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The Voices Of East Harlem were an ensemble of vocalists who for Just Sunshine Records recorded two albums under the direction of Leroy Hutson and Curtis Mayfield. Cashing In' is one of their most classic songs, a highly sought after track on original 7' fetches between £40 and £80 on the collectors market. First recorded and released in 1973 it has all the hallmarks of a Leroy Hutson composition and an established audience that crosses the boundaries of northern, crossover and modern soul. The song is coupled here with Take A Stand', another highly regarded and sought after modern soul room dance floor tracks, never previously released on 7' single until now

2024 Re-Release
Newly formed archival label Fresh Hold presents one of Australia’s most mysterious jazz long players - Singing Dust, in collaboration with Efficient Space. Almost bound for obscurity from its inception, the eponymous creation of Queensland-based jazz pianist Robert Welsh was originally issued in 1986 on Melbourne independent label Cleopatra Records. Rich in compositional sophistication and expressive performance, Singing Dust resembles a unique fusion of Indian devotional song, the jazz piano styles of Bill Evans and Keith Jarrett, English folk and Debussey’s tonal impressions, bearing little similarity to the dominant commercial and subcultural music of its time.

Representing a culmination of Welsh’s influences in and outside of music, the dynamic collection of seven compositions accompany the Ghazal devotional poems translated by Australian poet Francis Brabazon. While Singing Dust sits loosely within the spheres of exploration that many jazz players took into world fusion in the '80s, it stands alone in its bright searing light of truth, love and austerity.

A true work of dedication and posterity that will appeal to many serious music lovers, the album has finally been transferred and remastered from original tapes by Dan Elleson, superseding the imperfect 1986 pressing and fully realising Welsh’s expansive vision.

The quality of the songs, including IMPRESSIONS, is also endorsed by the songs provided to CURTIS MAYFIELD and CHI-LITES, and the euphoric upsurge from the light guitar cutting to the percussive beats will get the floor going at once! Free soul full of killer songs including "DISCO CITY"!

Meditation Blue" was produced in Minneapolis in 1977 by Ernie Story, an SSW & producer who provided songs for The Impressions, The Chi-Lites, Curtis Mayfield, and many others. The simple jacket of this private pressing is very tasteful, but the high quality sound of this album has always been sought after! The album features the superb free soul "DISCO CITY" (A5) with its light cutting guitar and percussive groove, the instrumental number "The E Groove" (B2). The album is now finally being reissued and includes many gems such as "Chain Gang" (A4), a song with soulful vocals and a groovy band sound!

"The Remedy," is I G Culture's latest album under Likwid Continutal Space Motion, Culture draws parallels between the complex world of fungi and London's Underground dance music scene. Both are intricate networks that thrive beneath the surface, connecting diverse elements and influencing one another. The London dance music scene, like fungi, encompasses a variety of styles and genres, from drum and bass to Garage Dance Subcultures may go unnoticed to the casual observer but are musical corner stones in our society. Dance floors and clubs serve as spaces for communal healing, allowing people to let go of daily stresses and connect through music and dance. I G Culture's "The Remedy" celebrates this vibrant underground culture and highlights the interconnectedness of all musical styles. Through his innovative production and thematic depth, he underscores the transformative power of dance music, emphasizing its role in promoting well-being and unity. The idea of Fungi also is expressed in the artwork by Amsterdams 'Machine' with IG's direction, who used fungi in an original collage revealing a secret world.

This work has become more popular in recent years because of its gentle style. Of particular note is the masterpiece "Walk The Way Of The New World," which is beautiful to the core due to the balance between the mellow electric piano melody, light flute, a flowing track with female scat, and Madhubuti's heroic poetry. The plaintive and mystical tone of the song is ear-catching. The funky, high-speed jazz of "Talking Stick" and the fast-paced title track "Rise, Vision, Comin" are also superb. This is a masterpiece of an album that is even better than "Medasi".

Wendel Harrison, whose style evolved with the times from "Tribe" to "Wenha," discovered a male soul singer in his hometown of Detroit, William Odell Hughes. This is the first album of William Odell Hughes (1981), a male soul singer discovered by Wendel Harrison in his hometown of Detroit, who evolved his style with the times from "Wenha" to "Wenha". The vocals are extended and sung with great grace from the high tones to the low back, and the mellow soul number "Where Am I" (M3) to the sticky 80's funk "Super-Funk-A-Ga-La-Listic-Freak" (M4) featuring synths, "Super-Funk-A-Ga-La-Listic-Freak" (M5), "Super-Funk-A-Ga-La-Listic-Freak" (M6), and "Super-Funk-A-Ga-La-Listic-Freak" (M7). (M4), and the disco-boogie killer tune "Cruisin'" (M1), the highlight of the album, all of them are full of floor-like sounds that concentrate the best parts of the early 80's! Of course, "Wendel Harrison" also provides full support as an executive producer and contributes a wide range of parts from songwriting to saxophone, flute, and chorus. This mega-rare album has been matured over 40 years and is finally being reissued for the first time in the world!

Cardinal Fuzz / Feeding Tube Records in collaboration with Deep Water Acres and in tribute to Sunrise Ocean Bender Records bring to you: Elkhorn – ‘Other Worlds.’ Drew Gardner and Jesse Sheppard, the two-guitar duo of Elkhorn, share a musical brotherhood that spans several decades. From their nascent high school socialist-realist post-punk band Mayfirst, to teenage scavenger trips to the Princeton Record Exchange and City Gardens, the two came of age goofing along to the Dead Kennedys, the Butthole Surfers, and Sonic Youth in the dank Jersey/Philly-scene music holes. Elkhorn has long traversed the valleys between fried cosmic psychedelia and American Primitive, particularly the latter style’s reverence for a wide range of folk and blues idioms ranging from County Records compilations to the Mississippi Sheiks. While the pair is best known for their acoustic guitar explorations, ‘Other Worlds’ continues their recent experiments with other instrumental possibilities. For instance, on the previous Elkhorn release ‘On the Whole Universe in All Directions,’ Drew switched to vibraphone and drums, with Jesse playing 12-string guitar. ‘Other Worlds,’ on the other hand, finds them in a recognizable ‘rock trio’ format (in improvisational mode)—Drew is on electric guitar, with Jesse playing bass, and they are again joined by Ian McColm on drums, with the free-flowing groove he brings. On the opening track ‘Watching the Skies’ you can feel the forward propulsion this—dare I say—power trio sets up, a cosmic widescreen which Elkhorn proceed to rock and groove across the whole of ‘Other Worlds.’ Three flawless musicians in their own right, together they form a telepathic psychic link that taps into the otherworldly flow that is ‘Other Worlds,’ as the synergy created by Jesse and Ian leaves Drew plenty of space to take off on exhilarating and soaring flights of fuzzy haze fire that results in a musical journey toward transcendence. Elkhorn demonstrate again and again that there is no height they won't scale, no direction they won't travel. Have Elkhorn ever sounded as heavy or as on fire as the recordings laid down here? You be the judge. The trio is multitudes. The trio is one. Mastering - Chris Hardman Artwork - Brett Savage

Ein Must-Have in der Geschichte des amerikanischen Death Metal, remastered!

Die legendäre Chicagoer Death Metal Band Oppressor wurde 1991 von Bassist/Sänger Tim King und Gitarrist Adam Zadel gegründet, bald kamen Gitarrist Jim Stopper und Drummer Tom Schofield hinzu. Oppressor hat sich neu formiert und spielt wieder live!Oppressor nahmen zwei Demos auf...

und ihr zweites Demo, "As Blood Flows" von 1993, brachte sie 1993 unter Vertrag. Dieses Demo wurde als eine sehr starke Veröffentlichung angesehen, die über 30 Minuten dauerte und eine anständige Produktion aufwies. Im darauffolgenden Jahr wurde das Debütalbum "Solstice of Oppression" veröffentlicht, das von ausgiebigen Tourneen begleitet wurde, aber das Label von Oppressor ging kurz darauf in Konkurs. Um ihren Namen in der Öffentlichkeit zu halten, veröffentlichten Oppressor eine halb Live- und halb Studio-Compilation namens "European Oppression Live/As Blood Flows", die Live-Material von ihrer europäischen Support-Tour für ihr Debüt und Studiomaterial enthielt, das aus dem kompletten "As Blood
Flows"-Demo der Band von 1993 bestand.

This isn't just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho - Dom Salvador - 'Som, Sangue, e Raça' from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown 'cover') in 'Hei! Você'. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself 'Rubens', drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album 'Som, Sangue e raça' paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

Heavenly Recordings are pleased to announce they will be releasing Mildlife’s new single ‘How Long Does It Take?’.

The original version of ‘How Does It Take’ plus two remixes by Italo-disco legends Daniele Baldelli and Marco Dionigi will be released across all digital platforms on April 12th, followed by 12" vinyl on May 12th.

“’How Long Does It Take’ is an homage to the dance floors and clubbers who championed our music from Day 1,” the band say of the single. “We’ve been delighted to watch heaving crowds burn holes in the dance floor as we close our set with it so now we’re equally delighted to offer it up on record as a late night thumper.”

The B-side of the ‘How Long Does It Take’ 12" comes with remixes from Daniele Baldelli and Marco Dionigi, the originators of legendary Italo-disco club night Cosmic Disco, found on the shores of Lake Garda in the late 1970s. The band met Baldelli on tour in Sicily where they had been invited by Giles Peterson to play at his Ricci Weekender on the outskirts of Catania. They bonded over a mutual sound and Baldelli jumped at the opportunity to remix the song.

2024 Reissue

US soul and rare groove outfit Heaven Sent & Ecstasy are a mysterious duo who only made this one record, but boy what a record it is. It first came in 1980 and has a weird sub title, but that doesn't detract from the gloriousness of the music. Some of its tunes were included in the soundtrack of Scrolls, The Book of Life and this is the first time it has landed on vinyl after a 2006 CD reissue. There are intricate moments of r&b pain, soaring jazz-funk grooves that will make any dance floor move and more raw funk jams driven by hard hitting kick and angular guitar riffs.

When Mano asked Gebrüder Teichmann to do a remix for Joãozinho Morgado, the King of Drums (O Rei dos Tambores) the two brothers couldn´t get more excited:
Starting from a love for dirty fast Kuduro beats those two pale potatoes, who spent years in dark Berlin basement underground clubs have been infected by energetic Angolan rhythms.
During their stays and musical collaborations in Luanda, they soon found Semba, Kazukuta, Kilapanga, Rumba and Merengue and all that fantastic musicians and music of the 60´s and 70´s golden age of Angolan music. Morgadinho was originally recorded at Gravisom studio in Lisbon, where Joãozinho Morgado orchestrated a groovy jam session with the Turma da Bênção project by Conjunto Angola 70 & Paulo Flores. Joãozinho was accompanied by Botto Trindade (Solo Guitar), Pirika Duia (Viola Ritmo), Mayo Bass (Viola Bass) and Galiano Neto (Percussion). The session was coordinated by Armando Gobliss.

Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (GA-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (GA-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

Jerome Thomas kehrt zurück mit seinem neuen Album “Submerge”, das in Zusammenarbeit mit dem Produzenten Pitch 92 entstanden ist und nimmt uns mit auf eine zutiefst menschlichen Entdeckungsreise. Textlich setzt sich Jerome mit den Themen Schwarzsein, der Suche nach Sicherheit sowie der Komplexität von Liebe und Lust auseinander. Klanglich verbindet das Projekt musikalische Einflüsse der Vergangenheit mit einer zeitgenössischen Produktion und lässt uns eintauchen in eine Mischung aus Jazz, R&B und 70’s Soul.

Der in Hackeney, London, geborene und aufgewachsene Jerome Thomas ist bekannt für sein umfangreiches stimmliches Können und die Fähigkeit, Soul auf seine eigene Art und Weise einen zeitgemäßen Kontext zu verleihen. Er hat bereits mit Künstlern und Produzenten wie FloFilz, Talos, Blue Lab Beats, Joe Armon-Jones, Serious Klein, Maxwell Owin und Bluestaeb zusammengearbeitet.

40 years after its original release, a new and expanded version of ‘Goot From The Boot’ is here to stay! It was 1984 and the newborn Florentine label Spittle Records launched his manifesto, with a killer selection of Italian underground bands verging on the Hardcore/Punk firmament and the New Wave ‘end of the spectrum’. This new version contains three bonus tracks, including “V’Oi!” by Skulls, which could not be included in the first pressing due to a postal delay. Finally we put things in the right place. An essential piece of Italian Hardcore and New Wave history.