Préventes

Michael follows up his debut release on UK label Digthis Records with a strong new EP on the Austrian imprint Rhythm Science.This four-track EP moves effortlessly between house and electro influences before closing out with a moody house weapon on the B-side.This release marks a confident statement, underlining Michael’s growing presence and serious talent.

Final chapter of the Monochrome series by Okain.
Started in his Berlin studio a few years ago and completed just before moving back to France, these tracks mark the end of a special period.

They are the last recordings made in that space, capturing a moment in time.

The Monochrome concept was simple: one track, one day, one idea.

This EP brings together four new cuts, each drawing from different influences across deep tech house, dub techno and UK garage.

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

A brand new repress of this highly sought-after classic deep house/tech house 12" from Da Sunlounge that is currently fetching up to €100 on second-hand markets! This is high-caliber, bumping dancefloor house that's been igniting dance floors since 2003.


Back in the day, it received support from prominent artists such as Ralph Lawson, Silver City, Fred Everything, Inland Knights, and David Duriez. Da Sunlounge has released music on labels including Cajual, Salted Music, King Street, and Mother Recordings, and has remixed well known artists like Mood II Swing and Roland Clark, among others.

The trilogy is finally complete as Deep Dish make their monumental return to Global Underground, following up the seminal Moscow and Toronto mixes with #GU49 Dublin. The legendary duo has delivered a masterclass in mixing. This isn’t just an album, it’s a legacy.

Nach dem Sommertheater nun die nächste Veröffentlichung Drittelpause mit A dreams A und dem niederländischen Musiker Jerzz .
Er steuerte auf der B-seite einen Track zur Circuit Beats 09 bei .

Musikalisch gibt es clubtauglichen Acid Techno 2026 original aus den amtlichen Maschinen zu hören und fühlen. Die Scheibe ist gepresst mit Ökovinyl aus Bioplastik , entstanden aus dem Recycling von Vinyl-Schallplatten wodurch u.a. Pressungen mit einmaligen Mustern entstehen.

Originally from Patagonia, Aldana grew up deeply connected to the Earth. It was in Buenos Aires, however, that she shaped her musical identity, immersed in a vibrant and inspiring scene. Influenced by the energy of parties and the community around her, she soon felt the urge to channel that intensity into her own music.

Today, she marks a new chapter for Luzerna with the label’s very first EP — a project moving between the emotional and the physical. There are more introspective moments and others that are more direct, designed for the dancefloor. It’s also very versatile and can be experienced in different contexts and moments.

The production is largely driven by intuition, allowing the sound to find its own shape.Although each track has its own identity, they are all connected by groove, like a constant pulse that brings them together.

We are celebrating 15 years of Knotweed Records, exploring different shades of techno since 2011... This is Phase One!

comes with a coloured cover

King Street Sounds Sampler Vol. 6 continues the long-running series from the legendary King Street Sounds catalogue, bringing together a selection of classic house cuts from some of the label’s most respected artists.

Featuring productions from Dennis Ferrer, Mood II Swing, Studio Apartment and Blaze & Palmer Brown, the release highlights the soulful, vocal-led house sound that has defined King Street across decades of dancefloor culture.

Including standout King Street favourites such as Dennis Ferrer’s Touched The Sky and Mood II Swing’s Closer, the sampler brings together several proven catalogue moments in one DJ-friendly vinyl package.

With warm grooves, powerful vocals and timeless club arrangements, these proven King Street records offer strong crossover appeal for both long-time house collectors and DJs looking for reliable dancefloor material.

As the sixth edition in the King Street sampler series, this release presents a selection of essential catalogue moments on one highly playable vinyl release.

A strong catalogue addition for stores serving soulful and deep house buyers.

A tasty slice of early 90s New Jersey hip-hop makes this inaugural release from Concrete Flowers a real doozy. Apache's 'Gangsta Bitch' was produced by Q-Tip and taken from his 1993 debut Apache Ain't Shit, so it is a portal back to the raw, unfiltered energy of a time when the Flavour Unit collective was at its most vital. Apache had already appeared alongside Naughty By Nature, Queen Latifah and 2Pac before this record landed and the Q-Tip production connection to A Tribe Called Quest gives it a lineage that still hits hard. The Beatnuts' 'Hit Me With That' on the flip doubles down on the era's boozy, sample-heavy swagger, making this a perfectly paired two-sider that reminds you exactly why the golden era was so golden.

Bifu is a new curation project by Pirka that translates the concept of a gentle wind into a refined electronic signature.

Marking the label's inaugural release, Barut crafts an atmospheric, airy landscape where floating textures meet dancefloor weight.

By seamlessly weaving mellow synths and emotive vocals over the organic warmth of swooshing congas and groovy basslines, this debut defines a space where deep house feels entirely natural, refreshing, and moving as a gentle wind.

After thirteen years of silence from the compound, during which anticipation has grown day by day, Boards of Canada finally return. Inferno retains their signature melodies and atmospheres, drawing on the esoteric influences explored in Societas X Tape (their 2019 NTS mix for Warp Records’ 30th anniversary) and the darker ambience introduced on Tomorrow’s Harvest, further deepened by an expanded role for speech soundbites.


Spanning seventy minutes, the new album is available on special edition limited red translucent 2LP vinyl in triple gatefold sleeve with a 16-page booklet, black 2LP vinyl and CD with 20-page booklet.

Border One pushes his sound to new extremities with this latest EP on Token 'Spectral Tension'. Known for his driving, melodically abstract productions under eye twitching pressure, the Belgian artist takes his celestial signature and puts it to the test. These four tracks embody his sound: dancefloor experiments from a modular laboratory.



Exceptional in his sound, Border One adds 'Spectral Tension' as his seventh release to the Token catalog.

London based imprint SHIBUI follows up with a second 12" on the label, with a four track EP from Brennan.

SHIW002 features Tech-House cuts with an unmistakeable old school feel, an essential for every DJ's record bag.

SYD001 | Casio the Calculator’s Elementary Calculations

After years of scrounging the dark corners of Discogs, contributing a small piece to this vast ocean of music is a huge milestone.

Casio the Calculator steps up for this double debut with 3 cuts in an attempt to reconcile the dusty sound of the past with today’s polished acoustics. Describing music with words can only say so much, so we’ll leave the rest for you to hear.

Bass and Guitar on A1 and B by Loarcangelo

Fresh Tunez is back with Eliaz. Four tough, spacey, snarling cuts for uncompromising dancefloor impact. This one is powerful. Vinyl only.

There is a quiet, seasoned assurance to how Heimyl operates. Perhaps best known under his Lazer Man moniker the Lyon based producer a fixture in France’s undergroove community.

He burrows deep into a groove and lets the room come to him. On this record, that patience yields a formidable four tracker engineered specifically for proper sound systems and slow-burn dancefloors.

The A side sets the trap with "I Want Speak," a masterclass in tension pairing a skippy lock groove rhythm with a fragmented vocal samples.

"Power Cat" maintains the momentum, threading bell-like melodic fragments through a rolling, hypnotic bassline with a light, remarkably effective touch.

The flip is where the record earns its weight, anchored by "Sector 14." Here, pads rise imperceptibly over a relentless groove, mounting a subterranean pressure.

The closer "New Place" shifts gears gracefully, cooling the room down with a looser, sophisticated house sensibility, a natural exhale that hints at Heimyl's broader sonic palette.

With “The Insanity Of Infinity” Hernán Cattáneo and Marc Romboy join forces for a deeply atmospheric and emotionally charged release on Systematic Recordings. The track brings together two artists with long-standing
international reputations and clearly defined musical identities: Cattáneo’s unmistakable sense for hypnotic, progressive storytelling and Romboy’s warm, driving and Detroit-influenced Systematic sound.
The original version unfolds with depth, tension and elegance, balancing melodic emotion with club-focused precision. Rather than relying on obvious peak-time formulas, “The Insanity Of Infinity” builds its own universe:
immersive, sophisticated and timeless, shaped by two artists who understand how to create music that works both on the dance floor and beyond it.
The release is completed by two strong remix interpretations. Frank Sonic & Drumcomplex add a powerful, forward-moving techno version with clear Systematic DNA, designed for darker club moments and peak-time
impact. Brian Cid brings his own hypnotic and progressive touch, expanding the emotional dimension of the original with a deep, atmospheric and cinematic interpretation.
Released as a strictly limited red colored 12” vinyl edition, “The Insanity Of Infinity” is a special collector’s piece and a strong DJ tool at the same time.

Way back in 1998, following five years DJing and organising free parties as part of Sheffield's Smokescreen Soundsystem, Andy Riley and Laurence Ritchie joined forces in the studio as Inland Knights. They went on to deliver a huge amount of high-grade UK house music, but it was on this EP - here reissued for the first time in remastered form - that they first showcased their distinctively chunky, DIY-influenced sound. Check first the squelch-and-bump of soul-flecked late-night roller 'Mud Substance', before getting your ears around the dubby bass, hypnotic beats and spacey licks of 'Souldoubt'. 'Deep In' is a strutting, energetic affair full of raw analogue bass and mind-mangling effects, while 'Spent Up' is a tougher and looser slab of deep house funk.

Good Life sees Detroit icons Inner City return on KMS with one of the most celebrated house records of all time, presented here on fresh 12” vinyl.
A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy.
This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
As a cornerstone release from the KMS catalogue, the record continues to resonate across generations of DJs and listeners, maintaining its place as an essential dancefloor staple.
Back on fresh 12" vinyl, this repress offers strong appeal for both collectors and DJs looking to stock a truly iconic house record.
An essential catalogue piece for stores supporting classic house and Detroit heritage releases.



c B2: Good Life (Remastered) Dub Mix

2026 Repress

Physical Education is proud to have Len Lewis back. This time with the reissue of his early 2000s Joy / Skip Up release. A hard to find record released back in the day in a small run press coming out again right in time for summer.

A side's Joy is a beautiful cut of deep tech house with lovely strings and swinging toms signature of the Swag Records affiliate. While the B side includes 2 versions of Skip Up, both are a perfect hybrid between modern deep house and breaks characteristic from that era.

down2present the fifth release.
d2e005: matthias’ beat of blades

three deep cuts by the one at the helm, which without doubt will throw you into a whirl.

Two Classic NAD edits here, the B Side a big DJ Harvey play!!!!
DJ Promo Vinyl Only

Produced through live jam sessions with machines and gear, Omar Akhrif’s music embraces the small imperfections that naturally emerge during the creative process. Tiny timing shifts, unstable textures and unexpected movements — what could be perceived as an error becomes the soul of the track, the human value inside the machine.

Pure Devotion, benannt nach der gleichnamigen Live-Reihe von 2024, markiert einen weiteren Entwicklungsschritt für Overmono. Hinter dem Projekt stehen die Brüder Tom und Ed Russell, die bereits seit Jahren in der britischen Elektronikszene aktiv sind - sowohl gemeinsam als auch über ihre Solo-Projekte Tessela und Truss. Diese Erfahrungen aus dem UK-Underground bilden die Grundlage ihres Sounds bis heute. Das Album vereint bewusst Unschärfen, technische Imperfektion und zufällige Momente mit einer klaren künstlerischen Haltung. Über elf Tracks hinweg erweitern Overmono ihren Produktionsansatz und greifen dabei auf ungewöhnliche Mittel zurück: analoge Synthesizer aus den 70er- und 80er-Jahren, alte Lautsprechersysteme oder experimentelle Klangbearbeitung. Das Ergebnis wirkt kontrolliert, organisch und immer treibend. Auch die Vocals tragen zur Atmosphäre bei - unter anderem von John Joseph Holt, Kindora und Ruthven. Insgesamt legt Pure Devotion den Fokus stärker auf Emotionalität und Klangtiefe als auf reine Funktionalität im Clubkontext. Das Projekt entwickelte sich aus einer Neujustierung ihrer Live-Show und gewann parallel zu ihren Touraktivitäten an Form. Nach dem Erfolg ihres Debütalbums Good Lies (2023), welches ihnen größere Aufmerksamkeit und internationale Auftritte einbrachte, spielten Overmono zahlreiche Festivals und eigene Shows, darunter Glastonbury und Alexandra Palace in London. Während dieser Phase entstand neue Musik, die später in Rückzugsorten wie Spanien und Island weiter ausgearbeitet wurde. Die Single "Lockup" steht exemplarisch für die Herangehensweise des Duos: direkte, rhythmisch präsente Strukturen treffen auf zurückhaltendere, emotionale Elemente. Pure Devotion wirkt damit weniger wie ein Bruch als vielmehr wie eine konsequente Weiterentwicklung - geprägt von Erfahrung, Neugier und dem Anspruch, den eigenen Ansatz weiter auszuloten. Overmono sind eine neue Größe in der internationalen Club-Kultur.

Per Hammar joins Craigie Knowes for his label debut ‘Sidewinder’ EP. 4 rolling tracks built to maintain and elevate dancefloor momentum. Per Hammar’s production mastery is distilled into these monstrous club jams with every element tailored to serve the rhythm and keep you moving. This record is varied yet coherent package of house, tech-house and minimal flavour; from the rolling bassline on Sidewinder, the minimal chug of Viper, the euphoric uplift of Afterglow, to the thump and swing of Mono Boy. A record for the DJs and listeners alike.

Sought after Balearic Edits from Pete Blaker

Few tracks have left a mark on the underground quite like Tarantula. Now, more than a decade after winning "Top Track of the Year" at the 2011 Beatport Awards, Pleasurekraft's breakthrough anthem returns on vinyl with the iconic Original Mix on the A-Side and two powerful reworks on the B-Side, inviting listeners back into the unmistakable atmosphere of Pleasurekraft's cosmic techno sound.

2026 Repress

We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

A snapshot of UK tech house in its formative years, OLC002 finds Rob Pearson laying down the blueprint for a sound he’d continue to refine through Evasive Records. Released on Online Collective—the label arm of South London’s Online Studios—this EP captures a raw, forward-facing moment in underground dance music.

The title track Slipstream leads with intent: tight tech drums ride alongside a chopped breakbeat groove, underpinned by weighty sub bass and warped melodic textures. A fluid lead synth drives the track forward, locking into a hypnotic, evolving flow built for the dancefloor.

Vortex channels early Detroit techno through a South London lens—crisp edits, filtered drum machine rhythms, and a hypnotic vocal loop combine for a stripped, late-night roller with serious intent.

On Metaphor, Pearson taps into the spirit of early bleep and warehouse house, fusing it with late ‘90s tech house sensibilities—raw, swung, and deeply functional.

The Metaphor (Bonus Beats) rounds things off as a pure DJ tool, primed for layering and extended blends.

A sharp, authentic document of a pivotal era, Slipstream EP showcases Pearson’s early command of groove, texture, and dancefloor dynamics.

Scøpe's first solo EP on the label unfolds across four minimal pieces where pulse dissolves into synthetic textures and distant echoes. A precise, restrained futuristic landscape.

The Sarge Returns: 4 Killer Club Reworks

The Slick One is back with another set of four electrifying tracks. This time, he dives into late ‘70s and early ‘80s classics, giving them a sleek, club-ready makeover. Expect familiar vocals, tightened grooves, and energy perfectly tuned for the dancefloor.

Featuring some of the biggest names in the scene, these mixes are designed to get any crowd moving. As always, this release is limited—grab it now buy or cry!

SPECTER chops three LATIN DISCO HEATERS

Minimal fuss and maximum effect from Tallinn's Squash (iykyk) who roll up two joints of slick tech house on Healer Records' maiden release, along with a sublime set of remixes by Christopher Ledger and Reflex Blue.

2026 Repress

Evasive are back on track with this stylishly smooth three track 12", Mistaken Identity, Pursuit of Bliss and Restless are the first three offerings from The Inhabitants (Rob Pearson & Kate Smith). With this their debut release as a duo the pair deliver us some fat, futuristic, Detroit meets South London Tech House. Rob & Kate are currently in the studio working on more material so a follow up E.P is imminent.

Originally released in 2002.

Desert planet house from inner spaces - the mountain people‘s premiere full EP outside their own imprint. Featuring sand shattering subbasses alongside vintage stabs, wobbling chords and otherworldly chanting. Something you will not dig up easily from your discogs collection and which will further enchant the children of the light.
Play or face the Gom Jabbar.

Tour-Maubourg returns with a new 6-track EP, Dreams, further cementing his place as a key figure in today’s electronic music scene. Known for blending soulful house with rich jazz influences, the French-Belgian producer showcases both his DJ sensibility and refined production skills on this long-awaited release for French deep house label Noire & Blanche.



Nearly four years after Floating on Silence - his acclaimed EP for the label that quickly became a staple in DJs’ sets and underground all-night club sessions - Dreams follows the same inspired path while raising the bar even higher. Joined by a carefully selected group of collaborators, including American producer Kareem Ali (praised by Rolling Stone, Pitchfork, and Boiler Room), pop/R&B soul singer Nic Hanson, and Lithuanian producer and musician Cyan Lu, Tour-Maubourg blurs the lines between jazz and house. The result is a deeply musical, immersive EP that reinforces a sound signature now unmistakably his own, designed for both intimate listening and late-night dancefloors.
crédits

Trevor Linde returns to Harmony with his long-anticipated second EP, further refining his characteristic sound. Peripeties of Stray Intention moves effortlessly between hypnotic tension and rigid groove structures, balancing precision with raw emotional depth. Drawing from years of meticulous sound design and live performances, Trevor Linde delivers a body of work that feels both emotionally charged and physically commanding, a carefully sculpted journey at the very core of his sound.

The highly sought-after Party Tool series returns.

For the first instalment of the 2.0 run, a mysteriously unknown operator delivers a fresh batch of rolling grooves in true tool fashion!

4 loopy drum patterns, squelchy leads and core warming chords that belong in every DJ’s bag.

No names. Just back to party business as usual.

Steyoyoke Anniversary, Vol. 15 marks a special chapter in the label’s history with a double vinyl edition dedicated to the sound, artists, and identity that have shaped Steyoyoke over the years. Across eight original tracks, the release brings together Soul Button, Clawz SG, Nick Devon, 2Qimic, Monarke, MPathy, Seismal D, and René Diehl, forming a carefully curated journey through the label’s Ethereal Techno sound.

From the emotional depth of Silent Truth and the shadowed atmosphere of Lumen Obscura, to the melodic tension of The Day You Decide To Change and the introspective movement of My Dreams, the first part of the vinyl sets a deep and immersive tone. The second half expands the energy with Pressure, Sora, Consciousness, and Pulse, moving between driving grooves, cinematic textures, and refined club-focused intensity.

Pressed as a double vinyl, Steyoyoke Anniversary, Vol. 15 stands as both a celebration and a reflection - a collection built around memory, connection, and the unmistakable emotional language of Steyoyoke.

“What Robot Says L” on What Robot Says Records is a deeply immersive Dub Techno journey crafted for demanding listeners who seek atmosphere, precision, and emotional depth beyond conventional dancefloor music. Across four carefully sculpted tracks, the release moves through shifting moods and textures, balancing raw energy with subtle elegance while exploring the deeper and more hypnotic side of techno.

A1. Nicolas Barnes – Dusted Maze opens the EP with a smooth and introspective approach, combining delicate textures, refined grooves, and floating harmonic layers that capture the timeless spirit of classic Dub Techno through a modern lens.

A2. Continuing the journey with TM Shuffle, Monoder – Vihreesametti delivers a warmer and more fluid interpretation of the genre, blending rolling grooves, dub-driven chords, and sophisticated sound design into a deeply immersive experience.

On the B-side, B1. Denizo – Versus follows with dark dub pressure, stripped-back rhythmic architecture, and evolving ambient detail, creating a hypnotic late-night atmosphere filled with tension and movement.

B2. Closing the EP, The Open Circle – Shinkai dives into deeper and more mysterious territory, emphasizing submerged atmospheres, minimal rhythmic tension, and profound spatial depth that slowly unfolds with every listen.

WRSL1 – “What Robot Says L” is not designed for casual listening, but for those who appreciate Dub Techno as an evolving exploration of mood, space, and sonic detail — a refined and highly immersive statement from some of the genre’s most skilled contemporary artists.

but wait a minute.. Does anybody know What Robot Says?

20:20 Vision has been defining the house underground for decades now, and much of its earlier material remains as revealing as its newer output. A case in point is this reissue of the rare Echo Beach release. Founder Ralph Lawson and his old pal Carl Finlow's recordings from The Farm in the Rhubarb Triangle retain a warmth and analogue weight that contemporary production struggles to replicate - all hands-on-deck live passes through drum machines, synths and outboard desks, the process audible in every groove. The discovery of unreleased cut 'Blues Dimensions', which was rescued from corrupted DATs, is the real find here: rasping Moog bass, P-Funk refrain and heavy Rhodes that sounds anything but archival. Top drawer excavation.

oung Adults return to their spiritual home, Private Parts, for their third outing on the label with a monstrous four–track EP packed with everything.

Kicking things off is Get A Grip — haunting pads, squelchy bass and rolling beats set the tone from the off. Next up, Listening Spa dives into robotic tech grooves making this pure heads-down, hip-shaking tackle.

Flip to the B side and G-mate (In Rest) delivers flanging snares, driving house basslines and a pace that’s properly effective. Closing the EP is the bouncing Sauna Cell 120°C, bringing even more bass, lush pads and a final headsy trip.

Young Adults and Private Parts continue to prove they’re a match made.

Written in the wake of a relocation year that quietly rewired the Australian-Macedonian DJ/Producer’s instincts, the latest record on Aldonna’s own Re-leaf Imprint trades the melodic density of earlier work for something more intimate, immediate, and bodily. ‘Infatuate’ closes the gap between what she is making and what Aldonna is reaching for in her record bag. That shift manifests in a tighter focus on groove. Gritty, swung drum samples lifted and reshaped from vinyl, FX drenched stabs flickering through delays, and basslines that feel less composed than inhabited.

The A-side rides a continuous low-end groove. The environments that shaped these tracks are still embedded in them: the sunburnt euphoria of a Brussels day party bleeds into “Squeaky,” while “Keep Up” captures the nervous, sleepless churn of a Berlin weekend on the edge of breakthrough.

The B-side’s “My Dear” softens into something more viscous and intimate, its warmth underscored by Aldonna’s own spoken word vocal in the Macedonian language, an understated but pointed nod toward underrepresented Balkan textures in club music. The EP rounds off with a functional remix from Berlin’s ‘Revivis’, applying his signature rolling sound to ‘My Dear’.

As a whole, the record feels deliberately situational, equally at home under low red lights in a sweat-slicked club or stretched across a festival system in broad daylight, but always orbiting that same core impulse: to pull bodies closer, lock them into the groove, and let everything else dissolve.

DJ support; Diplo, Oliver Heldens, Groove Armada, Nicole Moudaber, D.O.D, John Summit, Claptone, Roger Sanchez, Solardo, Martin Garrix & more.

Toolroom’s next vinyl single comes from 3 legends in the scene; Armand Van Helden, label boss, Mark Knight & D.Ramirez with recent hit, ‘You’. With another killer weapon from Van Helden and Knight on the b-side in the form of ‘The Music Began To Play’.

The third and final(?) 12" in the series comes in the form of this four track 'Within Without' EP.

'Invidia' & 'Deep Breath' originally released on Capture Records in 2005, these are the most wanted tracks from her small yet mighty discography. Playful, driving, emotive, pure Blueless!

Both remastered for an extra bit of punch. On the inner tracks we have 'The Pleasure Is All Mine' & 'Much More', which came to life a lot more recently with some help in the studio from Oliver.r.
Two sun shining jams, moving and grooving, house music for all.

Thank you Blueless, for the music new and old, and giving us the opportunity to shine a much deserved light on them!

Dream Dancing are back with the second release in their series of rediscovering the underground gem, Blueless.

Here with the 'Tar Liom' EP, once again showcasing her timeless and true deep house sound.
'Maybe Nothing' & Are You Pleased?' came out on her own Capture Records back in 2005. Both with a fresh remaster ready for those late night or early morning sessions.
On A2 you will find 'Weep 'n Crash', which was written in around 2008 but never saw the light of day until now, clearly inspired by the emotive depths of Larry Heard.

A melting pot of danceable melancholy, uplifting and hypnotic rhythms !

Craig Bratley’s sophomore album, Return To Bass, has been a long-time gestating, with a whisky-like distill time in the musical barrels from whence this came. His debut was in 2014 and 12 years later here he is again, in the blink of a, er, Jurassic age. In that time, he’s gathered a good deal of experience, released several musically varied 12-inches, as well as having Andrew Weatherall remix a few of his efforts (not completely surprising, since The Guv’nor also played Craig’s music).

Bratley has spent the last few years honing his musical and technical skills which are evident on this album, as are his influences, which can be heard on his impressively consistent back catalogue, include Italo-disco, British electropop, acid house and a slowed down version of Chicago house that lends it a heroin crawl. Added to that, though, is the dub reggae sound championed by King Tubby, Lee ‘Scratch’ Perry and our own Dennis Bovell, which is much in evidence on this set.

It seems apposite, in the wake of the death of Sly Dunbar (and, less recently, his partner, Robbie Shakespeare) that Craig’s album is now appearing, since Bratley’s sound is imbued with a dub sensibility and the engine of the whole set is built around the thud that Sly & Robbie brought to their greatest productions; the song titles are clues: ‘Plasticine Dub’, ‘Return To Bass’ and ‘No In Between Dub’.

The LP Features standout vocals from Amy Douglas, Thomas Gandey, and Ola, plus funeral-march trumpet work by Tim Hutton.

The British duo Andrew Eggleton and Daniel Hird, better known as Definite Grooves, return to Groove Culture with a new vinyl release that is pure energy for the dancefloor. Titled "Alive", this EP perfectly captures the essence of the label: delivering high-quality dance music curated with exceptional detail.

The record opens with the title track "Alive", a vibrant anthem that immediately sets the duo's intentions: solid grooves and infectious atmospheres. It follows with "Everyday (Move My Soul)", a track that, as the name suggests, hits all the right notes thanks to an impeccable rhythmic section and irresistible soul-infused warmth.

Side B keeps the momentum high with "Feel It", a track designed to keep the club moving during peak moments, while the closing is entrusted to "Don’t Do Disco". Despite the ironic title, the track plays with sophisticated house sounds, reaffirming the technical mastery of Eggleton and Hird.

In short, "Alive" is a must-have for vinyl collectors and DJs looking for that distinctive, elegant, and powerful sound that only Definite Grooves can deliver under the Groove Culture umbrella.

Limited Edition

Real heads with good memories and a lifelong love of good grooves might remember that the original mixes of 'Disco Glory' first appeared on DJ Garth's Wicked imprint in 1996. Top DJ dogs like Danny Tenaglia, Francois K and Doc Martin all used to drop them on the regular and ensuing remixes even made their way onto Sony Pictures' 'Groove' soundtrack. The DJ Garth & ETI mixes have long been out of print, so fetch a pretty penny on the second-hand market, which means it's great news that the 30th anniversary is marked with a fresh return to wax. The Acid Rock mix is psychedelic and trippy, the Look To The Moon dub is a dark and dubby tech sound that could be brand new, and the Ye Olde Organ Grinder mix has a moody and retro house charm.

A-Side: Spiralen - DJ Koze
It is said that DJ Koze creates musical universes - yet what many don't realize is this: the universe itself was created 13.8 billion years ago by DJ Koze, before he condescended to become physical matter. He was the force of gravity that held everything together - and today, as for over 35 years, he continues to surprise again and again, scattering his stardust across the night sky.
It's simply unbelievable.

"In your eyes, spirals are turning
They pull me deeper than any mind can reach
The world goes soft around its edges
And everything drifts into no man's land"
B-Side: "Wo's Patric?!?" - DJ Koze
The title says it all - fortunately, Patric is always there. So beautiful that he exists.

Fedo serves up an assortment of styles wrapped in mystery and vivid texture. The dive opens with dark minimal laced with glitches and misdirection, followed by a more tech-leaning structure. From there, the overall sound design pushes into deeper realms of the trip, accessible only to experienced divers. It all closes with a deep ballad — floating pitch and colourful pads carrying you back to the surface.

Rotary introduces its musical imprint with its first vinyl release.

A project carefully curated and perfectly represented by Francesco Farfa and Paolo Mosca. “Nocturnal Atmosphere” is a sonic compilation that will take you on a unique journey, filled with a deep love for music.

Phara returns with a second project under his In Glass alias. In 'Scratching the Surface', we're light years away from the heavier, more instructive dance records that have become synonymous with Phara's style. In this EP, the Belgian artist reaffirms his celestial, delicate sound in four tracks that delve further deeper into the emotional soundscape proposed in the first EP.

'Sally' begins the project with the most dance floor oriented of the four tracks, proposing an intoxicating blend of styles that bloom throughout its six minutes. Soft pads and bright keys twinkle along a cradling rhythm as In Glass delivers a truly musical piece that sifts through memories. Percussion is then taken out of the equation as 'All Things (424 Version)' comes and lands softly on the center stage. Lush, ambient waves come lapping at the shore of 'Scratching the Surface', describing nothing but space and serenity - a breath from everything. The dreamy tone of 'All Things' oscillates along reassuringly into the B side, keeping the tempo low and the sound design organic. Here, we step into In Glass's world of dub techno and adjacent sounds that defined his first record last year. 'Plateau' rises slowly from the wax with a round low end and suspended chords that hover high above. Opening stabs over a harmonic bassline make a head massage of a track that sways along. The raw emotion behind In Glass's music is inviting, flashing by as ethereal synths open and close to install a personal, meditative experience of electronic music. The percussion remains discrete, allowing the harmonic information to wash over the listener into the last track of the EP. He concludes with 'My Idle Hands', pressing further into the dub techno sound that echoes through a cathedral of memories. Blurry shapes pass by over a more determined rhythm section, confirming the intimate nature of In Glass's music. The music wanders along, its head in the clouds but with a full heart, telling stories of being lost and finding home.

Joe Davies back on Smallville, providing his skills to double the magic on the fly!

Soundscapes that will tickle your sweetspots. straight-but-quirky, far-out but still to the point – Joe is a master of his craft. His highly-acclaimed 2023 longplayer „Shields In Full Sunlight“ is still on the plates of oh-so-many heads out there, same for us. We are truly happy to present his latest vision of a cloudy night- all with Wonderful Tempo.

Comes with a stunning full cover artwork from Stefan Marx.

A duel of fates - "B4U" is where clashing swords and bittersweet sounds envelop the strange voices in the back of your head… On the evening of its discovery, Joseph could be found in a dark room, squatting in front of his desk, gripping its sides for dear life. Headphones blaring the cosmic love letter, sent for him to share with you.

Booty-shake-worthy grooves and a seriously JOSEPH-coded bassline give way to a sound that reminds you to stop taking everything so damn seriously. "Tripidi" is JOSEPH's auditory instruction manual on how to swerve when you stub a toe at 4am.

Now into its sixth year, NuNorthern Soul’s Summer Selections series has become a popular annual fixture. Like its predecessors, 2026’s edition showcases a variety of Balearic dancefloor workouts, sensual soundscapes and tracks tailor-made for poolside sun-down sets.

As usual, Summer Selections Six is a vinyl-first affair, offering wax enthusiasts a chance to cop killer cuts set to feature on a swathe of forthcoming NuNorthern soul releases – including some that would otherwise be unavailable on physical formats.

To begin, is It Balearic? label regulars and Rotation Sound System crew members Wrekin’ Havoc turn their attention to NuNorthern Soul favourite B.J Smith’s 2014 cover of Outkast’s ‘Prototype’. Their take, which will be featured on a forthcoming collection of reworks of Smith’s NNS material, places the long-serving producer’s beautiful, beguiling vocals atop lo-fi 80s electro beats, moody pads, squelchy synth sounds and far-sighted electronics.

Up next is label newcomer Sasha Foam, a fast-rising Lisbon-based DJ/producer whose Memoria EP is set to land digitally soon. ‘Curios’, his contribution to Summer Selections Six, is a propulsive and ear-catching affair, with joyful synth melodies, rushing piano riffs and cheerful TB-202 style acid tweaks rising above a crunchy, drum-machine driven mid-tempo groove.

Rounding off side A is ‘Call To Wind’, a rootsy, warming and sun-baked slab of Balearic dub gorgeousness from Strictly Dub Records founder Saimon AKA Roots Artefact. The track, which marks his first new material since last year’s NuNorthern Soul debut Different Perspective, is one of the many highlights set to be featured on the Estonian’s forthcoming Rocking Boat EP.

Turn to the flipside and you’ll find three more inspired, immersive treats. Dan Dub Lounge, Muzka and Simon Sheldon being their Visions of Light project back to NuNorthern Soul with the borderline genius ‘ReBorn Slippy’, an exotic, intoxicating and sitar-laden slow-motion instrumental cover of the Underworld favourite taken from their soon-come collection of ‘mild pitch’ takes of dance and electronic classics.

To complete another stellar Summer Selections 12-inch label founder Phil Cooper platforms two recent additions to the roster. First is Potteries-based producer Andrew Wright AKA Lonely Deckchair. Wright offers up ‘Adaflo’ from his forthcoming debut album. Atmospheric and magical, ‘Adaflo’ is a simmering, slowly unfurling fusion of poignant pianos, minimalist beats, shuffling bass and tumble-down chords.

Then there’s Aussie artist Perth Lewis, whose first two self-released albums (Moments In Time and Distance Between) were recently reissued by NuNorthern Soul. The Sydney-based producer is set to release a new EP, Cherry Moon, soon, and ‘Monolith’ is taken from that collection. Deep, dubby and beguiling, it sees Lewis pepper a head-nodding, effects-laden beat with spacey sonics, cascading piano motifs and some seriously sparkling synths.




d B1: Visions of Light -

2026 Repress

In honor of the December full moon 2021, Luigi Tozzi finally invites us to yet another emotional journey, down into the depths of the Deep Blue.

The release comes in a limited edition, marbled 180-gram double vinyl, and an unlimited black edition. Sheathed inside a matte white sleeve of a high-quality carton with Hypnus signature, custom cut round corners. All adorned with a stunning artwork by Gabriella Holmstrom.

Early support from Brando Lupi, Svreca, Artefakt, and Eric Cloutier to name a few.

DJ Support: Enzo Siragusa, Traumer, Laidlaw, Voigtmann, Janeret and many more

Mateo Dufour and Cosenza return to Key Records as part of the label’s family, this time joining our second vinyl release with Sweat, representing the Rio de la Plata sound on the dancefloor.

The A-side is led by ‘Sweat’, a high-impact, peak-time track driven by a penetrating vocal and a distinct vintage character. Road-tested over the past months, it has become a true secret weapon in sets by artists such as Traumer and Enzo Siragusa. Following that, ‘Girl (I Want To)’ lowers the intensity, moving into a more groove-driven and sensual territory, creating a natural contrast within the side.

The B-side shifts into a more playful and character-driven territory, suited for transitional moments, whether at sunrise or during deeper phases of the night — perfectly fitting summer settings. ‘Why So Freak?’ stands out for its distinctive synth line and catchy vocal, giving it a strong and recognisable identity. Closing the EP, Dan Ghenacia delivers a deep and refined remix, adding an elegant layer to the release.

From peak time to early morning, just drop it and let it speak.

A record that balances impact and subtlety, reinforcing the connection between the artists and the Key Records universe.

Juan Atkins returns as Model 500 with I.D.L.E., a transmission rooted in Detroit's original machine language. Pulsing basslines and crystalline sequences unfold with the precision and restraint that have defined the Model 500 signal for decades. The package expands with two reinterpretations from different corners of the electro-techno continuum. DJ Stingray pushes the track into high-velocity orbit, sharpening the rhythms into a relentless futurist propulsion. FJAAK reshape the material with their unmistakable Berlin energy, driving the groove deeper into warehouse territory while keeping the circuitry alive. A meeting point between generations, I.D.L.E. continues the Metroplex tradition: forward motion, mechanical soul, and signals from the future.

"Receiver Objects Without Sender (R.O.W.S) is a collaborative project between the late, ever-enthralling Eletun Selona and Martinou. R.O.W.S was conceived as an open, exploratory outlet for the two artists over several years. It became a space to lean into heavier, more textured techno and dub influences, while still grounding their shared instinct for house. The LP release 6.05 for St Odes is a collection of some of the many finished and unfinished collaborative projects left in the wake of Eletuns passing in 2024, finished and cared for by Martinou over the course of the past year, as a means of coping with the immense sorrow."

2024 Repress

Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

For the follow up release Amsterdam legend RDS delivers four heads down and effective and lanky cuts on the Nesreh label. Hailing from Amsterdam, with a slew of releases under his belt on labels such as Undersound, De Lichting, Kalahari Oyster Cult and Jamming Is Life. Mastered by Isabel Schroer at Olo Mastering.

If you’ve spent any time in a London club over the last few years, you know the name. Rossi. has gone from being the “secret weapon” of the underground to the guy everyone is trying to book. After cutting his teeth with a residency at Fabric and tearing the roof off Printworks and Studio 338, he’s finally given us the anthem we’ve been waiting for.

The bosses new single on Homegrown., ‘Ease Your Mind,’ isn’t just another tech-house filler. It’s the perfect distillation of that “Rossi. sound” that’s been vibrating through the UK scene lately.

Moving shadowy into 2K26, presenting the latest addition to our EYA catalog ~ Secret Powers EP by Colombian artist Samuel Jabba

His music has long been a mainstay in our record bag, and this release only confirms why. Bold, creative, and deeply musical — at times ethereal. Samuel continues to unleash energy through the rhythm of his compositions.

Chicaiza, aka The Children Of The Sun, adds even more depth to the EP with rumbling drums and jungle echoes in his breakbeat inspired interpretation of the A1.

Limited Edition

Cultivated Electronics Ltd For The Floor series began in 2022 and features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars and new artists. Volume 5 features Umwelt on the A- side and DJ MELL G x Unklevon on the flip, as well as a remix by label head, Sync 24 alongside Controlled Weirdness. New Flesh founder, Umwelt is known for his dark, industrial-leaning techno that blends dystopian atmospheres with driving rhythms. Here, the French producer delivers two hard-hitting cuts in Memoryscape & Morphing Sequence to open the EP. DJ MELL G from Juicy Gang Records brings a raw, high-energy fusion of electro, breakbeat and techno; fast paced and with bold sound design. She teams up with Unklevon who produces sleek, futuristic electro with crisp drum programming most notably for Boysnoize Records, on Get Down. While Sync 24 & Controlled Weirdness close out the EP with their tough and wonky rework.

Ohm Series continious with the 20th release. It features tracks by Octal Industries , Aeikus & Pedro Capelossi, STAR_DUB and Oswld.
Another strong curated release by the labelowner Bjarnar Jónsson!

After the stunning re-release of Eminesence in March, Vince Watson recruits 3 of Deep House’s legendary artists to give their interpretations on this modern classic. First up is Cee ElAssaad with a spiritual journey into the finest house music around, endless solo’s and the type of track you will hear in Claussell, Trent of Vega’s sets. After this. the magician Atjazz with his typical chunky bass and dubby vibes, the perfect dub version of this piano track. Last but not least the delightful skills of Osunlade with the Yoruba Soul Mix, a tasty jazzier affair that’s perfect for the more downtempo laid back moments…and that ending…whoosh!

Strong and soulful contribution to the enduring legacy of Detroit’s underground sound. With Lyfe On The Dance Floor, Detroit’s own mystical 207737 delivers a deeply authentic statement rooted in the unmistakable spirit of Detroit House. Raw, soulful and effortlessly timeless, this release reflects the kind of musical identity that can only come from a city where machine rhythm and human emotion have always moved as one.

Quantum Vacuum /ˈkwɒn.təm ˈvæk.juːm/ — The fundamental state of a quantum system, corresponding to the lowest possible energy level, in which no real particles are present but fluctuations of quantum fields persist, making the vacuum a dynamic state that is never completely empty.

Abo Abo’s first solo vinyl EP carefully assembles minimalistic techno structures pushed at pace, sci-fi rhythmic mutations and psychedelic pressure that refuse resolution. Synthetic sweeps rise and vanish, environments where form appears only to disappear. Nothing is static. Nothing is empty. Microscopic movements surface continuously from apparent void.
DR018 marks the eighteenth release on DE RIO and the label’s sixth vinyl output.

Written and produced by Daniele Carcassi
Mastered by K.O.P. 32
Artwork by Giuliana Diada
Design by Enrico Caldini

Take Me, I’m Yours is the first collaboration album between Alan Abrahams and Jan Jelinek. Released through the latter’s faitiche, it builds upon multi-layered vocal sketches by the former. The Paris-based artist, primarily known for his work as Portable and Bodycode, supplied Jelinek with multi-layered song sketches that the German artist subjected to a rigorous process of manipulation, excavating the ambiguities of the original material and transforming its rhythms into subtle pulses. Take Me, I’m Yours is neither a typical Abrahams record nor a classic Jelinek album—it is something third, mediating between the physicality of the voice and the abstraction of electronic sound design.

The two had crossed paths before really getting to know each other after Abrahams invited Jelinek to play at one of his Süd Electronic parties. The idea of a collaboration emerged slowly. “It started as an experiment, and over the past few years grew from a few tracks into this album,” says Abrahams. He describes recording the basic material as a “tantalizing” process, not knowing how Jelinek would transform his material, some of which was based on wordless chanting, while other tracks were working with lyrical content. However, their mutual trust allowed Jelinek to remove the harmonies, radically reduce the rhythms, and concentrate on Abrahams’ voice.

Jelinek heard something “fragile” in this voice, “moments of doubt and dark premonitions.” He points to Forever as an example. “Alan’s original song reminded me of classic vocal house, but his voice seemed to almost break,” he says. “This contradiction made the piece even bigger, because we hear a singer in the moment of an awakening.” He further accentuated such tensions through arrhythmic synth modulations and time-stretching algorithms, while also adding concrete sounds from a variety of sources. With its dedication to both transforming and amplifying the emotional qualities hidden within Abrahams’ pieces, Take Me, I’m Yours functions as a dialogue between those two singular artists.

Alton Miller’s Still Purpose EP sounds positioned squarely in the zone he’s refined for decades: deep, spiritual Detroit-rooted house with jazz warmth, restrained groove architecture, and soulful musicality.

Classic Detroit-inspired techno featuring rolling grooves, functional structures, and club-focused energy.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin

KSRX003 introduces French producers Benales and Clotur. On the A-side, Benales delivers direct, groove-led tracks with solid low-end and tight drums, built for club use. On the B-side, Clotur takes over with a deeper, more hypnotic approach and a raw edge. The B2 switches to breakbeat, adding a different angle without losing flow. Straightforward tools for the floor.

Fuse leans further into its proposed aesthetic of biting club tracks with a brand new release by Cirkle. ‘Infinity Drift’ balances powerful sound system sound design with lush ambiance, creating standout moments on a dancefloor with a taste of nostalgia. These tracks explore the richness in themes that techno can have when made by someone who’s spent years meticulously crafting it. ‘Skyland’ asserts itself first with impressive pace. Swift chord stabs open and close to create waves of excitement and craze in the track while percussion shuffles along to add impact; Cirkle is an artist of all rooms and dimensions. Shrill sound design cuts through the stereo field creating a wormhole in the middle of rhythmic determination. Tension balance and anticipation are his specialty and every transition whips his dispersed elements into singularity in the EP, specifically the title track. A truly musical piece that embraces the crowd with vintage warmth, ‘Infinity Drift’ tones down the dissonance in exchange for something closer to astral exploration. These larger than life themes are never lost on dancers and serve to unify the dancefloor into an organism instead of pushing sound system violence. This is a theme that is omnipresent in Cirkle’s music and carried through into ‘Stimulus’. Here, the Greek producer dips into the hypnotic bordering on psychotic, stretching arpeggios and delays across drum transitions and time. The dimension of ‘Stimulus’ matches the preceding tracks with ease, but stands out in its effect, rolling a powerful synth through reliably tuned percussion. For the final track, ‘Impulse’ sees Cirkle prioritizing the importance of drums. Pressing hard on the drive of the kick, rides and filtered claps squeeze their way out of the low end to create an infectious groove. Stabs of ethereal pads envelope the rest of the EP, leaving space for the rest to breathe. Bumping along the way, Cirkle lands the EP with class, cementing himself further as an artist whose knowledge of the dancefloor creates a singular experience.

After a wildly busy and successful first year in operation, CLOSE PROXIMITY announce ”House of Hades EP” on Belters 4U.
This is their most accomplished EP yet, that is a tribute to the artists of the 90s electronic scene who’s music continues to inspire today.
Jam packed with all things trance, progressive and euphoric…the EP is isnpired by the duos biggest influence…Underworld.
2026 is off to a flyer for those London lads CLOSE PROXIMITY.

Emanuel Satie returns to Crosstown Rebels with his expansive new three-track EP, ‘A Love Fantasy’. Releasing on 19th June 2026, the Lisbon-based artist delivers his first full EP in three years, exploring the deeper, more emotive corners of his sound, alongside a collaboration with Bruno Roth.

German DJ/producer Emanuel Satie returns to Damian Lazarus’ Crosstown Rebels with ‘A Love Fantasy’, a three-track EP that captures an artist equally at home in peak-time spaces as in more introspective territory. Bending emotional depth with groove-led energy, Emanuel continues to refine a sound that balances timeless house sensibilities with a sharp modern edge, following acclaimed releases on Innervisions, Diynamic, Cocoon, and more. Having already released on the label with ‘Personal Liberation’ back in 2021, his return brings three tracks of late-night house bliss.

Title cut ‘A Love Fantasy’ brings soulful vocals, vibrant chords, and crisp rhythms, shaping the deep-rooted energy felt across the EP. On ‘Touch’, he links with Ibiza’s Bruno Roth for a deeper excursion guided by sweeping melodies and fluid movement – born from collaborations between the pair that began in the years following the pandemic. To close, second solo track ‘Some Love’ leans further into melody and emotion, rounding out the release with an uplifting finish.

Over the past few years, Emanuel has continued to solidify his place as one of the most consistent artists around. From Beatport chart-toppers and DJ Awards recognition to standout records and his role within internationally renowned collective SCENARIOS, his output continues to bridge underground credibility with global dancefloor appeal.

Joe Claussell, a true prophet of spiritual dance music, delivers a headlining remix (‘extended’ and ‘dub’) that bridges Afro-diasporic ritual, deep house and jazz mysticism. Timeless, ceremonial and powerful. A statement piece for uplifted floors and selectors.

Errortica takes the scene by storm with here new mini-album — 'I'm Good'. The four-tracker includes previously dropped singles 'Copy Me' and 'Psycho' (feat. Reptiloid), as well as two fresh tracks feat. nashnocap and Blessna. Highlighting her serious studio skills, Errortica mixes different genres: dirty rave vibes with distorted basslines, hardcore hoovers, mixing breakbeat drums and gabber-inspired kick, with a contemporary vocal mix attitude that’s raw, tough, and sexy. In a chase of a perfect dancefloor hit, Errortica continues to drive her dancefloors into a wild, electrified zone for some unforgettable experience. In a chase of a perfect dancefloor hit, Errortica continues to drive her dancefloors into a wild, electrified zone for some unforgettable experience.

Aaron Coyes (PEAKING LIGHTS, LEISURE CONNECTION, NTS) is back with part 2 of this 3 part series under the EXOTIC GARDENS moniker.

This time, the listener finds themselves sauntering into the post-noon hours with a little more grit: Acid synths, distorted phones ringing, some hungover spoken word samples and even the sounds of a Monchichi if you listen closely enough.

But at the heart of it all remains the same backbone that made his 2024 "MORNING DUBS" a surprise hit for Pinchy and Friends: infectiously deep, perfectly produced psychedelic dub
grooves.

Coyes has had a busy year. He released another Exotic Gardens EP on the Emotional Response label, indulging his more distorted, shoe gaze and post punk passions (and sounding much different to his work with P&F). He also worked with fellow P&F artist COYOTE on the "Love Letters" EP. (2025- Is It Balaeric???)

Now that we are 2/3rds into the day, one can only wonder…what will the EVENING bring???