Novedades

Just What The World Needs..

Driven by a desire to focus on what’s inside then just what’s on the outside. No names, no tracks, just vibes…

Gently trimmed from their original forms to be reimagined for future ears. Limited quantities with no represses.

Take what you need & leave the rest..

Compilation of Beppe Loda cuts, part 2 - 200 copies only!

After its latest dancefloor killer reléase HOMES EP by icelandic hero ILO, Nómada Records feels like ready to pay a homage to the roots of HOUSE MUSIC. This Time Nómada is proud to present its Disco, Afro and Boogie Side with an Edit Series. This first volumen will be leaded by German chief “Marcus Lindner a.k.a DELFONIC”; who has created and managed plenty of labels and released music on well known labels such as Money $ex Records, Oye Records and Toy Tonics.

DELFONIC EDITS is a four track EP, where you can see how important the Black Culture and Black Music is for DELFONIC and this is his tribute to that legacy that It has been spreading for centuries. The reléase opens with “Saturday Night Dance Edit” a 70’s fresh dance track with strongs strings, warm synths and catchy vocals followed by Delfo’s Check Edit where boogie and soul music match perfectly. Perfect track for chilin, smoking some cigarettes and driving by the coast.

The B-Side is a homage to afro and highlife music starting with “All Is Africa Edit” a 80’s eclectic get down that will make you wish have been part of Africa. and last but no least the release close with “I’m Away Edit” a percussive african caribbean track with an infectious champeta driven rhythm and catchy vocals.

Vinyl only. Limited copies. No repress.

Guri has been on the forefront of the emerging Balearic house music scene since 2011. DJ, producer and one third of the electronic live band Round Shaped Triangles. He has released his music on top-notch labels like Wolf + Lamb, Nite Grooves or Sub_Urban, where he also works as AR. On his vinyl debut, Guri shows us that he feels like fish in the water producing the most undergound side of house music.

"Into The Light" and "House Of Life" are two timeless deep house masterpieces, whose common denominator is a powerful bubbly bassline that hits you in the chest like the toughest heavyweight boxer. Catchy female disco voices and ethereal pads add to both tracks the necessary atmosphere to become two psychedelic and adrenaline trips.

The first remix comes by the always amazing Ruff Stuff. His rework is strongly influenced by Detroit 90's techno, with minor and melancholic chords, strong rhythms and an underground and raw sound. Quality at its best! Iban Montero & Jazzman come back to Cyanide to put the icing on the cake with the funkiest thang you've heard in a long time. Yes! These guys have more funk than Shaft driving a Chevelle through Harlem, and this track is no exception. Pure fire!

One of the musical highlights from Louie Vega’s NYC Disco album, “Rebel Nation” is a collaboration between grammy award winner Louie Vega, legendary multi-platinum producer Patrick Adams, and Nulu Records president, international DJ and artist Anané. Patrick initially had the idea for the song after seeing a recent Star Wars movie. Louie saw the vision of what it could ultimately be with live music additions, and Anané added the inspired lyrical content and vocal performance. In Louie’s own words, “I call Anané a chameleon, because she transcends so many different sounds with her voice. She gave the track just the right feeling vocally. It’s a very punk-rock approach; the kids speaking out, all kinds of people making the statement, Get Up! Stand Up! Let’s Rise! Rebel Nation.”

Lauded critically and on dancefloors worldwide in its original album version, the track has now been given the all-star remix package treatment with contributions from Danny Krivit, Carl Craig, Soul Clap and Felix Da Housecat X Chris Trucher.

The Italian 80’s are undoubtedly a huge gold mine for diggers and Djs. A decade where the Italo sound became a signature and a foundation. However, music in Italy always had a strong regionalisation, some peculiar musical phenomena that were happening in a specific region and, consequently, serving the local heads and helping to identify the place with a particular sound.

In Milan and Rome in the 80’s there was a huge production of some of the finest Italo Disco and Boogie. In the south of Italy there was an equally large production of, so called, Neomelodic records (with tons of influences, from the Italo sound of the time to Electro Funk and Hip Hop). Emilia Romagna, a land of extremely talented musicians, was (also) the land were the Italian “Afro” sound was conceived. An attitude? A peculiar musical style? The will of playing everything you liked? The so called Afro style was not only a way to select and spin records that is still captivating and influencing nowadays selectors; it was also a studio attitude. Many local Djs like Meo, Ebreo, Mozart etc. were producing music with the help of real musicians, giving birth to a really unique serie of records. Two of the blueprints of this era are certainly Dj Meo’s solo albums “Fine Corsa”, “Sesta Traccia” and his 1987 single “Cikuana/Alturas”. Three records that can really be considered as cardinal Afro records, including all kind of musical elements: hypnothical melodies, huge percussive breaks, New Wave’s uptempo patterns as well as dark and introspective atmospheres. Dualismo Sound gives a new life to some of Meo’s best tracks: filling a 12” with three killer Riminese Afro cuts. The records come with a special artwork made by Jacopo Lega, leader of the Torinese Amphibia collective, plus an A3 insert that features an extensive interview with Meo himself and a poster.

North East duo Forriner are back with their third and final instalment in the samurai trilogy on their eponymous 'Forriner Music' imprint. Following a couple of impressive showings with previous EP's 'Condor' and 'In the B' they return for their hattrick with '17:17 Neon'. A four tracker of experimental club music for powerful dance floor experiences that offers two originals as well as a banger from Bird Of Paradise and a mouthful of mathematics from Legget and Suade for the remixes.

First up, 'The Jungle Is Deep' which immediately sets off at a rate of knots! Its sharp pace is tempered by the sound of the drums: dull kick, wooly clap, rattling hi-hats while its bassline bleeds in slowly as a dark repeating tone and subtle chord swell and a haunting, cautious vocal reminds you that 'The jungle is dark and deep'. The second half of the track balances its steamrolling kick with an intricate, hypnotic lead as a growling synth line shuffles and recombines over its rumpled techno groove. It's feeling is transportive, the kind of music that makes you close your eyes on the dance floor.

Fellow Northeast alumni take up the remix for 'The Jungle Is Deep'. Steve 'Four Hands' Legget and Suade Adapted hammer a hefty slice of future dub techno from the skeletal remains of the original! Its chunking, discordant drums and manic echo chamber combine with a lilting bassline making sure you know that this is tough music but that it also has a tender heart. Clipped vocals squelch and flutter throughout but these are more textural than melodic, adding extra depth to the track. This trip is all about striking, psychoactive grooves, pushing the swing settings to extremes. Equal parts sinister as it is are playful. Fitting the typical tradition of winsome, weird dance music.

Over on the flip is the title track '17:17 Neon' featuring vocalist Louis Adams and violinist Late Girl (Laura Stutter Garcia) Breathy melancholic vocals and pitched down, endorphin flooded electronica. This is techno in a state of dewey eyed delirium. The neon of the title is very much instructive here, with the vocal being the scattered, shining light that the track playfully hangs itself from.

Jo Howard aka Bird of Paradise takes the reins for the final remix delivering a charging peak-time club tool with relentless batteries of percussion setting the stage for a trippy soundscape. Other than their Northern roots, what these producers have in common is a distinctive approach to rhythm. The restlessness of the sharp stabs of static perfectly guiding the darkly pulsing mood.

Available april 30th

Heavy heavy heavy gospel compilation.. Including a few tracks that are under the radar or recently discovered such as Harrison Jones - On that Other Shore, Converters, I've Been Converted and the super limited self-released 45 by Mr Jesse R. McGuire – Jesus Is On the Mainline. Only 50 copies were ever pressed... Also holds Paradise's brilliant "Keep the Fire.".. TIP!!

Although gospel and disco music seem like polar opposites—one is secular while the other has embraced a hedonistic culture—the marriage of the two genres has birthed the uplifting spirituality and dance floor thump found in gospel disco. By the mid-'70s many established and independent gospel artists started creating records with a tight four-on-the-floor beat that touched both churchgoers as well as patrons of the drug-fueled establishments of the '70s.

Cultures of Soul Records is proud to present the second installment of Greg Belson's Divine Disco. Belson is one of the world's leading authorities on the funky gospel sound; for this collection he dug deep into his crates to
undercover the rarest independent and private press gospel disco records ever recorded. Greg Belson's Divine Disco sound is one that's been heard around the world from his DJ appearances at Glastonbury's NYC Donwlow stage to LA's Funky Sole to soul nights across
Europe.

Many tracks are under the radar or recently discovered such as Harrison Jones - On that Other Shore, Converters, I've Been Converted and the super limited self-released 45 by Mr Jesse R. McGuire – Jesus Is On the Mainline. Only 50 copies were ever pressed. This volume even includes gospel disco from the UK with Paradise's brilliant "Keep the Fire." This compilation also includes remixes and edits by Steve Cobby (who was a member of Fila Brazillia) and the Divine Situation production duo of Greg Belson and Paulo Fulci.

It was Memorial Day Weekend 2016, and the sun shined bright over the Detroit River. Pontchartrain stepped up to the decks at the Red Bull stage at Movement Electronic Music Festival donning his infamous "Detroit vs. Itself" t-shirt. His first song through the Rane rotary mixer was a dubplate made specifically for his set: “Afterlife”. It’s a brilliantly executed balearic daytime disco rework that warrants the praise of summer anthem that it’s earning.

On the flip is “Pool”, an equally sunny slomo beatdown rework from Blair French. It's a delightful blend of cerebral and soulful, and is finally getting a release after being originally championed by Peter Croce on his Le Mellotron Paris set back in early 2018.

This 7" is pressed heavy and cut loud at 33.3 RPM with a normal non-dinked hole.

Artwork by Gino

Repress

Superstar & Star are back on Porridge bullet with there first vinyl E.P Proper!: Mastermind E.P!
.
A collection of seven classic songs from Superstar's vaults available for the first time on an Estonian Vinyl Record!

Neville Lawrence Immigrated from his home country of Trinidad to New York in the mid 80's where, a few years later, following his fleeting east coast success, he re-settled with Wife Anne (Star) in Omaha, Nebraska where they continued to perform, produce and record music until the present day.

After releasing a cassette, 7' and 12' single with us in the last year we are happy to present yet another wonderful release from superstar and star! Big Big Hugs!

When your roots have a broad geographical diversity, it’s very likely this will resonate in the music you make. This is certainly the case with Alma Negra and their new release on Heist. It seems they have embraced all their cultural influences more than ever in their new ‘Dakar Disco EP’. The whole record oozes class and musicality and feels like a carefree collage of the rich musical lives they live. The three originals on this EP vary in tempo and energy, giving you something for each moment of the day or night. They are accompanied by a remix from none other than the Japanese master of cosmic funk: Kuniyuki.

The EP kicks off with the title track ‘Dakar Disco’; an island style mid-tempo burner, rich with filtered guitars, bells and bleeps. Soothing chords and synth melodies are introduced for a lovely build up, but it’s the live horn section that takes centre stage. Here, the track really comes to full fruition, with a squeaky lead accompanying the horns for an electronic twist to what is above all a lovely summer jam.

‘Contra’ ups the pace and moves more into dance floor territory with loose claps, spacey pads and faraway chants. This track really gets to you with the live percussion and extremely catchy lead running throughout the track. This is afro house just the way we like it.

We’re very proud to have Kuniyuki remixing ‘Dakar disco’. This master of his craft has done an outstanding job with his cosmic take on ‘Dakar disco’. He lays down a great riff on bass guitar, while playing around with all the live elements and adds a serious bit of reverb for a stunning effect. This track is a perfect example of Kuniyuki’s musical skills and we can almost see him jamming this out, eyes closed and directed towards a distant point in space only he can see.

The EP’s closing track ‘Back in town’, is perhaps the clubbiest track of the set. A friendly acid line squeaks over tribal drums & chants and you immediately get pulled in by a great balafon hook. You can really hear how the guys feel at ease combining these worldly elements with modern electronics and ‘Back in town’ is a great example on how to blend these sonic worlds.

So there we are. A taste of the Alma Negra summer with a healthy dose of Japanese funk. Enjoy!

Yours sincerely,

Maarten & Lars

In another tight and consistent projection, Paxton Fettel actualizes his assertion for independence, eclecticism and voodoo - with a collection of delightful enchanting vibes.

Familiarly neat and energetic, house beats and crystal-clear chords accord to accompany the melodic dawdling, while insatiable and unbelievably facetious talkative babblings of all kinds stretch out into organic gliding laces.

The purposefully optimistic and spirited atmosphere is the echo of the ceaseless quest for serious lightness, relaxed ecstatic states, truth and wonders.

Welcome To Vice City is a compilation dedicated to the existence and message of Vice City, a passion project by Arno Lemons and his fellow residents DJ Boats, Lil Lawaw & Juicy “the DJ”.

After 7 lucky years of translating paradisal philosophy to the dance floor, they're now releasing an 11-track strong compilation featuring a handful of previous
guests and local talents from downtown, showcasing soulful tracks in various forms of house music which celebrate the 7 most exciting years of their lives.

Pablo Valentino, Daniel Wang, Nick The Record, Glenn Astro, the mysterious G-machine project, Keith Lorraine and local talents Juicy “The DJ”, Coulier and My Loyal Friend all contributed to this compilation, in order to spread the soul of the city in your living room or to start your own party/set as viciously as you should. included with the record is an original copy of the infamous “Daily Vice” newspaper.. Extra Extra!!

SFSB Recordings welcome Mr Hotmood to the stable for our second release, following his previous releases on Tugboat edits, Editorial, Masterworks, Deep Sense an Whiskey Pickle Records. Side A's Lets Get It and Lost Soul head toward the deeper side of Mexico's finest, With "Let's get it" looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. "Lost Soul" takes you even deeper in to the realms of 70's Soul, bringing it into the 21 century with its beefed up lick " I wanna hold on, and let my love grow strong", reminiscent of the original Mark E working that helped start the movement.The G Groove" proves to be another early set summer anthem, completely heads down whenever it gets played, while "Keep on Dancing" does exactly what it says on the tin. The hardest track of the EP is left till last, with its "Keep on Dancing" call to arms for the dance floor reinforced by a destructible sax loop, it should be called Martini, anytime anyplace anywhere.These tracks definitely reflect the sounds of South Beach, produced with love by Hotmood, curated by South Beach Recycling.

Following last year’s ‘Monster Skies’ comes another 6 track mini-lp of original works from label head Jura Soundsystem. Once again the EP aims to bring together the melting pot of influences that also inspire the label, Dub, Ambient House, Leftfield Disco and Balearica. The EP was made with the Roland classics, the Juno 106, SH101, D-05, TR 707 & 727 and includes guitar and sax work to balance the electronic sound palette. Mastering By Matt Colton.

“Junior Mix” Bell Towers debut Album revisited a year after its initial release.
Five friends, four new mixes, unlimited (e)motions.