRATCH Technical data

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Tracking ability at 315 Hz at recommended tracking force - 120 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm

Tracking force range - 3 - 5 g
Tracking force recommended - 4 g
Concorde cartridge weight - 18.5 g
Recommended exclusively for Concorde MkII SCRATCH

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47,90
Chontane - Sycamore EP

Chontane

Sycamore EP

12inchMR-006RP
Mutual Rytm
04.04.2024

2025 Repress
Chontane delivers six dynamic techno cuts via his 'Sycamore' EP on Mutual Rytm.

A firm fixture of the VOLTAGE roster and a rising name originating from Ukraine making an impact, Berlin-based DJ and producer Chontane is quickly finding his feet following a string of EPs via ARTS, Lobster Theremin and Rekids Special Projects. Already playing key clubs at the age of just 18, blurring the lines between techno, breaks and electro with his growing trademark sound, his performances across Berlin and beyond have captured the attention of many as he showcases his up-front and powerful sound. Next, he heads to SHDW & Obscure Shape's Mutual Rytm imprint for the first time as he reveals his six-track 'Sycamore' EP.

Lead cut 'Preserved' is a rugged yet soulful opener, settling into a rolling groove guided by crisp hats and sharp stabs, while 'Arakis' propels into more eerie and menacing spheres as waling vocals emerge and disappear into the track's relentless dynamic. Opening the B-side, 'Sitka' fuses jacking drums with playful flute interludes for a production set to get dancefloors moving, while 'Laboe' keeps things fiery as a peppy track which launches into fiesta mode. Closing the flip side, B3 'After Images' reveals the most emotive production on the package,
balancing the hard-hitting kicks with soulful vocals and hazy melodies for a classy slice of techno.

Once again, digital purchasers are treated to an exclusive bonus with 'In Roots' raising the temperature and jumping right back into the action to serve up another energising anthem from a label and artist on the rise.

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11,56
Oceanvs Orientalis & Ilhan Ersahin - 1980

Oceanvs Orientalis and Ilhan Ersahin first entered each other's orbits by chance at a performance at
Turkey's Cappadox Festival in 2018. Oceanvs Orientalis is renowned for his fusion of Eastern musical
motifs and traditions with cutting-edge electronica while Ilhan Ersahin has long plowed a unique path
uniting assorted musical strains from around the world via an exploratory jazz-improv sensibility.
Following two tracks ("Mesta" and "Pire") co-written by Ilhan and OvO and released as collaborations,
and two more Ersahin/OvO co-writes ("Revenge Of The Wankers" and "Television") released under
OvO's name alone, a fresh and exciting new song called "1980" now heralds a full-length collaboration
slated to land in Spring 2024. The track's title hints at a certain nostalgic bent while still keeping its
gaze firmly fixed on the future even as it evokes sun-drenched good times gone by. The single adds
several extra versions, one of which spotlights the multi-instrumental mastery of Darkside's Dave
Harrington while the other features the mesmerizing vocal stylings of Gaye Su Akyol. This single is the
perfect soundtrack to the waning days of summer and truly whets the appetite for the full-length
project these musical wizards have been busily concocting.

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20,63
THE HACKER - NO SEÑOR EP

The Hacker and Italo Moderni join forces with a masterful electro EP, guided by the French G.O.A.T. from Grenoble. Infused with techno vibes and featuring a remix by the renowned Terence Fixmer, this EP is a testament to the cutting-edge fusion of styles. Drawing inspiration from Liaisons Dangereuses, The Hacker weaves intricate basslines and rhythms, exemplified in the track ‘No Señor.’ ‘Me and My Sequencer Part 1 and Part 2’ unveils a clandestine narrative, a hidden tale shared only between The Hacker and his synthesizers—revealing the magical connection cultivated over the years.

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14,50
FROM OVERSEAS / ZAKE - Demain Des L'aube (TAPE)

This is a special cassette tape version of the recent album from zake, one of ambient's most prolific artists, alongside From Overseas on his own Past Inside The Present label. As always it is an almost impossibly deep ambient selection that once again finds him exploring fresh and always emotionally moving musical territory. Demain Des L'aube features eight tunes that convey real melancholia and have a gently persuasive sense of movement. Each one is vast in scale and sweeps you up and sinks you into the grainy lo-fi pads, wispy melodies and distant string-based sombreness.

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12,56
Various - Benji B presents Deviation Classics

WAREHOUSE FIND

Deviation Classics celebrates the legacy of the legendary London club night and record label created by Benji B and Judah in 2007. Famously "one of London's most aurally audacious nights”, Benji B’s Deviation is a name synonymous with music and at the forefront of London’s culture scene and within music internationally.

The collector’s box will include four 12” vinyl including 20 carefully selected tracks, many of which have previously been unavailable on vinyl or hard to find and all capturing those key moments from the past 13 years. The compilation will also be accompanied by an exclusive mix curated by founder Benji B marking the end of this chapter for Deviation, the mix will be available to purchase on CD and streamed or downloaded on Bandcamp and all major digital platforms.

Spanning all genres of music, the compilation comprises tracks from Moodymann, James Blake, Joy Orbison and Flying Lotus and many more from across Deviation’s impressive roster of guests. Though several of the tracks went on to become hits, all of them became part of Deviation’s regular playlist and are now considered to be part of the Deviation DNA - a club night that has its own sound, its own hits and its own classics. The tracks highlight how the best club residencies can hone and shape their own identity, where reactions from the dance floor can influence which tracks make it into the resident sets to become future classics, and how a single tune can conjure the nostalgia of an era, venue, place and time.

Including regular staples from Benji B’s resident sets, the DJ comments: “This album showcases the tunes that got the biggest reactions month after month, drawn from my sets at Deviation over the years. They would not only be my choice, but also the choice of the Deviation regulars. Not all of these were necessarily big tunes outside of the club night – some would go on to be, but some could be 12-inch B-sides, album cuts or unreleased dubplates that went off when dropped for the very first time, and then became our own classics: all certified Deviation anthems in their own way”

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115,93
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