vinyl only!
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vinyl only!
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Vinyl Only. Produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame Label logo by manga legend Shintaro Kago. Archival reissue of rare 1984 jazz-funk fusion diamond in the rough by German-Australian-British madcap ensemble Bells of Kyoto, produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame. Fusions grooves with Orient-funk detours and looking out the window of a Swissair aircraft moments of cool mid 1980s contemplation.
Highly recommended to porthole dreamers, seasoned mind travelers, inventive dancefloor adventurers, and dogs who like to stick their head out the car window.
Drums - Alex Friedrich
Electric Bass - Peter Drefahl
Mastered By - Rico Sonderegger
Piano, Bells - Peter Waters
Producer - Bells Of Kyoto, Laurie Carls, Ollie Marland
Recorded By - Laurie Carls, Ollie Marland
Synthesizer, Guitar, Percussion - Ollie Marland
For the second installment on his new Extrasketch imprint, Andrew Rasse aka Butane returns to deliver the scintillating 'Sketch Factor', with the four track EP set to drop in mid-October. Following the launch of Extrasketch this July and the closure of Alphahouse earlier in the year, October is set to welcome the second EP in a series of Butane-only productions as the San Francisco based producer continues to dive deep into what he describes as his own exploration about what House and Techno should look, feel and sound like. With EX01 supported by the likes of Danny Tenaglia, Adam Beyer, Truncate, Magda, Dj Sneak, Alexi Delano and Ryan Crosson among others, Rasse's new creative outlet is set to become a quick favourite of many and a sure thing for underground quality and consistency. First up is 'Don't Stop', a stripped back, eclectic affair in which Rasse effortlessly introduces intricate organic percussion amongst bumping sub tones and murky background drones, whilst the sizzling lead synth keeps the track locked in a techno-hypnosis. Cavernous kicks reinforce shimmering hats and a snaking, meandering electro-tinged lead in the driving and dynamic 'Minimum Wage' to conclude the A-Side in fine fashion. Fans of Rasse's work will immediately be drawn to B1 'Go', as trademark Butane drum licks merge with infectious vocal shots to reveal a production born from hazy after-hour dancefloors. 'Ultramax' wraps up the EP with a quirky off-kilter feel as skippy drums work in a free flowing pattern amongst eerie vocal snippets, high pitched bleeps and subtle sonics, creating a hypnotic workout that ensures listeners slowly spiral amongst the productions methodical madness.
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Mysterious producer KIAN T is a crazy guy - living in a lonely house on a top of a hill somewhere in Italy. Surrounded by a collection of rare old synths and vintage samplers, a little dog and the best red wine of Italy. Kian is making beats all day long. That's his life. He started his career on Toy Tonics last year and now is back with an own EP - full of that fucked up, jazz influenced cut & paste House sound that is taking over the house world since last year. Similar to his friends Rhode & Brown, Fouk, Nachtbraker or the guys around OYE records in Berlin he loves to create this special way of sampling old Jazz records and using rare vintage synthesizers instead of digital computer sounds. Just listen to a "normal" deep house records of the last years and compare it with the sound of the Kian. Using these old synths makes a big difference. You can hear it on every of his tunes: There is no cheap sound here - everything is FAT and has a very warm, personal, always easy to recognize sound-aesthetic: courtesy of the four synthesizers he uses: The Korg Polysix, the Sequential Prophet600, a Roland Juno 60, and the legendary Oberheim Matrix 6. And courtesy of the way he mixes his tracks: not in the laptop - but the old way: on a fat old mixing desk. That's why he has that massive sound.
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Vinyl Only.
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A-SIDE
Soaked in its sunset nostalgia by the Mamaian waterfronts, the EPs A-side 'About space and future' relocates us onto the ever-moving engine of curious kicks and rhythmic indulgence that is Costin Rp. A deep sense of groove, brings us along on his narrow excursion to the ethereal - and otherworldly.
B-SIDE
With a more esoteric voice, the B-side brings 'Phil Ther'. A dreamy mechanism built around its tense releases of glimmering echoes and reverberations. As it serves genuine moments of sadness, optimism, fear and peace; the austere and raw emotions end in its kaleidoscopic manner - that is 'About space and future (Tour)’.
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Sonet Music sets out with the goal of putting forward captivating music from the deeper end of the electronic music spectrum.
For This Viny Only label initial release Romanian Catalin Postelnicu aka Gruia takes us on a journey to a dystopic sonic plane.
The three tracks featured on Some Kind of Heaven gather energy, depth and detail in a distinct collection you're certain to revisit time and again.
supported by Casey Spillman, Maxim Swoy, Al Bradley, Andrew Grant. Dirty Culture, Alexi Delano, Carlo Gambino and Eddie Richards
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After its first three releases, July Z imprint presents its fourth release
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Interstate one; the label from Russia is back with this excellent remix EP. An hard-acidtechno EP with the original mix and 3 pounding remixes!! If you like hard acid, don't miss this one!
Only 200 copies pressed !!
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Acmé means "the highest peak or state" and definitely in this release you can't get any higher.
We haven't heard from Acmé since March 2018 with the highly successful Acmé 006 inc. LIZZ, Vincentlulian and Alex Font.
This period was a year and a half of deep silence but without doubt they are coming stronger, fuller and with more diversity.
Here you can find four top notch remixes from highly respected producers and scene leaders who stamped their sound signature into the Acmé universe, also a bonus track from Acmé CEO Alex Font that has already been supported and played by minimalist maestros like Ricardo Villalobos and Rhadoo.
This is a very limited and only vinyl release, be fast to grab yours!
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A1. Fractions
A deep, groovy roller, full of textures, pads and a dubby bassline throughout. A series of solid off-beat drum patterns at the start of the track are later calmed by a set of deep, dubby chords.
A2. Fractions (Archie Hamilton remix)
Placing his own stamp firmly on the original, Archie Hamilton serves up pure, summer vibes with this remix. A deep, warm bassline and complementing series of glitchy Percs build to form this solid groove.
B. Bee side
A chunky, relaxed roller, comprising of solid 909 drum patterns and a warm 101 baseline.
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After in 2018 he released his debut vinyl-only EP on Vivus alongside Silat Beksi, it was due time for Daniel Broesecke to take things into his own hands and he does just that with his first solo effort, backed by a very strong Vlad Arapasu remix.
We kick things off with the title track some heavy bass lines that will grab your attention instantly. As the track goes on, layer after layer is added and the result is a very smooth journey seasoned with an exquisite vocal deep in the background.
Next up we have Lockdown and here Daniel is a little more playful. You can feel it from the beginning, with some distinguishing percussions and idiosyncratic noises that give you a sense of urgency. As the minutes go by, a dark and enigmatic background noise is added and it call comes wonderfully together.
The curtain-closer is Vlad Arapasu’s interpertation of Fusion and it is an charming and meticulous effort by the Romanian producer. This is a whole different story with a complete different but all the same amazing bass line. Vlad Arapasu has managed to keep what made the original such a lovely track and add a misty layer over it, making it somehow more dark but also something that gets your feet going at the same time.
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fifth blueten release for the barcelona-berlin connection from gimenö and stefan helmke with three dub/break/techno sounds ! vinyl only !
Repress
Record label based in Belgium / vinyl only.
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Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.
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London based House label Inermu brings the sixth in their Vinyl Only series in the form of this 3 track remix VA. Including remixes from James Dexter, Chris Stussy and Toman.
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Different house style from New York based Juice Records!
Vinyl Only, 4 raw cuts that reminds the classic house from Deep88