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3 years after the release of the quickly sold out first Southern Hemisphere EP, Budabeats Records proudly presents the second instalment of the series.

The concept worked pretty well last time, so there is no change in this regard: four exciting selections from all over the world with no musical boundaries, suiting a packed dance floor on a Saturday night just as well as your afternoon pool party the day after.

On side A the forgotten 1984 boogie masterpiece, Revelacao, by legendary performer Emilio Santiago gets the edit treatment from the TropiCals duo, then, with 'Lluvia Acida' Budabeats staple Chillum Trio creates a 10 minute long acidic tropical shower.

On the flip Karl Planck, founder of the genius musical time machine known as Radiooooo, shows us how to adjust a 90's dance tune from Egypt to the current dancefloor, then we wrap things up with the oriental tinged fusion house tune 'Scarabeus' by Balint Boldizsar.

The EP is limited to 300 copies worldwide.

First time on vinyl for this lovingly curated collection of full-length and 12” versions of Disco classics, originally released as part of the ‘Disco Discharge’ CD series in 2010.

Disco was always a broad church. As a genre it brought in elements from Motown and Philly, Pop, Latin, African, Musicals, Classical and even Rock. Even so, arguably the longest-lived iteration of Disco came from the Blues-originated ‘Boogie’ genre. Boogie was a flame that both provided the very basis of the Disco groove and outlasted the genre’s staggering late-’70s mainstream global takeover. With its blend of Soul, Jazz, Funk and R&B and with its name descending from street slang for – ahem – sweaty lovemaking, Boogie lasted well into the 1980s and beyond. It was was Disco in the raw: Boogie was fundamental.

Gathering together 20 exemplars of the sound, ‘Disco Discharge: Disco Boogie’ provides a onestop shop to Boogie heaven, and it features some of the biggest names of the genre, alongside
some heinously forgotten classics.

Among the eclectic array of artists bringing their Boogie to the party are legends like Average White Band, Harold Melvin & The Blue Notes, Teena Marie and Wilton Felder, as well as diverse one-offs from A.O.R.’s Toto (featuring Cheryl Lynn), the UK’s experimental new-wavers The Quick and Brazilian multi-instrumentalist and composer, Eumir Deodato.

‘Disco Discharge, Disco Boogie’ is also released as a 21-track 2CD in Deluxe Gatefold Packaging. Both formats come fully annotated with sleeve notes by Alan Jones, co - author of ‘Saturday Night Forever: The Story Of Disco’

DJ Feedback:

The Blessed Madonna
"Just as I love it"
Anz (NTS / Radio 1)
"<3"
Mr Ties
"dope super edits lovely"
Severino Panzetta
"BOOOOM"
Space Dimension Controller
"really nice"
Tropical Disco
"all fire!!"
Robert Owens
"Cool tracks"
Roberto Rodriguez (Manolo)
"Nice bangers!"
Andreas Baumecker (Berghain / Panorama Bar)
"solid disco house bangers, me like!”
krewcial
"Nothing but hard hitting disco edits. Great stuff."
Daz I Kue
"Cool Glitterbox biz"
Nice 7
"ABSOLUTELY BOMBA!"
David Bloomfield
"70's disco flavor in Let's dance"
Simon Caldwell
"Really fun and sounding great. Disco for the floor!”
Diz Washington
"wonderful!!!"
Mr V
"Just begun is a nice rework"
Konstantin
"Thelma is dope !"

Repress!

Remixes by Conrad Mcdonnell ( one half of the Idjut Boys) of the classic Cantoma track ' Alive' . Deep , spacey and dubby grooves aimed squarely at the dancefloor

The mysterious parisian Chevals joins Better Listen for their eighth outing, after making his debut on NYC's Homage with a global affair.

1970’s Cloud One disco brilliance and one of P&P’s most well-known cuts gets a much-needed official reissue. A studio project masterminded by the legendary Patrick Adams and P&P Records’ Peter Brown, Cloud One’s ‘Disco Juice’ showcases the genius of Adams’ songwriting and production prowess. A bundle of joy from start to finish, every element is given space and arranged exquisitely from the soaring strings and Venus Dodson’s celestial vocals, to the vibraphone twinkles and power piano keys. Deliriously good grooves.

On the B side, ‘Charleston Hopscotch’ a cosmic funk-fuelled jam bouncing guitar riffs, sweltering synths and piano stabs out to the stratosphere and back again, returning with another Patrick Adam’s masterclass.

A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

EP with four dancing motion tracks, selected from the vaults of the secluded Archivio Fonomeccanico Ornavassese.

The evolutionary restoration of the rediscovered pieces is the work of “I Bellissimi Dischi di Ornavasso” who, through structural modifications and sophisticated refinements, made them fit again for listening but more importantly for dancing.

All the source tracks stem from 70s and 80s Italian music, revised and guaranteed by the Archivio Fonomeccanico, one of the few ultraphonic overhaul specialists in Italy.

With their state-of-the-art audio department they can support the conception, production and mixing of melodies the quality of which is demonstrated by the famous psycho magical side effects.
Let yourselves be thrusted into hyperspace by the undulations of your pelvic bone.

From 1984, Nat King Cool’s stunning in-demand one-off single release ‘Checking Out’ sounds like a blend of MFSB’s ‘Mysteries of the World’ meets UK brit-funk complete with very cool flip-side instrumental. Originally released on the tiny Tai Wan label, this track sounds fresh!

repress !

Detroit's own Patrice Scott debut on Neroli is the perfect match between the Neroli and Sistrum sounds, touching all the right spots and balancing soul and machine!!!

Back In Stock!

Repress

Black Aroma EP Vol.2 is the second release of an EP series that blends slow, mid-tempo and upbeat jams that have one common theme: the Aroma.

Three dance floor hitters by the Dutch Arp Frique. "Nos Magia" holds collaborations with Nigerian funkster Orlando Julius and Cape-Verdean legend Americo Brito. Surprising new cuts that could easily have been made in the 70ties! Big tip!
Arp Frique is Niels Nieuborg from the city of Rotterdam, who has been actively involved in the Dutch live music scene for years, working with Cape Verdean & Surinamese musicians especially. After all these years, he finally presents his own true musical output.

"Nos Magia" is a classic sounding, but unheard Cape Verdean funana song featuring the old skool Americo Brito on vocals. The b-side holds two collaborations with afro-beat protagonist Orlando Julius.....enjoy!!

Introducing Bavhu, a dynamic Kiwi duo who have delivered an absolute belter, 'Always Dancin' out on TMRW Music.

Sporting some knocking drums, heaving rhythms, funky bass, irresistibly hooky vocals and filthy disco percussion, 'Always Dancin' is a joyous disco-sampling house outing that’s already garnered heavyweight attention from the likes of Danny Howard, Pete Tong and Zane Lowe, who have already thrown their support behind the track.

DJ Support:

Plays on Radio 1 from Danny Howard, Pete Tong, Dance Anthems + on KISS from TCTS

Bosq & Kaleta return for the second single off their forthcoming full length album. Uplifiting Afro Disco & Funk are the name of the game on this beautiful release with artwork by Amanda Lobos from Brasil.

It's not possible to pick an A & B side between these two quality cuts, recorded between Bosq's Medellin Studio, NYC & Cotonou, Benin (one of Kelata's hometowns).

Sonayon is a midtempo summertime Afro Disco burner that almost doesn't need a translation from it's Gun (A language native to Benin and some parts of Southern Nigeria) lyrics for you to understand that it speaks of overcoming hardship & brighter days ahead.

Meji Meji, loosely meaning something akin to "two heads are better than one" in Yoruba takes a similarly positive stance, with Kaleta singing about unity over division on a heavy Disco Funk groove with blistering horns and heavy percussion.

Both sides already getting heavy support on dancefloors worldwide.

Caserta’s favourite era of house was when the line between hip hop and house was really only made visible by the tempo of the songs. An art mastered by legends like Kenny Dope, Armand Van Helden and DJ Sneak to name a few.

FF to 2023, Caserta returns to that form with Joe’s Boutique. An obvious nod to the craftwork of the seminal album Paul’s Boutique by the Beastie Boy’s. Caserta fired up the samplers and sliced and diced his way to his first EP in years. With swinging drums, heavy basslines, chopped up vocals and music you might think you stumbled across a lost Strictly Rhythm acetate but mixed and mastered to year 2728 by the man himself.

Complete with vocal interludes segueing from track to track this truly is a listening experience as well as a dance floor filler all in one.

There is nothing quite like an evening under the rhythmic spell of the legendary David Morales. Stepping on the dancefloor while he's behind the decks requires full trust and surrender. You agree to hand the reins of your mind, body, and spirit to his intuition and ability to guide you to where you need to be at all times. It will occasionally be cathartic and intense. It will often make the hairs on your body stand on end, and make you sweat more than you ever have before. The endorphin release will be powerful. You will feel like you can touch joy and euphoria it in the air around you. As he gently brings you back down to reality, you will feel renewed and ready for anything life brings your way. This is more than a night of dancing. This is an experience at the hands of a magical maestro of music. How is this possible from a night on the dancefloor? Well, it begins with the brilliant mind of an artist at the peak of his creative power, imbued with the empathy necessary to connect with what has become a global legion of fans. "If there is any secret, it's really simple: I love what I do with all of my heart," Morales says. "I'm a DJ first. I thrive on human interaction. I am always adjusting my sets based on what the people in the room need. Each night, we form an emotional connection that inspires the music as it comes."

For Morales, "working in the studio is important, but it exists as a way of supporting the DJing experience. It's all to inform how it will work on the dancefloor."

To that end, you're reading these words as you dive into a new collection of Morales classics. Ever the collaborator, he has enlisted the input of a wide range of voices and talent. There is the diva power of fellow legend Ultra Nate, who brings her signature sass to "I Can Dream," while Michele Perera's explosive chemistry with David is all over the inspiring "Life is a Song" and "Never Give Up", as well as the impassioned "Addicted."

Morales reminds the listener of his ever-evolving musical scope in collaborations with blondewearingblack ("What Can I Do"), Lea Lorien ("Never Looking Back"), and Blakkat ("Can't Get Enough"). There's the clubland supergroup of David with Mr. V, Scotty P. and DJ Rae on "The Feels." Rounding out the set is a reunion with longtime muses Elle Cato ("I Feel Love") and British soul icon Joe Roberts ("Easy"). Just be sure to listen closely, because there's bound to be a surprise tucked between these grooves to tickle your ears and move your body.

The beauty of this sparkling new foray into electronic music is the heightened intimacy between Morales and the music. What you are hearing here is almost exclusively from the man's own fingertips. "The technology has evolved in the most extraordinary and liberating ways," he says, adding that he is now able to be far more directly hands-on during the building of each track. "Back in the '90s, I had to have more people involved, With the changes and growth in technology, I can now do it, myself. I don't even have to be in the studio anymore. It's smart, financially, but it's also way more fun and creative."

David adds, "I don't have to wait to manifest an idea anymore. I can just build my ideas as they come to me." In fact, he reveals that many of these new tracks were born in unique places, like planes, cars, his bedroom, and a host of other settings. "Music is always spinning around my mind. I no longer worry about losing an idea."

Surviving the highs and lows of an ever-changing world has also brought Morales back to the basic essentials of life and music. "The pandemic has brought things full circle for me," he says. "I love what I do and I still have the passion of a kid who is just getting started"

Yet, we know that Morales has been in the game for longer than a minute. He's a Grammy award-winning producer, remixer, and songwriter. He has lent his skill to countless of records by icons that include Mariah Carey, Madonna, Whitney Houston, Michael Jackson, Aretha Franklin, Donna Summer, Seal, and Jamiroquai. As a turntable artist originally from New York City, he earned his bones of credibility back in the '80s and '90s in clubs like the Paradise Garage, Red Zone, Tunnel, and Club USA. He initiated the concept of DJs touring beyond their hometowns with countless, wildly successful treks that have taken him the farthest-reaching corners of the world. As electronic music thrives on pop radium, David tops the list of every young artist and DJ as a primary influence.

Even with such a staggering legacy, Morales never looks over his shoulder.

"That is how you stumble and fall," he says. "If you get all caught up in the past, you're going to lose sight of what is right in front of you. You lose the excitement of discovery. That is what gets me off; taking what I know and combining it with what I don't know as I learn it. There is nothing better than experiencing how it all comes together. It's different every time."

And that is the ultimate secret to that extraordinary spell that David Morales casts over us all every single time.

First Word Records is very proud to welcome Eye Of The High to the label, with this vinyl-only double-dose of Brit Funk magic - 'Seismic Shift' and 'Elevate'.

Eye Of The High is a collaborative project headed by Femi Fem and Glen Scott.

Femi Fem is a DJ and producer, perhaps best known as being a member of Young Disciples, the iconic '90s band on the Talkin' Loud stable, whose seminal classic album 'Road To Freedom' was shortlisted for a Mercury Music Award. An iconic LP in the canon of UK soul music, this was a huge inspiration for First Word as a label. As a group, the YD's also worked with Loose Ends, Des'ree, IG Culture and many more.

A longtime international player on the DJ scene, Femi hosts a weekly Sunday night show on Mi-Soul Radio, runs MOBO Award-winning night 'Rotation' at Ladbroke Grove's Subteranea, and has performed at events for Prince, Janet Jackson, Stella McCartney, Jade Jagger and Gucci, additionally to providing music for shows by fashion designers like Ozwald Boateng and Katherine Hamnett.

Glen Scott is an award-winner producer, multi-instrumentalist and longtime collaborator with Femi since the mid nineties. Together they've worked on productions and remixes for the likes of Mary J Blige, Beyoncé, Justin Timberlake, D'Influence and The Pasadenas. Meanwhile, Glen's long list of additional productions and accomplished engineer roles include work with artists like Beverley Knight, Craig David, Luis Fonsi and Eric Bibb.

The duo's passion for all things soulful brought them together as a songwriting and production team initially, and forms the basis of their current incarnation, Eye of the High, now a collective of international musicians. Aiming to cater to the mind, body and soul, their sound comes from the cultural foundations of their Jamaican and Sierra Leone backgrounds, fused into the melting pot of London's many flavours. Their sonic influences are worn on their sleeves, with the classical ethics and sensibilities of funk, disco, r&b, jazz and street soul shining through, while presented in a contemporary style and pattern for today's dances, exuding passion, experience and feel-good vibes.

So to the sophomore single offering from the band. 'Seismic Shift' is a brand new uptempo track that encompasses all the wonder and power of this new wave of Brit Funk. Tough bassline, smooth vocals, jazzy licks, sweet keys and a heavy disco groove, with a little vocoder action thrown in for good measure. There's no doubt this one will cause a seismic shift when dropped in any dance.

Flipside 'Elevate' was previously released digitally-only last Spring, through their own Higher Grade imprint. Four minutes of sheer upliftment, it received love from Gilles Peterson, Lauren Laverne, Trevor Nelson, Jeff Young, Tony Minvielle, Patrick Forge, Grant Nelson, Ross Allen, DJ Spoony, Ashley Beedle, Gordon Mac, Seamus Haji, Ronnie Herel, Dez Parkes, Mickey D, Roy The Roach and numerous other key selectors, subsequently being played across BBC 6 Music, BBC Radio 2, NTS, Mi-Soul, Jazz FM and many others. This is the first time the original track has been released on vinyl.

In Eye of the High's words "living in the midst of cataclysmic upheaval in the world provoked the Eye of the High team to create differently. Emerging out of this process, 'Seismic Shift' is about making great change. It feels appropriate for us to align with First Word Records to release 'Seismic Shift' as a vinyl single, with the ever popular dancers fave 'Elevate'. In the video and artwork, we reference the imagery of WW2 African American soldiers whom, on their return to the USA, sparked the fires of a seismic shift in civil rights activism. We are part of a new tide in positivity."

One that's absolutely vital for your crates, this limited double AA side 7" single is released via First Word Records on October 28th 2022.

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RILY: Young Disciples, STR4TA, Freeez, Beggar and Co, Hi-Tension, Incognito, Central Line, Loose Ends, Omar, EWF, Funkadelic, Acid Jazz, Talkin' Loud, Rare Groove

Orange Tree bossman Jimmy Rouge gets his shears out for another round of evergreen edits from deep in the depths. Soundsystem crunchin new wave and synth pop sounds, sit side by side with mind expanding downtempo melters for this all hitters, no critters four tracker.