Новости

Spring 2019, Disco Milk drops the last release of the year on the label and it's a funky bom! Wrapped around a fat funk bass, Trust In the Super Paolo packs a real punch to the groove offering a slice of groovy hip hop for those that like their music with a distinct funky vibe!

Perfectly complimenting the Original Mix the one man production juggernaut that is LTJ X-Perience, J&M Brothers and David Agrella add his effervescent discoish touches to the track, blessing it with a silky smooth groove yet still retaining a dance floor moment with it's infectiously groovy melodic line!!!

The walls where of bare red brick and hung with pop art paintings, the button-back banquettes in olive green velour.
It's like sitting on a sofa in a front room circa 1983.

The ceiling has gnarled, thin wooden beams. It's a wealthy person's version of a humble farmhouse and it's magnificent...

Brooklyn-based musician, producer, and DJ Peter Matson returns to Bastard Jazz with a dance-floor ready 12" and digital EP, "The Right Way." The EP builds on Peter's 2019 release for the label - "Short Trips" - as well as his work as the bandleader for Underground System, and a slew of other solo and collaborative projects over the last two years.

Working from the ground up to produce a batch of 3 original tracks, Matson takes his sensibility as a DJ and musician and blends them into an unique whole, crafting sprawling arrangements into club-ready productions. With overall recording quality and ear for detail taking center stage, "The Right Way" boasts an impressive list of musical collaborators including a standout A-side feature from Ibibio Sound Machine's vocalist Eno Williams on the Afro-Disco workout "Call and Answer." Two beautifully conceived instrumentals on the flip-side dip into slow burning Italo ("The Right Way") and Balearic ("PB (Ça Va)") territories, while the UK duo Faze Action helm remix duty, pushing "Call and Answer" toward their signature Afro-meets-ProtoHouse & Disco vibe.

The EP weaves Matson's affinity for club music with the African influences for which he is known, culminating in a release that is both genre-bending and timelessly danceable. "The Right Way" is out digitally on Bastard Jazz Recordings February 25th, 2022, with the 12" to follow shortly after.

"Emotional Rescue returns for a third series of Konduko lost classics. After shining a light via the King Sporty and Noel Williams reissues, now looking at artists who released with the label, working closely with Williams to bring his unique sound to their performance. First is Phillip James and Lloyd Campbell, a.k.a. The Blues Busters. One of the most successful vocal duos to come out of 1960's Jamaica. Progressing from cabaret shows to touring with Sam Cooke in the space of a year, they went on to record singles with the likes of Bluebeat, Treasure Isle and Trojan.

Moving onto New York, their Cooke inspired soul harmonies proved popular on albums for Dynamic Sounds and Scepter, before making the flight to Miami and letting the funk-machine that was Noel Williams loose. The resultant album, You've Got To Keep On Moving, offers the two highly prized songs Do What You Want To Do To It and Keep On Moving.

These driving disco funk bombs, backed by the in-house Deep Root Rockers band and Betty James on vocals, appear for the first time on 12 inch. If not enough, as always, the B-side is given to a favoured producer - the welcomed back Dan Tyler (Idjut Boys / Noid) and his NAD moniker. He turns Keep On Moving in to an unrelenting long-form disco-dub that could just be an anthem for a new summer of love.

Detroit/Chicago and odd techno/house sounds influenced French producers Marius Cyrilou and Popodi Venturi to come back with a new banging crossover project called MOTORBREMSEN. Marius and Popodi already had many digital and vinyl releases on various labels like People Potential Unlimited records, Omega Supreme Records, Outrun records and on their own labels, La Maison Venturi, Bazaar Records under the names of Spaced Out Krew, The Ceeofunk Band or
Westbrook (and many others more).
This 5 tracks EP gathers many influences such as Theo Parrish, Moodymann ("So Confused") or Drexciya-n sounds ("Sanctuary"). Some deep and dark bassy house mood concludes this ep ("Human Freaks" , "Riding Over The Darkness"). Besides this, the marvellous voice of Mae Rojas (The Ceeofunk Band) comes with a sensual touch on the track "Tiger Prey (Radio Edit)". This EP gives an instant deep feeling of a happy-to-sad mood, with mysterious and sexy moments.
On A1 "So Confused", Don’t be confused, this is music to drive by in the hood with your low-rider. Gangsta boogie house at his climax for fans of Moodymann, Theo Parrish and all the raw house music mood.
On A2 "Tiger Prey (Radio Edit)", with the help of Mae Rojas (Cee-O-Funk Band) on the mic, Motorbremsen keep pushing their unique vision of house music : soulful but raw, relaxed but not so slow, catchy but weird at the same time.
On A3 "Sanctuary", let’s get on an electro-funk territory here. The guys explore a sound that can be rooted in seminal Arthur Baker’s productions and Drexciya’s mood but this a strong psychedelic feeling that is truly unique. All this comes with the special Motorbremsen’s touch of course. One for the B-Boys on acid...
On B1 "Riding Over The Darkness", get in the D’s train for a cruise. Laidback house with a monstrous bass and this almost G-Funk feeling. Hmmmm… delicious ! One for the lovers.
On B2 "Humanfreaks", let's get a bit darker. What begins like a bumpy beat get you little by little in real moody trip in a hot warehouse. Detroit techno muscular funk-infused inna 2021 style (by two guys who never listen to a Transmat record of their lives).

HUGE 45!! after last months Memphis 7" (the same band) we have here 2 unreleased Homegrown Syndrome trakcs rescued from an acetate in Jerry Jones attic . Double sided Disco funk burners all the way.

Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG MUTHAF***A! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" which we have here

Words by: Robert Garcia

Deluxe Edition of Exotica includes full album Exotica plus 3 bonus tracks: “In The Dark” with Sophie and the Giants “Rise” featuring Tasita D’Mour “Twisted Mind” featuring Agnes. Deluxe Gatefold product . Double Vinyl in Purple Poster with original album artwork (front side). Poster with many, many career spanning images (back side)

Robot84 and Juno Records present Promo Vol. 3 featuring 'Make Me Feel Good'.
This 4 track EP follows the success of Promo Vol. 2, which received praise from DJs around the world, and reached number 1 in the Juno Records' House & Balearic/Downbeat Best Seller charts.
The aforementioned track 'Make Me Feel Good' has already achieved airtime on BBC Radio 1 from the mighty Annie Mac, Gerd Janson, Danny Howard and Arielle Free, Nemone Metaxas (BBC Radio 6) featured 'Futuro Disko' on her show, The Black Madonna played 'Futuro Disko'on her We still Believe Radio Show. . With further plays and support by some of the most credible disco/house DJs around like DJ Harvey, Artwork, HiFi Sean, Horse Meat Disco, Roger Sanchez, Tom Findlay (Groove Armada), Alex Virgo, Mighty Mouse, Kelvin Andrews(Wonk) , Gene Hunt(Chicago), Mousse T, Boris Dlugosch, Heidi Lawden, DJ Alfredo, DJ Harri (Sub Club) plus many more, Vol. 3 looks set to make its mark!
The latest in Robot84's vinyl series, which demonstrates the producer's range of musical tastes and influences. From the lead track, a big room, disco house anthem and its cool instrumental version, to the more Italo Disco inspired 'Futuro Disko'. Both tracks have a familiar feeling that supporters of Robot84 Promo Vol. 1 & 2 will adore. Closing out the package is the dubbed-out-to-the max 'Ago (Dub Mix)'

Resilience is an album that calls on the classic rave sounds of Chrissy's Midwestern youth to explore themes of love, positivity, perserverence, acceptance, and the fight against cynicism. Get ready for big piano melodies, chopped breakbeats, heavy bass, and jacking Chicago drum programming, plus guest appearances from some of Chrissy's friends: vocalist Carrie Wilds, Portuguese DJ/producer/singer Maria Amor, and Berlin-based techno artist Dean Grenier. RAWAX will present it on three ep's!


Chrissy is a genre-bending DJ/producer with releases on Classic, Freerange, Razor N Tape, Hypercolour, and Planet Mu, and a 20-year DJ career spanning Chicago house, disco, rave, jungle, footwork, and more. He ran the influential 'My Year of Mixtapes' blog, and currently runs two record labels: The Nite Owl Diner and Cool Ranch.

'Chrissy is one of the best DJs to ever walk the earth and I am just going to keep saying it until everyone agrees with me.' — The Black Madonna.

Around a year ago, Jerome Derradji received a message from a well known record dealer out of North Carolina. He found a couple of test presses at a storage auction near Durham. In fact the two tests Daniel found were for a Lee Moore release scheduled for release on NYC’s LM Records in 1981.

The 12” featured a vocal and instrumental version of the same song - Bodywork - a mean boogie down joint featuring Lee Moore’s trademark heavy bass, gritty soulful vocals and mad synths …
So here it is pressed for the first time, a lost 12” from the mighty king of Memphis Boogie Funk: Lee Moore!

Lead by 17 year old Carlton “Dirk” Poward, San Francisco’s Monsta was one of many ephemeral late seventies funk and disco bands that haunt the dreams of record diggers worldwide. This is the only song Monsta ever released - on a 100 copies one sided test press - in 1979. But what a song. Produced by the late Bill Withers, Give Me Something Good Is an epic disco funk monster that has never been reissued to this day! This Past Due Records reissue comes with a full sleeve and the story of Carlton “Dirk” Poward, Monsta and how the mighty Bill Withers got involved in the production of this magnificent slice of boogie. Ultra limited release as always, don’t sleep!

Paul Johnson retruns on his own Chiwax series! Volume 6 is no other than the classic from 1994, Originally released on Cajual Records , called "Let Me Know".

Moar's skilful hands and exceptionally well-trained ears combine beautifully on all of his edits, and this is no exception. Full of space and room to breathe, the A-side's 'i' is a deep house/disco number and is a sparkling gem of a track. I can't tell you what the sources are, but the xylophone layered and looped over the dubby beats is a sweet spot you'll want to taste over and over. It could be a warm-up track, mixed into a peak time set, and is most definitely one for the late-night set.

Over on the flip this huge classic funky song has been beautifully re-rubbed by Moar, this fattens and tightens an already phat and tight classic groove with some electro flourishes. A very respectful mix perfect for the dancefloor!

Hand stamped records & limited press.

After the success of 'Discollection' vinyl EP, reaching #1 in the Bestseller Disco Charts in 2019, San Diego producer Never Dull is back with the follow up 'Discollection II.' This collection of disco edits really shine through the 'West Coast Disco' sound that Never Dull has been building throughout his latest releases. 'Cool Love' is the lead track, with a disco bassline and expressive vocals. 'Get a Little' is a 'wonky' party track with a driving beat and soulful chords. 'Want My Love' has an excellent soulful disco intro that breaks into a driving baseline and vocal harmonies. While 'Whatever U Want' captures that perfect balance between the obscure and the party vibe, featuring a thumping beat and expressive shouting vocals.

Andrzej Korzynski is, without a doubt, one of the most important, celebrated and influential Polish musicians of the XX century.
He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".

All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.

So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.

Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.

"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.

The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.

Following the first 12" of mother imprint Dusky Adriatic,
Dancing Tramonto is ready to release its 12" chunk of
summer. This time all 5 tracks by Italian producers only:
A1 "Wind Live Jam" is a funky disco house ride with DJ
Rou, D'Arabia & Jimbo all together behind the wheel and
on the mic, the trio keeps the Bolognese sound on a high
level with this super catchy track with a vocal hook that
will rock the dancefloor. A2 "So Hot For Your Love" is a
powerful disco house tool by Brine, the London based &
Bologna raised producer comes to Dancin' Tramonto with
this track adorned with a super vocal by himself echoing
certain Talking Heads sound and house edits. B Side starts
with a chicagoish house gem made by S-DM under one of
his various alias, you'll love its powerful bouncing bass,
will lose yourself in its tom & conga groove and its soft
pad. B2 is a lost gem coming from HIll studio straight by
the sea of our riviera, tropical 626 drum lines, a fresh
classic sounding lead melody and juno bass delivered by
the seaside for the seaside.
Last but not least we have "Unity House" by Manuold, a
deeper but still fizzy house track with mellow pads and a
gentle acid line.
This comes from the sea, the sun & the sand, from every
riviera of the world, from all those common yet special
moments lost in the sunset. Music for a never ending
summer

Since 2017’s ‘Song For Mr Lewis EP’ on Phonica White, Austin Ato has dropped stunningly funky 12”s with ease on many respected house labels including Classic Records and Defected. We were waiting for the right track for his follow-up on Phonica White and when we heard ‘When Love Is Tender’, we knew it was the one - a huge disco house based on an obscure Philadelphia-style jam.

It’s the simplicity of the original mix that sets the tone with pumping and driving Disco drums backed to roof raising saxophone licks and soulful vocal snippets, with those all-important deeply moving Philly string samples that are restrained when necessary and released at all the right moments, especially when the drum drops. ‘All Night Long’ highlights Austin Ato’s sample chopping expertise. The drums roll effortlessly through the track as dusty Soul and Disco samples echo and repeat, conjuring sonic memories of Andrés and Pépé Bradock’s best work.