Новости

The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents the third outing on the label for no one less than Randy Hall. The stunning new song “A New Way Of Love” quickly reached the top of several radio charts and is a sure-shot winner with its hard-hitting bassline, infectious melodies and the unmistakable voice of Mr. Hall! Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

Rhode & Brown and Tilman aka RTB join forces on this record
full of raw and funky MPC jams. The guys played together in
Munich for the first time this summer and couldn’t help but hit
the studio. In short, the „One Grand Jams” EP is a result of
Bavarian beer + MPC 1000 + Juno 106 on a sunny afternoon.

Limited 300 copies - Official Remastered Reissue of the 1984 Original Recording of this ultrarare timeless masterpiece.

Official remastered reissue of the original 1985 recording from the Sensitive fame (S. Bonzanni , S. Pielggi , G. Vavassori) Limited copies available!

promo white label - ultralimited AMETI RECORDINGS is a misterious project based on different musical experiences of his member WALKTHROUGH is the hidden identity behind the sound of the label here's the first undisputed release Luciano : tkx Dj Ralf : funky stuff...will try. thx. luca doobie : other fabrice : Great!! ;) satoshi tomiie : thank you. greg gow : other is my pick Nick Perry ASNP : Our pick is the #2 Other!! Alex Sanchez & NIck Perry AKA ASNP renato cohen : Yeah! Great!! orde meikle slam : liking the "other " track - thanx francesco bonora : Other is really nice, will play UGLH : Cool....thanks richie hawtin : downloaded for r hawtin paco osuna : downloaded thanks :) Benoit TSUGI FR : Stamp for me Franky B : wow...expecially Other!! someone else : nice ep. Jorge Savoretti : interesting space funk magda : Download for Magda Alex Neri : Thank u for the music. DJ Mag Espana : Nice! Thanks.

We were defined trash, italo disco, Balearic, post modern, pop, funny, cheerful, smart... When we founded Ciao Fellini our mission was to create danceable pop music and end our experience in less than a decade: 1984-1990.We were an open invitation to ephemeral, insecurity, incomplete, we were feeling part of a small centre where we managed clubs, we organized parties, and where we were searching for a way to have fun and amuse the others, always with a bit of consciousness that everything couldn't be so 'light' and 'so eighties'.We worked with great musicians and huge producers such as Sauro Malavasi e Celso Valli. In 1998 with 'La Mia banda suona il rock' cover we won Festivalbar in the new talent competition. In 1986 with song 'Noche a Bahia' we gave life to the first Balearic wave. We closed our career in 1990 with a song dedicated to Salvador Dali`. An invisible thread has connected us to those years, and at the end, after thirty years we are here trying to understand how this could happen ! Noche A Bahia and Dali` remixes are the certified genuine product of contemporary Italian DJs and producers who hold different stories and sounds: Severino from titled Horse Meat Disco team, The Caribbean House which includes historic elements of Technogod and Disciplinatha, Johnny Paguro from house of Pizzico and true Disco icon DJ Rocca. As always, in Ciao Fellini philosophy we required authenticity and groove to go back for a little while into the Milano da bere years! with a 2016 sound of the 'Milano to avoid'.

Rare Cut From Cloud One Available For The First Time As A Re-Issue. A true Holy Grail from the Cloud One catalog, Don't Let My Rainbow Pass Me By' is the third of a string of titles on Golden Flamingo produced by the P&P duo of Patrick Adams and Peter Brown and featuring vocals from Guardian Angel' singer Margot Williams. Similar to previous Cloud One's productions, this record had all the
elements of a Patrick Adams classic, but with vocal arrangements that foreshadowed the work he would do with Inner Life and Jocelyn Brown at Salsoul. Perhaps not so much of a concidence then that Margot Williams would provide backing vocals on Inner Life's Second and final album. Even though it was originally released in 1981, Don't Let My Rainbow Pass Me By' is still championed by high-profile deejays today. Over the years, it's been notably sampled in Basement Jaxx's Romeo and covered by Todd Terje and Prins Thomas in Reinbagan" as a Dub-Disco cut.
Available for the first time since it's original release, our only piece of advice is don't let this classic pass you by.

Hanarossa is David Barbarossa and Andi Hanley & Haners is Andi Hanley Andi and David first met in a forest beside a psychedelic castle in the wild west of Scotland and soon bonded over a love of wrong speeders, Balearic gems hidden in plain sight and the odder side of the dancefloor before DJing together just moments after Andi was unraveled from a burning tarpaulin. A firm friendship and fun partnership was born.Hailing from Mancunia but for sometime an export to the USA, Andi, for many years was one of the great things about New York City. A charming, low-key individual, a great, great DJ and a graceful presence in the land of the overhyped and ego driven.
Andi held down the musical supervision of Rock Star games and was responsible for a lot of great music getting out to the gaming masses. He was a vital member of Body and Soul for the best part of 15 years, delivering infamous warm up sets for Danny Krivit, Joaquin 'Joe' Claussell and François K, pedigree vibes...
David, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. DB's transition from dancer to DJ didn't take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in Glasgow or playing further afield alongside the likes of Young Marco, Jayda G and Moodymann.

For WS23 we head to Leeds where Clandestino crew member Joe Morris vibes us out with a stunning balearic house tune, Cloud Nine. On remix duties we are thrilled to feature two masters of the balearic house scene, Max Essa and Coyote, who lend their signature sounds to the mixes, with label boss Aimes bringing up the rear with an uplifting flip of the original

With an EP forthcoming on Midnight Riot Norm De Plume also makes a welcome return to his own label Plumage in 2017 nearly a full 2 years since it's last release in 2015.

PLUMAGE05 is Norm's 3rd solo EP for the imprint.

A1 New Flow is vintage NDP fodder it's just the tempo that has risen. Two bars of obscure disco gets lifted, chopped & filtered. The emerging source material merging with Norm's own synth lines / swells and chopped vocal stabs - all underpinned by tight, chunky, grooving drums. Deep-Disco-House the way we like it.

B1 Another Flow see's Norm explore more of his own original musical composition with this slightly deeper, more electronic cut. A soul vocal sits upon deep pads and a driving, gritty 1note bass line. Pads and synths swirl and build and we get some wild modulation on the filters before the track breaks to slowly introduce a repetitive, rolling & pounding motif over which Norm lays some signature pads and a lovely simple lead-synth line.

Groove Line Records are proud to add to their 2015 releases of half-speed mastered re-issuesingles with The Pointer Sister's classic 1980 tracks We've Got The Power and Evil, taken from the Richard Perry produced album Special Things. This is the first time We've Got The Power has been released on a 12' single. The genre defying female family vocal group The Pointer Sisters during a critically and commercially successful career took in country, jazz, blues, soul and funk to pop, disco, dance, electronic music and rock.

Side A features the full length album version of the dance floor classic We've Got The Power. The track opens with beautiful, sweeping strings over a solid, engaging beat before showcasing the trio's natural, tight harmonies on the opening verse. June's bright, powerful, gutsy voice then takes centre stage on the lead vocal bridging the verse into the uplifting horn-led chorus on which her sisters join her to mesmerising effect. The sweeping string motif then makes a brief re-appearance before an even more impassioned second verse and chorus make way for the instrumental sequence. Alternating between a funky horn line and the sweeping strings the instrumental passage takes the track to even greater heights, effortlessly carrying the listener and/or dancer through to the final verse and cleverly extended final chorus as the track fades. The Pointer Sisters' commanding, heartfelt vocal sound is perfectly suited to convey the song's theme of striving to retain innocence and positivity even in the face of life's many challenges.

Side B features arguably The Pointer Sisters' hardest hitting recording, the funk/rock track Evil. Helmed by a snarling June on lead vocals, ably assisted by her siblings. The song is centred round the evil character, 'Pretty Poison,' whom the sisters are seeking to turn the tables on due to his love 'em and leave 'em attitude. Explosive from the outset the powerful, alternating guitar and horn lines, along with a driving funk bass set the tone for the duration of the track, only yielding for the verses. Expertly arranged to maintain the driving momentum throughout Evil boasts an incredible guitar solo from Paul Jackson, Jr. and a dextrous vocal scat sequence before the sisters layer their vocals over the progressive, expansive horn lines as the extended closing chorus fades, leaving you breathless after just over three minutes. Evil is a bona fide funk bomb.

All Groove Line Records releases are fully licensed and taken from the original master tapes, remastered by Nick Robbins at Sound Mastering, and cut by Matt Colton at Alchemy (Mastering Engineer of the Year 2013) using half-speed mastering for optimum sound quality. All vinyl is heavy weight 180g manufactured by Optimal Media in Germany, one of the world's finest pressing plants. Groove Line Records cut no corners when making sure that each and every one of our releases has the highest quality performance possible.

Groove Line Records' deluxe reissue of 'We've Got The Power' and 'Evil' is an essential purchase for any serious Disco or Funk vinyl collector who demands the very best in quality vinyl pressings.

Brand new Transatlantyk release contains elusive synth works of Sasha Zakrevska aka Poly Chain.
She likes to call herself a 'Ukrainian ambient chavette' and the title of her debut album is a tongue-in-cheek spin on Eno's classic. 'Music For Candy Shops' is much more sticky and syrupy than its famous predecessor though. In every track on this record Poly Chain's rich and warm synth textures are glazed with another layer of radioactive sweeting.
From atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it's all there.
Let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. Use with caution!
Available as a 200 copies only vinyl LP

Vinyl Only! Let's Start The New Year With The Fantastic 'Black Loops' And With The Great Company Of 'Armless Kid' Remix.

this 4 track ep see's the return of Bonnie & Klein to Uber. 3 og tracks and a superb beachbar chugging remix from Drifts Projects. Tones of Ballad has touches of Mike Francis with a saxophone right out of the 80's beautiful. Drifts Projects drop the sax and creates a more hypnotic groove. pretty Lake is the perfect track to drift into dusk with. Again capturing the authentic feel of an laidback italo instrumental with a bassline from heaven. Finally Snowdrift a slower tune at home soundtracking a light flurry or a La Torre sunset. lovely ep.

Lumberjacks in Hell boss Marcel Vogel and Berlin based Singer Khalil Anthony team up for 2 EP's for the label, exploring together their version of Soul, Disco and House. Dance The Blues Away get's remixes by BB BOOGIE and Julien Dyne from New Zealand.

Emotional Response steps to summer '17 by welcoming with accompanying releases from Out 2. Evolved out of the Brooklyn based Lectric Sands studio / label and featuring members of their own Zoovox and Mazing Vids, this 'super-alumni' is a perfect meeting for the label and US brotherhood.

Based around a longtime friendship, this slow-burner project is centered around the NYC life of one-time roommates, DJ sparrers and just possibly the latter day duo behind the Locks & DDM project that was released (semi-) anonymously in 2016, step out in to the (fluorescent) light.

With just one Out 2 track given to the world back in 2012 on Lectric Sounds 1, these recordings have morphed for a near decade to reach fruition in long-form EP and soon to come 'Showcase' vocals and dubs album.

While some is known of Mr Jeremy Campbell forum/blog educator, DJ Tropical Jeremy monikererer, half-a-Zoovox and studio (dub)don - his cohort, the little known R. Zanzibar remains a man of mystery.

Zanzibar's free-flowing lyrics, shredded guitar and bass grooves come together before plunging into Campbell's wall-of-dub mixing matrix. With fellow Lectric-head, Ben Gebhardt contributing sometimes-synths and general mixpertise, Out 2 offer a timely reminder of the best of their hometowns post-punk / new wave history, but with a laid back irreverence and killer, leg shaking, live-dubbed grooves that are very much for today.

In opener, Zanzibar lays it out. Contrary to song matter, this is impossible to not to be a Downtown-showdown-hoedown. Impro' lyrical flow keeps your head listening before the off-kilter dub-funk groove keeps you feet Moving.

Following in Fire, your mind is soon tripping to sonic content and vocal swirls, before it gets all Compass Point, with an discomix inspired, cod-desk-dub.

On the flip Rubber Hour lays a drum-work out that just sits and waits, pulling you further in the midi-groove, before Zanzibar's floating voice leads to digi-synth bass interplay. Who is top and who is bottom doesn't matter, let it ride.

Closer has you listening closely, with sharp, chopped No NY guitar-like-synth, contorting with distorted echo-vox, down to the bottom...but you're not at the bottom. In fact, this could just be the beginning. Listen Closely.

Sadness of Being is a Deep contemplative balearic groove evocative and reflective. Max Essa tunes it up with his trademark drum programming and synth patterns. An essential sunset shuffler

great co-production between arthur baker & dave clarke !!! huge one !!!

When Jackmaster opened his Mixmag covermount mix with Arthur Baker & Dave Clarke's collaboration from 2001 it shone a new light on this Southern Fried classic. It demanded a re-release and two new remixers were entasked. First up Man Power, whose recent releases on Futureboogie and DFA are turning heads, and also rising star Cody Currie whose output on Pusic & Razor 'n' Tape make him an ideal fit

Sounding like something to come out of Solar Records in 1984, 'Love On Hold' embraces Aeroplane's typically exquisite attention to detail, resulting in a perfect blend of disco, 80s funk and boogie. 'Love On Hold' also features one of the greatest backing vocalists of our time, Tawatha Agee who was also the voice of legendary funk band Mtume, singing on their 1983 classic 'Juicy Fruit'. The credentials of Tawatha's richly poised voice coupled with Aeroplane's flawless composition make 'Love On Hold' unmissable.
After a digital release which reached overall Traxsource #1, the 'Extended Mix' of Aeroplane's instant classic is now being made available on 12', along with an 'Extended Instrumental', 'Accapella' and two edits from the master of disco re-rubs, Dimitri From Paris. Both extended versions, Dimitri's 'Instrumental' and 'Re-Touch' explore the versatility of the track for DJ use.

ltd. marbled vinyl

art-aud launches new sister label Diskos Santos and bring to light this mysterious group for a double tracker of psychedelic funk on 7". Limited Edition Marbled Vinyl