Novedades

Malmö's own Sune fills in for Better Listen's tenth release, continuing a run of sweet Scandinavian finds for the label.

The Butter Love EP is a true reflection of the Crime City man's sound; jovial, dusty disco and soul samples adorned by heady drum machine programming.

Part two of the Masterworks Vol 3. vinyl sampler kicks off with the ethereal 'Lying To My Lie' where Lup Ino laces a magical, soul laden vocal behind a funked up backing beat, soring strings and glammed up guitar. Hands in the air business, hugs all round!

Woodhead steps up next for a cosmic disco trip complete with rapturous female vocal, a horn section sent straight from Mars and a squelching synth line doused in celestial sparkle.

On the B side Lux Experience goes full throttle funk, coupling a low-slung bassline and feisty male harmonies with a punchy kick and crisp hats. Last up, Mike Woods takes the scalpel to a series of strutting guitars, layering them behind a feel-good groove that captures the glory days of disco but with a fresh new spin. That enchantingly evocative vocal adds a touch of spice to proceedings, primed and ready to cause a stir.

Green Transparent Vinyl

Another great Italo Re-issue on "ZYX Records" from the Classic Year 1983, - Including exclusive Remixes by Flemming Dalum & F. Ricci!

Back in stock!


Back with a new EP and featuring 2 of Detroits finest vocalists, Jon Dixon brings the Detroit Jazzy House style he’s known for. L’Renee and Kenny Watson both bring their unique voices to Jon’s masterful production and Jimpster, also lends a hand with an incredible remix. The Vocal sessions Vol. 1 is the first EP featuring some of Jon’s favorite vocalists. This is Hi-Tech Jazz at its finest.

2022 Repress

Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label's journey through the previously overlooked world of one of dance music's most vibrant and influential underground movements.
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While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and '94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes - most notably from Chicago, New York and New Jersey - with elements borrowed from ambient, jazz and Balearica.

It's this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement.

Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy's 'Resounding Seashell' and a special 'Longer Edit' of Neurostate's brilliant 'Dance To The House', a track that - somewhat surprisingly - has never previously been issued on vinyl before.

Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi's 'Universe' - a rare foray into dream house territory from the Italian techno pioneer - and the Afro-bleep-goes-dream-house trip of Golem's 'Sun City', to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice's 'Children Trip' and Cosmic Galaxy's 'Walkin' On The Moon', a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You'll also struggle to find a more inspired house record than Green Baize's 'Tramp Heart', which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy's early '80s Afro-cosmic scene.

It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.

'Penthouse Edits Vol. 1' is a collection of disco edits from Malik Hendricks and Fine Touch. Two dedicated diggers unite through a shared love for forgotten basslines and dusty kicks, reviving classic and unknown disco grooves for modern dancefloors.

Money Cat Records
Round black records bringing good luck. Linking motion with emotion, dance unites the body and soul of all who participate. Music from Brooklyn to the world. Established in 2018.

Fine Touch
Fine Touch is a Brooklyn based DJ and producer.

Malik Hendricks
Malik Hendricks is a rhythmically inclined aesthetic enthusiast born in the 80's, and raised in the 90's. A DJ for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. Dance is the true language of the body, and a gateway to the recognition of our shared humanity.

Eurobeat / Italo Disco rarity from 1992 now available again as 12″ vinyl. Comes with Also Playable Mono and Longdrink remixes.

A cult 12″ EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.

A total of 4 tunes, including “小娘日和 (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “時からの誕生 (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ナタウン (Chinatown Love) 小夜曲; an erotic serenade dedicated to Chinatown.

Precious gems mined from a wall of vinyl. Cut, polished, and mounted for maximum love.

Japanese re-editer Dai San has delivered two EPs for GAMM and on this, the first EP his b-boy and dance background shines through.

The EP opens with an edit of Roy Ayers best jam ever (well, possibly) and is followed by a drum-fuelled b-boy edit of a rare French funk-jazz cut.
Last but not least we end on a high with a classic dance jam for the jazz-funk-disco community.

repress !

We present you the fifth installment of our white label only vinyl series, Esuoh White 005. Four track V.A. featuring Yann Polewka, Reece Johnson, Ezequiel G & Beaux Arts.

Repress.
The German boogie compilation 'Boogie on the Mainline' presents a selection of 10 rare disco tracks from Germany plus one more tune from Austria, all of them, originally released between 1980 and 1987. Check!
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The fully licenced album contains little known tunes by groups like Imagination (which you can also see on the cover of the LP), Squish, Upstairs, The Poptown Syndicate and more. As the Boogie-ish post-disco side of German music history still basically remains undiscovered as of yet, 'Boogie On The Mainline' hopefully will shed some light again on 11 rare gems that were mainly published on small or private labels.

Funkyjaws Music launches a new edits series here with four absolute dons of the form on one vital 12". It's Lay Far that kicks off with 'Never Ever Edit' which is all horn-led excitement and upbeat disco claps and kicks before Admin's 'Moon Trippin' takes a more slow and soulful approach. When it comes to edits few are more essential than Chicago's Rahaan who kicks off the B-side with 'Gonna Get Ya', a leggy funk number infused with cosmic synth rays and warm piano chords. Delfonic shuts down with the loose percussive jumbles and jazzy vibes of 'Let's Dance The Spank'. A fine start to the series with volume two already in the works.

Brand new label coming out of Belfast, these four clubby disco edits come with summer firmly in mind. BDK serves up four cuts on his new imprint, Say Namm. A perfect fit for fans of Dan Shake, Moodymann et al.

DJ Support :

Jordan Nocturne – Big disco summer vibes! Love it.

Earl Jeffers – Big up!

Bobby Analog – The world needs more high energy disco records right now and BDK has come good with one of those records. Every track on this slaps!

Fabio Monesi (Wilson Records) – Full support!

Niles Copper – Digging these grooves.

Husko – Digging the EP and Blow Your Mind the most.

Swirl People have decided to launch a new label LITS (which stands for Lost In The Swirls) with new music from their reactivated Different Noodles alias. Wise move if you ask us because these tunes are top. 'Banana Resort' has an early West Coast tech house feel as well as hints of Chicago greats like Boo Williams and Glenn Underground. It's a super smooth and cool, breezy and balmy groove then 'Mr Boogie' gets more playful with bobbling drums and bright chord stabs under jazz leads. 'Flame' closes out a super strong EP with a more paired back sound built on fat drums and prying bass.

The Vinyl Only label rolls on towards its 20th release here with Mar De Novo serving up the irresistible Apericena EP. 'Quantity Check' is a low-slung funker with noodling baselines and nice loose percussive rhythms under some exotic vocals. 'Blue Eyes Clear' is a more lavish and downtempo number of chilling by the Med come sundown and then comes Ryu's Rub of 'Quantity Check' which is more funky and fat-bottomed. 'Nao Fazer Nado' rounds out an escapist EP with some dreamy melodic chill-out sounds that will have you gazing off to the stars.

Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.