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Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

“I can clearly remember in the 80s having fantasies about being a remixer and dreaming of tweaking my favourite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true.” – Dave Lee

Remixed With Love Volume 3 has been a real labour of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Luckily for us though, here we are: Remixed With Love Volume 3 is done, dusted and ready to deliver a healthy dose of joy to us all.

As with previous volumes, Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn “Champagne” King, Odyssey and many more vying for attention across a stunning three part gatefold double vinyl, double CD and digital release.

As you’d expect from an artist of Lee’s calibre, he’s taken the task extremely seriously. “Some songs I’ve wanted to get access to the multi for ages turn out to be far less straight forward than I imagined. You know it’s a great track, but unlocking the key to doing a

worthwhile new version doesn’t always come easy. To make more of a feature of one element sometimes means there has to be less of something else. There are many decisions to be made, lived with, revised, maybe reversed until finally your gut tells you it’s about right.”

There are very few producers with either the confident or ability to take on records of this heritage, but Dave Lee has once again proved that when it comes to sensitive re-workings of disco staples, he’s in a league of his own.

Released back in 2016, Remixed With Love Volume 2 included exclusive reworks of classic soul and disco records all from the original master tapes, with the collection going on to be Traxsource’s best-selling of 2016, reaching top 30 on iTunes album chart, and also being named DJ Mag’s compilation of the year.

All the remixes here are 100% new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any serious disco devotee.

“Judging from comments and suggestions I get from people online thankfully there is still a large appetite for re-workings of 70/80s material, something you can’t bank on when you embark on the project. I hope you enjoy the music.

Back in stock!

An official reissue of the collectable disco 12 inch version of 'Space Princess' one of the standout tracks from Lonnie Liston Smith’s 1978 LP ‘Exotic Mysteries’, alongside the soothingly serene 'Quiet Moments' remastered and released for RSD.

Sort after cosmic, jazz-infused disco on one side and a beautiful tranquil journey on the other. A must for any collector, DJ or home listener out there!

Robin S's 90's anthem 'Show Me Love" gets a classic disco soul makeover by Chicago native producer EMMACULATE.

After topping the Traxsource charts for four weeks at the end of 2021, and with support from the likes of Louie Vega, Danny Krivitor or Todd Terry, this very much in-demand release is now available for the first time in a physical format.

The Emotional Rescue reissue series of Noel Williams aka King Sporty working with other artists and singers on the Konduko label's roster comes to completion with the deep funk disco of The Prolifics' Boy Child.

Formed in 1970 as part of "Senator" Nolan Jones' New Orleans soul and funk label Hep' Me Records, the bands early deep southern soul saw them release a series of 7"s for Hep' Me and Avco, plus an Xmas single for EMI and the minor hit A Place Called Home, recorded at the infamous Musle Shoals studios, backed by the Rhythm Section band who, from the early 60s, turned out hit after hit, from When A Man Loves A Women to Brown Sugar.

Landing on the newly inked Drive label, set up in '72 by Henry Stone as a sub label of his burgeoning T.K Records empire, their developing move in to funk saw them featured alongside Funky Nassau, Jimmy Castor and Peter Brown. It is here the connection with Noel Williams was formed. While putting together the "Konduko Six Pack" showcase album, the band were invited to the Miami Sound Studios for sessions that brought us both title cut Boy Child and the accompanying You Got Me.

All brass and claps, Boy Child is as funky as Williams got, backing the groups soul vocals, a story of first born's energetic path in life and a mothers love. The backing from Deep Rockers band bring the swing, the trippy keys and wide bottom end has made this a secret drop for many. You Got Me on the other hand is true King Sporty, a driving 9-minute disco boogie cut, where the warm harmonies lay down this uplifting, killer dance floor stop.

To close, the flip is again given over for reinterpretation, welcoming back Felix Dickinson to expertly cut, loop and dub. A special personal song for Dickinson, his subtle extension teases the intro for DJ play, before letting things fly - "the little show-off" as the song notes. With a near 30-year DJ and production career in place, his Discomix is a fitting way to complete this cycle of reissues of this benchmark label, for now.

Take It Easy is back with the first solo appearance by Bugsy, party co-owner and DJ. "Love For You" open the EP with some acid vocals vibes. Chicago's master Jamie 3:26 gives his groovy and disco-sample reinterpretation to the track on a2. "Sick "And Tired" on b side gives some dreamy, filter-sweeping reverie to the EP. Dirty Channels are back on the label too with their groovy and powerful house remix of "Sick and Tired"

Making his return to the label after last year's springtime favorite, Everlast, is Dorsi Plantar. Better Listen's twelfth entry in the main run marks their first repeat of an artist, and the Copenhagen man does not disappoint.

Tack Farsan is a balanced sample-driven EP intended to milk the last of summer's flavors for the dancefloors enjoyment.

The top side hosts sunny disco affairs in the release's title track, and a polished collab with label mate Sune. The logo side, on the other hand, explodes into deep latin affairs.

This record is dedicated to Bologna and to all the artists who have contributed to bringing a bit of soul to this label.

Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.

‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.

Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…

Tale Of 2 Cities (or T.O.2.C for short) is the culmination of what was just a whim of an idea from label owners Mike & Justin. It's the first of its kind for us & anyone who knows anything about Kolour LTD should know that we shall leave no stone un-turned on a release of this magnitude. This 14 track, 3x12 vinyl compilation is a smooth journey throughout the realms of deep house, mid-tempo grooves, funk/soul, with an edit (or two) for good measure.Disc #1 features the incomparable talents of Jimpster (under his Franc Spangler alias), Admin, Ugly Drums & Lady BlackTronika, Henry Wu, and The Hue ft. Kissy Asplund.
Disc #2 features the FOUK boys, Frank Booker, Vincenzo de Bull & Halve Soul, & Inkswel.
Disc #3 features the talents of Eddie C, Napoleon, Sleazy McQueen & VinylAddicted, Patchworks, and LeBlanc.
3 x LP in a Trifold sleeve & Poster.

Hailing out of the Rhythm Plate universe, Yse Saint Laur'ant is back with more of that fanciful house music he does so well. This latest drop on Vinyl Only leads in with 'Rivers', a beautiful warm-up track led by a powerful spoken word performance from an unknown source. 'Finality' is a smouldering, slow-build epic which finally releases in a burst of brass to get a big mass of bodies moving as the sunnier days hit and we head outdoors to dance. 'Your Man' is a dustier affair for the heads down crowd, 'Paradiso' slows things to a gentle murmur and 'Entrance To The Future' takes a sharp left turn into synthwave territory. If you like bags of personality in your house music, look no further.

2022 Repress

Todd Terry's Freeze's label with another classic re-issue from his catalogue! Remastered SP-1200 beats fuelled with Reggae samples by Todd Terry 's alias Dred Stock! Now for the first time on vinyl!

A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.

This release takes you on a airy ride and will have you floating on bass. The sexy minimalistic vocals and jazzy elements add an organic sauce to the tracks that tastes very good. Futuristic disco at it's best.

Freerange Records are thrilled to announce the arrival of Crackazat's latest long-player, the scintillatingly soulful and jazz-enriched masterpiece, 'Evergreen'.

There can be few artists to have emerged in the last decade or so who've made a more indelible mark on the deep house universe than producer, Ben Jacobs, better known as Crackazat. The accomplished musician's effervescent productions routinely hit the sweet spot between elemental dancefloor fire and cerebral musicality – thanks to a propulsive sound combining influences of jazz, house, garage, funk, hip hop, Latin, neo-soul (and far beyond). While he's already forged an instantly recognisable sonic palette all of his own, new album 'Evergreen' represents his most accomplished work to date. Making his full vocal debut while introducing a new level of songwriting prowess to his long-established dancefloor credentials, this is the complete Crackazat.

Composed during – and undoubtedly informed by – these trying times, 'Evergreen' explores themes of adversity and gratitude, arriving as both a masterclass in contemplative songwriting and a celebration of musical influences. Elegantly bridging the gap between the soulful house underground and jazz-flecked crossover realms – inhabited by the likes of Jacob Collier, Thundercat, Tom Misch, and Jordan Rakei – the album echoes of a time where jazz-funk sensibilities and popular appeal were not mutually exclusive. Few artists boast the musical aptitude or creative vision to attempt such a bold fusion of styles, and thanks to its exceptional execution and irresistible appeal, 'Evergreen' is primed to introduce Crackazat's sound to an entirely new audience.

'Evergreen' is endowed with a distinctly live feel throughout, with virtuoso musicianship combined with carefully assembled song structures – elements so often missing in the dance canon. “It's the album I’ve always wanted to make” says Crackazat. Soul-heavy vocals – performed by Jacobs himself – are a cornerstone of the collection, with the power and soul of his delivery proving something of a revelation. “By far the hardest part was getting my vocals to a standard I was happy with,” he says. “So I was over the moon when Freerange responded to the first draft with two thumbs up and a big grin.” The album's arrival on benchmark UK deep house label Freerange feels like a particularly natural fit. When, in 2020, Crackazat started posting clips of himself singing alongside live bass and Rhodes, it quickly piqued the interest of the label's ever alert A&R team. “Crackazat really nails the sonic realm where crunchy house beats inspired by the likes of Masters At Work and Mood II Swing meet contemporary neo-soul and jazz-influenced rhythms,” says the imprint's co-founder, Jimpster. “There’s not many that can fuse the two so well and I get a sense that big things lie ahead for Ben. We're very proud to be able to release this brilliant LP on Freerange!”

Blending the purest forms of deep house with authentic jazz sensibilities, opening track 'Beacon Of Light' lays down a tantalising statement of intent – with its combination of live instrumentation, heartfelt vocal, club-ready beats and compelling arrangement offering a vivid introduction of what's to follow. Illustrating the pop-centric focus of the album, 'Everybody Talks About It' explodes with emotion – its searing vocal rising over shimmering pads and bass before building to a horn-filled crescendo, showcases Crackazat at his song-writing zenith.

The deep disco of 'I'm Easy' sees blissful chords glide over weighted bass as the vocal powers across the panorama, bursting with Quincy Jones-inspired horns above delicately woven keys and raw house drums. Nowhere are the album's meditations on hardship more vivid than on the modern jazz ballad 'Simple Things’, This compelling composition blends shades of Robert Glasper with futurist deep house to dramatic effect.

Fusing modal jazz with UK garage, we segue directly into the warm throes of an enraptured dancefloor via the irresistible bump of 'It's All Different', its soulful vocal embellishing a heavy club rhythm as the trumpet solo and Rhodes chords cascade across the horizon. Title-track 'Evergreen' opens with a sprightly jazz swing before dusty drums add body to the sophisticated instrumentation, presenting jazz and house as a single entity as the well-orchestrated wind instruments, keys and mallets dance over an improvised walking bass line. The distant vocal elevates the track into the stratosphere before the arrangement resolves, neatly leading us into the Collier-esque accapella and vintage jazz aesthetics of 'Cedencia', where signature vocal cadences ascend to celestial heights for an interlude that ushers in a departure from the futurist first-half of the album.

Arriving in the funk-infused second act, the salsa rhythms of 'True Power' intoxicate as they propel the Peven Everett-inspired vocal, with driving percussion skipping over live bass and keys before horns add tension to the groove, dissipating for a dub-heavy outro. The scattered, broken jazz of 'Save Something' finds Crackazat and his live band in full effect. Fiercely dynamic while intellectually riveting, the track incorporates Latin energy with understated cool to devastating effect.

Once again illustrating an unparalleled songwriting prowess, the Hancock-esque e-piano solos, slap bass and enthralling lead vocal of 'Nominee For Love' prove spellbinding as they combine, the sing-along chorus interplaying with buoyant horns for an unfettered celebration of life. Maintaining the celebratory sentiment, boogie-themed 'Thank You' arrives as an exuberant outpouring of gratitude, once again marked by breathtaking orchestration and a proudly positive aesthetic as loose-limbed piano solos and boogie bass cement the track's authentic Stevie meets MAW feel. Finally, the immaculate collection comes to a close with the self-nurturing intention of 'Good Enough', where sparkling chords, emotive synth solos and impassioned vocal merge for an emotional modern soul ballad.

'Evergreen' is nothing short of a triumph, exhibiting all the hallmarks of a future classic while propelling Crackazat into stratospheric artistic dimensions. Expertly fusing primal dance magnetism and jazz dexterity with a flawless production sheen, this remarkable album is destined to find its way into the playlists of a multitude of admirers while enhancing this exceptional artist's already glittering reputation.

Finnish nine-piece Kuja Orchestra original version of the Afro centric Kuja's disco on Jazz Aggresion label came in under 3 minutes so this unreleased extended version allows the instrumentation to shine through showing off some seriously good solos and horn arrangements.

Rudy's Midnight Machine & Nik Weston's Mukatsuku mix makes more use of the uplifting strings for a dramatic intro, adding a disco bassline and lashings of brass heavy horn workouts for the dancefloor

Hand numbered to 500 copies. Strictly no repress

Little nitty chucky latte walkie walkie here comes pappy...which means just one thing…the Sworn Virgins are back and they’re out of control! They threw you some dollars and burnt off your clothes with laser beams and now they've got the Male Man coming to deliver some dirty beats and even dirtier baselines as they slide your little monster back onto that sweatbox dancefloor. Fear dripping down your little cheeks hungry eyes gnawing their way up down left right and into your soul. Better turn it up creatures of the night...

The vinyl is housed in a UV Gloss Sleeve with a heavyweight printed inner.

Official re issue of this timeless classic featuring a fantastic update from Australia's Late Nite Tuff Guy - Tuff Cut Records. Their version has already had 62,000 plays on Soundcloud.

In LNTG own words of how their "No More War Rework" came around :

About 6 months ago, just before I set off on my 5 month tour of Europe I got a message from a good friend of mine asking me if I would edit a track that he loves.
I said of course, and asked him what track.
Turns out its a big favourite of mine also.
'Why Can't We Live Together' by Timmy Thomas is an amazing song with a strong message that is even more relevant today than it was back in 1972.
The message is clear, it's simple, it's beautiful.
I'm saddened by recent events around the world and I've always tried to spread love through music, because for me, music is love.
I hope you share the message and enjoy.
LNTG <3

This one has secretly been on the sticks of some of your favourite Balearic/Disco D.J.s for quite some time now. Guaranteed dancefloor ecstasy! Finally available for the first time, in season for Summer & festivals. Enjoy!

Javonntte's Mr. Machine EP feels like a blast from outer space, with 5 original house tracks, plus a bonus remix from Brooklyn's Toribio, known for his BDA parties, as well as being the brains behind Conclave (Love Injection Records). From the opening track 'House Grammy', produced in collaboration with label heads musclecars, through the closing remix from Toribio, the release is a display of soulful yet hard-hitting, groove driven house of the highest order